#Wall demolition Toronto

[indigenouscontemporaryart]

Ogimaa Mikana. Don’t be shy to speak Anishinaabemowin when it’s time. Bayfield St., Barrie, Ontario; Biskaabiiyang. North Bay, Ontario; Untitled (All Walls Crumble). Ottawa, Ontario; Anishinaabe manoomin inaakonigewin gosha. Peterborough, Ontario.

Ogimaa Mikana is an artist collective founded by Susan Blight (Anishinaabe, Couchiching) and Hayden King (Anishinaabe, Gchi’mnissing) in January 2013. Through public art, site-specific intervention, and social practice, we assert Anishinaabe self-determination on the land and in the public sphere.

The Ogimaa Mikana Project is an effort to restore Anishinaabemowin place-names to the streets, avenues, roads, paths, and trails of Gichi Kiiwenging (Toronto) - transforming a landscape that often obscures or makes invisible the presence of Indigenous peoples. Starting with a small section of Queen St., re-naming it Ogimaa Mikana (Leader's Trail) in tribute to all the strong women leaders of the Idle No More movement, the project hopes to expand throughout downtown and beyond.

“The Anishinaabeg endure. We do so through settler colonial time, and across space.  We do so in contention. Untitled (All Walls Crumble) considers this movement. To be Indigenous in the city is so often a struggle for recognition, to be seen, and to resist the erasure that is common in Toronto, Montreal, Ottawa, etc. Yet with recognition also comes appropriation and co-optation. In this unease, we consider the benefits of erasure, or at least, covert movement. Inspired by stories of our relatives and ancestors counting coup, and Basil Johnson’s description of warfare more generally, the Ogimaa Mikana Project considers the tension between visibility and invisibility to challenge settler colonial logic. Against a crumbling wall holding up Ottawa’s major highway - scheduled for demolition and replacement - we draw attention to the ways the settler state recycles itself, and by extension, affirms its legitimacy. We see it and resist in provocative ways that mirror a there/not there presence. Against this crumbling wall, we reclaim space for an anti-recognition: to speak to each other, as Anishinaabeg, as communities pushed out by gentrification, as the colonized, and offer a refrain and a sign of defiance: “Wakayakoniganag da pangishin. Nin d'akiminan kagige oga ahindanize.”

[cristianordonez]

Displace, 2021-2023 Part of solo show Displace, Project 107 Gallery, Toronto, ON Canada. January 4 to 8, 2023 This building is slated to be demolished. The first development notice went up in 2014, outlining a plan to replace the site with a high-rise condominium complex. In the eight years since, the plans have evolved and the demolition — ever pending — has been delayed. Perhaps indefinitely. Perhaps for a few months. In the meantime, memories remain. The walls, windows, rugs, floors, light switches and layers of paint bear the palimpsest of a century. These are the scenes captured in photography. In the early 20th century, this site was an industrial setting, where electrical appliances were manufactured. By the 1990s, artist studios and small, independent businesses carved out a new territory, and were eventually joined by offices and a data centre, with car dealerships and apartment towers as their neighbours. Walls were covered in stucco, floorplans were redrawn, windows and floors were replaced, but the bones remain. According to the City of Toronto’s Planning department, “This site was not deemed to have any historical value.” It is a calculus that erases the cultural life behind the bricks — the affordable, creative spaces that breathe life into the building and the city beyond. At 7 Labatt and across Toronto, this heritage, history and culture is disappearing into oblivion. But for now, the building remembers. In a space where erasure is on the horizon, the sense of fragility is palpable. In lieu of a traditional gallery setting, where works of fine art are framed and displayed on white walls, the exhibition takes an unconventional form, recognizing the vulnerability of its site — and subject — via an ephemeral medium. These fleeting, vulnerable images are displayed in different scales and settings, creating a dialogue with the building and its uncertain future. There is no permanence through photography, no immortality through art. In a few days, this will all be gone forever. Text by Stefan Novakovic, Architecture Critic

[iscanotoronto]

How 3D Laser Scanning is Helping Toronto’s Real Estate Developments

Toronto is a city known for its constantly evolving skyline, where innovative real estate developments shape and redefine its urban landscape. With projects ranging from modern high-rises to historic renovations, Toronto’s real estate industry is in need of advanced tools that help streamline processes, enhance accuracy, and support sustainable building practices. One technology that has become essential for real estate development in Toronto is 3D laser scanning. This advanced, precise method of capturing spatial data offers numerous benefits to developers, architects, and construction teams alike, driving forward projects in a faster, safer, and more efficient way.

1. The Basics of 3D Laser Scanning in Real Estate

3D laser scanning, also known as LiDAR (Light Detection and Ranging), uses laser beams to capture millions of data points per second, creating an accurate digital representation, or "point cloud," of the scanned environment. This point cloud can be converted into highly detailed 3D models that depict the exact dimensions and geometry of physical spaces. For Toronto’s real estate developers, this technology is invaluable because it provides precise, real-time data on a structure’s layout and condition, making planning, renovation, and construction more efficient and reliable.

2. Enhancing Pre-Construction Planning

Pre-construction planning is a critical stage in real estate development, as it establishes the groundwork for a project’s success. In Toronto, where high-density developments are common and urban space is at a premium, accuracy in the planning phase can prevent costly mistakes down the line. 3D laser scanning enhances pre-construction planning by providing an accurate, detailed map of the site, which developers can use to understand existing structures, elevations, and any other elements that could impact design and layout.

With 3D laser scanning, developers can overlay new designs onto the digital representation of the current environment, ensuring that the new construction will fit seamlessly into the existing space. This minimizes the chances of unexpected design changes during construction, which can lead to budget overruns or project delays.

3. Faster and More Precise As-Built Documentation

For many Toronto projects, especially renovations or adaptive reuse of older buildings, as-built documentation is essential. This documentation reflects the current state of a building, capturing elements like wall placements, utility layouts, and structural conditions. Traditional as-built documentation, which relies on manual measurements and inspections, can be time-consuming and prone to errors.

3D laser scanning, however, captures accurate as-built data in a fraction of the time. With a complete 3D model of a building, architects and engineers have access to detailed information about the structure’s geometry and condition. This is especially useful for projects involving Toronto’s historical buildings, where structural elements may be irregular or hidden by newer layers of construction. With precise as-built documentation, professionals can make informed decisions and ensure that the final design respects both the building’s history and the developer’s vision.

4. Supporting Sustainable Design and Development

As sustainability becomes an integral part of real estate development in Toronto, 3D laser scanning can play a key role in achieving green building goals. Accurate scans allow architects and developers to maximize the use of existing materials and make efficient design choices. For example, by understanding exactly where mechanical, electrical, and plumbing systems are located within a structure, developers can plan modifications without unnecessary demolition or waste.

