#WHAT I AM SAYING IS TOMMY PLAYING A VILLAIN WOULD SLAY AND I KNOW THAT HE COULD DO IT SO WELL

[skellizo]

Rewatching some dsmp and other mcyt stuff and fuuuuuuuck if Tommy were to play a villain like role or something akin to his Patient Zero character I would be watching doesn’t matter what server but give Tommy the freedom to write a villain character and I know that he would hit that shit out of the park

[jbuffyangel]

It Ain't Nothing but a Family Thing: Arrow 7x17 Review (Inheritance)

“Inheritance” is equal parts necessary exposition and filler episode. Not quite sure how the writers accomplished that, but they did.

Let’s dig in…

Emiko and Oliver

Soooo… here’s the problem guys. I don’t really care about Emiko. The whole time I’m watching this plot line unfold I am thinking, “Couldn’t Thea have gone all evil?” 

Take a pause and give that a good think. How awesome would it have been for Thea to take a deep dive down the evil hole? It would have been amazing, which is why I loudly demanded it for the six years Willa Holland was on the show. 

Watching Oliver try to pull Thea away from the Ninth Circle would have been a good time.

Not so much with Replacement Thea. The problem is I just met Emiko this season. I understand that’s typically the case when it comes to Arrow villains, but I’m supposed to bond with her character as Oliver’s sister and then be horrified when she turns out to be a villain.

Arrow even tried to fast track my bonding by making Emiko into Oliver 2.0.  I’m not really seeing the individualism except for evil. Every week the writers were hanging a sign out that said, “SEE? SHE’S JUST LIKE OLIVER!” by mimicking previous OG Oliver Queen scenes. Just in case you missed any of the visual cues or copied verbatim scenes, the other characters are here to verbally proclaim Emiko is just like her brother. 

Eh… keep it. Unfortunately, none of this has accomplished Arrow’s intended goal which is for me to give a crap about Emiko.

It should be noted that when Arrow does the “SEE? SHE’S JUST LIKE OLIVER” with Mia or “SEE? HE’S JUST LIKE FELICITY!” with William (and vice versus) I love it. Yes, I am aware this is a double standard. Maybe it’s because the kids have more personality than cardboard. Sorry Emiko. Facts are facts. Maybe it’s because they are Olicity’s kids and therefore my investment is virtually guaranteed. I don’t know. I don’t care. It’s Season 7 and I’m gonna do me.

The only thing keeping me mildly entertained with Emiko is that she is evil. I’m not really interested in watching her be redeemed either. I know I know. The season theme is redemption, but come on! Someone has to burn in the fires of Hades for all eternity. It doesn’t mean anything if every character is redeemed.

Typically, I am down for Robert Queen flashbacks whenever possible, but in order to make this storyline work they had to turn Oliver’s father into a tremendous pile of stinking douchebag. Robert was always kind of a douchebag what with the whole killing a man by accident, lying about it and then getting embroiled in Merlyn’s plot to destroy half the city because of his guilt. 

But he had gravitas. The class of an elder statesman. Maybe it’s the silver hair and grumbly grandpa voice I pray Oliver Queen will have some day. Maybe it’s because he put a bullet in his head to save his son. Annnnd… also murdered someone else in the process. Alright. Robert was a douchebag, but he was a mildly noble douchebag and I love him okay? I DON’T KNOW WHY!

But the Robert Queen in “Inheritance” is a misogynistic, slimy, cheating, coward who kicks his mistress and love child out of the swanky apartment he was putting them up at and tells his daughter, “Life isn’t fair. We don’t always get what we want.” Wow. 

That’s a great way to create a villain, Robert. Watch Batman or Star Wars or ANY HERO STORY EVER and learn fool.

Emiko worked hard to get her father’s approval or acknowledgement of her existence to the world. She wanted to run Queen Consolidated, but nope that’s a man’s job sweetie. Oliver Queen and his penis, which was whoring its way through Starling City at the time, are destined for CEO.  Emiko takes Robert’s misogyny in stride and simply asks him to back a company of her own, but he balks at that too. This is the last straw in a very long line of straws.

