#WELL. THAT WAS BLUE IN THE DRAWING PROGRAM
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slippery-minghus · 2 days ago
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"Be careful," Markus bid, emotion breaking through. Always so guarded, a part of him resented the concern pulling taught at his brows, his mouth, his eyes—but seeing Connor, so freshly deviated, brazenly willing to throw away everything he'd ever known on behalf the cause he'd been built to prevent... Markus couldn't deny the way it inspired him. And made him deeply, deeply afraid.
"I will," Connor murmured, arms still wrapped tight around his middle. Only this time the conviction had fallen away from his voice—if only slightly. Almost imperceptibly, he leaned into the hand Markus held at his shoulder and blinked, eyes dark. His lids fluttered once, twice, and he drew in a measured breath.
Markus's instincts—programming—years of experience blazed alight, drawing him closer to Connor. He braced his grip more firmly, reaching to steady his other side. "Connor, are you hurt?" Markus was quick to scan him, but in the dark and dust, he couldn't make out what Connor didn't want him to see.
"No," Connor hissed, shifting to pull back, only to sway where he stood. "I'm fine. I need to leave for CyberLife Tower."
Markus glanced to the side, meeting Josh's wary gaze. He nodded, and the former teacher began a cautious approach.
"You don't need to lie to me, Connor," Markus coaxed, consciously modulating his tone to something gentle, calming. Like he used to with Carl, what felt like a lifetime ago. In a way, Markus had never stopped being a caregiver.
"I-I'm not, I..." Connor stammered, voice trailing off as he listed. He blinked again, slower, dragging up exhausted eyes to meet Markus's—arms still clutching his sides like a vise.
Markus held him steady, but he knew collapse was coming. Androids mimicked humans far too well to expect otherwise. "Show me," Markus bid, and remembered Lucy. She had been Markus's first caregiver, bestowing him with a gift he would now pass to Connor. "Let me help you."
Connor shook his head once, only to immediately sway dangerously. But Josh was there, ready at his back, and Connor did not fall.
"I'm sorry..." Connor breathed, "On the ship. I wasn't fast enough..." He met Markus's steady gaze and held it, expression drawn with exhaustion. Connor's arms were stiff and faltering as they at last unfolded from his middle—and the sight of so much blue, still wet and glistening, was finally revealed.
"Connor," Markus murmured, and it was a battle to keep the fear from his voice. Even still, he sounded wrung out, thin, "How long do you have?"
Connor met his tone in kind, edge of his mouth quirking in a wan sort of grin. "Without a patch and thirium resupply... long enough." He curled his arms back over his side, returning pressure to the wound. Josh and Markus's firm holds were all that were keeping him standing, now. "I'll be able to make it to the tower. I won't let you down."
"And then what?" Markus pressed, but his eyes weren't on Connor.
Josh nodded, needing no more than a look from Markus to know what needed to be done. He stepped back, careful grip on Connor's shoulders holding firm. Connor's eyelids fluttered as gravity overcame him, as he fell back in the open space to where Markus could reach him.
An arm at his back, another scooped up his legs, and Connor's vision swam as the cathedral tilted hard above him. "I've got you," Markus whispered, close and warm in a way few androids were ever spoken to.
"Clear the bench," Josh bid with a gentle order, and fellow androids shuffled quickly from their way. "I'll be right back with supplies, Markus."
"But—" Connor started, cutting short as Markus eased him down to lie on the wooden pew. Tension struck his features, and his breath came ragged as he settled. "But the others—they need the—"
Blue was staining Connor's fingers now. "The supplies are for everyone," Markus said firmly, placing his hand over Connor's. "You're one of us, like all the rest."
Connor's frown deepened for one last moment, before he nodded, finally at ease. "Thank you, Markus."
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alhavaradawnstar · 2 years ago
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Unleashed by a meeting of fate; a knight comes along as I wait. A desperate cry, the mantle of "chosen" passed on. So where would I even begin, a saint in a valley of sin? Both above and below, the might of the gods is long gone. / I'm a shadow apart, passed through time and the dark / I'm ready now, ready for knights burned away from the sun's glory days. Lifeless ashes give way to this lone wolf, afraid. I will carry the light, and build on the pyres with my bones.
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jimjamfandom · 2 months ago
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Board sketch dump ranging from S1 to S3 sketches I've made (& my partner) as I make my way through the Magnus archives for the first time.
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sundial-bee-scribbles · 2 years ago
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experimenting w/ blood colors, b/c red blood would not stand out on this hoe’s already red-as-hell design
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alex51324 · 5 months ago
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So, the NDA signed by producers of The Apprentice just expired, and one of them has published a tell-all article. Most of the article is about how they used standard reality-TV tricks to portray Trump as being wealthy and intelligent, when in reality he was, and is, a deeply indebted buffoon.
The money shot, however, comes when Trump and the producers are preparing for climax of the final episode, when the winner will be decided.
Per the FCC's rules for game shows, producers could not be involved in deciding who would be fired each week, or who would ultimately win: it had to be Trump's decision alone, like contestants and viewers were told it was. The producers could, and did, give him a presentation about the strengths and weaknesses of the contestants each time he had to make a decision. These were recorded, in case questions ever arose about whether the producers had crossed the line.
So, for the final episode, there were two contestants remaining. Both were men, one white, the other Black. They'd both done well in the final challenge of the competition. As the producers were summarizing the points for an against each candidate, this happened:
“Yeah,” he says to no one in particular, “but, I mean, would America buy a n— winning?” Kepcher’s pale skin goes bright red. I turn my gaze toward Trump. He continues to wince. He is serious, and he is adamant about not hiring Jackson.
In the finished program, Trump chose the white contestant as the winner.
(Four years later, Trump would propagate the baseless conspiracy theory that Barack Obama was not a native-born US citizen and therefore had not legitimately won the presidency.)
The article also describes how women working on the production faced discrimination based on whether or not Trump wanted to look at them while they did their jobs:
While leering at a female camera assistant or assessing the physical attributes of a female contestant for whoever is listening, he orders a female camera operator off an elevator on which she is about to film him. “She’s too heavy,” I hear him say. Another female camera operator, who happens to have blond hair and blue eyes, draws from Trump comparisons to his own Ivanka Trump. “There’s a beautiful woman behind that camera,” he says toward a line of 10 different operators set up in the foyer of Trump Tower one day. “That’s all I want to look at.”
And there's a third anecdote where he pressures a woman producer to break the FCC rules, while being casually misogynistic toward a contestant:
Trump corners a female producer and asks her whom he should fire. She demurs, saying something about how one of the contestants blamed another for their team losing. Trump then raises his hands, cupping them to his chest: “You mean the one with the …?” He doesn’t know the contestant’s name. Trump eventually fires her.
This information is pretty unlikely to persuade anyone who wasn't already persuaded by any of the other things Trump has done and said, which would for anyone else be a career-defining scandal. But it is a useful reminder of who we're dealing with.
(Link is to Slate, an x-number-of-free-articles-a-month site, but the incognito window trick works.)
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plutosoda · 3 months ago
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how i make character models* in paint3d
*they are not models. you cannot rig them. but for simplicity i will call them this. also this guy is the example ⬇️
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so. paint3d is very jank and not actually that good But it is fun to mess around with and for getting that early 2000s computer game effect for things. this program crashes and lags a lot especially when making more detailed stuff like this so. throughout this Please save your project periodically. I have lost so much to not doing this
if your computer isn't that great it's best to keep the quality setting at it's lowest. these models aren't really that detailed so it doesn't make a huge difference anyways LOL
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when you open p3d you start with a blank 2d canvas. if you've Never used the program before i recommend fucking around with 3d view + making 3d shapes for a bit. make a Thing. like just some random object. it does not have to be good it's just to get used to how the controls work (because it is different between my mouse and drawing tablet and im not going into that here LOL). the biggest positive about p3d is how user intuitive it is compared to.yknow. blender when you're done with the Thing and u want to start with your character go back to the 2d canvas/2d view for sketching time
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you could probably do this in another program but. i find it easier to just do it here. i keep these pretty simple and try to keep depth in mind
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then go to canvas and make the background transparent. and then switch to 3d view to start making the base for the model on top of the sketch
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at this point i don't use the 3d doodle shapes yet because they are finnicky as hell. the preset ones are a bit easier to control and move around so they're nicer for the planning part. what shapes you use depends on your character but my guy here is very circles and round so its just a sphere and some cylinders
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make sure you're in 3d view and checking the pose from every angle ! if ur guy looks like a roblox avatar without the assets loaded fully then that is ideal. once you're happy with the pose it's Sculpting Time
where you choose to start is up to you but i usually get the head out of the way bc it tends to be the most complicated thing.
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this is my best friend forever. the sharp edge is helpful for stuff like metal and whatnot though so i use them both.
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for stuff like hair and fur i find its easier to make a bunch of small shapes and then connect them instead of trying to do it all in one go
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^better examples with fluffier guys
this part is pretty much just personal preference for how you want your model to look though. just keep adding Stuff until it looks alright. also reminder to be saving your work bc this is when it gets really annoying if p3d crashes
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finished head. jus keep addin stuff. copy and paste is a godsend btw.
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puffier jacket. also connecting the limbs. just keep addin stuff.
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these take a few hours .finished limbs. pretend the backpack is there i forgot to get a progress shot of it
now it is time for the objectively best part which is painting the guy. switch back to the 2d brush but stay in 3d view and start Coloring . i only really use the watercolor brush for shading/gradients and the marker one for lines but this part is also personal preference.
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watercolor brush for the blue gradient and marker for the face .
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i would Not do this in 2d art but i like adding a white gradient to pastel colors like with the hair here. it compliments the soft shapes well i think. to quote a friend it Looks Gummy
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my silly highlights.
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almost done with the creature. also mentioning that there are different textures for objects that you can change when picking their base color. the zipper is metal so it gets to be shinier.
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theres also different lighting/filters to mess around with + you can doodle on the transparent canvas still.
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save ur guy as a image and/or a turnaround gif/video/whatevar u want . and thas it! you can also mess with the model more for different poses and expressions (although this is super laggy bc it has to render a bunch of shapes at this point)
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go make some CREACHURES !!
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samodivaa · 1 year ago
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Thrill me, Fulfill me
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You agreed to help for one mission—now you are both lustful and carnal, affected by sex pollen—you are flint, he is tinder.
Warnings - sex pollen, smut, rough/possessive sex, Hydra past, breeding kink, choking kink, multiple orgasms
Words - 8k
(the 3D render is for this fic, enjoy :3)
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The horizon tips on its side, and slowly, hour by hour, the day spills out and soon the night will spread its darkness—traveling through the countryside is a charming escape and in a chronicle of events, with the light of the days—you feel the light inside too, your human spirit wanders in thoughts as you sit on the BMW’s trunk with closed eyes. It is June, and the world smells of roses, moments like these leave a rich heritage of beautiful memories in their going—in a fortunate combination of delightful weather, Bucky and freedom—your soul feels at peace.
“I talked with Sam, he wants me to help him” There is an endearing nervousness in his voice “I was wondering if you would like to come with us”
In an instant, you reply with an annoyed face “No”
“No? Come on, you need people other than me in your life”
He scolds as he nests between your legs, fingers finding their way on both sides of your hips, drawing soft circles as they travel up towards your waist.
You arch an eyebrow at him, as if the answer is obvious “I don’t need others”
“You will love Sam, I told him about us, I mean-about us living together”
“You did, why?” you clip your words, hissing them into his face as you give a wide-eyed, searching look.
“I used to invite him over to my apartment, he started wondering why I stopped. I wanted him to know anyways”
“What else did you tell him?” you look at him with an arrested expression. His smile fades, and he finds himself staring into your eyes “James?”
It is only a brief moment, but you catch his blink of surprise at your demanding tone before he offers a tentative smile.
“I-I told him about your connections and he was hoping that-” he trails off quietly and you notice a tightness around his mouth and a dimness to his usually bright eyes.
You regard him thoughtfully and he sees the comprehension dawning in your eyes. You know exactly what he is asking.
“Did you miss the part of how I built them?” you ask, your voice dripping with sarcasm.
He huffs in annoyance “Well no, but don’t worry-”
“Oh, hey Sam, I am another brainwashed assassin and when I escaped I did it willingly, for money, nice to meet you by the way”
“I get it, but you are changi-”
You snap, pinching your eyebrows close together.
“And this is my former partner who I used to occasionally fuck at Hydra and now that we have reconnected, we are fucking and living together”
“Anything else you want to add?” 
“No, that's all” you finish bitterly, furious with him for letting Sam know so much about you.
“He already met you once in Madripoor, he knows about your past. Trust me, he is a good person, he accepted me”
You let out a hollow laugh
“I am not Captain America’s best friend, James. I am nobody, I don’t even have a legal identity”
You explain in a humorous yet deprecating tone, staring into space.
“Look at me, you need to trust me” he coos, his blue eyes have a doorway to your heart, the place where his care for you resides “I know that you are scared, but you need other people in your life”
It's the caring that he lovingly gives, the passion that he shows—that convinces you every time.
“If I break your heart, I break mine, darling”
Shifting your mouth from a frown into a light-hearted smile, you let out a small chuckle from underneath your breath. His metal hand rests on the small of your back, in that sweet spot that makes you feel feminine and protected—vanity, fear, uncertainty—all such distortions within your own ego—condition you to stay silent about your own feelings. Your programmed mind-pattern still needs to heal, all you need is time, you will get there eventually.