Additionally, 3D laser scanning supports the reuse of existing structures, as seen in Toronto’s adaptive reuse projects. Instead of demolishing older buildings to make way for new ones, developers can utilize 3D scans to repurpose existing spaces, minimizing environmental impact and preserving architectural heritage. This approach aligns with the city’s focus on reducing waste and promoting sustainable development.

5. Improving Construction Efficiency and Reducing Rework

One of the major challenges in construction is avoiding rework, which can be a significant cost and time sink. In Toronto’s high-stakes real estate market, staying on schedule and within budget is crucial. 3D laser scanning helps prevent rework by providing accurate, up-to-date data that allows construction teams to identify and address potential issues before they escalate.

For instance, 3D scans can detect inconsistencies between the initial design plans and the actual conditions on-site, such as unforeseen structural elements or misaligned features. By identifying these issues early, construction teams can make necessary adjustments to their plans, minimizing delays and reducing costly mistakes. Additionally, having access to a 3D model on-site enables project managers to monitor construction progress in real-time, ensuring that each phase of the project aligns with the original plan.

6. Streamlining Collaboration Across Teams

In real estate development, collaboration between architects, engineers, developers, and construction teams is essential. However, communication gaps and misunderstandings can lead to costly mistakes and project delays. 3D laser scanning promotes better collaboration by providing all teams with a single, accurate 3D model that serves as a reliable source of information.

For example, architects can use the 3D scan data to ensure their designs are compatible with existing structures, while engineers can use the same data to identify any structural or spatial constraints. Construction teams can also access the model to understand project requirements and visualize the final outcome. This shared digital model reduces the need for frequent site visits and allows team members to work together seamlessly, even when working remotely.

7. Enhancing Marketing and Sales Efforts

In Toronto’s competitive real estate market, developers are constantly looking for ways to stand out and attract potential buyers. 3D laser scanning offers a unique advantage in marketing and sales by creating realistic virtual models of properties, which developers can use to showcase projects even before construction is complete. Potential buyers can take virtual tours of the property, view floor plans, and experience the space in 3D, giving them a realistic understanding of what the property will look like.

This level of engagement is particularly valuable for pre-sales in condo developments, where buyers often purchase units before the building is completed. 3D scans provide a tangible way for buyers to visualize their future homes, boosting confidence in the project and increasing sales opportunities.

8. Facilitating Renovations and Adaptive Reuse Projects

Toronto is home to numerous historic buildings and neighborhoods with unique architectural character, and many developers are interested in renovating or repurposing these spaces. Adaptive reuse projects, which transform existing structures for new purposes, are increasingly popular as they combine sustainability with preservation of architectural heritage.

3D laser scanning is particularly valuable for these projects because it provides detailed, accurate measurements of older buildings that may have irregular layouts or undocumented modifications. By understanding the structure in detail, architects and developers can make informed design decisions that respect the building’s history while adapting it for modern use.

For example, a developer repurposing an old industrial building into loft apartments would benefit from a 3D scan of the structure, as it allows them to work around existing structural features and plan accordingly. This approach minimizes construction surprises, reduces waste, and helps maintain the character of Toronto’s historic architecture.

9. Addressing Toronto’s Urban Growth Challenges

As Toronto continues to grow, the demand for new real estate developments is rising. However, urban density and limited space pose challenges for large-scale developments. 3D laser scanning can help Toronto developers address these challenges by providing accurate data for complex sites and multi-story buildings. The technology’s precision allows for efficient space utilization, helping developers maximize square footage without compromising on design quality or safety.

In addition, the ability to scan dense urban environments accurately means developers can incorporate nearby structures, public spaces, and infrastructure into their designs, ensuring new developments blend seamlessly with the surrounding area.

Conclusion: The Future of 3D Laser Scanning in Toronto Real Estate

3D laser scanning is rapidly becoming an indispensable tool for Toronto’s real estate developments, offering numerous benefits across planning, construction, and marketing stages. The technology enhances accuracy, speeds up workflows, and promotes sustainable development practices, making it a valuable asset for the city’s expanding real estate landscape. As the technology continues to advance, we can expect even greater applications in Toronto’s development sector, from virtual reality experiences for buyers to predictive maintenance for completed buildings.

By investing in 3D laser scanning technology, Toronto’s real estate developers can stay competitive, meet growing urban demands, and ensure that each new project contributes positively to the city’s dynamic skyline.

Contact us: iScano Toronto 126 Simcoe Street, Unit 2204, Toronto, Ontario M5H 4E6 (647) 773-1341 https://iscano.com/3d-laser-scanning-toronto/

[tummanoj9]