Unfortunately, Emiko doesn’t tell her father where to stick it and cut off all contact. No, that would be reasonable. Instead, she decides to go super villain on him. She impresses Dante after stealing from him and he agrees to train her. Emiko vacillates between being a Queen and joining the Ninth Circle for years, but the final brush off from Robert is the tipping point. She decides Dante is right and the Ninth Circle is her real family.

Oliver follows Emiko after Bl*ck S*ren warns she may not be playing for the home team and he sees her with Dante. Oliver confronts Emiko and she sings some song and dance about not knowing who the real Dante was when she signed up with him. Now she’s trapped. It works. Oliver buys it hook line and sinker, because blindly ignoring blatant warning signs is what he does when it comes to the Queen family.

He smartens up once he figures out Emiko sabotaged Felicity’s Archer program to protect Dante’s location. DO NOT MESS WITH THE WIFEY’S TOYS. 

Oliver and Emiko face off in a fight that’s a lot about her ponytail. It had a life of its own.

Sadly, this is one of the worst fights I’ve seen in Arrow’s history. I really hope Sea Shimooka isn’t taking acting tips from KC, because it sure looks like it. 

WHO IS SHE LOOKING AT? I’m not putting all the blame at her feet. Stephen upped his cheese factor about ten notches too. The whole scene felt awkward, choppy and forced.

Source: smoakmonster 

Diggle sits Oliver down for a much needed Yoda talk. John warns him not to be so invested in Emiko’s redemption that he ignores the threat she poses. Ah yes, the evil sibling plot line also happened in Season 4 with Diggle and Andy. 

Yeesh, alright it’s time for this show to end. John’s need to save his brother ultimately cost L*urel her life and he doesn’t want Oliver to make the same mistake. 

It’s time you left yourself off the hook on that one, Diggle. 

It was all win from where I sat, so stop being so hard on yourself.

UGH.  I tell the man to be Jesus and then he starts acting like Jesus!!! The nerve. Oliver, being a fully realized superhero doesn’t mean you save EVERYONE. Jesus didn’t save every – never mind. The point is, after seven seasons, now the pine tree listens to me? He could’ve popped the question in Season 3 and I’d be on my way to a second set of triplets, but nooooo.

Oliver wants to redeem Emiko because then it means he’s redeemed the family in some way. 

Source: olivergifs 

Why isn’t enough that you’ve redeemed yourself Oliver? You’re a Queen. You count. Yes, you were a massive douchebag once upon a time, but you stopped sleeping with Lance sisters (thank God), fell in love with sunshine, and embraced monogamy & commitment like the squishy teddy bear with abs we always knew you were. You also fight for the city, save lives, and cook your pregnant wife yummy veggies to munch on. You’re evolved dude. Cut yourself a break. And Thea isn’t exactly the Mistress of Satan. She’s off saving the world too. Two out of three ain’t bad.

This whole “Right my wrongs” needs clarification. First it was the list, but it morphed into saving the Glades. Then Tommy died and things kind of snowballed. So, how many wrongs are we talking Bobby? Let’s get specific. We’ve only got 15 episodes left. Did you sell Iran nuclear weapons? Use Moira’s toothbrush and not tell her? Steal candy from babies? Are there a dozen more Robert Queen kiddos intent on world destruction? 

Time is a wasting. I have a spin off coming and it needs to not be about your bullshit man.

Team Arrow ultimately foils Emiko’s plan. Well… kind of. They miss one drone, but no worries! It was just a demonstration. They’re worried about the next time, when it’s not a demonstration, but I was more focused on the few extra tidbits delivered in the final moments of the episode

Not only does Emiko choose the Ninth Circle, she is their leader.

She is also targeting the Archer program, which means nothing good for Oliver, Felicity and their children. Despite, my frustrations with Emiko’s character I am glad they are tying this all back to Robert and the Queens. Family is where this story began and it’s where it should end. 

