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izadi234 · 3 months ago

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Forget me not

-Warning: Contain yandere themes, neglected! gn!reader, mention of low self-esteem, the writer's first language isn't English. Yan! Batfamily x gn! reader

Chapters

Chapter 1

Chapter 2

Chapter 3

Chapter 4(You're here)

Chapter 5

Chapter 4

The next day, Duke woke up early (and not just because he had training with Bruce and Dick), but the excitement of seeing you again after several days kept him awake all night.

Thank goodness it was the weekend which meant Duke could stay out a little later than usual, although to be honest he would have preferred to stay with you in your new "home" but two things stopped him: The first was that you still hadn't told him where you currently lived for the simple reason that you were still settling into your apartment and the second was because it wasn't in the plans he and Alfred had made.

Just a little longer and you'll be in your (cage) home again.

After his training with Bruce and Dick, Duke thanked them and quickly left to have breakfast and then get ready. Clearly, this attitude on the part of the young man didn't go unnoticed by his mentor or his older brother.

"Do you know what's wrong with him?" Dick asked Bruce

"No." The security guard shook his head. "Maybe he's going out to see someone. He looks excited."

"Maybe," Dick nodded.

At the dining table were the other family members, Jason and Damian. They both looked at Duke as if he had grown two heads taller just because he was devouring the food as if he hadn't eaten in 100 years.

"You know that the food isn't going to go away, right?" Jason chuckled.

"You should eat properly, Thomas," little Damian scolded.

"I'm sorry, guys!" he apologized as he stood up. "I have something to do and I'm in a bit of a hurry!"

He didn't allow the other vigilantes to ask who he was going to see because he had already left.

As he climbed the stairs, he almost ran into Tim, Cass, and Steph, who looked at him confused.

"Why the rush, Duke? The mansion is burning and we have to evacuate?" Steph joked

"Sorry guys! I'm going to see someone and I'm already late" he said before entering his room

"Oohh˜ Is it a secret girlfriend?" Steph asked the other two

"I don't think so. Duke never talks about girls" Tim said

"What if it's a boy?" Cass proposed

"I don't think so either. He would seem more nervous but he's more excited" she analyzed

Quickly Duke took a shower and changed his clothes. In a backpack he packed his laptop, chargers and wallet. You never know when he might use it and he could also ask you for help with some tasks he had some doubts about.

Once ready Duke went down and headed for the door when Bruce stopped him.

"Where are you going Duke?" the eldest Wayne asked curiously

Duke turned to look at him and with a smile said:

"I'm going out for a while"

"And with who if you don't mind me asking?" Bruce smiled thinking it was some young love

"With (Name)" Duke said as if it was the most normal thing

"(Name)? Wouldn't it be easier if you spent time here at the mansion?" Bruce suggested a little confused by the fact that both preferred to spend time outside the mansion instead of there.

"No, I don't think so, it would be a little complicated for (Name) to get here" the boy answered

"Getting here?" he asked confused "Duke, what are you up to..." he was cut off by the young man

"I'm sorry Bruce but I have to go! I'm running late" he said and then left him with the word in his mouth

Once Duke left, Bruce stared at the door with a frown.

Why would it be difficult for you to get to Wayne Manor when you lived there?

Unless...

"Alfred!" called the butler

The game began

"Yes Master Bruce?" Alfred asked as he approached to see what he needed but he already knew very well

Alfred who was watching Bruce and Duke's interaction from the shadows of the mansion, had a sly smile on his face that hid when his son called for him.

"What? What do you mean they don't live here anymore?" Bruce asked the butler

"That's right Master Bruce. I thought you had realized that" Alfred said quietly

"No! I don't..." he sighed heavily and sat down in his chair while hiding his face in his hands

"I've been very busy" Wayne excused himself which made Alfred frown

"Busy? Busy for 15 years? So busy that he didn't give them even 5 minutes of his attention but still spent time with the other young masters?" Alfred pointed out

Bruce's heart stopped for a moment at his words. He was right (as always). How could he forget for 15 years his eldest heir, his first blood kid? Yes, the night with your mother had been fleeting but, you weren't to blame for his actions. But he should have been there for you when you lost your parents, in fact, since before your birth he should have been there for you and your mother since she was pregnant.

But now he didn't regret it. He knows he screwed up, but now he could fix it. He could buy you anything you want, go to your competitions, watch movies with you or do anything you like but...

What do you like to do?

What are your hobbies?

What movies do you like?

But now that he thinks about it...

What grade are you in? Are you in high school or already in college?

And if you're already in college, did you miss your graduation? What are you studying?

And what about your age? Your friends?

Who are you?

"Alfred" he turned to look at the butler who just looked at him neutrally "Where are they?"

"I'm afraid I can't answer your question, Master Bruce. They didn't leave a clue as to where they were going" Alfred replied

"What?" he stood up from his chair

"That's right" he nodded

After a few minutes of silence Bruce spoke again.

"And where is their room?"

He doesn't even remember the room he assigned you

"Follow me, sir."

"This is it, sir." Alfred stopped in front of a white door with some (f/c) (favorite color) decorations painted on it.

Bruce approached and caressed the details of the door as if just touching them would give him the power to know you better despite the years.

The eldest Wayne opened the door to your room only to find an empty room, a bed with the sheets and blankets folded on top of it and the walls in your favorite color.

"I don't remember when they painted their room," Bruce said as he looked around.

"They changed the color a couple of times. The last time they painted their room was when Master Duke arrived. He offered them his help after they helped him settle in better at the Manor," Alfred explained as he also looked at the room, not with curiosity like Bruce did but with longing and melancholy.

Bruce looked around the empty room and despite being the best detective in the world he couldn't find any clues as to who you really were or where you might have gone.

"Tsk... There's nothing here..." he muttered to himself

"Maybe... You should ask the other young masters and mistresses" Alfred suggested

"Maybe they saw you on your last day"

"Yeah..." Bruce snapped out of his thoughts "Maybe they know something"

After that, he left your empty room leaving the old butler alone. Alfred looked around the room one last time before leaving and closing the door.

Don't worry (Name), soon you'll have a better room than the last one.

While chaos was beginning to spread at the Wayne residence, you were waiting for Duke in the park in downtown Gotham just as you had agreed on the phone.

You were checking your phone while sitting on a bench. You were tired of waiting for your brother, but you would wait for him as long as necessary. You also understood that Wayne Manor was not that close to the center since it was somewhat (very) far from the rest of the city and if you were honest, from afar the mansion seemed somewhat haunted and when you were little you couldn't help but think it was Dracula's mansion. And those same thoughts made you feel terrified of living in that place, especially when it rained. You always went to Alfred for protection and the kind butler always assured you that there was nothing to fear and that Dracula was not real. Clearly, the mind of your 4-year-old self didn't think the same, and your idea didn't change when you discovered that your family were all security guards who only worked at night and that their symbols were bats (although some also had birds on their suits).

You smiled at that memory from your childhood, maybe not so pleasant at the time but now, at 19 years old, it made you laugh.

"Hey (Name)!" a voice made you come out of your daydream

When you turned to see who it was, you saw Duke running towards you with a big smile on his lips. You quickly got up from the bench you were sitting on and before you could take two steps, Duke had already reached where you were and hugged you.

You laughed at his somewhat childish attitude but you hugged him gladly anyway.

"It seems like you missed me" you joked still hugging him

"Of course I did" he turned to look at you "You are sorely missed at the mansion"

That's not true...

You wanted to contradict what he had said but to be honest you didn't want to fight with Duke and much less talk about the mansion and its inhabitants.

"Well well" you giggled "Where do you want to go? There are a couple of cafes around here if you want to go get something to drink and if you want we can go to the arcade to play some video games afterwards"

Even though Duke felt a little disappointed that you broke the hug between the two of you his eyes lit up when you mentioned the arcade.

"Sure! Let's go!" he said excitedly

"Okay, let's go" you smiled at him and then started walking towards a cafe you frequented

When you got to the cafe you both stood in line to order. When it was finally your turn you smiled at the barista and greeted him.

"Hey Mark" you greeted the boy

"Oh hey (Name)!" the boy greeted you back with a smile in kind "How are you? How's the race going?"

"Fine fine, a little too tiring" you chuckled "But I'm enjoying it"

"I'm glad to hear that" the boy smiled at you "Are you going to want the usual?"

"Yes please and you Duke?" you turned to see your brother who had just been staring at the boy and without you realizing it he was giving him a look that could kill anyone

Who was that boy?

A partner, friend, a crush? Or even worse...

A secret boyfriend?

Duke knew better than anyone that you were extremely good at keeping secrets so he wouldn't doubt that you had a partner and didn't tell anyone.

Damn... This made his plan more urgent...

Your voice brought Duke back to reality and his smile returned to his face.

"Oh yeah, I'd like a hot chocolate please."

"Okay," the young man nodded.

You paid for both drinks and waited a few minutes for your drinks to be prepared. Once you had your drinks, you sat down at a small table near the cafe window.

"So... how do you know that guy?" Duke asked you

"Well, I usually frequent this cafe, and he's usually here when I come so he already knows me a little" you giggled

"I see..." Duke said and then smiled "So tell me, how did college go for you?"

You were studying journalism, inspired by your father or rather stepfather, (F/N). And even though many people you knew tried to change your mind about it, you always remained sure of your decision. You were in your third semester, since the first 2 semesters you took online and to be honest, it was a little harder but much more fun and interesting.

"I'm doing great!" You said with a big smile "I've met so many interesting and nice people and the face-to-face classes are a little more difficult but I feel like I'm learning. One of my teachers is assigning us tutors who are high-level journalists and although I'm still waiting to see who is assigned to me as a tutor I just hope it's good"

"That sounds great!" Duke smiled

Even though he looked happy on the outside, he was actually frustrated on the inside.

Were you really that happy away from the mansion?

Away from them?

Away from him?

No, it can't be... That's impossible

He had missed you from the first second he found out you were gone!

Had you stopped loving him?

Is that why you don't tell him where you're living?

He was wondering all that but when he looked into your eyes he calmed down.

No, that wasn't possible

You are someone so sweet and kind, you would never forget him

If you did, why would you be there with him?

But even so, he wasn't going to take the risk, even though he enjoyed seeing you happy...

YOU NEED TO GO BACK HOME

Hellooo! Here's the next chapter! I hope you all like It and enjoy it! Sorry for taking a bit to publish this but I've been kind of busy, still I hope I publish the next chapter sooner. Also, I've been tagging everyone in the TAG LIST so tell me if you want me to add you!

Anyway, if you liked it I would appreciate if you leave a heart and I'm Also interested to heart if you have any ideas or opinions about the story.

See you in the next one!

-Izadi <3

TAG LIST

@eyeless-kun @profounddestinyrebel @holyfishbailiffpeanut @toast-on-dandelioms @dhanyasri @kiarst @phoenixgurl030 @wpdarlingpan @glitterisname @sackofsadstuff @riddle-me-im-sirius @sirenetheblogger @bat1212 @bluelock4life @revysplacexxx @skz-goose @mistfire1999 @vanessa-boo @tatsuri-zomushiki @kore-of-the-underworld @milliu @lee-bits @ch1cky-093 @leiiasurez @bluemidnightmelodies @lilyalone @plsfckmedxddy @lovebug-apple @jisnothere @akanegotlost @stormz369 @sugarpiehoe @mddbsf @shhhhhhhhhhtellnobody @i-adorehannah @darktrashpoetry @fantasyhopperhea @d3sperate-enuf @expctron @horror-lover-69 @caffeinatedhearts12 @niggrroo

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bitterkarella · 8 months ago

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Midnight Pals: Souper

[at unicorn fuck club] JRR Tolkien: tonight we've got a special story from everyone's favorite fantasy writer GRR Martin: CS Lewis: Peter S Beagle: Hans Christian Andersen: L Frank Baum: Tolkien: whoops shouldn't have said that ha ha Tolkien: i mean, you're all winners in my book

Tolkien: but when i say everyone's favorite fantasy writer Tolkien: i mean terry practchett GRR Martin: oh yeah that's fair CS Lewis: yeah fair Peter S Beagle: fair Hans Christian Andersen: yes yes of course L Frank Baum: that's fair

Terry Pratchett: hello unicorn fuck club today i've got a story about a wizard who is - get this - actually very bad at his job Tolkien: oh ho ho! terry my boy, you've done it again! Pratchett: there's also girl dwarves Tolkien: [suddenly stone-faced] i hate this

Pratchett: but first Pratchett: all this story telling is hungry work! Pratchett: do you happen to have anything to eat around here? Tolkien: are you talking about... Tolkien: having Tolkien: a Tolkien: feast????? Brian Jacques: [squeaking incomprehensibly in rising excitement]

Tolkien: why, terry, my boy, what an idea! Tolkien: instead of merely DESCRIBING a feast, we'll have one! huzzah! Martin: huzzah! Lewis: huzzah! Jacques: [squeaking] i use a mercury head dime as a serving platter!

Pratchett: no no nothing so fancy as that Tolkien: eh? Pratchett: i was more thinking along the lines of Pratchett: soup Tolkien: soup? Pratchett: yeah just a big bowl of heart soup right about now would just be the best thing Pratchett: oo i just love the sound of it!

Pratchett: think about it: no work... no worries... no failures... no waste... when you serve maggi homestyle soups, the finest money can buy yet priced reasonably within your budget Tolkien: interesting! tell us more Pratchett: maggi soup! es ist echt ausgezeichnet!

Pratchett: how often have you had this problem Pratchett: say, you're on a budget but you have to feed your hungry hungry boys Tolkien: oh man i have been there! Tolkien: more times than i can count!

Tolkien: but terry Tolkien: i need something substantial and nourishing for my hungry boys. can maggi soup satisfy? Pratchett: ahh jirt my friend, maggi soup does more than satisfy! Pratchett: as the good people at maggi say, "kartoffelsalat volkswagen fahrvergnugen lebensraum!!"

Tolkien: What's that sizzling sound I hear? Pratchett: Get up! It's soup and eggs, my dear! Martin: What can I cook without much fuss? Pratchett: maggi soup would tickle all of us! Lewis: What's a lunch that's good and quick? Pratchett: Hot Maggi soup mix does the trick!

