#Ville de Luxembourg

[anotherhumaninthisworld]

Was suicide really seen as noble during the French Revolution? Was there any recorded tension regarding this cultural shift with more religious or less revolutionary people/groups? Thanks!

In the book La liberté ou la mort: mourir en député 1792-1795 (2015) can be found a list of all the deputies of the National Convention that died unnatural deaths between 1792 and 1799. Of the 96 names included on it, 16 were those of suicide victims, and to these must also me added a number of botched suicide attempts as well. 

Only a single one of these suicides appears to have been driven by something outside of politics, that of the deputy Charlier, who shot himself in his apartment on February 23 1797, two years after the closing of the Convention. The rest of the suicides are all very clearly politically motivated, more specifically, deputies killing themselves just as the machinery of revolutionary justice was about to catch up to them. There’s those who killed themselves while on the run and unsheltered from the hostile authorities — the girondin Rebecqui who on May 1 1794 drowned himself in Old Port of Marseille, Pétion and Buzot who on June 24 1794 shot themselves after getting forced to leave the garret where they for the last few months had been hiding out, Maure who shot himself while in hiding on 3 June 1795 after having been implicated in the revolt of 1 Prairial, Brunel, who on May 27 shot himself after failing to quell a riot in Toulon, and Tellier, who similarily shot himself on September 17 1795 due to a revolt directed against him in the commune of Chartres. Barbaroux too attempted to shoot himself on June 18 1794 but only managed to blow his jaw off. He was instead captured and guillotined. There’s those that put an end to their days once cornered by said authorities — Lidon, who on November 2 1793 shot himself after having been discovered at his hiding place by two gendarmes (he did however first fire three shots at said gendarmes, one of whom got hit in the cheek) and Le Bas who shot himself in the night between July 27 and 28 1794 as National guardsmen stormed the Hôtel de Ville where he and his allies were hiding out (according to his wife’s memoirs, already a few days before this he had told her that he would kill them both right then and there wasn’t it for the fact they had an infant son). In an interrogation held two o’clock in the morning on July 28 1794, Augustin Robespierre too revealed that the reason he a few hours earlier had thrown himself off the cordon of the Hôtel de Ville was ”to escape from the hands of the conspirators, because, having been put under a decree of accusation, he believed his death inevitable,” and there’s of course an eternal debate on whether or not his older brother too had attemped to commit suicide at Hôtel de Ville that night or if he was shot by a guard (to a lesser extent, this debate also exists regarding Couthon). There’s those who committed suicide in prison to avoid an unfriendly tribunal — Baille who hanged himself while held captive in the hostile Toulon on September 2 1793, Condorcet who took poison and was found dead in his cell in Bourg-la-Reine on 29 March 1794 (though here there exists some debate on whether it really was suicide or if he ”just” died from exhaustion) and Rühl, who stabbed himself while in house arrest on May 29 1795. On March 17 1794, Chabot tried to take his life in his cell in the Luxembourg prison by overdosing on medicine (he reported that he shouted ”vive la république” after drinking the liquor) but survived and got guillotined. Finally, there’s those who held themselves alive for the whole trial but killed themselves as soon as they heard the pronounciation of the death sentence —  the girondin Valazé who stabbed himself to death on October 30 1793 and the so called ”martyrs of prairial” Duquesnoy, Romme, Goujon, Bourbotte (in a declaration written shortly before his death he wrote: ”Virtuous Cato, no longer will it be your example alone that teaches free men how to escape the scaffold of tyranny”), Duroy and Soubrany who did the same thing on June 17 1795 (only the first three did however succeed with their suicide, the rest were executed the very same day).

To these 24 men must also be added other revolutionaries that weren’t Convention deputies, such as Jacques Roux who on February 10 1794 stabbed himself in prison, former girondin ministers Étienne Clavière who did the same thing on December 8 1793 (learning of his death, his wife killed herself as well) and Jean Marie Roland who on November 10 1793 ran a sword through his heart while in hiding, after having been informed of his wife’s execution, Gracchus Babeuf and Augustin Darthé who attempted to stab themselves on May 27 1797 after having been condemned in the so called ”conspiracy of equals,” but survived and were executed the next day, as well as two jacobins from Lyon — Hidins who killed himself in prison before the city got ”liberated,” and Gaillard who did the same thing shortly after the liberation, after having spent several weeks in jail.