Dante gave Emiko a gift when she was struggling between being a Queen or joining the Ninth Circle. It was the most hilariously unrealistic looking invoice from Merlyn Global, but it showed the location of the bombs on the Queen’s Gambit. Emiko knew about Merlyn’s plan and she could have saved her father’s life if she simply passed on the information at their meeting. But he rejected her once more, so Emiko sent Robert to his death and unknowingly condemned her brother to five years of hell. Damn.

What Emiko doesn’t realize is that by keeping quiet about the bombs on the Queen’s Gambit she helped set her brother on a path to become someone who can stop her. In the immortal words of Leo McGarry, “ "It ain't nothing but a family thing.”

Felicity Smoak

Source: felicitysmoakgifs

Felicity wins Walter White. 

This is something many fans have been saying for years, including yours truly, so I am quite happy the writers agree.  

Felicity continues to slay at all three, but a key part to “having it all” is knowing when you need help. Felicity asks her friend Alena to join the company as CTO.  Look how excited this human rainbow is. She melts my heart.  

Source:  felicittysqueen

Unfortunately, I don’t really trust Alena. Yes, I know she’s helped Felicity in the past, but I still feel uneasy about her. Perhaps that distrust is unnecessary and her interactions with Felicity will continue to be adorable and on the up and up. But Archer is corrupted somehow in the future and I’m keeping an eye on Alena in present day.

Concerns aside, I did have myself a petty little cackle. Technically speaking, Felicity had a built in CTO for Smoak Tech on Team Arrow – Curtis Holt. Instead, the writers ship him off to D.C. and bring in Alena who, shady or not, is far preferable to Curtis. I just didn’t think Beth would agree with me. She’s like friggin Santa Claus.

The biggest issue I had with the spinal technology was it didn’t really connect to the Team Arrow storyline. A character feels isolated on their own show whenever that happens. My concern was Felicity’s great individual storyline was going to cut her off from the action. 

The genius of this season, and the retooling of Felicity’s company, is the writers have found a way to weave it in with the vigilante storyline. Smoak Tech no longer feels like an island they are placing Felicity on, but rather it permeates almost every facet of the show – both past and present. This means Felicity permeates every facet of the show.

Last, but certainly not least, Felicity continues to be a bad ass wife as she manages more Queen family drama.  The man is an Adonis who cooks, but oy does he come with family baggage. At least, Oliver’s reaction to this type of drama is predictable and Felicity doesn’t miss a beat.

When he comes back from the field empty handed Felicity knows immediately how to make him smile.

Source: olicitygifs

She tells Oliver he’s hot. That’s it. That’s how Felicity cheers him up.

He compartmentalizes and hyper focuses on stopping Emiko, but Felicity tells Oliver to take a beat and process. 

Source: olicitygifs

Of course, Oliver ignores her and becomes frustrated with the team when they aren’t moving fast enough. So, Felicity tells him to cool it. 

He ignores her AGAIN, but at least we are blessed with this glorious response. 

Source: oliverxfelicity

Where has this gif been for the last seven years? If Oliver is going to be a stubborn ass then at the very least his wife is going to drag him for it with some patented Felicity Smoak snark.

I think Felicity and Diggle have a system for deciding who talks to Oliver. Maybe it depends on circumstance. Diggle seems like the obvious choice because he had an evil sibling too. Maybe they rock paper scissors. Whatever the system, it was Diggle talking down their boy this week. 

We did, however, get some quality husband and wife crime fighting team work. YOUR OTP WOULD NEVER.

Source: olivergifs

After a long day of supporting her husband, incubating their child and stopping criminals, Felicity returns to the loft to work on Archer with Alena. And this was a light Felicity Smoak episode. Damn. Queen of DCTV is right.

Sweet holy Moses, how are we going to do ten episodes without her? 

I love Oliver Queen. He is my favorite character, but I think we can all agree Felicity Smoak makes him infinitely more tolerable. Oliver can be stubborn, grumpy pine tree left to his own devices. Hopefully, he’s evolved enough that all of Felicity’s hard work doesn’t go down the tubes the moment they are separated. He is supposed to be Jesus now. I think Slabside is evidence it won’t, but ten episodes without Felicity Smoak feels like a daunting task. It feels like climbing a mountain...

only to get stabbed in the chest and chucked off the edge once we reach the top.

