#We decided that a 'magical girl' motif would fit her perfectly and that she should have more faded colors akin to the mineral itself

[stardestroyer81]

So, guess who's Steven Universe trash now?

After being convinced by my fellow Starfighters to give the series a shot, I've since fallen in love with it only fifteen or so episodes in, and I just had to whip up a design for what my Gemsona would look like! MASSIVE shout-out to @stephysalcido and @minxxikuo for collaborating with me on her design— it wouldn't have been possible without them! 💚✨

[aspoonofsugar]

Penny’s Final Word

Cinder might have had the final word of the volume and that is a meta for another time. Still, there is another character who got to have another important final word:

Penny: Let me choose this one thing.

Penny’s arc has always been about self-actualization and escaping objectification.

She was created to be a weapon and everything was decided for her by basically... everyone:

Both enemies and loved ones alike ended up choosing for her multiple times, so it is fitting that Penny herself is the one who has the last word about herself. She makes the final choice that decides how her life should end and what her legacy should be.

At the same time, Penny’s final choice and sacrifice perfectly tie together all the major themes explored in the Atlas arc.

This analysis will try to explore her arc and to show how it is central to everything the Atlas volumes wanted to convey.

PENNY AND HER FAIRIES

What makes a person a person and not something else?

This is a key question in Penny’s story and it can’t be answered without addressing who her Blue Fairy is.

Is it Fria?

Or Ambrosius?

The answer is neither and both. These two characters are definately references to the Blue Fairy, but they are not the ones who make Penny feel human. The one who does is ironically a red fairy:

You saw my soul Through the nuts and bolts You're the friend I can trust Helped me see I'm not just a machine

It is Ruby’s aknowledgement of Penny’s personhood that makes Penny feel alive.

So, what about Fria and Ambrosius? What is their role?

Fria chooses Penny as the next Winter Maiden. This is a powerful moment thematically because it is an aknowledgement of Penny’s humanity. She has always been a real girl, a Maiden at Heart, hence she can be given the powers and protect them.

Ambrosius removes Penny’s robotic parts and makes the “real” Penny come to the surface:

Ambrosius: Okay, but if I take the robot parts out of her, that would leave...

Blake: Penny. The girl who's always been there underneath it.

Penny’s new body is human because Penny has always been human and has always wanted to feel human.

In short, these two moments are moments of recognition of Penny’s humanity. She becomes a human both in soul (Fria) and body (Ambrosius). In particular, she has always had a human soul and this is why it can be tied to the power of the Maiden. When it comes to her body, she aquires a human one because her new appearance is nothing, but a mirror of her soul.

Still, even if these two moments are both meaningful, they are also moments where Penny receives something passively. They are aknowledgements of Penny’s humanity yes, but Penny wants more. She wants personhood aka to live as her own person.

To truly become a person one must be able to make their own choices. And interestingly, Penny’s free will is linked to both moments with her two blue fairies.

Ambrosius’s magic does not simply give Penny a human body, but it gives her back her freedom. Not only that, but it makes it impossible hacking her ever again.

Fria’s interaction with Penny is more complicated.

First of all, Fria does not impose the power on Penny, but asks her to make a choice:

Fria: Penny. Are you the one?

Penny: I…

And Penny does so in a sense, but it is gray. Penny is given no time to think about this choice, differently from both Winter and Pyrrha. It is something imposed on her by the events:

Penny: But taking the Maiden power was the only way to stop--

Moreover, it is something she very clearly does not want:

Penny: I was the protector of Mantle, but now, I am much more than that, and I wish I was not.

In short, Penny’s interaction with Fria is a recognition of her humanity, but also a duty imposed on her by external occurrences.

It is not what Penny herself wants. To truly be human, instead, Penny should make her own choices and be given the chance to pursue what she wants.

Still, what does she truly wishes for?

PENNY AND HER JIMINY CRICKETS

Penny’s wish is made obvious since her first appearance:

Penny: "You called me 'friend'! Am I really your friend?"

Ruby: "Uuuum... Y-Yeah, sure! Why not?"

My wish came true That day that you appeared And called me friend

She wants friends to the point that Ruby’s awkward aknowledgement of their friendship is enough to make Penny completely loyal to the other girl.

At the same time, there are many Jimini Crickets that go in the way of Penny’s wish for friendship:

Penny: I've never been to another kingdom before. My father asked me not to venture out too far, but... You have to understand, my father loves me very much; he just worries a lot.

(...)

Penny: I... was asked not to talk to you. Or Weiss. Or Blake. Or Yang. Anybody, really.

Ruby: Was your dad that upset?

Penny: No, it wasn't my father...

Both Ironwood’s high expectations and Pietro’s overprotectiveness make so that she is not free to enjoy her own life as she wants.

She arrives to the point that she comes up with a plan to stay at Beacon with her new friends:

Penny: Ruby, there's something I've been wanting to talk to you about. I want to stay at Beacon.

Ruby: Penny, they'll never let you do that.

Penny: I know, but I have a plan.

However, we never discover what this plan is:

This does not happen by chance and Penny’s plan is not a dropped plot-point. It is symbolic of how her agency is completely negated. She is objectified to the point that her story is interrupted before she can take any action. It is a meta-way to comment her character and her major struggle.

Penny’s first death is more than a murder. It is a way to refuse Penny’s personhood and agency:

Ruby:  And Penny… was killed… just to make a statement.

She is used as a symbol of Atlas’s shady research. Penny’s own self is forgotten in the chaos that follows.

The same thing happens in Atlas as well:

Ruby: I don't think Robyn was their target. Salem's goal has always been to divide us. I think Penny was exactly where they wanted her, just like at the Vytal Festival.

This time she is not framed as a victim, but as a perpetrator and used as the symbol of an authoritarian regime.

Her enemies’ objectification of Penny is made clear in many ways:

Cinder: I have come too far to be stopped by some toy!

Cinder: You’re just a tool to be used!

Salem:  Although he remains in captivity, it seems that he has worked with Ironwood to gain some control over the puppet masquerading as the Winter Maiden.

And Watts’s virus is just the culmination of it. It is the embodyment of the Jiminy Cricket trying to overwrite what Penny wants.

At the same time, though, Penny’s enemies are not the only ones who try to control her:

Pietro: I lost you before. Are you asking me to go through that again? No. No. I want the chance to watch you live your life.

Penny: But dad… I am trying to.