🔨 When Do You Need PERMITS and Inspections for Home Renovations? 🏠🔍 by Manoj Atri, REALTOR® 🚧🏠 What Happens if you DON'T get Permits for Home Renovations? ❌ 📚 Kindly Subscribe for More Tips and Insights!✨Help me reach 1,000 Subscribers! 🎉🙌 #HomeInspection # ⏳ Daily Hot Picks: GTA Real Estate News - Friday 11th Oct 2024 Newsletter This YouTube Short is a segment from the full video available at this link: https://ift.tt/wLADUYO DIY Home Renovation: When You Need Permits and Inspections 🛠️🏡 DIY-Friendly Projects 👍 Small Updates: Painting, landscaping, and minor repairs can usually be done without permits. 🎨🌳 Major Renovations 🚧 Permits Required: For significant changes like structural work, electrical, or plumbing, you'll need permits to ensure compliance with building codes. 📋🔌🚿 Consequences of Skipping Permits ⚠️ Hefty Fines: You could face expensive penalties if caught without permits. 💸 Tear Down Work: In severe cases, you may be required to undo your renovations. 😱🔨 Key Takeaway 📝 Always check local regulations before starting a renovation project to avoid costly mistakes! 🏠✨ When Do You Need Permits and Inspections for Home Renovations? 🏠🔨🔍 Structural Changes 🏗️ Adding/removing walls 🧱 Expanding rooms 🚪 Electrical Work ⚡ New wiring 🔌 Panel upgrades 💡 Plumbing Alterations 🚽 Moving fixtures 🚰 Adding bathrooms 🛁 Additions 🏡➕ New rooms 🛋️ Garages 🚗 Major Renovations 🔄 Kitchen overhauls 🍳 Basement finishing 🏠 Roof Changes 🏠 Structural alterations 🔧 New skylights 🪟 HVAC Systems 🌡️ New installations ❄️ Major modifications 🔥 Decks and Porches 🏞️ Over certain size 📏 Attached to house 🏠 Window/Door Replacements 🪟🚪 If changing size/location 📐 Demolition 💥 Removing structures 🏚️ Remember: Always check with local authorities for specific requirements! 📋✅ Subscribe Now for our daily Toronto Real Estate updates and expert insights! 🔔📅 🏡 #TorontoRealEstate 🛠️ #FixerUpper ❤️ #GTAHomes 💰 #HomeRenovation ⚠️ #RealEstateTips 📜 #TorontoHousingMarket 🤔 #DreamHome 🔑 #RentToOwn 💸 #HomeBuying 🇨🇦 #CanadianRealEstate ▶ Visit the following website links for HOT New Listings in Toronto GTA Ontario Canada TORONTO REAL ESTATE for Sale Listings → https://ift.tt/6Eg5Chw BRAMPTON Homes Peel ON → https://ift.tt/oJ7d03l Purchase Properties in MARKHAM Toronto ON → https://ift.tt/u24k0Eb Rent To Buy Homes in MILTON ON Canada → https://ift.tt/TzU9O4Q Rent-To-Own MISSISSAUGA homes Ontario → https://ift.tt/XxqaJDy Rent-To-Purchase homes NEWMARKET Ontario → https://ift.tt/lNRw9Ab Search properties in OAKVILLE Ontario → https://ift.tt/qAabSVm Hot listings in OSHAWA Ontario → https://ift.tt/XGoPfqT PICKERING Durham Region Ontario → https://ift.tt/8oGzrA0 Buy a home RICHMOND HILL Ontario → https://ift.tt/AUXNmhS ▶ Manoj Atri, REALTOR® with Architectural Experience Re/Max Hallmark Realty Ltd., Brokerage 401 – 685 Sheppard Ave E, Toronto ON M2K 1B6 Office: [416] 494-7653 | Cell: [416] 275-2089 | Direct: [647] 696-6873 Fax: [416] 494-0016 | Email: Manoj@ManojAtri.com ▶ LET'S CONNECT FOR FURTHER NETWORKING: FACEBOOK → https://ift.tt/ZgwHWSf INSTAGRAM → https://ift.tt/uJ3hcy7 LINKEDIN → https://ift.tt/9xKbBhI PINTEREST → https://ift.tt/gSKEWvO REDDIT → https://ift.tt/OXaz1ZM RENT-TO-OWN HOMES → https://ift.tt/i2tFMw6 SEARCH HOMES IN GTA → https://ift.tt/eqDFVif TIKTOK → https://ift.tt/Xck4tbv TUMBLR → https://ift.tt/SMvhdtV X → https://ift.tt/o6mQpYx YOUTUBE → https://www.youtube.com/@ManojAtri9?sub_confirmation=1 ▶ MY WEBSITE LINKS FOR MORE TORONTO GTA REAL ESTATE INFO: https://ift.tt/WsgjDIH https://ift.tt/8mbqXlw https://ift.tt/3raE97y https://ift.tt/x5vPLZX Subscribe to the Toronto Real Estate Hot NEWSLETTER Here: https://ift.tt/ud7lbrp *** Not intended to solicit any Buyer or Seller under Contract. *** via YouTube https://www.youtube.com/watch?v=lBDGWn541LA

[deanorosphoto]

WINTER SCENE OF THE LEUTY LIFEGUARD STATION.

Above: Saving thousands of lives since 1920.

NESTLED ALONG THE SHORES OF...

...Lake Ontario in Toronto's east end, the Leuty Lifeguard Station is a staple attraction as one strolls along the boardwalk.

Since it was built in 1920 by Chapman and Oxley architects, the Leuty Lifeguard Station has helped to save thousands of lives. Over the years it has been moved four times to keep it close to Lake Ontario's edge. During the 1980's the Leuty had fallen into disrepair and was threatened with demolition. Local residents formed S.O.S. (Save Our Station), and enough money was raised to restore the structure. It has since been declared an important historic site by the Toronto (Canada) Historical Board.

ORDER PREMIUM PRINTS OF THIS PHOTOGRAPH.

WINTER SCENE OF THE LEUTY LIFEGUARD STATION is available with a gorgeous selection of professional-grade photographic paper to choose from. 

From the camera to your wall, my goal is to share the moment witnessed through my lens - the details of land, water and sky. This is where the beauty of meticulously crafted photography and traditional printing methods combine to create premium quality prints. 

SEE MORE DEAN OROS PHOTOGRAPHY.

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Thank you for visiting.

[northerncm]

Expert's Guide to Home Renovations in Vaughan

Are you planning to renovate your home in Vaughan? Home renovations can be an exciting yet overwhelming task. From conceptualizing the design to finding the right contractors, there are several factors to consider. In this comprehensive guide, we will unveil the secrets to successful home renovations in Vaughan. Whether you're looking to transform your kitchen, upgrade your bathroom, or revamp your living space, these expert tips will help you navigate through the process with ease.

Introduction 

Vaughan, located just north of Toronto, is a vibrant city known for its diverse communities and beautiful neighborhoods. Homeowners in Vaughan often opt for renovations to enhance their living spaces and increase property value. Whether you have a specific vision in mind or need inspiration, home renovations offer endless possibilities to transform your house into a dream home.

Understanding Your Renovation Goals

Before diving into a home renovation project, it's crucial to define your goals. Ask yourself what you want to achieve through the renovation. Are you looking to create an open-concept layout, upgrade outdated fixtures, or add more space? Understanding your renovation goals will help you stay focused and make informed decisions throughout the process.

Setting a Realistic Budget

Setting a realistic budget is essential to ensure your renovation project stays on track. Consider factors such as material costs, labor expenses, permits, and unforeseen contingencies. It's advisable to allocate a contingency fund for any unexpected expenses that may arise during the renovation process.

Finding the Right Contractors

Finding reliable and experienced contractors is key to the success of your home renovation project. Seek recommendations from friends, family, or neighbors who have recently completed renovations. Additionally, explore online platforms and directories to find reputable contractors in Vaughan. Interview multiple contractors, request quotes, and ask for references to make an informed decision.

Design and Planning Phase

The design and planning phase is where your vision starts to take shape. Work closely with a professional designer or architect to develop a detailed plan that aligns with your goals. Consider factors such as space utilization, functionality, aesthetics, and sustainability. This phase also involves selecting materials, fixtures, and finishes that will bring your vision to life.

Obtaining Permits and Approvals

Depending on the nature and scale of your renovation, you may need to obtain permits and approvals from the local authorities in Vaughan. Ensure that you comply with the building codes and regulations to avoid any legal complications. Your contractor can guide you through the permit application process and help you acquire the necessary approvals.

Demolition and Construction

Once you have the necessary permits in place, the renovation project enters the demolition and construction phase. This is when existing structures and finishes are removed to make way for the new design elements. It's crucial to work with professionals who follow proper demolition practices to ensure safety and minimize damage to the surrounding areas.

Plumbing and Electrical Work

During the renovation, plumbing and electrical systems may need to be modified or upgraded. Hire licensed professionals to handle these tasks, as they require specialized knowledge and expertise. Ensure that the new plumbing and electrical installations meet the required standards and regulations.

