#WHAT COULDVE BEEN if we got a sequel.
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grimbeak · 7 months ago
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going to eat peter hyams alive just watched 2010
#i. you. you cant.#i expected it to be not as good as 2001 and it was so much worse than i thought it would be#like yeah. kubrick burned most of the og material bc he was kinky like that. and they did a rly good job recreating it#and adding new things#but in terms of dialogue. cinematography. soundtrack???#genuinely. how did you fuck it up THAT bad.#i went in with a low bar and they dug to the center of the earth with it#at least we got reqium and thus spoke zarathustra. dunno what i wouldve done without them#you could have TRIED to make more than like. a singular symbolic shot#kubrick was an abusive dickhead but by god. he made a good fucking movie#he burned things in fear that anyone making sequels would fuck it up. and then he let you make a sequel. and you fucked it up.#like it didn't have to be great! for hyams to have had 4+ major roles in the creating of it he was prbly already taking on a lot of stress#but jesus fucking christ the dialogue and the shots sounds and looks like EVERY OTHER FUCKING ACTION MOVIE#YOU CANT MAKE A SEQUEL IF YOU ARENT GOING TO AT LEAST TRY TO FUCKING IMITATE THE ORIGINAL#like you could have TRIED to imitate it and not done a great job and i would have been so much happier!! you couldve tried!!!!#for the love of god could you have at least given me a correct shot of hal!!!#ive read the wikis for the sequel novels looking forward to reading 2010#bc ik they got the plot right. but. that was pretty much the one thing they got right.#also shoutout to keir dullea for somehow looking the same 16 years later. how the helld you do that#hold on rereading the wiki. wdym some of the characters were whitewashed. wdym max and curnow were bisexual and dated.#that. that better be true istg#ANYWAY.#i have to stop. otherwise i'll keep going.
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mutant-mayhem · 2 years ago
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ive seen a lot of people on here complain about rise fans complaining about mm. more than ive actually seen rise fans complaining about mm actually (but it might just be a twitter/tiktok thing which im not on) i need yall to understand that us rise fans (on tumblr at least) are not mad at mm a lot of us ar already huge fans including me (i mean if-if uou really couldn’t tell) were mad AT *NICKELODEON.* nickelodeon is giving mm really good merch and a lot of attention and marketing where as compared to rise It Just Did Not Give A Shit. mm already has sequels and short films green lit and probably more all for a movie that hasnt come out yet while rottmnt didnt even get to finish its second season. whats happening to mm *IS A GOOD THING* i am so so so so sooooo glad that nickelodeon is trying to get mm to succeed but it really goes to show how much they just didnt give a shit about rise.
ALSO mm is not the reason rise got cancelled. there are a lot of factors mostly poor toy sells (which is primarily nickelodeons fault surprise surprise) but NICKELODEON CAN AND HAS BEEN ABLE TO HANDLE TURTLES ON TV AND TURTLES IN THEATERS AT THE SAME TIME. the bay movies were released alongside the 2012 show and both of those had SO much marketing they were impossible to escape. in fact this is the first time a theatrical tmnt film is being released without a series to go along with it (90s movies had 87 and 07 had 03) and that series couldve been rise. i think a lot of people already know this. a lot of us know we are living in the bad timeline. somewhere out there is a timeline where we have rise on tv and mm in theaters and both get tons of attention from nickelodeon and i mourn the loss of it tbh
it isnt rise vs mutant mayhem. its tmnt vs the corporate hellscape that is nickelodeon
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moon-199x · 5 months ago
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the reason i feel like i and many other people did not enjoy homestuck^2 pre-james roachy creative union new team bs is because alot of before was ideas being setup so much from the end of homestuck and even the epilogues as rough as they were and it expanded upon none of it. ult dirk couldve been some kind of miguel o hara save the multiverse type and davekat kan transmasc roxy crew couldve been the ones to stop him from doint so. “who let you play god” type story ygwim. candy couldve taken SO many angles. what if god tiers were forced to be underground like some kind of incredibles type beat where they could prove themselves. even evil jane as out of character as some might claim had SOME sort of potential. being the head of a new world order while some characters take angles in the war like some kind of civil war shit couldve been cool! but none of that actually happened. instead we got monologuing ult dirk and jane who for some reason wants to kick the puppygirl. homestuck proper and for damn sure the epilogues had their problems but one of the reasons its so beloved is because it tries so many different ideas. a sequel story to that has so many concepts you can throw at the wall and itd be nice. pre hiatus return homestuck 2 was characters who stood in a circle and exposition dumped for 400 pages until a different team came in and wrote an actual plot outline
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wolvertooth · 3 months ago
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can you plz hate rant about the deadpool & wolverine movie… saw it last week and i didn’t like it all… very refreshing to see that someone shares my opinion lmao
i got u man👍 most of this was in my drafts from after the movie came out, but i just never got around to posting it. i added some other opinions ive had since then, tho theres still a lot ive said over the past month that ive totally forgotten about lol
the intro sequence was fucking HYPE‼️ but then, part way thru the movie, u realize....it doesnt ever hit that same mark again. WHERE TF WAS THE HUGH JACKMAN SONG THEY PROMISED? the trailers showed 95% xmen origins clips. the movie didnt mention it once. no the brothers line doesnt count. false fucking advertising. deadpools sexuality has been confirmed since 2014. and now, 10 years later, its still being reduced to gay jokes. and people still eat it up like its genuine rep.
that guy at the tva who’s whole punchline was that he likes men. why. in 2024. why is that allowed. his whole character was a gay joke. i mean so was deadpool, but this guys whole thing was. That. can i say homophobia? can i say i felt that? is that reasonable? this movie felt like a fundraiser for the future avengers movies to make up for all the recent flops.
i watched this shit twice and yea. i was right. the plot was half assed. once u watch it once, thats it. thats the fun. its all just cameos. the jokes didnt even make me laugh again, since it was majority shock based humor. my second watch thru i was trying not to fall asleep in my chair. the way it lacks plot isnt in the Not Coherent kind of way, but rather 'this couldve been a 40 minute monster of the week episode'....or maybe even a 2 episodes if they wanted to get freaky with it it just felt so separate from the rest of the movies, like it wasnt even a sequel.
literally, the movie begins with them abandoning the previous timeline and wade moving to a new ‘better’ one.....almost like hes moving over to a more sacred timeline.........separate from fox.........which is dumb af cuz the movie couldve been him accepting that whatever happens in ur life u cant go back and change, and u have to make due with the good u already have. the previous movie ended with him having a family, he didnt need a new one. i mean, they did that for logans 'learning moment', why wouldnt that also apply to wade? paradox literally says ‘hey we brought u in cuz the mcu is dying, so u should come over to the sacred timeline’ and then after he changes into his costume THEY CHANGE THE PLOT. THEY THROW THAT OUT. WITHIN MINUTES. now paradox is like ‘actually just your timeline is dying, and i wont elaborate on how that works. and also u dont get to go to the sacred timeline. and i hate you.’ WHY BRING HIM THERE AT ALL THEN IF THATS THE PLOT U CHANGED IT TO? ITS DOESNT MAKE SENSE. even if the plot was that he had to go to the sacred timeline cuz his own was dying, WHY WOULDNT HE BE ABLE TO BRING HIS FRIENDS?
what was the vanessa plot? they never explain why she broke up with him? theres like a tiny flashback where she says hes been distracted ever since he got rejected, rejected from what? clearly not the avengers, since that happens after she leaves him. so wtf was the motive here????? the cameos felt like props. especially the deadpool corps, which i feel like they didnt even skim a wiki article for. they just went off google images. which hurt me. cuz i reallyyyyy like those guys....in the comics, theyre a group of deadpools(consisting of lady deadpool, kidpool, headpool, dogpool, and deadpool), who in their first series save the multiverse from being destroyed(sound familiar?). theyre the GOOD GUYS. why tf would they hear cassandra nova say ‘hey im gonna kill the entire multiverse’ and go ‘alright sure whatever’. why were they in the void to begin with? how’d they get there? isnt the void just for movie continuities anyway? why was cassandra also there? how does the void work? why does the void exist? will someone please explain literally anything in this movie? why not have them come in later to save the fucking day instead??
oh lady deadpool...how they massacred ur character... OH KIDPOOL.....HOW THEY MASSACRED UR CHARACTER...... god speaking of that. cassandra nova had literally so much potential and they watered her down to just Evil Villain. she hasnt done much in the comics, but one the things she did in one them was using her powers for therapy on the xmen(which deadpool also made a cameo in). she sort of does this briefly in that one scene, but it was just so.....basic. bland. why was there no b plot with the rest of the main cast. did they think the audience doesnt watch these movies for them? cuz i sure fucking do. i was waiting for the continuation of colossus and wades epic romance arc. side note, the gay jokes in the previous movies felt even less queerbaity then these ones. this movies queerbaiting was just....sad. marketing queerbaiting. this movie WISHES it couldve been deadpool 2 levels of queerbait(shoutout to the extended sex mimicking scene set to In Your Eyes by Peter Gabriel)
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did anyone catch at the end when deadpool was narrating and when he said ‘friends’ yukio and negasonic teenage warhead were on screen. did anyone see that. they disney gal paled them.
i know wade is supposed to be the Funny Guy but man. thats literally all he was this movie. the other ones has ANGST they had him be HUMAN while this one was like 'logan was mean to me one time ):' bro. what happened. where'd the writers go.
this wolverine was like. the wolverine 2014 wolverine. which is when fox wolverine started to lose character and just become grumpy and mean. hes also like that in Logan 2017, but the reason why this kinda attitude works in that one is bcuz hes old, hes fucked up, hes tired, and every fuck that comes outta his mouth he means it. and yet....still manages to experience other emotions. what a concept. ive read literal satire comics that understood his character more(shoutout to the What The--?! series). it just had me waiting for the 'gotcha! this wolverine is actually 3 dimensional!' but it never fucking got there. it was amusing in the beginning, but by like half way in, i did not give a single fuck about this guy. they tried to give him some emotional moment(like. the only emotional moment in the entire film) but it just...lacked the emotion. just 'heres my sad backstory. are u sad now?' and then they did the SAME THING AGAIN no we get it man u were at the bar instead of with ur friends and u went on a classic wolverine style berserker rage. why should we care tho?
i mean, sure, they could use the excuse of being in the type of depressive state where ur emotions numb out(speaking as a mfer with the came curse), and yea hes not the kinda guy to open up about his emotions unless he really trusts someone(which he would likely distance himself from forming connections with others after that kind of trauma), but with cassandra nova right there there was a missed opportunity for elaborating on that. for digging deep into his brain and telling why this fucked him up so bad. imo, if i were to write it, with everyone he gets close to he puts upon the expectation for himself that hes at fault for anything that happens to them. that he needs to be the savior, even in a friendship. to prove himself to be worth something. especially after a life of being convinced hes a burden by just existing as himself, he needs to have use in order to make up for the fact that hes Logan.
but whos going to save him? isnt he struggling too? whos gonna help you? looking at all the other logans across the multiverse, who is the wolverine? why do you keep falling for the same patterns no matter where you are and who you are? deadpool called sabretooth queen and she/her'd logan within like 5 seconds of eachother. that was pretty good ig
final verdict:
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yknow. i think i get now the way fans reacted the way they did tho.
the other night i was rewatching the movie Hackers with my mom, saying that it was obvious the creators mustve known a lot about hacking in order to do such a good parody of it, out of love for the craft….but my knowledge of hacking is pretty minimal, so i have no actual fucking clue if that assumption is accurate or not. im just going off of a ton of references to hacking. for all i know, real hackers couldve hated this movie.
and thats how the average non comic fan saw this movie. they saw a buncha characters and references and thought ‘damn, they must really love the source material’ without knowing how much of a kick in the face it felt like to watch them get used and butchered like that.
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madnesswithmadhu · 4 months ago
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chat the madagascar/ahkj hyperfix is coming back so here are MY HOT, ULTIMATE TAKES🔥🔥🔥🔥🔥 (also I might remember things wrong so pls correct me if I do!!)
AS MUCH AS LITTLE ME LOVED THE 3RD MADAGASCAR MOVIE, I JUST HATE IT LORE WISE. LIKE CHANEL DUBOIS WAS ICONIC THO BUT THEY COULDVE MADE HER LIKE A POACHER AND LET THEM STAY IN THE WILD LIKE... WHY DID THE CIRCUS HAVE TO BE BROUGHT IN??? AND DONT GET ME STARTED ON THE WHOLE LOVE INTEREST THING (THAT CHEETAH GIRL, FORGOR HER NAME SORRY, AND THAT BEAR WHO'S NAME WAS SONYA I THINK IDK THATS HOW UNREMEMARBLE THEY WERE TO ME) LIKE IN MY OPINION THAT CHEETAH GIRL WAS JUST THERE FOR ALEX BC "OOOH LOVE INTEREST" WHICH SUCKS TBH BC SHE COULDVE BEEN COOL, BUT THEY KINDA DID WITH HER WHAT THEY DID WITH CLOVER AT THE END OF AHKJ, PURELY EXISTING FOR MALE CHARACTERS.