You kiss him on the cheek, which kind of surprises him.
“Хубаво, ще дойда” (Okay, I will come)
His gaze flickers up to your eyes and he can detect no deceit, no mockery. 
There are many circumstances that lead to arrogance: one is when you're wrong and you can't face it—but you decide to face it this time, because you know that your brain relies on the familiar. It is reluctant to experience the unknown, which is the very essence of your human life.
The past should have no power over the present, but it still does sometimes—anger and death are deeply rooted, your emotional thermostat is broken. Everything in you is broken—you view yourself as pieces and Bucky somehow sees you as a whole.
Inside, your soul was so cold that you hated everything. You even despised the sun, for you knew you would never be able to play in its warm presence—you were condemned to stick to the past, working as a hitman for years. Everything changed when Bucky decided to track you down. You knew he was spying on you, because you made it easier for him.
You were afraid of the aloneness that you trusted for so long, but that is the truth that you still store in the granary of your mind. Maybe you will tell him one day. Maybe one day you will let him know that he helps you abandon your corporeal prison.
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"Я просто люблю запах страха" (I just love the smell of fear) you whisper—a knife-wielding lunatic.
You face the attackers in a kind of instantaneous flash and see the disconsolate eyes, which remain stamped on your heart like the hot coals of fear, the power of death is then borne out by you—the queen at the bloody carnival, not afraid to spill blood while Bucky tries to prevent hurting, killing people at all cost.
It is easy when you work together, just as in the past—but he is holding back, you are not used to seeing him fight so carefully—Winter’s brutality is non-existent.
You sigh as the last man drops dead to the ground. With a knife in his chest. Or, rather, a pair of knives in the chest.
Yes, you helped them locate the rumored Hydra base, but Bucky’s intense paleness on his face shows regret, because you still don’t mind killing—you give him a pitying smile when your eyes meet before your system is poisoned with something.
It is such a tumultuous and intemperate invasion that you forget why you are here. And then your eyes meet again, there is fascination in his gaze, menaced by some invisible danger, and you want to succumb the terrible desire to weep when you realize what it is and you look at the mysterious trembling of your hands—your gaze goes up, but Bucky is nowhere to be seen.
He knows he has to go somewhere, he heads back to the apartment and he has feelings of sorrow, regret, directionless rage, a broad feeling of impotence. The horror of this misfortune penetrates Bucky so deeply that he is close to a panic attack—as if reliving the nightmare he sometimes has—Hydra giving him the pollen back in 1990.
He wanders all through the rooms as if walking in his sleep, chewing on his quiet rage.
He knows the theoretical mechanics of the pollen and he can barely stay on his feet because of the weakness of his knees, his skin is burning and he can’t resist the urgent need to palm himself through his pants—it starts slow and will go progressively worse. 
He rubs his hand over his scalp, where his long hair used to be—now shaved very close to his head and bristling against his fingers, he lowers his blue eerily crystalline eyes before closing them. He feels like he should be crying, but he couldn’t summon the tears.
—it’s all his fault. Why did he need to come to your apartment a year ago, on a beautiful August’s evening?
„I knеw that we were following me, Soldat,“ you loudly acknowledge him, drawing out the derogatory term while your back is turned to him.
Stillness wraps Bucky up in a cold embrace, a chill running down his body as he hears you speak. On the string spun of your angel voice, grief and pain drowns him. The tone drawn from memory in his dreams it’s the same, unblinking, robotic as you offer him one spare look before focusing on cutting vegetables on the wooden board.
He exhales, then he slowly enters the apartment. „It is not Soldat, it’s Sergeant now“ his breath hitches and he stops as soon as he enters the room.
There is a crack in his stoic expression, excruciating memories flooding his mind. He knew that somewhere, some day, maybe at a less miserable time, you may see each other again, but he couldn't wait any longer.
The memories are still in his mind and the pain—too ripe in his heart. The more deeply he felt, the less he was able to breath, thinking of grief, and of getting past it.
That's why he came. He needs you in more ways that he wants to confess.
„Oh? What do you want, Barnes?“ your face is carefully blank.
„I wanted to talk to you“ he starts, taking a couple of steps towards.
Shadows lick up the side of his cheekbones, making his skin gold as he slowly walks to the opposite side of the kitchen island, you hear him move the wooden seating.
„And you couldn’t just-I don’t know…have knocked on the door?“
„Sorry, I didn’t know how to-“
He says, a tremor makes his voice uneven. Bucky takes in a deep breath to balance out the embarrassment thrumming through him.
„It is easier to be loyal to past habits, can’t blame you“ you murmur, voice perfectly respectful as you think about it with a heavy heart.
You said it as a matter of fact, without the scorn and mockery, but as an accepted truth before placing the knife you have been using, on the cutting board and finally facing him completely as you step closer to the island as well, leaning forward on your elbows.
But the wintery feeling of the pollen is already clouding the pond, frosting the pane, obscuring that summer's memory of meeting you.
The memory played in his head, with a hopeless nostalgia that he was completely disoriented—he doesn't care if you are heartless, vicious and vulgar, stupid, grasping with incurable programming and mental problems, he enjoys spending time with you. He would rather have misery with you than happiness with any other person, because it is shared, you have a deep and silent understanding.
He was so happy when you suggested living together four months ago—he was okay with the sleepovers at each other's apartments—never was bothered with the need to rush your companionship.
The key to personal development lies in the daily routine—creating new memories with you stretches out psychological time, and lengthens his perception of both your and Bucky’s lives. When he wakes up from a nightmare he is so relieved, because he wakes to a dream, he enjoys the miracle of living with each other as much at the table as in bed.
Bucky finally lays on the bed, his head aches. He admits that he is still human, vulnerable, and sensitive—but he begins to remember how it had been when Hydra gave him the pollen and his self revolted at this, hates himself for not being able to fight it, hates himself for bringing you here.
He is sick with conflict, destructive emotions festeres in him while this sludge eats away at his insides and Bucky is acutely conscious of the swift passage of time, it will make him become blunt and callous—there is a certain clinical satisfaction in seeing just how bad things can get for him, but maybe this is what he deserves.
When you push open the bedroom door, you can’t prevent it from scraping against the uneven floor. Suddenly, in the absolute darkness of his mind, Bucky is brought back to reality. He is not surprised, for without knowing, he has been expecting you to come.
You close the door behind you as he stands up on his elbows—wondering why are you such a stubborn, blind, obtuse woman—why are you here?
Your scent carries across the room and paralyzes him with longing.
“Stay away, why did you fucking follow me?”
You stop in shock at the words he utters—they are so rusty, so ugly, so meaningless.
He is vulnerable, slightly paranoid. Although his voice is broken by uncertainty and his hands seem to doubt the existence of things—he tries to appear composed.
You can feel his eyes traveling up your whole body, staying on your side for a split second before moving up to meet your gaze.
“James, we don’t have another choice, we don’t have time”
You can't blame him—he is scared, scared and frozen, afraid of what he can do to you...the old primitive urge for sex. It's getting harder to control it with every passing minute—every second is lived with terrible intensity. It all flows over you with a screaming ache of pain—as you see him, the need grows even faster...and all you can do is remember and feel—the effects of the pollen—like a disease of the blood, dispersing throughout the body.
He looks like a bundle of past recollections, knotted up in a bundle of flesh.You remember what his flesh has gone through—but you also remember what he put you through that day. You feel the naked fear, the urge of self-preservation, you appear solid in front of him, but you are mimicking nothingness.
“God, I smell you. So hot and sweet”
The blank hell in the back of his mind starts to break through, spewing forth like a dark pestilence, the pollen eats away the pith of his humanity—the chaotic words pour out of his mouth as he gets up from the bed and you self-paralyze, your back hits the door—but this is the only way that will pull you both out of the plunge of—pain, need.
Your sexual attraction to him has been heightened beyond measure, as much as you try to bury it deep down in fear, the lust is getting greater than any other feeling or emotion. Every part of him is heightened to you now...his voice included.
He stops in front of you, belatedly realizing where his feet have carried him. There is no glamor, no attempt to hide it, nothing: his need taking slowly over all his senses. The unwelcomed bubble of intrusive lust, sinking into an even more heavily occluded state—you feel it too as he molds his front to yours and pins your breasts against his chest.
You are mesmerized by the tiny flecks of indigo in his blue eyes—you can drown in those eyes and it wouldn’t be the worst way to go. His beautiful features offer themselves to your gaze as you trail through them, annoyed at how attractive he looks—putting your mind into a darker cloud of irritation, waiting for him to do whatever he wants.
You feel stuffy, there is not enough air to breathe as he cages you against the door, his consciousness already vanishing and deforms itself in something primal, there is a delicious animal fire in his gaze.
“I want to taste you so desperately, it rages through me-fuck, fuck this-I want to fuck you”
His eyes are growing moist with indignation, with angry impotence, he is barely controlling himself. It is the natural sequel of an unnatural beginning— it’s hard—but not harder than his cock.
“Do it, come on” you gasp out.
“If you don’t get out of here, you know what will happen”
He explains weakly, and when you say nothing, he grabs your waist with both hands, vision already blurring. His bones fill up with foam, a languid fear, and a terrible desire.
Bucky’s control dies a slow death, shedding layers like leaves until—there will be none—he tends to be particularly rough, aggressive and possessive when given the pollen. You remember the feeling of possessiveness he had as the Winter Soldier over you, so intense it transformed into an obsession over your body.
“I'm not leaving, I need this as much as you” you say, tremulous with longing.
Bucky stares at your mouth as you speak—it looks provocative to him when you talk.
“Enough, dammit, leave”
His voice tightens, it pierces your soul—half agony, half lust.
You still have the choice of running away and finding someone else to do it, but leaving Bucky behind—you know there is not a girl in the world that can handle him, no one else has the serum, but you—your brain is ricocheting in between. It all drifts to the periphery of the mind when you meet Bucky’s eyes.
“It’s normal-” you say haltingly, your expression turns guarded.
He is livid, a sad look on his face
“We are not normal” he interrupts with a soft firmness “It’s insane to pretend we are”
You are both aware. Catastrophically aware.
“Stop talking, we’ve been through that once-”
and you look so well-equipped for this that is seems abnormal to Bucky, he is conquered by the obstinacy of you—so docile and willing to help—he wants to be emancipated for the moment from the torment of the pollen, but the guilt is still eating him.
“Do you remember the year it happened?”
"You always ask me whether I remember the stupid years, lets just-” you say with a shrug.
"It matters, it matters to me. I hate that you remember, I hate myself for what I've done to you” He explains, tucking a loose strand of hair behind your ear with his human hand.
"James” you whisper his name tremulously “I don’t blame you for anything”
His pain is paramount and you want it to end. His pain, his guilt. You are willing to suffer for the rest of your night so that he can take the easy way out of his needs. You admit it to yourself, without bitterness—you need to sacrifice dearly on behalf of Bucky. 
“I’ll lose control” What you cannot forgive is dishonesty—you would rather know the hideously unflattering truth of his devastating visions than foul evasions “If you try to run now, I will probably chase you down anyways”
With all that waiting you have lost the strength of your legs, the firmness of your breasts, your tenderness look—barely keeping your heart intact. Maddened by that prodigious talking, you shamelessly groan, closing your eyes.
“This is bad,” you whimper “Oh God, this is bad. Please, do something”
The next critical manifestation: the unbearable pain.
“Snezinka-” (snowflake)
“Stay with me” your eyes shone “Play with me, please” like those of a cat.
In that state of hallucinated lucidity—you just can’t take it anymore. Presently the need grows stronger, hesitating then no longer. The attempts to conceal the pollen’s effects don't work anymore.
“At least…give me permission this time” Bucky shakes his head, sadness vibrating through his body as he speaks through clenched teeth.
“Yes, do whatever you want” you moan, shaking, desperate for his touch.
And then you see something possessive wash over him, making your body shiver in anticipation.
“Please, I need yo-”
You say, nodding at the soul-reaching blue crystals, not looking away from him, but Bucky doesn’t let you finish as he kisses you. His lips are warm, his body is heat and muscles against you. He kisses you like a tide, gentle at first, but with the ability to drown, his fingers digging into your waist, urging you ever-nearer to him, even when it’s physically impossible to be. Then his fingers slithers over your chest, hands immediately find your breasts and he starts to massage them for his own pleasure.
His fingers curl around the edges of your soaked blood shirt, pulling and eventually tearing it away from your skin.
There is lust and there is pain, a whirling wheel—not stopping.
He wastes no time, kissing you deeply again, already missing the feeling of your skin.
“I am yours, you know that”
A simple reply, his voice cut into you like glass, his words bleeding into your skin. It isn’t something to be argued against, it’s the truth and you acknowledge that. It’s ridiculous, absurdly sentimental to think that you managed to lay a claim on him like you did in the past. 
You are trying to think of something, coming up short when he presses his hips flush against yours again, the chest harness wrinkling under the tight grip of your fists, pulling him and he hems you up against the door, grinding his cock against you. You slide one hand downwards, wrapping around his hard manhood and squeeze, Bucky moans quietly and involuntarily rolls into the contact, desperately seeking relief.
“Fuck” he says, a bit too breathlessly.
„James-this is not enough“ you undulate your hips against the aching bulge.