Flooring and Wall Finishes

Flooring and wall finishes play a significant role in the overall aesthetic appeal of your home. Choose materials that are durable, easy to maintain, and complement the design theme of your renovation. From hardwood and laminate to tiles and vinyl, explore various options and select the ones that best suit your style and budget.

Cabinetry and Countertops

Cabinets and countertops are essential components of any kitchen or bathroom renovation. Opt for high-quality materials that offer both functionality and visual appeal. Custom cabinetry can maximize storage space and create a seamless look. Consider factors such as durability, ease of cleaning, and resistance to moisture and heat when selecting countertops.

Lighting and Fixtures

Proper lighting can transform the ambiance of your home. Incorporate a mix of natural and artificial lighting to create different moods in various areas. Install energy-efficient fixtures that not only enhance the aesthetics but also reduce energy consumption. Consider task lighting for functional spaces like kitchens and bathrooms and ambient lighting for living areas.

Paint and Color Selection

Choosing the right paint colors can greatly impact the overall feel of your home. Experiment with different color palettes and select hues that reflect your personal style. Consider factors such as the size of the room, natural light availability, and the desired atmosphere. Paint samples on the walls to see how they look under different lighting conditions before making a final decision.

Adding Finishing Touches

As your renovation nears completion, it's time to add the finishing touches that will bring the space together. This includes selecting window treatments, decorative accessories, and furniture pieces that complement the overall design. Pay attention to details such as door handles, knobs, and switch plates to ensure a cohesive look throughout your home.

Final Inspections and Clean-up

Before you can fully enjoy your newly renovated home, it's important to undergo final inspections to ensure compliance with building codes and regulations. Hire professionals to conduct thorough inspections of the plumbing, electrical, and structural elements. Once everything is deemed satisfactory, proceed with a thorough clean-up to remove any construction debris and prepare the space for occupancy.

Enjoying Your Newly Renovated Home

Congratulations! You have successfully completed your home renovation in Vaughan. Take the time to appreciate the transformation and enjoy the newfound comfort and beauty of your living space. Create lasting memories with family and friends in your revitalized home.

FAQs

Q: How long does a home renovation in Vaughan typically take?

A: The duration of a home renovation project depends on various factors such as the scope of work, size of the project, and contractor availability. It's best to discuss the timeline with your contractor during the planning phase.

Q: Can I live in my home during the renovation?

A: In most cases, it's possible to live in your home during a renovation, especially if the project is segmented and doesn't involve major structural changes. However, it's important to consider the level of disruption and inconvenience that may occur and plan accordingly.

Q: How can I ensure that my renovation stays within budget?

A: To keep your renovation within budget, it's essential to have a clear understanding of your financial limitations from the start. Work closely with your contractor, prioritize your needs versus wants, and be prepared to make adjustments if necessary.

Q: What should I look for when hiring a contractor for my home renovation?

A: When hiring a contractor, look for experience, reputation, and proper licensing. Request references and examples of past work. It's also important to have clear communication and ensure that you feel comfortable working with them.

Q: How can I add value to my home through renovations in Vaughan?

A: Renovations that improve the functionality, aesthetics, and energy efficiency of your home can add significant value. Focus on upgrades that align with current trends and buyer preferences in the Vaughan market.

Conclusion

Home renovations in Vaughan can be a fulfilling journey with the right planning and execution. By understanding your goals, setting a realistic budget, finding reliable contractors, and following the step-by-step process outlined in this guide, you can turn your dream home into a reality. Embrace the secrets revealed in this expert's guide to home renovations in Vaughan and embark on a transformative journey that will enhance both the value and enjoyment of your property. Take action now with NorthernCM, trusted home renovation contractors in Vaughan, Ontario. Visit northerncm.ca to start your dream home renovation today.

Reference URL :- Expert's Guide to Home Renovations in Vaughan

[spann-stann]

A(n) (almost) Complete List of Cordons Sanitaires Post Treaty of Las Vegas:

(Feel free to suggest other locations that could be Cordons)

Arab Buffer Zone: The remains of Abu Dhabi, devastated after the guest-workers’ revolution and the Emiratis’ evacuation to the northern half of the UAE. Serves as the thick border between the Gulf Workers’ Democracy (WCOF) and the Petro Emirate (UM).

Argentine Buffer Zone: Much like the other ABZ, the Argentine buffer serves as a no-man’s land between the greater Buenos Aires (UM) and Uruguay (WCOF).

Berlin: In a bit of irony, it was the gangs living in the western half of the city that walled off the gangs of the eastern half.

Beijing: Competing Bollywood and K-Pop cargo cults wage holy wars over the ruins of the Forbidden City.

Brasilia: A Dutchman exiled here helped bring about a narcocult that rules the Cordon in the present day.

Chicago: The Cubs-Sox War continues to the 2800s, despite the influx of European and Oceanian exiles into what remained of the natives.

Cueta: A Russo-Arab creole has slowly formed here.

D.C.: The scars of the Leave Riots and dissolution of the United States can still be seen and felt here. It’s more of a tomb than a city.

Falkland and South Georgia Islands: Lots of Scandis and New Zealanders were dumped here. Penguins replaced dragons on their longships.

Gaza Strip: The Israeli government fled here after their Indian and Evangelical auxiliaries revolted and seized the southern half of Israel. Yes, the irony is not lost on them.

Goa: The Portuguese are back! Just not the ones allowed to rule Portugal.

Jammu: The Kashmiri capital was bombed to uselessness in the Third World War, a perfect place to dump people useless to CorpEmp.

L.A. and San Diego: Also known as “San Angeles”, early in the Cordon’s creation a society eerily similar to Demolition Man was created. Don’t go into the sewers.

London: Knife crime is surprisingly lower since Great Britain went *poof*.

Melilla: The Aussie sister to the Slavic Cueta.

Mexico City: Even school children know this is the Common Prosperity Coalition’s headquarters on Earth.

Paris: At least three successors to the Pre-Imperial French Republic fight for control of the city at any one time.

Saint Helena: No one knows why everyone sent here develops a Napoleon complex.

Sydney: Asking where the Thunderdome is in this Cordon will land one in an shallow grave.

Taipei: The Communist Party finally has a foothold in Taiwan, but it also served as a dumping ground for American liberals.

Tel Aviv Strip: A lot of anti-Imperial Arab leaders ended up here. And the remnants of the neoconservative movement. Fun times!

Toronto: Some Naxalites and anti-Imperial Pan-Africans were sent here.

Setting Blurb: The Cordons Sanitaires

“In front of you are two forms, and one pen. The one to your left is a written statement, denouncing and renouncing your past beliefs, and accepting those of CorpEmp. You will be given a list of options on where you and your family can relocate if you so choose. The other, is a statement that will not commit the former and remain steadfast in the beliefs that landed you here. We will decide where you will end up, since you would have forfeited the right of being on the ‘winning side’…”

Following the end of major hostilities in the global north and the formation of what would later become the Corporate Empire, one question yet remained: What was to be done with the remnants of CorpEmp’s enemies? Not every population center under now-CorpEmp control welcomed the flag of the Platinum Eagle with open arms, and there were many internment camps that housed opposition leadership and combatants by the end of the wars that gave rise to CorpEmp. Arguments over the fate of the defeated varied between forceful integration and reeducation, forced labor, and mass executions.