Bl*ck S*ren

BS decides to follow Emiko and gets spliced with an arrow because she sucks at covert ops. 

Source:  nyssaalghl

She goes to Olicity’s apartment to speak to Felicity about her Emiko suspicions, but unfortunately the wifey isn’t home. Bl*ck S*ren turns to leave when she realizes the only person available to discuss her suspicions with is Oliver. I believe there's 0% chance of L*urel falling in love with Oliver and 99.99% chance she's already in love with Felicity.

Not to be outdone, Oliver offers to bandage up her bleeding wound. He takes out antibiotic and gauze and SETS. IT. ON. THE. KITCHEN. COUNTER. 

It’s a very large kitchen counter too, so it creates the wide berth these two require to stand being in a room together.  

 Source:  nyssaalghl 

We’ve gone from main love interest to stay on your side of the room. I died. 

I don’t know how we got here family, but we’re here and it’s fabulous. 

The writers are more anti L*uriver than I am, which is an impressive level of hate - if I’m being honest.

I need to put on a sweater whenever Stephen and KC film a scene because brr it’s cold! 

The L*uriver fans expecting sexy bandage time must have been deeply disappointed. Or at least the two fans left were deeply disappointed.

Of course, Oliver doesn’t believe BS because duh. My dog could’ve called that one. He tells her to mind her own business and pretty much kicks her out the apartment. Obviously, L*urel is right about Emiko, but Oliver telling her to shove it never gets old under any circumstances.

Then Dinah accuses her of murdering a witness 

Source:  nyssaalghl 

and L&urel is righteously indignant.

Of course, L*urel is right. It’s not like she has ever murdered before. Why on earth would anyone ever think that? 

Dinah even has the nerve to bring up her dead boyfriend again. She really needs to let this Vince thing go because L*urel played lawyer for the last seven months and helped get Oliver out of a jail. See? All better.

BS is redeemed now, so Dinah really needs to stop bitching. Arrow is my life tutor, so following that same logic I’m going to murder a baby and then buy a puppy because it will even the cosmic balance. 

The best moment is when Emiko releases images of Savior of the World L*urel L*nce meeting with Ricardo Diaz. 

Source:  nyssaalghl 

It’s going to be pretty tough for BS to keep up the pretense she is law abiding, justice yielding District Attorney L&urel L*nce when she’s hanging out with one of Star City’s most notorious criminals.  I take it back. Emiko is awesome.

Of course, I’m not delusional enough to believe Arrow is going to give BS an arc that actually qualifies as redemptive. Helping Felicity was a good start, but it doesn’t wipe the slate clean for me. Not by a long shot. Neither does being a fake lawyer. I would like to see L*urel pay for her crimes the same way Oliver paid for his by going to PRISON, but I doubt the writers will give me that much Christmas. I am very curious to see how “Lost Canary” shakes out. That said, I have very little doubt BS will betray her one true love.

Stray Thoughts

“Which doesn’t mean she’s bad.” I told you Olicity wouldn’t care Emiko killed Diaz. They brought the marshmallows to his bonfire party.

“On your own.” Stephen read that line super diva and it cracked me up.

“Being a father is more than just blood.” I hate to agree with a villain but damn he’s right.

Every time Felicity touches her stomach I happy clap. Source: olicitygifs

L*urel’s shoulder pads have to be stopped. Just say no wardrobe department.

Forcing me to go without this adorableness for an additional ten episodes is not oka. I’ll go through Felicity Smoak withdrawal which is hazardous.  Source: ebett

Does Emiko visiting her father’s grave make a damn bit of sense now that we know she played a role in his death? Nope. Didn’t think so.

Disclaimer: Any gifs on the blog are not mine. If you would like a gif removed from my reviews, please message me. 7x17 gifs credited.

If you’d like to support the blog, please buy me a cup of tea!