His name falling on his ears like that sent chills down his spine, he can hear the beat of his heart, his palms belong on your skin as he closes the gap between you. Nothing is sweeter, nothing else than you—lust is spreading like quickfire in his veins, groaning in the kiss.
“I know, I know” he whispers, a hint of exasperation and affront in his tone, leaning forwards to kiss you yet again, teasingly licking at your lips as he pulls away.
Sexual perversions mix with guilt and adrenaline as his mind sees in scattered images of varying vulgarity. Bucky grips your waist and lifts you off the ground with ease, dropping you softly on the luxurious white linen bed.
You lick your lips, trying to quench the thirst for him. Your throat is dry as you watch him between your spread legs—his belt clattering noisily as he unbuckles it, popping the buttons of his jeans open, followed by the low purr of his zipper coming undone, he drifts his hands down his sides and hooks both thumbs into his jeans, sliding them and the boxers down his legs. The corners of his mouth curve upward when he notices you staring a moment too long as he removes his jacket and shirt.
You remove your own pants and then you spread your legs open, positioned right in front of his standing body—one hand toys with your breast through the bra while the fingers of the other hook in your panties and drags them down your legs fast before throwing them in his direction.
His breath stutters as he catches them with his metal arm, becoming more and more aroused with every beat of his heart that runs down his shaft. It’s becoming more painful. He starts to pump his cock, the veins bulging beneath his grip—even in his large hand, it looks intimidating, the veins in his neck tightening.
He’s quite tall with broad shoulders and an athletic physique that even his leather jacket cannot hide. Your eyes continue their upward travel to his strong square-shaped face framed with short brown hair that falls to his shoulders and deep, blue eyes. 
He then craws on top of you and he cannot articulate a word, capable only of an animal sound, a strangulated wheeze that shocks him deeply, enraging him, this sudden loss of the faculty of speech that feels somehow bestial and forgotten now.
It is the impatience of the way he tears your bra from your body that really scares you: the pollen getting the better of him and you spread your legs wide, exposing your overall and the fragrance of the essences permits in the air, he smells it.
His cock nudges around your sleek mound until he gasps as he guides his sticky cockhead glides through your delicate folds. He doesn’t say anything as he slips inside you, burying himself to the hilt.
Sex with you this time is different, he has never felt this dominant, this claiming, this selfish. He is so far in that his balls are right against your pussy lips.
His greedy lips are once again on your skin, devouring everything he can—licking, sucking, and kissing, not holding back his throaty moans. He drags his lips up your throat, along your jaw, back toward your mouth. His lips are usually gentle and loving, promising long days and summer forever—but they soon turn sharp, peppermint, winter.
Animal logic. Prey. Predator… teeth dragging against your neck, living marks. The primal lust, the sheer need to claim you, quickly finding ways to express his sacred hunger to you in animal passion. He snarls out gluttonous groans against your skin as you clench and seize, pounding you harder as your body contracts. Pleasure breaks out like a wildfire, reaching around your temples; shooting up and down your spine.
You're perfect when you're underneath him, it's where you belong, beautiful face and pretty wide eyes locked onto his powder-blue orbits—curves cushioning him, your obedient body lush, muscular, but still feminine, your eyes flashing—and all he wants is to ruin you.
It's a sinful sight each time he buries the length of his cock all the way inside you, shaft slick and wet and glistening when he pulls it out. You make the prettiest noises when he shoves in deep only to pull out and slam himself back inside, you've got the prettiest expression as he grips your legs and folds them up to fuck his dick into you even harder than before.
“Don’t stop, don’t, please”
There is something raw and pleading in your voice that surpasses sexual desire, these fleeting moments of carnal craving.
He continues to trail his lips down the front of your throat and you realize that he is mouthing words against your skin “Mine. Mine. Mine”
“You feel so good every time, snezinka” he murmurs at your ear as slide to your throat and he tightens his grip on both sides on your neck, reducing the blood and oxygen to the brain. When he loosens, the rush of blood and oxygen to the brain results in an explosion of dopamine, followed by a shamelessly loud moan from your lips “I think that I love you”
“We’re drugged. That’s why,” you gaspe “Did you forget?”
Bucky acknowledges your words, they sink into him—he focuses his attention on your skin. He nibbles at your earlobe, loving the sharp intake of your breath, skin breaks out into a pale sweat and your eyes fill with tears. His trusts are ruthless.
“There is no pleasure as good as the feel of your pretty cunt wrapped around me” a dark edge creeps into his tone.
He says as he fills out pounds you, drawing a muffled scream from your throat as he starts to thrust more rapidly, setting a demanding rhythm.
Something strange starts to rage inside him, hearing you inhale sharply as he continues to kiss and bite your neck, leaving bruises deliberately and as he fucks you deeper, wanting to mark you in an entirely different way—he wants to breed you.
And you know you will wear the bruises of Bucky’s hands as you wear the scars of Soldat.
All extremes of the pollen are allied with madness, finally consuming his brain and body.
“You are so beautiful”
He says into your skin, tears welling, confused, mingling in his throat. Old wounds never truly heal, your past will never fully heal anyways. That one tear, that tiny, salty, droplet of moisture is a means of expression—joy, and torment. Although it's just a small tear, it is the heaviest thing in the world. And it doesn't do a damn thing to fix anything in this situation.
“James-” your whole body exhaled a lugubrious lament, your heart breaks for him.
His eyes are always soulful, in some way; they seem to say things that you know he's probably never say out loud.
“I know baby, I know,” he nibbles on the side of your neck “You are so beautiful, I am sorry-so sorry, I can’t stop” his growls erupt from his chest, the primal noise flooding your senses, making your insides clench around his length “I need this, I need you”
You’re powerless…utterly at his mercy and that’s what makes you cum—his voice sends shudders through your body, reacting in all the right ways to the words. The orgasm has gutted your vocal chords, and all you manage is a small gasp, tears slipping down the old salty trails as he doesn’t stop, his head lulling on your shoulder.
He leans down, nose brushing against yours as he pants, thrusts never faltering, his mouth hangs open with bliss, his cock plunging into you with skin-slapping speed and he finally reaches his orgasm, cock spurting a thick dollop of cum with each throb. He closes his eyes, because of the volcanic eruptions of fever still goes through his body—his orgasm is long, raw, reaching all his body senses.
Sex is unthinkable without roughness tonight—he is already thinking about his second orgasm—should he just cum in your mouth when he makes you fall to your knees… or if he should take you by the hair before he’s finished and fuck you into a sobbing heap before blowing his load. Of the few times Soldat has face fucked you—gagging you to near vomiting—you’ve never miss a drop of cum. He remembers it.
His hand closes around your throat and the grip tightens, slowly cutting into your skin while cutting off oxygen. It is more painful than lethal, but more erotic than painful. Your head is spinning, ears are ringing—suddenly, without warning, he withdraws completely, leaving you coughing and gasping for air. As you try to catch your breath, you feel him get up from the bed which urges you to come back to your senses faster.
In his temporary madness, an idea comes to his mind.
In seconds, he is back on top and when your vision finally clears—his lusty orbs descend to your cheeks, detailing your skin before leaning in to lick off your tears—some form of mercy which you don’t need.
He is now in that state of fire that excites you. You want to be burnt.
His eyes drift leisurely back up to your face and he smiles, nova-flare eyes blazing into your own—you look for love hiding in his eyes, in his face, and you find nothing but possessiveness.
But something is not right.
His eyes are cold and dark.And your heart stops.
He is taking you over. Staking a claim.
He slowly thrusts his hips forward, his cock pressing into your front, earning a squeal from you as he ruts back and forth dragging his length across your opening and then slowly plunges into you. You exhale, trembling as you feel the tip pressing against your opening and penetrating you. He is mesmerized by the sight of his cock disappearing inside of you, filling you up to the brim.
Bucky brings both of your wrists above your head and grips them in his metal arm, restraining you from moving them—and you tremble like a downy rabbit caught in the clutches of a wolf—he seizes you as boldly as Soldat used to capture his favorite prey—you—in the past.
A flash blinds you for a moment and you see him holding his phone—this feels surreal—leaving you breathless with an inexpressible delight of it. Bucky’s inner voice of lust speaks, it is so spontaneous and unannounced. Your mind searches for the logical thought of his action.
“Fuck, I can cum just by looking at it” He musters his primest tone, throwing the device to the side.
You whimper as your abdomen contracted painfully around his hard length at his words. He lets his fingers release your hands as his cold digits swipes back the hair from your face. Cursing, he grips the back of your neck and brings your lips to his while the metal ones grip your hip so tightly you are sure he’d leave a bruise. You whimper as he starts to fuck you, slamming you into the matress.
The usual warmth of his hands is not there. They chill your skin as they hold you close to his body, and you realize he is scared. The extreme joy mixes with the bone-crushing grief—what if you don’t want to be around him after this night? What if you condemn him, consider it with high and unjust resentment and leave him? It pierces his soul, but he can’t stop—he is half agony, half animal...the past beats inside like a second heart now.
Your soft fingers trail his face and continue to attempt a connection that he refuses to acknowledge at first—the past slips and vanishes like sand between the warm touch of your fingers, acquiring material weight, only in its recollection, because the more shared past there is in any relationship, the more present you need to be for each other.
“Let go," you whisper and he loosens the grips—he is ashamed of holding you so tightly "No, not of me," you say smiling.
You look right into his eyes, right into him as far as you can see, because you want him to hear you, you want him to hear you with everything you say—and his chest tightens as if some euphoric drug has gone straight to his nervous system—but it is not the pollen, it is you—reassuring him, leaving a psychic imprint in his mind.
It’s both a blessing and a curse to share the same trauma. And even though you are sometimes harsh, restless and despairing—he is your weak spot, you love him in your own way.
"You can hold on to me as long as you want. Let go of the past, let go of the pain" you say, giving him permission, taking him into your flesh, a clear invitation to madness.
Emotions clamp down on his heart, but he stays terribly silent. Bucky says nothing after that, only your name, as if your name is not a name but a question. He shakes his head and kisses you, long and quiet.
He grabs your jaw in one hand forcing you to look at him, tears coursing down your cheeks as he thrusts into you, making low, growling noises in his throat—a predator purring with pleasure while it devours its prey, picking up a brutal pace once again. Your legs tighten around his waist, hooking over his hip bones as he practically folds you in half, nails digging into his back, surely breaking his skin with your manicured fingers.
He groans at the pain and removes your hands, intertwines his fingers with yours, pins your wrists flat to the mattress on either side of your head. He holds himself up over your body as he fucks into you, supporting his weight on his forearms. His cock is slamming into you, balls bouncing against your clit just right, the sight of his well-muscled body, covered in a thin layer of sweat, invites you to utter depravity, it is what drives you over the edge.
“You look so good taking all of me” he pants against your throat “I will fill you again-so good”
Hard, long, deep trust that forces moans out of both of you.
You whimper and nod dumbly, screw your eyes tight as another wave of pleasure spread throughout your body in orgasmic tingles as he pulls his own climax with you. He presses his face against your neck as his hips lose any and all sense of tempo and when he finally stills, he holds himself deep inside as he leans back—with every breath, your bust heaves, sweat droplets running between them and attracting his gaze.
It pollutes his mind even more, it cripples his morality, because he is infatuated with fucking you like this again—is it the pollen at this point? 
''Bear with me'' He murmurs, gritting his teeth ''I need…more” his cock slowly sliding out of your tight pussy before sliding back inside with equal slowness, sliding through copious amounts of thin lubrication and cum. Your legs wrap around his waist and prevent him from pulling out even if he wants to—your understanding, your willingness is a kind of ecstasy to him.
The blue moons in his eyes are glimmering with an emotion you can’t put your finger on. What is he thinking about?
A part of him cares about you.
But there’s a depravity in his mind right now that enjoys seeing you like this—your hair is in disarray, several tendrils scattered across your face and constricting your view of him, sweat pricks at your hairline and down your back. There is something unmistakably exultant in turning you into a mess—such a mess of cum and tears. Gently, he brushes the tendrils out of your face, tenderness in his touch—that’s the part of him that cares.
“I need you on the floor, on all fours” —that's the part of him that's deprived tonight.
You can feel the desire. The thirst. The absolute beast threatening to tear from his skin.
Soldat loved to fuck you against solid ground. He never truly left, sometimes Bucky is on the verge of cracking and showing the color of the thing beneath, but you don’t mind, you are not scared, you never were. 
All he wants is for you to be filled, marked, bruised from staying up all night, taking his cock into your body until you are depleted of all your strength. Even then, he will fuck you. He doesn’t say more, but he groans as he gets up—what a sinful twist of his lips, watching you slowly get up, your legs are incapable of supporting your weight much longer.
Your cunt hurts, too—you feel his cum dripping down your thighs, making yourself position in doggy style, legs winched apart, everything exposed to his view and he goes to stand on knees behind you, eagerly holding up his cock then he lines up your hole. He twists your hair around his fist and yanks your head back, at the same time thrusting into you from behind as his fingers slide to dig into your ass. 
Bucky grunts as he slams into you “Я без ума от тебя” (I'm mad about you) his balls slapping against the sensitive nub. You choke on your words, this angle allowing him in far deeper than before. You arch your back more and dig your nails into the floor, clawing at the dirty ground as he relentlessly pounds into you. Sweat drips down his neck as he watches himself entering and exiting you.
He grips your hips tightly, slamming into your snatch with ferocity. A wave of pleasure suddenly overwhelms you, and the tingling is growing stronger once more.