Penny’s loved ones have tried to protect her all along. However, this wish of protection ends up going in the way of what she really wants:

I've been combat-ready since The day dad made me Now I'll fight for something more Might sound wholesome, But strangely I've got friends Fighting for

What Penny wants is to fight together and for her friends. She does not want her life to be considered less than others’. Still, she does not even want it to be put before others’:

Cinder: I don’t serve anyone. And you wouldn’t either, if you weren't built that way.

Penny: That is not…I choose to fight for people who care about me.

In short, it is as Maria says:

Maria: Don’t you think Penny has had enough people telling her what to do?

PENNY AND BEING A REAL GIRL

At its root, Penny’s struggle has always been this:

Penny: I feel like I wish I could do both the things I need to do and the things I want to do. Is that normal?

She wants to reconcile her duty and her personal wishes.

It is her duty to accept the power of the Maiden and to protect it.

It is her wish to live with her friends and to protect them.

These two things end up coming into conflict multiple times:

Penny: And after the launch, I’ll return to help you all with the evacuation.

Pietro: About that, Penny. When Amity goes up, I think you should be on it with Maria and I.

Penny: But they need me here. Right?

Ruby: Well, if you stay far out of Salem’s reach, then she can’t open the vault. She can’t get to the relic. So...

Weiss: Maybe it is for the best?

Until the finale where Penny makes a specific choice:

Weiss: Penny, no!

If Penny were to act as the perfect Maiden, she would have just gone to Vacuo with the staff. In this way she could have protected both the relic and the power. Even if Cinder had ended up killing all her friends, Salem would have still lost.

However, Penny decides not to act as a Maiden, but as a friend:

Penny: You wouldn’t know anything about friends.

Even the reason why Cinder manages to mortally wound her is because Penny is worried about Jaune and Weiss and gets distracted for a second:

However, it is specifically in the moment of her death that Penny is able to make a choice to reconcile both who she is and what she has to do.

She chooses to protect the power:

Penny: She can’t get the staff..and the power.

And to save a friend:

Penny: I thought of you. And here we are.

Winter would have died without the Maiden powers and the same can be said about the people stranded in Vacuo. Penny saves all by choosing to be the one in control of her death.

Her choice is extremely powerful thematically and it ties together all the themes explored in these last two volumes.

1) It is a choice about trust:

Penny: Trust me.

Winter: Thank you for trusting me with this.

Penny asks to be trusted and chooses to trust as well. After all, this is what friendship is all about:

Attached but not By strings

It is a choice that uses the motif of “the part of you” in two different ways.

2)  Becoming a part of someone else can be seen as a reference to the process of grieving, which is one of the themes explored in this volume:

Grieving means to come to terms with your loss, to accept your feelings for the people who are gone and also their contradictions:

Robyn: Clover was a lot of things. You respected him, but I gotta tell ya, I think you’re the better Huntsman.

Vine: Then perhaps Clover was wrong too.

The lost ones will be missed regardless:

Harriet: Don't you dare! Clover was... He was...

Vine: ...Important to you.

Still, once you manage to finally grieve, you’ll realize the other person has become a part of you:

It does not matter if Qrow’s semblance has evolved, if it is a part of Clover’s power having stayed attached to the pin, both or if it is Clover looking out for them.

What’s important is that Clover will keep on living inside Qrow because Qrow will never forget him or what Clover has taught him:

Clover: You shouldn't do that, you know.

Qrow: Don't worry, I-I gave that up.

Clover: I meant deflect a compliment. Those kids wouldn't be where they are without you. You've had more of an effect on them than you realize.

Qrow should love himself. Only in this way he can stop being a self-fulfilling curse. Only in this way he can start looking at his own life with hope and wish for good luck.

Similarly, Penny won’t be forgotten and her legacy will live through Winter:

Penny: She's… gone.

Winter: No. She's a part of you now.

Penny: I won’t be gone, I’ll be part of you.

3) Penny becomes a part of Winter because Winter is finally able to do this:

Winter: But yes Penny, we must still acknowledge our personal feelings, wrestle with them. It ensures us that we're on the right path. It's what makes us human.

Winter is the one who taught Penny this, but it is obvious that through volume 7 and 8 she has avoided to face her feelings for both her family and Ironwood. By the end of volume 8, however, she is finally able to accept her emotions. She can finally follow her heart. Penny becoming “a part of her” is symbolic of this. As a matter of fact their dynamic has always been about Winter acting as “the mind” and Penny being “the heart”.

Symbolically they integrate because they both are becoming their own person even if in different ways.

Winter becomes her own person because she rejects this mentality:

Winter: Penny. The general is making hard choices so we don't have to.

Penny becomes her own person because she is finally in control of herself and her destiny. Moreover, she is able to do for Winter what Ruby has done for her:

Winter: No, Penny, you were always the real Maiden at heart. I was just a machine. Just… following orders.

Penny: You’re my friend.

She affirms Winter’s personhood and in this way she affirms her own as well.

In other words, this version of Pinocchio does not end with the protagonist being transformed into a real boy by the Blue Fairy, but with Penny transforming Winter in the Blue Fairy:

So “becoming fully human” in RWBY means to do this:

Qrow:  This last great creation would be given the power to both create and destroy. It would be given the gift of knowledge, so that it could learn about itself and the world around it. And most importantly, it would be given the power to choose, to have free will to take everything it had learned and decide which path to follow - the path of light or the path of darkness. And that is how Humanity came to be.

It is about gaining knowledge, like Penny does about feelings and relationships, loving life and accepting death. Finally, it is about making a choice, even if it is painful.

This is because being human is not always simple. It can be hard:

But I found that humanity It came with sacrifice

Having a human soul means you have a duty to do the right thing out of your own free will, like Fria’s gift showed.

Having a human body means you can experience the warmth of a hug:

But it also means you can be mortally wounded:

This is Ambrosius’s teaching.

Still, it was worth it all for Penny because she got the chance to meet friends and to feel alive:

An answered prayer A chance to Share the world To be a girl Who fin'lly felt alive

This is why her second death can be juxtaposed to her first one. Both times she was killed by Cinder. However, the first time she was used as a pawn in Cinder’s plan. This time instead she is not letting herself be controlled and she negates Cinder what she really wants out of her own free will.

In conclusion, there is this phrase by Jean-Paul Sartre:

Freedom is what you do with what's been done to you.

And I think it sums up Penny’s story perfectly.

Penny does not choose to be born a robot or to be used as a weapon. She is objectified in multiple ways...

Still, she manages to make something amazing out of herself.