SPEAKING OF RHE 3RD MOVIE (I HAVE IMMENSE BEEF WITH IT SORRY) WTF WAS THAT SCENE WHERE MAURICE SMILED WHEN RHEY ALL THOUGHT JULIEN DIED??? LIKE HUH?...WHAT ABOUT TRUE BROMANCE?... I, MAURICE??? LIKE HUH. AND IT WASNT EVEN ONE OF THOSE MOMENTS WHERE ITS LIKE THEY SMILE FIRST FROM SHOCK AND THEN FREAK OUT BC THE CREATOR **CONFIRMED** IT WAS SUPPOSED TO BE THAT MAURICE WAS HAPPY HE DIED LIKE NO???? THOSE TWO ARE LIKE AN OLD MARRIED COUPLE WHO BICKER BUT STILL LOVE EACHOTHER AND ARE JUST GRUMPY MOST OF THE TIME
I WISH WE COULDVE GOTTEN A MOVIE THAT FOCUSED ON THE LEMURS/MAYBE ANOTHER SERIES THATS ABOUT THE LEMUR TRIO RETURNING TO MADAGASCAR AND TRYING TO FIX EVERYTHING THAT WENT WRONG WHEN THEY WERE GONE, OR THEY COULD ACTUALLY EXPAND MORE ON THE WHOLE TRAVELLING CIRCUS IDEA WHICH COULD MAKE IT MORE INTERESTING
ALSO CLOVER IS A LESBIAN. SORRY NOT SORRY LIKE THE LEMUR TRIO LITERALLY THOUGHT SHE WAS GONNA MARRY A WOMAN, AND FOUND NO PROBLEM WITH IT, LIKE SHE DOESNT LIKE SAGE, SHE LIKES THE IDEA OF HIM BC SHE LOOKS LIKE THE GUY FROM HER NOVELS!!!!!! (Need someone to draw the lemur trio+maybe like Ted or whatever going to the mountain lemur kingdom and playing "good luck, babe!" From Chappel Roan to try and knock her out of the comphet. OR ILL DRAW IT MYSELF IDK)
WHY ARE WE OVERLOOKING MAURICE'S LORE?... LIKE SURE MORT'S LORE IS CWAZY BUT MAURICE IS LITERALLY LIKE A GOD TO A BUNCH OF SNAILS???? LIKE NO ONE HAS DEEPENED INTO THAT LORE AND IT MAKES ME SAD LOWKEY, NOT ONLY CUZ HES MY FAV AND HE IS TERIBBLY UNDERRATED SINCE PPL WANNA FOCUS ON KJ AND MORT MORE, BUT HE GENUINELY HAS LORE THAT IS SO INSANE, LIKE HE LOST BOTH HIS BIO PARENTS AND HIS ADOPTIVE PARENTS DUE TO FOOSSA'S; HE GOT BULLIED AS A KID; HE IS A IMMENSE PPL'S PLEASER; ETC ETC. LIKE HE'S SO COOL IM NOT BEING BIASED CUZ HES MY FAVE PLS
OVERALL: DREAMWORKS STOP MAKING FEMALE CHARACTERS ONLY EXIST FOR MALE ONES AND MAKE GOOD SEQUELS/PREQUELS THAT DONT CONTRADICT ONE ANOTHER
THE MFS WHO MADE RHAT JULIEN ASSASIN JOKE IS DEAD TO ME TBH
PLS MAKE ANOTHER MADAGASCAR MEDIA SO THE FANDOM REVIVES
#SAVECLOVERFROMHERCOMPHET
PLS STOP IGNORING MAURICE, HE IS SILLY IN HIS OWN WAYS AND DOESNT HAVE TO HAVE A WEIRD KINK AROUND ANOTHER CHARACTER TO BE POPULAR, BC HE IS JUST AS OVER-THE-TOP AS THE OTHER CHARACTERS JUST IN HIS OWN WAY PLS😞😞
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yknow, a lot of people say that they wish SJM had just invented a new character to be Rhys' love interest for the Acotar sequel or paired him off with Nesta or something, but I actually think she shouldve gone further and just made Feyre get with a different high lord every book. Just imagine:
ACOTAR 1: Feyre/Tamlin, Feyre recovers from her childhood trauma but then oopsie, UTM happens and now shes got a bunch of new trauma oh noooooo
ACOTAR 2: Feyre/Rhysand, Feyre recovers from her UTM and also learns about feminism and how to fight good, I would prefer if instead of ignoring the part Rhysand played in her trauma like in canon, they actually leaned into it and made it so that Feyre reconciling with Rhysand and even falling for him was somehow symbolic for her reconciling with her UTM trauma
ACOTAR 3: Feyre/Tarquin, Feyre learns how to politics and maybe she learns about the injustices that the common faeries have to deal with as well, maybe there couldve been some seeds planted for this in ACOTAR 2 with the illyrians but she was too busy wth her trauma to deal with it at that point, but now shes ready
ACOTAR 4: Feyre/Eris, Feyre helps Eris with his political machinations culminating with her helping him kill his dad and become high lord, and its kind of a foil to the previous book where Feyre was doing like normal politics with a good guy but now shes doing fucked up and evil politics with a morally gray guy. Also, i havent met Eris yet but I do know that hes racist in canon so maybe we could have a subplot where Feyre helps him with that idk. helps him get over his racism i mean, not helps him to be more racist
I dont know enough about the other guys yet to come up with potential plots for their books, but in my perfect world they would all definitely get one
The final book would be Feyre getting together with one of the super powerful non-court fae like one of those freaks who lives in the middle like the weaver or something, except it has to be one of the male freaks because its a SJM book and we cant have a queer MC. So I guess that limits our selection to Koschei maybe? I actually dont know anything about that guy other than he exists, is he hot? cuz if hes not hot then we can strike him out imo. Then theres that demon-god that sent Nesta a horny vision in ACOSF I think his name was Lanthys, and I know for a fact that hes conventionally attractive so thats our first candidate. I actually quite like the idea of Feyre getting with Suriel and the way that would work is that it would be this reoccurring character that appears atleast once in each book when Feyre needs some information and she goes to catch it, and at the start of this last book shes just broken up with her latest high lord and shes like "that suriel has helped me so many times, I should do something kind for it" so she does that and theres this very fairytale-esque moment where it turns out this is the first time someone showed it a genuine act of selfless kindness to the suriel, and that causes it to transform into a really hot guy. And then Feyre and the Suriel start their grand romance
Also, I just realized if we wanted to keep with the theme of Feyre falling in love with a powerful fae* from a specific court, the capital p Prison island is described as almost being like its own court, so maybe Feyre could get with the Bone Carver which would be great because he can transform into like, the hottest of hot guys if he wanted to
So yeah, thats my pitch for an alternate ACOTAR Series. Would it be good? No. Would it be fun? Yeah, I think so. Certainly more fun than the series we currently have where we mostly just hang out in the same boring city with the same annoying guys
*the bone carver isnt a fae but you get what i mean
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strangerhands · 1 year ago
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10 fandoms/10 characters/10 tags
waaaaaa omg thank you for the tag em 🫶 @runa-falls!! its been 800 years since i got to do a tag game (and make my own post for once..) so thanks! this actually made me happy but also a little "oh shit. people know i exist..?" i also made this post unnecessarily long but its me so whats new
ummm its all. only. oscar. not sorry (a little sorry)
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1. marc spector + steven grant + jake lockley, moon knight-my absolute beloveds. moon knight is so special to me. the boys are so special to me. theres really nowhere near enough i could say here about them but if you get it, you get it. its also what got me into oscar (even though i discovered immediately that he was in annihilation and x-men: apocalypse WHICH I WATCHED YEARS AGO GODDAMMIT)
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2. robbie paulson, law and order: criminal intent-listen. hes my girlfriend. my babygirl. my love. my sweet boy. the one plaguing damn near every Thot. most niche character here. wish he was real. wish there was more content of him out there but good god if fran (@/midgardian-witch, who also made that gif) hasnt been holding it downnnnnnn. bless.
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3. poe dameron, star wars sequel trilogy-beautiful brave sweet husband who would maybe drive me a bit insane irl but in a good way (mostly) i wanna protect him. (also the only star wars films ive seen sorryyyyy sorry. yes it was for him. and adam driver.)
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4. miguel o'hara, spider-man: into the spider-verse + spider-man: across the spider-verse-ohhh you beeg grumpy beautiful man. he would not like me. bite me pls (also still my two favourite movies oat.) craving some milk and cake suddenly... (his hair wings..<3)
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5. cecil dennis, revenge for jolly!-pathetic little dirty alley cat man my beloved. my little princess. also my babygirl girlfriend little guy loser boy. (AND THE CURLSSSSSSS. AND SAD COW EYES.)
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6. nathan bateman, ex machina-asshole who i unfortunately love. we would not get along irl but thats what fics are for!!!! he would make me cry. (but what if i could fix him..) i have a soft spot for him...
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7. llewyn davis, inside llewyn davis-sad beautiful talented man. you can crash at my place any day. i would let him leech off of me idec lemme help you baby. i could show you what love is. (the curls and outfits...... i Crave.)
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8. santiago garcia, triple frontier-woof. this guy. damn. yeah. sorry santi but i wanna bite your knees
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9. blue jones, sucker punch-literally. asshole piece of shit but good god. whore. so slutty and beautiful and PATHETIC. i would let him be mean to me and then cry in private. but also put him in his place. its complicated. (whoever did his eyeliner and club wardrobe in that movie... i owe you my life. thank you. thank you. you deserve everything. thank you.)
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10. mikael boghosian, the promise-oh. sweet beautiful intimate lover man. THAT scene... absolutely killed me. THAT SHOULDVE BEEN MEEEEE. i need him. (i am taking this moment to remind yall of the titty bite. yea. not sorry. youre welcome.)
honestly i couldve put nearly all of oscars characters but alas.
no pressure tags, hope none of you mind! i know this is very sudden and unexpected from me. only tagged some mutuals so its not 10 :p sorryy (sorry if youve been tagged already)
@my-secret-shame @saturn-rings-writes @spacecowboyhotch @villainsoftheweek @f4nrir @kouichijo @mugensword
again, no pressure to do this. hope everyone tagged is doing well! i havent interacted with some of yall in a long time<3
all gif credits go to their respective creators! i have no idea if tumblr automatically shows who made them or not, so sorry if it doesnt.
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sothischickshe · 2 years ago
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7, 24 and 28 for the writing ask 🤗
Thank youuuu 😘😘😘
7. Your favourite ao3 tag.
Mm, Beth boland/rhea?
24. Thoughts on flashbacks/flashforwards.
My first thought is how the conceit's been abused by shows like damages and how to get away with murder, so my second thought is: NO!!!! 🤬❌❌❌
I'm quite certain it's a device which can be used fine, even well, but they're frequently deployed in a cheap, lazy way to throw the audience off for the sake of it 🙄🙄🙄🙄 I'm also about ready to claim that society has moved beyond the need for samey in media res stuff 🙄
I don't mind a story that's told in parallel in two (or more!) timelines, but i think the story generally needs to be structured around that, rather than random occurrences thrown in.
Also, in writing, I tend to prefer that when it's eg a chapter in each timeline, & where the tone or other (writing!) style cues are different enough that the audience can distinguish btwn timelines without an abuse of italics.
I'm generally not a huge fan of random flashbacks in written stories if the whole isn't structured about them, it typically feels like the info couldve been conveyed otherwise eg the character remembering or retelling the events in the present 🤷🏼‍♀️
Overall, if not an overused trope (or two!), an oft poorly-done some
28. Any writing advice that works for you and you feel like sharing?
Hmm, I think the best writing advice, boring & cliché, as it may sound is:
Write! Start!!!!!! You don't have to have a plan initially, & you don't have to have an aim. The only way to learn is to try, and you cannot improve anything which doesn't exist!
You can fix, or at least improve, it later!! Move on!!!!! Just get something down
Most of writing is editing and/or planning actually, so whatever you can do to find joy in at least one of those processes is gonna be a boon. Try to identify in which of these you'd prefer to put the energy, if it's not ~equal, and hone from there!
Query all received wisdom. Having things in common with many other stories isn't necessarily a positive 🤷🏼‍♀️ experiment! have fun!!!!!!!!
Figure out how to write to your strengths! & figure out how to improve your weaknesses enough you don't find them distracting!!!
Try different formats!!!!!!!
Try varying up your simile language a bit, I swear there's more constructions than 'like a' & 'as the' 🙏
You can learn writing lessons from everywhere so pay attention!!! What phrasing did you like in that song, what storyline felt superfluous in that series, how was the theme conveyed clearly in that otherwise boring movie, why did what that actor said about their character resonate, what topic is often represented bizarrely in media which drives you nuts, what books felt overly moralising & thus annoyed you, how could your ideas have made a way better sequel than what we got &c &c &c
It doesn't matter if you can't do your idea justice -- do the best you can & you'll learn so you can take a better crack at whatever in the future!!!!!!
Clean prose is, to some extent, simple maths 🤷🏼‍♀️
Don't be boring
Write the things I wanna read lmao
Writing asks!
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wander-wren · 2 years ago
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THE POINT ABOUT SHIVER BEING A CASHGRAB THAT GOT DERAILED
i’m actually semi-qualified this time! i’ve done a lot of research into publishing, bc i want to Get Published, and i happen to have recently written a small essay on maggie stiefvater so i have info about how shiver came to be.
i also have a lot of anger. i will try to contain it. ahem. also i apologize to the person/people who made the cashgrab allegations originally, i am not mad at you so much as at the general world/attitude. patpat. we’re all good buddy
basically, i don’t think shiver was a cashgrab. i try not to have parasocial relationships with authors, but i do think maggie stiefvater is dedicated enough to authenticity to not, like, do that. specifically i remember reading this blog post about author-reader and reader-author responsibility.
everything i’m about to say, unless stated otherwise, comes from maggie’s interview on the First Draft podcast. i’m too lazy to track down links, but i’ll try to at least say where i got things from.
so, shiver is maggie’s third book. the first, she sold to a small publishing house for an advance that was around $2000 that’s small as fuck. the average advance is $25,000, the median is $50,000, and those numbers if memory serves come from a 2021 survey of debut authors.
(average and median, for people who are curious, are so far apart because most advances are on the smaller side, but big six and seven figure outliers affect the median. i think. i gave a speech on this but that was six months ago. i may be getting them backwards, the principle stands.)
so anyway, maggie sells her first book, ballad, buys a mattress, and keeps writing. she sells its sequel, lament, and also happens to have shiver ready at the same time. the house also wants shiver, so the two go together. ballad and lament both come out very quietly. shiver comes out about a year and a half later (i don’t know why, publishing is fickle), and immediately lands on the nyt bestseller list. this was august 2009. mstief couldve very well written it bc of the twilight paranormal romance boom, was probably writing it around 2005, 2006. lament was published january 2008, meaning both books had probably been bought in 2006 or 2007. but we don’t know what her thinking was.
small house, quiet releases, and none of the Peak twilight tropes. somehow i don’t think maggie was aiming for, or expecting, a cash grab.
and i hate this! i hate this assumption. not bc i think a very famous very successful author needs to be defended on tumblr, but because it’s such a common assumption that authors (especially ya, especially fantasy romance) are just out for money. it sucks.
first of all, publishing is almost impossible to make a living in. see those advances up there? they’re split into chunks. right now, usually quarters, each to be paid on a specific milestone of the publishing process. often, when the book comes out an author has not received all or even most of their advance payments. yes, that is stupid. we hate it too. and you can’t receive royalties until after the advance is paid, so that 25k or 50k or what-have-you may take two or three years to get to you. and then there’s taxes and a 15% cut for your agent. @xiranjayzhao (ohgod i’m so scared to tag you if you see this hii) has spoken before about how they could not live off the money from iron widow, despite it being a huge bestseller.
it’s very difficult to make a living off of books. it’s even more difficult to make a living off of books while being honest. people with ghostwriters or ai help or just a lot of determination can churn out dozens of crap romance novels and perhaps make that work. and that’s valid. yknow, i respect the hustle.
but quality and authenticity take time and this industry moves SO goddamn slow that even if you can write a sellable book in a month it’ll be two years before it comes out so what’s the point in writing to the current market?
i don’t care what you think privately about maggie stiefvater or shiver but i DO care that there’s this strange culture that if something is a little bit tropey or a little too much like something popular it has to be a cash grab. that authors are doing this for the money. some are. most aren’t.
maybe i’m just a bit sensitive bc i’m working towards hopefully the final round of edits on a book heavily inspired by six of crows and i agree wholeheartedly with the blog post i linked above. i’ve ranted before about how important authenticity in writing is to me and how much i hate the implication that i value quantity over quality or whatever the fuck.
so here’s a post that is probably too long with a whole lot of numbers to tell you that sometimes people are actually honest. and sometimes people do care about art for art’s sake. and if you don’t like a book, that’s okay, but at least dislike it for accurate reasons, thank you
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oh shoot your right!
I remember back when season 1 came out I got really excited when Curtain delivered his “she’s a psychic” line because it matched up really well with the canon that Curtain knew about psychics even before the Society came (Claire Li, anyone?) and it opened new potentials for season 2 having Curtain know Constance was a psychic from the get-go. I didn’t even realize though, how he never really brought it up again.
My first theory is that he simply considers Constance unable to help with the Happiness Revolution. In the books, his plans were pretty similar to one another. Book 1: Take over the world via Whisperer, Book 2: Take over the world via Whisperer and plants, Book 3: Take over the world via Whisperer 2.0 (Book 4 is kinda an outlier cause he just sits in jail but I think you get my point.) Constance abilities line up very well with that plan. In the show, however, we see him turn towards a more overt form of manipulation: The Happiness Technique. Since, from what we’ve seen, making someone “happy” requires physical hand gestures and vocal cues rather than the mental and subliminal warfare Constance is good at. He might’ve simply thought “Drat, it would have been helpful to know she was psychic before I abandoned my old plan, but it’s new plan time now” and left it there.
I don’t like that theory though, because as much as I love to make fun of Curtain, he is quite intelligent. I think it would be silly of him to not even consider the possibility of Constance being of use, especially since his old plan relied so heavily on using the unique abilities of children that they have purely because they are young. I’m quite certain he remembered Constance’s abilities, but didn’t take advantage of them because of his own pride…let me explain
Theory #2. I think one of the main differences between show!Curtain and book!Curtain is not just their two different plans, but their position after the first book. Book!Curtain is, though he wouldn’t want to admit it, pretty desperate. I mean, we all laugh at his progression from Book 1 to “heehoo, I live in a cave” but it’s pretty telling. Curtain has lost everything. He has to go off to live on Gods know where, chasing after some rare plant. Rather than relying on subtle manipulations, Curtain repeatedly turns to cheaper (but still effective) violence and threats to get his way because he has no leverage or standing to manipulate anyone.
On the other hand, show!Curtain actually kind of wins?? Like I can’t believe I didn’t realize this before, but show!Curtain basically accomplished book!Curtain’s plan. book!Curtain never wanted to mind control the population; he wanted to create the Emergency and then slowly alleviate the Emergency with the soothing power of the Whisperer so that he would get credit for saving the world and people would appoint him M.A.S.T.E.R. Now, show!Curtain loses the Whisperer, true, but he isn’t forced into hiding. He literally manipulated everyone into believing he solved the Emergency; HE DOES EXACTLY WHAT BOOK!CURTAIN WAS TRYING TO DO, HE COULDVE JUST KEPT GOING WITH THE OLD PLAN AND STILL TAKEN OVER THE WORLD IF HE HADN'T DECIDED TO RUN OFF AND FORM A CULT HES SO STUPID EVERYONE LOVED HIM HE HAD A BOOK DEAL AND WAS BEING INTERVIEWED ON TV GOOD LORD CURTAIN YOURE AN IDIOT WHY DIDNT YOU TAKE ADVANTAGE OF THAT???
