#Well not really spoilers but it's stuff in the game so

[star-fandoms]

I FW WITH THIS HEAVYYYYY OP!! I do have my own theories as well that I wanted to add onto this since I agree with yours, so I hope you don't mind!! :3 A lot of this stuff you said but I'm also adding more detail from the new update!!

HEAVY HEAVY SPOILERS!!

For starters, I agree HEAVILY with the idea of reincarnation being a theme in this game!! The creators tumblr has a few posts where Sol talks about his soulmate, and while that isn't a definite need for a series to be a reincarnation series, I've always thought about soulmates being someone you'll meet in EVERY life after you're reincarnated! Also, I feel like Sol remembers his past life, I didn't know about the post where Amnesia was mentioned, but I feel like it def fits into Sol remembering his past life! So I think Sol, MC, AND Crowe were all reincarnated!

Sol, being the executioner, as you said! One, they kinda LOOK familiar, when I saw the executioner I instantly said Sol LMAO! Two the whole bruise on his neck thing you mentioned! Three, in the bad end Sol uses an axe to kill Crowe, axe's are KINDA similar to guillotines, you aren't gonna stab someone with an axe like you would a knife, you use an axe to chop like a guillotine! Also I'm like 95% certain I've seen something from a game or movie where the use an axe shaped blade instead of the typical guillotine blade! Fourth!! I know Sol isn't the ONLY one who kills, but he's a yandere, he EXECUTES his rivals!! The executioner drawing is also seen with an axe(what Sol used to kill Crowe with) and a collar on and Sol ALSO wears a collar!! It also says that the executioners arms are littered with scars and so are Sol's!

I actually see MC being either a commoner, peasant, OR and most likely, a farmer! I think something from Sol, MC's, and Crowe's past life carried on with them until this life!! And I think MC has always been a farmer, like how they are now! Another reason is when you study with Crowe, in Crowe's question, he talks about the queen befriending a commoner(I believe Crowe is supposed to be the "queen"), I very much feel like the whole scenario Crowe brought up is SO much like Crowe's relationship with the MC! The MC being sus of Crowe for being so nice to them in the beginning of their friendship, much like how you can choose to say you'd be wary of the queen for being nice to you if you were a commoner, Crowe being extremely kind and helpful to the MC even though he really has NO reason to, and he even LOOKS like royalty(he's so pretty omfg) and has been stated to be wealthy! During your first outing with Crowe(when he takes you sightseeing!) he asks if you believe in god, if you say no the MC starts to talk about how they would get upset that their father and theirs hard work would get downplayed and seen as a miracle of god, later in the study session, Crowe uses the same scenario for the what happened between the farmer and the queen, the queen using the farmers hard working labor to throw parties.

And finally, Crowe being royalty! OKAY!! So I've already said he looks princely and is wealthy(which as you said Sol hates the rich)! Two in the study scenario with Crowe he talks about how everyone started turning against the queen because of rumors(I already think about how he doesn't get along with his family so they COULD be included with the people who turned against Crowe! Much like how there were other nobles talking bad about the queen!), I think that Crowe has SOME kind of recollection about his past of being the queen, def not to the extent that Sol has but at least SOME!! I think this because of Crowe's friends, Crowe's friend group consists of people who are "poor"(not necessarily meaning poverty in this case, but poor in terms of hard lives and scenarios being thrown at them) and Crowe is helping them and accepting them even though he once again, does not need to. He welcomes them into him life and under his wing. I also have a feeling that something is going to happen where a rumor comes up about Crowe that you can choose to leave him for, and I also wonder if his friends will leave them, they seem really loyal to him though, but in the comments on Crowe's profile the creator says that Crowe's route is a rollercoaster of emotions, and it would literally break my heart to see all/most of Crowe's friends leave him because of a rumor. I'm not too sure of this since not EVERYONE left the queen behind so they could stick by Crowes side, which is also just another reason I think MC was a farmer in their past life too since the people against the queen were seen holding pitchfork/rake. FINALLY!! I think Crowe is the queen because in the bad end, it states that Crowe's head is barely hanging on, number one guillotines cut off heads(furthering pushing Sol to be seen as the executioner!) but also royalty can ALSO be guillotined(such as Marie Antoinette!) so i think it shows that the queen was guillotined and Sol was trying to replicate that with Crowe! Also Crowe literally CRIES if you say you'll be friends with the queen and stay by her side(which i think would be even more heartbreaking for Crowe if you DID end up leaving him!)

Although I can still see Crowe and MC being switched, with MC being a royal in their past life and Crowe coming from nothing! Maybe MC being a farmer in debt was punishment for NOT helping the poor townsfolk! And Crowe also states that if the queen was nice to him, he'd be sussed out as well, maybe showing that HE WAS the commoner(if the queen was giving the commoner gifts, then maybe that's why Crowe ended up wealthy in this life!) If you choose to see the queen as a friend, Crowe says that's very noble of the MC, as expected of them, and then does not further his explanation!

Also just as a one off comment, Sol clearly likes your neck with how often he buries his face in it, but Crowe ALSO buries his face into the crook of your neck at the end of day two!!

cw TKaTB spoilers, theory, mention of guillotine, amnesia memories spoilers

TKATB and its characters belong to @fantasia-kitt !!

TKATB IS RATED +18. MINORS DONT INTERACT

Was about to post a theory about how sol could have been reincarnated to meet pumpkin again in a different timeline bc they werent allowed to be together in their own timeline, the bruise on his neck being an indication of being guillotined AND him giving purple tullips (sign of royalty and elegance) to pumpkin on valentine's, feeling insecure about his lunch (saying it isnt "extravagant" enough for pumpkin) and somehow using pardon me instead of excuse me (he doesnt usually use this type of elegant language i think. could be just me) kinda seems like we were royalty before? I mean, crowe mentioning marie antoinette and the game giving us many options for the question seems sussy to me. Why does MY opinion on the queen matter this much to both crowe and sol since their love meters go crazy with the answers? speaking of historical figures, i cant be the only one thinking sol WAS the "executioner". maybe that could be it. he was "the executioner" and we were a part of the royalty: swimming in money, expensive alcohol and the sweat of the peasants; and sol being one of them. Maybe we didnt even know who he was but him being a delusional yandere, he thought we were inseperable lovers. maybe that was why he was drawing someone in peasant clothes. He was just drawing his past life, could be the day he first saw us or the day he lost us. anything to support my theory? what inspired the game, ofc :D i was stalking fantasia's socials when i saw the game was was inspired by 3 gamea, one being Amnesia Memories (IM A HUGE FAN OF THAT SHIT). if you didnt know, amnesia memories is about a girl waking up with lost memories, trying to remember things. but bc it is an otome, she has a partner in every world she wakes up in. so if she fails to recollect her memories, she ends up in a different universe with a different partner. the relevance between tkatb and amnesia? in amnesia the final LI can also switch between different universes. he loses the mc in a fire and cant live without her. So a god helps him go to a different universe to be with her again. But everytime he goes to a universe, the world either kills the mc or him somehow. Following with pumpkin being royalty and sol not being able to live with us, what if after our death; he went to a different universe where we are classmates (equal parties!!) and now the entire purpose of his existence being, well, being with us forever?