One warlord made a proposal that would later be accepted by the other warlords. Certain metropolitan centers (mostly ones that offered the most resistance), and various islands were given “independence” so as to house the vanquished. Those defeated enemies were divided into three tiers of “complicity” in opposing the victorious warlords. The political, economic, and military leadership of the forces that opposed CorpEmp (“most complicit”) were the first inductees into what would become the “Servile Caste”, forced to do many jobs deemed unfit for the average CorpEmp citizen. Intellectuals, junior officers and politicians, and other persons of “average” complicity were sentenced to being Serviles temporarily for a predetermined time and subjected to forced exile. The average citizens and underlings (“least complicit”, as they were just following orders) were given a choice: renounce what they had just fought for/lived under and accept CorpEmp’s rule and ideology heart and soul or accept exile alongside the temporary Serviles.

The reason for offering exile was simple. Lording over resentful populations could prove disastrous in the long run. Depositing those that would be restive in designated areas “outside” the borders of CorpEmp was the faster solution. These Cordons Sanitaires as they would be later known, would also serve as a relief valve to prevent future dissent from fermenting within CorpEmp’s borders. The purpose of the Cordons regarding potential dissent was clear: like CorpEmp or leave it. One distinction between those being sent to the Cordons as “punishment” and those dissatisfied with life in CorpEmp was that voluntary exiles could choose their point of relocation; those whose relocation was mandatory were seldom placed on the same continent of origin. This meant to make establishing contacts between the Cordons and “subversives” operating within CorpEmp Borders more difficult.

To ensure that no one Cordon could serve as a threat to Imperial interests and security, no one anti-imperial movement was allowed to dominate in any one Cordon. Competing gangs and militias (if such a distinction could be made) were too busy fighting each other over maintaining power within their Cordon, rather than extending their influence beyond the Cordon’s borders.

Some Cordons, still resentful of their collective defeat, managed to organize under CorpEmp’s nose and launched a rebellion in 2100 A.D., following the death of Emperor Ignacio I Rotthey. The quick succession of his daughter, Hippolyta, and the intense memetic engineering of the loyal Imperial population kept the rebellions contained within the borders of the Cordons Sanitaires, resulting in the Treaty of Las Vegas (Las Vegas itself a Cordon that bought its freedom, and the rest of Nevada, from CorpEmp). Around half of the Cordons were reconquered by CorpEmp and resumed their role as dumping grounds for undesirables. The other half would form the United Markets, World Congress of Freedom, and Green Consensus. These three powers would be (begrudgingly) recognized as independent by CorpEmp.

The Cordons Sanitaires were stark contrasts to the predominantly rural CorpEmp territories surrounding them. The Cordons were urban sprawls, every inch of ground within their borders covered in urban jungle. This meant to serve as a lesson for inquisitive Imperial children asking about them during their geography and social studies: the ideologies that preceded CorpEmp are cancers on the world, and the concrete and rebar slums were their monuments.

As the centuries passed conditions in most of the Cordons worsened, due largely in part to the depletion of local resources and a near-dependence on CorpEmp for material and financial aid. Many of the “Great Syndicates” that rose to dominate CorpEmp’s economy took advantage of this, outsourcing white collar and other “unworthy” occupations to the desperate residents of the Cordons at wages barely above subsistence level.

By the 2800s the Cordons Sanitaires were nothing more than dilapidated ghettos, eyesores on the otherwise slowly rewilded surface of the Earth. More and more denizens of the Cordons, as well as dissidents from CorpEmp, were heading to the non-Imperial colonies in the fringes of the Solar System, and to the Extrasolar colonial expeditions that were being created. The Cordons were subject to so much emigration, that debates raged in the Imperial Concert over annexing the remaining Cordons outright. The Cordons Sanitaires as a system were ultimately abolished during the Battle of Earth during the Crystalline War (2801-2885). Due to the aliens’ focus on dense concentrations of human habitation, the Imperial military began converting the Cordons (and Imperial population centers) into a series of fortresses, death traps, and kill zones to lure the enemy in and force them to fight battles of attrition. What became of the Cordons remains the most scarred and irradiated areas on Earth to this day.

[sinceileftyoublog]

METZ, Spiritual Cramp, & Stuck Live Show Review: 12/16, Metro, Chicago

BY JORDAN MAINZER

METZ’ self-titled debut album came at a time when guitars re-entered indie rock in full-force. 2012 saw breakout albums from bands like Cloud Nothings, The Men, and Parquet Courts, a paradigm shift from the baroque pop of the 2000s towards something like it was during the heyday of the 90s. But similar to Attack on Memory, METZ was bleak, what seemed at the time like a pummeling expression of desolation after the 2008 financial crisis, akin to the waning optimism from the early Obama years. Ten years and three METZ albums later, the world has gotten worse, and the Toronto-via-Ottawa punk band has retained its hard edge. What better time to celebrate their first and arguably still their finest statement?

At the Metro on Friday, like every other night of their tour, METZ played their first album front to back. As the band walked onto the stage, drummer Hayden Menzies played the abrasive opening notes of “Headache” with the lights still off, remaining dim as guitarist and vocalist Alex Edkins’ siren-like lines began. Only when bassist Chris Slorach entered the fray did we see the band, and they were off to the races, burning through “Get Off”, “Sad Pricks”, and “Rats” at a breakneck pace. From the off-kilter instrumental of “Nausea” to the build of “Wet Blanket” and noisy, dynamic breakdown of “Wasted”, the band showed themselves to be, to quote one of their 2012 contemporaries, masters of their craft.

Including the encore, METZ had time for 5 additional songs, including two from their most recent album Atlas Vending (Sub Pop): “Blind Youth Industrial Park” and the swirling, epic closer “A Boat to Drown In”. II’s “Spit You Out”, a live highlight since it came out, was especially disorienting in its chaos in conjunction with the light show. And, to my pleasant surprise, the band did the motorik “Demolition Row”, released earlier this year as part of a split 7′’ with Adulkt Life. The show served as a reminder that METZ are capable of effectively delving into different subgenres but are still at their best when bashing you over the head with noise.

Opening for METZ were two more punk bands, albeit with different aesthetics. San Francisco’s Spiritual Cramp combined screamy, political post-punk with self-aware, self-deprecating, self-hating dance jams on tracks like “I Feel Bad Bein’ Me” and “The Erasure”. Vocalist Michael Bingham was filled with banter contrasting the bitter cold lack of pretension in Chicago with California’s sadsack sunniness. “You can’t tell if I’m being sarcastic,” he said to the crowd, following up with, “I can’t tell if I’m being sarcastic.” The vagueness of tone is certainly a feature of the band, the type to artfully sample vocals at the same time as featuring a barely-audible-but-theatrically-played tambourine on stage. When Bingham declared, “Fuck the cops, fuck the president, and fuck you, too,” you could sense a sneering sincerity, one that made the band ironically even more likeable.