Pratchett: mm mmm! i tell you, nothing's as good as a rich bowl of maggi soup! buy some today! eat it with someone you love! Neil Gaiman: something's not right here

Gaiman: of course the power of imagination is infinite, friends Gaiman: but in all the worlds in all the multiverses of possibility, i cannot imagine one in which terry pratchett shills for soup Pratchett: [sweats] nein, nein, ich bin der echte terry pratchett!

Gaiman: if you are in fact, the real terry pratchett Gaiman: and not an imposter Gaiman: like the imposter sandman hector hall in The Sandman, vol. 2: The Doll's House Gaiman: then you won't have any trouble telling a joke Pratchett: [sweats] ein witz? du magst ein witz?

Pratchett: [sweats] i mean ha ha of course i can tell a joke Pratchett: i am the real terry pratchett after all Pratchett: [sweating intensifies] and you all know me, i'm a real spaßvogel Pratchett: Pratchett: a-are you sure you wouldn't all rather just have some soup?

#midnight pals #the midnight society #midnight society #terry pratchett #neil gaiman #jrr tolkien #grr martin #cs lewis #brian jacques #peter s beagle #hans christian andersen #l frank baum

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room-surprise · 5 months ago

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New Ryoko Kui interview dropped!!!

(This is a quick and dirty translation made using machine translation, and which I've lightly edited to add clarity. I'm not fluent in Japanese so I may have gotten things wrong. I'm sure others will do a better job later.

ADDITIONAL CONTEXT: This article is from a Japanese gaming magazine, like the previous interview in Famitsu, so they focus on video games and don't discuss other influences, even though they do get mentioned and are clearly pretty major.)

Kui was able to write "Dungeon Meshi" because she was not good at eating food and participating in human relationships. In this interview, we dig deeper into the influence of games, and how Ryoko Kui focuses on things she likes and dislikes while writing. [Writers of the Gaming Generation]

Dungeon Meshi.

This manga is attractive for its unique theme of "dungeons, defeating monsters in the labyrinth, and cooking them," as well as the unique characters, detailed human relationships, and deep worldview depicted in the labyrinth. It is currently being made into an anime, and adventurers from all over the world are fascinated by the world of "Dungeon Meshi."

So I thought , "I wonder if this work was drawn by someone who loves food and people." The depiction of such delicious-looking food and the construction of delicate human relationships and characters. Surely, it must have been drawn by someone who absolutely loves it.

However, in reality, the author, Kui Ryoko, says that she "is not good at either food or relationships."

So why was he able to continue drawing things she was not good at?

During the roughly 10 years of serialization, Kui has continued to confront "things she dislikes." This interview delves into Kui's unique creative techniques... and at the same time, it also delves into her "favorite things."

That's the "game"!

Those who are familiar with the subject may already know this, but Kui is also a big gamer. And it seems that "Dungeon Meshi" is heavily influenced by RPGs such as "Wizardry."

As a result, this interview turned out to be "I asked Kui a lot about her likes and dislikes." Likes and dislikes. They are the source of all interests and curiosity.

So how do we use this knowledge in our creative endeavors? How does this knowledge manifest itself in Dungeon Meshi?

How were those charming characters and the deep world created? We spoke to the original author, Kui Ryoko, and the editor, Masaru Hiroi, about things they could only talk about after the series was completed.

This is a game with the volume of a great labyrinth. I hope you will explore it all the way to the final floor!

Dungeon food. It's eat or be eaten. There is no superior or inferior, to eat food is simply a privilege of the living. Dungeon food. Ah, dungeon food.

First, I want to ask about how Kui first encountered video games.

--What are some influences from games in Dungeon Meshi? What was your first game, Ms. Kui?

Ryoko Kui (hereinafter referred to as Kui): I played traditional RPGs such as [blank?] and "Final Fantasy."

I think the first game console I ever played was a Famicom, which my parents won in a lottery . So before I knew it, we had a Famicom at home. I think my parents bought me the Super Famicom and PS1 after that...

After that, I took a break from games for a bit around the time of the PS2, but around the time of the PS4, I was finally able to buy games with the money I had earned myself .

--Why were you able to stay away from games around the time of the PS2?

Kui: I was too busy with exams, so I thought, "Well, I shouldn't be playing games," and left. When I started living alone after that, I couldn't play games because I didn't have a TV. My computer was also a Mac. [Macs aren't compatible with many games.]

--What was the trigger that made you think, "I want to play games" again?

Kui: I think the biggest thing was starting the serialization of "Dungeon Meshi."

Fantasy stories all have different settings, but at the same time, there are also things they share in common. For example, if you want to create a fantasy work, but you only know "Dragon Quest," it will end up resembling "Dragon Quest." It's scary to copy the setting of only one work.

So I just wanted to play a ton of different fantasy games and get an idea of what the most common general understanding of fantasy is.

--Did you start playing it while you were still developing the concept for Dungeon Meal?

Kui: That's right. If I'm going to talk about "eating food," I have to play a game that has a system for eating food .

So I was interested in "Dungeon Master." However, at the time there was no easy way to play "Dungeon Master" on a real machine, so I played "Legend of Grimrock", which can also be played on a Mac.

["Dungeon Master," is a computer RPG released in 1987. Time passes each time you take an action in the dungeon, such as moving, fighting, or resting, so its biggest feature is that the game progresses in real time according to the player's actions. "Legend of Grimrock," is an action RPG released in 2012. It has a game design similar to "Dungeon Master."]

Until then, I had felt that overseas games and games played on PC were too difficult, but I felt like I had overcome one obstacle there. I thought, "Oh, this is pretty easy," and started playing a lot of different games.

-- Those two games are quite heavy even among RPGs, I think, so did you actually have that much difficulty with them?

Kui: No...I would say that my impression is more that best-selling games are easy to play (laughs).

I'm not that good at games myself, so I usually play games that allow you to adjust the difficulty on a super easy setting. So, games that allow you to lower the difficulty are always a lifesaver.

-- I've heard that apart from RPGs , you also like games such as "13 Sentinels: Aegis Rim" and "Paranomasite FILE23: The Seven Mysteries of Honjo ." Do you have a favorite genre, Mr. Kui?

Kui: I guess I'm just not very good at games that require you to use your brain through trial and error.

But in RPGs, if you just level up and keep tapping, you can win and progress in the game. Also, in novel-type games, if you read the text, you can progress. By this process of elimination, I quite like RPGs and text-based games .

Personally, I like games like Disco Elysium the most, which are text-heavy, top-down, and have maps to explore.

...Even I think that's a pretty negative reason (laughs).

Everyone: (laughs).

Hiroi Masaru (hereinafter referred to as Hiroi): But, Ms. Kui, you have really played quite a lot of games, haven't you?

Kui: No, the reason I'm able to play so much is because I play in a pretty callous way ...

I often buy a game, play it, and then just don't play it. So there aren't that many games I complete... I only complete a few a year. I play around 40 games, and if I complete 5 or 6, that's good.

When I asked if I could draw at Comitia, I got scolded.

-- Have you had any exposure to fantasy outside of digital RPGs?

Kui: I think it's not just games, but also the fact that I've always loved foreign fantasy novels . I was given books like "The Neverending Story," "The Lord of the Rings," and "The Chronicles of Narnia."

-- Dungeon Meshi gives off an atmosphere of Western fantasy like gamebooks or tabletop RPGs, rather than the typical Japanese fantasy games like Dragon Quest.

Hiroi: I think I went to Kui's house before the series started. At that time, we were discussing the name of a sci-fi manga called "Drawing Inside the Brain," which I had rejected many times.

Ms. Kui said she wanted to serialize this sci-fi manga... and when he was on the fourth draft, he said, "No, this isn't going to work," and when I looked at the scribbled notes next to her desk, she had already drawn the original version of "Dungeon Meshi" ! (laughs)

Kui: ……………No, I don't remember much (laughs).

Everyone: (laughs).

Kui: But I had wanted to draw a manga about exploring a dark dungeon, like Wizardry .

Since I was in elementary school, the manga I drew in pencil in my notebooks were all fantasy stories about swords and magic, so I had always wanted to draw a proper fantasy manga. However, there weren't as many fantasy manga in bookstores at the time as there are now, so I wondered, "Maybe fantasy doesn't sell."

Hiroi: At the time, there were a lot of people in their teens and twenties posting fantasy illustrations on online communities for artists, such as pixiv, and Kui was one of them.

I thought, there are so many people who want to write fantasy, so if she writes a fantasy aimed at this generation, it might sell.

And when I saw Kui's notes, I thought to myself, "Let's make a straight-forward fantasy manga, without making it weirdly twisted."

Kui: I originally thought of making this "dungeon exploration manga" as just a hobby... When I asked Hiroi if I could draw it at Comitia first, he got angry.

[Comitia is a comics convention in Japan for original self-published comics.]

Everyone: (laughs).

Hiroi: I said, "If you're going to draw at Comitia, then make sure you draw it as a proper serialization!" (laughs)

However, at that time, Kui had already published two collections of short stories, and they were being reprinted. In other words, she had a certain number of fans even before the serialization began.

So I decided, if Kui creates a pure fantasy for those fans, we can't fail badly. If it doesn't work, we'll just learn that fantasy is difficult to sell after all.

--By the way, were there any discussions between you and Ms. Kui about the fact that fantasy doesn't sell?

Kui: I remember vaguely talking about how fantasy manga doesn't sell well and how difficult it seems. I don't know much about light novels, so that might have been there for a while.

However, since a lot of fantasy manga were coming out around the same time, it was probably a "transitional period ." Maybe it was just when people started to feel more and more like they wanted to draw and read fantasy.

Not everyone is that interested in the things I like

-- I feel that "Dungeon Meshi" is a title that has breathed new life into the fantasy genre. How did you go about creating the setting and world when dealing with fantasy?

Kui: I try to think, "Not everyone is that interested in the things I like."

I like to think about pointless settings endlessly, but there are times when I think , "When this setting is actually made into a manga, people probably won't be interested in this story." So I try to include things that will make people interested, and cut out things that will distract people as much as possible.

For example, in "Dungeon Meshi" I initially wanted everyone to speak various languages. On top of that, I wanted to make the characters "only able to communicate with each other in one language"... but Mr. Hiroi said "Don't do that" (laughs).

Everyone: (laughs).

Kui: Even when I'm drawing it myself, I think, "It takes more than six panels to explain this setting...", and if I explain the setting more than necessary, it slows down the pace of the story.

Moreover, since "Dungeon Meshi" was a monthly serialization, unlike a weekly series, there wasn't much time for extraneous stories. Specifically, I had to draw one episode of about 30 pages per month.

In that case, there was no time to add in settings like "Actually, he was thinking about this behind the scenes" or "Actually, he can speak two languages." So, rather than there being any clear choices, there were quite a few times when "there was no time to do things normally." If it had been a weekly serialization, I might have included more.

--Does the scene where Chilchuck yells insults in his own language feel rather "forced"?

Kui: That's right (laughs).I thought, this only takes one frame...it's my chance [to include information about language]!

--So you haven't thought through all of these "fictional languages" yet?

Kui: If Dungeon Meshi were to be my life's work and I were to spend my whole life creating this world, I think it would be more fun to think about it...but initially, I thought that Dungeon Meshi would end in a few years.

Hiroi: Initially, I said, "It'd be nice if it continued for about five volumes" (laughs).

However, Kui's first draft really had a lot of material... so the editors cut out a lot of it. I understand that it's the parts the readers want to read, but I cut out the parts that deviate from the main story. So it's a battle between the "author who doesn't want to be cut" and the "editor who wants to cut."

--By the way, what kind of discussion took place between the "parts you want to cut" and the "parts you don't want to cut"?

Kui: There were a lot of them every time, but I can't remember them specifically now...it was just small, unimportant details that got cut.

In the scene where the hams made by the Red Dragon go back into the pool of blood, I remember saying, "You don't need these," and they were about to cut them off, but I remember desperately stopping them by saying, "We'll need them later!" I'm glad they weren't cut off.

But once I think of the setting, I want to include things, and then they get cut out, so at first I didn't want to expand the world too much.

I also wanted to complete the story within the dungeon. I didn't want to reveal the name of the country, and I didn't want to give the characters surnames. But in the second half, Hiroi-san told me, "The world is too small, so you should make it bigger," and I was like, "Are you sure?"

--Mr. Hiroi, why did you say that?

Hiroi: As the story progressed, it became clear that "Dungeon Meshi" was no longer just about saving a sister in a dungeon. So I decided that it would be unconvincing if the story had no involvement with the outside world, since what was happening in the dungeon was something that would affect the fate of the whole world.

For example, in real life companies, the more important a decision you make, the higher your superior's rank becomes, right? When I thought about it that way, I felt something was off about the idea of Laios and his friends deciding the fate of the world on their own. "How can they make that decision without anyone knowing about it?"

The fact that the Canary Team was there meant that there must have been a system of reporting, contacting, and consulting here, because that's how "society" and "organizations" work.

In short, I think we were thinking about the situation and asking, "If an organization were to get involved in saving the world, how persuasive could they make it given the society that exists in the story?"

Kui: Well, the plot hasn't changed at all.

From the beginning, I had intended to write a story about saving the world, but I also thought it was possible for the world to be saved by only a select few people in the dungeon who knew the circumstances. Changing it was what Hiroi-san thought would make it more persuasive.

When I was drawing the first half, Hiroi told me, "You don't have to decide anything yet." I was in a hurry to move the story forward and explain the world and story setting, but he told me, "It's better to limit it to introducing the four main characters until about the fourth volume." But in the second half, he said, "Introduce more people and expand the world."

Everyone: (laughs).

Hiroi: Kui-san was like , "That's not what you said originally!" (laughs) But both had meaning...

Kui: I was the one saying, "If we expand the world there, the story will never end, right...?"

After drawing it through to the end, I realized that the balance between holding back and expanding didn't work the way I had expected. I think this is one of the reasons why the serialization of "Dungeon Meshi" took so long.