With all that said, I think you could say taking your life was considered ”noble” in a way, if it allowed you to die with greater dignity than letting the imposition of revolutionary judgement take it instead did. It was at least certainly a step up compared to before 1789, when suicide (through the Criminal Ordinance of 1670) was considered a crime which could lead to confiscation of property, opprobium cast on the victim’s family and even subjection of the courpse to various outrages, like dragging it through the street. To nuance this a bit, it is however worth recalling that this was only in theory, and that in practise, most of these penalties had ceased to be carried out already in the decades before the revolution, a period during which suicide, in the Enlightenent’s spirit of questioning everything, had also started getting discussed more and more. The word ”suicide” itself entered the French dictionary in 1734. Most of the enlightenment philosophes reflected on suicide and the ethics behind it. There’s also the widely spread The Sorrows of Young Werther that was first released in 1774. Furthermore, most revolutionaries were also steeped in the culture of Antiquity, where suicide was seen as an admirable response to political defeat, perhaps most notably those of Brutus and Cato the younger, big heroes of the revolutionaries. Over the course of the revolution, we find several patriotic artists depicting famous suicides of Antiquity — such as Socrates (whose death is considered by some to have been a sort of suicide) (1791) by David, The Death of Cato of Utica (1795) by Guillaume Guillon-Lethière, and The death of Caius Gracchus (1798) by François Topino-Lebrun. According to historian Dominique Godineau, the 18th century saw ”the inscription [of suicide] in the social landscape, at least in large cities: it has become “public,” people talk about it, it is less hidden than at the beginning of the century,” and she therefore argues that the decision to decriminalize it in the reformed penal code (it didn’t state outright that suicide was now OK, but it no longer listed it as a crime) of 1791 wasn’t particulary controversial.

Furthermore, that committing suicide was more noble than facing execution was still far from an obvious, universal truth during the revolution. In his memoirs, Brissot does for example recall that, right after the insurrection of August 10, when he and other ”girondins” discussed what to do was an act of accusation to be issued against them, Buzot argued that ”the death on the scaffold was more courageous, more worthy for a patriot, and especially more useful for the cause of liberty” than committing suicide to avoid it. The feared news of their act of accusation did however arrive before the girondins had reached a definitive conclusion on what to do, leading to some fleeing (among them Buzot, who of course ironically ended up being one of the revolutionaries that ultimately chose suicide over the scaffold) and some calmly awaiting their fate. In her memoirs, Madame Roland did her too consider going to the scaffold with her head held high to be an act of virtue — ”Should I wait for when it pleases my executioners to choose the moment of my death and to augment their triumph by the insolent clamours of the mob to which I would be exposed? Certainly!” In his very last speech to the Convention, convinced that his enemies were rounding up on him, Robespierre exclaimed he would ”drink the hemlock,” a reference to the execution of Socrates. The girondin Vergniaud is also said to have carried poison on him but chosen to have go out with his friends on the scaffold, although I’ve not yet discovered what the source for this is. It can also be noted that the number of Convention deputies who let revolutionary justice have its course with them was still considerably higher than those who attempted to put an end to their days before the sentence could be carried out.

