#Which are new some old some new

[marzipanandminutiae]

"we bought this Victorian house and opened up the interior, adding lots of overhead lights and pewter walls-"

biting you killing you biting you killing you biting you killing you

[theartingace]

Your centaurs differ pretty wildly from the base DnD centaurs, but what I am curious about is old people. DnD centaurs travel in migrations that last generations and just leave the old or infirm behind to keep on (at which point they become Chiron types); how do your centaurs handle the elderly?

I actually had no idea that DnD centaurs did that, kinda cool, kinda wild cultural practice?? While I have always encouraged folks to use my workarounds and patches for centaurs in their TTRPG games, I actually have very little idea of what ideas are already in any of the systems that do actually include centaurs! my advice on centaurs is usually much more niche daily life stuff than most game developers and story writers tend to delve into.

For my centaurs the elderly are treated much like any human elder, what do you do with them? You cherish them!! Particularly with my centaurs, who across all their cultures depend a lot on family and group dynamics to compensate for the challenges that come with having a horse body. So elders would be an important font of knowledge and cultural memory! Now MY centaurs in particular tend to be pre-history to medieval style cultures, with access to higher medicines pretty much limited to the Port city of the Merchant's culture so living to a super advanced age would be fairly rare, but that would just make those who DO get to that age generally more important and respected (at least according to Nana)

As mobility issues arise with advanced age, there's lots of options to keep Nana mobile and healthy, from supportive corsets and harnesses to support the back to senior comfort hoof trims and special shoes- but most end up opting for being (literally) carted around in small wagons by the grandkids. Or the more independent minded seniors may drive their own carts with pet ponies and donkeys (or even goats!)

Of course wheelchairs are also an excellent choice to help with mobility at any age!

And even in my semi-nomadic Rider culture, elders are simply packed up with the yurts and tents and travel in the carts that way. No reason to leave them behind when you have stuff to be carrying anyway in my opinion!

[salamispots]

heard it was year of the dragon : 0 also been trying to learn clip studio more

[gummi-ships]

Kingdom Hearts Re:Chain of Memories - Halloween Town Sora & Riku

[copia]

"And there's nothing you can do!" ⛧ Ghost - Rats for WORLD RAT DAY 04/04/2024

[pepperpixel]

Initial drawings of that old man… I literally, I haven’t finished reading the book of bill yet!!! I had to stop and take a break for a week to feverishly draw fanart of myself petting fords floofy hair and giving him attention and shit…!!!! The urge was too great….!! I’ve literally. I had a crush on this guy the instant he was first REVEALED in the show, but I did not have the artistic prowess to draw good looking old men back then… but I do now… thank god… thank fucking god

[smokeys-house]

I haven't watched moominvalley s4 yet but I'm gonna be real with you, if you expected snufmin to be an explicit and developed part of the story, the story being once again a reprise of stories that were already told in prior iterations, you were setting yourself up for disappointment from the start and it's nobody's fault but your own. You were not queerbaited. You were not misled. You simply chose not to remember that moominco fundamentally does not change, iterate, nor develop on the original moomin stories in any major capacity. This wasn't a surprise in any of the media prior, and shouldn't be going forward.

I will also say that while snufkin and moomin's relationship is predicated on a romantic one (her and atos,) it also important to remember that that relationship did not work out and Tove eventually saw less and less of herself in moomintroll, and she never explicitly showed them together, so moominco won't either. She might have wanted to at some point or another, but for better or for worse she simply did not. I know how much some of you want them to be together, but it is not the fault of anyone working on the show that you didn't see them kiss or w/e and you can't judge the quality of s4 based solely on not getting your ship on. If your problem is that they once again did not advance iterate or change the story, while that's a valid complaint, it shouldn't be a surprise, and shouldn't be taken out on anyone but moominco's policies regarding their IP, not gutsy or any of the other staff involved. You should be fair and judge the season based on its quality itself rather than how it should've gone, since it was only ever going to go one way.

[ohno-the-sun]

Found this old comic in my drafts

[spacecasehobbit]

After seeing yet another popular tumblr post with thousands of reblogs bemoaning the state of comments on fanfics these days - more specifically, the supposed lack of commenting these days, as opposed to The Good Old Days - I have decided that this is in fact a hill I am willing to die on. I'm making a separate post about it rather than reblogging the latest iteration, though. This is hardly the first time I've seen these types of discussions, and my issue is with the mindset in general, not any of the specific people who hold it.

In the most recent version, the entire post with all its various arguments and assertions was plenty frustrating across the board, but it included one line in particular that cut beautifully to the heart of my issue with this type of discussion. The line in question:

"fanfic authors now are treated like content mills, and not like valued members of a creative community who thrive on interaction."

Once I read this bit, I had to stop, take a few deep breaths, and then go make my own post before I imploded over the sheer level of NOPE this line inspired. And okay. The thing is... I want to say this as gently and kindly as I possibly can, but I need to be real blunt for a minute, too.

That line I quoted sounds like a wannabe social media influencer.

It sounds like a person who thinks fandom is - or should be - comprised of fanfiction writers, aka Valued Content Creators, and their respective communities of readers, aka Content Consumers, a strictly distinct group from fic writers, for whom they create fanfiction content and who in turn pay them back with attention and validation in the form of comments and praise.