And taking a victory lap were local heroes Stuck, a year removed from their most recent EP Content That Makes You Feel Good (Exploding In Sound), two years from their debut album Change Is Bad (born yesterday). As such, they played four (!) new, unreleased songs, including jagged set opener “Punisher” and the disco beat-laden “Freak Frequency”. Live, lead vocalist Greg Obis’ yelped personal and sociopolitical litanies echo the urgency of someone like Squid’s Ollie Judge, backed by the band’s gnarly rhythms and burning tempo changes. The jangling tremolo and rusted edges of a song like “Invisible Wall” encapsulated what the band does best: reel you in, but not let you get too comfortable.

[wallremover]

Creating a wide, open, and elevated interior can significantly improve your home’s visual appeal and functionality. A cathedral ceiling is one of the most important design elements for creating this change. A cathedral ceiling adds grandeur to a room by creating an airy, spacious sensation and architectural elegance that may elevate the entire home. However, implementing this design frequently necessitates structural alterations such as wall removal and the installation of suitable beams to sustain the new arrangement.

[blueiscoool]

Mysterious Kodak Mosaic Discovered Behind Drywall

A mysterious mosaic created during the heyday of Kodak has been rediscovered after decades when the owners of a former Kodak research building knocked down a wall during renovations.

Rochester, New York’s local CITY News reports that the tech company Delta-X Global had been rehabilitating the old Kodak laboratory in Eastman Business Park (formerly known as Kodak Park) to create its new research and development hub.

The Discovery of the Kodak Mosaic

In February, in the midst of demolition work and knocking down a wall in a conference room on the first floor, the rehab team made an unexpected discovery: there was a beautiful and enigmatic mosaic hidden behind the drywall, perfectly preserved out of view for decades.

“The drywall had been covering a gray cinderblock wall, about 12 feet high and 18 feet long, adorned by an elaborate mosaic composed of tens of thousands of hand-cut tiles, most measuring about one square inch,” David Andreatta of CITY News writes. “Others were as small as the pips on a pair of dice.

“Gradations of blue danced with specks of black, and diminutively detailed dots of yellow and red, against a backdrop of white. Together they formed… something. A submarine? A rocket? A fish? A submarine rocket fish?”

Rochester-based photographer James Montanus, the son of the legendary Kodak photographer Neil Montanus, was one of the first people to lay eyes on the rediscovered mosaic before word of the find got out.

“I have a friend who works in that building,” Montanus tells PetaPixel. “It’s a former Kodak research building that housed Kodak’s research scientists. He is one of only two former Kodak employees who are still employed there.

“Because the building was just sold to a high tech firm in Toronto Canada, they were helping to take down some walls in advance of a $25 million major renovation.”

Uncovering the Meaning of the Mural

Montanus then took to his Twitter account to see if anyone could decipher the meaning of the mosaic.

“[…] no one knows what it means or why it’s there,” Montanus wrote. “Ancient aliens perhaps? Portal to another dimension? My friend has worked there for 44 years and no one has a clue. Do you?”

People soon pointed out that the mosaic seems to show scientific principles that allow for camera film and analog photography. The symbols for silver (Ag), nitrogen (N), carbon (C), and oxygen (O) are among the elements seen in the artwork, and there appears to be abstract depictions of things like sunlight, flash, a film strip, and an aperture.

“[I]t represents the science advances that make photography possible,” Tweets Maine-based writer Carla Jean. “Bottom right is optics (lenses redirecting light), the top right letters are the elements used to make film (e.g., silver halide coatings) and more chemistry stuff.”

“The mosaic shows the areas of science, chemistry, electricity, physics, and optics,” Dlugosh-Ostap tells CITY. “All of those elements combined together were meant to express the work that was being done in this building in the ’60s when it first opened.”

A software engineer and Rochester Institute of Technology alumnus named Mike found confirmation of this explanation in a Physics Today article from 1961, the same year the laboratory was opened.

“One wall of the building’s lobby contains a ceramic tile mural depicting fundamental aspects of physics,” the article reads.

Mike also found the mural in an article about the lab’s opening published in the Democrat and Chronicle that year.

“Depicted in the mural are the symbols of sound, mechanics, atomic structure, optics, electronics, electrical energy, and photography,” the article says. “They comprise subjects which will be intensively studied in some 200 ‘labs’ in the building […]”

The Artwork Will Be Preserved

The good news is that Delta-X Global plans to keep the mosaic and feature it prominently in its new research hub.

“We are proud to be the new owners of the mural,” Dlugosh-Ostap writes in a Tweet. “We are definitely keeping it and will be incorporating it into our new lobby design!”

By Michael Zhang.

Image credits: Header photo by James Montanus.

[leslieville-picker]

Beverly Street - Toronto, Canada (2017) tumblr in BW - website - facebook

[mgiconstruction-blog]

Leading Demolition Companies in Toronto

We have come a long way since the days of the beloved wrecking ball. However, as one of the leading demolition companies Toronto, MGI Corporation has successfully handled many demolition projects since then. Today we boast knowledge of state-of-the-art heavy equipment for your concrete recycling, aggregate crushing and screening, complete interior and exterior demolition and abatement, and asset and salvage recovery needs. Therefore when you are in need of retail, residential or commercial demolition, trust only the best demolition companies in Toronto. Our demolition services are fully insured and bonded; including both liability insurance and WSIB. We proudly offer full-service packages that track development projects start-to-finish. As a result, our field team is composed of a dynamic mix of certified technicians, experienced operators, skilled labour, and project managers. MGI is affiliated with Local 793, 183, and 506 (ICI and Demolition) Unions.

As one of the leading demolition companies Toronto, MGI Construction Corporation is contractor recommended. We work closely with general contractors, government agencies, private developers, as well as the industrial/commercial sector and are built upon a stellar reputation within the industry. We adhere to a hands-on policy towards all our projects, whether they be large or small in scale.

For more information on MGI Corporation demolition companies Toronto, call us at (416) 675 2280, email today.

Environmentally Conscious Demolition Companies Toronto

As one of the leading demolition companies Toronto, we strive to maintain a high standard for proper management of the environmental impact of new and existing construction and demolition projects. As a result, we use only registered recycling facilities for the disposal of all debris and divert a large portion of demolition debris away from landfills and toward accredited recycling facilitates. Therefore, with MGI Corporation demolition, materials such as asphalt, concrete, drywall and plaster, scrap metal, roofing materials, mixed inert waste, wood are carefully recycled in their appropriate facilities.