According to Patterns and prosecution of suicide in eighteenth-century Paris (1989) by Jeffrey Merrick, there was indeed tension regarding the rising amount of suicides in the decades leading up to the revolution. Merrick cites first and foremost the printer and bookseller Siméon Prosper Hardy, who in his journal Mes loisirs ou journal des evenements tels qu'ils parviennent a ma connaissance (1764-1789),  documented a total of 259 cases of Parisian suicides. Hardy saw these deaths as an unwelcome import from the English, who for their part were led to kill themselves due to ”the dismal climate, unwholesome diet, and excessive liberty.” He also blamed the suicides on "the decline of religion and morals," caused by the philosophes, who in their ”bad books” popularized English ways of thinking and undermined traditional values. He was not alone in drawing a connection between the suicides and the new ideas. The clergy in general ”denounced the philosophes for legitimizing this unforgiveable crime against God and society, which they now associated with systematic unbelief more than the traditional diabolical temptation.” In practice, many parish priests did however still quietly bury the bodies of persons who killed themselves. The future revolutionary Louis Sébastien Mercier did on the other hand blame the government and its penchant for inflated prices and burdensome taxes for the alleged epidemic of suicides in his Tableau de Paris (1782-1783).

In La liberté ou la mort: mourir en député, 1792-1795 it is also established that there weren’t that many participants of the king that killed themselves once the wind started blowing in the wrong direction, but that is not to say they didn’t exist. As example is cited the case of a man in April 1793 shot himself on the Place de la Révolution, before having written ”I die for you and your family” on a gravure representimg the head of Louis XVI. There’s also the case of Philippe Nicolas Marie de Pâris, former king’s guard and the murderer of Michel Peletier, who, similar to Lidon, blew his brains out when the authorities had him cornered a week after the murder.

Sources:

Patterns and prosecution of suicide in eighteenth-century Paris (1989) by Jeffrey Merrick 

Pratiques du suicide à Paris pendant la Révolution française () by Dominique Godineau

La liberté ou la mort: mourir en député, 1792-1795 (2015) by Michel Biard, chapter 5, ”Mourir en Romain,” le choix de suicide.

Choosing Terror (2014) by Marisa Linton, page 276-279, section titled ”Choosing how to die.”

[dashalbrundezimmer]

maison de l'orientation // luxembourg ville haute

architect: h. schumacher

completion: 1952

this magnificent gateway is a little hidden. a wonderful piece of post-war modernism in an old town.

ein wenig versteckt innmitten der oberstadt findet sich diese prachtvolle pforte. ein wunderschönes stück nachkriegsmoderne Innmitten der alten stadt.

[calistrae]

ville de l'amour. a trent alexander-arnold blurb

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

pairing: trent alexander-arnold x gn!reader

requested: yes

request: hii can i request reader and trent maybe in paris and he proposes under the eiffel tower in the dark?

warnings: teeth-rotting fluff, obnoxious lovey-dovey couple activities

notes: no proposal under the eiffel tower, simply because i personally think it's overrated, instead check out the luxembourg gardens and you'll see why i picked it as inspiration for this! tysm for requesting and all the love on my fics! 🧸🤍 (not proofread as per usual lmao)

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

you had no idea, what your boyfriend had planned for your holiday in paris, but his requests and suggestions had made you beyond suspicious of his plans.

why did he have the sudden urge to go to paris, despite having never shown interest in it? why had he suddenly asked you to dress up? why was he looking so formal when all you were doing was taking a little walk?

not that you were complaining. paris was beautiful and the man strolling through the gardens with you was a god. you could swear he was a divine being walking this earth. from the bottom to the top, he looked gorgeous, especially in this sunlight. what had you done to deserve this? to deserve him?

you never realized you were staring until his words brought you out of your trance. "you never realized you were staring until his words brought you out of your trance. "my love?" he spoke, his thumb gently stroking the back of your hand as he kept it in his own. "huh?" was all you could reply, having been torn away from your thoughts.

"what were you staring at?" he questioned with a wide grin on his lips and from that smile alone, you knew you'll never be hearing the end of it. he could read you like a book so you knew that he was probably aware of what you were thinking. "come on, tell me, babe. promise i won't tease you about it" he smirked and you both knew he was lying.

"it's so pretty here, trent" you said as you took the sight in, moving closer to him as you held onto his arm to avoid bumping into the large groups around you. the gardens were beautiful, truly. but there were a lot of people and this put both of you slightly on edge. your relationship had always been private, you rarely posted one another and you rarely appeared in public cozied up.