Got a little side tracked there. What I’m trying to say is that show!Curtain is in a much less desperate place that book!Curtain is when their respective sequels begin. Without his Whisperer, book!Curtain has basically nothing besides some spies, well dressed henchmen, shiny shock gloves, Nicholas Benedict, and a very mentally unstable teenager (SQ my beloved). And while that’s nothing to scoff at, especially his spies in the government, his scheming has been severely limited compared to the freedoms he’s used to. He will take anything he can get, and thus has no qualms about using Constance if she can further his plans. show!Curtain without his Whisperer however, stills holds the public opinion, a llama, and a new and effective method of getting people to act how he wants. He is thriving, living his best life.
To be honest, I think both Curtains feel a little shame about needing a child to execute their plan. As much as they consider they children as proper enemies and clever, they still have stupendous egos and want everyone around them to see them as cool, collected genius with everything under control (this is perhaps one of the biggest similarities between the two versions. They mask in different ways, but they mask all the same) They would never admit they need a child’s help…up to a certain point. book!Curtain has reached that point in TPJ. His desperation for success outweighs any potential embarrassment. For show!Curtain however, everything is (mostly) going according to plan, so why on Earth would he need a child to help him? Do you know who he is? He is Dr. Curtain and he doesn’t need anyone’s help because he’s soooo smart and knows what’s best for everyone and yada yada.
I like to believe Theory #2, but deep down I have a secret faith in Theory 3 (which is much more boring, but also more realistic) and that is that Disney just straight up forgot Constance was a psychic and just did not consider it at all when writing Season 2 kinda like how they forgot the twins have narcolepsy
You know what I find fascinating? In the books, the *instant* Curtain learns about Constance's psychic powers, he immediately begins plotting how he can use her. He reacts with delight, exclaiming, "Oh, what a useful little girl you are! I had no idea!" On multiple occasions, he demonstrates his intent and capability to use Constance's powers for his own gain by making her "verify" that his threats are truthful (and that he intends to follow through on them).
When the Ten Men are chasing after the children, there is a higher value placed on Constance's head than the other three children: "She's the greatest catch, at any rate," in TPD, as well as McCracken in Riddle of Ages asking, "Does that frighten you, ducky? To know that you're important to us?" So important that he attempts to trade the safety of the rest of the children for Constance. (Whether he intended to follow through on that promise is another matter.) Point is - her powers make her useful, her powers make her valuable, and Book Curtain and the Ten Men do not hesitate to exploit this.
What's fascinating to me is that we see none of this in the show. The reveal that Constance is psychic is met not with a sick delight, but more with, "Ah, dammit, I should've *known* the tiny girl was psychic. Rats." And then the conversation moves on! Even though Curtain had more pressing issues to deal with at the moment - namely, the return of his long-lost brother - Curtain doesn't even follow this up in Season 2. At no point does he show intent to use Constance's powers to further his own aims somehow. He never instructs Jeffers to give Constance "special attention" in any way.
In fact, the only person we see kidnap Constance for her powers is Garrison - and I would argue that Garrison was less fascinated with Constance's abilities and more so tormented by the dilemma of repairing and perfecting the Whisperer. Constance was the one to destroy the Whisperer; therefore, she needed Constance to take the new and improved Whisperer for a test run, make sure it was failproof. Not necessarily because she wanted Constance's psychic powers to improve the Whisperer somehow. Her improvements were all her own, all science; she just needed a bear to test out the newest prototype of bear-proof packaging.
And I wonder what caused this change between the worlds in the way Constance is treated. Is it the changes made to Curtain's personality? Is it the fact that he has a child in this universe somehow? Is it because Constance was already under his Happiness control when he comes face to face with her in Season 2? (Although you'd think that he'd mention her powers on the phone to Jeffers if this was solely the reason.) Is it the fact that he's too focused on his brother? This seems unlikely to me, as Show Curtain seems to treat the children with a sort of respect as enemies in Season 2, despite the fact that they're eleven. He constantly glosses over the involvement of the adults to insist that Jeffers apprehend the children, so clearly they're important to him. But they're all equally important and threatening to him for their ability to somehow, inexplicably outwit him - not the fact that one of them has psychic powers.
Anyways, I'm not sure where I'm going with this, or if there's even a reason we can pinpoint for this difference. I just think it's a really interesting change and really serves to differentiate Show Curtain's character from the books.
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rassicas · 2 years ago
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do you have any guesses/confirmed stuff about the timeline of events in-game? for example, how much time passed in splat2 throughout the splatfests, when exactly the octo expansion happened compared to the splat 1 & 2 campaigns, etc. (sorry if this is a dumb question that's already known btw, like I've heard the amount of time that passes between games is the same in-universe but during the games...?)
Events within the game also generally follow real time as well. However, the exact placement of octo expansion and hero mode 2 on the timeline were intentionally left vague so that players wouldn't feel like they were missing out on crucial story stuff if they played octo expansion before hero mode. all that's really solid is that the events of splatoon 1's story happened before splatoon 2's, and splatoon 3's happening after all of that from a 2018 famitsu interview:
Amano: We had to create a gameplay system that was different from Hero Mode in a short time, so we had to make some decisions. Otherwise, there could be inconsistencies. For example, if Pearl mentions Octolings when she doesn't know what an Octoling is, it would be strange.
side-eyes NOA for inserting in octopus jokes in the stage dialogue which they then had to backpedal in octo expansion by making up a totally different reason for why pearl was shocked to learn marina was an octoling
Nogami: The events in Hero Mode and Octo Expansion take place on the same timeline. Therefore, the stories of Hero Mode and Octo Expansion don’t interfere with each other, and you can play either one first. However, with the release of Octo Expansion and the increase of Octolings in the city, the time in the world of Splatoon 2 has moved forward a bit. But if you haven't played Octo Expansion and are just looking at Inkopolis Square, you'll think, "Wow, there are a lot of new hairstyles.” The Inklings are so hedonistic that they don't even notice the coming of the Octolings (laughs).
on one hand i understand the reasoning behind the decision to not explicitly put the hero mode before octo expansion... but on the other hand i speculate that this choice is potentially what held back octo expansion's story. several early concepts for the DLC show that it was going to be that story about an octoling leaving the octarian domes, which is a story id imagine would really only work with prior knowledge of the other hero modes.
so basically based on following updates and changes in the inkling world in late 2018, we can assume the "canon" time of octo expansion was sometime around the DLCs launch, and hero mode 2 is just. somewhere.
With splatfests we can also assume it's real time, but with how different regions have different splatfests at the same time there's some haziness there lol
For my sanity I just assume the global splatfests are the most "canon" splatfests, and everything else is '????'
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unlimitedhorsepower · 2 years ago
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been rotating t&b2 cour2 in my mind like a 5D object...
i wanted to write more comprehensive post to air some of my grievances, and of course finally releasing my exclusive statement on my special beast ryan goldsmith.
however when i started to write this i realized i have a shitton of thoughts and could rewrite the entire cour if i really thought about it, so i actually mention most characters in this self-indulgent essay of mine and you can just skim through if you were interested in my thoughts.
i talk a lot of yuri here even if i went into this thinking that ive already talked about him enough, because he fascinates me...
anyhow, here they are, my more comprehensive thoughts under the cut because theyre not spoiler free:
this is unbearably long: ive bolded some key sentences that build up to something if youd like to skim it instead of reading it. i also suggest you using Ctrl+F to find mentions of characters you care about because ive literally mentioned every single character in this in some way and it genuinely is incredibly long and convoluted.
i talk about some characters way more because i wrote those parts earlier and felt more full of energy. i also talk a lot about ryan. perhaps even more than he deserves! but he is my favourite character, youve been warned. i didnt even mean to make him seem so important because hes not, lmfao.
ill say, it can definitely be a bit confusing if its not being read it order but like, meh... i guess it was also more important for me to get my thoughts out so that i can have other thoughts again.
this entire thing got away from me and at many points devolved to me not only ragging on t&b2 but extensively discussing my alternatives which couldve imo built the entire thing into something more worthwhile...
ive added like three screencaps to make it a little more exciting to scroll through, and if i have energy left im gonna add more images to make it less like a huge wall of text, which it is. but right now i just wanna post it because i genuinely spent 10 hours straight writing this and then woke up today and spent another 10 hours writing it.
i think this is my therapy over yuris arc, because that genuinely made me sick. maybe im unreasonable and just pissed off about that specifically, but who knows. not me!
so, to begin... t&b2 cour2.
hmm.
i initially called it “good” and said i enjoyed it besides yuris arc, but that feeling was born from the sheer emotional turmoil yuris death gave me. in comparison, everything else in the cour was fine- great, even!
there can be missteps and flaws that diminish your enjoyment but that are easy enough to fix in your mind, and then theres a misstep of the sort of a character dying after the narrative spends a lot of time giving me what i can only describe as trauma porn.
i already wrote about that here, so ill skip some of the things related to yuri (i just cant get over it... i keep circling back to him throughout this document because hes such a central figure to what we got and what i thought we would get).
cour2 had such a solid basic understanding of characters, but there was just way too much going on at the same time and way too many loose plot threads. cour2 was like building a house of cards on top of a solid brick foundation and expecting it to hold water.
cour1 isnt perfect, but it was pretty good in introducing us to new concepts, new characters (three new heroes to our ensemble cast, one returning talent from the rising who needs less establishing, and the new villains, and more) and the new plot threads, but i also feel that misogyny unfortunately played a great role in who got arcs and what sort of arcs.
season1 isnt perfect either, of course, but one could imagine a sequel follows up tonally with its predecessor and also improves upon it, especially because this has been explicitly suggested by the creators (like improving on nathans portrayal, for example!).
cour2 majorly failed to follow up on the promises of cour1 and the overall promises of what t&b is like in tone and content. there were too many plot threads and too many characters. i wouldve entirely cut out aurora and large parts of yuris/lunatics “arc”. the latter i wouldve tied into LL audun and a greater plotline of mr.legend and heroism.
speaking of mr.legend, yuris hallucinations of him were excessive and felt extremely cheap. i know i said i wouldnt focus on yuri, but i feel like i have to... mr.legends force ghost saying anything will never amount to any healing or retributive action from the man himself, but i felt like i was supposed to feel it was “good” he knew those things.
i felt that the narrative was telling me that indeed, yuri had loved his father once, and he had positive qualities, but i already knew that. i also never doubted that both of his parents had once loved him- its just that those things dont take away from how poorly they treated yuri in the end.
im willing to extend some sympathy to yuris mother, but to mr.legend, never. in one of the mangas mr.legend in the past asks young maverick to wipe his memories of him ever having powers (even though the memories will return to him in due time since thats a major thing to change) so that he can be free of the guilt he feels.
even without that, i already knew that the real mr.legend most likely felt some sense of guilt over his actions, not just the mr.legend force ghost/yuris hallucination.
i know: i simply dont care! he may have been put into a shitty situation and suffered, but it was his choice to hurt others. it was him who used his status to fix fights and beat his wife and child. he was in a position of power, and he took advantage of it to make himself feel better.
side note, alcoholism keeps being equated to evil by it being explicitly referenced with mr.legend and gregory sunshine even if by itself its a taxing addiction and addicts are people who are suffering, not caricaturish evildoers. antonios drinking habits have been equally worrisome sometimes -if you look at his schedule in KOW the rising, he is very much using alcohol to drown his sorrows- and this briefly comes up in cour1.
in cour2, its played up for jokes: antonio took ivan drinking and ivan drank way too much and did funny things while he was drunk (more on this later). antonios just different actually, because hes fundamentally good.
it was shown to us that mr.legend was very active in the match fixing himself... i think it wouldve been more fitting to show child yuri spying on his fathers discussion with maverick trying to suggest it to test the waters of seeing how easy it would be to manipulate mr.legend into it, perhaps about to offer him coffee to signify hes about to change memories if he needs to, and mr.legend jumping on the offer instead of declining it and shattering yuris high opinion of his father.
maverick not being included just reminds me how yuri is somehow a secret child nobody knows about. we remain in the dark on how yuri ended up taking care of his own mother and what he did to attain the position of a judge.
we still dont know the details of who covered up mr.legends death and why and how. it wouldve only made sense it was maverick, but how the hell did he then not know that yuri must be the one with the powerful NEXT power?.. how did he in general not recognize yuri once he became a judge? was he not distrustful?
more importantly, why did he not try to manipulate yuri? wouldnt it have been a huge boon for him to find a vulnerable child who is mr.legends son no less, and to raise him into a tool like he eventually raised barnaby?
i could see that yuris mother olga (i think its officially translated as origa, but its definitely olga) actually protected him back then. after all, he was the only remaining family she had left, even if she too grew to resent yuri at some point for some reason (and somewhat understandable, given how she was portrayed in s1 accepting mr.legends treatment: she had submitted to her fate and become traumatized).
however, olga has calmed down from her potrayal of throwing plates at yuri in s1 and the change happened without explanation but an acknowledgment from the caregiver, and she is never given any depth as to why she could blame yuri so deeply and fervently in some of her more lucid (?) moments.
in cour2, she becomes just a vessel for inflicting more trauma on yuri, and its her only purpose: shes not her own character. shes a woman, specifically a mother, and thats all we need to know about her.
i know that my tinfoil hat theory of gregory sunshine being yuris biological father is implausible at this point after all that talk about hero blood in yuris veins, but it wouldve genuinely given olga much more depth to give her a reason (not a justification) on why shes been so aggressive towards yuri and blames him specifically, if yuri had been an illegitimate child or somesuch. but i wrote about that already in the linked post and its replies.
back to parental figures, i think laras mother zamira was a great character in cour1. shes not a morally good character, no, but i think her portrayal was strong? it was very clear to me that shes treating lara as an extension of herself instead of her own person. she controls her and her life, and she reprimands lara for having thoughts and feelings beyond her control.
it is her who has set lara on this path to heroism, and it is for her benefit. lara is a vessel for her to life through, and this could be easily contrasted with yuri and his burden about being mr.legends son.
however, in cour2 the entire premise is undermined when zamira is proven to “actually care” about lara. if i dont remember wrong, paolin even says that “she reminds her of her own mother”, which i was meant to understand in a positive way. this is presented in tandem with mr.legend(s ghost) somehow “really caring about yuri” in that odd scene they had together.
its also proven that zamira wasnt an unreliable narrator about her prior tennis partner pamela, because we see pamela easily blame NEXT for existing in the news as proof that she is cruel. i get the sense were supposed to think zamira was just sad and trying her best to raise lara and make sure nobody takes advantage of her like she was taken advantage of.
i frankly dont care! she had, undoubtedly, treated lara the way she treats her in cour1 for laras entire life: shes 14. it leaves a lasting mark she can never take back. “im sorry” doesnt even begin to fix it.
i wrote about yuri adopting lara here, so i wont delve into some very specific AU, but it wouldve felt much more reasonable and realistic for lara to be freed from her mother, not even necessarily in the way my pipeline dream describes, in a way that couldve emphasized yuri and his good qualities.
t&b has never been free of misogyny and other issues, but i feel like this cour really brought a lot of those issues to the surface instead of improving on them... instead of a nuanced portrayal of a fractured mother-daughter relationship, we were given something that just felt like underlining the fact that zamira is a mother, of course she cares about lara in more ways than for her own benefit.
zamira is a mother like olga, and thats what we “needed” to know about them in addition to knowing that they experienced trauma that just made them forget about their motherhood for a moment, but we learn that olga cared too, she even made those cookies. their mother-son relationship is similarly glossed over.
lara -like yuri- is done a great disservice in the process of redeeming abusive parents. shes a kid who killed a villain on accident in self-defense in cour1, and it felt significant. cour2 doesnt bring this up as a plot point in any way.
i was imagining her getting a much bigger arc that couldve overall easily tied into revealing mr.legend as a horrible parent instead of being its own distinctly separate arc.
speaking of mr.legend being exposed, it was ridiculous that yuri revealed mr.legends awfulness to kotetsu and barnaby and it fell fully flat due to kotetsus and barnabys reactions, or rather due to their lack of reactions, which was strange for them both.
its realistic enough to have yuri do something like that, even if it was sudden: it feels like he was under a lot of duress and clearly seeking help in any way he could, justifying it to himself in some “logical” reasoning for it because i dont think he would consciously realize he needs and wants someone to believe him.
before i get into that and how i think they shouldve reacted with far more compassion, i want to say that to me its clear that kotetsus career in heroism has led him to neglect kaede, especially in the past when kaede didnt know that her father was a hero. this is brought up a bit in cour1, and for example is prominent in the beginnings additional scene where kaede begs for her father to show up at the ice rink just this once.
the series shows their father-daughter relationship mostly from kotetsus side, so that we know hes trying his best and really wants to be involved in kaedes life but hes genuinely busy, but if you think about it from kaedes perspective, kotetsu hasnt always been a good father to her and kotetsus business doesnt take away from his failings.
