#WILL NEVER FORGET

[aliciarose-art]

going back to my roots (drawing Serge and Gilbert)

[eliwatchesf1alot]

there is aura

then there is whatever this is

[tvgays]

IN THIS ESSAY I WILL….

[anthemofgvf]

so many thoughts…so many thoughts

[hinny-canons]

beautiful maggie smith. one of the best actors of our generation🩷

[mapoeggplant]

hibari no asa review

tw: sexual assault, sexual harassment

“three years are more than long enough to break someone. but three years is far too short to save someone” hibari no asa and the consequences of a human history studded with hate towards women.

there is no way to describe this story in light or beautiful words. hibari no asa is, at its heart, a story about how society has shaped women as lesser beings, making it normal for us to question the values we have. it's our fault. we started it. if it weren't for us…if we didn't exist…if we weren't a woman. we are forced to turn against others, to disqualify ourselves as human, because it's what we grew up listening to.

that's what we hear when a man humiliates us and dismantles us. it's what we hear when we finally ask for help. is what we hear when we are born. hibari no asa isn’t here to bring a nice, positive light on a nightmare we are forced to relive, over and over again — it’s here to show the unfairness, the ugliness, the goodbyes we have to say to living people.

it’s about blood and tears, being assaulted and being silenced. about how our society turn a blind eye for the girls who need us the most. for the eyes that scream louder than words. who in this world will save us? is it enough to just take a deep breath and move on? if they keep their head down, would you threat them nicely? would you believe in them if they were a cisgender men?

yamashita tomoko proves again how brilliant and marvelous her narrative can be. with constant repetitions, with different points of view, with harsh and cruel words, she dissect human relations with mastery. i can only wish that we’re better tomorrow, that we are kinder. that we don’t have to tell a little girl how she needs to deal with the sick normality of a rotten society.

(also, i’m sorry if this sounds more like i’m rambling with anger and not really making a review. it just feels too much rn, too many things i’ve seen with my own eyes, too many faces i recognize. it just hurts)

[tired-and-swaggy]

know your history.

[nathaniacolver]

*edited for clarity since this blew up

y'all they found the killer A SUSPECT IN THE CASE apparently and he's a hot Italian right wing tech bro at Penn and twitter is making me SCREAM WITH LAUGHTER

guys i'm so sorry, i love tumblr with all my heart but NO ONE does REAL journalism (and quicker resulting memes) as well as twitter does. No one

[haedyllic]

stay your pretty eyes on course

[frosthetix]

some dudebros: tom hardy must be held at gunpoint to still be doing these sony venom movies

tom hardy: WRITES the movie, PRODUCES the movies, repeatedly states how much venom and eddie means to him, reads all the comics, #1 veddie shipper

[ilovedthestars]

there really are few emotions i find more compelling in a story than "you should be afraid of me. please don't be afraid of me"

[prouvaireafterdark]

listen I know it's heartbreaking that Claudia dies and it's understandable to wish she didn't, but let's please not accuse the writers of fridging her. to do so is a fundamental misunderstanding of the story and is frankly insulting to the intelligence and skill of the writers of the show.

Claudia's death, and the overwhelming grief and regret her parents experience because of it, is quite literally the point of the entire story. she dies because Anne's daughter Michele died of leukemia when she was five years old and there was nothing she or her husband could do to prevent it.

writing IWTV was how Anne coped with the unimaginable loss of a parent losing her child. she created a story about a little girl that could not die and then killed her anyway. Claudia's death is a senseless, unavoidable tragedy, just like Michele's was. the grief that haunts Louis and Lestat for the rest of their lives is the same grief that haunted Anne and her husband.

so when you're accusing people of killing Claudia off to benefit a story about two men, please remember that in real life sometimes parents lose their children. please remember Michele Rice.

she's the reason Claudia exists.

she's also the reason Claudia cannot be saved.

[communist-hatsunemiku]

ms 39/11

[frenchkisstheabyss]

Appreciation post for…

💖 Stretch marks

💖 Squishy bellies

💖 Jiggly thighs

💖 Chubby cheeks

💖 Cellulite

[fumifooms]

The fabled, infamous buckled collar shirt… Opens. He’s usually always wearing his cowl and vest so you can’t usually tell. He does love wearing shirts with open/low collars, which you can esp tell by the Daydream Hour outfits Kui designed for him, so makes sense. And yet… The buckle collar…

If u don’t think this is the same shirt btw he actually does up his collar when meeting the canaries. Just 1 scene difference before after, below. He likes to open up his collars when the setting is more casual but business or action happens and it’s back to being all proper and laced up

Btw idk if it’s a mistake but that screentone on Chilchuck’s chest in the second picture of the post… Is Kui telling us he has body hair. Idk is he dirty does he need a shower?? Kui doesn’t draw Senshi with much body hair in the manga for practicality reasons but she did draw in a Daydream Hour once how much she actually thinks he has, so it wouldn’t be crazy if this was the case for Chil too, and then in a final chapter in a close shot panel where she even details the seams of the shirt she can go all out more. Kui talks about peach fuzz and whatnot for elves so maybe they’re just finer or paler in his case. Please please please— Sigh ok it’s a screentone mistake

Anyways while I’m here, low collar comp. Third one is that shirt he wears sometimes where you have to tie up the strings like in bottom row middle outfit of the first one…