“Я предан тебе…ты моя девочка”(im devoted to you)...(You are my girl)
You can only mewl and gasp as you are rocked back and forth on your knees, losing your breath every time his cock hammers into your cunt. You clench around him when you hear your full name spoken in his gravelly tenor.
He molds his front to your back, spearing through your tightening pussy. He grabs your hair and snaps your head back roughly before it travels down around your throat and squeezes tight while his other palm splays across your stomach.
His lips rests on the back of your shoulder, hissing
“Очевидно, что , нас чувства друк к други” (You can’t deny what's between us)
He carries on rutting you like an animal. Your skin slapping together, your pussy squirting around his cock as it invades your snatch repeatedly, making suction squelching noises with every thrust in of his length. It keeps on hitting your cervix, your nubile breasts swing with the force of your body rocking—you know that you will be sore later.
"You fill my heart, I fill your cunt"
But his words strike every inside your body and his honesty brings the euphoria of complete surrender.
“Enough, stop, it is too much”
You plea and nearly asphyxiate on the words as your orgasm bursts upwards from your abused cunt. A sob wracks your throat and he continues thrusting, riding your orgasm until your entire body is convulsing and you are desperately trying to wiggle out of Bucky’s arms with the last of your strength, but it's not enough compared to the strength of his arms holding your hips with renewed vigor, determined to breed you.
You catch sight of him from your peripheral vision, his eyes closed, his lips are silent, but he chatters with his fingertips, with the way his hands grip your hips, fingers digging in, the way he fucks you. And you thought that he chose that position, because he was embarrassed, but he was not—he wanted to disguise from you how much he was enjoying himself.
You have the strength to kill him, but here you are—so obedient.
His little submissive.
His expression is dreamy, floating. Soaked in pleasure—breathless, possessed, lost in the volcanic eruptions of fever, lust and delight. Your pussy cradles around his dick as he pounds into you from behind.
“James” 
His name on your lips sooth a place deep inside him, and the urgent need to hear it in again pulses in his heart, making himself guilty of such a secret, he must perforce hold it—
—but he shamelessly let out a loud moan, he never felt so out of control. You are a disease worse than the pollen itself.
“Bucky” 
That makes him groan like an animal, noises coming out of him that you never heard before, he was never this vocal. The groans are desperate, endless, but the sound of his name is unspeakably erotic to him. He can’t get enough of this. He will die without it, without you.
“You look too pretty when you’re getting fucked like that” he blurts out, without even thinking.
There is already a fissure in his mind and madness just rushes through. Praising him puts him on edge, it’s something he never thought he wanted or needed. You wreak havoc on his life.
He squeezes his eyes shut—to utilize the entire spectrum of the other senses, moans of ecstasy crescendos and his breaths come in short instances, each with a slight pause in between as his body is rack with his orgasm, cum is flooding out of your cunt, dripping of you onto the hardwood floor and there is a charm about it that makes it unspeakably desirable for Bucky.
In this stillness, he finally finds serenity. 
All you want to do is crawl back beneath the mound blankets—he gently picks you up and you smile crookedly at him, something about your smile loosening a knot in his chest, because holding you in his arms is more natural to him than his own heartbeat.
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Morning came in through the blinds cutting everything into ribbons, but the light can make the most vulgar things tolerable—you are aware of the aching hips, and your whole body hurts like hell as if you have been run over by a train.
Bucky steps out of the bathroom, freshly showered with a white towel around his lean hips. He takes a half step toward the bed, and his jaw works for a moment before he asks
“How are you feeling?”
“Tired, did you tell Sam what happened?”
“No, of course not. He is thankful that you helped us” He says and rakes his fingers through his damp hair, making it stand on end “He invited us to Louisiana”
You barely resists smiling at him “Okay”
He raises a brow “Just like that, okay?”
“If you give me my bracelet back”
You both look at the bracelet around his right hand. Then he bites his lip as he grins.
“Not happening” he says, his tone flattening and he can't help the smirk that tips up the corners of his mouth.
“Guess I need to buy a new one then” You peel back the covers, indicating for him to get in and you watch him climb next to you “With your name on it”
His palm reaches up to wrap around the back of your head, his fingers tangling in the depths of your hair, pulling you closer, his lips hovering over yours. Everything about him pleases you.
Not just his looks, but his patience and his kindness. He is an obsession waiting to happen. Kissing him is terrifying, breathing the same air makes your knees weak, a liquid sensation swooping throughout your stomach—but you've been betrayed, stabbed by every single person in your life, the body heals, but it injures the heart and the wound lasts a lifetime. You are scared of love, scared of these new feelings, scared of trusting anyone, but you are trying—that’s why you gently press a kiss to his mouth.
(Her kisses are deliberate and polished. When she kisses me—she doesn't want me. She has me and knows it.)
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Bucky throws himself onto the couch next to Sam, slewing his eyes over to him.
"So you are sleeping and living together, but you are still not in a relationship?"
He takes a long sip of his drink when he hears the words, tips his head back against the couch, and decides he could…maybe live with that.
"Yeah"
Sam’s lips tighten to suppress a smile "That's a bit weird, Buck"
He chuckles, low under his breath "The part where I live with my ex-coworker or the part where we sleep together?"
James takes a deep breath, and Sam can see his blue eyes searching for his, like he is looking for an answer.
”Maybe it is what it's meant to be for now” A frown settles on Bucky’s face as he considers that “She has a lot to experience, too. If you pressure her with anything, you might lose her completely”
“I don't want to be in love, but she is making me, Sam” he sighs, a headache blooming right between his eyes. He rubs at the spot, stalling as he tries to figure out what he wants to say “But you are right, she needs to heal”
Several emotions swirl in Sam’s eyes. Worry, sadness, maybe even intrigue. But not judgment. Never. “Did she agree to go to Wakanda?”
He wets his dry lips and says the most basic truth:
“No, she is too untrustworthy, I can’t believe she even agreed to come here”
Sam sees it as hope—and he wants to put that light within his friend, too “But she did”
They can’t talk about it anymore, not when they hear you, Sarah and the kids coming back, and when your gazes meet, your soft smile and the look in your eyes, they are the best interpreter of your mind—you are truly happy, seeing you like that makes him feel like he can single-handedly vanquish an army.
He has outlasted all family, desires, dreams, his grief alone is left entire—sometimes visiting the lonely desolation of nightmares, they are gleamings of his empty heart—Bucky is a heap of ashes, but meeting you—kindled him back into fire.
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Oh my goshhh thank you for reading! Hope you enjoyed this project!
More of this ex!Asset AU? - MASTERLIST
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yesimwriting · 1 year ago
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okay but after the whole lucy gray thing we know coryo was done with “love” and everything BUT what if during the following year of thg he ends up falling in love with another tribute also from district 12 and he’s just going through it bad (again) however he somehow ends up actually getting the girl in the end, maybe even buying her way into the capitol
A/n I've been thinking about a very specific part of this since i first read it but i told myself no more fic writing until i finished at least one of my essays for finals seasons 😭
also ik in the book (and it's implied in the movie) that after the events of the book he lives with the plinths, but let's pretend he lives on his own with access to the plinth fortune for privacy
ik that makes it sound like it's smutty, but it's not lol
----
Proximity aggravates distance. The closer you are to something, the more damage any remaining space causes.
The few feet dividing the two of you have no right to jab at something inside of him the way it does. It's bad enough that instead of going to bed after a long night of fulfilling his apprenticeship duties under Volumnia's watchful eye, he stopped by your apartment. Only one floor away from his.
For months, the only thing holding the two of you together had been memories of those few nights before the Games.
Coriolanus's attempt to remain indifferent towards you had quickly failed, and his backup plan of learning to loathe you had proven to be just as useless. So he settled on letting you unabashedly take his hand whenever fear overwhelmed you and committing the way your kind eyes watched him to memory.
You're looking around the room--his room--openly, eyes darting from the mahogany surface of his desk to the details elegantly carved into his bed frame.
His fingertips itch with the uncertain desire to reach for you. You've only been in the Capitol for about a day and a half. Less than 48 hours. But the move, the beginning of a program for certain, qualifying victors and their families, had been planned for months.
You shouldn't feel like a phantom that'll vanish if he lets go for too long. "What are you thinking about?"
The question grounds you the same way it did last time he asked. You do your best to hide it, but you're still adjusting, still surprised that he managed to find a way to bring you together again. Just like he promised. Your doubt isn't personal, a fact he has to remind himself of.
"I'm just..." You tilt your head slightly, gaze retreating from the royal blue wallpaper and silver trim of his bedroom walls, "Analyzing."
The comment is followed by an easygoing smile that pinches at something in his chest. His new apartment, the penthouse of one of the largest buildings in the city, another gift from the ever flowing well that is the Plinth fortune, still reeks of former poverty. The few things that hint at the personal are hidden behind layers of desperate wealth so thick the items might as well be standard.
A lifetime spent in 12 means that there's no way you can read between the lines. He can't decide if your perspective will make this room look worse or better. It's a nice bedroom, definitely grander than any bedroom you've stood in before...but it's understated. Maybe even disappointing to someone like you.
"Analyzing?"
You turn fully, "A bedroom says a lot about a person."
"You might get more out of analyzing my study," an oddly school boy worthy partial truth slips out before he can stop himself, "I think I've been spending more time there than here recently."
You shake your head once, eyes landing on the crimson red vase filed with crisp white roses his grandma'am had gifted him on his last visit. Her pride and joy now more than ever. "I'm seeing all I need."
A hint of a smile tugs at the corner of his mouth. It's the most genuine expression that's slipped past him in weeks. When he first worked out a way to bring you here, some doubting part of him wondered if the draw he felt towards you would still exist in person.
Less than two weeks after your victorious departure from the Capitol, he had searched through your files and found your address. He had written the letter in a moment of weakness and only sent it after deciding that writing a letter to never be sent is the only thing more pathetic than writing to you in the first place. He had spent the week following that wallowing in self loathing until an age-stained envelope arrived at his door.
"And what are you seeing?" He keeps his tone light. This is ridiculous. He dragged himself and his family out of a gutter clogged by the casualties of war. Coriolanus is stronger than fleeting emotion now. Your opinions on his room can't possibly affect him.
If he were to simplify what brought you here, to the Capitol, to him, he could blame it on his bedroom. The urge to see you, to figure out some way the two of you closer together before your undeserving district could swallow you whole in an attempt to make you like them, would flare up whenever he received one of your letters.
Those urges, however, had never burned him. Not until you wrote about wanting to see him out of the most curious nostalgia you'd ever felt. You wanted to see him in a way that'd let you know what his room looked like, in a way that'd let you guess at his favorite color.
He takes a few steps forward, making the conscious decision to not reach for you. You've never rejected his advances, not even when he instinctually intertwined your fingers after picking you and your family up from the train station. You had scolded him after, telling him that you'd hear no end of it from your mother. It took a lot of focus for Coriolanus to not smile at that. You spoke of it like it would've never occurred to you to just pull your hand away.
Your eyes shift from end of the room to the other. Coriolanus moves carefully, passing you before sitting at the edge of his crisply made bed.
"Before you make your decision..." You turn instinctually, expression so polite and expecting he almost doesn't know how to bear it. His hand briefly pats the space beside him in a silent invitation. "So you can see it from all perspectives."
Your head tilts slightly, and for a moment, Coriolanus can practically feel your rejection. Then you move, sock clad feet treading over smooth white-gray marble. You sit next to him so assuredly, anyone else would have taken the way you neatly fold your hands in your lap as politeness instead of a display of nerves.
Your family's presence makes you less pliable. It's a factor he's willing to work around considering that you would've never left them to come to the Capitol. And even if he had managed to talk you into it, your nostalgia and homesickness would've made you more of a ghost to him than before.
At least the position your family's in is uncertain enough to allow for some leeway in the social norms that you cling to. However, every once in awhile it hits you that at the end of the day, he's still a boy that you're close to, which means that it's your duty to create the distance necessary to keep everything proper. Leaving your bedroom in the middle of the night because said boy knocked at your door and then entering his room in his empty penthouse is something you would've done under normal circumstances.
But your connection isn't that black and white. If it was something so simple, he would have been able to sever it the night before your Games.
"It makes all the difference," you agree warmly, and only somewhat sarcastically. You give yourself another second to take in the space, "I like it."
He can tell that you mean it. "I haven't fully settled in yet."
You shrug, paying him little mind, "There's something about it that just feels like you."
Coriolanus shifts his focus to the ground. You can't possibly mean it in the way that he sees the room, as a reminder that he still doesn't fully fit into who he's become.
"I've been meaning to pick up a few things," he says, "Tomorrow, after my classes, I was thinking about browsing some paintings." Another half truth. He had been meaning to. Mrs. Plinth had instructed him to visit her art dealer whenever he had enough free time to pick out a few pieces to demonstrate his taste. He'd been putting it off as a dismissable task, but it feels like a safe way to give you your first taste of life in the Capitol. "If you'd like to help me pick some out."
You smile, eyebrows pinching together in a way that's just barely noticeable. You're as interested as you are puzzled. "I'd like that." Relaxing enough to let your hand rest between the two of you, you beam, "I don't know if I'd be much help, but I'd like that."
He'd be willing to get anything that caught your eye. Paintings and vases already with such an exclusive art dealer hold more or less the same level of standing, anyway.
Coriolanus moves his hand slowly, careful not to startle you before his fingers can settle against your own. You instinctually turn over your palm, intertwining your fingers. "I trust you."