misogyny plays a role in this portrayal, and that i cant blame kotetsu for as a fictional character, but the fact that some of his actions are played for jokes and the fact that he continues doing them bother me, like pretending hes doing yoga like kaede suggested and instead of actually doing it. i wish he was more honest with her, even about those little things!
narratively in the rising, again, kaede is forced to adopt a tomoe-like role in encouraging her own father to continue his hero work, which isnt cute to me at all. its extremely emotionally taxing to have to be more responsible than your own parent and give them advice.. in cour2 she is again protecting her father from the truth that his mother is bedridden (nothing, afaik, comes out of that by the way?).
why is kaede protecting kotetsu, and why does she feel the need to do that? shes a child! she should be able to depend on his father, not feel like she has to protect him just because hes a hero.
those things frustrate me about kotetsu and the narrative around him and kaede, because i think this moment especially couldve used to do something about this dynamic and parenting. however, every parenting-related thing in cour2 was atrocious.
kotetsu has flaws and i think he has done wrong despite trying his best (sometimes your best isnt enough!), but he isnt cruel and genuinely does care about kaede, and he cares about others even if theyre not his family (he is a busybody, after all). he is a single father and a widower whose late wife pushed him into hero work, and his old mother supports him greatly, as does his brother.
despite family being so important to kotetsu, he ends up not reacting much to yuris admission that mr.legend beat his wife and child. doesnt that seem like something he wouldve focused on? good-hearted as he is, wouldnt he have been utterly shocked to hear that someone who “saved” him couldve been so thoroughly rotten?
it shouldve shocked him more than match-fixing and clinging to the identity of a hero: imagining himself becoming a cruel parent (and a husband).
i think he shouldve admitted that his own hero career has caused him to neglect kaede, and that he didnt even properly realize until as of late how much it had affected her- that he has flaws too and cant claim to be special or that mr.legend was an outlier, and that he cant imagine how hard it mustve been for yuri to go through that.
it wouldve been far more compassionate of him, and he really has a lot of compassion for others! i refuse to watch that scene again right now so maybe i remember some part wrong, but still: in my opinion he was a dick to yuri, and very defensive about himself. he didnt try to console him, it felt like he wanted to set himself apart as a better person than mr.legend.
i dont understand why he didnt at least try to find yuri after hes stormed off and hes realized that he said stuff yuri probably didnt want to hear? thats a thing kotetsu does all the time: he meddles. he gets things wrong, sure, but he meddles, and pulls people aside to have a chat with them and to try to help (like he later on does with barnaby).
kotetsu believes in heroism and his ideals of heroes, and its also very personal and family-related to him, so for him to be more shocked by mr.legend clinging to his hero image than the abuse part explicitly was a weird narrative choice to inflict more pain on yuri. i dont think yuri felt understood at all.
i think kotetsu wouldve been able to discern the most important part of this: that mr.legend was a bad father and husband, and he shouldve extended compassion to yuri (even if yuri didnt ask for any). thats what he did with barnaby in s1 as well!
just like kotetsus nonreaction to what really mattered in what yuri told the two of them, barnaby didnt have much to say which made the entire scene feel more callous.
its a deliberate choice, and its as odd as kotetsus reaction.
barnaby saw his parents dead in front of his eyes and was taken in by maverick and regarded him as a parental figure he could depend on up until the moment it was explicitly revealed to him that maverick had killed his parents and used him like a tool.
i could understand kotetsu initially being defensive (hearing someone he was “saved” by being thoroughly awful is not easy!) if barnaby had chimed in and snapped kotetsu out of it, which wouldve also played into the idea that people need others to support them and also to “steer them on the right path” so that kotetsu manages to focus on the most important but also the most painful part even if it also hurts him to think about, including admitting to his own failures as a father.
i think barnaby shouldve immediately been sympathetic towards yuri, and it couldve also signified how far he has come from his first appearance in s1 where he explicitly had closed himself off from others, and perhaps even realized that yuri is acting like he once did and is deeply lonely.
his sudden admittance to being mr.legends son is an urgent cry for help!
canonically, the moment started and ended and neither kotetsu or barnaby cared enough to say anything nice or follow after him. i think it was out-of-character, and they were forced to act like that to make sure yuris downwards spiral would continue. it was cruel.
the plot often felt explicitly manufactured towards a certain endpoint instead of feeling natural and in-character, going so far the narrative took explicit steps to prevent certain things from happening.
the “prevention of things” was especially obvious with ryan.
this is going to be long because not only is he my favourite character, but ever since his introduction in the rising he has occupied a specific niche that couldve played into the theme of questioning who really is a hero and why, and what makes a hero.
because karina forms blue golden with ryan, i dont think i can discuss ryans lack of any real arc without bringing her up, especially because karina and ryan have both been positioned as being more of “main characters” than the rest of the supporting hero ensemble, which is why i especially expected more out of them.
karina has been central ever since the pilot of t&b, in which she is featured: she has a lot of connections to kotetsu including her childish crush, and out of all heroes, it is her who kaede calls when she wants to plan something, and ryan was introduced as a main character in the rising and embodies traits from both kotetsu and barnaby, including visually.
to begin with, ryans themes from the rising arent contradicted by cour1 setting him up as having very personal beef with gregory sunshine, the most prominent antagonist because the heroes never properly meet rosicky and LL audun is a last-minute addition (who wouldve deserved more screen time, more on him later).
in cour1, we come to know that gregory caused ryan collapse a building on himself and nobody helped him, his fellow heroes laughing at him before they leave him bleeding underneath rubble. in cour2, we see more of it and that he didnt only get buried underneath large amounts of rubble, but that he majorly injured (or worse) a large amount of civilians as well.
again, im not sure because im not going to rewatch, but i understood it was supposed to be the same instance as the one where his fellow heroes laugh at him, unless its just a nightmare he has that civilians were injured as well.
regardless, he was personally affected by gregory, and he wants gregory to not to run free, and its a fact that hes actually very emotional and acts impulsively under duress, like trying to leave sternbild the moment he thought karina was going to ditch him as a buddy (because he, like yuri, is actually lonely and wants people to understand him but gives up way too quickly).
he also breaks the door into gregorys apartment without a second thought (this is breaking&entering!), and later on we see him yelling and gesturing at blue goldens manager in a quick background scene about their new contracts.
however, his reaction to mattia allegedly ratting them out to gregory is “slightly miffed” at best, even if gregory was so close to being caught by him. it feels unbelievable to me, especially because i think his loud and genuine emotions are his strength but also his potential flaw.
i think he shouldve acted way more unreasonably emotional about it, instead of only bringing up how anyone can betray you at any time. to take a detour to karina for a bit, it was also ridiculous that karina had nothing significant to say to that.
she has difficulties speaking up sometimes, but karina shouldve been allowed to feel personally slighted by ryan after all the buddy hero arcs being about trusting each other.
it seems that she can only be given arcs that revolve around men and not, for example, her feelings about herself and being able to take pride in being a very hard-working hero, idol, and now a friend too, especially when the new manga shows her reoccurring troubles in trying to balance different aspects of her life like studying and being a hero.
it wouldve stung to hear ryan say that like he was brushing her off: did ryan learn nothing, and was he just saying all that stuff earlier to put her at ease instead of being genuine? it also ties into ryans issue of always being genuine but his eccentric personality making him seem fake/suspicious, like in the rising.
his personality felt utterly stagnant in cour2 with smug quips, however, and he was just positioned as “morally good” instead of the narrative allowing him to reasonably continue his arc and meaning for the narrative by going after gregory as a hero even when its against the law.
some of the themes of ryans character pair off with yuris and any arc he couldve been given with gregory wouldve been perfect to compliment an arc with yuri/lunatic, the truth about mr.legend, how LL audun couldve tied into that.
yuri is positioned as a vigilante, even a villain, but hes shown to save kotetsu on-screen, and he follows his code of justice very strictly. we know his reasons to act the way he does, and he is sympathetic. ryan, on the other hand, is positioned as a hero, but he can be kind of a prick and his idea of justice is remarkably lax in some ways. we can make a good guess why he acts like that, and like yuri, he is sympathetic.
they both are characters kotetsu and barnaby know well, and theyre both more severe than the titular protagonists. kotetsu has bent the rules on occasion to act according to his idea of heroism, but in my opinion ryan is set up as someone who would explicitly break rules for his idea of heroism (or lack thereof).
ryan is a good person and very much a hero, but he isnt the flawed but idealistic hero full of passion like wild tiger, or the humble and pure-hearted storybook hero like sky high, hes the egotistical heracles clad in the golden pelt of the slain nemean lion who knows just how good he is (and thats all he has going on for him, that ego of his).
its obvious that he can be a bit selfish: in the rising he uses his gravity dome to not only to save the building, but he traps all the other heroes in it, including pulling sky high from the air. from the movie commentary track ive gotten the idea that he did it on purpose since he can control the height of the dome he creates.
he also stretches out his dome later, so it begs the question if it was ever necessary to get any of the other heroes trapped in it to begin with.
he does save that building and the civilians within and causes no significant harm because he really is good at being a hero and hes not evil, but the narrative shows that he doesnt treat heroism like the heroes of sternbild do: he lacks the same sense of honorable justice our sternbild heroes have.
being a hero is first and foremost his career, which is why he brings up that “the money is good”, and because hes positioned as an experienced hero, he mustve started out as a child, given that he is younger than barnaby (even if in my opinion is not so much younger than he is).
the rising is strongly themed around justice day and the myth, and its also about him seeing the heroes of sternbild care about each other and their bonds with each other, instead of them all regarding each other as competition like hes used to people treating him, given how unbothered he is by figuring out barnaby didnt only distrust him but outright suspected him of being a villain.
due to seeing the bonds of the heroes of sternbild, he starts to “carry a heart of justice” as per the myth. barnaby suspected that he is a villain and the goddess of the story even if he ended up being more like the people cast aside by the goddess for their selfishness.
in the end he makes a choice: he can stay and keep the central bond between kotetsu and barnaby broken, or he can leave and mend the bond his hiring caused and bring the two of them back together as a duo. in the last shot, the winged lion of apollon media faces away from the camera like the way ryan leaves, while the justice tower smiles.
justice was enacted and she approves of it, and funnily ryan never thought that he could be a part of these bonds which is why he wholly leaves sternbild. in his KOW the rising schedule he meets up with a lot of people but theyre all just acquantaices, and he talks with his iguana. he moves around a lot, its in his title of the “wandering gravity prince”.
he lacks bonds like yuri lacks them, but by giving him a buddy partner in t&b2, he becomes more of a part of sternbild heroes, but its not just going to change who he has grown into overnight.
its intentional that ryan has wings on his hero suit like the ones the goddess is portrayed with, and the rest of his imagery plays into the this theming of the goddess/the sun while echoing kotetsus “tiger”.
lions are associated with the sun, even the zodiac sign leo is ruled by the sun. royals and gods have been linked to the sun in many places, so his old hero suit and title play into it. gold, similarly, echoes this sentiment.
in the opening, ryan “sun” is composed of the streets of the city and missing its center where the sponsor is displayed, but knowing the legend, its where the city was caved in, and it uses the same colours as the illustrated parts of the legend of justice day (in which the sun is displayed similarly, and yes, if you disagree on it looking like the sun, you could be right, perhaps that part is a coincidence.)
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yuri is shown in the opening of the rising as well, his slide after ryans and his red moon the central piece of his background and juxtaposed with ryans hollow sun.
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and i want to be clear, ryans background changes into a sky full of stars before yuris slide is displayed, which also makes sense for ryan because the heroes of sternbild are portrayed as stars more than once (and its funny for ryan to be the sun because the sun is just a star, its just closer to earth. hes not special, hes just loud about it).
its also significant to me that all heroes are portrayed with slides with a side-view of buildings in the background whenever applicable, even keith who can literally fly: it is ryan who has a momentary birds-eye view.
its the opposite of yuris, in which the lines around his red moon are buildings as if someone was looking upwards from the ground and also somewhat echoes the parts, including colour-wise, where the people are trapped in the cave by the goddess.
lunatic features prominently in the rising once yuri figures whats going on, and kotetsu gets to talk to him about how hes trying to save virgil/andrew from the burden of having killed and whatnot. the entire movie is themed around a holiday called justice day and showing mercy and who deserves mercy and why?
i genuinely thought that ryan being brought back indicates that tiger&bunny continues to question what being a hero really means, by giving the titular protagonists and the narrative someone to contrast with lunatic while ensuring kotetsu and barnaby can stay on the side of “good”/heroes for the sake of them being the main characters.
it wouldve been a purpose fulfilled for ryan to go against the law and becoming a vigilante because of how badly he wants to catch gregory: he has a huge personal reason to do so.
instead of the narrative following the logical conclusion of ryan going rogue due to how badly he wants to see gregory out of the streets, we get a scene specifically to explain why ryan cant follow through with the logical next step of his arc?
what a waste of everyones time, and i get the sense that the writers understand how strongly ryan feels about it (the foundation is there!) because it required both the company owner and manager to hang karinas fate over his head to ensure he doesnt just go on his merry way.
(i dont, by the way, understand that scene, and i cant bear to look at t&b2 scenes again... if you can explain it to me, then please do lol. like i specifically dont understand why ryan doing anything would cause harm to karinas privacy.)
not only wouldve it been meaningful for the entire narrative and ryan, this couldve so easily been used to give karina a satisfying arc that also shows that she is just as capable and deserving of an arc as the guy heroes of the cast, especially as the most prominent woman hero. now, instead, she ends up being a plot device to make ryan feel one way or another.
even if blue goldens buddy arc included ryan realizing that he doesnt need to protect karina, it was immediately undermined by “protecting karina” being his only reason to not go rogue to find gregory?
instead of letting ryan go rogue and giving karina agency in going after him by his own choice, we get that. what was the point?
one buddy pair explicitly going against the (unjust!) law couldve served to put lunatic in a different light and interrogate the hero system as a whole, and it wouldve make sense for it to be blue golden due to their proximity to the titular main characters.
realistically i imagine ryan would have enough respect for karina to tell her beforehand what hes about to do, but unaccustomed to working together with people, he would imply that hes going alone and karina puts her foot down about it: shes not going to stop him, but shes not letting him go alone, because shes going with him.
it is her decision, and it gives her agency and an active role.
they cant have a character essentially say “yeah misogyny and gender roles and that shit is kinda fucked up” and then follow it up with Absolutely Nothing and also give karina an another arc about her crush on a man.
karinas potential as a character is squandered time and time again. in s1 its incredibly easy to miss that shes almost always the 2nd on the hero leaderboard because more attention is paid to her funny moments like her “cutie escape” and general fanservice which is awful by the way, considering that for the most part of it she is a child.
its also realistic for the idol industry, and at times the show comes close to making some sort of commentary out of it but it never quite manages, in no small part because karina is never allowed to really shine.
either way, shelving the heroes couldve been more impactful for muddying the waters about the hero industry. the cartoonishly evil interference from the cops only serves to promote the view that the heroes are acting Morally Good because theyre being hindered by not the hero system and the law but the individually selfish police chief and ouroboros interference, and serves to imply lunatic is definitely Morally Bad for acting outside of the law.
it is eventually agnes who “gets everyone to break the law, together!”, and it undermines any reasonable narrative meaning for the entire thing and makes it feel like our heroes couldnt be heroes for a bit for the sake of a meaningless and boring shock twist included for some shock value because nothing really comes out of it.
having blue golden go rogue and the police going after them wouldve forced their hands into actually fighting against non-heroes and the law, not just being on the run while they try to find gregory. ryan and karina could cause significant infrastructure damage very easily to make sure the police dont catch up, and it wouldve been easy to summarise it as collapsed roads frozen over.
while i wouldve in this hypothetical scenario loved an extensive focus on this because ryan is my favourite, i think the whole “going rogue” part couldve been conveyed without taking up an absurd amount of screentime, and couldve easily been condensed for time by having the other heroes watching a news segment about it which wouldnt have felt an out-of-place gimmick given that heroTV exists as a central thing and the fact that this has happened more than once in t&b...
kotetsu and barnaby, and the rest of the heroes could be watching a live feed, and surprised to spot ryan and karina on the run because its unlike they wouldve announced thi. our hero ensemble, especially the protagonist pair, would know that theyre not evil and that they definitely havent turned against the people of sternbild, no matter that theyve now been labeled dangerous NEXT vigilantes.
they couldve been compared to lunatic, which is a very overt way to make the hero ensemble question lunatics status as a vigilante both loved, hated and feared by the general public.