"only the prettiest place for someone as pretty as you," he replied with a gentle hum and the two of you attempted to remain serious but quickly failed when glancing at each other, bursting out into laughter. "that was so bad!" you exclaimed and he only nodded as he continued laughing. "i give you a compliment and you react like that?!" he argued back.

"that was the cheesiest thing i've ever heard, trent. we both know it was awful, don't try that one ever again." you told him and leaned against him as he guided you through the gardens, now having reached a more quiet, private area. "you love it deep down, i know you do." he hummed and smirked to which you couldn't help but roll your eyes.

"i love you but sometimes i can't believe how i fell for you" you pointed out and chuckled at the offended expression on his face. he let out a joking huff and stopped walking in front of the medici fountain. "i was planning to propose to you just now, but you've just broken my heart. can't believe you." he mused but his tone was a clear indication he was only joking.

when you heard the word 'propose,' your eyes widened as you stood in front of him. "what?" you laughed and shook your head, throwing it back in disbelief as you glanced at the sky and took a deep breath. "what? i'm not kidding, my love." he chuckled and pressed a kiss to the back of your hand.

while you had been convinced he was joking, his words threw you into a frenzy, your eyebrows furrowing together in confusion. he had to be joking, right? there was no way he was being serious. you shook your head and looked him straight in the eye, however the playful expression remained on your face "stop playing. there's no way you were going to propose."

at this, he beamed up once again and within a single second, the man was on one knee in front of you. you felt like you had been hit in the face and you were sure your jaw was hanging open. "what are you doing, trent? get up!" there was no way this was real.

the look on his face could only be described as pure love and adoration as he took your hands in his and flashed that gorgeous smile you loved so much. "i'm not joking, love. with or without a ring, i want to be yours forever but i want to celebrate our love. i want you to be my partner in everything, whether it's a game or whether it's in life. i don't think i've ever felt more loved and i certinly have never loved anyone as much as i love you. everything about you is...pure perfection, really. i want to love you at your best, your worst and your everything in between. it sounds awfully cheesy, i know it does but i can't word it any differently because this is how i feel." he told you and kissed the back of your hand as he was holding it.

"you've shown me what love is supposed to look and feel like and i'd be a fool to not ask you to marry me. so, would you make me the happiest person in this entire world and marry me, love?" he asked as he pulled out a tiny emerald green box and opened it, revealing what must've been the most beautiful ring you've ever seen. it wasn't huge or flashy with a massive diamond but it was perfect, beautiful. you were in complete disbelief but quickly, you dropped down to your knees and smiled at him as you nodded almost frantically.

his smile only grew as his arm wrapped around your waist and he pulled you in, burying his nose deep into the crook of your neck "i love you so much" he whispered as he held you close and you could swear you felt tears against your skin. but you weren't any better as you were in tears the moment he said he wanted to love you through every moment of your life. the two of you were never serious with one another but the look in his eyes alone told you that he wasn't kidding. you held each other's gaze for a few more seconds until trent cracked and pressed a kiss to your cheek.

"we should probably get up, we're kneelin' in the middle of a park and i think people are staring." he pointed out with a chuckle. as he helped you up, he pulled you flush against himself, the muscular pair of arms tight around your midriff. he nuzzled against your temple and pressed the gentlest kiss against your skin. you observed the ring with a small smile on your lips as he led you out of the park and in your gut, you had a feeling there was more planned.