[fatesdeepdive]

Entry 6: Dicklips has a Point

Chapter 5: Mother

After a few days in Hoshido, Corrin is finally getting used to the massive emotional baggage that is her backstory. Mikoto invites Corrin to sit on the Hoshidan throne, which is infused with the magic of the First Dragons and destroys magic that alters the body or mind. Mikoto hopes that it will allow Corrin to regain her memories. Before Corrin can sit on the throne and become king of the Westeros or whatever, Mikoto’s strategist Yukimura enters. He looks like a nerd, but I suppose that’s better than being a steampunk MCR cover band dropout like Iago.

The Hoshidan siblings enter and Mikoto tells Corrin that they’re having a ceremony to quash spy rumors and formally reintroduce Corrin into the family. We’re properly introduced to Corrin’s other brother, Takumi. He’s assigned to show Corrin around town and is grumpy about it, because his defining character trait is being a dick. As Takumi and the princesses leave, Ryoma muses that he feels uneasy and predicts that something bad will happen soon.

The gang tours a Hoshidan marketplace. It’s so vibrant, and colorful, and full of life. I haven’t been talking much about this game’s music because I’m not a music guy, but I love the upbeat theme they use for this scene. It feels like something out of Okami and matches Hoshido’s idealized feudal Japan aesthetic perfectly.

Corrin points out that Shirasagi is way better than the Nohrian fort she was held prisoner in for years. Takumi rants that he doesn’t trust Corrin, saying Just don’t get too comfortable…SISTER. I know he’s supposed to come across as a dick, but he has a point. Corrin’s an enemy soldier who invaded Hoshido and killed a dozen people less than a week ago. It doesn’t matter that they share DNA, Corrin should be treated with suspicion.

Takumi also acts suspicious to Azura and says she can’t call him by his first name, which is dumb. What’s she supposed to do, call him Dicklips? Corrin points out that Dicklips is being an idiot and Dicklips tells her to shut up. And really, he is being an idiot. Either hate Corrin for growing up in Nohr, or hate Azura for having Nohrian DNA. Either nature matters, or nurture matters. You can’t have it both ways.

Then again, Azura and Corrin will totally join Nohr and try to destroy Hoshido if we chose the conquest path, so maybe Dicklips has a point.

Corrin tells Sakura that she’s friends with a girl around Sakura’s age, presumably Elise. If the coin flip had gone the other way and I was playing as boy Corrin, Sakura would have asked if Elise is Corrin’s girlfriend. And that’s ridiculous. Can you imagine, Corrin dating their teenage sister? That’s messed up. Good thing that isn’t a thing that happens in this game.

We go to the plaza for the festival. Side note, all shots of Corrin and Mikoto in the festival are positioned so that Corrin’s face is covered by something, like a man wearing an oversized hat, for instance. This is because Corrin is customizable and that means the game can’t show their face. They can show the clearly male body model, but not their face. Awakening had Robin wear a hood to get around this problem, but who needs fashion choices when you can just censor the main character’s face like it’s Austin Powers’s mojo.

While Corrin’s standing next to Mikoto, a weird ghost man wearing a hood walks to the front of the crowd and holds out his arm. Red smoke starts coming off Ganglari and an eye opens up on its hilt, because it is very clearly a cursed sword. Ganglari flies over to the man and he stabs it into the ground, creating a massive purple explosion ball. The sword explodes and Mikoto jumps in front of Corrin to shield her from the shrapnel. As she dies, Mikoto asks Corrin if she’s okay.

Fire Emblem has a lot of dead parent scenes, and I honestly think this is the best. Marcella Lentz-Pope’s scream when Mikoto dies is phenomenal. Mikoto begging Corrin to be alright and dying with a smile on her face is beautiful.

Ryoma cuts down the hooded man but his cloak just falls to the ground, leaving no body. Corrin screams, her hair glowing and her eyes white, physically holding back the pain as waves of energy burst from her body. In a moment, Corrin is gone. In her place is a dragon.

I really like Corrin’s dragon form. It looks so inhuman, more like a machine than a traditional dragon. It really gets across that Corrin has completely lost any semblance of humanity she had as she falls into this pit of despair.

The level proper starts up as an army of dark mages and mercenaries storm into the ruined plaza. Their leader is the ghostly man from before. Interestingly, he’s a swordmaster, a Hoshidan exclusive class that he shares with Ryoma. This level adds Sakura and Azura to our team and gives Corrin an absolutely monstrous boost to her stats, fitting for her rage dragon form.

Sakura

Corrin’s shy, gentle Hoshidan younger sister. She’s a Shrine Maiden (Cleric) and wields healing staves. Her personal skill lowers the damage taken by nearby allies. Her design is fine; I don’t really have any thoughts on it. She seems to be going for this “cute shy healer” personality, which isn’t bad, but Fire Emblem has done it a dozen times before.

Azura

Azura is our Dancer...I mean, Songstress. She sucks at fighting, but allows other units to attack twice, which is really helpful in battle. Her personal skill heals nearby allies at the start of their turns. Her design, despite its bright colors, does a good job conveying how calm and mysterious she is. Azura is an enigma. She clearly knows more than she lets on, but currently seems content to just follow Corrin around.

All of the mercenaries in this chapter wield special, dragon killing swords, which would be a problem, if Corrin didn’t have as much defense as the rest of the party put together. This chapter boils down to letting dragon Corrin smash everyone while Sakura, Azura, and Kaze provide support. Ryoma attempts to take on the ghost man, but is defeated. Then Corrin fucking stomps his translucent ass and saves the day.

Corrin continues rampaging and Azura begins singing LITAA. Her necklace, the one from the title screen, starts glowing. Ryoma runs in to protect Azura, but Azura blasts him away with a pillar of water, which is a thing that she can do apparently.

Dragon Corrin freaks out at the music and slashes Azura across the chest. Azura keeps singing and Corrin attempts to strangle her to death. Azura tells Corrin, Kill me if you want, but do it as yourself, which is a fantastic line that shakes Corrin out of her madness.

Corrin turns back into a human and has a flashback of Garon’s murdering Sumeragi and kidnapping her. Garon says You are my child now and grabs baby Corrin, which is so creepy its comical.

Corrin apologizes to Azura, saying she’s disgusted with herself. Ryoma explains that both royal families have dragon blood, the Nohrians from the Dusk Dragon and the Hoshidans from the Dawn Dragon. Corrin looks out over the destroyed town, a town full of innocent people destroyed by Nohr.

Ryoma points out that, because Garon gave Corrin an evil bomb sword, everything must have been his plan. Cool plan, by the way. Let’s see if I have it straight:

1: Give Corrin a bomb sword.

2: Have her commit an act of war.