-- But there are a lot of characters in "Dungeon Meshi," and the relationships between them are complicated. I heard that you also created the relationship diagram for "Taikaishu" [※3] ...

Kui: No, I haven't made one [I didn't do that?]!

[Taikaishu is a full-color web comic by Funako Tsukasa that began serialization on a website in 2005 and is still ongoing. Its unique worldview has earned it a loyal fanbase, especially on the Internet.]

-- Eh? Is that not the case?

Kui: To be precise, I just created an account on the fan wiki.

When I started reading "Taikaishu," I struggled with the complex setting and the large number of characters...and I thought "it would be easier to read if there was an explanation or a list of characters."

So I searched for a bulletin board where readers were sharing their thoughts and asked if there was a summary, but they said there wasn't. So I thought, "Maybe if there was a place where someone with more knowledge could summarize it," and I just made a wiki account.

So I didn't actually edit it. It seems like I've been given credit for someone else's work, and I'm sorry about that...

Dungeon Meshi was created from a sense of guilt about food?

-- "Dungeon Meshi" started off with the catchy theme of "cooking monsters," but little by little the darker aspects and deeper world were revealed. Was the structure of "little by little revealing the darker side" something you had in mind from the beginning?

Kui: I thought I needed a theme to serialize it so I thought I'd try "food education." There were a lot of gourmet manga at the time, but I felt like there weren't many that focused on food education.

-- Considering that the theme is "food education," it makes sense that the nutritional value of the dishes in the story is clearly written down.

Kui: With the theme of "food education," I also thought up a rough outline of the story. Rescue the kidnapped princess, defeat the evil wizard, defeat the final boss, and become king... the framework is pretty simple.

But when I actually tried to proceed with the plan, I realized, "No, this story can't be done so lightly..." At first, I thought I could draw it in a more light-hearted manner.

Hiroi: At first, you were trying to finish the fight against the Red Dragon in one episode, right? I was like, "is that possible?" (laughs).

Everyone: (laughs).

Kui: When I tried to actually tell it in one episode, it ended up feeling like a very brief summary... In order to tell the story I wanted to tell, I had to tell it more thoroughly than I originally thought.

-- Did you have any special thoughts about the theme of "food"?

Kui: No... well... if I had to choose, I'd say I have a strong grudge against food.

Since I was a child, I was a very picky eater, and mealtimes were a pain for me. I hated eating in front of other people, and there was a time when I hated seeing other people eating, so I would look for toilets that were rarely used and eat my meals in the toilet.

When I was doing it, the word "toilet meal" didn't exist, so when the term actually appeared in society I was so happy, thinking "everyone was doing it!"

[Toilet Meals are a social phenomenon in Japan.]

Everyone: (laughs).

Kui: I was thinking, "This is so terrible, right...?" but it was a relief to realize that other people were doing the same thing.

--So what made you choose the theme of "food education"?

Kui: My parents, who were struggling with my picky eating, taught me many things, including the "triple eating" method, but it was no use and I continued to be a picky eater into adulthood. My parents had instilled knowledge about food education in me, but I was not able to put it into practice.

[Kui might be talking about Triangular Eating but I'm not sure.]

So the only thing that remains is that I feel an enormous amount of guilt when it comes to food and eating...

Hiroi: If you think about it objectively, the series starts off on a very negative note.

Kui: But now I've gotten over the habit of eating with other people... or rather, I've come to like it. My editor takes me to lots of delicious places.

--When I was a student, I was trying to leave my udon bowl at school, but my teacher found out and made me eat the packet of udon by myself. There was no soup, and it was really hard to eat the udon by itself.

Kui: It must be tough. I tried to hide it, but my teacher found out and I got really angry.

Hiroi: I've tried to hide it in a drawer before. Then, something dried up came out of the drawer... (laughs bitterly).

How can I draw things I hate?

-- Or rather, is it the fact that you're not good at it that gives you a higher level of insight into the food?

Kui: I think it's because you're interested in it that you either like it or dislike it. Inevitably, you spend a lot of time thinking about it.

Since "Dungeon Meshi" depicts a lot of food, one might think "Do I like eating?", but in fact there are many times when I draw it because I dislike something .

--Aside from food, do you also draw things that you dislike?

Kui: Maybe. For example, human relationships, modern times, fashion...?

-- Perhaps the relationships between the characters in "Dungeon Food" are portrayed so delicately because the author is not good at dealing with human relationships?

Kui: I've always been very curious about things like, "(This person is usually so cold, but has such a charming smile in front of other people)" ...

I feel the same way, but I think people are different in the way they show their true colors. I think it's strange that it stands out to me...

-- I have a simple question. When you draw something you hate, how do you feel? No matter how much you hate something, do you find it fun to draw it?

Kui: The events in the manga don't directly involve me, so I don't dislike the things I'm drawing as much. Also, when I draw while looking for the good parts, it can lead to new discoveries.

Also, I think it's scary to draw only what I like.

In my work, the important thing is "what to capture with the camera," and there's no need to go out of your way to capture filthy things, but at the same time, I think the world will look bigger if you keep in mind that "there are a lot of inconvenient, dirty, and unpleasant things outside the camera." That's the feeling I have when I paint/create manga.

When playing a game, if I have to choose between a game where I only feel like I'm in the world inside the game screen, and a game where I feel like there are lots of people living on the other side of the screen, and that the people in that world could travel anywhere they wanted, I think the latter is more fun to play.

I'm always thinking about how to express that "sense of the vastness of the world" ...and I personally like games that have "a world" to them.

-- Do you ever incorporate elements from the game into your manga?

Kui: On the contrary, I think that is a part that cannot be adopted .

The best thing about games is that each person has a different experience. Games that have lots of endings are also a result screen for what you've done up until that point. When I see something like that, I think, "That's so cool."

Personally, I think that's the game's greatest appeal, and something that could never be replicated in a manga that doesn't have players.

If you're so busy, when do you play games?

-- I'm personally curious, how do you find the time to play games? Even though you're busy with your work as a manga artist, you play quite a lot of games.

Kui: I often use the Steam Deck before going to bed or during breaks between writing manuscripts. In fact, I almost only use the Steam Deck now. I keep it by my pillow, so I can take it and play before going to sleep, or during breaks...

--Is Steam Deck really that convenient?

Kui: I recommend it. The screen is small, but it can run Cyberpunk 2077 .

Also, personally, I've gotten tired of having to turn on my PC to start up a game...with Steam Deck, I can just turn it on and it starts up instantly, even when I'm lying down. How do you writers usually play games? There are times when you have to play games for work, aren't there?

--When it comes to work, I calculate backwards how long I'll be playing before I start playing...If it's a game that can be completed in about 60 hours, I usually estimate that I'll play for 3 hours a day and complete it for 20 days in a row.

Hiroi: It's a lot of work!

Kui: That's amazing... You really are a gamer.

I've always thought that I have a talent for playing games ... but I'm not really good at that. If I'm given a game that's a little difficult, I get tired of it right away, and I'm not very good at trial and error. The range of things I can enjoy is very narrow.

I wonder if game developers around the world are also struggling with the question of "Should I make my games accessible to a wide range of people, even those who aren't particularly gamers?" or "Should I make games that are challenging and can be played deeply?" The same problem exists with manga, too.

When there's a game that I can't play well, I feel happy because it means the creator decided that there's no need to pander to people who can't keep up.

-- By the way, when you play games, do you do it as a normal "hobby"? Or do you play more often to find material for your manga?

Kui: Of course, a big part of it is that I play games as a hobby, but it is alleviated by the fact that playing games might be useful for my work (laughs).

Even if I'm not that interested in a game, if I think "it might be useful for work," I'll find the courage to buy it, and no matter how expensive a gaming PC is, I can still buy it if I think of it as a work tool. So the hurdles for many things related to games are lowered for the reason that it's "for work."

--So, when you read manga, do you feel like you're reading it for work?

Kui: In my case, manga has become my job, so when I read it I can't help but think of work.

However, I still enjoy gaming as a hobby . That's why I don't want to lose this hobby... and I don't think I'll be able to enjoy it as much if I get involved in games as a job, so I don't take on any games-related jobs.

Does the depth of the world come from the fact that it is "not decided"?

-- I heard in advance that "Dungeon Meshi" was written with a clear awareness of "what should be explained" and "what shouldn't be explained," so could you tell me more about that?

Kui: Having read a variety of fantasy novels and games, I thought that the "moment of discouragement" was the "repeated use of foreign words." When you write something like "XX of XX of XX," if there are three or more katakana characters, there is a high chance that it will be skipped over by Japanese readers.

That's why I try to refer to town names as "the neighboring town" whenever possible, and refer to characters who appear in flashbacks as "uncle" rather than by their full names, so that readers can understand without having needing exposition.

The magic used during battles in "Dungeon Meshi" is depicted in such a way that you can "understand what kind of magic it is just by looking at the picture."

-- What other aspects of Dungeon Meshi are there that you deliberately left out of its concrete settings?

Kui: Numbers and language are the settings I avoided touching. For example, just by deciding the month of birth, it is first determined that there is a moon in this world. From there, it is also determined that there is gravity.

What's more, just the concept of a "birthday" means that there is a division into a "year" and that the world is determined to have a 365-day cycle. It quickly becomes complicated.

But on the other hand, if I were to set the details and make it something like "This country's currency is 1 gold, which is worth 5 yen," it would be a burden on the reader. When reading the work, the reader would be forced to convert it into "1 gold = 5 yen" in their minds every time. That's why I try to write it with "readability as a priority" as much as possible.

However, if you're creating a "fantasy" in the truest sense of the word, it would be better to create something that corresponds to that world's calendar or metric system in order to really immerse yourself in that world, so it's difficult to get the balance right...

-- I think that style of "deliberately not giving explanations" is quite amazing.

Hiroi: I think that 's definitely partly because "Dungeon Meshi" is a silly title.

The "mindset" of the reader is a little different...I think that from the very beginning, the reader is made to recognize that "this work isn't going to say anything too difficult."

Kui: Also, we had to give a bit of thought to coming up with the character names.

For example, the main characters in Wizardry are given names that correspond to their professions, such as "Warrior" or "Wizard." The "Senshi" in Dungeon Meshi was taken from that ... I named him after thinking, "I want that person to play an active role."

That's why I wanted the overseas version of Senshi's name to be "Fighter", but I was worried that overseas readers would be like, "What does that mean...!?" so I kept it in my head.

--The character names in "Dungeon Meshi" tend to be around 3 or 4 letters long and fit nicely.

Kui: If the name gets too long, it won't fit in the speech bubble...It's generally said that a line in a speech bubble should be about 7 to 8 characters long to be easy to read.

So "Chillchuck" is really long... I actually thought that the abbreviation "Chill" could be used more, so I named it that way, but it didn't work out so well, so in the end I just kept calling it "Chillchuck". Even I was thinking "that's long" while drawing it (laughs).

Everyone: (laughs).

Kui: Anyway, there are quite a few manga-like circumstances where "maybe four characters would be enough."

--By the way, are there any rules for naming the characters in "Dungeon Meshi"?

Kui: It's not detailed, but there are "settings within the story" and "meta-settings that are just for my own enjoyment."

For example, [if Dungeon Meshi was a game] the Shuro party has names that would be given by a certain type of player. When playing a games, some people give their characters themed names that follow self-imposed rules. In that sense, meta-wise, the Shuro party is played by a player who names their characters with a plant-based restriction.

Also, since the player likes girls, the party members are all girls, and so on... (laughs).

Hiroi: Oh, I didn't know that!

Kuon: ...While it's fun for myself, I also create characters by asking questions like, "Why is the party mainly made up of women?" or "Why do they all have similar names?"

However, even if I revealed these settings in the story, it wouldn't have made the story any more interesting, so they are merely "settings that only exist in my own mind."

-- What are some specific examples of "settings that you deliberately didn't reveal"?

Hiroi: I still remember when I said, "I want you to depict the elven kingdom in more detail," Kui replied, "That's going too far."

The dwarven country was depicted quite a bit, so I personally thought it could have been shown a little more...

Kui: I felt that if I depicted that, it would limit the reader's imagination.

There are definitely "lines that suggest something might happen," and when it comes to parts that are better left to the reader's imagination, I often choose not to draw them.

Also, even when we present settings that readers think they can just skim through, they often try hard to remember them...

It all started with the manga "Eating soba through your nose."

--Let's go back to the topic a little. How did Ms. Kui and Mr. Hiroi meet?

Hiroi: I think we scouted her.

I saw a short story that Kui had posted on Pixiv and sent him an email asking if I would like to draw a manga. I remember that he had a really funny four-frame manga called "Eating soba noodles through your nose ." It was about a character eating soba noodles through his nose and crying out in pain... I think I was drawn to his drawing ability, which made me feel like "Wow, that looks painful" when I saw it (laughs).

And from that point on, we have come to this point.

[This may not be the exact comic that Hiroi is talking about, but it's a comic Kui posted on her blog about someone eating soba through their nose.]

Kui: Oh, is that so? Isn't it something like "Shugaku Tenshi" [※4] ?

Hiroi: No, that's not true! The manga about eating soba noodles through the nose was made before "Shingaku Tenshi". By the way, that manga was planned to be published in "Rakugakihon" , but when I asked Kui-san "Can I publish this?", she was very against it...

Kui: No, that's fine, but... I didn't think other people would find it that interesting.

Everyone: (laughs).

Hiroi: But that was more than 10 years ago...

--By the way, was Mr. Hiroi the first publisher to contact you?

Kui: Before that, an editor at East Press had contacted me. I was originally publishing fantasy manga that I had drawn as a hobby on my personal website. I compiled them into a self-published original comic and exhibited it at Comitia, and they asked me, "Would you like to publish this long manga as a book?"

However, after the editor asked around to various people, it seems he was told that "this will be hard to sell"... so the plan was dropped. Instead, it was decided to release a "short story collection" of short manga that had been published at the same time . This is "The Dragon's School is on the Mountain: A Collection of Works by Ryoko Kui" published by East Press.