You stare at him with wide, understanding eyes. Sometimes when you look at him, really look at him, Coriolanus is struck with the feeling that you can see right through him. It's an irrational feeling, that every good action and cruel deed is reflected in his eyes. Moments like this make it hard to be near you. They also, however, make the thought of adding distance between the two of you unbearable.
"I have an early class."
You dip your chin forward in an attempt to accept what you're considering a dismissal. "Right, you must be tired." The words sit between you for a long moment.
Your free hand presses into the silk of your still new pajamas. You shift like you're going to stand. His hold on your hand tightens before you can move away. You still.
He's being ridiculous. There's nothing about this situation that warrants his inability to look at you. "Stay here." His thumb runs across your knuckles. "With me."
The words are soft enough to be a request, but there's not enough space between them for questioning. He cautiously lifts his head enough to take in your reaction.
"What?" It's a display of shock more than an actual question. Coriolanus squeezes your hand even tighter. You don't try to get him to let go, but you do shift away just enough to create the reminder of distance. "You know I can't."
His other hand reaches forward, settling against your wrist. "Why not?" He doesn't mean for his voice to come off as raspy, as desperate as it does.
You swallow, attempting to straighten your spine in an attempt to offset the instinctual urge to hide your face. This isn't a topic you're even comfortable implying. "My mother would kill me if she so much as found out that I came up here so late, let alone..." You trail off, head dropping to your lap. "Stayed here."
He envelops your hand between both of his. "She knows we're friendly."
You look up just long enough to imply a pointed not that friendly. "It's--" You blink, eyes darting from to your joint hands and then finally to the ground. "You know it's..."
Coriolanus leans forward. The shift is small, just enough for his knee to brush against yours. "It's what?" He keeps his voice low, a barely there whisper that comes off as so innocent it nearly circles back to anything but.
You glance up, so wide eyed and flighty he's reminded of a rabbit. The level of precaution you're exuding can't just be about your mother's opinions, can it? He studies your expression openly, taking in the set of your eyebrows and the way you steadily press your lips together to avoid speaking without thinking. At least some part of you believes in your mother's concerns.
The realization strike shim so quickly he has to focus on keeping his expression neutral. Your bond is so much more than just coming together on a random night where exhaustion's already clouding his focus.
It will happen between the two of you. Eventually. But not yet. You've barely entered the Capitol and every aspect of your life has become vastly different than what you're accustomed to. If he were to attempt to cement any relationship between the two of you like that now, you'd be too overwhelmed or you might think that that's the only reason he brought you here.
He learned early on that it's best to introduce adjustments to you slowly, giving you enough time to hold onto ideas before enacting them. Anything of that nature would work that way too.
"I haven't been able to see much of you." He focuses on your hand, still resting safely between both of his. The words came out too quickly, a flash of some genuine sort of emotion that claw at him on the way out. With you, sometimes a glimpse of feeling works wonders.
Your thumb draws gentle patterns against the side of his hand. "You're busy." He relaxes his hand, turning over his palm. You place his hand on your knee, fingers tracing the natural creases etched into his skin. "You're important."
The way that last word comes out makes an uncertain warmth crawl up his neck. "I--I've wanted to see you more." Another thing he means so much it turns his stomach to admit it.
Your nail drags down a line that cuts across the length of his hand. "Me too."
He bends his fingers slowly, moving in until he's trapped your pointer finger against his palm. "Then stay." You twist your finger enough to express some lighthearted irritation, but not enough to count as a real attempt at escaping. "If your mother says anything, I'll explain it to her." You glare at him without any true aggression. "She likes me, doesn't she?"
Coriolanus already knows the answer. She credits your survival to him. You had mentioned that in a letter once, telling him that she insisted you pass along her gratitude after discovering that the two of you had started to correspond regularly.
He also saw the way she reacted to realizing that she had made it to the Capitol. Your mother's family had once been part of the wealthier side of 12. You're part of a recently fallen line of mine owners, a fact that your mother has only pretended to let go of. He saw a hunger behind her eyes that reminded him of a warped version of his own.
Coriolanus gave her back the pride the war had stolen from her family name tenfold. He owes her this much.
"She'd trade me for you in a heartbeat." He hears the grin in your voice more than he sees it. Your family means the world to you, which means he's subjected himself to seeking your mother's validation and winning over your two younger sisters.
It's not the way he'd choose to spend his limited free time, especially with you standing right there, but he's endured worse for less of a pay off. "Then she'd be a fool."
You fight to hold his gaze. "I doubt that."
Your eyes are pools of honest, unfiltered affection. The care that you're watching him with makes it hard to swallow. The instinct to press, to dig and claw and tear anything that could be hiding an ulterior motive into shreds makes it hard to take a full breath. You've always worn your heart on your sleeve. You're not a flighty songbird that uses its charm to distract its prey from its fang-like talons.
"Stay." Again. So breathless he almost doesn't recognize the word as his own.
The deliberation is transparent behind your eyes. You're considering it, but you're still not convinced. The hesitation stings in a way he doesn't understand. "I don't want to give her a reason to not like you."
So softly spoken he's shocked by the way the words manage to feel like a nail being hammered into his chest.
"She's let you stay with other people before." The response is too sharp, too sudden. He should refocus and think through what he's about to say. Coriolanus knows that it's easier to get you to agree to something through the use of honey sweetened words and displays of patience. "You wrote about him."
The confusion that briefly etches its way into your expression threatens to quell the uncomfortable swell of jealousy tightening his chest. "Warren?" The name makes tints the air between you with something acidic. "That was--different."
Your explanation adds an edge to the pressure in his chest. "Why?"
"We weren't--" You cut yourself off, the instinct to placate him and your desire to not start a conversation you can't finish battling each other oddly. "We were never alone." You squeeze his hand as best as you can. "He's a family friend and I only stayed over when my mom had to work late and I was too young to be alone for so long, so I haven't stayed over in years. And--and he shared a room with three of his siblings and his parents checked on us constantly."
He frowns, unconvinced. The lack of approval has you clinging to him, adjusting your hold on his hand as you gently trail your knuckles against the inside of his wrist. "I do miss you." You stare at your hands. "I know it's weird because we're--y'know--closer than before, but I-I do miss you."
The expanding wave of tension in his chest begins to deflate. You're good at that, at redirecting and soothing without even realizing it. A talent that had contributed to his original desire to loathe you. "I understand that." He runs his thumb over your knuckles. "Things aren't going to get less busy. That's why I want to use all the time we have."
You nod slowly, a hint of understanding making its appearance in the set of your brow. "I know."
"What you wrote," he begins, too aware of how much he means the question that follows, "Did you mean it."
"Of course I did." Not an ounce of hesitation, of uncertainty.
He turns your hand over before shifting his fingers up the inside of your wrist. "You wrote about wanting to see me."
"I did..." The pad of his thumb gently makes its way up your forearm. Your even breathing falters. "I do."
Coriolanus lets himself look up just enough to take in your expression. "Then stay." He swallows, too aware of the sudden dryness of his mouth. "Please."
You glance up at him through your lashes. There's a softness there that jabs at him. "Okay."
He lifts the back of your hand, carefully brushing his lips against your skin. "You mentioned wanting to see a library."
You wrote about it once. A brief mention in one of your letters of the small room in your school's office that served as a sort of communal study space with a few books stacked on a small shelf. Your longing had been clear.
Nodding curiously, you agree, "Yeah?"
"I could leave for my classes a little earlier tomorrow, you could come with me." The proposal comes out slowly, his own suggestion taking him by surprise. "My driver could bring you back, that'll give you time to meet the tutor that's being sent over for your sisters, and then when I get back we'll look at the paintings."
You immediately grin, "Really?"
He finds himself smiling back, pulling your arm closer. "Whatever you want."
You beam. "I'd really like that."
"Good," he affirms with a nod of his head that's a touch too forward. He regrets it almost immediately. "If you like it, I might be able to get your own tutor to meet you at a library."
Part of the still uncertain victor program relies on setting up the victor and their family with a new life. Education plays a role in that. Placing any one of you in an actual Capitol run institution is far out of the question. For everyone's sake. Even if the thought of sharing a classroom with someone from 12 didn't horrify the Capitol parents, you and your siblings wouldn't be able to just jump in. It's not that he views you as unintelligent, but District 12's education system isn't exactly on par with the Capitol's.
"That sounds nice," you sit up a little straighter, excited by the prospect, "A part of me kind of misses school."
Another aspect of your personality that he had learned about after your Games. You like school for the sake of it. "I'll check on the arrangements tomorrow."
He clears his throat before you can do more than just nod, "It's getting late."
Coriolanus carefully sets your hand down on the comforter. You awkwardly shift, now more aware of what you agreed to than ever. "Right," you push yourself to stand, "You need your sleep."
He pulls back his sheets before you can think about it even further. You crawl into the provided space without looking at anything in particular. He's quick to join you beneath the safety of plush bedding before leaning over and turning off the bedside lamp.
Darkness floods the space. There's something about the absence of light that makes things feel heavier. The potential intimacy of the situation sneaks up on him with no warning.
This isn't a loss of control. It can't be. It was his idea, he had pushed and convinced you to stay here. He's aware of everything that's led up to this moment, but that's not enough to stop him from wondering if this is something than he should have known better than to embrace. He had accepted the familiar, fickle knotting of his stomach once before.
Steady warmth presses itself against his arm. He blinks, head turning a second too quickly. Your hand has found his. Coriolanus relaxes, allowing himself to fully relax against his pillow. You pick up on his shift, reflecting it by laying down as well.
For someone that had been so hesitant, you seem to know what to do better than he does. You pull his arm towards you, gently trailing your fingers against the exposed skin. Heat crawls up his neck.
"Goodnight," you mumble, voice already drowsy.
Coriolanus lets out a long breath. He grasps your hand, bringing it back to his lips before settling back into the position the two of you were in before. "Goodnight."
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californ1asnow · 1 year ago
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Call Me Up Again - pt. 2 Mike Schmidt x Reader
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Part two of All Too Well Angst!!! So much angst everyone I've decided to turn this into a miniseries, this post being the second part. I'll continue to link chapters as I post them This is also being updated on ao3 (cough cough) No warnings this time 1.9k words
Snowflakes fall silently, coating everything around them in a white dust. The wind blows with a crisp chill, nipping at all the rose-pink noses. It sends shivers down the backs of those who dare be out in this weather. The pumpkins and fake graveyard decor that had once littered every home’s front yard has long since been swapped for tinsel garlands and pine wreaths. 
The Schmidt residence beams with colored string lights and holiday music. A tall, sturdy evergreen sits patiently by the window. Its branches are decorated with years worth of homemade ornaments, ranging in all size and age from both Mike and Abby. The red skirt beneath it falls relatively empty of presents, only donning the few small ones Mike could afford to buy this year. They’re wrapped pathetically in an old birthday paper, the only wrapping Mike could find to reuse. 
Usually, the tree is so full that he’s had to store things in his closet, but that was when you were still a part of their Christmas. Stockings hung happily above the fireplace and a love so innocent it wraps the house in a warm glow. However, it’s void of that feeling now, instead Mike is left to pick up the pieces that you once fit together. Abby doesn’t understand why you don’t come over anymore, or why Mike has been so quiet lately. All she knows is that something went wrong, and now everyone is upset. She’s stopped bringing up your name in conversation when talking to Mike, because it always ends with him withdrawn and retreating to the solidarity of his room. 
That didn’t stop her from drawing you, though. Sometimes she’d sit at her desk, tears collecting in the well of her eyes, and doodle old memories of the three of you. She remembers them being happy, but by the time the crayons were set aside and the picture was finished, it was a glum mess of dark blues and frowning faces. 
After a drawing is finished she’d slip past Mike’s room, quietly tiptoeing out the front door, and make a break for the house across the street. Your house. She’d work fast, her feet carrying her quickly to and fro. It was unclear from her perspective whether you paid attention to what she’d give you, but by the time she slipped a new piece of paper underneath your door, the old one she had gifted you was gone. 
Mike was unaware of it all. 
He had found a new job in town where he could bury all his thoughts. It was working construction for a local contractor, a job that certainly wasn’t ideal but it paid better than what he’d been used to. Unfortunately, it required longer hours and ate up all his free time, meaning Abby needed a new babysitter. A job that was once happily filled by your company, now replaced with an afterschool program suggested to him from a flyer he found at work. He hated the thought of her sitting in essentially another classroom, surrounded by strangers and snotty kids, but it was his only option left. 
With a third of his paycheck dedicated to it, Abby now spends her weekdays at the nearby YMCA. 
The first time he told her about the new program didn’t go over very well. He remembers it clearly.  
“Abby please,” his irritated voice interrupts her incessant protesting, “listen, it’s the only place that can watch you.” 
“No it’s not!” She yelled at him, her finger pointing to your house across the street, “I want her back!”  
A pang of guilt struck his chest at her words. The lack of your presence has clearly been taking a toll on the both of them, but it’s the first time Abby’s ever been so vocal about it. He crossed his arms with a sigh, watching his little sister stare up at him with solemn eyes. Her lip quivering ever so slightly, evident that she’s holding back tears. 
He crouches down to her level, just like he had done to you so many nights ago, “I’m sorry,” he pleaded with her, “but she’s not coming back right now.” 
Her head shook with disbelief, stubbornly stuck in her spot, “Then make her come back.” 