3: Have Hans try to murder Corrin.

4: Hope he fails.

5: Hope the Hoshidans bring Corrin to their Queen, instead of imprisoning her for being an enemy soldier.

6: Have ghost soldiers invade Hoshido and take the sword from Corrin.

6: Cursed sword explodes, killing Mikoto and destroying her mind control barrier.

I mean, sure, there are probably simpler ways to kill Mikoto, ways that don’t involve praying that Hans fucks up and fails to kill Corrin. Garon could have, I don’t know, had the ghost soldiers kill Mikoto. Maybe their existence is tied to Ganglari, but that’s never actually stated, and the fact that they stick around and kill people after Ganglari explodes makes that questionable.

You know how, at the end of Naruto, Kishimoto had the villains reveal that they were behind every bad thing that happened in the series, and how it didn’t make sense and was dumb and convoluted? I’m getting Naruto vibes from this chapter.

Takumi blames Corrin for Mikoto’s death. And I mean, he has a point. Corrin’s the one who brought the clearly cursed sword her war criminal father gave her with her. Azura tells Takumi that it’s fine if he doesn’t trust her, but it's wrong for him to distrust Corrin, because Corrin is his blood. And that’s fucking stupid. Fire Emblem is filled with characters with evil relatives. Soren, Guinivere, Edelgard, Robin, the list goes on. Shit, there are evil blood relatives within this game.

Corrin suggests leaving and Yukimura tells her that Mikoto wouldn’t have wanted that and that Mikoyo knew she would die soon. He also mentions that there may be darker forces than Garon at work. Yukimura also points us towards a statue destroyed in the blast, a statue containing Yato, a diving golden sword that is said to be the key to peace. Yato flies up and over to Corrin.

Kaze runs in and reports a massive Nohrian force assembles at the border and the family marches off to war, with Ryoma declaring that he will not show any mercy. Corrin decides to follow Ryoma, in hopes of stopping the war. Azura tells Corrin to calm down, because getting into a fight could cause her to lose control and turn into a dragon again. Spoiler alert, this is literally the only chapter where Corrin loses control, because screw interesting characterization.

Azura gives Corrin her necklace, which turns out to be a dragonstone. Dragonstones and manaketes, people who can turn into dragons, are not new to Fire Emblem. Manaketes are normally uncomfortably young girls. Corrin is the first and currently the only manakete main lord. What’s more, Corrin is unique in their ability to wield both swords and dragonstones. It fits with the duality motif.

The necklace allows Corrin to control her dragon form, which is a bit of a disappointment. Corrin losing control and destroying stuff in this animalistic rage was really interesting characterization that is never seen after this chapter.

Azura decides to follow Corrin, because Corrin makes her feel safe. Apparently.

This chapter was really, really, good. Mikoto’s death was heartbreaking and Corrin going apeshit was some really strong character work. I forgot how absolutely terrifying Corrin’s transformation scene is. That said, this chapter hammers the final nail in the coffin for this story being morally grey. There is absolutely no reason to side with Nohr after this chapter, except for loyalty to the Nohrian royals.

At the start of the next chapter, we’ll choose our side in this war. And, not to tip my hand, but I don’t exactly think it’ll be a hard choice.

[sepublic]

If the characters of The Owl House had JoJo's Bizarre Adventure Stands, who would have which Stand? (Note: It can be from any part in the series, not just Part 3)

First off, I just want to say- THANK YOU, because The Owl House and Jojo’s Bizarre Adventure, two of my favorite things ever, in one ask? And I get to ANALYZE the two? This is a dream come true…!

I love Stands, not only for their unique designs and crazy abilities that can get weirdly specific, but also because they’re essentially a reflection of one’s soul, so they’re a great glimpse into a character’s personality! As someone who loves the characters from The Owl House, this is naturally a fun way to explore their psyche by assigning a Stand most compatible with them, White Snake-style!

I should preface that for this ask, I’m going to be using Stands from Parts 1-6. Unfortunately, I haven’t yet read Steel Ball Run, nor Jojolion; I plan to, and maybe on another day I’ll revisit this ask with updated information- Assuming that any of the new Stands I encounter and know about fit the characters more than the ones already assigned to them.

But with that out of the way… Here’s a list of characters and the Stands I’ve assigned to them- For fun, I’ve even gone over some minor named characters (although Bellows and Kikimora were left out due to there being too little to work with)! Some characters will have multiple Stands, if only because I couldn’t decide between some, or I felt like there were others worth considering. Lengthy explanations for my reasoning will be underneath the cut, as well as alternate Stand possibilities, even for those who I’ve already made a decision on!

(I’m going for best fits, not perfect ones)

Luz- The Cure

Eda- Sticky Fingers

King- Wheel of Fortune/Bad Company/Harvest/Little Feet/Weather Report

Hooty- Horus

Owlbert- Anubis/Stray Cat/Sex Pistols/Aerosmith

Willow- Strength

Gus- Hierophant Green/Emperor

Amity- Spice Girl

Lilith- Magician’s Red

Emira- Joy Division

Edric- Khnum

Boscha- Goo Goo Dolls

Mattholomule- The Lock

Bump- The Grateful Dead

Wrath- Bastet

Adegast- Judgement

Tibbles- Marilyn Manson

Bat Queen- Atom Heart Father

Starting off is Luz, the main character and personal favorite of mine! She was REALLY difficult to figure out… I considered multiple options for her, such as Crazy Diamond, Gold Experience, Heaven’s Door, Bohemian Rhapsody, etc. Ultimately however, I decided to go for a rather obscure Stand, one from the light novel Golden Heart, Golden Ring- The Cure. To put it simply, The Cure, well… Cures people by absorbing wounds and injuries, becoming bigger before eventually dissipating the accumulated hurt. I feel like this reflects greatly Luz’s very kind, almost healing nature- She helps provide Eda with a greater sense of found family, she helps ‘fix’ Willow’s situation and self-esteem, as well as Amity’s own insecurity and loneliness, etc. Not only that, but Luz also has a lot of thematic similarities with The Cure’s user, Coniglio- Coniglio is heavily associated with Alice from Alice in Wonderland.

The character of Alice is led into a new, magical world by a small creature she later befriends, and gets into trouble with the local law- Just like Luz. Coniglio herself was ostracized when she was younger, being called a Witch, which fits Luz’s initial loneliness, and of course her eventual aspirations. Coniglio is an inexperienced Stand User when we meet her, just as Luz is still learning magic. Finally, Coniglio learns to control and tame her stand, which takes the form of a rabbit- Luz is associated with small animal sidekicks, such as King or Owlbert. However, The Cure can also turn into a more monstrous form and become berserk, which in its own way mirrors Luz’s relationship with Eda, and how she has to calm her mentor and revert her back the way Coniglio did.