[quemajoiedemeure]

Hier soir je suis allé à la campagne chez des copains j'ai bu deux bières un shot de mirabelle et quatre ou cinq gin tonic on a joué à Mario kart j'ai perdu 13 à 0 et on a regardé un film jusqu'à 4h du matin, jai gerbé je crois et j'ai dormi 5h et puis mon pote m'a ramené en ville pour que j'aille faire ma pré rentrée du taf, j'étais encore bourré de la veille, j'avais mes lunettes de soleil fallait pas me parler on a fait des photos j'ai parlé aux instits avec qui je vais bosser cette année et puis je me suis barré avant la fin parce que j'avais envie de manger et de dégueuler en même temps, je suis rentré et une pote que j'avais pas vu depuis 5 ans faisait un détour exprès pour venir me voir alors j'ai dormi une heure et je suis ressorti avec elle et son mec, le centre était bourré à craquer d'étudiants en soirée d'intégration j'avais envie de leur mettre des coups de pied il y avait trop de monde et de bruit mais j'étais bien c'était comme si on s'était jamais quittés, on a bu du chouchen et des bières, elle m'a parlé du Luxembourg et de ce que les autres étaient devenus, j'avais déjà tout raconté ici à cette époque là et pourtant c'était une autre vie, je vais plus boire jusqu'à la fin du mois c'est ma troisième cuite de la semaine et on est vendredi

[victorysp]

H.R.H. Princess Alexandra and Mr. Nicolas Bagory got married this Saturday at the Hôtel de Ville in Luxembourg in the intimacy of the family. Mayor Lydie Polfer presided over the ceremony and recorded their consent.

📷 Grand Duchess Maria Teresa vía Instagram

[bbumtravel]

Do you know 'The City of Light' refers to which location?

We are talking about the capital Paris of France.

Paris, the capital city of France, is renowned worldwide for its rich history, iconic landmarks, and vibrant cultural scene. Situated along the banks of the Seine River in northern France, Paris is often referred to as the "City of Light" (La Ville Lumière) due to its historical role as a center of education and ideas during the Age of Enlightenment.

Paris is celebrated for its stunning architecture, exemplified by landmarks such as the Eiffel Tower, Notre-Dame Cathedral (though partially damaged by fire in 2019), and the Louvre Museum, home to world-famous artworks including the Mona Lisa and Venus de Milo. The cityscape is characterized by wide boulevards, charming cafes, and beautiful parks like the Tuileries Garden and Luxembourg Gardens.

Culturally, Paris is a hub for fashion, art, cuisine, and literature. It boasts numerous theaters, art galleries, and fashion boutiques, while its culinary scene ranges from cozy bistros serving traditional French dishes to Michelin-starred restaurants offering innovative cuisine. The city also hosts prestigious events such as Paris Fashion Week and the French Open tennis tournament.

Beyond its cultural and historical significance, Paris is a global center for diplomacy, education, and commerce. It is home to numerous universities, international organizations like UNESCO, and serves as a key financial hub in Europe.

In summary, Paris captivates visitors with its timeless beauty, cultural richness, and artistic allure, making it a destination that continues to inspire and enchant people from around the world.

Although Paris is widely admired for its beauty and cultural richness, like any major city, it also faces challenges and drawbacks:

Traffic and Pollution: Paris suffers from traffic congestion and air pollution, particularly during rush hours. The high number of vehicles in the city contributes to environmental concerns and impacts on air quality.

Homelessness: Like many large cities, Paris grapples with homelessness. There are visible numbers of people living on the streets, which is a persistent social issue despite government efforts to address it.

Pickpocketing and Petty Crimes: Certain areas of Paris, especially tourist-heavy areas, are known for pickpocketing and petty crimes. Visitors are often advised to be vigilant with their belongings and avoid isolated areas at night.

Cost of Living: Paris is one of the most expensive cities to live in globally. Housing costs, in particular, are high, making it challenging for residents, especially lower-income individuals, to afford suitable housing within the city center.

Protests and Civil Unrest: Paris has seen periodic protests and civil unrest, often related to political or social issues. While protests are generally peaceful, they can occasionally lead to disruptions and tensions in the city.

Social Inequality: There is a noticeable wealth gap in Paris, with disparities in income and living standards between different neighborhoods and social groups. This inequality poses challenges for social cohesion and integration.

Despite these challenges, Paris remains a captivating and culturally rich city that continues to attract millions of visitors each year with its history, art, and vibrant lifestyle.