But yknow. I decided not to post it since pretty much everyone already thinks this way! its probably what fantasia WANTS us to think to bamboozle us in the end, right? :3

P.S. not to mention his hatred for the rich. the rich and their stupid rules were the things that stopped him from being with us! but what if hyugo ALSO has switched universes along with him for his own reasons? Could this be the deal between the two, and the reason why hyugo wont allow sol to just die like that?

[theriverbeyond]

#SPOILERS

ok so I watched arcane s2 act 1 and my immediate reaction is mostly mixed -- I think there was gorgeous art and strong individual emotional beats but I think it all got watered down by everything else -- I did LIKE it, I guess (?) and am reserving full judgement for the whole season until the next 2 acts release, but yeah.

warning for SPOILERS and also critiques below:

the deluge of new characters I have no reason to care about, and whom i am given no specific reason to care about (besides the itty bitty one, and that's just bc they are a child) does not hit. I dojt get it. why are these people special or chosen for the strike squad. they're just randos, and fangirls and one of them is a random dude you all seem to have grabbed off the street (?) also who tf is amara. was she even in season 1 at all?

the integrated music videos felt significantly LESS integrated this season than the last. last season it felt like the "music video" segments were just like.... really well done and stylized parts of the show, here they feel more like clipshows or standalone music videos during which the actual show takes a pause. some of them do advance the plot and all are gorgeously done but like, I dunno. feels a bit much, honestly, especially in a show that NEEDS to be incredibly economical with its time

relating to that, it feels as if nothing really happened at all besides setup, and I guess that was perhaps narratively necessary, but using THREE episodes of a 9 episode season to set up the plot feels..... REALLY wasteful, especially when i feel like those 3 episodes didnt have a tight plot OR tight character focus. everything feels very loose. the timeskip between s1 and s2 is like.... idk! why did we skip that. why didnt we just skip farther. how is Vi suddenly beloved by topside those bitches hate her!!! anyway. there is a lot happening and a lot being set up and, as i said before, a LOT of new characters being introduced and I'm not very emotionally invested in most of them. The differences between act 1 s1 and act 1 s2 are feeling incredibly stark right now.

To me, Arcane has always been a character driven work, so I can forgive it of plot issues if the emotional focus and character arcs are strong. I.... didn't feel that here! and even the big character moments didn't quite hit. for me. like ok CaitVi kissed. but like. they've known each other for a week? Why are they acting married? The most resonant and emotionally intense part of the CaitVi arc in act 1 was when Caitlyn HIT HER with HER GUN, in a way that felt deeply reminiscent of how encorcers probably hit Vi when she was in prison. And that was like at the very end. sorry but the kiss just did not hit for me. sorry. so sorry. you can kill me with Hammers if yuo want to

A lot of characters seem to be making plot centric decisions that simply do not feel within their character. Vi becoming an enforcer -- I literally do not care about the game, it is emotionally inconceivable for show!Vi to do be super down with gassing the undercity. Jinx and Sevika suddenly being buddy buddy is weird, even thought i LIKE it, it just feels.... fast. Jinx's arc, emotionally, feels the best and most consistant, and I feel like there's so much setup happening it isn't given the space it needs to breathe. Caitlyn becoming a facist is like.... fine, I guess. I really like the emotional conflict this inserts to the story but again it just feels inconsistant with her lifelong characterization as someone who is out of place on the force. also didn't she actually get fired lol. why is there a Kiramann supercomputer.

a lot of stuff just feels emotionally really off. Cait going wild with anger in her grief is fine, but then it feels.... bad that the redhead bitch who's CHILD Jace KILLED last season is a villian for wanting revenge also? maybe this is just an inherent weakness of the genre. or the source material. or whatever. i mean season 1 was pretty enforcer-critical at least in the first 2 acts. sorry for wanting a story made by people with money to be consistant in its negative framing of cops :/

l am deeply confused about the Noxian angle here -- I think it serves a meta narrative function of giving Topside and Bottom (aka, all the characters we care about, who hate each other rn) a common enemy to rally against, but there is just. a lot going on, honestly. too much? only time will tell. this all makes me deeply concerned/curious about the governmental system of Piltover though. why is Caitlyn like the town King now. why are they not electing new councilors.

don't even get me started on viktor being undercity jesus

Anyway. things I liked: the opening, especially its contrast to season 1. Jinx & Vi's fistfight was incredible I just wish Vi felt more emotionally consistant BEFORE it happened. I really LIKE jinx being given essentially a second chance in the form of saving and caring for a child in a situation that puts HER in a reversed position from her youth. like OK it definitely feels way out of left field but like, that's fine I guess. I like what they're doing with the kid. the art is gorgeous as always. I love how the enforcer squad is represented like hunting hounds, coming out of the gas. unfortunately i think their gas masks are wildly erotic. anyway. what was i saying?

that's my immediate thoughts. I'm definitely open for comments/explaining, but i really don't like the "it makes sense if you play the game/pay attention to LoL meta" kind of explanations I see thrown around -- it's a narrative weakness to be relying on viewers to know LoL lore, especially on the heels of season 1, which didn't need viewers to know anything.

[shewasverynice]

Fandoms: 呪術廻戦 | Jujutsu Kaisen 

⚠️ SPOILER HEAVY ⚠️

Major Warnings: Graphic Depictions Of Violence, Major Character Death 

Full tags/warnings on Chapter links post

Major Characters: Original Character, Gojo Satoru, Geto Suguru, Ieiri Shoko, Yaga Masamichi, Nanami Kento, Haibara Yu, Tsukumo Yuki, Choso

‎‧₊˚✧ Chapter 11 ✧˚₊‧

"Happy Halloween!!" Sarah and Suguru shouted, slamming Satoru's dorm room open on a crisp and beautiful Halloween morning.

"S'not evenmm--" he mumbled, barely opening one eye to look at the clock, "Sun's'not evn up yet..."

"That's 'cos we got stuff to do!" Sarah said, appearing right in his face and making him jump back, "C'mon sleepyhead! We gotta get ready!"

He yawned, slamming his face back into his pillow and stretching his legs out. He flexed his toes, the whole bed shaking as he let out that very necessary groan we all have to do when you get a really good stretch going.