For a more canon option, there’s also The Sun. We don’t really know anything about is user, Arabia Fats- The most we can glean is that he’s clever, but he can also rely on dumb ideas. Likewise, his Stand is incredibly powerful, but provides almost nothing to defend him. If one goes by the Tarot meaning, however, The Sun is associated with good times, with fun and optimism, all that stuff! It’s about someone who still maintains childlike wonder… and that sounds like Luz! She’s kind, bright, and in a lot of ways a ‘light’ to others’ lives, which is also supported by her name’s literal translation!

Continuing on Tarot meanings, we can also go for The Fool- It’s about being adventurous, of starting a new journey. There’s some freedom, but also a bit of carelessness, which reflects how Luz didn’t quite fully think through her actions in the beginning of Episode 1, or her plan in Episode 3. The Fool is a bit of an outsider compared to the rest of the Arcana, which fits Luz’s outsider status as a human who somehow goes Magic anyway. And like The Fool, Luz can be somewhat unpredictable and unusual, at least to those who know her- She’s kind of a cryptid to them, what with having confetti in her pockets at all times(?) and casually revealing that she knows the infamous Bat Queen.

For Eda, I chose Sticky Fingers- Someone else on Twitter mentioned it, I don’t remember who… But they analyzed a few of the Stands of Part 5, and during their analysis they discussed how Sticky Fingers is symbolic of Bruno’s ability to connect with others, making his own path to them, zipping them together, etc. Bruno Bucciarati is a mom with a found family, which I feel suits Eda’s personality. Likewise, they’re both criminals, who willingly left a prestigious organization despite their talent and the powerful role they could’ve had in the group, as a result of moral disagreements with its ideals and leader. Plus, Sticky Fingers is a term that refers to people who like to steal, and we know from Covention that Eda is a notorious pickpocket!

On the other hand, Weather Report is also neat. It’s associated with a character dealing with memory loss, which fits Eda’s schtick and character a whole lot, what with not remembering who cursed her. Likewise, Weather Report (the user) has a brother, Enrico Pucci; The two used to have a more complex antagonism, although by Stone Ocean it’s a lot more straightforward. Still, this kind of complex sibling relationship also works with Eda and Lilith, and with Weather Report being a ridiculously powerful Stand (just as Eda is the strongest Witch), I feel it also works for her character, personality, and motifs.

King is the most interesting and diverse scenario for me. I’ve considered Wheel of Fortune for him; Both rely on an outside force, a pre-existing thing, in order to function. Likewise, Wheel of Fortune’s power is proportional to the user’s confidence, which fits with how King talks big about himself. Its user, ZZ, also made a big deal of talking himself up, being a lot of bark in order to build up his confidence… However, the moment things begin to fall apart, his confidence wanes and he basically runs away. His powers diminish, and he becomes all bark and no bite. This kind of sounds like King- Obviously there’s more courage to him than with ZZ, but generally speaking, the concept of a character who’s in over their head and operates a lot on building up their self-confidence, only for it to collapse as soon as things go wrong, fits with King.

On another hand, Harvest and Bad Company fit King’s whole desire to lead massive armies, and his claims of having been a King of Demons. Having a Colony Stand that acts as his personal army of loyal followers and soldiers fits almost perfectly; Bad Company is more militarized, representing King’s grandiose aspirations for power, and him becoming a Drill Sergeant in Episode 11 definitely helps this. It’s also associated with a lost childhood, which… King is kid-coded and he doesn’t seem to be necessarily missing out on anything, but the idea is still there. However, Harvest is less deadly, having a more animalistic appearance, being cuter, and having an inclination towards theft that King himself also does. Plus, King seems like the kind of person who’d use Harvest to carry himself across the sidewalk, let’s be real here!

Finally, I’m considering Weather Report as an option, if only because of the fan theory going around (which I’ve dabbled in) about King having once been the Boiling Isles Titan, or at least an ACTUAL King of Demons… Part of the theory speculates that he lost his memories, which fits into Weather Report’s arc. It’s about a hidden potential, that when rediscovered, can be outright terrifying. Little Feet also works with King’s Napoleon Complex.

King is an interesting character to assign a Stand to, in part because there’s a lot we actually don’t know about him, and the mystery surrounding him as a result. I feel like we once we learn more about King’s backstory and who he is, we may get a better idea of what Stand most fits him.

Horus was assigned to Hooty, not only because of his bird motif, but also because the Egyptian God Horus is seen as a protector, just like the Stand’s user Pet Shop, who acts as Dio’s main guard for his mansion; Likewise, Hooty is the Owl House’s primary security system, and ‘state-of-the-art’ no less. Not only that, but… To get into some heavy theorizing here, @fermented-writers-block has speculated that Hooty may or may not have connections to a hypothetical ‘Owl Deity’, of which we see a mural of in Episode 1. To put it as simply as possible, Hooty is either a manifestation of this Owl Deity’s power, OR the Owl Deity itself; And if so, then assigning Hooty a stand named after a major Egyptian God seems all the more appropriate. Additionally, Pet Shop himself has a helmet typically used to restrain birds of prey, and Hooty himself usually needs to be ‘restrained’; Either told to stop his cryptic riddles and just give straight-forward answers, or kept from tearing apart a canvas.

Also, if that one MSN article mentioning a labyrinth below the Owl House is true, then Hooty could also have Tenore Sax; It’s a Stand that manipulates the environment, and was used to make Dio’s Mansion look like a maze. It’s about control of one’s environment, which makes sense given how Hooty controls the Owl House itself. Hooty could also have Mr. President, as it’s a Stand wielded by an animal that provides a safe environment for others to live in- Befitting of Hooty’s role as the Owl House.

Owlbert is a bit weird, in that he’s already wielded by others; Still, he’s a part of the family, so I feel obligated to include him. Off the top of my head are a couple of considerations- There’s Anubis, which exists as a sword that can be wielded physically by the user and even others, outliving its user- That fits Owlbert’s capabilities and role as a Palisman to a staff! Stray Cat is also an option, because like Owlbert it’s an animal that’s born of plant-matter and associated with the air, albeit through air bubbles.