it would be ridiculously easy to play up ryans “evilness” by including a reporter from that introductory press event in the rising where he just randomly used his power on all people in the room to introduce himself (why did he do that. hes so quirky and random.), and then another shot from the rising where he traps all heroes in the gravity dome and thats feels like proof enough? they couldve also recycled the animation.
the narrative couldve made a statement on positioning medias reaction to the beloved idol blue rose on the run as “ryans bad influence” instead of granting her agency, and maybe some of the heroes couldve thought that as well, leaving it to someone else (most likely kotetsu because he is our main character!) to remark that karinas not the type of person to let ryan talk her into this sort of thing and that she mustve instead agreed with him.
having ryan on the hunt for gregory feels natural, but it couldve also been meaningful for karina.
another established thing about gregory is that hes a fucking creep. and karina has dealt with creeps her entire life due to being objectified idol. in cour1, we see that guy trying to hug karina “just this once!”, and it wasnt made into as much of a big deal as it shouldve been because we focused on ryans feelings instead.
that wouldve been fine if it was brought up again, and its utterly wild to me that it feels like they perfectly paved the way for karina to have some sort of arc with gregory herself with ryan bringing up “hug the gregory”, but then the show entirely bailed on it? why the hug theme, then?
it couldve been plot-relevant for karina and the narrative to question what being a hero means for her when her career in heroism has notably led her achievements being belittled in favor of “cutie escape" -moments and even now the media thinks shes out here because of “ryans influence” and not her own choice.
frustrated karina affirming the media somehow that shes doing this for her sense of justice, not because of ryan when some civilian fan of hers tries to save her, the poor little girl, from this vigilante escapade: what wouldve yuri thought of that?
to give karina cool moments wouldve been more impactful and couldve been plot-relevant instead of the disjointed ~girlboss moments~ of rosicky telling gregory to stop being a creep which equated to so little when rosicky is also killed by gregory.
capturing gregory couldve meant something, not been a footnote, and by showing us that fight with blue golden and gregory, they couldve showed us what they half-heartedly tried to show with the quick LL audun fight scene, with karina being the one who ends up protecting ryan after he was knocked out first?
ryan doesnt even need to have his skull caved in like that, all they wouldve had to do is to give ryan a reason to use his power and not be able to let go by having to continue holding something down with his gravity, calling back to barnaby accidentally letting him get knocked unconscious because he wanted to save schneider, except karina actually saves him.
in the process of capturing/pursuing gregory, karina wouldve had a reason to give us some sort of opinion on what she thinks about creeps without it being shoehorned in and how she has to tolerate them because theres so many loopholes in the law but finally, gregory is the one she can fight back against and its because now other people agree that hes evil!
also i genuinely think ryan wouldve loved to not only capture him but to beat the shit out of gregory because he really is different than our heroes from sternbild (and i think he wouldve been justified to do so too, lol).
to exemplify the themes of bonds, karina couldve stopped him but remarked that she feels like gregory wouldve deserved it, and she couldve vocally acknowledged shes having doubts on whether lunatic is so wrong or not, because has anyone or the hero industry itself ever really protected karina from creeps? no!
lunatic is actually making some sort of point when he kills a guy who is a serial killer of women? a bit drastic but hey. it works. that guy cant kill anyone ever again.
it would mean so much for karina to acknowledge that there indeed is something wrong with the hero industry as it exists now and heroes and heroism isnt just “morally good” by default, which also begs the question whether vigilantes etc are ontologically evil by default.
and personally, i dont think ryan would disagree with her? he is well-traveled and has seen so much more than just sternbild: im sure he has met corrupt heroes and heroes who arent even nice or “good”. im sure some places have very fucked up hero systems?..
they couldve made both ryans and karinas arcs mean something by having them face off against gregory (ive been talking of capturing, but they wouldnt even had to been successful and instead gotten captured by the police themselves or been forced to retreat), and it feels so obvious to me?
both members of blue golden wouldve gained something out of it, the overall plotline wouldve gained something out of it, and the setup of the plot wouldve benefited?
the viewer would also know that gregory deserves anything coming for him regardless of the media/public opinion because he is a freak, and the heroes too could explicitly acknowledge that maybe theyve been too harsh on lunatic by not trying to understand him like how blue golden is now misrepresented by the media without any grace? is lunatic just a killer, or... he does keep talking about that justice, after all.
both ryan and karina have interacted plenty with our protagonist pair, so it wouldve served well to draw kotetsus and barnabys attention to it. continuing to question lunatics “evilness” feels so central!
some of the children already said in the cour1 in that that law class of yuris that they thought lunatic was really protecting them and kotetsu was there to hear it, and then nothing came out of that? are you fucking kidding me? he was just like nope, wrong! its evil, end of story.
its like they were given the perfect foundation to do something interesting and valuable, and they didnt end up do any of that just to punish yuri for daring to exist in the way they forced him to exist since t&b is who made yuri the person who he is... but anyways.
yuri is prominently featured in cour2 for all of the wrong reasons, but his prominence couldve been interesting instead: he couldve been standing there looking over the heroes reacting to two of their friends gone rogue and given a cryptic statement on how it seems theyre no different than lunatic in the eyes of the public now that theyre pursuing their own brand of justice...
and everyone couldve been like alright director petrov:)! but also genuinely considered this while yuri is just there, observing the discussion and wondering how their bonds with the two new vigilantes makes it harder for them to be so sure who is a villain to be stopped and who is not.
unrelated to things i think explicitly realistic or in line of t&bs spirit, if i could choose i wouldve also had ryan and lunatic interact.
i think it wouldve been in-character for lunatic to show up to question what ryans going to do with gregory once he finds the man, with ryan answering genuinely but flippantly while karina is bewildered ryan is just trying to have a casual conversation with an fire arrow dramatically pointed at him.
lunatic questions his end goal, like are you gonna kill that guy maybe, and ryans like i dunno, i didnt think that far. now that you mention it maybe i should lol? and karinas like im sorry what is wrong with you?
we couldve gotten the yuri petrov comedy hes hard to rope into by having ryan act like he usually does with lunatic? you try to be dramatic and brooding when some guy is arguing with his emotional support buddy hero girl? ryans only prior interaction with lunatic is in the rising and saying that he looks creepy: he didnt care about a vigilante showing up because he knew the mecha flying over sternbild was the thing he should stop.
its funny because ryans notable trait is “treating everyone equally”, i dont see why he wouldve acted differently with lunatic, and to imagine karina interacting with lunatic because he showed up and ryan isnt having a normal reaction to it by being concerned. but why would ryan be concerned?.. hes good at insight and im sure he knows lunatics justice is very serious to him, and ryan knows hes not a killer so why would he be concerned right now?
but yes, the barebones idea of using ryan especially as a vessel to force the hero ensemble to reconsider vigilantism and lunatic couldve in my opinion been done without the two of them ever interacting directly, because its about what they stand for in the narrative.
what we needed to see was kotetsu (and barnaby) forming some sort of opinion on this, since we mostly see the hero side through kotetsus eyes: he is the main character, after all. all the narrative had to do was let ryan to go do what he clearly wants to.
my description of this all is very elaborate and keeps the entire thing somehow separate from the other heroes, but i think the idea or something akin to my elaborate view couldve been conveyed in a fairly conservative amount of scenes, because the cour only has limited time!
theres also a huge potential for the other characters to join in on the vigilante shenanigans like what ended up happening in the end in canon with all of them “going rogue”, and ryan and karinas involvement couldve been greater than other heroes but still far more smaller once kotetsu and barnaby get their ball rolling over the matter...
t&b2 has a lot of characters, and i think they couldve made it work, but the scenes wouldve had to been carefully picked without wasting scenes on counteracting things they had already set up?..
i dont feel like i can answer the question of “what narrative purpose did it serve to make sure ryan doesnt try to capture gregory on his own?” without pivoting back to “it had to be like this so that yuri would suffer and die and our heroes would stay morally Good unlike lunatic!”.
like, i LOVE ryan, hes my favourite character! and many of the scenes he was in i couldve lived without, because they didnt really add anything of worth to the overall narrative or plotline save for reminding us that he exists.
the entire thing where blue golden separates from the other heroes to go try to find gregory in the jail itself was similarly needlessly drawn out and condensed all the same?..
i understand it as necessary somehow (for the current plotline) to introduce LL audun, but because ryan and karina dont really have anything to do with the guy, it feels wasteful.
the pacing felt awkward to me overall. i was actually bored in some of the first episodes of the cour! and after that, everything starts happening so fast: the LL audun situation is especially sped through.
in cour1, heroes got progressively taken out until only “the essentials” in completing the arc were left, which was a great idea for the sake of stretching the limited screentime available.
it also had real in-world impact, unlike blue golden getting up a while later even if gregory flaunted that “it was so easy for LL audun to kill heroes”. it served so little purpose and was a waste of everyones time for a cheap “shock” because since it happened off-screen, i easily guessed they wouldnt kill a character off like that.
in cour2, we start knocking out heroes very late to the episodes and its not even semi-permanent. it wouldve been way more sensible to have some of the cast get knocked out somewhat early to let the remaining heroes to shine! they couldve even made to go berserk by gregory, so that we couldve then knocked HIM out and then gotten most of the heroes back for a grand finale of sorts, probably facing off LL audun and accompanied by lunatic.
even in the canon scenario, subaru couldve charged in (his whole thing is that hes hot-headed and a bit stupid even if his heart is in the right place!) and thomas couldve shown up earlier, eliminating many scenes that had little worth and focused on efficiently introducing LL audun.
they couldve had that fight with him and thomas couldve swiftly explained key details about him for exposition and made it natural because we already knew hes a fan. i also think their arcs werent so bad i suppose, but them fighting together was the conclusion to the mr.thomas buddy arc, so getting knocked out for a few episodes because theyre still rookie heroes and a bit silly wouldve made sense...
especially when they already were in the last fight in cour1!
it wouldnt have been a disservice to their arcs and wouldve given others more time to shine, and it wouldve been interesting to have other heroes react that the rookie team is presumed dead? they wouldve been fighting even harder against LL audun!
which leads me to say that the one good thing about cour2 for me was LL auduns character, but his potential wasnt realized. he was so prominent as imagery in cour1, with the twins and thomas both idolizing him.
we also know that mr.legend was a corrupt hero and there probably were others? instead of auroras introduction (it was such a gimmick), and gregory getting so much screentime for being creepy, it wouldve been far more interesting to focus on the fact LL auduns time active in vigilantism overlapped with mr.legends time as a hero.
i keep coming back to this, but LL audun couldve been the perfect setup for mr.legends crimes becoming public? it wouldve added intrique to the viewer too by have mr.thomas presumed dead and LL audun fighting the remaining heroes.
that wouldve made it harder to believe mr.legend really sucked so much by the general public and many heroes! kotetsu and barnaby wouldve felt inclined to share some part of what they learned from yuri earlier?
i feel like this wouldve been such an interesting way to make kotetsu and barnaby realize even more things about mr.legend, the hero system itself, medias part in who gets to be a hero and whos not, and lunatic... in a deeper way than the canon, half-hearted attempt at sympathetizing we got, because i just think its not in-character to have them react like that!
in-show its mentioned that LL audun “started to think hes a true hero around his tenth year in prison” but it felt like pure ouroboros/maverick interference to me (even if the current narrative mightve meant it for real).
wouldnt it have made more sense that LL audun was actually a "true hero” fighting against the establishment of the hero system itself, not because he hates heroes, but because he had figured out it was already rotten to the core becasue of maverick?
his simple nature was refreshing (in the same way i really liked fugan and mugan because they were villains but also funny about it) and kept the scenes with him light-hearted, a quality ive always been fond of in tiger&bunny. i do like intense scenes, but i think tiger&bunny should also be a little bit funny and not hard to watch.
he couldve lost his grip on reality a little bit since he spent decades in solitary confinement and focused very hard on his idea of heroism, or maverick couldve even fucked with his thoughts and made him into a ticking time bomb of wanting to destroy so many random people if he ever got out?
how the hell did maverick, mr.legend and the heroes of that time, realistically defeat LL audun back then? its not explained (again i could misremember) and its not important to the canon as-is, but imagine if the canon had focused on idk, being nicer to yuri and on the angle of mr.legends crimes and what if maverick, with mr.legend in tow, had promised to destroy sternbild if LL audun doesnt let them have their way?
it wouldve been, i feel, very easy to let us catch on that maverick was manufacturing LL auduns crimes and spread them on the media for the benefit of mr.legend and heroTV, and that LL audun couldnt stop maverick because he had been honorable about it, like a “true hero”?
hundred power is extremely versatile since it heightens all senses and weve seen that it can even boost recovery, and he can activate it almost continuously: what was it that stopped him from cracking mr.legends skull like an egg once the man himself had fully lost his power, given the canon itself features mr.legend worried about having to face someone he cant realistically win against?
LL audun outright refusing to kill mr.legend and/or maverick feels like the logical conclusion to the question of why he could be defeated. it would also give kotetsu something to think about, to realize this on the screen as our main character!
mr.legend was the hero who saved kotetsu, and then he learns from yuri that mr.legend was actually an awful person, and then, as i suggest, he sees a buddy hero pair go rogue- and then they all have to go rogue?
and to bring all of that to a satisfying conclusion, he faces off against LL audun, with the man questioning gregorys claims about who the real villains are because theyve all protected each other.
some further exposition later he could learn that mr.legend wouldnt have been able to be so awful if LL audun had just killed him when he had the chance, and that maverick couldnt have manipulated barnaby and been evil overall if LL audun hadnt taken up my suggested deal from maverick to voluntarily get imprisoned to protect sternbild and had gone the lunatic route instead?
kotetsu has always been so against killing people, and i dont think hes wrong to think so (well yes i think he is wrong. i think its morally okay to kill evil people! albeit not without emotional consequences for the person taking up that burden like lunatic. but i think its important for kotetsu to disagree with killing) and he wouldnt have had to abandon that principle of his, but this troubling reveal couldve given the narrative way more depth?..
and when kotetsu talks of the goal in the rising being saving virgil/andrew from himself: couldnt he have recognized the emotional toll lunatics actions take on him, and the emotional toll LL audun has taken due to his inaction?
like a real bit of some gray morality that actually has a purpose!
thinking about it makes me want to break something- i feel like everything was so perfectly set up for something like this, and not even this scenario but the concept of sympathizing with yuri further and helping him heal!
it couldve happened without revealing that lunatic is yuri and letting yuri continue in his position as the director of the heroes after the season has concluded (i wouldve enjoyed this personally so that i can imagine him out there), because i feel that revealing mr.legends crimes wouldve changed yuris position so significantly, and for the better!
kotetsu, as the main chracter, wouldnt have had to reveal judge petrov is mr.legends son either, maybe just lunatic for example! imagine yuri seeing people condemn his father? that wouldve been incredibly cathartic? that people agree that whoever mr.legends family was, they mustve suffered, truly and deeply?
yuri couldve gotten a scene like what kotetsu got at the end of the rising, with heroTV broadcasting random people having various positive opinions on him instead as he stands somewhere, contemplating taking off his mask and killing himself for his sins and his justice and whatnot while kotetsu and barnaby arent able to calm him down?
we couldve had a dramatic scene like that, and one of the manga chapters features that scene where yuri revealed his face to the terminally ill woman who had wanted to know who the man behind the mask is: he couldve even revealed himself to kotetsu and barnaby at least since theyre the main characters and still retained his anonymity by using his fire to shield himself from heroTV.
and on the broadcasted heroTV screen people from across sternbild could thank him for what hes done: could yuri, at that point, deny himself the possibility of being forgiven in some way?
it couldve also given us the hilarious dynamic of kotetsu and barnaby at least (and just for me, as a treat, ideally most if not all heroes) knowing that yuri is lunatic but they have a pact to keep his secret.
lunatic half-bleeds to death before jumping off but he doesnt set himself on fire and we dont see him fully fall but it serves as a momentary death fakeout.
then theres an ending scene of judge petrov opening the door to the hero lounge to give a briefing (returning us to the start of the season with yuri briefing everyone about buddy heroes) and he looks incredibly beat up.
agnes asks what the hell happened to him and he says he “got caught by one of the rampaging NEXT” or something else not unbelievable but ridiculous with a straight face, and none of the heroes contradict him.
like, wouldnt it be on-brand for kotetsu to try to joke about it while barnaby tried to shush him and causing someone like keith to quip that he doesnt really get it, isnt it a secret? and agnes could just scoff because whatever are the heroes talking about now...