You’re not sure when the Mike shaped hole in your heart stopped aching, but it’s significantly less sore compared to a fresh wound. That’s not to say the constant reminder of him and Abby living across the street from you doesn’t sting. It’s hard enough to ignore all his calls, but trying to get to your car while avoiding his gaze is even worse. Eventually, he gave up on contacting you by the third month of radio silence. It hurt both of you, but you knew deep down neither of you could continue functioning like how you were. 
The back and forth pull of his affection took too big of a toll on your mental well being. You can remember every moment down to the exact detail of how much you craved for him to just do something, anything. 
All those times you held him in your soft embrace whispering sweet nothings in his ear, reassuring him everything will be okay, just for him to turn around the next day and never bring it up again. Or when you’d run your warm fingers through his hair to calm him down after a panic attack, and he’d let his head rest in your lap. Words of affection dripping off his lips like a rich honey, warming you up from the inside out. Then he’d disappear for a while, claiming he needed some space to figure stuff out, all the while you’d beg and plead for him to tell you what’s on his mind, only for him to give you nothing back.You stood by him regardless though, keeping a silent promise that you’d always be there for him when he needed it, a love that was never reciprocated back. 
A long sigh escapes from you, eying the new delivery that just appeared by your door. You shuffle towards it weakly, unsure if you really wanted to torture yourself by looking at it. It’s one of those things that curiosity will drive you to do, unable to ignore it like a pedestrian passing by a car crash. The paper crinkles under your touch, unfolding it reveals the familiar childlike style of Abby’s drawings. A man drawn in green crayon frowns up at you, holding hands with an equally sad looking child. Your gaze drifts over to the other side of the paper, highlighting a person relatively similar to you standing alone with their arms crossed, angry. Your heart hurts at the sight of it, knowing that Abby is implying that you’re angry at the two of them. You shake your head quickly, trying to evade any tears that threaten to spill. It’s not fair for Abby to be caught in the middle of whatever is going on between you and Mike, and you realize that. 
The sound of your phone ringing breaks your train of thought, and when you check the caller ID your breath hitches. Standing in the middle of your living room frozen with indecisiveness, you stare at the screen while chewing on the bottom of your lip. Without thinking, you accept the call.
“Hello?” 
There’s a sound on the other end of the line, somewhere in between a choke and a gasp, and then your name is mumbled out in disbelief. 
“I didn’t think you’d actually pick up…” Mike’s voice is still a little startled, mimicking the internal panic in your chest. 
You suck in a deep, steady breath before answering, “Yeah, I didn’t think so either.” There’s a slight pause from both of you, unsure how to continue the conversation. It’s felt like years since you last heard his voice. 
“Are you…doing okay?” 
“...Yeah.” Your answer is unconvincing, but Mike doesn’t have any ground to be able to question it. So it’s left like that, timidly dangling in the air between you both. 
You hear shuffling in the background, and a smaller voice asking a question before he dismisses it. Your heart lurches thinking about how Abby is there, trying to figure out who her older brother might be on the phone with. It almost makes your cool demeanor crack, urging you back into your savior complex. 
“Uh, sorry about that,” your phone crackles back to life, “anyways, I wanted to ask you something.” 
“Oh okay.” 
“Can you,” he stops, leaving you on edge, “meet me somewhere?” 
The lack of response from you causes him to start rambling, going on about how it would be better to talk in person, and how it would be easier if you could see each other’s expressions. Soon afterwards, a string of apologies ensue, and you pinch the bridge of your nose in frustration. 
“Okay Mike. Promise me this will be worth it.”
“I promise.”
A young waitress stares nervously at your booth. Orders continually piling up, hungry customers giving her rude looks whenever she ignores their impatient huffs. It’s been a good thirty minutes since you first showed, and she’s checked up on you at least a handful of times by now. Mike had suggested this little diner down the street from your house, and you agreed to meet here. 
However, it seems like you’re the only one who showed up. 
Your back is pressed against the uncomfortable foam board of your seat, a leg bobbing rapidly out of habit. You pick at the pills on your sweatshirt sleeve, trying to avert your gaze from the sympathetic waitress. Prior to your predicament, she had asked if you were dining alone, and you told her no. However, It’s starting to look like you just might be. With anger bubbling inside of you, a voice in the back of your head is saying you should have seen this coming. It’s so typical of Mike to make promises that he’s unwilling to keep. 
The air smells like grease, mostly from the old fryers sitting in the back of the kitchen. Oil bubbling and brooding in their tanks, waiting for someone to drop a morsel of food so it could shrivel in the scalding lard. Stomach stirring with disgust, a wave of nausea washes over you. It’s unclear exactly what’s causing it, you’d like to give credit to the sleazy restaurant, but something deep down points to the lack of a certain person’s company. 
You keep your attention trained on the dwindling heat of your coffee. Both corners of your mouth scrunch downwards at the smooth ceramic now held in your cold hands. When did watching a cup of coffee become so interesting? 
“Would you like some more?” The sweet but timid waitress asks you, now back at her spot beside your table.  
A joyless smile flashes across your face, a futile attempt at masking your dejection. Pushing the cup forward, silently accepting a fresh refill from her kettle. 
“He’s not worth it.” She adds, tipping off your mug. Her eyes refuse to meet yours as she does so, and you are thankful for that fact. 
“No,” you respond back, “he never is, I guess.” Your voice is shaky, as are the hands that are folded in your lap. 
Mike is not worth the years of being hurt and pushed away. Not worth the tears that fall after coming home from a night spent at his house, inconsolably sobbing because you know no matter what you do it leads back to the same thing. To give up all your time, love, and patience just to receive nothing in exchange. 
It’s not worth the unrequited love. 
“Can I have the check please?” You ask quietly, still avoiding the gaze of the girl next you. 
Her head shakes with pity, fingers wrapping around the arm of the kettle, “it’s on the house.”
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TAGLIST - @wriothesleysbimbo @psbc @victimsofadownn @that1lxnlybxch @callsignwidow
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wileys-russo · 1 year ago
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cheeky little angst to fluff blurb for leah??
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leah didn't do her acl in this because i said so insensitive II l.williamson
"-so i'll rest again for a bit in bed, go to breakfast and then i think we have our team walk in a couple hours? oh! then a few of the girls are gonna go for breakfast and to the beach tomorrow before our flights since they're later at night. the beaches here are literally insane babe the water is so blue, i'll make sure to send you some photos. i'm keen for one last taste of summer before returning to the bleak dead cold of the uk." you joked with a smile, your girlfriend humming tiredly in response.
"i'm sorry baby i'm talking too much. are you sure you're okay? you played brilliantly leah really, i was so proud of you." you softly assured, as you had been for the majority of this phone call which was really annoying the blonde more than helping her to feel better as you intended.
both of you away with your respective national teams for international break you'd both been on the phone much as you could, forever attached at the hip you missed the older english girl who held your heart terribly.
however it would appear that your break was going a whole lot better than leah's, australia coming away with an 8-0 win a few days ago and england having just lost 3-2.
your chances of qualifying were looking up whilst hers seemed in a jeopardy she'd not predicted experiencing.
"i'm fine." if you would have picked up on the hidden sharpness of her words you might have caught on and changed topics, however still half asleep you missed it, having been up very early to watch your girlfriends match.
"losses happen lee it doesn't mean you girls have any less chance of qualifying, you've come back from worse yeah? heads held high and leave it in the past, same thing you tell us all each week in red babe." you tried to comfort her only your words had the opposite affect.
with the loss playing heavily on her mind and leah attributing a large portion of the blame toward herself in defence, she felt a bitter bubble of jealousy and frustration begin to build up in her throat. and before she could think any better of it, it came out suddenly like a toxic word vomit.
"yeah well some of us have actual challenges to face to qualify. we can't all get the easy draw and piss poor low ranking teams to smash 8-0, scoring hat tricks against players with half your professional experience and no funding into their programs, can we? the entire olympics qualification system is a fucking joke!" leah snapped, a few of her team mates heads swiveling toward her with a mix of frowns and surprise at her harsh tone.
silence was all that she was met with after her little outburst, you opening and closing your mouth in somewhat a state of shock at the venomous tone from your usually calm mannered and always supportive girlfriend.
"you must be tired and your flights soon. i'll call you later before warm ups?" you asked hopefully, heart hammering in your chest. "no, i'm going into the training centre soon as i get back." leah replied bluntly, clearly not intending to watch your match as you felt your cheeks heat up in embarrassment.
"right. well i hope you get some rest on your flight then." and with that the line beeped signaling you ended the call, leah shoving her phone into her pocket and resting her chin on the handle of her suitcase she was currently sat on.
"leah mate...that was painful to listen to." georgia winced from beside her, keira humming in agreement. "what? she's being insensative! if she knew me she'd know i fucking hate being coddled and thats all she was doing, as well as flaunting her stupid win." leah muttered with a roll of her eyes.
"is that seriously what you think?" keira questioned, eyebrows knitted together as leah only gave a small shrug. "leah." the younger girl sighed, shaking her head.
"she barely mentioned the win to you when it happened, she spoke about her hat trick maybe once on facetime that night? she stayed in to call you like normal instead of being out for dinner celebrating with her team." keira began to lecture the blonde beside her.
"do ya know what time it is in western australia right now leah?" georgia continued on, eyes wide looking at her phone as again leah only shrugged, though a hint of guilt was just starting to creep in.
"it was 3:30 in the morning there when we kicked off and she watched the entire match and then stayed up for a few hours afterwards to call you, so that she could comfort you and try to make ya feel better." georgia lectured, leahs stern gaze beginning to crack at her words.
"then you just dismissed all of the graft she put in last match and her entire teams hard work down to something they have no control over. doesn't matter who they play leah, they deserved each win." keira continued, leah taking her bottom lip in between her teeth as she sat up and rubbed her face with her hands.
"then she gets up at 3:30 to watch your game and you tell her you aren't bothered to watch hers when its at a more than reasonable time, because you're busy feeling sorry for yourself." georgia added on, yet another blow of guilt for her to swallow.
"did you think it was insensitive when we beat them in the semi final of their home world cup, and you celebrated with your team afterwards?" keira asked with a raised eyebrow.
"nah that was different! i went right to her first to make sure she was okay and tell her how proud of her i was, and she told me to go out afterwards and went out with her own team." leah defended suddenly, shut down by the looks from her best friends either side of her.
"exactly leah, so then how is that any different than her trying to console you after this loss? and then you had to go and open your stupid hot headed mouth, stick your foot in it and probably make her feel like shit before her final international match of the break, which you all but said you wouldn't be watching. how is that fair?" keira delivered the final punch as leah crumpled, head hung in her hands with a small groan.
"yeah alright alright i get it, i've royally fucked up here." leah sighed, standing suddenly and walking off with her phone held to her ear, calling you over and over as each time the phone would ring out only affirming to her that she had really stepped in it this time.
trying you for a fifth time, urged to hurry up from her team mates as their flight was boarding leah's phone vibrated with a message as again you didn't answer.
from; lover girl i need some space please, i'll call you once i land back in london x
with a frustrated sigh leah heart reacted the message not wanting to overstep, locking her phone and hurrying over to keira who was impatiently waiting to board.
she had some serious groveling to do.
~
you opened and scanned through the multiple messages from leah she'd sent while obviously watching the game, withholding the urge to smile at her running commentary and complimentary words about how you and the team played.
still quite frustrated with her and still wanting space you opted not to reply, locking your phone and tucking it under your leg as you rummaged around in your backpack for your airpods.
"you're not gonna call leah?" steph asked with a look of surprise as you settled in beside her on the bus back to the hotel, where as normally you'd sit by yourself to call your girlfriend after each match like clockwork.
"nope." you answered simply, shaking your head and tucking one knee up to your chest. "what's happened?" the older girl sighed knowingly, draping an arm over the back of you as your head came to rest on her shoulder.
through the four seasons you'd played together at arsenal the two of you alongside caitlin and now kyra had become like a family, relishing in the familiar comfort of having your fellow aussies around living in a foreign country where you hardly saw your actual loved ones.
"i think we had an argument? but we didn't exactly argue." you replied, still a little in the dark yourself on what had caused leah's outburst. steph only gave you a confused stare and nodded for you to explain further as you did so, recounting your conversation with the blonde captain this morning.
"ahhh, i see." steph nodded now caught up as you hummed tiredly, the time now nearing eleven at night. "you know she loves you very much. but we both know she hardly has a filter on what she says sometimes, and she's quite potentially the most patriotic person i know both for club and country." steph chuckled, patting your shoulder.
"norf london foreva." you mocked her accent quietly with a small smile, admittedly missing it even more now you knew you'd not be speaking to her for a couple of days while you flew.
"but thats not to dismiss how harsh she was and how that would have made you feel. i think some space is a good idea, gives her some time to reflect on why you're upset and why what she said was wrong. you gonna be okay?" the brunette asked softly as the bus pulled in outside your hotel.
"yeah, i'll be fine. it's been nice being back home and seeing all the girls again, and we're going for brunch and to the beach tomorrow. i'm just focusing on that and the horrendous jetlag we're due for once we touch back down." you groaned, steph agreeing as the two of you filed off the bus.
~
"kyra i promise you, if you so much as breathe near me for the next twenty four hours i am going to murder you." you spoke calmly, stopping to take a deep breath as the younger girl purposefully stepped on the back of your trainer again.
you loved her dearly but it was like having your own child as she'd wound you up for hours now, giving you a brief moment of rest when she'd finally passed out on the plane. but now fully awake and in her usual tiresomely hyperactive mood she'd been kicking the back of your knees out and stepping on the back of your shoes from the moment you stepped off the plane.