As a tourist, I think you should visit Paris at least once Thanks for reading <3

[eurovision-song-bracket]

Songs From The 50s Bracket

"Für zwei Groschen Musik" by Margot Hielscher (Germany) vs "Messieurs les noyés de la Seine" by Fud Leclerc (Belgium)

"Voorgoed voorbij" by Corry Brokken (Netherlands) vs  "Sing Little Birdie" by Pearl Carr and Teddy Johnson (UK)

"Giorgio" by Lys Assia (Switzerland) vs "Irgendwoher" by Christa Williams (Switzerland)

"Oui oui oui oui" by Jean Philippe (France) vs "Die ganze Welt braucht Liebe" by Liane Augustin (Austria)

"Lilla stjärna" by Alice Babs (Sweden) vs "Amami Se Vuoi” by Tonina Torielli (Italy)

“Nel Blu Dipinto Di Blu (Volare)” by Domenico Modugno (Italy) vs "Corde della mia chitarra" by Nunzio Gallo (Italy)

"Hou toch van mij" by Bob Benny (Belgium) vs “Dors, Mon Amour” by André Claveau (France)

“La Belle amour” by Paule Desjardins (France) vs "De vogels van Holland" by Jetty Paerl (Netherlands)

"Le Plus beau jour de ma vie"  by Mony Marc (Belgium) vs "All" by Patricia Bredin     (UK)

"Telefon, Telefon" by Margot Hielscher (Germany) vs "Ne crois pas" by Michèle Arnaud (Luxembourg)

"Im Wartesaal zum großen Glück" by Walter Andreas Schwarz (Germany) vs "Piove" by Domenico Modugno (Italy)

"Ma petite chatte" by Fud Leclerc (Belgium) vs "Uh, jeg ville ønske jeg var dig" by Birthe Wilke (Denmark)

“Skibet skal sejle i nat” by Birthe Wilke & Gustav Winckler (Denmark) vs “Refrain” by Lys Assia (Switzerland)

“Een Beetje” by Teddy Scholten (Netherlands) vs "Il est là" by Dany Dauberson (France)

"Tant de peine" by Danièle Dupré (Luxembourg) vs "Le Temps Derdu" by Mathé Altéry (France)

"So geht das jede Nacht" by Freddy Quinn (Germany) vs “Net Als Toen” by Corry Brokken (Netherlands)

[omagazineparis]