[paperclipninja]

Younger post-ep ramble 6x09

After the very public outing of Liza’s real age last week, it was no surprise that this week’s Younger episode, ‘Millennial’s Next Top Model’, was all about the fallout. In true Younger style we were treated to some unexpected twists and turns, saw Kelsey take control at work and in her personal life and welcomed back my #1 mega-villain who I hate-love fiercely, Quinn Tyler.  This ep was written by Grant Sloss, who is responsible for a number of my favourite episodes and lot of my fave moments in the series and one thing I am always blown away by is his ability to craft character interactions in which the sentiment and emotion are really palpable (plus the one-liners are always top of the game) and we certainly saw a number of those this week.  Even though Liza is 100% responsible for the position she now finds herself in, my heart went out to her this whole episode and Kelsey, Charles and Diana’s show of solidarity right from the get-go pretty much sums up everything I love about this show. 

I need to say upfront that while I know this episode is all about Liza, it is hands down my favourite episode of Kelsey’s in the series. In a time of real pressure and stress, we see Kelsey step up in the role of publisher, starting with the damage control team meeting in her office. I have big feelings about this opening moment, in which Diana proves why she is an actual Queen who rises above past grievances and now offers unwavering support of Liza while continuing to have zero time for Zane’s bullshit (the ‘well mercifully they have a paywall now’ to Zane’s New York Magazine tidbit was all of the yes). We learn of the deal with Infinitely 21 (was it just me or did anyone else get heart flutters at the thought of Kelsey, Diana and Liza being their brilliant selves and brokering that arrangement? Just me? Cool) and I have spoken of my love for the way this show parodies real life things but this might take the cake. Alexa, what are synonyms for ‘forever’? I just adore that it is very clear that Kelsey is in charge and that Charles and Diana are offering up potential solutions (Diana’s ‘rest her a bit’ is so in character I cannot. Between that and Charles’ thoroughbred thighs from season 4 I fully expect her to have a couple of horses upstate somewhere called Charles and Liza by the end of this series), meanwhile Zane clearly still hasn’t caught on to the fact that these three are not going to throw Liza under a bus.

Enter Liza as he’s ending his tirade about her poisoning the company (and lbh, what he is saying isn’t actually ridiculous from a business p.o.v but he’s talking about the best friend, girlfriend and (old) maid of honour of the people in the room) and it’s awkward af and pretty awful and I want to climb through my screen, wrap Liza in a blanket and tell her it’s all going to be ok. Zane’s extreme over-estimation of his importance in Liza’s life continues when he tells her that what he’s saying can’t be personal because ‘I don’t know who you are’ (worth it for Charles’ ‘Zane’ reprimand though amirite) and as I said after last week’s episode, I can’t even count on one hand the number of interactions Zane and Liza have had so yes Zane, that is accurate and nothing to do with her age reveal. At least once he discovered that Kelsey has known about the lie he FINALLY has a reason to be hurt (maybe? Still a little fuzzy on this one) and look Zane saying they’re all insane might be somewhat accurate but everyone in that room loves Liza and I love all of them so I felt personally attacked tbh.

Keeping with the stellar guest star casting this season, Shelly Rozansky (played by Annaleigh Ashford) is every kind of irritating as brand rep of Infinitely 21. Kelsey and Liza’s meeting with her, in which Shelly explains that 'the tea’ is that their authentic brand cannot be associated with Millennial’s inauthentic one (I love the moral high ground re: brand but I’m pretty sure Millennial doesn’t have factory workers making less than a living wage so…) and this very real ramification of Liza’s lie paves the way for one of Liza’s best moments on the show to date.

Taking that tea of Shelly’s and throwing it in her face, Liza’s monologue that 'everyone is pretending to be younger’ reaches it’s climax with the zinger, 'Millennial is not an age, it’s an attitude and if you can’t sell that, we’ll go somewhere else’, and Kelsey’s look of pride, same girl SAME. One thing I have commented on in the past is that as a '26 year old’ Liza rarely, if ever, really stood up for herself. The few times we’ve seen her do so have been as the forty year old who takes no crap from anyone (David, Charles, Don) so I am here times a million for strong ass Liza to finally shed that guilt, know her worth and be able to show this side of herself now that the lie is no longer in play (I feel like Diana will dig this very much).