I was contacted by a few other people as well, but the two people I still keep in contact with are Mr. Hiroi and the editor at East Press.

-- When you went from drawing short stories and web comics to starting a commercial serialization, did you study anything like "how to draw a serialized work"?

Kui: I learned almost everything about how to draw manga from Mr. Hiroi and the editors and writers at Harta .

I had absolutely no understanding of whether panel layout was good or bad, so up until the middle of the serialization, I would rearrange the storyboards one panel at a time, and I would get lectured like "Don't put a panel like this here."

I was also impressed when I was shown original manuscripts by other artists. They look beautiful in print, but the real thing is even more impressive. This is what it means to be good at drawing manga.

It didn't finish as I expected

-- Speaking of "serialization," you mentioned earlier that you initially intended to end it at about volume 5. Did "Dungeon Meshi" continue longer than you had anticipated, Ms. Kui?

Kui: First of all, I didn't really understand what a "serialized" comic meant, so I didn't even know how much of a story I could get done in how many pages. So, I thought I could wrap up the story nicely in about five years, in five volumes.

But I never quite got around to finishing it. It was so hard... (laughs).

Hiroi: To be honest, when I first heard "Volume 5,"I thought to myself, "(Are you kidding me...?)" I didn't say it out loud though (laughs).

--Honestly, even as a reader, around the time of the fight with the Red Dragon in volumes 4 and 5 I was starting to feel like, "Huh? It seems like it's coming to an end soon..."

Kui: From the beginning, my goal was to "defeat the Red Dragon at the halfway point." However, I was supposed to fight the Red Dragon in Volume 4, even though it was supposed to be 5 volumes. So I thought, "Huh? It's not over yet," and I gradually lost interest.

By the time I got to around volume 10, I felt like no matter how much I drew, it would never end. I didn't want to drag it out, but no matter how much I drew, it just never seemed to finish.

Hiroi: Even from an editor's perspective, it seemed like Kui was getting very anxious from around volume 10 onwards.

-- Having finished the long-running serialization of "Dungeon Meshi," did you experience any changes in your mindset?

Kui: I think it was great to have the experience of learning that it would take 10 years to draw a story of this scale. And when I think about my lifespan and how many more works I can draw... it makes me dizzy.

Hiroi: I feel like I'm constantly fainting...

-- Ms. Kui, are there still any works you want to draw in your mind?

Kui: Not that much. But I love drawing manga, so I want to draw a lot. I don't know if I'll have the stamina to continue for another 10 volumes, but I want to continue working as a manga artist somehow.

But maybe... I don't think it will sell that well next time...

Hiroi: Stop! Don't say that!

Everyone: (laughs).

Kui: In that respect, "Dungeon Meshi" sold well, so I was able to draw what I had imagined to the end. Next time, I think it would be better to consider the opposite scenario of "if it doesn't sell" and make it shorter.

That's the next new challenge.

-- In addition to the expectations for your next work, do you feel any pressure?

Kui: In my case, the first collection of short stories I published was fairly well received. For a manga I drew for the first time, that's about it.

That was a relief, but at the same time, I felt that "Ideally, the reputation of my next work will also steadily increase, but there will definitely be ups and downs." If the reputation of the next work is bad, will I be able to continue drawing without getting discouraged? I realized that the "battle with myself" had just begun , and I was terrified when I read the first volume.

What game has cute illustrations, in your opinion?

Kui: This is a completely different topic, but you 've played SaGa Frontier 2 , haven't you? Aren't the pixel art in SaGa Frontier 2 really cute?

--The pixel art in SaGa Frontier 2 is...the best!

Kui: The illustrations in "SaGa Frontier 2" have such exquisite balance... if you try to express that in a picture, you can't reproduce that cuteness. It's like "exquisite head-to-body ratio."

-- In your opinion, Ms. Kui, are there any games that have cute illustrations?

Kui: The first one that comes to mind is definitely SaGa Frontier 2. Also, I still remember how cute the character designs were in Final Fantasy Tactics.

But back in the day, I used to trace characters from FF7 . I thought, "There are so many cool designs in the world..." (laughs).

Hiroi: Nomura (Tetsuya)'s drawings are amazing, aren't they?

Kui: I traced Cloud and Aerith on tracing paper and quietly said to myself, "So cool..." and got really excited. I noticed something while I was working on the "Dungeon Meshi" anime...basically, games and anime are made by many people, aren't they? So I always thought, "Many people must be giving various opinions to make them."

But when I got involved, I realized that one person's power is quite large. This was quite surprising. I thought that there were multiple people who wrote the script and storyboards, and that each person had their own responsibility, but... the power of one person is quite large.

──No matter how much the work is divided up, it's important to have a director or supervisor who brings it all together.

Kui: Yes, in the end, it depends on the power of the person who takes the lead ...

However, at the same time, I think that the division of labor between scriptwriting and storyboarding is something that would never be possible with manga. In the end, you have to create everything in one person's mind, so "bias" inevitably arises. So personally, I don't like the idea of it becoming a "world created in one person's mind."

Hiroi: However, not only in manga but also in novels, the individual author's personality is strongly expressed. I wouldn't go so far as to say "ideology"... but the person's way of thinking is strongly expressed.

Kui: Speaking of which, people who create games alone, such as indie games, are amazing.

It's often said that manga artists "come up with everything, from the art to the story, all by themselves," but I don't think they can compete with independent game creators who create the music, programming, and art all by themselves.

Moreover, even more than manga, no one can give their opinion until the game is completed. If you think about it that way, making a game by yourself is really a "one-man battle." At the same time, what I like about games is that there are quite a few "works that are not made with much consideration for cost" ... I enjoy it a little bit.

-- Do you ever think, "I want to make a game?"

Kui: I once bought RPG Maker , but it ended up being a complete failure... (laughs).

Everyone: (laughs).

Love for "classic RPGs" was a major influence on "Dungeon Meshi"

-- I'd like to ask you, Ms. Kui, since you play a lot of titles on Steam and other platforms, have you ever had any problems playing a game?

Kui: Simply put, a "game that doesn't work" is a problem (laughs).

This sometimes happens with games made by individuals on Steam... they don't have any reviews, so there's no way to deal with it other than contacting them directly. There have been a few times when I've been stuck and wondered, "What should I do?"

Other times, I'll buy a title that just happens to pop up at the top of Steam's rankings. Sometimes I'll play it thinking, "The graphics are kind of cute, so I'll give it a try," only to find that it's incomplete beyond the framework.

--So now people are playing titles that aren't that major.

Kui: Also, when I played Planescape: Torment, which is said to have influenced Disco Elysium.

While playing, I came across a character who was suffering from a terrible curse that made his whole body smell and become sticky. A quest was triggered to ask the NPC who had cast the curse to lift it, but when I asked them to lift the curse, I ended up being cursed with a curse that made me have constant hiccups ...

So when I was walking around the town, the "hiccup" dialogue started popping up all the time. What's more, every time it happened, I would freeze up for about 0.1 seconds. All the dialogue was filled with "hiccups." Anyway, it was a troubling curse.

I had no idea how to deal with this either, so I decided to just kill the NPC who had put the curse on me. The NPC also challenged me by saying, "Maybe if you kill me, the curse will be lifted?", so I tried killing him, but... it didn't lift the curse at all (laughs).

Everyone: (laughs).

Kui: I thought maybe the quest would progress in other places, so I walked around here and there, but the curse was not lifted after all. I was really curious, so I looked back at overseas information exchange thread online, and I found someone had written a lecture that said "You know what happens if you kill an important NPC without thinking about it, right?"

So I realized that this curse can never be lifted again. Even if I wanted to rewind, it was an auto-save, so I had to go back almost to the beginning... I was really... in trouble!

-- But "Planescape: Torment" hits a pretty impressive spot. Was it something that just happened to catch your eye while you were browsing Steam?

Kui: I originally liked games in the same genre as Baldur's Gate, so I think that's how I got into Planescape.

Also, I saw information that a huge amount of text in Planescape was translated by one person... I'm not very good at English, and games like Planescape have a lot of text to begin with, so I'm at a loss if it's not translated into Japanese .

However, when extraordinary people like those who make Planescape use their precious time from their lives to accomplish great things, I feel very grateful.

-- So, Ms. Kui, do you prefer games that are closer to the classics?

Kui: That's right. The first game I played was The Elder Scrolls V: Skyrim, and it was so much fun that I searched for "games similar to Skyrim" and played a lot of the games that came up.

All of them were completely different games from Skyrim, but they were fun. However, I don't like "old games". I think that newer games are generally more polished and well-made.

-- Wizardry, which influenced Dungeon Meshi, is also a classic work.

Kui: When I was a child, I saw my father playing Wizardry V : The Heart of the Maelstrom. As time passed, I remembered that there was a game called Wizardry. The game I played at that time was Wizardry VI: Forbidden Pencil.

I also played Wizardry V , but it was hard to see the map unless I chanted a spell. I was directionally challenged, so even though I had a guidebook at hand, I couldn't progress.

--By the way, were you more interested in making a manga out of "Wizardry" than the tabletop RPG "D&D" ?

Kui: When I was researching fantasy, "D&D" was often mentioned... but I had never even heard of "TRPG" before. First of all, you can't play it without friends, and I was shocked to find out that lots of people have friends they can play with like this...!?

Everyone: (laughs).

Kui: So when I looked up TRPGs on Wikipedia, I couldn't imagine that people actually played this kind of game. I was more confused and thought, "How can people really role-play in front of other people?"

After that, I watched replay videos on YouTube and it was only then that I understood how games like D&D worked.

Games, manga, novels. What is the purpose of all creative works?

-- What was the last game you played?

Kui: Recently I played a school management game called "Let's School." It's made by a Chinese company that also made "My Time at Sandrock."

Hiroi: You really like that kind of game, don't you? (laughs) Oh? Haven't you played "FF7 Rebirth" ?

Kui: I'm thinking about playing the remake of FF7 once it's completed.

Hiroi: No, no, if we don't do it now, we'll never finish it! It'll be a long time before we do it!

--Honestly, I also thought it would take about 10 years for FF7 Rebirth to be released.

Hiroi: I thought it would take about that long too... I really wanted it to be completed while I could still see. So, please do it!

Kui: Once it's finished...I want to play it all at once (laughs).

--Do you and Ms. Kui often talk about games?

Hiroi: Ms. Kui sometimes says, "I want to talk about this game, so I want you to play it." I played "Red Dead Redemption" because of that. Also, a long time ago, Ms. Kui recommended "13 Sentinels: Aegis Rim."

Kui: Whenever there's a game I want to discuss with someone, I always recommend it to Hiroi.

But maybe I haven't been playing games as much lately. Until now, I've been playing games because I thought of it as "for work," but now that the serialization of Dungeon Meshi has ended, I've been playing less games.

Moreover, I'm not the type of person who gets that into one game...I don't generally play through a game in repeated playthroughs, and I'm usually satisfied once I've finished the story.

Hiroi: Then we have to start [a new ] serialization soon.

Everyone: (laughs).

-- I'd like to ask you personally, do you have any "recommended indie games"?

Kui: I highly recommend "Papers, Please" and "Return of the Obra Dinn."

First of all, "Papers, Please" is a simple "spot the difference" game, so I didn't have high expectations at first. But when I played it, I felt like there was a proper "world" to it . Also, I was curious to see how the story continued.

And "Return of the Obra Dinn" had a great atmosphere. There were hints to solving the puzzles if you looked closely, but there was also a good balance of being able to force your way through, and the music and production were cool.

Hiroi: Come to think of it, you read quite a bit of the novel after the serialization ended, didn't you?

Kui: Ah, you mean "1984" by George Orwell? That was good...

I've always thought that creativity isn't necessary for life... It's entertainment, so it's not essential to life. But after reading "1984," I thought, "I guess creativity is necessary after all."

Humans need stories to experience things that should never come true, to prepare for bad things, and to prepare for understanding other people... You might think, "You should have already learned that when you were younger," but I was deeply moved by this realization.

Anyway, I feel that it would be great if people could learn things they didn't know before through this work.

Hiroi: ...Overall, it just felt like we had a fun time talking about games (laughs).

Kui: We just used the interview as an excuse to talk about the game (laughs).

-- No no, thank you very much for sharing your valuable story! (End)

I think I can understand a little bit about being interested in things you hate.

It's easy to analyze "why do you like something?" when you like it, but it's surprisingly difficult to analyze "why do you dislike something?" When you understand the reason, it seems that "why do you dislike it" is often more meaningful.

Perhaps creative works exist in part to help us understand the things we dislike.

I was able to hear a lot of deep "creation stories" that made me think about such things. Also, Ms. Kui is a huge gamer. Mr. Hiroi also likes games quite a bit. Since serious talk and game discussions alternated, the content may have been emotionally confusing. But I feel like "Dungeon Meshi" has a similar atmosphere.

If you haven't read "Dungeon Meshi," please take this opportunity to read it. It depicts a fun adventure. On top of that, it may help you prepare for difficult things that might happen in your life someday. Of course, it's also extremely interesting as a manga. I think it's definitely one of the best "entertainment" of our time.

Why does the body want to live? What does the mind want?

This is because we have a "desire" to pursue what we like and dislike. In fact, "things we dislike" are just as important as "things we like." By understanding our own "likes and dislikes" through creative works and entertainment, humans can prepare for things that happen in their future lives. Food and creative works are equally important for human growth.

...That said, I'm not sure if it has a nice punchline, or maybe not.

To eat. To experience creative works. These are truly the privileges of life. In order to live, we must continue to eat.

Now it's time to eat. What shall we eat today?