It does not sound like a fanfiction author who enjoys the creative hobby of writing stories based on characters and worlds from existing stories, engaging in their hobby within a community of other likeminded creators of fan content.

Frankly, fandom has always been worst when it starts obsessing over Big Name Fans who wind up treated like elite fandom social influencers, instead of hobbyists engaging in a fun hobby together based on mutual interests. A shift towards the idea that every fanfic writer should be effectively a social media influencer whose community consists of fans reading the content they oh-so-lovingly create (but only if they get enough positive attention from passive consumers, presumably readers who don't write their own fic or expect comments back from the author in return) sounds like an absolutely awful direction for fandom to take.

I don't want fanfiction and fandom spaces to turn into another social media space full of Our Valued Content Creators, all fighting to build the largest "community" of passive consumers turned devoted followers.

Again, that sounds frankly fucking awful.

The people who only read fanfiction are not your fanfiction community, because they are not engaging in the shared community hobby of writing fanfiction. Your fanfiction community is, perhaps, the other people who are also writing their own fanfiction based on someone else's original work.

So perhaps if comments really are declining on fics these days, instead of asking why passive readers aren't heaping praise on every fic they read and making sure it all happens where the Valued Creator can hear it, you should ask yourself how many other fanfics you've commented on recently, and then go comment on another one if you're still feeling down about your own work.

Or, I dunno, find a fic author you admire and send them a message on tumblr, if you've already commented on all of their fics that you read and enjoyed.

Or start your own discord for likeminded fans, or find a way to set up your own fandom forums centered on your personal fandom interests and invite other fic authors to come join.

Or, like, anything that involves reaching out to the actual community of hobbyists you can reasonably consider to be a community you are actually a part of.

Aka, other fanfiction writers.

[senblades]

It's May 28 somewhere, (here. It's May 28 here.) which means that I get to share the pieces I did for the @akeshuakeauzine! fun times

This was the piece I did for the back cover of Volume 2! Roleswap shuake... I will write... someday.

[reflections-in-a-critical-eye]

I am blocking jikookers everyday now ever since AYS aired. I don't care if someone wants to answer all the trolls, akgaes, ex-jikookers. Whatever, do what you want. But keep it on your blog and don't clog the jikook tag with all the bullshit. And for what? For a snarky remark as a reply? As if that actually puts the anons in place? They achieved their purpose, you gave a platform to trolls. Well done.

[marlynnofmany]

Note for someone to turn into a story: one way to give the middle generation/s on a generation ship a purpose in life, aside from "raise the children whose children will eventually land on the colony world," could be as creators of art and story. Music too.

Just imagine: you have your whole life ahead of you with all the training and materials of this vast spaceship at your disposal, and all of society plans to revere the creative masterpieces you and your peers come up with.

No pressure.

But yes possibility.

[aardvaark]

im so glad that we never get a clear picture of sophie’s background in leverage & i hope we never do. however i also really like making up various, often conflicting backstories for her in my head. perhaps they’re all backstories for an alias of hers, ones she laid to rest back in season two.

[snarkspawn]

long time no swtor! hi

[brekkie-e]

Ok. I am all for giving Veilgaurd the space to be it's own game and appreciate it for what it is, but every time I see a person who openly talks about only getting in to dragon age this year or some other nonsense go off about how long term fans hate the game cause they cant handle change I see red.

I mean, to be a Dragon Age fan, you have to be able to accept change. Change is at the core of the experience. Whether that's a good thing or bad thing is a different question. But if you're a long-term fan of the series, you've succeeded in the task of accepting change.

The criticisms of Veilgaurd are, in my opinion, a little unique to the franchise. For all Inquisition tweaked certain lore and it irritated a lot of people- it did so with self-awareness and intention. I am thinking about how it did the Dalish dirty in many respects. For all I do not agree with that writing direction, the game itself atleast acknowledges it is 1. New information. 2. Dependent on the clan. 3. Gives you the room to roleplay your character according to previously established lore. This is just one example, of course.

Veilgaurd is unique in the fact it ignores much of the series pre-established lore and in no way owns up to it.

I have seen a lot of hateful comments about how Origins hasn't been the framework of the series since 2009. And yeah, sure to a degree that is true. The gameplay certainly got tossed out. But in many ways, Dragon Age 2 is a direct continuation of that world and setting. DA2 and Origins and the lore they established are solid and share a vision. Play as a Mahariel and engage with Merril's clan. It's the same world. The same npc's. Inquisition does not deviate that far from that vision when you look past the companions all playing devil's advocate.

I really don't think everyone disappointed with this game or finding it lacking are "blinded by nostalgia." Most Dragon Age fans will be the first ones to tell you the franchise is a mess. But acting like the games that established it as beloved to it's fans are no longer relevant is so nasty to me. You as a newer fan would not be able to play Veilgaurd if the older fans had not made the previous titles financial successes. If they had not kept the love for the series alive, this new game would never have made it out of development.

The game is good. It's enjoyable to play. It's not without its charms. It should be given room to shine for what it is. It's a miracle we have it given the development journey it went on.

But it's also a massive smack in the face to many people who loved all three previous titles. And that's a bad thing. And I hope future titles remember the lore and tone of the series better.

These two things can both be true.

[yardsards]

i needed to express a sentiment in the creative stylings of @dunmeshiminimumwage