my dream scenario is everyone laughing about this with yuri who is also laughing a little in confusion because now he has those bonds he hasnt had before? ngl i dont care i just want to see him happy lmfao<3
anyways see how ive lost the plot of this opinions document? bible-length and ive rambled about various topics, jeez. i also said i wouldnt talk about yuri so much but he just feels like such a central character and i like it- i just wish theyd been gentle with him instead of whatever we got. and yes, im about to talk about yuri again...
its unfortunate that with such a big cast, again, only the titular protagonists are often given scenes to interact with plot-relevant matters personally and with any depth...
of course, kotetsu and barnaby should remain at the centre of it all since theyre the protagonists, but cour2 especially included us seeing tidbits from the perspective of so many random characters, it begs the question why add so many bits from characters when i think its pretty clear the fans are interested in tiger&bunny for the ensemble cast too and want to see more of them?..
sorry to fervent mario the announcer fans or something i suppose, but if cour2 had used its time more wisely, we couldve gotten great moments from various heroes in the same time we didnt get anything done?
wasnt a single writer aware that the fandom adores the titular protagonists but theres also large fandom pockets for the other hero characters AND yuri? didnt anyone think that s2 and its buddy hero premise couldve more effectively been used to give us more lore and funny moments also for the supporting cast?
this makes me, for example, think of the scenes where everyone is deliberating X rampages and gregory things.
youre telling me that weve got all of these characters in a room and youre capable of making them act in-character while interacting with each other, but you chose the most boring ways to do it in pursuit of some sort of unneeded seriousness?
those scenes by themselves couldve been majorly improved by playing into what ive seen as the strength of tiger&bunny, with the way every hero has a distinct personality easy to play up for light-hearted moments without making it unnatural or forced?..
for example, they could be trying to talk of something serious when ryan, kotetsu and subaru get into a nonsensical argument because theyre all so loud and kotetsu and ryan actually get along well, so they couldve argued on purpose to ease the mood, while subaru got really serious about the argument because hes 17 and goofy?
barnaby, karina and thomas are all collectively sighing because of course their buddy partners are acting like this, and this goes on while keith is trying to get a word out on something actually valuable he thought of but hes too polite to interrupt the conversation, so nathan has to raise her voice and be like “boys can we please calm down keith wants to say something<3 you have 30 seconds before i get mad!″
and kotetsu, ryan and subaru are forced to apologetically sit on the floor or something, just to let keith convey an actually good point he came up just now while listening to them argue. expositional scenes dont have to be boring and lifeless?
of course its sweet to have them work together, but giving them light-hearted moments wouldnt have diminished that. theres just so much potential with the cast we have, and while they had a great foundation, the real potential was never really reached.
the way they neglect the strength of their ensemble cast repeats with who interacts with lunatic/yuri. and i know- kotetsu and barnaby are our main characters here, but sometimes i feel like hes in protagonist jail, because there are so many great interactions to pursue with him that could actually add something to the narrative!
nathan was kind of accidentally framed by him in s1, but we dont really get any follow-up on that. and for me, one of yuris greatest moments is in the manga when he saves keith (civilian) from dying while keith is trying to save the two criminals from dying himself, and keith is never none the wiser about it.
but thats more of a self-indulgence than a realistic critique, i imagine. however, from this i can get to talking about the heroes i didnt yet mention, because i can see so many ways to tie the supporting cast into the narrative and not just include scenes for “fanservice”.
the peripheral material has done this and more, why not include some of it in the show?
this is all mostly just a lot of musing on how underutilized everyone was, and how a lot of it felt disjointed and a bit wasteful of the time they had to convey the entire story.
ill start with keith: it was disappointing how he only smiled through the entire cour2, especially when you think about LL audun, who pretty much shares his “simple” worldview on heroism. we didnt even see him fight LL audun at all if my memory serves me right.
he didnt have any reaction to when the heroes get shelved, and keith arguably has pretty much no other life than being a hero, but he never has any sort of thoughts about the matter.
closest we get is firesky reminiscensing on the moments they had respectively gotten their hero suits, and keith remains one of the heroes whose backstory we know absolutely nothing about. i actually thought keith would drop some backstory lore there, but he didnt.
i feel that cour1 did a fantastic job on telling us what sort of guy he is in the episode nathan complains about him to kotetsu and barnaby: he is insecure despite all of his fame and how “perfect” he is without trying by nature, and he still he tries to act even more perfect to make sure other people would like him.
cour2 didnt really give us anything? i was genuinely expecting keith to break down at some point and that he was trying really hard to act unbothered to not make anyone else lose heart, especially after kotetsu remarked in cour1 that its keith and nathan who are really doing most of the advising around here and not himself and barnaby, the real senior buddy hero pair.
it wouldve not only given us a continuation of things from cour1 and given keith some sort of arc for the 2nd cour, but it couldve given us a character-driven moment used to show us why its kotetsu who is the protagonist even if we all know keith is such a picture-perfect hero.
ive always thought that kotetsu is more approachable than keith on purpose: hes a very normal person with normal concerns that are easy for many to relate to, and that is his charm and his strength, and he doesnt particularly stand out or excel, hes in the hero business purely out of his conviction and doing his best.
wild tiger isnt the most popular hero, but he has dedicated fans, okay! hes goofy and easy-going and meddlesome, and hes trying to make the world better, whereas keith could never be the protagonist in the same way kotetsu is because hes just too good, like how nathan found his projected perfection unnerving.
to let kotetsu participate in reassuring keith (since hes the protagonist and a busybody!) besides nathan as his buddy partner couldve served as a plot point to strengthen the idea that kotetsus various flaws are a part of what makes him great, and it couldve been used in tandem to again, interrogate the narrative about what heroism is, who can be a hero, and so on and so forth.
and with regards to my earlier thoughts about LL audun, keith represents the same type of ideal LL audun at least thinks himself to be, and the sort of ideal LL audun couldve embodied if they let me write t&b2, lol.
there couldve been some sort of plot-relevant parallel there that lets kotetsu actually figure out that LL audun is genuinely thinking hes doing the right thing and gregory was taking advantage of him- something to let kotetsu take the initiative in making LL audun question whether he actually is fighting against villains or not, because LL audun randomly questioning it himself was a bit too convenient.
it couldve been a time for kotetsu to shine with what he does best, trying to talk his brand of sense into the people hes fighting against, like how he always has a lot to say when hes facing off lunatic, or how in season1 his entire plan for making people remember who he is includes him showing up in his old hero suit and talking to them.
isnt that part of kotetsus charm as a protagonist?.. and LL audun wouldve been perfect for a discussion, because his personality wouldve lended itself to a very campy “two heroes having a dramatic discussion during a fight”.
i suppose i also personally dont need or want kotetsu be really good at fighting with the most powerful NEXT power, because thats not what makes him a fun protagonist. him goofing off and slipping on a banana peel on his way to an arrest makes him fun, and him talking the socks off of his opponents is just part of his way of being a hero.
kotetsu is into the whole “superhero flair”: heroes need to have secret identities, and heroes need to be a bit campy with thematic outfits and have dramatic discussions while they fight, and thats the spirit of tiger&bunny, isnt it? isnt that what were here for?
i at least never watched tiger&bunny for a yuri petrov suffering arc, when tiger&bunny has had an uplifting message throughout even if it tackles more adult issues due to the adult protagonists?
either way, to return to keith, i just feel like hes overdue for having that sort of very human moment to his character, because his nuance has largely been confined to manga and peripheral materials... it wouldve been nice to see him get a big moment on-screen.
even in cour1, the episode with firesky is largely shown to us from nathans perspective. having keith break down wouldve also been a great way to show how serious the shelving of heroes is and making the situation feel tense because keith especially is always so happy.
it couldve been a tipping point of sorts, where everyone starts to lose heart whether theyll manage to figure out the X rampage issue or not, because despite the boring seriousness of those scenes, i at least never felt a real sense of urgency or huge concern about them not being able to be heroes?
keith confessing that he is having a very hard time with the circumstances and making everyone visibly falter wouldve actually left an impact, and couldve let kotetsu shine as a protagonist by him trying to pick up the pieces.
it couldve also have bit of a callback to that scene where in the beginning movie hes called everyone together and claimed that the heroes and barnaby want to meet each other and everyone gets upset and leaves, one by one, but i guess it couldve been more that everyone leaves buddy pair by buddy pair since the season makes a big deal of pairing them up with them buddy pairs whenever possible.
it wouldve made me sad but not in an utterly desperate way because i know that the heroes will pull through and save the day, it wouldve been a good sort of sad.
this couldve also given nathan more of a spot to shine, because shes keiths buddy hero partner! she wouldve been there for him, but i also dont want to suggest any sort of reduction of nathan to a mammy stereotype-adjacent spot where her main function in the narrative is to take care of others, but more on nathan later.
the scene where nathan offers to hire keith as a secretary especially perplexed me and was left in the forefront of my mind. it was funny and cute, but thinking of keith losing his hero status and not immediately looking into civilian ways to help like finding volunteer organizations to sign himself up for them is so unbelievable to me, sorry...
and because i think cour2 shouldve used their episodes and screentime wisely, any such things with keith couldve been, again, tied to the bigger themes of heroism and such, right on the nose in fact! i dont think its far-fetched to have a moment of hopelessness by having keith break down and then reveal later on that hes signed himself up to ten different volunteer organizations when prompted by kotetsu.
one remark and everyone figures keith is so sad too, but hes still trying so hard to help?
keith is in many ways the best of them, and even if he was so crestfallen and suffering, hes juggling ten volunteer jobs at once even as people have complicated feelings about NEXTs due to the X riots and whatever. hes trying so hard to get people to like him and hes troubled by having NEXT powers and possibly putting people in danger if he lost control somehow (like, is he bad by showing up as keith goodman without admitting first thing he has NEXT powers, and also maybe without admitting hes sky high, as if it was a crime).
it was actually so odd how none of the heroes were ever really concerned about losing control?.. especially the heroes with powers that have the capacity to be really destructive?
and to return to keith, in my opinion he wouldve also suffered with the very human desire to be a hero again: its a huge part of his identity and it occupies almost all of his time! i think he would feel guilty that even if hes helping still in his own way by volunteering, he would specifically want to be reinstated as a hero.
it would feel selfish to him, that he has such a private desire. hes also extremely introspective and he canonically spends a lot of time thinking. he couldve delivered a very neat and conscise but very human monologue on the topic and it wouldve given the other heroes a great character-driven moment to share a bit more about how they feel about the situation?
to have our hero ensemble shelved from hero work and dedicate no scene for them to talk about how they feel about it specifically is such a waste, when it couldve showcased their personas and furthered the plotline by having them remember why theyre heroes in the first place and/or why they want to continue being heroes, etc...
what bothered me with firesky was that they also felt oddly separate from the rest of the cast at times during cour2 and the trailer made their role seem far bigger than it ended up being.
they had a bunch of nice scenes together that very funny and showcased their personalities, but i was very disappointing how those scenes kind of failed to tie into the main plotline so that they were just... there. even though theyve been a part of the main cast since the start:/
they didnt even get a major fighting scene with a big bad because LL audun knocked them out off-screen.
nathan suffers from many of the things keith suffered... she also didnt really have any significant role and well, it wasnt too bad i suppose, it was just oddly disjointed.
the heroes met up at helios energy, i think, but they couldve done so much more with nathans position as the CEO of helios energy.
it has always been a footnote in the show, even if the new manga shows us that nathan is aware of various changes in the hero system before anyone else by getting to participate in the discussions about those changes as her own boss! which is also weird ethically, but i guess its not taken so seriously.
it could have been easy to make nathan more prominent because of her CEO status. what if wed gotten to see the mayor talk to a wider board of people that included the owners of the hero companies etc and nathan was allowed to be there, hearing the talk about shelving heroes and being like wow! that certainly is a suggestion, but!..
this couldve also been used to emphasize that as his buddy partner nathan knows how important keiths job is to him? she couldve even alluded to how some heroes have really dedicated their entire lives to hero work and this is no joking matter!
instead of us getting scenes of the mayor and the assistant or somesuch, we couldve literally had a character there and given her a moment to shine while keeping it plot-relevant?.. she couldve given kotetsu and barnaby some insider knowledge on how to talk with the mayor, too?
i think her being a CEO and a hero is interesting because i dont think “CEO” is a very heroic civilian job, but i dont know if id want the series to ever delve into it overmuch because i dont know how it would be respectful to nathan who has suffered from being reduced to a homophobic/transmisogynistic stereotype before...
not like nathan is the only rich hero either, its just very different to gain income from only from hero work versus being a CEO. the peripheral material sometimes comments something about it like a gag strip making nathan say she wishes the heroes wouldnt go on a strike due to her being one of the shareholders.
what this does remind me of is that i dont think t&b2 really had any significant commentary on how money makes things go around? in s1, it felt kind of prominent. kotetsus old hero company literally went bankrupt and antonio suffers from his unpopularity driving down his sponsors profits.
its why the heroes have to also keep up appearances- its not enough to just be a hero, you have to work to be popular as well. in s1 kotetsu & barnaby cant go to a crime scene because theyre doing an interview and other popularity stuff so their hero alerts were cancelled for the duration.
we get the whole “ouroboros controls everything, actually!..” and a vague allusion to affecting The Economy, but thats it?
anyway, disregarding all of that, i feel like they couldve used nathans CEO status for something. what if she had put her career and status on the line to use her connections and money to reacquire the hero suits of those whose companies had really put them under lock and key...
i also think back to momentarily developing some sort of mega optimism brain rot and thinking that karina couldve had some sort of gay crush plotline with the girl who was trying to pretend shes rampaging and how incredibly sweet it wouldve if the noted LGBT icon of our lineup, nathan, gender-haver extraordinaire, had been able to support karina with that... like yeah ryan wouldve been there for her but... hes ryan. lol
overall, i thought the buddy pairs were fun, but man, i want to see the hero ensemble interact with everyone and not just one assigned "important” character per hero. it also made a lot of scenes a bit disjointed with how buddy pairs were a bit separated, in my opinion... it worked better when it was just kotetsu and barnaby, because theyre the main characters! of course theyll have more plotlines than the others.
one thing i already found a bit strange at the start of cour1 is that nathan didnt talk with antonio almost at all, and we know the new director is a huge antonio fan (which is actually funny to me, and you can see the antonio love shining through).
but.... in prior content nathan has also been regularly paired up with antonio, and i dont mean in a shipping sense (even if that has happened as well but it has only really been to make gags on nathan being creepy because of her poor portrayal before), just that theyve specifically been portrayed as friends before.
so it feels like nathan got sidelined purposefully while making antonio have that entire thing about agnes seep from mainly peripheral content into the main show... (i have a huge brain and am a gay antonio truther, btw.)
it left a bit of a bitter taste in my mouth that someone who has some say over the happenings in the show (?) and loves antonio hasnt acknowledged their friendship in any way... and nathans portrayal prior has been unfortunate, so it wouldve meant something to see nathan get to be friends with antonio with the gross sterotypes removed?
its not enough to say things have changed and you want to improve on nathans portrayal: i want to fucking see it!
while their dynamic is funny, the above has made me worry that nathan and keith were paired as a buddy pair because the writers didnt have anything better to do with them and keith is “naive enough” to hang out with nathan without them having to address anything about nathan properly, and cour2 really didnt ease my fear about it.
like one thing nathan has done explicitly in various material is to behave in a specifically “boy crazy” way which i as a lesbian dont really care about, but i think it wouldve meant something to let nathan act in that way without making it weirdly creepy and uncomfortable, and instead let nathan be a whole person of her own.
i am a serial friendzoner of everyone except characters who havent interacted in canon (lmfao) but the purposes of respectfully portraying nathan and proving that the horrible stereotuping is over, i think there couldve been real narrative worth in her being canonically romantically interested in keith and have that relationship develop, to show that nathan is so much more than those creepy stereotypical actions forced on her characterization before.
it wouldnt have to be keith in the case they didnt want to introduce any romance between the hero ensemble, but any romance plotline for nathan couldve been used to show they really did want to improve on nathans portrayal like nathan would deserve.
it couldve easily been used for a scene in which nathan properly brings up their identity because sure, its been discussed some more in peripheral material and the rising improves on what she was given before, but still retains multiple harmful elements... and it just makes me mad to imply youre going to improve on stuff like this and then not do anything with nathan.
as far as i know, her civilian outfit in the rising seems to be inspired by a japanese comedians gag character called “hard gay”, whose ensemble includes a leather bodysuit, and hard gay isnt exactly a respectful portrayal.
i also love to read tiger&bunny opinions online through google translate, from people who would understand nathans identity/possible tropes better than i do by the virtue of being LGBT+ and japanese.