Turns out Shelly was quite into Liza’s feisty outburst too ('what you screamed at me today, justifiably, we’re still friends promise…it resonated’ = award winning line/delivery combo), as she calls to let Liza know they’re going to unfreeze the partnership and asks Liza to be the face (and legs) of Infinitely 21’s Spring campaign. This phone call takes place in a very delicious looking cupcake shop where Liza and Charles are playing cards with his daughters in an all round delightful family situation that gives us a glimpse of the Miller-Brooks dynamic and makes the point that after a pretty terrible day, Liza is grateful to have this in her life to counter all the drama. I am also pleased to see that Bianca and Nicole have been located (meanwhile Caitlin, Beth and all of Josh’s friends remain stuck in the Upside Down or have become bunker people or something equally ominous I fear).

I am very into a number of aspects of this entire scene: a) Charles eating candy just up and gets me for some reason. I don’t know why, I can’t explain it, but it’s akin to seeing him walking round barefoot, it confuses my brain but I’m pretty sure I like it; b) Bianca is clearly the fave child with her cute little, 'I won’t take your last bag of candy Liza’ (lol at Charles’ 'wow’ when Liza offers that up for the taking btw, he knows that’s a serious gamble) though I was 100% Nicole as a kid; c) those kids are so not sleeping after all that sugar so I hope they’re staying at Pauline’s, while Charles’ dad game is strong with the breakfast cupcakes and; d) Charles kissing Liza on the cheek as she takes Shelly’s call is so damn sweet (pun intended) and supportive and I love that Liza suggesting he go stand with the girls in case she starts crying again indicates she has been an open mess around him. It’s writing like this that I really appreciate when there is so much to fit into an episode, because it provides insight into the kind of relationship Liza and Charles have when there simply isn’t time to show it.

While Liza is drowning her sorrows in candy and cupcakes, Maggie is at the brilliantly cringy art exhibit, 'Masculinity Detox: A Softer Male Gaze’. Look I have to be honest, I was really happy to see Oded Fehr because he can play a skeeze with charm like no other, but I don’t know how I feel about this entire plot. I can only comment on it from a straight perspective, so I am aware that I’m not really in a position to express an opinion in relation to the impact of showing a gay character thinking it’s a good idea to sample a penis every ten years or so, but I certainly feel like it’s problematic. In relation to this character though, it is consistent with Maggie sleeping with Tommy Minetti (and his sister Tammy) as a result of Berlin’s 'Take my Breath Away’ (I don’t know why I remember that, I can’t remember what month it is yet this stuff is right there) and there is no denying that there were actual sparks between Maggie and Rafael in the loft, the palpable chemistry that Grant Sloss’ eps seem to draw out on full display. 

Another dimension of Maggie that I love seeing emerge in this ep is that while she is usually a total badass in absolute control, every now and then we see that her judgement of character is just way off. There was Montana, those weirdo art collectors who actually collect artists and now this guy. I love that there’s a side of her that gets a bit blinded by flattery so she thinks 'what the hell?’ and the inevitable 'oh I CAN-NOT with this bullshit’ that follows, usually very publicly - Exhibit A: Maggie countering dirtbag Rafael’s, 'I’ll change you mind, I’m a flipper’ with a literal flip of the restaurant table once she realises she was simply another conquest. She seems so unflappable that these reminders that she’s fallible (I legit sometimes forget she’s not an actual super hero) are really great and maintains the 'flawed human’ aspect this show does so well. Honestly, other than Liza in a full tracksuit (sweat clothes?? I don’t know what it is in American but that cute pink sweat top and sweatpants combo) thinking they were being robbed and very confused by what had happened (so were we all lbh and Kinsey 9 LOL), it was Maggie equating sex with a man to being suffocated by a damp rug that was the highlight of this entire storyline for me. So damn funny.