#dungeon meshi #delicious in dungeon #ryoko kui #kui ryoko #dungeon meshi research #translation

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inkskinned · 11 months ago

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most writing advice is good as long as you know why it is good, at which point it is also bad. the hardest thing (and most precious thing) about being an artist is that you gotta learn how to take critique. i don't mean "just shut up and accept that people hate your work," i mean you need to learn what the critique is saying and then figure out if it actually helps.

i usually tell people reading my work: "i'm collecting data, so everything is useful." i ask them where they put the book down, even though it's too long for most people to read in 1 sitting. i ask them what they thought of certain characters. i let them tell me it was really good but i like it more when they look a little stunned and say i forgot i was reading your book, which means they forgot i exist, which is very good news.

sometimes people i didn't ask will read my work and tell me i don't like it. and that is okay, you don't have to like it. but i look at the thing that they don't like and try to figure out if i care. i don't like that you don't capitalize. this one is common, and i have already thought about it. i do not care, it's because of chronic pain and frankly i like the little shape of small letters. you use teeth and ribs in all your work. actually that is very true. i don't know what's up with that. next time i will work to figure out a different word, thank you. you're whiny, go outside. someone said that to me recently and it made me laugh. i am on the whine-about-it website as an internet poet. you are in my native habitat, watching me perform a natural enrichment behavior. but i like the dip of whiny, how the word itself does "whine" (up/down, the sound out your nose on the y), but i don't know if i want to feel whiny. maybe next time i will work on it being melancholy, like what you would call a male writer's poetry.

repeated "good" advice clangs in a bell and doesn't hold a real shape, dilutes in the water. like sometimes you will hear "don't use said." you turn that around in your head and it bounces off the edges of your brain like it is a dvd screensaver. it isn't bad advice, but it feels wrong somehow, like saying easy choices are illegal! sometimes i will only use "said." sometimes i will just kick dialogue tags out to the trash. sometimes i make little love poems where the fact that i do not say "said" is very bad, and makes you feel bad in your body, because someone didn't say something. i am a contrary little shitbird, i guess.

but it is also good advice, actually. it is trying to say that "said" sometimes is clutter. it makes new writers think about the very-small words and very-small choices, because actually your work matters and wordchoice matters. "i know," you said. "i know," you sighed. "i know." we both know but neither of us use a dialogue tag, because we are in a contemporary lit piece.

it is too-small to say don't use said. but it is a big command, so it gets your attention. what are you relying on? what easy choices do you make? when you edit, do you choose the same thing? can you make a different choice? sometimes we need the blankness of said, how it slides into the background. sometimes we don't.

i usually say best advice is to read, but i also mean read books you don't like, because that will make you angry enough to write your own book. i also mean read good books, which will break your heart and remind you that you are a very small person and your voice is a seashell. i also mean you need to eat books because reading a book is a writer's version of studying.

my creative writing teacher in the 7th grade had a big red list of no! words and on it was SUNSET. RAZORS. LOVE. GALAXY. DEATH. BLOOD. PAIN. I liked that razor and love were tucked next to each other like birds, and found it funny that he believed we were too young to know the weight of razor in the context of pain. i hated him and his Grateful Dead belt, where the colored teddy bears held up his appraisal of us. i hated his no list. it is very good/bad advice. i wasn't old enough yet to know that when you are writing about death you are also writing about sunsets and when you write about love you are tucking yourself into a napkin that never stops folding.

back then my poetry was all bloody, dripped with agony when you picked it up. i didn't know there is nothing beautiful about a razor, nothing exciting about pain. i just understood sharpness, which he took to mean i understood nothing. i wrote the razor down and it wasn't easy, but it was necessary. that's what i'm saying - sometimes it's good advice, because it's not always necessary. and sometimes it is very bad advice, because writing about it is lifesaving.

hang on my dog was just having a nightmare. i heard that it is a rule not to write about dogs - in my creative writing mfa, my teacher rolled her eyes and said everyone writes a dead dog. the literature streets are littered in canine bodies. i watched the rise and fall of his ribs (there is that word again) and had to reach out and stop the bad dream. when he woke up he didn't recognize me, and he was afraid.

it is good/bad advice to say that poems and writing have to mean something. it is bad/good advice to say they're big feelings in small packages. it is better advice to say that when my dog saw where he was, he relaxed immediately, rubbed his face against me. someone on instagram would make fun of that moment by writing their "internet poetry" as a sentence that tumbles across a white page: outside it is sunset and my dog is still in a gutter, bleeding a galaxy out of his left paw. or maybe it would be: i woke the dog up/the dog forgot i loved him/and i saw the shape of a senseless/and impossible pain.

the dog is alive in this one, and he is happy. when i tell you i love you, i know what i said. write what you need to write, be gentle to yourself about it. the advice is only as good as far as it helps. the rest is just fencing. take stock of the boundaries, and then break them. there's always somewhere else you could be growing.

i love you, keep going.

#warm up #writeblr

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lemonlover1110 · 11 months ago

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Hello! I hope you are doing well 😌 you are my fav writer and I just wanted to to throw out this crazy brainrot request to u bc I am SICK over it

So Florence nightingale syndrome right? Toji is like a professional boxer or whatever something athletic bc he's a fucking beast and he gets hurt, like his leg or something, and you become his at home occupational therapist. So you're like taking care of him and he's getting feelings for you while also being a stubborn ass bc u push him constantly so he can get better. and he's super hesitant to accept his feelings bc he's a Playboy of course.

I'm just picturing this one scene where you're helping him up and he's leaning on you and he says something like "are you sure you can handle me princess?" Idk I'm insane I'm sorry 😭😭😭😭

Pairing: boxer!Toji Fushiguro x f!caregiver!Reader

Warnings: Fluff, frustrated Toji, Florence nightingale syndrome, Toji has an injured leg and is a little bitch for a bit

*This was so fun to work on and now I'm having thinking a little too hard about boxer toji (I'm ovulating) sofjsof enjoy!

Discord 18+ - Twitter - Ko-Fi

Toji never really thought he’d be dependent on someone, yet now he can’t even take a shower standing up. After an unlucky boxing match, Toji ended up in a cast and crutches. That’s what he gets for not listening to his son who told him it was around time to retire.

“I’m not a fucking skeleton, I’m good in my field. I can do this for a couple more years.” How he wishes he could swallow his fucking words. He thought that after getting the cast off he’d go back to normal, and he’d have no issue with mobility. He shouldn’t have an issue moving his fucking leg again, he’s been moving it for more than thirty years, why should three months of not moving it change much?

Apparently he can’t do anything, which is why he has someone with him all day every day, helping him so he can get better. Toji’s main issue? He gets frustrated when someone tries to help him.

“Be careful, it’s hot.” You smile at him as you put his dinner in front of him. He has a scowl on his face as you set it down in front of him. He tried to help make dinner but he couldn’t stand for too long. He’s mad, but not at you. He could never be mad at you.

Toji wasn’t necessarily fond of you when you started working with him; he hates being dependent on someone else, and he knew that he would have to depend on you for pretty much everything. You try to help him though, and he should be more appreciative of you because of it, but in reality he feels like a fucking baby. He’s grown to like you though… A little too much for his liking.

You leave him to eat, going to wash the dishes since he can’t do the task yet. Perhaps his own bowl and spoon, but not everything that needs to be cleaned. You watch him from the counter, watching his refusal to pick up the spoon and eat the soup you made him. Earlier he was so prideful, telling you that he would help you every step of the way during dinner, and he couldn’t even finish one third of it. You were proud of him regardless.

“It’s really good, Toji! The potatoes you helped peel really added a touch to it.” You’ve gotten close enough to be on a first name basis. You see each other every day, you stay in the same house, of course you’re close enough to talk to each other so casually. It doesn’t mean you should though. You’ve always managed to keep a very professional relationship with patients, but there’s just something about him that makes it hard for you to be normal around him.

“Don’t talk to me like I’m a fucking kid.” He says, pushing the bowl of soup away. He’s not hungry anymore. Toji stands up, his hands holding on to the table to support himself before grabbing his crutches.

“Toji, if you’re not eating it, can you try to bring it over to me, please?” You ask. You know the soup has cooled down, if he spills it, he’ll be fine.

“If you want it, pick it up yourself.” Toji is clearly mad. You don’t take it to heart though, because you know it’s with himself and not you.

“How about we go to the park tomorrow? It’s supposed to be a nice day out.” You talk to Toji who tries to watch a documentary. He’s not all that interested in what he put on, caring more about what you have to say. He might not show it, and he tries to deny it, but he has the biggest soft spot for you. “We can also get some ice cream, if you’re in the mood!”

“Hey… I’m sorry about earlier. I was just—” It’s hard to get an apology out of him, but sometimes he knows he’s in the wrong and he feels the need to apologize. He doesn’t want you to be mad at him, even though you’re clearly not upset with him. You’re so understanding and patient with him, he feels like he doesn’t deserve that.

“You’re fine, Toji.” You reassure him with a smile, your hand going over his balled up fist. You feel your heart skip a beat as you touch him. You’ve crossed the line past a professional relationship, and you should set some boundaries within yourself– But his other hand goes on top of your own before he brings it up, softly kissing your knuckles. It’s hard to set boundaries when he feels the same way.

“I’m tired.” He tells you, and you stand up to help him get up. Toji usually denies your help, but this time, he has no problem accepting it. You just want the best for him, and there’s some things that he can’t do completely alone. He has to take baby steps. He’s using you for support, and he’s scared that he’s too heavy for you. He asks you, “Are you sure, princess? Can you handle me? I know I’m pretty big.”

“You’re fine. I can handle you.” You reassure him, and you begin to walk to his bedroom. His room was previously on the second floor, but ever since his injury, he’s moved his bedroom to the first floor. You get him to his bedroom, helping him on the bed. You smile at him before saying, “Let me grab your crutches. You left them in the living room, right?”

Before you can walk away, he grabs your sleeve. Toji’s slowly realizing that he can’t fight off the feelings that consume him when you help him, and he’s usually not a fan of them. Toji’s been tied down once before, he certainly doesn’t want that again. But with you, it’s different. He doesn’t mind the idea.

“Will you lay down with me?” He asks, and you suck in your bottom lip between your teeth. You shouldn’t. He caresses your cheek with the back of his hand before he prompts himself up to kiss the corner of your mouth.

“Toji, you know this isn’t something I can do.” You tell him as he looks lovingly into your eyes. “I’m here to help you get better.”

“You can help me get better by laying down next to me.” Toji responds. You grab the hand that so lovingly touches your cheek and kiss it, before bringing your lips down to meet his momentarily. He swears he hears fireworks when your lips meet, even after you pull away.

He’s most definitely in love with you.

“I’ll go get your crutches. Good night, Toji.”

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loganhowlettshousewife · 3 months ago

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animal

chapter 1

friendly reminder that i am not a writer, i'm just a girl who loves logan howlett and wanted to write something exploring his animalistic side since i so rarely see it done. my first language is also not english, so please do not be rude when giving me any feedback.

warnings: non-sexual nudity, swearing, some sexual-ish thoughts

series masterlist │my masterlist

you had been baking a pie, rolling out the homemade dough for the crust, humming along with the soft music playing through the house, when through the open window you’d seen him. a large man, as naked as the day he was born, running towards your farm. you could only watch in numb shock as he went into your barn, now hidden from view.

what the fuck.

you haven’t been inside that barn in over a year. the farm belonged to your grandparents, and you’d inherited the property after they died. while you love the peace and quiet that came from living in the middle of nowhere, you aren’t a farm girl, so the barn went largely unused.

you think about just leaving the man alone, hoping that he’ll leave eventually.

you keep rolling out the dough, soothing repetitive motions, while you stare at the barn, expecting something else to happen. but nothing does. you almost think you made the man up in a moment of insanity.

it’s this that gets you to finally exit the house, anxiously heading towards the old barn with its creaking wood and chipped paint. you take a deep breath to prepare yourself before stepping inside, every nerve in your body screaming at you that this is a very bad idea.

you’re both relieved and not when you see the man curled up in a corner. relieved, because you weren’t going insane, and not because, well, now you’re going to have to deal with this strange situation.

you take a step closer when he doesn’t lunge at you to attack, then immediately jump back at the gleaming metal claws that appear from between his knuckles. one second he seems mostly harmless - or at least as harmless as a buff, six foot tall man could be - and the next he’s growling at you, face twisted into a snarl, body tense and ready to pounce at the slightest wrong move.

“hi,” you say, softly, the way you were taught to speak to distressed animals. the man cocks his head to the side but doesn’t lunge at you, which you take as a good sign. “i won’t hurt you, promise. but i am curious to know what led you here.”

by here, you mean both the physical location of your house in the middle of nowhere but also whatever reason he has for running through said middle of nowhere naked. there’s some kind of story there, likely not a good one judging by the way he watches you distrustfully. you have a feeling he hasn’t had a good or easy life.

the man doesn’t answer, not that you really expected him to, but slowly his claws retreat back into his skin. he’s marginally less threatening like this, though you know the smallest thing could bring the sharp blades back out.

despite this, you don’t believe he’s a danger to you. he just seems scared and confused.

“are you hungry?” you ask him. again, he doesn’t answer, and you wonder if he’s able to speak. “okay, how about this, i’ll bring you food and you don’t have to eat it but you can. i’ll be right back.”

you don’t turn your back on the barn, on him, as you jog back into your house. it’s much warmer inside than it is in the barn - you were so distracted that you hadn’t been feeling the full effect of the early winter cold. you think of the man, he must be freezing, but you hadn’t seen any sign of it, no shivering, not even goosebumps raising on his skin.

one thing at a time, you tell yourself.

your half-finished pie is sitting discarded on the kitchen counter and you look at it mournfully. you’ll finish it later, and maybe you’ll actually have someone to enjoy it with you.

(it gets lonely sometimes, so far from any cities or towns. usually, you don’t mind it, but apparently there’s some small part of you that still desperately craves human contact and interaction, since you’re jumping at the chance to take care of a random stranger.)

you have leftovers in the fridge that you suppose will have to do, since making him a fresh, home-cooked meal would take time, and you’d promised to return hastily. you heat it up quickly, the warmth emanating from the food another reminder of the frigid temperature outside as you bring the plate into the barn.

he looks up when you enter, sniffing the air like a dog. it’s cute, and you smile as you put the plate down, careful not to get too close to him, letting him make the first move.

whether he trusts you or he’s just starving you don’t know, but he rushes to your side and starts eating like he hasn’t had food in a month. with him distracted and closer to you, you can get a better look at him.

he doesn’t look malnourished. he’s buff, muscular and hairy, and you have to stop your eyes from going lower as you stare at his chest.

you look away despite the man being too distracted to notice your shameless ogling. he might be the hottest man you’ve ever seen in your life - or you’ve just been away from men for too long and have become pathetic.

he eats quickly, and looks up expectantly at you when he finishes, like a dog at their owner. you giggle at the comparison you’ve made in your head - it’s quite accurate, you find, with the way he immediately seems to trust you now that you’ve fed him.