one of the things ive seen raised is that nathans declaration of self-love in the rising is more compassionate than their prior portrayal, but that it unfortunately is somewhat of a trope in itself given the wording of it, which i think further explains how i think nathan wouldve deserved a bigger role?
theres also the recurring issue of misogyny, because nathan specifically says (dirctly copied from netflix translation): “they say a man is made of courage, and a woman is made of love. so what does that mean for people that are gay? we are invincible!”
men being courageous and women being loving is a cliche, which they included as a narrative choice and is not nathans fault... and t&b2 really didnt improve on the baked-in misogyny, which ive already talked about...
and ill be honest, i dont know how nathan romance shenanigans couldve tied into the main plotline lmfao, but they couldve called back to s1 and keith asking the girls for romantic advice, except now it wouldve been keith with the younger girls in tow trying to advise nathan, which wouldve been funny.
it wouldnt even had to have been a fuck you to people who like firesky romantically, because nathans plans couldve fallen through (by for example having the guy have been an antagonistic force in some way, perhaps interested in getting close to a hero after theyve been shelved just for the gossip, like an evil reporter, to make a point about media) and they couldve included a buddy hero scene afterwards where nathan remarks how keith would not do that.
because its true, keith would not do that, and it wouldve given people something fun to elaborate on?..
instead of remarkable improvements for nathans character besides the passive “no more creepy things”, we also get that scene at the end of the skyfire episode where subarus quip comes across as somehow homophobic to me, and i genuinely dont know what im supposed to feel about it. if youre wiser, then please enlighten me.
at this point i realized that talking about each character individually might kill me, because i have so many opinions, and maybe i should focus on buddy hero pairs a little better since thats how they were given to us in s2.
i also probably have more opinions on keith and nathan than the rest because keith is one of my favourite characters and i do really like nathan too, im just frequently haunted by the narratives past crimes against nathan and the currently occurring crimes as well, lol.
talking of subaru, his buddy partner thomas, and his sister ruby, why didnt they do something with thomas and the fact that nathan has been mentioned to have a little sister she cares a lot about? that couldve tied into the plotline?
i was very surprised ruby had no particular role and felt very separate from the rest of the narrative, and how nobody except subaru seemed to notice thomas wasnt present?
subaru begrudgingly (because hes 17 and wants to be independent) asking nathan or the firesky duo for advice because kotetsu saw he was acting weird and pulled him aside to talk about it and directed him to nathan on the subject matter couldve been a fun addition.
it couldve again showed that kotetsus strength is more than just some imaginary scenario where hes the smartest and strongest with all of the answers, because its not true. kotetsu couldve put himself down about it like oh bunny, i couldnt do anything, see! its those two giving advice again!
but barnaby wouldve correctly assessed that its only because of kotetsu subaru is doing this, and without kotetsu meddling, nathan or keith wouldnt have noticed to help subaru either.
mr. thomas overall had an alright arc. ruby was introduced, but much wasnt done with her. i sincerely thought she wouldve been adopted by ouroboros after everything that happened in cour1 and the mentions of orphans.
this drives me up the wall, because yet again, they had an obvious route to question heroism and villainy, and who is a victim of their circumstances and what acts exactly are evil.
kotetsu and barnaby wouldve had a lot of sympathy for ruby just because of their own backstories and personalities, and nobody else wouldve been unsympathetic either?
ruby is reduced to “little sister who loves and supports thomas”, and thats all: she barely has any real agency, even if it was her who sought thomas out. her personality is “gentle and understanding”. she continues the theme of being a woman in the show being reduced to narrative vessels to make the guys of the show do or feel something...
i also talked about them a bit earlier, so i dont have much else to say.
but one huge unresolved plot thread is their entire company? why did they even introduce the owner and manager of jungle when they werent relevant? and why did they seemingly sabotage subaru in cour1 by having his PDA not go off when heroes were called?
i thought it was significant? i thought jungle was sabotaging him?.. nothing came out of that?!
origami rock kinda won... they had a lot of good scenes. antonio was clearly beloved by the narrative. ive also spent two days writing this post so im kinda sick of writing it and this is one of the last parts im bothering to comment about so itll be kinda short, but...
like i mentioned earlier, alcoholism was kind of painted as something evil people do and antonios drinking problem was kind of bypassed entirely, when i feel like its a major thing for him? in the KOW the rising schedule, he really goes hard in on drowning his sadness and loneliness in alcohol.
it was also made into a joke moreso, with antonio and ivan apparently having gone drinking together?.. i feel like a more healthy direction for antonio wouldve been them focusing on things ivan wants to do... like, ivan went out drinking? seriously?
i guess that does feel like a major step for him in the sense that hes less shy and far less mortified by knowing he did silly thinks while drunk which is good for him to be less self-conscious... but its also like... i dont know, just weird me out that antonio would introduce ivan to that part of his life, which i felt was just his loneliness coping mechanism.
last but not least, kid cat... they really got the short end of the stick. they even lived in a dorm together and nothing ever really came out of that? it felt like a waste. i already talked about them a little bit.
paolin didnt really get a separate arc but she did really shine in cour1 at least, and maybe its just me but the whole situation around laras mom and kid cat being shoved into it soured their entire thing for me, especially the part of paolin comparing laras mom to her own mom, again... oof. that shit hurted.
i disliked that paolin was pushed into somehow vaguely motherly/caretaker-esque role with lara with her even looking up those damn parenting books and her fun energetic and somewhat goofy personality wasnt so well preserved. i wish a girl character was allowed to be goofy while still having serious and cool moments: they could do this with subaru but not paolin.
i already talked about karina earlier, but again, even if its actually incharacter and natural for karina to be be “the responsible one” in her dynamic with ryan which i do enjoy, i cant help but notice the narrative forcing all girl characters into that sort of role... i would include nathan (haver of gender) in this, because i feel like being goofy on the occasion is very central to her as well, but hmm.
its not even that i dislike karinas and nathans dynamic with their buddy hero partners, its just unfortunate that all girlies had to do similar things, because i cant ignore it... t&b2 really goofed with that.
it disappoints me personally that even if i dont understand how it wouldve made any sense wrt the narrative, i wish paolin had allowed to show her gender non-comformity somehow?.. i probably had my hopes up after hearing about them essentially saying they want to add a bit of representation into t&b2.
but i suppose that mainly meant ruby mentioning she has two dads and the girl with an ex-girlfriend.
all of the girlies got sidelined, which ive already talked about...
i feel like karina got the most major arc which does make sense because shes more of a main character than the rest, but it was also taken a little bit too seriously in my opinion, i wish the characters clearly treated it as karina being a teen who has a crush on some old guy because teens do that.
it was also kind of like a waste for me... i didnt need so many scenes about it personally. shouldve made karina do things for herself.
i have to admit that for a moment i genuinely thought that karina talking to that fake rampaging girl about her unrequited love for an ex-gf was going to awaken some feelings in karina, lmfao.
another thing about mr.legend i didnt manage to fit anywhere is that we still dont know his name? hes just mr.legend, even yuri doesnt say his name. it makes sense, but narratively, this ensures that mr.legend remains the stuff of myths. it feels like this is what they wanted, but it sucks!
to give him a name behind the hero gimmick wouldve brought him down from his status to that of a normal human. ive always been certain that petrov is yuris mothers maiden name as well, so dropping mr.legends name wouldnt have immediately implicated “yuri petrov” of anything.
nobody even knows he had a family! it feels like maverick scrubbed all of that clean, just in case.
as for mattia, i think his character has worth but is used wastefully: not only is he the one to develop the drug that drives much of the plotline, he gives us more insight to the worldbuilding of t&b and normal peoples opinions on NEXT powers. he doesnt hate the NEXT, but if he could choose, he would have NEXT powers himself.
this sets him apart from other similar characters like ben or saito, who are both normal people at the periphery of the heroes without NEXT powers who have been portrayed heroically in the past, since he explicitly wishes he could attain a sliver of the heroism he sees barnaby have, and he thinks he needs a NEXT power to be able to do so.
this couldve been, yet again, used to reinforce the theme that heroism is so much more than just having a powerful NEXT power. mattia couldve also been used more intelligently, and while connecting him to barnaby is nice to give him a new friend, some of his functions couldve been covered by kotetsu or some other members of the hero ensemble.
it couldve worked better if, for example, the hero ensemble had more strongly reacted to suspecting mattia to have ratted them out. i already said that i think ryan wouldve been more than annoyed about it, but the moment couldve been used to showcase various characters and their reactions to it!
i think the moment couldve been drawn out instead of being immediately resolved, maybe even included something about how mattia needs to prove himself to not to be a spy for ouroboros, not because i think its reasonable, but it couldve meant something to have our heroes be utterly wrong about someone!
i come back to this again and again, but it couldve been used as a point that the heroes arent necessarily right just because theyre heroes, and that mattia couldve worked with saito and proven himself to act more “heroically” (alongside saito!) than how the heroes treated him.
and, unfortunately, the narrative itself undermines mattia because of auroras existence.
she introduces a huge plot hole for me. mattia has worked hard to try to develop a NEXT drug, and has actually gotten results, its just that he hasnt gotten the specific result he wanted: why doesnt he just mail that drugs composition to aurora and have her complete it, since her unclear NEXT power seems to have no limits and gives her a vast intellect without even trying?
in fact, when theres any sort of problem, why dont we ask aurora about it? if shes so important, why havent we ever heard of her before? her inclusion didnt feel natural at all.
i really hated aurora, because her character felt so cheap and gimmicky in every possible way. sure, she was foreshadowed in cour1, but since she obviously didnt exist in s1, it felt incredibly stupid that there conveniently is one single person ouroboros has to assassinate to ruin all relations between people who have NEXT powers and those who dont...
her power makes no sense: if shes so fucking smart and has been Thinking of ways to better the world for literally decades, then why capitalism all over the world?
i do think its realistic to expect she cant force the world to become an utopia, but the way shes introduced and dealt with doesnt really give me a well-nuanced view of her. she looks to the side and saves some lizard species form extinction with an idea.
i think her character couldve been interesting if they had used the whole season to set her up and i guess made the themes of the season somehow align with her and “not being able to fix the world alone no matter how smart you are etc” and included her as the brain and LL audun as the brawns and how neither of them could ever fix the world alone according to their opinions, and only in their bonds can our heroes find the most of their strengths, including connections with other people like how kotetsu could chat with a child in s1 to ease him down from his rampage at the ice rink etc.
buuuut i feel like that couldve been the plotline for some other season altogether. now that we know LL audun, he could get him back later and see how hes doing, etc... in the case he was given more nuance or something and not just sent back to jail, i mean.
theres also the moment where aurora opened her eyes and i guess i was supposed to feel it was significant but i genuinely didnt care. like okay. yeah i noticed that. no i dont care that the day was saved and “she felt comfortable closing her eyes again”.
was that purposeful?.. the implication that shes closing her eyes from the world?.. and she only opened them when she realized she personally was in danger?..
that was so wild to me, i still dont know what the purpose behind that was, but that certainly was how the overall arc felt about yuri. eyes closed, who cares if some guy suffers for no reason.
rosicky was interesting to me, and it was a waste she got shot before she could have any sort of discussion?.. she just felt like a cheap trick to get yuris body fucked up. it couldve been an interesting moment overall, but, well...
not like were going to get anything about yuri reacting to how all of that went down? so it was just... weird.
and then rosicky died and gregory "won” their little squabble, and i wish gregory had fucking exploded because lunatics been making some points and i fucking hate him...
also just to return to the ouroboros ties of the season, they made ouroboros so all-powerful it was stupid and lost a lot of meaning to me. like alright, they can do anything, why are we even fighting, and why is rosicky alone in charge of this operation... makes no fucking sense, its such a forced situation.
the ending of cour2 was... well, it existed. i mean, i dont personally mind kotetsu retiring for good overmuch i suppose, but i think with everything that happened (especially in the way i think things should have happened) he couldve just continued as proof that even people without NEXT powers can be superheroes...
and also as a some sort of proof that it was mr.legends refusal to change any part of his hero image that really did him in: kotetsu could cling to his heroism while accepting hes just a guy without powers and not make it such an issue.
and i suppose if he retires, i wouldve loved to see him take some sort of director-like role instead: i dont think he would be able to let hero stuff go completely, but him being a senior you ask for advice would still give him a lot of things to do.
right now its also a bit of my fear, if they have any thoughts of continuing tiger&bunny in any way ever and yuri had to die so that kotetsu could take over the spot he ended up occupying as a director...:( genuinely makes me make a sad face in real life.
by the point we got to the end they had already fucked up the entire premise and any message they wouldve hoped to send and if they had some sort of uplifting message after yuris death, i failed to understand it. but it felt like a giant fuck you to the fans of the show called “tiger&bunny” to get that last bit of tiger&bunny pair disbanding because of reasons.
i mean, theyre not even remotely my favourite characters and i dont think about them overmuch, but leaving it more open-ended wouldve been so much more fun for so many fans? they really fucked up the shows undercurrent of interrogating who can be a hero and why in the first place, but like...
yeah that shit sucked ass sorry. i dont even have anything to add. people who showed up to see more kotetsu and barnaby content getting that half-hearted discussion about where theyre gonna go from here and then showing their plaque in the “true heroes” hall...
i feel like it undercuts kotetsus character so much, because hes always been the “underdog”, and hes pulled through everything that came before this. they explicitly mention that hes been working really hard to supplement his waning power, and then leave it at that: if i was supposed to understand from that part that kotetsu isnt really retiring or anything, it didnt really come across due to the other circumstances.
and again, i dont even really care about kotetsu! its just that he really exemplifies the tone of the show as a fact, and i like to think i have a modicum of media literacy. and by undermining the uplifting message of the show, they directly undermined him, and by undermining him, they further muddied the spirit of t&b.
i feel like an ending i wouldve killed for is one that couldve included that sort of tour of a museum, but it wouldve showed mr.legend paraphernalia being moved away from “true heroes” and also included our protags being inducted in there if they so wished, but leaving it more open ended... and definitely proving that mr.legend was not worthy of being thought of as a hero.
it was weird that the second league isnt brought up at all during the entire season from what i can remember? i dont even have anything significant to say about it, but i think second league heroes are and have been important, just by existing, to the narrative asking the viewer who really is a true hero and who insnt and what it all means.
they just didnt care, just like they didnt care about that question and yuri. again, they fully ignored anything they had set up before, and kept introducing new characters when old side characters couldve been brought back.
i have some thoughts on the police chief being a younger version of the police chief from double decker... im unsure if the implication is that double decker is more than a spiritual sequel and its not just cameo, or if its something more.
mattia did off-handedly mention that hes developing now trying to develop a drug that takes NEXT powers away if i read and understood it right, which would, i guess, make a canonical disappearance of NEXT powers possible.
i have actually never seen double decker myself, but i understand it references tiger&bunny while being separate and clearly “in the future” from it, and as far as i understand, it doesnt have people with superpowers.
i personally think that imagining double deckers world as a canonical sequel to the world of tiger&bunny sucks, but i dunno what the real implication there is.
i also want to talk about the art direction of t&b2 since im airing out my opinions and complaints, so why not: the art direction kinda sucks. everyone has been smoothed and thinned down and the essence of t&bs charming style has been lost in some ways.
you can really see the jump between older art and the newer art with ryan, for example... ill talk about ryan now because this is my post and i love this guy.
he is downright ugly in some parts of the rising, and i love calling him ugly, but in a serious way, yes, i think hes explicitly supposed to be handsome (because what else does he have going on for him even except being loud and looking good lol).
hes just a different kind of attractive than barnaby who is pretty, and theres various scenes in the rising where you can see that barnaby has more of a button nose while ryan has a sharp, short nose, unlike yuri for example, who just has a large nose overall (and its his charm point!).
ryans most notable quality is that his eyes are drawn to look hooded and deep-set with straight eyebrows that make his strong brow even more prominent, and he usually has a very distinct wrinkle across his forehead.
and what does he look like in t&b2? certainly nothing like that.
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i know that the rising has a much larger budget for the designs than the episodic show, and either way they wouldve had to simplify ryans design to translate it into the episodic format. and we all know the goofy parts of season1 they fixed in the bluray release...
that never was a huge problem, and i wouldnt mind it. yes, i guess ryan couldve been changed for marketing, but he looked like that through-out the entire movie and was hugely popular regardless and BECAUSE of how he looks. but its not just ryan, its that the art direction changed drastically, and it made all the characters look so much more generic and samey.
just after the scene i screencapped above, you can see barnaby and ryan from further away with less detail for a scene that passes by quicker, and you can see that less care was used to make them look good but they still were kept distinctive and different. (and sorry to barnaby, i caught him in in the middle of a movement, so he looks extra goofy.)