Sex Pistols is a Stand that needs care and attention, just like Owlbert, and also has its own personality. Likewise, the Sex Pistols support and enhance the ability of another, pre-existing tool, just as Owlbert enhances Eda’s magic and helps her focus it through her staff. Finally, we have Aerosmith- They’re both free-flying, but also very powerful and capable, and not to be underestimated. Like King, there are plenty of options for him that all fit in their own ways.

Willow was a fun topic, and ultimately for her, I’m gonna go with Strength. Ignoring its user, Strength is a stand that recognizes and unlocks the hidden potential of just about anything it finds, no matter how innocuous; Willow is a character who is meek and shy, but contains a hidden power and talent that is legitimately powerful. Strength is an incredibly powerful stand, upgrading a regular boat into an entire shipping freighter; Willow is able to turn a seed into an entire garden of powerful, thorny vines. They involve nurturing power and helping it grow. Plus, most depictions of the Strength Tarot Card involve a woman taming a lion- And I think that kind of works with how Willow may seem all gentle, but she controls and tames powerful plant-monsters. Also, a recent drawing by Dana seems to confirm that Willow is canonically buff, so that works too, alongside the Tarot’s additional meaning of controlling oneself, as Willow does with her anger!

There is also the minor consideration of Purple Haze, given that Willow has genuine frustration in her that can manifest as real, powerful rage. However, Purple Haze also explicitly hurts and shoves others away, which Willow doesn’t do- She’s kind and open and is already good friends with Gus by the time Luz appears. Gold Experience is also a very viable option, given its power of creating life and facilitating growth- However, I decided to go with Strength, not only because of the additional symbolism of hidden potential (which matches Willow’s initial, unrecognized talent), but also because of the symbolism of the tarot card. And also, Gold Experience is a main character Stand and already a pretty obvious option, so trying something a bit more unique seemed interesting.

Gus is another VERY hard one for me, like with King- It’s not that I don’t get his personality, it’s just that there are plenty of Stands that I feel could match him. For example, we’ve got Hierophant Green- Its user, Kakyoin, was lonely and is also an excellent student. He desired friends, which he got through the Stardust Crusaders- Similarly, Gus himself is talented but also expresses loneliness over being younger than everyone else, with part of his motivation for forming the H.A.S. to make friends and also provide support for others who’ve gone through the same experience. Likewise, Gus may not have the raw power that his other friends have, but he’s still plenty clever himself, like Kakyoin.

There’s also Emperor; The tarot meaning discusses a person who takes a leadership role, and its reverse is losing control of that leadership, as well as poor decision-making. This relates well to Gus’ conflict in Episode 9; Likewise, Emperor’s user is Hol Horse, who prefers to be Number Two and is aware of his own flaws, not desiring the spotlight. Gus himself states in Episode 6 that he knows what he’s about, not at all concerned that Luz doesn’t consider him as strong as Eda or Willow- He doesn’t particularly seek attention or glory. Gus is happy and content with being a ‘Dweebus’ and embraces it alongside his supporting role, like Hol Horse. Also, the kid wears a crown when he’s in charge of the H.A.S., and that’s something I really want to incorporate with his Stand’s symbolism!

On a lesser note, there’s also Kiss- It’s a Stand that makes doubles of things, and Gus has an affinity for Illusion spells that can create copies of him, tangible or otherwise. Dolly Dagger from Purple Haze Feedback is wielded by Vittorio, who is the child of his group, and represents him not being ready to handle a lot of the responsibility placed upon him; Just as Gus struggles with control over the H.A.S., as well as the isolation that comes from being a talented student who’s younger than the rest and not taken seriously.

King, Owlbert, and Gus are definitely a dilemma to me… There’s plenty you could assign to either of them, and I feel I’ve only scratched the surface of Gus’ potential Stands. The dude has range and potential, so it’s hard for me to decide given how my options are ultimately limited and usually specific.

For Amity, I went with Spice Girl. Spice Girl is a manifestation of Trish’s psyche, and her whole character involves putting up a hardened, mean, stoic façade in order to hide how scared and vulnerable she feels; A lot like Amity, who tends to push people away because of her loneliness- She mentions not wanting to show ‘weakness’. Like Amity, Trish learns to be strong in her own way, in a way that can still be soft, while incredibly strong and resilient; A form of kindness and personal growth that manifests literally through Spice Girl’s ability to make things soft yet virtually indestructible. Amity hasn’t quite completed her character arc, but she’s made major steps towards it by opening up to Luz and learning to be nicer. So, Spice Girl it is!

There’s also Purple Haze- Fugo and Amity are both high-performing students with a lot of pressure on them, who deal with genuine frustration over their situation. Purple Haze’s ability forces others away lest they get hurt, representing Fugo’s paranoia over his childhood trauma, and how he ends up ‘pushing’ the others away when he chooses not to go on the boat. However, Purle Haze doesn’t fit as well the way Spice Girl does, because Purple Haze represents a genuine rage and anger boiling within Fugo… Whereas Amity, while she IS frustrated, doesn’t seem to have particular fury, being more inclined towards insecurity and loneliness.

Lilith was assigned Magician’s Red. I looked into the meaning of the Magician Tarot card, and to sum it up simply, it’s about having talent and seeking out success. Our first appearance of Lilith has her making a demonstration to a bunch of young, impressionable Witches, flaunting her own talent and success, and appealing those traits to her audience, explaining that Witches who join the Emperor’s Coven are the most powerful and highest-ranking of them all. Likewise, she also has an eye for talent, nurturing the skills and abilities of Witches such as Amity. Plus, there’s also the symbolic relevance of her having a Stand with magic in its name, as well as one with a bird-like appearance; Fitting given her White Raven symbolism, and association with the Emperor’s Coven and its bird motifs. And like the user Avdol, Lilith also has a bit of a flair for flashiness.

Like Luz, Emira was tricky in that I couldn’t quite find a Stand that suited her, so I’ve gone with my next-best option; Joy Division, another very obscure Stand, from the same light novel as Luz’s assigned Stand. Joy Division switches objects around, which mirrors what Emira did to the librarian and Gary in her debut. It’s a Stand that’s perfect and ideal for her kind of mischief and clever tricks. Likewise, its user, Sogliola, has wealth, prestige, and status as a Capo in Passione- Emira herself is a member of the presumably wealthy and high-status Blight family.

As I mentioned earlier, Edric is also tricky in that I didn’t find a Stand that quite suited what personality we’ve seen from him. Ultimately, I settled on one good for mischief, Khnum- It’s a Stand that allows one to change their appearance, which fits Edric’s Illusion spells and that one spell he used to make himself look a lot more extravagant. Khnum’s user, Oingo, is also not exactly the brightest, and he’s associated with a close sibling that he’s always beside, who also has a Stand- Which can match Edric’s relationship with Emira.