“do you wanna go inside? it’s pretty cold out here, and inside i have more food.” you say, and when you go to stand up so does he. you explicitly do not look down.

he follows you into your house, and you’re so glad you live alone so there’s no one to question whatever is happening.

it’s easy to find extra clothes in the guest room, less easy to find any that you think will fit him. eventually, you give up, hoping the sweatpants you found will do for now, and grab one of your own shirts, thankful for your habit of buying oversized men’s t-shirts. it goes down to your thighs, surely it’ll fit him.

you turn to head back into the living room where you left him, and your soul nearly leaves your body when you spot him standing at the door. you yelp, your hand flying to your chest and the clothes falling to the ground.

he startles at the noise, tensing and looking around like he expects danger.

“shit,” you swear, “how are you so quiet?”

he frowns, and you could swear that he seems apologetic, though you aren’t sure how accurate your interpretations of his facial expressions are given that you’ve only known him for about an hour. it makes you feel a little guilty, though really you shouldn’t be since he snuck up on you.

you’re about to offer him the clothes when you pause, gaze locked on his chest. “you should shower.”

he follows you when you lead him to the bathroom, which you take as agreement on his part. he’s dirty, covered everywhere by a thin layer of dirt. a shower will feel good. it would also give you time to process this without him watching you. his eyes are quite intense, and he keeps them directed at you. you need the privacy to freak out.

it’s only after you place the clothes down on the countertop and show him how the knobs in your shower work that you realise he’s not making any moves to enter the shower. you start to leave the bathroom and he takes a step to follow you.

you stop, thinking about how he doesn’t seem to know how to speak, how he looked so scared and confused when you’d found him, and you sigh when you realise it’s likely he doesn’t know how to use a shower either.

what is your story? you think to yourself.

“do you want help?” is what you ask instead.

he nods slowly, which is the closest you’ve gotten to a response from him so far. you look up at the ceiling, inhaling deeply and bracing yourself when you realise this means you’re going to have to touch the hot, naked man.

you turn on the shower, waiting for it to warm up before you motion for the man to get in. you are absolutely not willing to get naked in the shower with a stranger whose name you don’t even know, so you step in fully clothed, already regretting it when you feel the fabric growing wet and sticking to your skin.

it’s as you’re helping rinse the dirt off him that you spot the writing on his dog tags. you’d noticed them previously but hadn’t been able to get a good look.

you take the metal chain in your hand, turning it to read the name stamped into the metal.

“logan,” you read, and the man in front of you purrs, a low rumble in his throat. you smile. “i’m going to guess that’s your name. logan.”

this seems to relax the last dredges of tension that he holds. he practically melts into you, and the feeling of being trusted so fully by someone who seems so broken warms your heart in a way that you haven’t felt in years.

you finish washing him up in silence, only interrupted by occasional soft purrs and hums from logan. he quite enjoys it when you wash his hair, hands reaching up to scrub shampoo into the strands, nails scratching at his scalp. you switch your earlier comparison from a dog to a cat, the purring reminding you of the kitten you had growing up.

he shakes his head when he gets out of the shower, water flying everywhere, and you laugh as you hand him a towel. you once again have to help him when he just stares at it like he doesn’t know what to do with it.

he gets dressed on his own, thankfully, since you already feel like you might implode from being in such close quarters with an extremely attractive, wet, nude man for so long.

you leave him for a minute to dry yourself off and change into dry clothes. it’s nice to have a moment of reprieve, where you can simply breathe and process and question what the fuck you just got yourself into. you finally allow yourself to freak out a tiny bit, muttering to yourself in the mirror, tugging at your hair.

you just manage to pull a shirt over your head when you hear quiet whimpering at the door and the sound of loud banging against it.

your heart breaks at the sound, reminded of the wounded animals your grandparents would nurse back to health, and you rush to pull some pants on so you can open the door. logan looks at you with the most devastated eyes and then falls into you, face nudging into your neck, inhaling deeply. you stumble back, thankful for the wall that catches you. he’s heavier than he looks, which is saying something, given his size.

you’re shocked for a moment, frozen, but quickly come back to yourself and place your hands on his firm back.

“i’m sorry,” you say, “i didn’t mean to scare you. i wasn’t going to leave you, i just needed privacy for a moment.”

you don’t know if he understands anything you’re saying but it makes you feel better to explain yourself. you’re shocked that this is the same man who was snarling at you, claws out and ready to rip your throat out not so long ago, shocked at how quickly he’s grown attached to you.

shocked at how quickly you’ve grown attached to him, too. then again, you’ve always been this way. you like to help people, and logan seems like a man who needs a lot of help.

“i was baking a pie, when i saw you,” you tell him, “how about we go finish that? you don’t have to leave my side. you can watch me and i’ll teach you all my secrets.”

and as you expected, he follows you into the kitchen, trailing after you like a lost puppy. normally, you hate having anyone else in the kitchen with you, getting in your way when you’re in the zone, but his presence is nice. he doesn’t speak, doesn’t distract you or get in your way, just stands and watches you intently.

you’re already used to having him here with you, comfortable enough to turn your back to him. it’s crazy, and a (big) part of you knows that this isn’t exactly a smart thing to do, but you’re already planning on letting him stay for as long as he needs, maybe even forever.

taglist: @mystiquesvendetta @raeinyourdreams

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love-byers · 21 days ago

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we all know about the parallel of mike hugging karen when he feels like he's lost will, but i've never seen anyone talk about the other parallels in the s1 and s3 heroes scenes. there are more than you think!

will's fake body being pulled out of the quarry VS will (+ the others) pulling out of the driveway for california

a close up of mike looking at both

mike leaving the scene on his bike after 'losing' will

in one, he has no hesitation. he gets his bike and doesn't look back. not at wills fake dead body, not at el (which would be odd if he knew he was in love with her then...), not at dustin and lucas, not at anyone. he keeps moving forward.

in the other, he is full of hesitation as the other bike away, not looking back. mike stays back and takes one last look at will's house, looking nervous, before hesitantly tearing his eyes away and biking off, trailing behind dustin lucas and max.

do i really need to explain the implications of that....

mike entering the wheeler house visibly upset after losing will, and karen immediately noticing

mike seeking out a hug from karen, something he rarely does

mike hugging karen

note how both clips end with mike moving/sinking deeper into the moment. i'm not sure what the best way to describe this is, but im talking about mike shoving his face into karen's shoulder in the s1 scene and his eyes flicking down in the s3 scene. i know it seems like it doesn't matter, but it does. sprinkling things like that in as a director is purposeful! it's showing how mike is processing the events. in s1 he sinks deeper into karen's comfort, further breaking down because he thinks will is dead. in s3 he doesn't do that. he is extremely still, eyes not moving as he is in shock. then his eyes do move at the last moment, showing he is further processing whatever event has occurred, transitioning from shock to really processing whatever happened.

raw emotion vs icy shock.

and oomf @reo-bylerwagon who is a film major told me that the way the camera tilts upward in the s3 clip is used to show that a realization has occurred, or that something new is being revealed. does that not PERFECTLY line up with:

1. the way mike seems extremely shocked as though he has realized something huge

2. the fact that LITERALLY over that moment is a hopper voice over where he says "to turn back the clock, to make things go back to how they were"

and 3. the way he behaves in s4 (being weird about touching will, rink o mania, etc.)

so yeah, these are definitely parallels through and through and it's really interesting. mike has lost will in both, but in different ways. his reactions say a lot about how he's processing the events and how he views them/his relationships.

also reminder that this is not delusional in the slightest because heroes has only played twice and it's in these two sequences.

and to anyone thinking "well they're just trying to show that mike deeply cares for will, just not in a romantic way!"

......

why in the fresh FUCK would they eat up SO MUCH screen time to show that mike platonically cares about will, rather than use that time to develop his relationship with el and, i don't know, show that he loves her??? why would they feed into will's unrequited love like this??? spoiler alert: THEY AREN'T.

that would be doing WAY too much for a relationship that will end in an amicable split so one can get married and one can get over his deep seeded love for the other and navigate the (extremely homophobic) world alone.

like yall are very clearly not writers or creatives in the slightest 💀💀💀 any writer (or anyone with the faintest creative/analytical bone in their body) will immediately understand why that's fucking dumb and makes no sense. yall are just heteronormative af and instead of admitting that it's greatly affecting your perception of the characters you double and TRIPLE down until you sound like a homophobic disaster

also

season 1 - heroes plays (when mike feels like he lost will)

season 2 - heroes does not play

season 3 - heroes plays (when mike feels like he lost will)

seasons 4 - heroes does not play

season 5 - heroes will play...? perhaps the original david bowie version? and byler will finally kiss as though nothing could fall and the shame will be on the other side? and they can be heroes? just for one day?

so yeah anyways byler endgame

#this took me forever #but i will sacrifice any amount of time to prove byler endgame #stranger things #byler #will byers #mike wheeler #byler endgame #mike wheeler i know what you are #byler analysis #milkvan is bones #anti milkvan #byler parallel #byler parallels #byler cinematography

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ptolemaeacles · 1 year ago

Note

pls write more for hazel omg i loved the cheerleader hcs maybe like a childhood best friends to lovers so lots of pining and smut maybe

♡ you belong with me

pairing: hazel callahan x fem!reader

synopsis: hazel has had a crush on her best friend since they met in the 1st grade. they were freshman in college now and hazel realizes she can’t keep her feelings to herself anymore.

warnings: 18+ minors dni (both reader and hazel are 18), smut, childhood best friends to lovers, switch!hazel, switch!reader, top!reader, bottom!hazel (no pun intended), let me know if i missed anything!!

notes: aw thank you !!! im glad you liked the hcs. also small disclaimer, i'm a horrid smut writer and i rushed the ending because i didn't want to keep you waiting. hope you like !!!

word count: 2.5k

“god, i’m so excited. i mean this is the first time a girl has asked me out. usually it’s guys who approach me and then i get weird comments when i tell them i like women…” you rambled on but hazel could barely focus. she could only feel the empty pit in her stomach.

you were so happy to be going on a date and all she could think about is if you would ever be this excited to go on a date with her. she tried to convince you to not go but there was only so much she could do without giving her feelings away.

hazel thinks she’s loved you since the day she met you. before she knew what ‘love’ meant or what it looked like, she loved you. to her, you were the very definition of that word.

hazel’s hopeless crush started in the 1st grade. it wasn’t some cute interaction where one of you saved the other from a bully or something. it was simple with the both of you. it always has been.

you came up to her during lunch and told her you would give her half of your sandwich if she agreed to be your friend.

“what kind of sandwich is it?” hazel asked, from her seat on the lunch table.

“peanut butter and strawberry jelly.”

“i’m allergic to strawberries.”.

“then don’t eat it and just be my friend.” you sat next to her without another word and the both of you left it like that. simple.

since then, she knew she would never escape you. and she never wanted to. but right now, she felt like if you didn’t stop talking to her about this date, her head would explode.

hazel watched you walk around your room, shuffling through your closet for an outfit to the movies with the girl who asked you out. she never bothered remembering the girl’s name because she thinks it would the whole situation worse for her. she didn’t want to know anything about that girl.

“...and she said we’ll get ice cream later which i hope-” hazel interrupted you.

“hey, i think i should get home. my mom’s probably wondering where i am and shit, so… i’ll see you later.” hazel wanted to get away as soon as possible. not from you but from the giddiness she could practically feel radiating off your body at the thought of your date.

“oh.. i thought you told your mom that you were going to study at my place after classes?” you questioned. hazel’s quiet behavior didn’t go unnoticed by you. she was always quiet but after more than 10 years of friendship, you could tell which silences were good and which weren’t. this definitely wasn’t a good one.

“yeah well, we aren’t studying so. i’d better get going, bye.” she spoke in a flat tone, with her head down, as she grabbed her backpack and made her way out of your room.

you stood still, staring at the open door of your room and wondering if you had done something.

hazel walked into her house, red in the face and a vicious grip on the doorknob. she ran up to her room, and threw her backpack in a random corner, probably knocking her guitar down. but her guitar was the last thing on her mind.

she was pissed at you. mostly herself but you as well. she knew she had no right to be angry at you but how could you never see that hazel was right there. she was right in front of you, waiting for you to even glance in her direction. it’s all she wanted. to be the one who makes you laugh, the one who you’d think of when you saw romantic tiktok slideshows, the one who took you out on rollerblading dates, the one who got to kiss you before dropping you off back to your house, the one who got to slide her hand up your skirt, the one who got to be in between your legs-

she groaned and loudly, flopping onto her bed and stuffing her face in her pillow. she needed to apologize before her stupid feelings ruined your friendship.

hazel had a plan. she was going to go to your house after your date and apologize. apologize for being a dick, apologize for falling in love with you, apologize for every and anything she could apologize for so that you wouldn't hate her. she expected you to yell at her or ask her what was wrong with her. what she didn't expect was you to be calling her phone, right now.

she pressed the green 'accept' button and put the phone up to her ear.

"haze.." she could hear you sniffling through the phone, "i-, uh, can i come over, please? my date- it just- it went horribly and i really want to see you. please." hazel felt her heart drop 10 stories.

"yeah, yeah, i'll come pick you up, angel, where are you?" she questioned.

"outside your house."

hazel ran down the stairs and opened her front door, to be met with your red eyes and puffy face.

you immediately wrapped your arms around hazel, burying your face in her chest. her hands went landed themselves in your hair, stroking it gently in an attempt to comfort.

hazel helped you into her room, setting you down on her bed.

"do you want to talk about it?" she asked softly.

"she- she, um, she stood me up." you could barely get a sentence out without hiccuping. hazel reached over to her nightstand and pulled out an unopened water bottle, unscrewing the cap and handed it to you.

you whispered a thank you and took a few sips. it was hazel's turn to speak now.