"Are we going somewhere or something?" He mumbled, sitting up and letting his head rest on the headboard.

"We're gonna go find Himuro Manor!" Sarah reminded him, "It doesn't have an exact location so we'll have to just look around."

"Oh, right," he sighed, rubbing his eyes with his finger tips, "The Fatal Frame house... So it was real?"

"It's already become real through a curse," Suguru said with a shrug, "I'm sure we can find it if we follow the legends about it."

"And if we don't, then we'll just spend the whole day and night in the woods having so much fun," Satoru said sarcastically, reaching into his drawer for a clean shirt.

Sarah automatically faced away as he started to change, sitting on the end of the bed, "But if we actually find it, we can play like ghost hunters!"

"There's no such thing as ghosts," Satoru said with a roll of his eyes, "It's not ghosts. Just curses."

"Pfff," Sarah rolled her eyes with just as much sass, "Curses and ghosts are the same thing."

"Curses can kill you, a ghost isn't real and so it can't," he said with a sneer, "Two different things."

"Okay well let's just pretend they're ghosts then," Sarah huffed, "Be cool, Glacier Freeze."

Suguru stepped in between before they started to really get worked up. He grabbed both of them by the collars of their shirts and pulled them along with a shake of his head. "Too early for sass," he said, "Let's go. We have a drive ahead."

The day before they'd already prepped everything they might need for a long adventure in the woods. Everything vital like snacks and soda and a couple flashlights, all the important stuff of course. Convincing a manager in training to drive them there was the most difficult part, really. They had to offer to cover for him on three nights coming up, around Christmas time of course, but the price was easily worth it.

"What's so special about this place anyway?" Satoru asked with a heavy sigh, buckling into his seat a half hour later, "I barely remember that game. The second one was way better, yeah?"

"It was," Sarah agreed, "But this one was set in just the mansion so it was probably easier for the collective consciousness to make."

"Well maybe nostalgia for the second one will manifest a real village someday," Suguru said with a shrug, "We are lucky we could make this happen at all. Normally they don't let the first years do investigations."

"What did you tell Yaga?" Shoko asked, "How did you convince him?"

"I just asked," Suguru said with a shrug, but a certain twinkle in his eye told Shoko it was better not to ask right then. She raised her brows and simply continued with, "So are we just playing around or are we actually going to exorcise it?"

"Fun first, kill it after," Satoru said, adjusting his shirt while he slouched down, "We can play around in the spooky house for a bit and then take out the curse when we're done."

"Does this count as my first mission?!" Sarah said excitedly and Satoru patted her head. She swatted at his hand and he grinned at her.

"Don't worry, I'll keep my cute little underclassman safe," he teased then smirked as she slapped at the infinity between them when he kept her flying fists away.

"When we find a ghost imma make it haunt you!" She huffed, and he cackled as he leaned back in his seat.

⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂ ⠂⠄⠄⠂☆

The old manor loomed before them, nearly swallowed by the encroaching woods. Its darkened wood, once richly brown and varnished, had faded to a splotchy gray-black under years of relentless weather. In some places, ivy and twisting vines crawled up its walls, disappearing into crevices and windows like nature’s attempt to reclaim it entirely. Trees grew so close to the structure that their branches scratched against the eaves with the barest breeze, their roots winding thickly around the foundation like the gnarled fingers of some ancient guardian.

The air around them felt strangely thick, muted as if wrapped in a damp, musty blanket. The forest at night was utterly still, almost unnaturally so. Not a single cricket chirped; not a single leaf rustled. It was as though every living creature, from the tiniest bug to the tallest tree, held its breath, wary of breaking the heavy silence that blanketed the woods. Even the wind dared not disturb the silence, making the night feel like a quiet void around the old manor.

As Shoko, Suguru, Satoru, and Sarah approached the crooked steps leading to the main entrance, the floorboards creaked ominously beneath their feet. Each step groaned in protest, some splintered and fraying at the edges, threatening to snap under their weight. The smell of rot and damp wood mixed with the faint, lingering scent of old incense, as if the place still clung to memories of its past.

When they finally reached the heavy front door, Satoru pushed it open with a slight shove. It dragged against the floor with a low, tortured groan. As they stepped inside, a sudden chill cut through the air. It was colder than it had any right to be, a biting sort of cold that sank right to the bones and carried with it the unmistakable, thick scent of dust and decay. Everything felt heavy, untouched for decades, as if a single breath might disturb the dust hanging in the air.

"So uh..." Shoko whispered, reaching for her flashlight in her bag, "What was the haunting caused by in that game?"

"Oh, well they used to do a strangling ritual here," Sarah explained, walking up to look at a wall scroll that nature was melting slowly, "It was to keep the darkness trapped in this big spooky well."

"The malic I think it was called," Suguru added, then sighed, "And all of the ghosts had died to the curse, didn't they?"

"Not a curse!" Sarah said, pointing at him, "Ghosts! It was ghosts that got them and made more ghosts!"

"Right," Satoru grunted as he squatted down to pull more flashlights out of his bag, "So let's play along, right? We can play like the game and take a bunch of weird photos!"

"Did you bring a camera?" Sarah asked.

"Phone?" Satoru said sheepishly.

"That's not the same," Sarah sighed, "It was specifically the Camera Obscura that could catch the ghosts." Then she suddenly froze, gripping Suguru's sleeve, "Oh! We could just try to find it right?! Maybe it's just in here!"

"It's not gonna be exactly like the game," Satoru scoffed, "You shouldn't get your hopes up."

"Watch this though..." She said, walking down the hallway. She called back, "If I'm right then... The camera should be..."

She screamed as the shadowy figure of a man passed in front of her. She would have fallen back on her ass if Suguru and Satoru hadn't rushed up behind her, ready to fight.

"What?!" Satoru looked left and right down the corridor, "What was it?!"

"It was a ghost!" She stammered, "One of the people killed by the darkness!"

"Oh my god," Satoru groaned, "No it wasn't, shut up."

"It was!!" She insisted, staggering to her feet, "I swear it was!"

"So where's the camera then?" Shoko asked, looking down the hall.

Sarah pushed a broken screen aside and practically threw herself back pointing at the camera on the ground. Satoru and Suguru both narrowed their eyes, rushing over to squat down and look at it. "There's no way..." Suguru muttered, reaching out to take it. Satoru stopped him, then grinned.

"Nah, wait, let's play along," Satoru said, looking over his shoulder to Sarah, "Right?!"

"Yes!" Sarah scrambled over, picking up the camera, "Absolutely yes! Let's go! Right now!"

"Do you two remember the story?" Suguru asked, "I don't know if I do after so long."

"I... Don't." Satoru admitted, watching Sarah fiddle with the camera, "I think the character was a girl who lost her brother, right? He was researching the haunting here or something?"