Partial Demolition Services

Partial demolition is often the first step when an existing building is being upgraded, renovated or remodelled. Whether a building is being demolished to modernize its look and feel, or a wall is removed to make room for an addition, it is essential that you turn to demolition experts. By hiring only the best demolition companies in Toronto, you can trust that the building systems and structural integrity of the remaining building are left undamaged. Our specialized demolition equipment can target the areas that require destruction while leaving the surrounding areas intact and structurally sound. When looking to remove a portion of a building or structure, contact MGI Corporation’s skilled and professional team.

Total Demolition Services

When a building or structure has come to the end of its usefulness, total demolition is used to prepare the groundwork for a new space. Often, buildings are located in highly-populated areas. However, our team of expert contractors get the job done quickly, efficiently and more importantly, safely. Every demolition project, be it structural or interior, is truly a unique situation and carries its own set of distinct properties and features. Therefore when you hire MGI Corporation, among the leading of demolition companies Toronto, our team carefully assesses the job to create a specific plan tailored to the project. Whether you are in search of residential, commercial, industrial total demolition, look no further than MGI Corporation.

About MGI Corporation

MGI Construction Corporation’s team has multiple and overlapping generations of experience in the construction contracting industry. With our in-house administration, engineering, and safety staff available for all required procedures per government regulations, we tackle your project hands-on. Our commitment to health and safety is at the forefront of our business. As a result, it is an integral part of the delivery of all our demolition projects.

When in search of trusted and experienced demolition companies Toronto, look no further than MGI Corporation. We carefully monitor all aspects of our projects and continuously survey sites for potential hazards and risks. At MGI Construction Corporation, safety is of utmost importance and we follow all health and safety policies for the duration of every demolition project.

MGI Construction Corp. proudly offers demolition services to communities such as Toronto, Scarborough, Markham, Kingston, Mississauga, Brampton, Hamilton, Guelph, London, Etobicoke, Caledon, and other municipalities in Ontario. Learn More About our Demolition Projects

[prodemosblog]

Demolition Residence Demolition Cost Demolition Corporations Home Demolition Price Demolition Contracts

Along with the supplies our group will take away water and soil that has been contaminated or has turn into polluted earlier than they turn into a risk to your well being. Burke's Restoration is the popular demolition contractor for emergency services. Community officials typically depend on our readiness when buildings are deemed unsafe and collapse could additionally residential demolition services be imminent. Burke's Restoration’s ability to mobilize gear and employees allows quick response to any pressing call 24/7. Our immediate reactions have created longstanding relationships with local authorities who have come to trust and rely on us. We serve the Greater Vancouver, Lower Mainland, and Fraser Valley area of BC with Commercial, Residential and Industrial Demolition Services.

As a fire and water damage restoration company we nearly always encounter damage that requires demolition work. We provide a complete range of services from water damage restoration, demolition and renovations as wanted. Are you planning to undertake a brand new business building project? At Bruce Tait Construction Ltd., we provide residential demolition services dependable residential, institutional, and business demolition in Sudbury. Our skilled staff has been providing reliable services since 1968. What has enabled us to develop is our practice of making certain the satisfaction of all of the events involved.

Excavation, concrete demolition and basement waterproofing services in Hamilton and surrounding areas. Openings for doorways and home windows reduce out and eliminated in concrete and masonry walls. I have been working as a Framing & demolition contractor for over ten years. I want to supply my services at reasonably residential demolition services priced prices and guarantee 100 percent buyer satisfaction. Demolition Services within the Greater Toronton Area, including Burlington, Oakville and Mississauga. We are full-service contracting & demolition company, which prides itself on exhausting work and buyer ...

Recognizing firms who have applied a profitable security program. We satisfaction ourselves in being punctual, skilled, and personable. When the work is finished, we all the time ensure to go away your area cleaner than we discovered it. We do all forms of demo work from interior partitions and floors to tearing down old sheds and garages.

We typically perform interior demolition alongside a series of restoration services. Before we feature out any of ourservices, we make certain we comply with applicable steps laid down for the completely different projects. We make sufficient steps to know the kind of demolition the client requires. For Internal demolition, we observe appropriate steps and execute the project. For External demolition, we make use of the use of loaders, bulldozers and excavators to help execute the project excellently.

In this enterprise it is important for the consumer to feel confident, understanding the job might be done proper and on time, with no monetary surprises, and it's one thing our partners assure. This is the guiding philosophy of our Mississauga and Toronto contractor services for demolition. Demolition contractors should be exact and careful, and also you want ones which have expertise dealing with these jobs. We at Gibbs Landscaping & Lawn Care are a company with extensive expertise in this sector and cater to each residential and industrial shoppers. Accu-Star is among the most sought-after companies in relation to inside demolition. Our crews are prepared to handle all forms of interior partitions, knocking them down at half the time it takes for other demolition firms to do the same type of service.

The group at All Clear Environmental can care for all the required paperwork and permits to help make your demolition project come to life. Residential demolition is the method of demolishing/dismantling either a portion of a residential property, or the whole factor. Demolition jobs can additionally be done on the inside or the outside of a home, and each kinds of residential demolitions will sometimes include the removing of waste and building debris. Reasons for needing residential demolitions services vary from renovating a single room, to removing a whole structure.

It is greatest tohire an skilled contractorto do get the job carried out proper. As the owner of the location, you could be held answerable for any accidents that occur on the location. Ask the demolition contractors you might be considering about their safety document as a method to avoid these possible hazards. We don’t imagine in short-cuts or chopping corners, because we know that the small print are as important as the final result. You can have peace of mind understanding that your project might be dealt with with the best care and precision. If there’s anything that can be recycled or donated, we’ll ensure that it will get to the correct place.

Sittler are proud providers of environmentally conscious demolition services. While house demolition Vancouver is a comparatively easy and simple course of, it can be challenging and intimidating for any house owner doing it for the very first time. There are quite lots of elements you should keep in mind earlier than happening this journey of demolishing property and rebuilding from the bottom up. Small or giant, residential or business, we can successfully and safely demolish all buildings. If you have plenty of nonhazardous waste that you want to eliminate, then contact the consultants in junk elimination in Toronto. We’ll walk through any area with you and give you an concept of the junk removing price.

[junkout]

It's fun to take down a wall. Toronto demolition experts doing what we do best. https://www.youtube.com/watch?v=HNZtvYAz35s

[3116aandt-blog]

Augmented Reality (AR) technology extends boundaries and encourages complexity when applied to visual art. The form of technology, developed nearly seven decades ago, has grown exponentially in popularity and use, and is now a common medium used by media artists.(1) Andrew Mayhew, partnered with his team from Impossible Things, has used new technologies in his works numerous times to achieve a better understanding of what art is and how it has been understood in the past.  In remediating famous works within the Art Gallery of Ontario’s permanent collection via the means of AR, Andrew Mayhew’s exhibition “ReBlink” introduces contemporary issues like change in landscape, the ‘selfie’ generation, and the digital age. This remediation allows for a better understanding of the original meanings of the work to modern peoples.