"fuck her," you give her a confused look, "oh no, not fuck her, don't do that, i meant that you should just forget about her. she obviously isn't the one for you if she stood you up, and there are so many other people in the world-"

"hazel."

"yes?"

you didn't waste anymore time. you grabbed hazel's face in your hands and crashed your lips into hers.

hazel was sure this was a dream. there was no way you were kissing her right now. she definitely fell asleep and she's imagining this whole thing.

while hazel was having her loser lesbian crisis, you noticed that the kiss wasn't being reciprocated.

'fuck.' you thought. you just ruined your closest and longest friendship. you pulled away from her.

"shit, haze, i didn't mean to do that, i'm not sure what i was thinking-" you started but were quickly shut up when hazel pulled you back in for another kiss.

relief flooded your body. she wanted this. both of you wanted this.

hazel felt you smile into the kiss and took that as her 'go ahead'. she tilted her head, deepening the kiss. shyly, she moved her hand from her lap to your waist. you moved one of your hands to the side of her neck and the other in her hair. you could practically feel her pulse beating rapidly under your palm.

hazel gained a newfound confidence and pushed you back onto her bed, slotting herself between your legs. her lips hovered over your neck before attacking your neck with sloppy kisses. her lips trailed down your neck, making sure to savor the taste of you. her lips met the fabric of your blouse.

"can i take this off, please?" she asked in a breathy manner, as if she had just ran a marathon. you nodded, at a loss for words.

“need to hear you say it, baby. need to know you want it just as bad as i do.” hazel wasn’t aware how raspy her voice was, as if she hadn’t drank water in days.

“take it off, haze, please. take it all off.” you whispered and caught her lips with yours while she lifted your top off your body. once she had your top thrown in a random corner in her room, she went straight for your pants, not even bothering to take her own clothes off.

“fuck, hazel,” you were breathless, “i want to see you, too.” you swallowed, gripping the beige button up she was wearing, hoping she knew what you meant.

“you will, princess, don’t worry. i just want to focus on you right now, okay?” you nodded, not fully sure what ‘focusing on you’ meant.

hazel had you in just your bra and underwear, her eyes scanned your body hungrily. if this was a dream, she prayed she remembered every single moment when she woke up. you were better than any fantasy she could conjure up on those lonely nights, when she couldn't think of anything but you.

you felt her strong gaze settle on your body and you felt self conscious thoughts take the forefront of your mind. you raised your hands over your body, starting to think hazel didn’t want you like you wanted her.

“hey,” hazel grabbed your hands and gently pushed them to your sides, “you have no idea how long i’ve wanted you like this. how many nights i’ve stayed up thinking about you.” hazel started kissing down your neck, making her way to your chest.

she pulled your bra down, not even bothering to fully unhook it before latching her tongue down onto your right nipple.

the wet feeling of her mouth made you cry aloud, completely forgetting her mom (and jeff, too, probably) were a few feet down the hall.

hazel lifted her mouth of your tit with a pop, moving her hand to squeeze it instead.

“i’d love to hear you, angel, but i need you to be quiet,” she feverishly pecked your lips, “just tonight, hm?” you murmured a response, more concerned with the ache between your thighs than anything else.

you guessed hazel read your mind or something, as she started moving down the bed towards the place on your body that needed the most attention. she looked up to you, as if asking once more, if this was what you really wanted.

“haze, please.” you whined. that was all the confirmation she needed. she slid your panties down slowly, watching a string of wetness connect your pussy and your underwear. hazel felt herself growing wet at the fact that she did this to you. it filled her with a new sense of confidence. she didn’t even wait for your panties to completely slip off your legs before diving in between your thighs.

your back arched off the bed the moment you felt hazel’s tongue make contact with your swollen bud. she slipped her wet muscle throughout your folds, desperate to catch every single drop of wetness she could.

“fuck, haze, feels really fucking good.” you moaned and brought your hand to the back of her head, gripping her hair between your fingers in ecstasy.

she hummed in response to the praise you were giving her, sending vibrations throughout your core that nearly made you choke. hazel continued to suck on your clit, holding your thighs apart with her hands hooked under your knees. she slid her face side to side with her tongue flat against your pussy, moving your clit with just the right amount of pressure.

you felt a pressure building in your lower belly and tried to move hazel’s face closer to your mound to chase your release.

and she stopped.

you lifted your head from the pillow and stared at her kissing your thighs, before going to unbuckle her own pants.

“wait hazel,” you put your hands on top of her jean button, “can i?” you spoke so quietly, hazel barely caught what you were saying. she nodded her head, unsure of what else to do.

you gently unbuttoned her jeans before sliding them and her boxers down and allowing hazel to step out of them. you lifted her button up over her head and unclasped her bra, letting them fall onto the space on the floor next to her. she was in awe of you. you were so gentle to her and she would never believe she deserved it, even if you reminded her of it everyday for the rest of her life.

once she stood completely naked in front of you, you led her to lay down on bed, stomach facing up, before separating her legs and hooking one of your own over hers.

you looked at her face for any sign of discomfort, only to be met with the rapid rise and fall of hazel’s chest and her eyes shut in euphoria.

“hazel,” you caught her attention, she stared right at you, “keep your eyes on me.” you lowered yourself gently, placing your clit right on top of hers. both of you let out a sigh of relief at the feeling of your juices mixing with the others.

placing your hands on her stomach, you moved slowly, rocking your hips back and forth against hers. hazel struggled to keep her eyes open, getting lost in the pleasure you were giving her. she always thought of moments exactly like this and imagined it being a lot different. she imagined that she would be the one on top of you, taking charge and pulling orgasm after orgasm from you. but after feeling the movement of your hips against hers and the way your breasts bounced slightly when you would pick up your pace. hazel fought her hardest to keep her eyelids from drooping. she didn’t want to miss a single move you made.

you quickly found a steady rhythm and went faster, prompting hazel to cry out. you leaned down and caught her moans in a rough kiss.

the familiar coil in your belly seemed to get tighter and tighter. hazel must’ve noticed the way your hips started to rock faster and knew you were about to cum.

“c’mon, cum for me, baby. give it to me, i’m almost there too,” she started rambling as she felt her orgasm approach her as well, “keep going, just a bit faster, angel.” both of you fought to keep your moans from being heard from anyone else in the house.

“fuck hazel, i’m cumming, i-” you were cut off as your orgasm hit you in waves. warmth spread throughout your body, making your limbs weak and causing your legs to nearly give out.

you kept going, over stimulating yourself, trying to get hazel to reach her orgasm. by the looks of it, she was on the edge. her baby hairs stuck to her sweaty forehead, her face scrunched up in pleasure as her back arched into the air.

“fuck fuck fuck fuck-” she rambled as her orgasm washed over her, quickly quieted by your mouth capturing hers.

the both of you gently rode out your releases, breathless and sweaty. you carefully lifted yourself off of hazel and laid next to her on the bed.

“we should talk about this, you know.” hazel started.

“we will. in the morning, i promise. for now, i just want to be with you.” that seemed to be enough for hazel.

you draped your arm over her waist, pulling her closer to you. she tucked her head in the crook of your neck and the both of you drifted off to sleep.

#hazel callahan x reader #hazel callahan #hazel callahan imagine #hazel bottoms #hazel callahan fanfiction #hazel callahan smut #♡ ang’s anons

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felibrary · 5 months ago

Text

╭──╯ POUR THE ALCOHOL HEART OUT !

PAIRING: aventurine x reader

SYNOPSIS: they say love comes when you least expect it — does that also apply to former romantic relationships?; alternatively: in which a drunk aventurine gets dumped onto you by his colleagues for you to take care of.

wordcount: 4.3k (IM CRYING WHAT THE HELL) | content & warnings: consumption of alcohol/drunk aventurine, unestablished relationship (exes), angst if you squint, topaz is referred to here by jelena (her real name), reader is mentioned to wear jewelry, hints/implications of starvation/ed (?)- not eating, insecure!aventurine, kind of rushed and open ending - interpret it however you'd like :-) ; oneshot

tags: @azullumi (hi pookiemon who def wont read this also its 4:20 rn and I'm writing ur note before my synopsis. send help pls)

AUTHORS NOTE: someone praise me for the creative title :p and sorry that this took so long i'm currently experiencing writers block or whatever also just because this is long doesn't mean its good - don't get your hopes up too high 😭 if i said id like this, id be lying. but still that doesn't change the fact that id be crying if this flops..like all of my other recent works..

ding, ding, ding

the shrieking noise of your doorbell invades your ears, ringing continuously. it's annoying — unbearable even, and to worsen things you've been stuck in this predicament for the past 2 minutes now.

with your head buried in between your fuzzy cushions, you try to drown out the noise thus completely ignoring the way your phone buzzes on the nightstand next to you.

hopefully, your neighbors won't file a complaint about loud noise against you, but that's a problem for tomorrow. right now you're faced with a worse matter: making those who interrupted your sleep leave.

do these people not know what a peaceful slumber is? (apparently not when they have the time to pay you a visit during this time.)

almost as if your prayers were heard, the noise dies down and you sigh in relief. lazily you shift around in your bedsheets to be in a more comfortable position, nuzzling your head into the cool pillows once more.

but just when you think that the people have finally left, the agitating noise starts once again, and you have to stop yourself from letting out an irritated groan.

slowly you roll yourself out of the comfort of your bed. now sitting on the edge of your bed you’re contemplating; dwelling if you should really stand up now and open the door.

it could be a bunch of strangers, and who knows which danger will encounter you.

you let out a defeated sigh. whatever it may be, it can't be that bad. turning sideways you try to search for your phone, and upon finding it your lips curl up into a small triumphant smile.

your fingers hover over the buttons on the side before pressing a finger onto the power button. upon seeing the bright light you blink a bunch of times, lashes pressing against each other in a repetitive motion to get used to the light first.

(2) missed calls by an unknown caller ID +xxxxxx: mx. [name] please be so kind as to open the door. thank you. +xxxxxx: it’s urgent, please. +xxxxxx: would you be so kind as to do us this favor, for his and our sake?

a bunch of notifications light up on your screen but you decide to ignore them. instead, you use your phone as a flashlight to guide you through the dark of your apartment.

who in the right mind decides to ring your doorbell at this time? and who in the right mind chooses to open the door despite the possible dangers? (you.)

despite the door serving as a separation between your apartment and the hallway, you can clearly hear two people bickering outside your apartment door.

“..ritas, hold him tighter. you're letting him fall,” the voice belongs to a woman, and she seems to be concerned about someone, that's the most you can tell.

“i am not. it's not that dark to tell that that is clearly your arm which is slipping from his body,” this time a man speaks up. his voice is hoarse and stern as he corrects the woman.

well, this is going to be fun. you take a deep breath before opening the door, let's just hope for the best.

as you open the door, you're met with two unfamiliar faces.

amidst the dimly lit hallway stands a woman with white hair and a red streak on her bangs. her eyes look like shards of crystals that have been puzzled together, simply magnificent.

next to her stands a tall man, his golden eyes are hidden beneath his dark bangs which stick to his forehead, nevertheless, the warm light that radiates from the pair of honey-colored eyes shines through the depths of the night.

and squished in between them is someone else. hanging from above the ceiling there are a few lamps that adorn the hallway. the warm light that they shed lands upon the back of the person's head making their golden hair look like a shiny coin that swims amidst the ocean.

from the clothes and their silhouette, you'd figure that they're a man, however, you can't be sure due to their face being hidden.

so many questions race through your mind, who are these people? do they know what time it is? and what are they doing in front of your door?

but the only thing you can utter at this moment is a curt and groggy: “sorry, how can i help you?”

an apologetic smile finds its way onto the woman's lips, and this time you're able to take a proper look at her.

there are dark circles surrounding her colourful eyes and you can only wonder why she's up so late when instead she should be getting well-deserved sleep.

“apologies, how rude of us to not introduce ourselves. you can call me to- jelena. and next to me is doctor veritas ratio,”

the man she tilts her head towards only nods in acknowledgment which you can only return. “well, it's nice to meet you, jelena and veritas. is there something you need from me?”

both names feel familiar to your ears as if you've heard them once or twice before, although you're not sure where you've heard them.

“and, that in the middle might be who?” your eyes drift over the person whose arms are draped around the backs of topaz and veritas.

“that's exactly why we're here,” hearing veritas’ voice makes you look up in surprise. “we're aventurine’s colleagues and we brought him here for you to take care of him,”

this has to be some sort of dream if not a nightmare at worst.

you're completely awake now, with furrowed eyebrows and an awkward smile on your lips you stare at the person — well aventurine as you now know, in utter disbelief.

the only thing you're able to choke out at this very moment is a strained. “i’m sorry?”

“you've heard me the first time, i don't like repeating myself — you're supposed to take care of that guy of a nuisance here.” veritas nudges aventurine’s shoulder to make his point clear.

your ex and his colleagues standing in front of your door at maybe like two am in the morning had to be some sort of torture-like fever dream.

“no, with all due respect: no.” you quickly mutter with gritted teeth before trying to slam the door shut as soon as possible.

jelena, on the other hand, doesn't seem to be a fan of your idea and quickly puts her foot into the space between your door and the hallway as a way to stop you from closing the door.

“i..” she starts, but you notice the heavy side-eye she receives from veritas that makes it known that she's not the only one who's tired of aventurine and his shenanigans, and thus makes jelena quickly correct herself.

“well, we know that it's unbelievable — unbelievably stupid if you might even say so, but hear us out okay?” she pleads.

she's making it hard for you to say no, so the only thing you can do is lean against your doorframe and listen to her.

(what other choice do you even have when veritas is shooting burning stares right through you.)

jelena sighs embarrassedly. “aventurine invited us out to drink today, i’ve — no, we have found it suspicious and weird right off the bat, but he insisted and the tab was on him so it would've been rude not to go.”