"Yeah," Sarah nodded when she looked up from the camera, "And then he got killed by the ghost in the fireplace room and his sister came to check on him."

"So let me just make sure I heard that right," Shoko sighed, "We need to take pictures of the ghosts to exorcise them? Is that how this game works?"

"Yeah! The camera steals their souls and stuff and--"

"Okay," Shoko cut her off, "Alright, fine. Let's just go get this over with."

"Oh?" Satoru grinned, leaning with his arm on Shoko's shoulder, "You scared?"

She rolled her eyes, "No, but I don't really think this is the best place for Sarah and I. These ghosts are dangerous--"

"Curses," Satoru corrected her and she huffed before he continued, "And you have Suguru and I here! There's nothing to be afraid of!"

"Of course," Suguru agreed, "Nothing will happen to either of you."

"But what if we get separated?" Shoko asked, "That kind of thing always happens in these kinds of games."

"Pfft," Satoru waved his hand dismissively, "Don't be ridiculous. How could we get separated? It's just one building, we can't get lost in such a small place."

The manor had a way of pulling them apart, as if its very walls shifted to separate the four friends. Shoko and Sarah ended up on the far side of the house, where they stumbled into a dilapidated kitchen. A low, flickering light barely illuminated the room through grimy windows, casting shadows that seemed to twist and move on their own. The air was thick with the sour smell of mildew and something metallic—rust, perhaps, or the faint stain of old blood long dried. Every surface was coated with a thin layer of dust, untouched but for the occasional smear where something unseen had disturbed it.

Shoko moved carefully, eyes narrowing as she scanned the dark corners. "We should have brought something sharp," she muttered, annoyance crossing her face as she dug through drawers filled with cracked wooden spoons and broken bits of porcelain. A glint of metal caught her eye, and she pulled out a tarnished butcher knife, testing its weight in her hand. "Better than nothing, I guess."

Sarah kept her distance, glancing around nervously. “Anything about this place actually seem like it belongs in a kitchen?” she asked, eyeing the blackened stove and mold-ridden walls.

Shoko shrugged, her attention still on the drawers. "It’s probably been cursed for so long, it doesn’t know what it is anymore."

Meanwhile, Suguru wandered down a series of narrow, winding corridors, the wood creaking beneath his every step. Here, the walls seemed to close in tighter, bending and warping in places, as if they were alive and breathing around him. A faint, translucent figure flitted past, its face half-formed, looking as though it might disappear entirely if Suguru blinked too hard.

He chuckled softly to himself. "So, are you all separate spirits, or is this one big curse controlling everything?" he wondered aloud, as if expecting the house to answer. It was hard to tell in such a place, where curses lingered in every shadow, in every draft of cold air that seemed to sweep through the hall with a sigh. He felt a pull toward each apparition he passed, his curiosity ignited as he tried to sense if they were fragments of one larger entity or isolated curses.

Above them all, Satoru found himself standing alone in the cramped, cobweb-strewn attic. He'd somehow managed to hold onto the Camera Obscura. Now, if he could only figure out how to get the damn film in they could actually play the game

"Stupid thing," he muttered under his breath, squinting at the camera and attempting to load the film. His fingers fumbled with the film reel, the stubborn old device refusing to cooperate. He sighed, pressing harder than necessary, frustration building.

Behind him, a faint, icy whisper filled the air, the sound of creaking footsteps creeping closer. The temperature plummeted, and a ghastly, translucent figure loomed behind him, stretching a pale hand forward.

Without even glancing up, Satoru lifted one hand, releasing a sharp pulse of cursed energy that hit the ghost with a force that disintegrated it instantly. He went right back to struggling with the film, muttering, "Stupid old thing. Why is it always the oldest shit?"

Shoko and Sarah moved cautiously down the wooden hall, which felt endless, lined with crumbling walls blackened by age and water damage. Most of the paper screens had melted away, leaving jagged edges flapping in the occasional gust of cold air that seeped through cracks. It was as though the entire manor had been left to rot, assaulted by wind and rain until only the skeleton of its former grandeur remained. The air was thick and damp, and the boards creaked beneath their steps, echoing like whispers in the emptiness around them.

Sarah glanced at the ruined screens and recognized bits and pieces of the layout, but the decay made the space seem foreign and wrong. The house she remembered had not felt so terrifying on the TV and the real life version wasn't as easy to navigate as she hoped. They peeked into each room, nudging open the doors that could still slide, finding each space abandoned and stripped bare, only scraps of paper and tatami mats clinging to the floors.

Then, in a dark, shadowed corner of one room, something caught their eye—a small roll of film, resting atop a low table covered in a thick layer of dust. They both reached for it, excited by the unexpected find.

But before their hands could touch the film, a soft hissing rose from the floorboards. The shadows twisted and coalesced, rising up in a mass that took shape—a ghost with shriveled, hollow eyes and an agonized expression, its mouth frozen in a perpetual choke. It crawled upward, its skeletal hands stretching toward them, a hoarse wheeze escaping its lips as if it had been denied breath for centuries.

Shoko and Sarah screamed, stumbling back. Their voices carried through the empty halls, echoing in the dark spaces of the manor.

In an instant, both Satoru and Suguru heard them from their separate locations. Suguru took off at a sprint, his footsteps pounding through the halls, dodging splintered beams and ducking under fallen rafters. But Satoru opted for the most direct route. He blasted through the floorboards, one level down, then another, smashing his way through rotting wood and debris until he crashed into the room, scattering dust and splinters everywhere.

He raised his hand, a glint of cursed energy forming, ready to obliterate the spirit—but before he could release it, Sarah snatched the Camera Obscura from his grip. Her hands shook, but she moved quick, finally managing to load the film with one swift click.

She raised the camera, aimed it at the ghost, and pressed the shutter.

The camera’s flash went off, the room illuminated in a harsh burst of light. The ghost let out a bone-chilling shriek as it reared back, its form wavering and dissolving, until finally it disintegrated into nothing. The room returned to silence, the faint odor of charred wood and decay lingering in the air.

Satoru stared at the empty space where the ghost had been, wide-eyed, then glanced down at the Camera Obscura in Sarah's hands. Shoko, equally stunned, glanced between Sarah and the camera.

"Did that… actually work?" Shoko breathed, disbelief etched on her face.

Satoru blinked, then broke into a wide grin. "Guess we have a new ghostbuster on the team," he teased, nudging Sarah with his elbow.

Sarah, catching her breath, managed a shaky grin. "I knew it. We got this in the bag now!"

Suguru arrived just moments after the spirit vanished, skidding to a halt and glancing around the dust-laden room. Before he could ask, Sarah spun toward him, beaming as she held up the camera. "Geto! It worked!" she announced, almost bouncing on her heels.