Diana continues to have Liza’s back as she heads to the photo-shoot to steer her away from anything pleather (I may need a spin off of these two or some kind of one off special episode that’s just an elaborate Diana/Liza adventure, maybe rescuing Caitlin and co. from the bunker??), but not before we catch Kelsey still slaying it as a boss as she leaves a voicemail for the increasingly petulant Zane. Hearing her so firm and sure of herself is brilliant and the friendship vibe between Diana and Kelsey is peaking and I am loving every bit of it. I am so glad we heard Diana asking Kelsey how she took the lie, while Diana was able to forgive and move forward it would have been strange if we didn’t see her still processing some of it this week. Plus it’s Diana who points out that Zane’s tantrum is not because Liza is who he is upset with (and THANK YOU Kelsey for pointing out that Liza and Zane hardly know each other). 

Rather than letting the whole Zane thing fester away, Kelsey continues to impressively show initiative by going to Zane’s and offering to cook dinner (which Zane knows is a lol and it’s not long before he’s cooking, so well played Kels) to give him the opportunity to ask anything he wants and she will answer honestly. Once a proper explanation of why Liza lied and why Kelsey kept it from him is given, Zane suddenly reverts back to being a rational human being which is a relief because he was fast becoming the worst (though his comment that they were all bad liars, what now?? Yes they be cray but their lying game is strong friend). I am not particularly invested in Kelsey and Zane as a pairing but I always appreciate good storytelling and writing, and revisiting the fact Zane told her he loved her in past tense was an example of both of these. In order for any kind of relationship between these two to progress believably this needed to be addressed and hearing Kelsey call Zane out on his shitty and manipulative behaviour was great, but even greater was seeing Kelsey drop her guard.

Opening up about being mad at herself too and that maybe if they were both more open about their feelings they wouldn’t have wasted so much time denying how they really felt; that she felt, no, feels, the same way, present tense; the resetting of the timer so she can finish what she was going to say instead of taking the option of backing out; the honest conversation…you know what all this is? Growth. Kelsey Lorraine Peters, I am just so damn proud of you because I am the first to admit that I was not sure this character could be redeemed for me after last season but here we are. The emotion for this whole scene, you could feel it and Zane’s, 'oh that timer was for food’ was fab, before he just casually drops in, ’ I love you, but stay out of my kitchen’. OK.  Smitten mode activated.

Meanwhile, Diana is no doubt enjoying Shelly’s disbelief that she and Liza are almost the same age about as much as a root canal and Lauren appears with a 'bowflex for your face’ to combat the 5 o'clock jowls. Side note: Lauren and Liza really need to have a convo asap because I definitely feel like Lauren is not ok with the lie since it’s been revealed. Scene of the ep goes to Charles walking into the trailer (with flowers for Liza *swoon*) while Diana is flapping that contraption, before he slowly backs away and I tell you, I was howling so hard I almost ruptured something. Liza’s hideous romper/scooter combo is just no on many levels, she clearly feels super unnatural and the photographer snapping Charles and Liza, who are not expecting to be photographed while her being made up to look so young obviously makes them look very far apart in age and a bit awks means that yes, the daddy/daughter dance vibe is strong, though that line made me vom in my mouth a little bit.

Between shoots our extremely excellent villain Quinn pays Liza a visit to show her support and her well-polling glasses. Her real talk that the good news about the publishing reaction to Liza’s lie is that 'eight blocks outside of midtown, nobody cares’, is what we were all thinking and is def to be filed under 'G’ for Gold. So naturally Quinn drags her into a completely self-serving NY1 interview (bless Liza for thinking they wanted to interview her) and I freaking love Quinn, she’s such a delicious character coz she’s awful and funny and pretty and a total smart ass. I stan.

Before we jump to the second part of the photo-shoot I have to say that the very obvious ploy to try and juxtapose Liza’s relationships with Charles and Josh felt like it was trying too hard and was mostly disappointing to me because it felt so forced. I want to be very clear that it has nothing to do with who I like Liza with romantically, it would have felt contrived regardless and was the only aspect of the episode that I felt could have been crafted with a little more nuance. Or maybe that was the point? Perhaps the obviousness was part of the humour of it *shrug emoji* 