Developed in the 1960s by technologist Ivan Sutherland, AR was originally produced as a transparent HMD through which 3D graphics were displayed.(2) In the late 1990s, the technology was becoming greatly advanced, being used in scientific research and environmental design.(3) Furthermore, AR was beginning to be used to perform rapid replay in sports such as hockey and football. By the mid-2010s, it would become the base for the phone application entitled Pokémon Go, the game that would allow millions of people across the globe to catch 3D versions of fantastical creatures in modern spaces using AR technology and the camera on their phones.(4) These more modern applications of AR increased its popularity, making sure that the technology would be more commonly known by the populous.

Andrew Mayhew has done a variety of AR inspired and altered artworks over time. Impossible Things, a team of six technologists located in Toronto co-founded by Mayhew, is known for their work with Virtual Reality, Augmented Reality, and digital games.(5) Mayhew came up with the concept for ReBlink as a way to provide a modern day recasting of the past.(6) In using AR technology and shape recognition, Mayhew was able to layer different images on top of one another to change the relationship of the original art with the viewer.(7) Mayhew’s production was advertised as a way for the AGO to appeal to a younger audience. In interviews with the artist, he has stated that he hopes it would be a solution for the short attention span associated with the current generations, expressing his upset with people simply walking by beautiful paintings within the AGO.(8)  In altering the meaning of the works to have a 21st-century lens, viewers are able to better understand the original artists intent within a modern context.

Village Scene in Winter (left), originally painted by Cornelius Krieghoff in 1850, sits at 66.6 by 92.8 cm.(9) The Canadian oil on canvas depicts new settlers walking to and from a small village along a riverbank in which a large church sits. The people and horses carry wood and brick, indicating that the village is fairly new and that the land has been newly cleared. At this point in time, the confederation of the first four provinces is a mere seventeen years away and settlement among the southern regions is well underway.(10)  By using AR technology, ReBlink transforms this painting into an environmental wasteland (right). Factories spewing smog into the air have taken up most of the landscape. The village, of which little remains, is slowly being disposed of as a demolition team is preparing to destroy the church built in the settlement. The river is polluted and littered with rubber and chemicals, and the riverside, rather than being dominated by new settlers clearing the forest, is lined with a massive pipeline. In front of the painting stands a man in a hazmat suit communicating via an intercom system regarding the viewer using the ReBlink application. As the viewer looks at this painting through their phones they can watch as a wrecking ball breaks down the Church steeple. All of these images speak to a change and destruction of landscape belonging originally to Native peoples. While Village Scene in Winter depicts Europeans constructing settlements in Canada, encroaching on Native territory and landscape, Mayhew and Impossible Things have transformed the scene into a modern scenario regarding the same issues. With recent events involving the Trans Mountain Pipeline, European peoples are once again settling into a land that is not theirs.(11) An environmental downfall taking place on unclaimed native territory speaks to the same level of forest clearing and unethical land claiming done by European Canadians in 1850. With protests lead by indigenous communities against the project being in the forefront of the news, this modern reinterpretation allows for a better understanding amongst viewers who may not be well educated in Canadian history. Mayhew ’s remediation of Village Scene in Winter into images of an exaggerated eco-disaster allows for viewers to understand Kreghoff’s depiction and cross-reference it with current events and political climate.

By altering a portrait of an aristocratic woman, Mayhew is able to normalize the idea of the ‘selfie generation.’ Throughout history, wealthy people would have commissioned artists to paint their portraits so that they may have an image of themselves to fondly keep hold of, such is the case with the painting Marchesa Casati by Augustus John.(12) Standing at 96.5 by 68.6 cm, the oil on canvas done in 1919 originally depicted a red-haired aristocratic woman in a white dress looking over her left shoulder at the viewer.(13)  When using ReBlink, viewers see Marchesa Luisa Casati using a ‘selfie-stick’ to take pictures of herself. Oftentimes in the media, millennials have been referred to as the ‘selfie generation,’ known for being self-obsessive and for taking a liking to taking photographs of themselves.(14) In remediating the well-known portrait to take photographs of herself through the medium of AR, Mayhew is able to draw the link between the old practice of commissioning artists to paint portraits and the modern practice of taking ‘selfies.’ This remediation allows for generations to understand that preserving images of oneself is no new practice and that the millennial generation is not revolutionary nor worsened for taking these images. Impossible Things is able to convey the narcissistic personality of Marchesa Luisa Casati(15) through the new medium, exploiting to the viewer that the two images, the original and the AR altered one, depict the same action via different technologies.

In a third portion of the ReBlink exhibition, Mayhew and Impossible Things have incorporated AR technology into Drawing Lots by George Agnew Reid. The original painting, standing at 118.2 by 319.8 cm, depicts three boys passing time by sitting upon a brick wall and interacting with one another.(16) This painting is said by Mayhew to be the original inspiration for the ReBlink project. Mayhew juxtaposes the pre-modern age in which children passed time by playing amongst each other, with the newfound digital age that confines people to their devices while promoting social interaction via digital platforms. In Mayhew’s ReBlink version of Drawing Lots, the brick wall is situated amongst the urban Toronto skyline. The trees have been marked for removal and the three boys are now separated, engulfed with whatever they may be viewing on their smartphones. Viewers are able to watch the boys scroll through their phones as cars rolling coal drive by. This juxtaposition between the ways in which people engage with one another in each version points out the drastic involvement of digital media on the populous. By digitizing the painting to have a technological focus, viewers are able to better relate to the feeling of passing time that Reid originally depicted. In remediating Drawing Lots the modern viewers can critically look at the differences in social interaction over time, and by which platform it takes place over. Mayhew encourages the viewers to understand the differences, as well as the similarities in this portion of his ReBlink exhibition.(17) When programming the AR version of the painting, Mayhew coded it so that the three boys would not engage with the viewers looking at them through the application, unlike the prior works. The remediation of Drawing Lots comments on the profound difference of the meaning of “being social.”

ReBlink’s use of AR to remediate and juxtapose the original meanings of famous paintings to modern day reinterpretations works as a translation guide for the current generations of Canadian peoples. In transforming Village Scene in Winter into a dystopian eco-disaster, the act of encroaching on Native land and the destruction of the environment is better understood. In remediating Marchesa Casati to be actively taking ‘selfies’ viewers can better understand that the practice of self-preservation through images is no new phenomenon. Furthermore, by creating an AR version of a modern-day Drawing Lots the viewers understand how the digital age has changed us as a people. While ReBlink is revolutionary in its use of AR to communicate old themes to a current audience, similar artworks have also been done globally.(18) However, despite the popularity of AR exhibitions, Mayhew’s ReBlink remediates art in a way that gives a specific social translation to ever-present social behaviours and issues.