Suguru chuckled, patting her head gently as she grinned up at him. "Nice job. That's really exciting," he said, warmth in his eyes.

Sarah and Shoko, energized by their victory, wandered over to the table littered with dusty rolls of film, muttering to each other excitedly as they examined their findings. Suguru took a moment to lean closer to Satoru, his brow furrowed with curiosity. “So,” he started, keeping his voice low, “any thoughts on what we’re actually dealing with here?”

Satoru gave a casual shrug, crossing his arms as he looked around the dark, decaying room. “From what I can see, it’s one curse," he said thoughtfully, "not multiple spirits or entities. But here’s what’s weird.” He leaned closer to Suguru, eyes glinting with intrigue. "When Sarah took that picture, it felt like the cursed energy didn’t just disappear—it dissolved. Like, I don’t know… cotton candy in water.”

Suguru smirked at the comparison, unable to suppress a chuckle. "Cotton candy, huh?”

“Hey, just telling it how I see it,” Satoru grinned. “But yeah, if that’s how it’s reacting to the camera, it should work to exorcise the curse completely. It’s like the energy is unraveling at the core. But,” he added, his tone a bit more serious, “if they actually end up in trouble, we’ll need to step in fast. The curse won't go down without a fight.”

Suguru nodded, the lightness in his gaze hardening with resolve. “Agreed. Let’s keep an eye on them, then—”

He cut off, turning back to where the girls had been standing, only to find empty space. He blinked, exasperated but amused. “Well, damn.”

Satoru snorted, rubbing the back of his neck. “Typical.”

Shoko realized they’d somehow ended up alone again, standing in what used to be a bedroom but now looked more like a crumbling nightmare. Shadows crept along the walls, and what remained of the tatami flooring creaked beneath their weight. Shoko let out a quiet sigh, muttering under her breath as she pulled out her knife, infusing it with cursed energy. The blade took on a faint glow, casting ghostly light in the dark room. She glanced at Sarah, who clutched the camera tightly, her fingers trembling slightly.

"Keep that camera ready, okay?" Shoko said, nudging her with a reassuring smile.

“Got it!” Sarah said, trying to sound steady, though Shoko could see her knuckles whitening around the camera. They made their way into the hall, stepping carefully around cracked wood and holes in the floor. Every so often, a faint figure would flicker into view—a blurry, shadowed ghost moving towards them. Each time, Sarah snapped a picture, and the figures dissipated with a faint wail, leaving only a heavy chill in the air. None of the ghosts seemed particularly aggressive, but Sarah’s excitement was palpable.

“So…where are we going, exactly?” Shoko asked, keeping her voice low.

“Well,” Sarah said, her eyes gleaming, “in the game, the first boss was this editor—used to work for some kind of paranormal magazine or something. His ghost haunts this house because he died from the curse.”

Shoko raised an eyebrow. “And how are we supposed to find him?”

“Uh, clues,” Sarah said, her voice trailing off as she scratched the back of her head. “You know…find the clues and follow them…”

“Right,” Shoko drawled, smirking, “You remember where they are?”

Sarah’s sheepish laugh was all the answer she needed.

Meanwhile, elsewhere in the mansion, Suguru and Satoru moved through the dark halls with little care. Shadows slipped around them, but they barely gave them a glance, dismissing each cursed spirit with a flick of their cursed energy. If anything, they looked bored, like they were on a leisurely stroll rather than inside a haunted house.

Suguru suddenly narrowed his eyes as he was mulling over the recent events. He stopped in his tracks and looked at Satoru. "If... The Camera Obscura is just part of the curse then how is it actually able to exorcise the curses?" He asked.

Satoru, who was a few steps ahead scoping out a ruined dining room, turned to him. He looked ready to answer before his brows furrowed and he said, "Y'know I hadn't thought of that. If anything the curses should just be recycling in on themselves."

"You mentioned before that she had a strange second energy, right?" Suguru asked, crossing his arms and putting one hand to his chin.

"Yeah," Satoru nodded, pushing at a broken screen with the toe of his shoes, "Think maybe that's what it is?"

"Well," Suguru tapped his chin, "It's definitely a possibility. Especially with what Yaga told us."

"Oh yeah, what did he say anyway?" Satoru asked, shoving the rest of the door aside.

"He said he'd allow her to go only if we could ensure her safety, which naturally we can, and we have her exorcise at least one curse," he explained, "I wonder if he wanted to see if her power works differently than ours?"

"Well, clearly it does," Satoru said, "Since it still can exorcise a curse using its own cursed energy. Maybe her stuff just blends in?"

"Oh, that could be," Suguru said, blasting a ghost apart as it tried to leap at him from inside the room.

"If I were to call it anything, I'd say it's like the opposite of cursed energy," Satoru explained, "Like... Divine energy, I guess? Hard to say since I've never seen anything like that."

"Divine energy would probably fit the bill," Suguru agreed, "Since it can resurrect and repels cursed energy but also draw curses in."

"It's weird though, right?" Satoru asked, crossing his arms, "Why haven't we seen it before? Never, even going to other countries have I seen it before. What's different about her?"

Suguru smiled, "Well, I suppose it's something to do with her bloodline. We could research it?"

"I tried," Satoru sighed, "The oldies blocked me from every angle. I guess I could call in the family to do it, but I don't really want them to know I know about her."

"It might be necessary, unfortunately," Suguru said, "Because it's not likely they'll let us find out more than we've already figured out. Yaga has already put himself at risk by telling us anything at all."

"Well, he'll be fine," Satoru shrugged, "We just won't let them threaten him. The geezers can't stop us." He smiled, then added, "Alright, I'll hit up gramps when we get this done. Let's see what he'll spill."

The hallway seemed to stretch endlessly as Sarah and Shoko bolted down it, their breathing ragged as they jumped over splintered wood and ducked under fallen beams. Dust and rot filled the air, thickening with each frantic step as the heavy footsteps of the ghost followed close behind. It was the spirit of a young woman, her modern clothes a stark contrast to the decrepit mansion. Her skin was marred with rope burns, deep and bruised, and her pale face contorted in anger. She was faster than any of the ghosts they’d seen before, and her hands reached out, long fingers curling as if to snatch them.

“Can’t… you just… stab it?” Sarah gasped, struggling with the camera’s film as she stumbled alongside Shoko.

“Not this one!” Shoko replied, not slowing her pace. “It’s too strong—just get the film in!”

Sarah fumbled with the camera, trying to load the film, her hands trembling as she struggled to fit it into the slot. “Come on, come on!” she muttered, wincing as the camera’s metal edge bit into her finger. She stifled a curse as blood welled up and dripped onto the film. Her frustration turned to determination, and with a final push, she finally slid the film into place.