Les plus beaux parcs et jardins de Paris

Paris, la Ville Lumière, est célèbre pour ses monuments emblématiques, sa culture riche et son charme romantique. Cependant, elle abrite également des oasis verdoyantes en plein cœur de la ville. Les parcs et jardins de Paris offrent un refuge paisible où les habitants et les visiteurs peuvent échapper à l'agitation urbaine. Dans cet article, nous allons explorer les plus beaux parcs et jardins de Paris qui vous invitent à vous détendre, flâner et profiter de la nature. Jardin des Tuileries - Un joyau historique Situé entre le Louvre et la Place de la Concorde, le Jardin des Tuileries est un trésor historique datant du XVIe siècle. Ses allées ombragées, ses statues classiques et ses bassins apportent une touche d'élégance à la ville. Se promener dans ce jardin est une plongée dans l'histoire de Paris et une opportunité de se détendre au cœur de l'agitation. Jardin du Luxembourg - Élégance sereine Le Jardin du Luxembourg, un bijou du style français, offre un équilibre parfait entre la nature et l'architecture. Ses vastes pelouses, ses parterres de fleurs et son célèbre bassin créent une ambiance paisible. Les visiteurs peuvent profiter de chaises longues pour se détendre, lire un livre ou simplement observer la vie parisienne. Parc des Buttes-Chaumont - Nature sauvage Si vous recherchez un espace de nature plus sauvage, le Parc des Buttes-Chaumont est idéal. Ses collines, ses cascades et son lac artificiel créent un paysage pittoresque. Les sentiers sinueux invitent à l'exploration, et le belvédère offre une vue panoramique sur la ville. Bois de Vincennes - Évasion en forêt Le Bois de Vincennes est un véritable havre de paix situé à l'est de Paris. Avec ses lacs, ses bois et ses chemins tranquilles, il offre une évasion en pleine nature. Les visiteurs peuvent faire du vélo, du jogging, du bateau ou simplement se promener dans les sentiers boisés. Parc Monceau - Charme aristocratique Le Parc Monceau, niché dans le quartier chic du 8e arrondissement, dégage un charme aristocratique. Ses allées ombragées, ses sculptures et son petit lac en font un lieu romantique. C'est l'endroit idéal pour une promenade tranquille ou un pique-nique élégant. Jardin des Plantes - Beauté botanique Les amateurs de botanique apprécieront le Jardin des Plantes, qui abrite une impressionnante collection de plantes et de fleurs. C'est aussi le lieu de l'emblématique Grande Galerie de l'Évolution. Ce jardin offre un mélange captivant de beauté naturelle et d'éducation scientifique. Square du Vert-Galant - Romance sur la Seine Situé à la pointe de l'île de la Cité, le Square du Vert-Galant est un coin romantique offrant une vue magnifique sur la Seine et les ponts environnants. C'est un endroit parfait pour les amoureux, les contemplatifs et ceux qui cherchent à échapper au tumulte de la ville. Parc de la Villette - Créativité contemporaine Le Parc de la Villette est un espace moderne dédié à la créativité et à la culture. Avec ses aires de jeux originales, ses sculptures et son canal, il offre une ambiance contemporaine et ludique. Les événements artistiques et les expositions en font un lieu dynamique pour toute la famille. Parc Montsouris - Sérénité panoramique Le Parc Montsouris est un lieu de détente offrant des paysages variés, des étangs et des grottes artificielles. Les sentiers vous mèneront à travers des recoins tranquilles, et la colline centrale offre une vue panoramique imprenable sur la ville. Comment profiter au mieux de ces espaces Pour profiter pleinement des parcs et jardins de Paris, prévoyez du temps pour vous détendre, flâner, lire ou pique-niquer. Apportez une couverture, une bouteille d'eau et un bon livre pour une expérience relaxante et authentique. Questions fréquentes des lectrices sur les parcs et jardins de Paris Q1. Les parcs de Paris sont-ils gratuits ? Oui, la plupart des parcs de Paris sont gratuits et ouverts au public. Q2. Les parcs sont-ils accessibles en transports en commun ? Oui, de nombreux parcs sont facilement accessibles en métro, bus ou tramway. Q3. Peut-on faire du vélo dans les parcs ? Oui, de nombreux parcs permettent le vélo, mais assurez-vous de respecter les règles et les zones désignées. Q4. Les parcs organisent-ils des événements spéciaux ? Oui, de nombreux parcs accueillent des concerts en plein air, des expositions et des événements culturels tout au long de l'année. Q5. Y a-t-il des aires de jeux pour les enfants ? Oui, la plupart des parcs disposent d'aires de jeux pour les enfants, offrant des activités ludiques et amusantes. Les parcs et jardins de Paris sont des trésors cachés qui offrent un contraste apaisant avec l'effervescence de la ville. Que vous souhaitiez vous détendre, vous promener ou simplement vous ressourcer au milieu de la nature, ces espaces verts vous invitent à vous échapper et à profiter de la beauté de Paris sous un angle différent. Read the full article

[notrebellefrance]

Avignon - Corps-Saints (Place des Corps-Saints)

Cette place avait été d’abord simplement nommée Place du Corps-Saint parce que les restes de Saint-Pierre de Luxembourg, cardinal, mort le 2 juillet 1387, avaient été inhumés dans le cimetière public de Saint-Michel, sur l’emplacement duquel s’éleva bientôt le somptueux monastère des Célestins.

En 1843 on remarqua que les restes de Saint-Bénézet ayant été transportés et inhumés dans le même monastère le 26 mars 1674, c’eût été Place des Corps-Saints qu’il eût fallu dire, et l’on s’empressa de rectifier ce nom, lorsque depuis trop longtemps le vent des révolutions avait également dispersé les reliques de Saint-Pierre de Luxembourg et celle de Saint-Bénézet.