I’m also considering Jail House Lock; It’s great for tricking and mentally messing with people by making them forget things and become confused, befitting Edric’s mischievous nature. Also, it making people forgetful can sort of connect to Edric being dumb in his own way, I guess- I dunno. I feel like Emira and Edric’s Stands don’t have a particularly deep connection to them individually, in part because there’s not much we’ve learned yet to differentiate the two, and the issue of finding Stands that fit, while trying to avoid repeating them for characters unless as a potential possibility. It is worth noting that Jail House Lock’s user, Miu Miu, has power and status- Another thing one can associate with the Blights.

Boscha got Goo Goo Dolls. The Stand is a reflection of the user’s possessive personality over their ‘friends’, treating them more like toys or pets to be bossed around with and told what to do. Boscha has a bossy nature, as seen with how she treats one of her friends in Episode 8, and likewise she is somewhat possessive of them- When King gets their attention, Boscha is clearly focused on getting back her control of the situation. Nothing is saying she can’t get along with King and he didn’t explicitly exclude her from the fun, but Boscha nevertheless chose to heighten the conflict. And of course, she initially meets King and wants to buy him as a pet, befitting Gwess’ desire for ‘pets’.

I’ve also considered Bad Company for her, for a few mostly speculative reasons. To sum it up shortly, I suspect that Boscha may have a bad situation at home, where an incompetent mother is relying on Boscha for emotional support, forcing her to essentially ‘grow up’ and be the responsible one in charge. Bad Company represents a childhood that is missed out on due to an inadequate parent that the user ends up having to look after, and likewise, it involves telling others what to do; Also something Boscha likes. However, because this is mostly speculative, I’m just going to have to go for Goo Goo Dolls for now.

Mattholomule has The Lock. Initially I considered Surface, but ultimately I went with The Lock because unlike Hazamada, Mattholomule doesn’t seem to have any particular envy towards Gus nor does he want to be him, insteading having a general desire for power and drama. The Lock reflects how he tries to garner sympathy from the other members of the HAS when his plan begins to backfire on him; It’s a Stand that’s entirely reliant on others’ perception and pity/guilt for the user.

Similarly, it’s otherwise pretty powerless, which goes along with Mattholomule’s general incompetence and failure in most facets of life. The Lock is either relinquished by the user’s command, if the victim no longer feels guilty, and/or if they’re given ‘reparations’ for the ‘damage’ they received- Mattholomule is all about getting status and whatnot. Also, The Lock functions as a Lie Detector, which can make sense with how Mattholomule lies for his own personal gain.

Principal Bump has The Grateful Dead. The stand’s user, Prosciutto, is someone who takes an older and more experienced mentor role, just like Bump. Likewise, Prosciutto is willing to do harsh things to someone underneath his tutelage, but ultimately he still takes his leadership role very seriously, wants to get the job done, and genuinely has it in his best interest to see the person he apprentices unlock their hidden potential. Bump may have extreme methods such as his Trouble Detectors and even brainwashing kids in detention, but ultimately he’s genuinely invested in the future success of his students, and will even break the law for their sake and that of a human, a total stranger.

It’d seem obvious to give Wrath a stand like Jail House Lock (given its user, Miu Miu, is also a warden), but in terms of personality, I ultimately went with Bastet. Bastet is defined by creating attractions, and is associated with electromagnetism- Which itself doesn’t just pull things together, but repelsthem as well. Bastet’s user, Mariah, is attracted to Dio because of how powerful he is, among other traits. Wrath is attracted to Eda, letting his attraction override his own duties as a Warden because he thinks the two of them will make a Power Couple; Both him and Mariah want to go big, or go home! Bastet lures targets in through their curiosity, Wrath lures in Eda by having King’s Burger Queen crown… Finally, while this is never expressed by Bastet itself, the theme of magnetism also relates to repellingforces. And Wrath is clearly repelled by the abnormal, seeking to contain the deviants of society, and is easily disgusted by something as simple as a raspberry because of the potential germs it could spread.

As an alternative option, there IS Planet Waves- Its user, Viviano Westwood, is a guard at a prison. He’s a cruel, brute-force jerk whose Stand allows him to physically overpower and smash through most obstacles and foes, and he deliberately looks down on prisoners as the ‘scum’ of society, taking delight in abusing his position to torment them. These all sound a lot like Wrath, so if one feels like Bastet doesn’t adequately capture his personality, there’s always Planet Waves as an alternative.

Adegast was given Judgement, for obvious reasons- It’s a Stand that toys with a victim’s heart and plays on their desires. That’s literally what Adegast does- Plays on Luz’s desires to be deemed special, to live out her fantasy, only to cruelly tear it away at the last second and mock her for it. Both his illusions and Judgement’s clay constructs dissolve into dust. And while Judgement is physically powerful, contrasting with Adegast’s incredibly frail body, the cowardice of Cameo pairs well with Adegast’s nature.

For Tibbles, I briefly entertained Osiris and Atum, especially Osiris given its association with card games (and Tibbles is good at Hexes Hold ‘em), and the idea of gambles in general. Ultimately however, I stuck with Marilyn Manson, which operates on a similar basis of the user winning a game and utterly defeating the loser as a result. Marilyn Manson is special in that it prioritizes material wealth, aiming to reap money or anything else of similar value; Which fits into Tibbles being a greedy capitalist who acts like he owns King and takes him without either his nor Eda’s consent, just as Marilyn Manson can be used to steal a Stand Disc that was never disclosed as part of the arrangement.

Finally, the Bat Queen was given Atom Heart Father. She was another difficult person to assign a Stand to, but ultimately I decided on Yoshihiro Kira’s stand. I get that there’s irony of Atom Heart Father having a paternal name, compared to the Bat Queen’s maternal status, but just bear with me for a moment. Like the Bat Queen, Yoshihiro is a parent, but he’s one who has concern for the person he’s looking after, to the point where his attempts to protect that person can be overall detrimental to that actual person’s growth; In this case, his son Yoshikage.

The Bat Queen has taken it upon herself to look after a LOT of discarded, rejected Palismans, among them Owlbert. However, in her concern for their plight and any pain they might go through, the Bat Queen has unfortunately projected some of her views on Witches a bit; When Owlbert wants to reunite with Luz, she interferes on his behalf, believing she knows best. The Bat Queen wants to do what’s best, what’s ‘safest’ for Owlbert, but in reality she’s only hurting him in the long run. Thankfully, Owlbert is able to stand up for himself, and the Bat Queen listens to reason.