“Got it!” she exclaimed, whipping around, but in her haste, she stumbled back into Shoko, who grabbed her shoulders, steadying them both as the spirit bore down on them.

Sarah lifted the camera, hands shaking, and with a hard click, the flash erupted into a golden blaze. The light filled the hallway, illuminating the ghost's face in an almost surreal glow. For a split second, her eyes softened, the fury and anguish replaced by a fleeting calm. In that one instant, her expression looked almost… at peace. The image was brief, a single heartbeat, before she vanished in a swirl of light and cold air.

Shoko stared, her eyes wide, breathing heavily as the afterimage lingered in her vision. “Did… did you see that?” she whispered, stunned.

Sarah nodded, her grip tightening on the camera as she tried to catch her breath. “Yeah… she looked almost…” She trailed off, too rattled to find the words.

Far across the mansion, both Suguru and Satoru felt the powerful shift in cursed energy—a flicker of something heavy, then lighter, as if the curse had dispersed. Without a word, they exchanged a look of understanding and immediately set off, weaving through halls and stairways as they made their way toward the girls.

Satoru moved quickly, his grin vanishing as he sped up, cutting through obstacles with swift blasts of cursed energy, his eyes sharper than usual. Suguru, meanwhile, kept his cursed spirits at the ready, his footsteps quiet but purposeful as he wound through the mansion.

When they finally found the girls again, Shoko and Sarah were still sitting on the ground catching their breath. Satoru sauntered over, leaning on the wall looking smug.

"So, how's the photo taking going?" He asked.

"Cut the crap," Shoko huffed, "You felt that right? That bright light? Was that her?" She pointed at Sarah who blinked and looked between the two of them.

"Yeah," Satoru nodded, "That's what I was talking about."

"It's so... Soft," Shoko said, looking at Sarah and tilting her head, "The curse seemed happy before it was erased."

Now that was new. Satoru furrowed his brow. "Happy? Like when you unravel a curse rather than exorcise it?"

Shoko nodded, "Yeah, exactly. It was super weird!"

"Huh?" Sarah stood up, "That's not how it's supposed to go?"

"No," Satoru said, "Is that the first time you've seen a curse exorcised?"

Sarah looked down at the floor, considering how to answer that. Satoru waited, but after a moment he saw that panic creep into her expression. She did see it happen before, she must have. She only got confused about her past when something was being covered up.

"Here," Satoru shook her shoulder, getting her mind back on him, "Let me show you how it's done."

She blinked away her confusion and smiled at him. "Oh yeah? Is this a special lesson from my senpai or are you just showing off?" She teased.

He pulled down his sunglasses and winked at her with a winning smile, "Can't it be both, baby?"

She playfully shoved him, then held out the camera, "You can sense them with this too if you need to."

"Pff," he took off his sunglasses completely and hung them off his shirt collar, "Nah, I've got special eyes remember?"

With his Six Eyes focused, Satoru quickly zeroed in on the manor’s curse—a dense, pulsing core of malevolent energy buried in the heart of the decayed building. His eyes narrowed as he mapped out the twisted network of cursed energy, sensing the curse’s hold on the whole structure, like roots tangling and suffocating an old tree.

Without a second thought, he appeared beside Shoko and Sarah, scooping them up under his arms with a cheerful, “Upsy daisy!” Sarah let out a startled yelp as he held her with one arm, Shoko on the other, their feet barely grazing the floor before he launched out of the mansion, skimming over the broken floorboards and leaping through the gaping front doorway in a flash.

“Suguru! Brace yourself!” he shouted as he touched down just outside. Without waiting, he raised his hand, two fingers pointed toward the manor as his cursed energy coiled and began to surge. Blue sparks crackled as an orb of condensed power formed near his fingertips, the energy practically singing with intensity. The air around them grew thick, buzzing with raw power.

Sarah’s eyes went wide as she glanced at the glowing blue orb only inches from her face. “Satoru, that’s a little close, don’t you think?” she stammered, feeling the pulse of cursed energy against her skin.

He glanced down at her, smirking. “Don’t worry, I’ve got it under control.”

And with that, he released the orb. It shot forward in a blinding beam, tearing straight into the heart of the manor. The explosion was immediate, a deep, resonating blast that expanded outward with enough force to shatter the ancient wooden beams and send splinters into the air. Dust and debris erupted as the manor collapsed inward, swallowed by the swirling cursed energy that Satoru had unleashed.

A moment later, Suguru emerged from the debris, coughing as he climbed out from beneath a fallen beam, his expression caught somewhere between irritation and exasperation. “You could’ve given me a little more warning, you know!" He shouted.

“I did warn you,” Satoru shot back, crossing his arms with a look of mock innocence, “You just weren’t fast enough to get out.”

Suguru narrowed his eyes, stepping closer. “Fast enough? You gave me half a second!" He growled.

Their voices rose as they squabbled, Satoru’s tone lighthearted, while Suguru’s was more genuinely annoyed. But neither Shoko nor Sarah paid them much attention, both staring at the remains of the manor. The wooden beams and cursed energy dissolved together, releasing a cloudy, black mist into the air. The curse’s grip on the house dissipated like smoke in the wind, leaving only an eerie silence in its wake.

As the mist faded, Shoko let out a quiet sigh, and Sarah grinned, still clutching the Camera Obscura as it slowly disintegrated in her hands. “Well,” she said, glancing over at Shoko, “that’s one way to exorcise a curse.”

Shoko chuckled, patting Sarah on the shoulder. “I’d say we’re done here.”

In the background, Satoru and Suguru were still bickering, their voices carrying across the clearing as the last traces of cursed energy faded, leaving nothing but a memory of the old, haunted manor.

⤶ Prev Main Next ↪

[sakurarisen]

Rebirth and Sera babbling under cut-

Me? Still in the grasslands? You're imagining i- Okay yeah no I'm still exploring. XD But I swear, the graphics and scenery are just gorgeous? And the lifesprings are giving me some serious brain brrrrr's regarding Sera and what and where she was prior to coming to Midgar and meeting Zack - Namely I'm willing to bet she found a couple of koi fish in the pond in the one just south of Kalm and that's where she stayed for a bit prior to getting her tattoo... I miiight have a ton of HCs just waiting to be written up and a really, REALLY good idea of Sera's time in Kalm and just how much she took to the place before she ended up in Midgar just before CC.

Also I can't be the only one who wants Chadley to shut up already, can I-

[muzzlemouths]

Well, I can't refuse an excuse to indulge lmao. Some of these explanations will have to remain very brief/vague in an attempt to tiptoe around spoilers, but I'll say as much as I can!

Honorary mention to Killers Walk which won't make it onto this list with an explanation because you know I just put it on here for sillies.

Be prepared for this to get pretty long!