"leave her be! honestly mate you're so annoying." caitlin groaned on your behalf, wrangling the girl into a tight headlock and dragging her away from you as the four of you headed out of baggage collection.
"i see your personal chauffeur has arrived." you looked up in confusion as steph elbowed you, spotting leah a hundred or so metres away. "ooo she's off to kiss her little girlfr-" kyra's sarcastic kisses and teasing words were cut short as caitlin suddenly swept her feet out from under her, sending her tumbling to the ground on her ass.
"oi!" with that the two took off chasing one another around the terminal, steph kissing your cheek and telling you to call her if you needed her as she hurried off to sort your friends out, the three of them set to take an uber together.
you watched leah nervously shift her weight from one foot to another as you slowly made your way over, her face partially hidden by the hood drawn over her head. a hoodie which you quickly recognized as one of yours, a faded black australian national team hoodie from years ago.
you also noticed she had a bunch of flowers in one hand which she immediately held out to you. "hi." leah breathed out quietly once you arrived in front of her and had taken the flowers with a mumbled thank you.
"hi." you echoed back, adjusting your bag on your shoulder and shaking your head as she offered to take it from you, the two of you wordlessly making your way out of the airport and to the car park.
you dumped your bag in the boot which she opened and closed for you, sliding into the passenger seat with a tired sigh and carefully placing the flowers on the floor between your feet as leah sat beside you, starting up the car and pulling away.
"can we talk? or do you want some time to like actually sleep and rest, you must be insanely jetlagged. i can stay at beth and viv's place tonight? give you some space." leah offered, the two of you having been living together for well over a year now.
"no it's fine, we can talk." you confirmed, adjusting your position as your head slumped against the window, eyes struggling to stay open which didn't go unnoticed by the blonde beside you.
"are you sure? you look exhausted we can-" "leah i'm sure, we need to talk."
you hadn't mean to come across as bluntly as you did given your jetlag, as you saw surprise flicker across your girlfriends face for a moment before she nodded and you mumbled a quiet apology, rubbing your eyes.
"well i'll start. firstly; i am so incredibly unbelievably sincerely sorry for what i said to you love. i was tired and frustrated with my own performance not that thats any excuse, and selfishly a little jealous of your big win when we lost. which was completely unfair because i am so so proud of you in everything that you do. i promise!" leah started, glancing over at you as she stopped at a red light and you gave her a small smile, nodding for her to continue.
"you put so many hours of extra training in to prepare for the world cup and of course thats payed off and you're finally seeing the benefits. I was bitter and selfish and i lashed out at you when you were just trying to make me feel better, like always, and i am really really sorry baby." leah continued, falling silent after as you assumed she'd finished talking.
"well firstly; you were an asshole." leah winced at that but nodded, understanding her actions were to blame here.
"but i understand you were feeling poorly after a loss, i just wish you'd communicated that with me a little better and i would have left you be with your own thoughts rather than talking your ear off and probably worsening your mood." you sighed, the blonde quick to assure she normally loved you talking her ear off.
"i just felt like i didn't understand what i'd done to cause you to be upset with me, and then you snapped about the qualifying process and you weren't entirely wrong but-"
"i was! i was wrong about that. its been the way they're done for years now and its not anything you or i are ever going to have the influence to change single handedly, and i should have never dismissed the shift you and the girls put in for that win." leah was quick to clarify before apologizing for interrupting you.
"thank you. next time please just communicate with me how you're feeling and what you need lee." you smiled tiredly, your girlfriend reaching for your hand and smiling in relief when you allowed her to take it, the blonde bringing it to her mouth and placing a few tender kisses on your knuckles as she glanced toward you.
"eyes on the road thanks charmer." you smiled tiredly, leah not letting go of your hand but dropping it to rest on the middle console, her other hand expertly maneuvering the steering wheel.
the rest of the ride home was filled with a much more comfortable silence, leah thanking her lucky stars you'd been so forgiving and remanding herself over and over for ever wronging you, smiling softly at you asleep in the seat beside her.
parking in the driveway she flicked the car off, carefully getting out and softly closing her door. she grabbed your bags out of the back and hurried them inside, dropping them in your shared bedroom and rushing back to the car, leaving the front door open.
gently opening your door she caught your body as it slid out having been leant against the door, your eyes shooting open as you inhaled sharply and sat up. "we're home baby." leah advised, affectionately rubbing your flushed cheek with her thumb as she pressed a kiss to your temple.
with a tired nod you allowed her to pull you up and out of the car, walking yourself to the front door and rubbing your eyes. you stretched as you crossed the threshold of your home, squealing as leahs hands poked at the sliver of skin which popped out as your top rode up.
"hello." you latched yourself onto her the moment she closed the front door and turned, your cheek smooshed into her shoulder as her hoodie clad arms wound tightly around you. "i really really missed you." leah sighed, swaying the two of you back and forth as you relished in the familiar warmth of her embrace.
"so i can see, you've become an honorary tillie." you teased, tugging on the sides of the hoodie as your chin moved to rest against her sternum, looking up at her in amusement. "for you my girl? anything." leah promised with a soft smitten smile, leaning down to kiss you.
"leah what is that?" you spotted a piece of cardboard on the kitchen counter over her shoulder, pulling away from her right before her lips met yours causing her to frown.
"welcome home from prison!" you read out the sign with a scoff, leahs arms folding around you from behind as her chin rested on your shoulder and you felt her body vibrate with a quiet laughter.
"thought it might be a bit too soon for the joke to land right without an apology first." leah admitted, pressing a few light kisses to the side of your neck.
"mm yeah good choice. dick!" you shoved her playfully as she continued to cling onto you, spinning you around. "may i have a proper kiss now please?" the blonde pouted, puckering her lips as you smiled, shaking your head.
"well i am all for charity and since you asked so nicely." she pinched your side for the comment, pressing her lips to yours before you could say another word.
the way her lips slotted perfectly with yours would forever make your head spin, sending you into a love drunk haze of dizziness at the euphoric feeling of kissing her. the way her bottom lip would part slightly as her hand flew to the back of your neck, her tongue slipping into your mouth as her thumb rubbed gentle circles just below your ear.
her lips always soft and welcoming, her kisses calculated and thought out, making sure that with every fleeting second you could feel how deeply she cared for you. this kiss in particular was two weeks in the making, the blonde pouring into it every inch of her adoration for you with each slight adjustment and touch, her other hand resting on your waist to draw your body even closer into hers, trapping the two of you in a cocoon of warmth and love and safety.
"welcome home." she pulled away with a light smack, pressing a few softer kisses to your swollen lips before pressing her forehead against yours, closing her eyes and hugging you tightly, anchoring you in her arms like a lost ship coming ashore.
the sea of your relationship wouldn't always be smooth, but with leah at the helm and you loyal by her side the two of you could get through pretty much anything.
"it's two now baby. do you want to sleep for a few hours and then up for dinner? and we can stay up till around maybe ten to try and reset your schedule?" your girlfriend offered sweetly, warm lips pressing against the crown of your temple with each word.
"so long as you're with me i don't mind." you sighed, head falling to her chest as you squeezed her tightly, melting the older girls heart who hugged you back just as firmly.
"well you can't sleep standing up." with that she'd bent down to grab the back of your thighs, hoisting you up. "bed or lounge baby?" the defender asked with a raised eyebrow. "not the first time you've asked me that while i'm off the ground in your arms." you smirked, kissing her nose and grinning as she scrunched it slightly.
"even half asleep with jet lag you remain a cheeky cheeky girl." leah tutted with a shake of her head and carrying you with her over to the sofa, turning around and sitting down as she pulled you to sit between her legs which stretched down its length.
"can you put the golf on please?" you mumbled tiredly, shuffling so your head was resting on leah's chest, hearing her heartbeat beneath your ear as leah smiled happily in surprise at your request. "really?"
"yeah, always sends me to sleep." you continued, closing your eyes as leah rolled hers, carding a hand through your hair but doing as you asked, nails scratching at your scalp and the english captain chuckled seeing within a few short minutes you'd fallen right back to sleep.
desite the fact she actually enjoyed watching the golf much to your horror, a few holes in, she was ashamed to admit she joined you, eyes drifting closed.
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seiishindraws · 1 year ago
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I noticed when looking super close at your line art that the there's slight red green and blue on the sides of the lines like an old 80s anime and i think that's super cool! How do you do it?
oh, that's chromatic aberration! i guess you could say its a kind of colour/visual distortion.
it's pretty simple to do, but i usually just use a csp auto action to do it for me to make things go quicker, but i can teach you how to do it manually in most programs.
i'm going to use this silly doodle of me as pompompurin as an example lol
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youre gonna wanna merge everything onto a single separate layer first and then we're gonna work with that merged layer. make two copies of that merged layer so you have three of them in total.
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the top merged layer will be our red layer, so youre going to want to got to EDIT > Tonal Correction > Level Correction
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the level correction graph will pop up. since the top layer will be our red one, select the green level and drag the rightmost arrow on the Output scale all the way to the leftmost side. do the same for the blue level.
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the image should be red like this afterwards.
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the middle layer is going to be our blue layer so do the same thing we did for the top layer except youre going to reduce the green and red levels instead, and the middle layer should be all blue like this.
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for the bottom layer, it will be our green layer. same process as before, reduce the red and blue levels so its all green.
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your layers should be looking like this now
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from here, you want to set the layer modes of the red and blue layers to Screen, DON'T do the same for the bottom green layer though. you'll notice once you've done that, the image will look normal again!
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from here, all you need to do is shift the red layer in one direction, and the blue layer in another, to as much of an extent you want. the further they are from each other, the more drastic the effect will be
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and that's how you do it! my other personal tip would be to add a layer of noise set to Overlay or Soft Light at a lowered opacity over the drawing bc it goes well with the aberration, or even sharpen the image.
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if you dont want to do all that hard work though and you happen to have clip studio paint, just use an auto action, like this one!:
https://assets.clip-studio.com/en-us/detail?id=1713222
anyway i hope that helps? ^^;;;
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iguessimfished · 7 months ago
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✨Introduction✨
Welcome to my stage!
I've never done an introduction yet so might as well now
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Hi, I'm fish! (He/him) I'm a artist that's in wayy too many fandoms.
Always feel free to drop by and strike up conversation! Art requests are also always open as well.
Blogs I run:
@twosidesau-tadc
@the-amazing-dimensions-askblog
@ask-the-horror-elevator-au
@tecs-reformation-program
Reblogging Acc:
@iguessimnotfished
\\More under cut \\
Things about me:
I like making aus.. if that wasn't obvious.
I enjoy baking, sewing, drawing, and playing the piano! (Hehe I'm a little musician)
I've been on Tumblr since 2019. This year is probably the most active I've been-
I'm currently doing a lot of TADC stuff, but I'm open to drawing other things!
🏳️‍⚧️
Fandoms I'm in:
FNAF (first fandom I joined)
COTL
DHMIS
Undertale
Deltarune
Helluva boss
Hazbin hotel
Murder drones
TADC
Cuphead (I was a huge fan of casino cups for the longest time)
BATIM
TF2
Red vs Blue
Steven Universe
TOH
Regretevator
Doors
Spooky Month
Poppy Playtime
Monkey Wrench
Eddsworld
LMK
DSAF
CRK
Indigo Park
If you have any questions for me, don't hesitate to ask. 👍
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sanctus-ingenium · 1 year ago
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Just wanted to ask, please forgive me if you've already answred this, what program do you use? Your art fucks HARD and like. I was looking at your art of the two moths over the city they die in and I was hit with the wave of "oh that looks really fucking fun actually." Like i know my art program can't do some of those effects and like, I'd love to try fucking about with them.
hi there, thank you! all my art is done in procreate and paint tool sai
because you mentioned that drawing in particular i thought it would be fun to break it down and show ppl what exactly went into each part of it so check this out
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sketch & lineart - the brushes come from georgbrush.club and the urban sketcher is my most commonly used lineart brush, it has a nice irregular shape. the square brush is nice for big blocky sketches.
the cityscape was REALLY hard but basically I got a photo of the skyline of florence, traced some basic building shapes, then bullshitted the rest using the vertical symmetry/mirror tool to cut down on the amount of work (so i only had to sketch one half of the city). then for lineart I turned off vertical symmetry, turned on the two-point perspective tool, and got this:
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the rose windows were made using the radial symmetry tool.
I didn't like it being so flat, so I used the liquify tool to make a kind of fish-eye effect (limited success tbh). I liked how it looked but the buildings in front needed something to cover them up to make the liquification less obvious...
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first pass colours. I felt they were very washed out, aside from the sun which i loved. I use the spectra brush (default procreate) for skyscapes a lot, I love the texture. Although the clouds were filled in using the lasso selection tool, I softened the edges using the square pencil again and added texture using true grit sampler grainy brushes. The translucency effect comes from my setting the brush as an eraser. The sun rays come from the radial symmetry tool.
Blocking in the moths' colours was done with the urban sketcher again.
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Something people may not have noticed is the labyrinth hidden in the sky! yeah I had a bunch of versions where it was more obvious but I found that it clashed a bit and was too busy, so I made it subtle. But yes. I searched for "royalty free labyrinth" and picked one.