[shadowed-dancer]

Seraphine and Ophelia AU

One upon a time, I made 2 svtfoe kids. One was a Starco girl, the other was a Tomstar girl. It was a time when season 4 had not ended yet, no one had any idea where the ships were going, and we couldn’t even begin to dream that magic would be destroyed and Earthni would become a thing.

This AU does not follow my usual “fit this into the canon as much as possible” motif. Instead, I consider it an “alternate history” of Mewni. I debated for a while how I wanted to end the stories of the two girls, and I still haven’t totally decided. I left it up in the air.

I don’t like to make my ocs suffer... usually. This was a new turning point for me.

Also be aware that certain characters may act out of character given what we know about the canon, so sorry if that���s not your style.

First, the set up. Globgor is free, and he and Eclipsa rule a Mewni that is comprised of both Monsters and Mewmans living in harmony. The Mewmans that opposed this went with Moon, who began a new kingdom called the Yurt Kingdom. The people there REALLY hated monsters, and this extended to kingdoms that were once allies like the Lucitors, Pony Heads, Waterfolk, etc.

Also yes, this means there were 2 royal families with the last name Butterfly.

Star and Tom had to continue their relationship in secret for many years, as the people of the Yurts would go crazy if they learned Star was dating a demon. It was rocky and breakup was pretty much inevitable, but this secret relationship eventually resulted in the conception of a baby. They had to act quick, in order to protect their child as well as themselves.

They broke up, with Tom entering an arranged marriage in order to keep the peace for his own Kingdom. Meanwhile, Star realized that she had feelings for Marco, and Marco was happy to have his feelings reciprocated. He and Star claimed that they had been having a secret relationship for years, and announced Star’s pregnancy along with plans for marriage.

Star and Marco were happily married 3 months later (yes that was fast), and a few months after that Star had her baby.

This baby was Seraphine, and as soon as she was born Star and Marco knew they’d need to cover for her. She had pink hair, pale skin, 3 blue eyes, pointed ears, horns, and a tail. They covered her up at all times, and claimed that the pink hair came from Celena. The only people who knew the truth about her were Star, Marco, Tom, Moon, and River.

Marco absolutely adored Seraphine by the way, and considered her like his own daughter.

2 years later, Star and Marco had a daughter of their own: Ophelia. Ophelia had brown hair and eyes, as well as tanned skin and Marco’s birthmark. The girls grew up to be best friends, and were as close as two sisters could get.

Also somewhere during this time, Tom and his wife had a son, who would end up being heir to the Lucitor throne.

Seraphine was an absolute sweetheart who was loved by the Kingdom. She was seen as the perfect princess, as she seemed to be mild-mannered and polite. To hide her horns, she wrapped her hair into a heart-shape like that of her grandma Moon, with thick bangs to hide her third eye and loose hair to hide her ears. She looked perfectly Mewman in every way, shape, and form.

(Seraphine in disguise)

Ophelia, on the other hand, was wild and outgoing. She was happy to live the royal lifestyle without pressure of ever being queen. Besides, she knew Seraphine would do a way better job than her anyways. However, she was always fiercely loyal to her family, and loved her sister more than anyone else in the world.

Seraphine had a crush on a Spiderbite prince: Princess Penelope and Slime’s son Damien, while Ophelia was secretly dating the Waterfolk princess, Alice.

(An old concept piece of Alice and Ophelia from last year)

Neither of these relationships were allowed, since they were both “monsters” (Damien was half monster, Alice was a Mermaid).

In terms of the sisters themselves, they were always together. Their most notable activity was Ophelia’s hair. When Ophelia was a little girl, she stole Marco’s razor and shaved her head into horrible patches. A little while later, after a lot of debating, Seraphine decided to help and shaved half of it off, which Ophelia absolutely loved. As she got older and her hair filled in the bald patched, she insisted that the only person to touch her hair was to be Seraphine.

(The girls as young kids. Note Ophelia’s patchy hair)

The kingdom was mostly happy, and it looked like they were heading into a golden age with Seraphine as their queen. However, everything changed on Seraphine’s song day.

After the nightmare that was Star’s song day, Moon was scared that Star would bring Ruberiot again. As such, Moon insisted she pick the songstrel. She picked a man that promised to be very dedicated, but he took it way to far. Unbeknownst to anyone, he followed Seraphine around in secret and saw her true nature. He put the pieces together and, during her song day celebration, exposed her as part demon.

(An early concept of Seraphine, scared to fight back. Note that at the time, she had a Jushtin-esque hat!)

The kingdom rioted and Moon was horrified. It was a genuine accident on Moon’s part (she had no way of knowing how far he would take it) but Star accused her of doing it on purpose to keep Seraphine off the throne. An angry mob broken in and kidnapped Seraphine, and agreed to give her back if she lost her birthright and was locked away forever.

Star was going to negotiate, but Seraphine made the choice herself. She gave the throne to Ophelia, who accepted. Ophelia knew that by being queen, she would lose all her freedom. But she also knew it was the only chance Seraphine had of surviving, so she agreed to it in a heartbeat.

(Ophelia was forced to lose her beloved haircut that Seraphine would give her, and instead had to even out her hair to a more “acceptable” style for a queen)

Ophelia was given the wand when she turned 15, while Seraphine was locked in the castle prison.

When Tom had learned what had happened, he and Ophelia hatched a plan. In the dead of night, they pretended as if Seraphine had attempted to break out. They set the scene to look as if Seraphine had been killed in the fight, when in reality she was safely in the Underworld with her father and half-brother.

Ophelia had to become queen and rule alone, separated from her sister and her girlfriend. She became distant, but ruled her kingdom in a way that made the citizens happy.

Seraphine, on the other hand, was forced to watch from a distance as Ophelia’s fun loving personality was stripped away in service of the kingdom. She hated it, and every second she wished she could free her sister.

This is where I became stuck in writing. So I’ll offer 2 endings and you can pick the one you like the best.

The dark option is that Seraphine attempts to intervene on Ophelia’s wedding day, after the MHC forced her to marry a random knight. Seraphine ends up getting crystallized and Ophelia loses the last bit of hope that at least her sister was happy, and rules the kingdom in misery.

The happy option (and my preferred option despite its cheesiness) is that Seraphine attempts to intervene on Ophelia’s wedding day and actually succeeds. She and Ophelia convince the citizens of their kingdom that, by their own rules, Seraphine should be their queen, and they crown her anyways. She and Ophelia then rule together.

Thanks for reading!