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t&b2 doesnt even have a lot of scenes that i can remember that really let the chracters emote and make goofy faces: kotetsu has always been hugely expressive! i want to see him make a funny face! kotetsu is also the main character, and part of his thing is being an Old Man (even if he isnt even that old for real, but thats beside the point).
he has wrinkles around his eyes in that shot even if its not hugely detailed, and in contrast i feel he was very smooth in t&b2. the art direction felt as aimless as the bullshit plotline, and equally as uncaring towards established characters!
everyone was drawn very samey. another example to me is the scene in cour1 where thomas inspects keiths pectorals is just sad, because hes been thinned down like everyone else. what was there to inspect? absolutely nothing.
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this screencap from s1 has more to inspect than the scene where keith is supposed to be noticeably buff. by the way, this entire scene with the girlies and keith has more personality and goofiness than most of cour2.
and heres a screencap of keith from that episode, where his face shape and features are distinct.
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ts been a decade and i know that anime production has gone through changes in this time and netflix-style mass drop of episodes may be harder on people in general, but comparing my s2 screencap below to the screencap above just makes me miss the old style because im scared to but s2 keith next to the one above... his eyebrows were so sadly thin and so were his face and body.
you know, lunatic doesnt even have a distinctly large nose, and his eyes arent even particularly sunken and he doesnt have many wrinkles around his eyes like i think is charming for him, because everyone is just smoothed down... and the above screencap isnt even a good example of it, but the charming thickening of lines at some parts is entirely missing in t&b2 from what i can remember? i feel like the linework used to be stronger and more interesting overall.
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anyhow, yes, t&b was also fixed up for the bluray release but i feel like the atrocious-looking parts are kind of funny to look back on. i wonder if theyll be editing s2 visually? (and please revise the entire storyline for yuri too, thanks.)
speaking of s1, where did this entire sentiment disappear to? into the ether?
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also, i cant help but be plagued by thoughts because the episode i got those keith screencaps from, kotetsu & barnaby are interviewed by kids who are taking the reporting very seriously, and their reaction to kotetsu saying the person he looks up to is mr.legend is lukewarm at best.
then barnaby talks of his parents and robotics, and they light up, which is funny because barnaby is way more popular, but it also narratively, in my opinion, shows that especially the new generation of sternbild thinks mr.legend isnt that impressive and would be more willing to accept that despite the myths around him, he was a man who severely sucked.
theyre ready for new heroes to commemorate, ones that really deserve it, and they (even in cour1!) dont see lunatic as a villain but an antihero who protects them.
oh well.
thanks for reading, even if you didnt read all of it and just read interesting parts or skimmed through it! i guess writing this was like free therapy for me because i need to deal with how deeply yuris cour2 canon arc affected me lmfao.
i dont think ive ever been so blindsided and taken aback by the total surprise i felt at the direction his arc took and that definitely factored into how deeply it fucked me up because if i couldve anticipated that yuri could for example die, i wouldve been a lot more normal about it.
but out of all things, i cant believe that tiger&bunny would do that to me, and make me see all of that pain... genuinely fucked up not going to lie. fugan and mugan and their father being shot to death is one thing because its shocking of course, but yuri has been in the show since the start.
yuri has existed in the minds of people for over a decade, now, so it feels so unexpected they would so callously kill him off, it feels entirely uncharacteristic, and i feel like its not something that anyone couldve expected, and maybe it wouldve been less shocking if season2 had come out like, say, an another year after the rising...
but still, i dont understand how we make the jump from yuris portrayal and the overall themes of the rising into t&b2 and his role in cour2. its wild, i dont know how to get over it.
breathing through gritted teeth how i published a few fanfics with yuri in a huge hurry before cour2 dropped because i wanted to have them started in case some major yuri details drop and ill feel compelled the rewrite the yuri parts of them but huh... well.... cry laugh
i love imagining scenarios with my favourite characters, but i tend to include yuri in the core ensemble cast of heroes: trying to imagine any post-canon shenanigans feels so hard right now like watching a VHS reel that ran to the end and has to be rewound, and actually makes me incredibly sad.
theres that new audiodrama coming out with ryan featured in it and i cant even be excited because i just get sick, like physically... i guess imagining myself casually engaging with tiger&bunny content makes me feel like im spitting on yuris nonexistent grave. woe is me. fuck you tiger&bunny2 cour2. TL;DR - my opinions, this entire post condensed somehow:
the whole arc for yuri felt like a giant fuck you not only to him and all of the fans too, and same with the ending kinda
ryan was brought back for a fun cameo only because he never became plot-relevant really so what was the point lol? screentime waste
plot points set up in cour1 and further before were ignored and scenes were specifically used to counteract them?!
big misogyny moment for all woman characters of the show
hero ensemble overall was underutilized
new characters/excessive focus on side characters like the fucking mayor and the police chief in cour2 felt gimmicky and unnecessary and generally didnt add much worth. i dont care show me my funny heroes instead
they tried to do too many things and lost sight of why t&b has been so great and why the idea of a more self-conscious t&b is so exciting: of course the show has had a lot of flaws, like nathans initial portrayal, and to imagine a show that has the same spirit but improves on those flaws is amazing. its just not even remotely what we got</3
never expected a flawless show but there are flaws that you can headcanon away and there are flaws that undermine the entire theme of the show this far. i dont know how to make s2 any better after seeing cour2 without totally ignoring any of it happened
cour1 wasnt even bad. it was solid. shit just hit the fan in cour2
the art direction was a huge downgrade, but maybe it was just budget constraints, so i dont know how harsh i want to be about it.
leave a comment if you want, lo, i love to talk, its relaxing. i also mightve mixed shit up so dont embarrass me too much if you notice any overt mixups since i really did marathon the cour once and i dont know how i can bear to look at it again. i also have some confusion over some parts of the story which i detailed above in my manifesto so if you wanna educate me, please do, lmfao...peace out...
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faerociousbeast · 2 years ago
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- ok. the biggest difference between og naruto and shippuden naruto, is that in shippuden, he is statistically HIGHLY more probable to try and change someone to agree with his views after ""understanding"" them.
- vs in og, there have been many examples of him having his own assumptions, but then later connecting with people to see their view. there was development in this area too, specifically during the land of waves arc, where he learns that yeah sometimes things are not as you assume.
- in the chuunin exams, one of the biggest uh oh naruto moments was when after neji aired out the fact that his clan literally enslaves their own members and tortures them, naruto sides with hinata, who was self proclaimed trying to become stronger. Or. something.
- nejis situation is much MUCH more similar to narutos own than hinatas ever will be! the BIGGEST DIFFERENCE THOUGH, as to why naruto assumed neji was at fault here, was the way he reacted. let me clarify: neji seemed violent and angry (which. imo are completely normal trauma responses to have when you are literally owned by your own cousin but. idk), while hinata seemed much less like... confrontational? plus she was "trying to get stronger", which was something naruto could relate to.
- in HIS view, hinata was just trying to improve herself, but neji was getting needlessly mad about this. why he somehow did not hear about hinata also insulting neji back or the whole enslavement thing i do not know, but then again it seems like nobody did to this day so. uh.
- anyways im getting off topic. but. tldr: nejis been through being secluded and underestimated and trauma and losing people and being alone and people in power failing him etc etc and he reacts in an angry, cold way to the people around him who caused him to be in such a situation, directly or not. aka all things NARUTO has been through, and he relates to so many people through those, but the biggest issue here was reaction.
- but you know who else DOES acts this way later?
- sasuke!
- it would be SUCH a huge thing if naruto initially assumed neji was at fault due to the way he acted, but then later realized inaction does not equal good (cough cough hinata sure but also hiruzen), and that the situation is not always so straight forward. and that sometimes, the people in power ARE to blame, and not everyone will try to suck it up and suppress their anger so that people will like them. unlike. A certain protagonist i know.
- PLUS. GAARA. its too bad gaara and neji were too gay to realize that naruto kinda just.... yknow and immediately fell for him so hard they became nonviolent but. hes ANOTHER similar situation, even MORE similar to both naruto and sasuke. as we all know, hes the in between.
- narutos pretty much main goal, and what sets him aside from sasukes other.... Fans, is that he wishes to UNDERSTAND. him. turning him into a tool for the village that caused him such pain is Not That, naruto.
- but if the hyuga sideplot got continued, gaaras whole thing couldve been even better, naruto would have to stop trying to be stubborn in his beliefs that the power is always right bc like, they arent, most of the time, naruto would understand sasuke better, hinata wouldnt be painted as so perfect, the whole pain arc also wouldve gone better considering that pain literally brings up such valid points that never get addressed properly, Like.
- ohh but i guess naruhina endgame marriage wouldve been hard to do then huh 😒😒😒😒😒 thanks for NOTHING, boruto era. i have nothing against sequels unless theyre sequelling for the sake of sequelling and completely destroy everything set up in the original for its sake
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sipping-ambrosia-wine · 1 year ago
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ten people looked at this so i wanted to explain:
1) this moment
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after this moment mineru's poe seems to enter the purah pad. mineru was with us all along from the moment we get it back in the tutorial period. zelda's words imply that mineru plays a key part, presumably in guiding link. theres no reason she shouldnt have.
2) the totk tutorial echoes the botw tutorial you just have the context of what happened to link before he got there. the great sky island= the great plateau. youre introduced to the game mechanics, the korok puzzles, theres a mysterious ghost dude who turns out to be a dead king from an age long past. i actually like the parallels BUT its like they took every complaint about the great plateau being confusing and long made it. actually tedious. but anyway by making mineru present from the start we know we're breaking away from botw's laurels and getting a return to classic zelda form.
3) again with the struggle between beloved zelda formulas and being the sequel to botw is the dungeon quests. the zonai lore is really really irrelevant and unconnected between regions and it sucks bc it also couldve been super interesting. mineru's perspective as a zonai, as the LAST zonai in hyrule, and especially as a HISTORIAN SAGE LADY really couldve given us way more lore on this and couldve linked hyrule and the zonai influence on it more gracefully.
4) this game needs a guide. they try to keep the freedom and messing around in botw while making the stakes more urgent but with the open world and without a guide it makes everything else feel superfluous and unimportant. after the regional quests i AVOIDED lookout landing because i like to mess around more thoroughly before facing bosses. i figured after gathering the other sages that there were only four and that i wanted to explore more before facing midpoint boss Fake Zelda. i explored the thunderhead isles and the spirit temple largely oblivious and halfway on accident.
5) mineru passing on shouldve been a way bigger deal to the player. once i finished mineru's construct she just hangs out as mineru's vow until you fight ganon. when she passes on in the post game cutscene i... felt nothing. the game is called tears of the dragon. you hunt down the dragon tears that zelda shed to gather the memories that lead up to her draconification. when you finally reunite with zelda and she wakes up she doesnt weep with joy, which is enough of a missed opportunity imo. it wouldve fit, shes been through a lot of grief but now when she cries its because she's happy. yeah. but she cries when mineru passes on- mineru, who the players barely know. when zelda cries PLAYERS should be crying. we should be touched, but i felt more when the sages pledged loyalty to her than when mineru left. if she was your guide companion from the start then we would have that emotional foundation we got when navi or midna left and it would actually deliver the gut punch of losing them.
TLDR: mineru deserves to be way more important and present than she got to be. it wouldve served the story and the lore, streamlined player experience, AND been a franchise callback that actually does something.
i feel like... in totk they SHOULDVE given link a companion from the start and it shouldve been mineru
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chikkou · 3 years ago
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some ppl are bringing up the fact that lisa is based off austins ex gf as a sort of gotcha bc he said lisa is the worst person and since his dumber fans usually take that to mean "brad and buzzo did nothing wrong it was all lisa's fault bc she is an evil manipulative demon :((" they think austin agrees w/ those takes and that austin thinks his ex gf is some sort of psycho. i figure u would know for sure, but didn't he say that about just the first lisa game? like wasn't that before he even had the idea to combine lisa with his new post apocalypse rpg? i could've swore he said something about how he just thought that the way memories can haunt people fascinated him, and that he developed an interest in that subject bc his ex gf was haunted by memories of her abusive father?
yeah, ur right - the influence that was drawn from his ex gfs experience was concentrated solely to the first. i dont doubt he mightve pulled some concepts from that experience for the painful, but as you mentioned, he never even intended to make a lisa sequel and the painful was originally going to be a completely unrelated game, but clearly the idea of lisa got caught in his mind and so he expanded on it.
with regards to lisa being "the worst," i do put the blame on austin for wording his tweet very poorly, but he did later clarify that he meant that she has had the most negative impact on the world, which is true tbh. buzzo does try to blame lisa as hes dying, but frankly i think this is him being unreliable and telling himself a lie. buzzos entire character arc has been passing the buck for his own guilt onto someone else; he blames brad for lisas death, even though he had a minimal role in it, and tortures dustin for it, even though he was COMPLETELY innocent. so it doesnt seem that off the wall to me that he would then pin the blame for everything on lisa herself, even though everything he did after her death was 100% his fault. remember that the lisa we're seeing isnt the real one, just his twisted memories of her. i think if the joyful had been made a full game, this wouldve been much clearer to the player, but i think some people really just overlooked that completely LMAO
taking it back to the ex-gf aspect, austin was very level & empathetic in the interview where he talked about the inspiration from his ex gf; he didnt try to speak for her or assume anything about her experience, and he was very vague about in what way the father was abusive, so i think he was being about as respectful as he could be. we also dont know that lisa is actually based on the ex gf; the direct inspiration was specifically that his ex gf was haunted by memories of her fathers abuse, so it couldve been completely different circumstances and she very likely was a completely different person from lisa.
there are valid criticisms to make about the games, like quite a few LMAO, but honestly i dont think this in particular is one of them
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t4tails · 3 years ago
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how was scream 5 !!!
i thought it was pretty good! i like most scream movies and i think this one was especially good at the satire on elevated horror + legacy sequels, tho my lineup still stands as scream 1 > scream 2 > scream 4 > scream 5 > scream 3, but it could change in the future maybe
spoiler-y thoughts under cut
ok i think the weakest part of this movie were how they treated the original 3 ESPECIALY gale. she didnt do much at all except like, pine over dewey which i get is a large part of her character w him but all of her bitchiness was just gone. sidney was okay if a little shoved in, and while that couldve been on purpose i honestly wouldve been fine with her having that little phone cameo and NEVER going back to woodsboro (bonus points for her not dying or being the killer!)
dewey was fiine. i feel like his character was done well w the whole i must be taken SO seriously (does something nobody should take seriously ever). everybody called him dying but his death scene was super cool so its whatever
also called judys death. the returning non big 3 member alwaaaays dies. her death scene was not as cool but it set up wes's which i loved so theres that
the new characters were fun! i LOVED mindy and chad they were super funny and i liked them immediately, super glad they lived. the girl w the long pink hair whos actress looked way too old to be here was a decent red herring and was so annoying i liked it when she got shot. wes was funny and had my favorite death scene in the movie, its what craven wouldve wanted <3
sams actress was on the weaker side in horror. i saw her in in the heights and thought she was good, but her mouth has like this permanent uptick on the sides that make her look at least a little happy a lot, which downplays her looking upset. if she wants to continue in the horror genre she should lean into it and consider a villain! as for her character, she was cool. billy loomis's daughter. her seeing him was fun and i loved her relationship w her sister.
her sister was great! best acting in the film. literal mvp she deserves everything and i have nothing bad to say. only elevated horror fan i respect i guess but she better not disrespect my slasher buds again tcm and black christmas are iconically political stfu 💗
then there are the ghostfaces. richie was funny, and even if he hadnt been the killer i enjoyed his humor in the first half (i totally relate to watching a series in a week and then acting like a total expert on when it went to shit lmao). he was fun, and a little obvious just like the love interest always is. cool death scene. kind of a dumbass.
amber was weak. she wasnt in as much of the movie as richie or anyone else and i really disliked her obvious personality shift when she revealed herself as the killer. ik ghostfaces have acted different post reveal in the past but at least stu and mickey were already kind of fucking weird beforehand (liver alone, anyone?) while she was just stoic and mean. another cool death scene and i thought her excuses for being innocent were really funny.
bonus comments:
- "im innocent! it was the movies! i was radicalized!" "the movies radicalized you?"
- everybody forgetting about stu was a funny gag but damn f that skeet got to come back and play his fucking GHOST and not matthew who has been asking for years 😭
- not many ghostface eating shit moments. i liked it when he got hit with a vase though.
- was wes already born in 2011 and judy was a mom in scream 4? whats the timeline here i feel like im stupid for asking
- i cant believe i watched the word fandom get said in a scream movie in 2022
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