(Don't Fear) the Reaper

This one's obvious, but I do want to mention that the change of parentheses placement was purposeful. (Don't) Fear the Reaper as in do, as in you should, as in you have every reason to fear them, but that "(don't)" is meant to imply a whisper from the reapers themselves. A plead. Please don't be scared of me.

One Way or Another

Also pretty obvious, but this one especially made it on to the playlist because I am struck with visions of an animatic of Sun going ham with his axe/knife on the counselors, montage style, every time it plays. It's just so fitting to how giddy and enthusiastic he is when getting his hands dirty. Then there's the final chorus, "One way, or another, I'm gonna lose ya, I'm gonna give you the slip, I'm gonna trick ya," which will be especially relevant in these coming chapters.

Wolf Boy

The first appearance of a modern song! I normally like to keep my au playlists to the era they take place in (take the Dead Mall Dare playlist, for example), but I had to break that habit for this au because there were just too many songs that fit too well to pass up. This being one of them!

The lyrics feel play a play-by-play of the experience thus far. Y/N has many bones to pick with them (murder being just the start), and they would give anything to just forget about this whole event and go back to how their life was before, but it's never that easy. I think "I ain't gonna play the same" touches on Y/N's refusal to look the other way. They had an opportunity to save themselves if they only played along, but they're playing another game entirely, and they don't intend to lose.

"Wolf boy" itself is undeniably clear (I mean, I literally made a Wolf Among Sheep reference last chapter), especially with the line about a puppy becoming a beast. They've seen how Sun switches on a dime, the way he puts his amicability up on the shelf like a prop, and now that you've made your decision, it's your head on the platter.

"Can you dig what I found?" reminds of moments where they first started putting the puzzle pieces together, and most especially when they discovered Jenn's drivers license. They won't be left alone anymore because they can no longer be trusted not to stick their nose where it doesn't belong.

"You think you're some tough stuff, I hope you're happy now," said after three of their friends have now been put to the blade, one way or another. They still don't understand why Sun enjoys their suffering so much, why it makes him happy to see them panic, and with how smug he's been about it all it's really starting to piss Y/N off. There's only so much empathy one can share with a serial killer before it becomes motive.

"If you're gonna huff and puff, I gotta save this town" because they've finally reached their breaking point, and they're prepared to drive the wolf out of town if they have to do it all on their own.

My favorite part about this song is how the vibe of the final chorus changes — and how sudden the change is. To me, this is the musical version of the moment the Final Girl decides it's time to fight back.

Shout

This one, to me, feels like a one-sided conversation between Sun and Y/N. "These are the things I can do without" being his implications of what he is willing to risk, and what he is willing to lose to get the job done. Because he has nothing left to lose, and that makes for a very dangerous person.

"I hope we live to tell the tale" The fish metaphor. The fish metaphor. You understand. "And when you've taken down your guard, if I could change your mind, I'd really love to break your heart" It bears repeating that he is still convinced he can change your mind, and you'll one day see his side of things. He would love nothing more than to wrap things up here and then live out the rest of your lives together as besties. But both of you know that's not going to happen.

Eyes Without a Face

The first song mentioned in the fic! (Actually, the only song actually mentioned in the fic so far. I gotta remedy that.)

"I'm all out of hope, one more bad dream could bring a fall."

"I spent so much time believing all the lies to keep the dream alive"

"Now all I can do is love what was once so alive and new, but it's gone from your eyes. I'd better realize." What can I say except that this guy is depressed and delusional. I hope you pick up on the themes of this one on your own because I keep trying to come up with ways to articulate why this one is important but I just look like a guy with his theory board and red string. Please tell me you understand. please. please. plea

Hungry Like a Wolf

This one is just for funsies. Something something Wolf and Rabbit dynamic. "Strut on a line, it's discord and rhyme" something something he be flipping on that dime again. You get it.

Private Eyes and Somebody's Watching Me

I'm not explaining this one. They're both about stalking and seeing through each other's facades it's not that deep (it is).

Psycho Killer

Come on man.

Dead Man's Party

Oingo Boingo beloved. This one is one of those songs that is a mix of Vibe and Lyrics. Sun would kill somebody to this. It's just bouncy enough to match his vibe perfectly. The lyrics themselves are pretty obvious:

"I'm all dressed up with nowhere to go. Walkin' with a dead man over my shoulder"

"Waiting for an invitation to arrive, goin' to a party where no one's still alive"

"Don't run away, it's only me"

There's more to it of course but alas, spoilers. You'll figure it out.

Dancing With Myself

If DFtR au were a movie this would be on the soundtrack, and yeah, Sun would kill someone to this one too. It makes me think about the times they've made their own company with the forest animals after being made outcasts, and especially when he extends an offer for you to join him— but, ah, that hasn't happened yet, has it?

Personal Jesus

What can I say except that this guy is too smug for his own good, and that kind of self assured vanity can only bring further tragedy. Sun and Moon are convinced that what they're doing is righteous, that it is justified retribution, that they are the heroes of this story. And Sun is personally going to do everything he can to convince you of that.

Bigmouth Strikes Again

"Sweetness, I was only joking when I said I'd like to smash every tooth in your head"

"Sweetness, I was only joking when I said By rights you should be bludgeoned in your bed"

"Now I know how Joan of Arc felt, as the flames rose to her Roman nose and her Walkman started to melt."

This guy is not joking. And his martyr complex is showing.

Tear You Apart

I pointedly look away from the camera. Anyway—

Y'all Want a Single

This one is so self indulgent. I just like to imagine Sun beating the shit out of somebody to this song I'm so sorry. This is the song where he stops playing with his food and just goes balls to the walls.

Who is She

Hey, I drew that vhs poster to this song!

There's just something so eerie about the vibe of this one, and I really enjoy the mental picture it draws of Sun and Moon's opinion of Y/N; how conflicted he is about their presence, how intriguing they are, how their antics are equally exciting and frustrating. This song is about them losing you. You, who they never had to begin with.

#4, Portrait of Mr. Boogie, AHS 1984, The Quarry

Skipping ahead on the list a bit so I can save the best songs for last. These four songs are nothing but atmosphere music for me. They don't personally relate to the story in any way (I mean, they're instrumental, so yknow), and are just songs that I keep on the playlist because I've repeatedly written scenes to them.

#4, specifically, was played while writing out the discovery of Chet's body (for real this time), and I'd like to think it's the song that would play during that scene were this a true slasher film, too.

Run Rabbit Run

Yeah yeah rabbit is in the title. Yeah yeah Moon made reference to this very song in his rhymed threat about a hunter coming for a trapped rabbit. But also this song is immediately relevant to the next chapter :) and I can't say more than that.