Either way, Liza is looking pretty exhausted when Josh turns up at the bar photo-shoot for reasons (whose name I am betting is Lauren Heller because there is no way he would just turn up and it is 100% in her wheelhouse to send him along after seeing the expressions on her face at the earlier shoot. I feel like this will def come out at some point and that really this whole shoot is serving to bring about stuff in future eps) and he doesn’t get to explain why he is there because he’s teasing Liza about being a model and I really do love their banter. Shelly has no idea what’s happening but she likes it and is thirsting pretty hard as she shakes his hand and I enjoyed hearing Liza talk about Josh as patient zero, her 'would you correct him?’ as she squeezed his cheeks made me smile. I know there have been a LOT of feelings about this scene expressed on social media, but I found the reminiscing, as Josh talked about how when he first met Liza he thought she was smart and sexy and he wanted to keep talking to her, really sweet (and quickly countered by his joking about being really drunk and it being dark).  

I actually love this dynamic so much and if this show had moved these two properly into the friendzone I would be celebrating this as a pin-up example of how to show romantic-platonic relationship transition. I still may, because at this stage there is nothing to indicate that Liza is anything but committed to Charles and Josh gave no impression of pining for her IMO, but as an experienced TV connoisseur (aka obsessive tv show watcher) I am not naive enough to think that this interaction mightn’t be setting in motion a resurgence of the triangle. By the same token, I do not see any triangle in play at the moment and one thing this show does excel at is surprising us, so time will tell, but I am going to keep my faith in the writers to tell good, compelling stories that stay true to all the excellent characters and narratives they have in front of them, as they have done up until now.

While Liza’s colleagues aren’t going to throw her under a bus, Quinn is not only more than happy to, I’m pretty sure she’d drive the bus herself if it served her own self interest.  Quinn saying that she found out about Liza’s lie the week before in The New Yorker article, ooomph, did you feel that? It was the wind being knocked out of all of us, along with poor Liza, as Quinn counters Liza’s suggestion that she knew the truth before she invested on live TV. It was evident fairly quickly that Quinn was using the interview as a campaign platform and Liza’s expression as Quinn betrays her so publicly is yet another credit to Sutton Foster’s incredible talent.

My Kelsey love was brought home this week when she met Quinn following the NY1 interview. She is unrelenting in her backing of Liza and unwavering in her stance to Quinn when she is asks her to fire Liza. From the moment she arrives Kelsey is so kick ass, she sees every one of Quinn’s attempts to bully her into getting what she wants and Kelsey’s, 'please don’t minimise the strength I bring to this meeting’ was such a hell yes moment. There is something so satisfying about seeing Quinn in a position where she needs something from Kelsey and Kelsey standing so firm. Kelsey’s 'are we done here?’ before walking away was such a power move and the transition into her own office the next day, with Charles reassuring her that she did the right thing, was wonderful. Seeing these two as equals, talking business with a bit of a mentor/mentee dynamic is a dream. It was on my season 6 wish list and I can’t wait to see more of it.

It is upon discovering that Audrey Colbert’s manuscript delivery cheque bounced and that Diana just heard one of the Jennifer’s, the sloppy one from publicity (this line, I swear and also I need to meet her), say her direct deposit didn’t go through that we discover Quinn has thrown the ultimate tantrum and pulled her funding and Mercurennial is broke.

Poor Liza feels that it’s all her fault, I’m sure partly because of the way her colleagues turn and look at her when she walks in the office and partly because it is, but Charles continues to play the role of ultimate supportive partner as they stroll down the street after work, pointing out that Liza attracted Quinn to the company in the first place (and we ALL know it was not the company she was attracted to). I am simple folk and Charles saying he’s spoken for as he put his arm around her made me melt into a puddle and if anyone is feeling concerned about Liza’s level of besotted, watch this final scene as Charles reassures her that, 'you know what’s great about the worst thing happening? There’s no place to go but up. Only good things ahead’. I may have actually died from the sweetness of the entire thing and Liza does exactly what any self respecting person would in that situation and kisses him before they walk off hand in hand. To live happily ever after…jokes LOL I mean it’s television and it turns out Infinitely 21 has the most efficient marketing team on the planet because their campaign is launched and whattya know, it looks as though Liza and her ex will be plastered all over the city. 

File under 'O’ for OF COURSE.