“well, our instincts were right because he kept mourning and babbling our ears off about how he'd be drinking this glass of wine with you on your guys' anniversary today instead of this bar,” jelena begins before taking a small pause as if contemplating what to tell you next.

her eyes take the shape of crescent moons and she proceeds to press her lips into a strained smile before continuing. “it was kinda endearing to watch at the beginning but over time it became unbearable,” she murmured more to herself than to you.

you can only try to imagine the scene. aventurine with red-tinted ears and a flushed face babbling about how he misses you.

great, how dreamy.

veritas coughs to bring the attention to him, snapping you out of your thoughts “well, after that he fell flat onto the counter and we thought that he had suddenly fainted,” he adds. “until he then started whining about how he wanted to go home. so here we are.”

now you're just confused. now, why is he here again?

“how does home refer to my place now? his place is or at least was much bigger than mine,” you scoff skeptically before realizing that that have might come over as rude. “sorry, i’m just confused and don't see any connections here. also, how'd you know where i live oh, and my number?”

jelena mutters out a small it's fine and veritas only sighs. “so you see, we tried to drive him back to his place but when we arrived he started complaining that he wants to go home — you.”

“he started pulling out his phone and set your address on the GPS before demanding or well ordering us to drive him to your place,” he lets out an exasperated sigh upon explaining.

“as for your number, due to his phone still being on we went through his contact list and found you right on top — saved at his emergency contact. endearing, really, ” veritas remarks sarcastically.

you're surprised — pleasantly surprised. aventurine still thinks of you?

“correction: i was the one who drove.” jelena suddenly objected as she threw veritas a heavy side-eye.

“yes, but it's still us — we were the ones who brought him here and drove together to this place despite you being behind the wheel, jelena,” veritas scoffs.

“in whose car did he purge into? correct, mine. my whole car reeks of vomit now,” jelena shudders upon remembering the sight of aventurine throwing up.

“well yes but that doesn't change the fact tha-” veritas isn't able to finish his sentence, you stop him from doing so. interrupting his complaint with one of your own.

“okay, if bickering is the only thing the both of you came here for, i don't wanna hear it. i’ll take him in, but just for tonight, is that clear?” your offer is simple. you take care of aventurine and they stop their banter so you can continue sleeping.

it honestly benefits them more than it benefits you.

“a nice compromise which went easier than i thought.” jelena’s face lightens up with a triumphant smile. “we'll leave him in your care then.”

they dump aventurine onto you and he slightly topples before landing in your arms, head buried in the crook of your neck and arms tangled over your shoulders.

his warm breath fans over your neck and the close proximity makes you stiffen in place. it's not like you haven't felt this sensation before, but this time it's under different circumstances.

it's not the same as back then.

as soon as they leave aventurine in your care they bid their goodbye and leave.

aventurine’s flushed cheeks gleam pink in the warm light, his breath tickles the exposed skin on your collarbone which almost makes you drop him.

but your arms cling onto him. grip firm and steady as you claw your hands over his clothed back, steadily holding onto him as if scared that once you lose hold of him, he'll slip out of your grasp (once more.)

anxiety cowers at you like a child who's lost their parents and is helplessly seeking for them in a crowd of people.

hand scarily empty as its eyes sway through the sea of people, blurred faces who will never hold one’s hand like your parents once did.

despite meeting several people who could hold your hand, whisper sweet nothings into your ear — love you; teach you what love is.

his hand is the only one you'd wrap yours around, no matter the stains and scars it leaves.

you continue to cling to him — you always did.

well, this is certainly going to be a fun night to remember.

———————

golden rays of sunshine that beam with warmth seep through the curtains and proceed to bathe aventurine’s lying figure in the warm essence.

the sensation tickles his skin and he lets out a muffled groan, shutting his eyes several times before eventually indulging in the morning tenderness. slowly (and after many attempts) his lilac eyes are used to the brightness.

he’d be lying if he said that being engulfed in the luminous light wasn’t overwhelming — especially as someone who’s gotten it taken away early on and has only later been introduced to it once again.

(although the sparkle that once resided in his eyes was long gone, there was no longer a child whose eyes once glimmered in joy upon being caressed by the sunlight.)

being embraced by the warmth and its radiating light, he can’t help but feel like a trapped and helpless stage actor. one who despite fleeing and running away, continuously gets followed by the spotlight, thus standing in the limelight and having to perform a show for the people who are seated together in the rows below.

regardless of the people watching him, applauding for him, praising him, he feels utterly empty — empty and alone.

although there were people to assist him on stage, co-workers around him who offered help which he reluctantly also somewhat relived accepted.

the emptiness that houses within him remains.

(perhaps he has become so accustomed to the feeling of being alone that it has been a while since he’s ever felt lonely.)

as soon as his eyes have adjusted to the brightness of his surroundings, they widen in shock.

this surely must be a dream, right? he promised himself that he’d never return to this place despite longing to see it you again.

his eyes quickly flicker around the room in confusion. how’d he get here? this wasn’t his room or well it technically was. it’s the room he once shared with you.

it’s no wonder he’s slept this well.

his once sleepless nights which were haunted by nightmares and resulted in hourless sessions of just staring at his ceiling, eyes trailing after the fan as it spun around in circles until the chirping of the birds outside awakened him, turned into calm nights after moving together with you.

a cloud of nostalgia fogs his mind as he recalls how you never understood why he insisted on moving into your apartment despite his being much bigger. (he supposes his place never gave him that certain sense of belonging that he sought after.)

aventurine’s eyes dart through your room to search for any changes that might have occurred.

the books you always read before going to sleep (sometimes even reading him a snippet of the part where you’re currently at) are still messily stapled on your nightstand.

he smiles fondly before continuing his search, eyes wandering through the room and halting as he sees all the jewelry he’s bought for you, all tidily arranged on your vanity.

which contrasts with all the sticky notes that are loosely hanging off your mirror and the trinkets he's brought you from other planets that are messily splayed out on your desk.

his pink eyes pause as he catches sight of the chair next to the bed. his clothes that you “borrowed” (he always found it endearing how you walked around in his clothes as if you owned them — not like he minded) once and never gave back even after the breakup, sit neatly folded on the white chair next to your bed.

everything is kept in place and remains the same as before: the books, the trinkets, the jewelry, and well.

his eyes drift from the chair down to his body. you changed his clothes for him.

the uneasiness that lingers in his chest slightly melts away, slowly and torturously like wax dripping off a candle.

you didn’t throw the things he gifted you away.

aventurine slips out of the covers that were once his, the sheets slightly rustle and leave behind creases as he sits at the edge of your bed. with the amount of force that aventurine uses to press his elbows against his knees it almost feels like daggers piercing into his flesh, and with his head buried between the palms of his hands, he can only laugh — a mocking grin plasters itself on aventurine’s face.

it’s ridiculous, almost pathetic the way he’s relieved. he has no right to feel so after being the one who suggested the breakup.

he doesn’t even understand how he ended up here. jelena and veritas insisted on bringing him home, so why’s he here? everything from the former night is mushed up and blurry, he doesn’t recall the reason why he was brought here.

neither does he understand why you offered him a place to stay, he feels like a dirty pup shamelessly returning to its owner after choosing to abandon them.

aventurine sighs before slipping into the pair of clothes that have remained untouched in the past few minutes. the shirt is a bit bigger than expected and the pants hang loosely off his hips but the scent remained the same. from the moment he let you borrow his clothes to now, the present the smell is one he’s all too acquainted with — his own.

the only thing that he can picture at this moment is his clothes rotting in the depths of your closet, long forgotten as they get engulfed by the scent of your clothes.

his hands are hidden in the pockets of the pair of pants to conceal the way they’re trembling, fingers itching as they anxiously tap against his thigh.

he’s nothing but a coward.

he takes a deep breath before getting up, the goosebumps that prickle on his skin, the clenching of his teeth, and the constant urge to just storm out and leave now — they’re all suffocating him. gnawing at his skin like a rabid animal chewing the remaining flesh of a dead body.

as he enters the living room, his coat draped over the chair he’s standing in front of and you are the first things he spots.

(as if you haven’t occupied his mind the entire time whilst being away from you — there isn’t a single day in his entire life where he doesn’t mourn after people. it’s pathetic, really, the way nostalgia torments him, but he’s a man with nothing on his hands other than the scars of the past. so what other choice does he have?)

you look up from your phone, eyes flickering around the small room before landing on the end of the dining table but aventurine’s eyes are glued to the neatly wrapped flower bouquet lying in the middle of the desk, perfectly lying there on the white table cloth.

nausea bubbles in his stomach. have you already moved on? he shouldn’t care — he’s not supposed to care, but he can’t help it.

he exhales a breath he didn’t know he was holding in and a wave of relief washes over him, he snaps out of his thoughts and follows your gaze, and only then does he notice the plate of assorted fruits and the bowl of steaming soup, standing on your dining table.

as if noticing his hesitance you reluctantly speak up. “you don’t have to eat if you don’t want to, i won’t force you to,” the smile you give him is somewhat strained and the way your eyes quickly fly down his body doesn’t go unnoticed by him.

his eyes widen in surprise and his immediate response to that is to quickly seat himself on the chair. “no..it’s fine,” aventurine gulps. “no need to check me out either. i’ve always liked your homecooked meals a lot, no?” he chuckles as if trying to throw a joke into the room that’ll lift the tense mood that he’s created.

(he hopes that now his body is at least somehow concealed by the table so you won’t have to stare at him any longer. he’s not worth looking at.)

“thank you for the food,” he mumbles under his breath and if you hear it you don’t acknowledge it. aventurine stares down at the food, contemplating what to do. he picks up the metal spoon lying next to it and dips it into the soup.

breathe in, breathe out.

breathe in, breathe out — you’ll be fine.

aventurine continues to stir the soup inside the bowl, sometimes lifting its contents only to let it droop down into the soup again. “so, mind telling me what happened yesterday?”

your eyes lock from across the table and you give him a deadpan expression. “you seriously don’t remember?” the little smirk that quirks at your lips is contagious and he can’t help but smile a bit himself.

“well obviously not, when i’m asking,” he remarks back sarcastically.

he missed bickering with you. it felt so familiar, so nostalgic — so right.

you put your phone down on the table and start explaining. “well to put it short, your colleagues, jelena and veritas if i recall correctly, brought you here because you were drunk since you kept whining about wanting to go home and well considering me as your home.”

oh.

“right and as soon as i brought you into my place you purged all over your clothes and my floor” you quickly add. “but don’t worry i washed it for you, it’s behind you.”

“ah really? how rude of me,” he utters bashfully. “apologies then, as compensation, i’ll head home now and send some credits to your bank account although perhaps that might not be a good idea. seeing your partner’s ex (the word lies bitter on his tongue) still lurking around in their home and even sending them credits — that’d be shameless of me. apologies.”

you let out a small laugh that slightly lifts the uneasiness that has been resting on his shoulders. “aventurine, what are you even talking about?” although you seem to find fun in this, your voice is filled with confusion.

the metal spoon he has been firmly gripping for the past few minutes sags against the bowl as aventurine points at the flower bouquet sitting on the neat tablecloth. “the flowers,” he murmurs to himself more than to you.

“oh,” you laugh. “i bought them for myself,” you admit sheepishly before getting up to unwrap the bouquet, revealing a beautiful arrangement of colorful flowers.

you quickly scurry into the kitchen to fill up a vase with water before gracefully setting the flowers down into the now with water-filled vase. “they’re pretty, aren’t they?” you admire the flowers with a smile on your face. “very pretty indeed.” aventurine smiles as his gaze is focused on you.

only then as you rearrange the flowers, making sure that they won’t sag over the rim of the vase, he notices the ring you’re wearing. a promise ring.

aventurine blinks a few times to assure himself that he wasn’t dreaming, but he’d recognize this ring everywhere. how could he not when it’s the same ring that adorns his ring finger?

“is there any particular reason you kept the jewelry i gifted you?” his gaze drifts to the ring that is in full display and which is glowing under your living room light.

your eyes that were focusing on the flowers just now, suddenly look down to peek at the ring. “well, it’d be a shame to throw it away. it was expensive after all,” you express truthfully.

“but you also kept the sticky notes i wrote for you every morning in your room — you kept everything i gifted you. the pressed flower bookmarks, the shitty handmade bracelet, my clothes — everything,” he notes.

your response is nothing but short. “oh, uh yeah.”

why? he wants to ask but he knows that trying to force an answer out of you is no good, if you don’t want to respond you needn’t.

“i guess i missed having you around. the things you got me served me as a reminder that you're somehow still with me,” despite your admission being no louder than a whisper it clearly reaches aventurine’s ears.

but he’s in no position to tease you — he’s way too stunned for that, as if not being able to believe your words.

he feels like a small child who discovers that the fables and tales adults tell aren’t real, that those were made-up stories with made-up people which he so desperately tries to deny.

“i see,” he mumbles. “yeah,” you nod your head and look away.

the awkward silence that follows is unbearable — it’s killing him.

to know that you still think about him, he’d be lying if he said that he wasn’t at least the tiniest bit happy but he also knows that it’s ironic and that he shouldn’t feel like this.

as if you’re able to read his mind you snap him out of his thoughts with a mere question. “aventurine, what’s on your mind?”

“you always knew me too well for my own liking,” he chuckles in defeat, and in return, you can only smile.

“but, i suppose, i’m just..relieved?” he admits while staring down at the untouched soup that reflects his pleased expression.

“relieved about what exactly?” you ask curiously, head tilted to the side as you await his response. “relieved that i’m not the only one who thinks of the other,” he smiles, letting out a small sigh when doing so.

“so you were jealous or what?” you jokingly scoff. the smirk on your lips is mischievous, but your eyes deceive you. they’re soft as they stare down at him.

“don’t ask questions to which you already know the answers to.”

END NOTE: as yall can tell i seem to enjoy writing aventurine and alcohol together (ref. wyws & ttol) does the "a" in aventurine atp stand for angst or alcohol...(both) /lh

#—stellaronhvnters.#felis staple of books ⋆·˚ ༘ *#honkai star rail x reader #hsr x reader #aventurine x reader #honkai star rail fluff #aventurine fluff #hsr fluff #aventurine x you #hsr x you #honkai star rail x you #aventurine angst

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