The toner grit brush is one you've seen before if you've looked at any art on tumblr lately (this is such a popular brush) and it's from the true grit fast grit set. The pointillism brush is from the true grit free sampler pack, like my grain brushes.
I added shadows to the moths, increased saturation overall, and changed the clouds to a translucent blue (you can even see in the sun where I forgot to block in the sun itself because the clouds over it used to be opaque lol). Moon rays were drawn using the radial symmetry tool but this time with rotational symmetry off. I also moved the moon down closer to the moths because I felt that it was a bit far away, and this served to visually divide the drawing into three equal parts, so I chose to lean into that and divide the sky colours too, to show passing time, or an endless moment - morning, evening, night, etc.
And then the oroborous, I tried a few different effects on it because I wanted it to be very clearly separate from the main scene - I settled on a dot matrix newsprint texture, using procreate's onboard tool, and some heavy chromatic aberration. This is because the oroborous isn't real, it's purely symbolic and the moths' demise started when they became photographers so I liked the print media aspect there as well. The story itself is about grief without closure, cyclical violence, and sunk cost fallacy, while everyone explores an endless labyrinth, so an oroborous fits I think
what makes art fun to me is thinking up ways I can tell a story using just a single image. and sure a lot of it will be lost to an audience who isn't familiar with the characters or backstory but i want to leave enough in there that even complete strangers to my work will be able to construct a narrative about what's happening here, rather than it just being a cool image. that's my goal.
Finally I exported it to sai on my pc to give it a once-over. this is really important because the retina display on an ipad is oversaturated on purpose, to make everything look amazing and vibrant. but what this means is that on other screens, your work might look washed out. it's especially bad at displaying yellows! so i look at it in sai on my pc and i make minor adjustments, in this case I actually added another multiply layer on the moths and an overlay on their non-shadowed parts to increase the contrast there.
finally if you've read this far, I played a little trick with the caption of the drawing. yeah, THEY die... but only one of those moths is a theythem pronoun haver... the other has to survive. he isn't given a choice in the matter.
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redslug · 10 months ago
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Coloring tutorial I guess
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That's my most default shading style, a hybrid of line drawing and painted shadows, and I'll tell you exactly how to get this look. But before we start, you need a weapon This is my main brush for basically anything, including line art on days when I don't feel like switching to something actually intended for inking. It's a lightly textured square brush with color variation on every stamp. Intended for Procreate but you can always just rip the alpha texture out of the file and use it for a brush in any drawing program. That out of the way, let's go. I'll use the same line art as the one in fluff tutorial. Set the line layer to ~60 or so opacity and get to blocking in the base colors of your character. The jitter brush will introduce some color variation on it's own, but changing the color occasionally will add more visual interest.
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After this I add a multiply layer on top and dab orange or red in places where we might be able to see the base of the hairs or peek at the carapace underneath.
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It's places where hair parts and where it's shorter. This accent color works great on joints as well. Example of the thing I'm going for in real life:
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Especially visible behind the head. It's not present on every moth to be fair, but I like to add these accents even where it wouldn't make sense, just because it looks nice. Even on insects without hair. Block in the eyes and mandibles now, best if it's on separate layer.
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Now, the actual funny tricks begin. If you're one of the people who only use multiply or add blend modes, stop it, get some help Understanding the math behind blend modes is gonna get you a long way. My lineart is set to subtract more often than not. I find it produces juicier and more colorful results than multiply. I want to give this picture a warm orange feeling, so the color of my lines should be the opposite - blue.
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And, subtract.
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Perfect, but not quite. We can push the lines to an even softer feeling. Take the line layer, copy it, invert the color and set to multiply. I then throw gaussian blur on the resulting copy and reduce opacity until the lines bleed into the surroundings just a little bit.
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On to actual shading. People who shade without getting in some background first scare me, so let me throw something together real quick.
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A simple gradient will also suffice for this use. We just need some information on which colors are present in the surroundings. Copy your background, bring it on top of your character layers and gaussian blur it real hard. Set it to multiply, remove all parts of the layer that go beyond the pixels of the base color layer. Adjust opacity until the character fits in the background.
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Let's identify the light sources. In this case it's only the sky, but it produces two distinct colors - soft blue lighting comes from the top, slightly stronger red comes from behind. The blue light I set to exclusion blend mode because it felt most appropriate in this case. Both add and screen looked too strong to be the light coming from such dark sky.
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In this lighting context the lower part of the body will receive less light that the upper part. I use the green of the bushes set to multiply to darken the bottom.
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The character is surrounded by all kinds of soft light, but it can't get everywhere. It's time to add ambient occlusion, or contact shadows, for those without a 3d background. Anywhere where there is a crevice or surfaces almost touch, a soft shadow will form.
I do it on a multiply layer with a neutral gray-green color. Gray because any color light isn't really getting in there and green because the fluff is somewhat transparent and whatever light does pass through it gains a greenish hue.
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Last step, red rim light from the fading sunset behind the character.
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Since it's rim light I just work with normal blending mode. Setting it to add or something of the sort would make the rim light brighter than the source of the light. And it'd be odd.
And that's it. I usually throw on some post processing in Snapseed. Pull some curves, throw on a bit of grain, etc. But it's a topic for another time.
In conclusion, try to think about the environment more when shading. What route does light go through to reach where you're coloring? Did it reflect off of any colored surface? Did it pass through something transparent to gain a different hue? What color shadow would this ambient lighting produce? Go have fun with your colors now.
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critterbitter · 10 months ago
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HELLO HI ID LIKE TO ASK WHAT PROGRAM AND BRUSHES YOU USE CUZ IM LITTERALY EXPLODING EVERYTIME I SEE YOUR ART
actually actually... *pulls out whole stack of paper*...I have. a FEW,, a good few,, questions to ask. they are not many I swear 😇
OK SO FIRST OF ALL HOW DO YOU DRAW SO FAST???? everyday I log onto Tumblr I always see something new from you and I get very very happy. But then I start to question my own existence because not even I CAN SPEED RUN ART LIKE THAT. AND SO SPECTACULARLY TOO
Last question! how do you color and make it look so well?? just. How. I need to know. This is a CRY FOR HE-
anyway thank you for being one of my favorite artists that always feed my brain rot, pls keep making amazing art because like a little yamper I will follow behind and stay updated.
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(Stands there)
Response and thoughts under cut!
First question! What art program I use!
Mostly procreate, along with a handful of brushes! (Specifically the Jing Set and some custom stuff, which is really just a circle brush with the shape changed to a square.)
Second question! How do i draw so much!
Okay so. I am. Ahhah. Unemployed,,,,? No, I do freelance illustration, but hmm. A studio job would be nice.
i graduated college last year and I’m very used to eight hour art shifts. The body sort of remembers to keep working, even though I no longer have storyboards or visdev homework to do.
Also. The hyperfixation is a deep vast tunnel I STILL have not seen the end of the light to, good golly. (I have dreams now about the kids committing shenanigan crimes. I wake up in cold sweat and write them down in a journal. It’s like being the mouthpiece to an angry god.)
So the overall gist is: I was trained to be a storyboard artist with a visdev background, and I’m using that higher education to draw funny muppets because my brain’s funny.
I also DO have a queue, and I’ve been treating this as a sort of inktober project. I am definitely going to slow down soon though! Maybe. Hopefully. Ah… (sheepishly drops my kofi here)
Third question! How do i color!
I. I, uh. I dont know man the coloring demons have a grip on my soul and i just go along for the ride. But also, if it helps, i prefer to limit my pallets to only a few colors at a time. Lighting is king, so if you can figure out if you want to focus on either on your lights or shadows, you’ll have a much easier time composing. That, and symbolic colors— idk, something hits different about art drenched in gold with a tiny hint of a man staring into the blinding horizon, or a green leafy environment with a single dot of artificial red. I also like using blue and purple for shadows, and I’m a big fan of muting colors with only one or two that pop— one of the reasons why I was so attracted to submas in the first place is because from a design aesthetic, they’re both super funny muppet men AND really cool train guys that have a limited pallet and thematic apparel.
Overall response! THANK YOU SO MUCH. This goes out to a BUNCH of people who sent me inbox queries— sorry for not responding, it’s a tad overwhelming because some of them are story questions even I don’t really know will go yet, and others are words of praise and I’m selfish and like scrolling through the inbox to look at them when I feel down. I am more of an artist who sits in the corner and sprouts like a potato rather then a branching vine who socializes, but I really do see people’s responses and they make me go :)))))
Okay ramble over. Thanks for coming to the soapbox, and good luck on creating!
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owleics-fr · 7 months ago
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Simple skin & accent tutorial!
I'm only familiar with making accents in CSP so some of the things you see here might be program specific, but for the most part it should be generally applicable.
Okay with that being said, here's a very basic tutorial, under a readmore because it got long (image heavy)
Assuming you already know roughly what you want to make and what breed pose you want to make it on, go to the custom skins page on the sidebar then download PSDs. For this step I'm choosing coatl F!
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It should download automatically, the file will be compressed (zipped). I normally just open the folder and move the top file (without elements_friendly) to my accents folder to access it from my art program:
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Open your preferred art program and open the file! It is a PSD file so it should be compatible with most art programs. When you open it, everything should look like this:
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The layers probably look complicated, and it isn't super clear where you can and can't draw- but I promise it will get easier to understand! Before I even start drawing I do two things: I resize the image (changing the image resolution) to 700px by 700px. This means the image the resize better later on when I need to downscale it to 350px by 350px. Next, I make a new folder under both the existing folders with a single, full white layer in it. And set everything in "Through Skin Parts" to 50% opacity.
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Lastly, put the bottom two folders completely out of your mind, we won't be touching them at all. The only folder that matters is "Through Accent Parts". As I'm drawing the accent itself, I make the lines and shadows layer invisible because they can just be distracting, like this:
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That layer beneath both lines and shadows layers? The one labelled "Accent Goes Here"? That's where you draw, and you can make more layers to draw more on later. For now you can sketch your design on that layer. Here's my sketch for my skin Strawberry Pavlova:
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It's pretty rough at the moment so I want to add another layer to draw my clean line art on, in CSP this means just adding another layer and turning off clipping which automatically applies as the layers above it have clipping turned on. When that's done it should look like this:
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(You can absolutely use more layers for lining if that's what you prefer!)
Next is adding colour. An important thing to note for this step is to avoid using colours that are very close to black, and to avoid using black altogether. This is against skin and accent rules as you need lines and shadows to remain visible over your design, and very dark colours make this a lot harder!
When I typically colour my skins and accents I will separate out design elements (so for example all plants on one layer, all blue cloth into another layer, all jewellery on another, etc etc.) into different layers- this is purely to make recolouring easier and isn't necessary. In this case I didn't have my colours separated out as I had no intention of recolouring this skin! This is what this skin looked like when I was finished colouring:
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Now I just need to do some final finishing polish on the design! For this one it involves adding a bit of pink transparent colour behind the strawberries, adding pale transparent colour under my lace and of course- adding sparkles! One of the final things I do is recolour my own line art to a red-pink colour (in this case I had it set to multiply as well- but this isn't needed!) this takes some of the harsh edges out of the accent and make the design feel more cohesive imo!
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And the design is finished! The final step before we can submit this is a big one! We have to change the lines and shadows that we've been ignoring this whole time. For this I flatten all the art work into one layer, like this:
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Why do we have to change the lines and shadows? Well...
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The default shadows are pretty high opacity and very grey, they cover up my accent and make the details harder to see. And the default line art is black. You can edit these layers to make them much nicer. You can edit them manually- making sure to lock transparent pixels so you don't edit the coverage of the lines and shadows. Or you can do this: (You can ignore this next part if you're finding it overwhelming) Duplicate your accent design twice (so you have three layers with it on total), set both your lines and shadows layers to normal and unclip them. Your layers will look like this:
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Ignore what the accent looks like for now. Next move the copied layers so one is above the lines and one is above the shadows, keeping only one in the original position. And then clip these duplicated accent layers to the layers directly beneath them, it will look like this:
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Merge the accent copy layers with its corresponding lines or shadows layer, you should still have 3 separate layers when you're done: The lines, the shadows and your original accent design. Like this:
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Then clip both of the lines and shadows onto your accent design layer and set both lines and shadows layers to multiply. Like this:
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If you've done it all correctly your accent should now look like this:
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This is a lot better than the default lines and shadows already! It's pretty dark in spots and my lines are definitely too light in other places though. So next I usually start by setting my shadows layer to 50% opacity and then going over both lines and shadows layers manually recolouring the lighter parts to a darker colour so they are visible on top of my final design. When you downscale your art to submit it, lines and shadows that were super obvious suddenly vanish- so don't be afraid to downscale it and keep editing the lines and shadows.
Here's what the final product, downscaled to 350 pixels, looks like:
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This got accepted first try by skin mods (just in time for valentines!) Important things to note: places where my design is less opaque the lines and shadows are also less visible, this is completely fine! You don't have to fix this. Lines should always be visibly darker than the shadows they're on top of, this means sometimes they will have to be black to get them to show up or you may even have to make your accent underneath lighter to get everything to conform to the rules! Lastly, lines and shadows are subjective and you may end up getting rejected a few times before they're to skin mods liking. Its one of the harder parts of skin making and you won't always get it right.
Community feedback is your best friend, don't create in a vacuum! Go join discord servers where other people are making accents too, ask for help! Now go forth and make!
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