Now we're getting into heavy spoiler territory. These next three songs will be kept purposefully vague, but I hope you'll remember them when the time comes that all of it is laid bare.

Disenchanted

This song is about the tragedy. The tragedy that befell the campgrounds, yes, but more so about the tragedy that Sun and Moon endured as a result.

"Well I was there on the day They sold the cause for the queen And when the lights all went out We watched our lives on the screen I hate the ending myself But it started with an alright scene"

"It was the roar of the crowd That gave me heartache to sing It was a lie when they smiled And said, you won't feel a thing And as we ran from the cops We laughed so hard it would sting"

Sun and Moon were never given a chance to prevent this. They were always doomed from the start. When tragedy struck, they could only stand back and watch as decisions were made for them, as their very life was tossed around in conversation like it meant nothing. So they took matters into their own hands, and decided to flip the script.

The outcome has been miserable, but the beginning — their life before that point — was wonderful. It was home.

There's more that has to do with the lyrics further down, but you'll have to wait for the explanation on that until more has been revealed.

Dead Come Talking

Ohhh this one gets me Emotional every time. I can't say too much about it because this song and the one after it are both entirely about Sun and Moon's personal hardships, of which have not yet been properly addressed or revealed in the fic. I will say that the haunting they've forced upon the counselors is a shared experience, something they've personally been enduring for years, already. Sun and Moon are haunted by their past, by their grief, and in that way they themselves are the ghosts haunting the campgrounds.

Spring Break 1899

This is it. This is the most important song on the playlist. This is the song that plays at the end of Act 3. The song that plays when Sun takes in all that he's done, when the carnage sits before him and he's made to face every wrongdoing, every decision and path that has brought him to this point, and come to terms with whether or not he still wants to continue. Whether he has the strength to continue. This is the song that plays when he makes one final choice.

Echoes

The aftermath.

Do you perhaps... have a playlist for dftr?

As a matter of fact, I do 😌

It's a little on the short side at 2 hours because I am very specific with what songs get put on my au playlists, but that means each and every song has been picked with purpose (and I'm still adding more every day).

Also — you're right on the money with that song choice, anon. I don't want to spoil anything, but let's just say it'll soon be very relevant.

[meamiiikiii]

mira !!! :]

[b1gwings]

the first episode of fhjy was such a fucking blast. one of my favorite moments was most of the bad kids succeeding on their saving throws against being Frightened by the Night Yorb but Adaine failed, and when Brennan asked Siobhan how this looks/feels for Adaine, Siobhan was answered “i feel a panic attack coming on.”

and it’s like. as much as Adaine has changed since the beginning, it’s really refreshing to see that her anxiety disorder didn’t vanish with her character development. like, they’re acknowledging how that kinda stuff doesn’t just go away — you can’t really get over it so easily. Love u forever Adaine & Siobhan <3

[sonknuxadow]

COMPUTER. ENHANCE

^ omega spotted

[sun-marie]

I love how some of the Deadfire companions don't like each other. I love how things can get so tense between Xoti and Pallegina or Maia and Tekēhu that they boil over into a big fight with harsh words and hurt feelings. I love how Aloth doesn't get into a fight with Tekēhu but absolutely will bitch about him in an aside to the Watcher. I love how the endgame has some companions drawing lines in the sand and, depending on your choices, basically tears your party apart. I'm so invested in the Watcher's inner-party conflict, and the fact these arguments are triggered automatically after banter makes it feel like you're watching their nerves fray in real time. It's sooooo spicy, i love it so much

[vaguely-concerned]

ah. ok. so from what I'm seeing from some shadow of the erdtree spoilers, fromsoft has doubled down on some incredibly troubling tropes that were already present in the main game and that they really should know better than to employ this way. there's some really ugly history attached to the themes and ideas they're presenting here, and playing it this straight is both irresponsible and annoying. disappointing at best, objectively not funny.

the fact that they decided to publish this dlc during pride month, though? fucking hysterical

[caluupin]

Father!!! 🔥🔥🔥🔥

[sleepingfancies]

so fucking fascinated by how long sindri’s resentment of atreus was building tho like that was written so well. from “we’re sick of hearing about little people’s little problems” to sindri noticing the mistletoe arrows were thrown out to atreus refusing to listen to sindri warning him about freya and odin and tyr to atreus hitting him aside as a bear and finally culminating with brok’s death. yes sindri is mad at kratos too but the primary target of his anger is atreus and why shouldn’t it be when atreus has walked all over sindri since he was 11 years old without a single apology

[izzy-b-hands]

Got all excited last night bc i saw a post from a mod on the gta o subreddit abt the Halloween update being set to drop today around 5 AM (backed up by at least two gaming websites that had stories also stating the same start time and date)

Went in today ready for Halloween and uh. Nothing lol

Checked the actual Rockstar website and there's no mention of it, just that RDR o is getting a Halloween update this week

If i was a betting man I'd start a pool on how late in the month it'll be by the time the gta Halloween drops lmao

(also a pool on how likely it is the mod is lying; as they continue to insist they have access to all the usual Halloween stuff in GTA o today and that everyone who doesn't must not know how to restart their game to see if that changes anything, or maybe they didn't click play on GTA but a different game in their library? Which is insulting af, especially to the guy with the flare that shows he's at a level so high in the game that i frankly didn't know existed, who called them out and asked if maybe they didn't get confused and thought gta and rdr were both getting the update at the same time. Person was nice abt it, just asked plainly and said it was ok if that was the case, but that it would be helpful for others to know. poor dude immediately got piled on by the mod for it but like. he's right lmao. if that's the case it's fine! mistakes happen! but stop insisting you have access to something seemingly no one else trying to play online does!)

[sheyshen]

i think i'm gonna need to block all veilguard related tags until i get my hands on the game even though i really want to share like art of the new crew and stuff because i don't want to see more spoilers that makes me go hmmm lol

[cheeriochat]

Drew some witch hat atelier fanart yesterday and today I lined it! (In gel pen but shhhhhh)

Im going to post some Baldurs gate fanart tomorrow bc I got the game for Christmas (thanks dad!!!!) And now I have 2 boyfriends, 2 girlfriends and an enemy of Shadowheart

[cloudbends]

Also I can't believe I'm saying this about a persona 5 spinoff but p5t is actually... Surprisingly good? The character dynamics within the phantom thieves are much more fleshed out (which is something I always took issue with in the original game), the character screentime is a lot more balanced and mostly no flanderisation (aka yusuke gets to Do Things for once, makoto gets to Not Do Everything thank god, morgana is the most likeable he's ever been to me), the new characters are incredibly fun and executed very well especially for spinoff-only characters, the plot concepts are interesting, the sprites are very fun and expressive, like. idk I just didn't expect it to make up for some of my issues with the main game tbh!! a pleasant surprise for sure