À l’entrée de la place des Corps-Saints était la porte de l’ancienne enceinte de 1226, dite du Pont-rompu (Pontis fracti), et quelquefois de Rome. Tout près de là existait avant 1210 un hôpital qui tenait de ce voisinage le nom d’Hôpital de la Bienheureuse Marie du Pont-Rompu

Le pont qui faisait communiquer la rue des Trois-Faucons avec la place des Corps-Saints était très étroit, la ville le fit élargir en 1738 en y ajoutant tout l’espace qu’occupait sur la Sorgue la maison d’un nommé Blanc, qu’elle avait acquise à cet effet.

Le parc des Célestins était séparé des bâtiments de leur monastère par une rue qui, de la place des Corps-Saints, allait boutir en face de la tour des Arbalétriers.

Les moines, qui ne pouvaient aller s’y promener qu’en passant par un arceau, tentèrent souvent d’usurper cette partie de la voie publique. Ils crurent y avoir réussi en 1689 lorsque, profitant des premiers moments de la prise de possession d’Avignon par le roi de France, ils surprirent au premier président du Parlement de Provence une ordonnance qui les autorisaient à la fermer. Mais, sur les réclamations qui furent faites, ils durent la rouvrir le 12 mars 1699 et de cet incident cette voie publique conserva le nom de rue Courte-Joie.

La rue Courte-Joie disparut définitivement lorsque les nécessités de la guerre mirent l’administration centrale du Département dans l’obligation de réunir, par son arrêté du 5 Thermidor an II, le couvent des Célestins à l’hôpital militaire, auquel étaient déjà affectés les bâtiments de l’ancien monastère des Dames de Saint-Louis.

[voyagecotefenetre]

Située à un peu plus d'une de train de paris, et une heure de Luxembourg-ville, voici Metz !

Dans mon cas, il s'agit de ma dernière étape de voyage après Luxembourg-Ville et Trèves avant de rentrer à Lyon. L'occasion de découvrir cette ville de Moselle proche de la frontière.

La gare en elle-même est tout à fait remarquable de part son architecture néo-roman rhénan.

Amateurs de marchés de Noël, vous serez servi ! Car il y a en effet plusieurs marchés dispersés dans toute la ville. Vous en trouverez un sur l'incontournable place Saint-Louis, à l'architecture médiévale et ses galeries couvertes d'une soixantaine d'arcades. Un autre Place Saint-Jacques, et un autre sur la place d'Armes, entre la Cathédrale Saint- Etienne et l'hôtel de ville.

Juste à côté, prenez le temps de visiter les halles couvertes, avant de vous perdre dans les ruelles qui bordent la cathédrale.

Vous arriverez peut-être Place Jeanne d'Arc devant l'église Sainte-Ségolène de style gothique.

Allez faire un tour sur l'île du Petit Saulcy et perdez-vous dans ses petites rues. Tout au sud de l'île, vous trouverez l'opéra et le Temple Neuf, temple protestant dans un style néo-roman.

De l'autre côté de la rive, vous trouverez aussi la Basilique Saint-Vincent et sa façade classique.

Enfin, direction la porte des allemands. Construite au XIIIe siècle, la porte des Allemands est un symbole du passé médiéval de Metz.

Amateurs d'art, il faut passer par l'incontournable Centre Pompidou-Metz, designé par l'architecte Shigeru Ban. Sa charpente en forme de chapeau chinois saura vous séduire (si la programmation du musée de le fait pas). À ne pas manquer également: le Fond Régional d'Art Contemporain de Lorraine et le musée de la cour d'Or.

Mon avis

N'y allez pas un jour de pluie. Les pierres jaunes, typiques de la région, affadissent la ville. Je n'y ai pas trouvé beaucoup d'attrait ... En revanche, en terme d'art contemporain, on est servis.

[blickarmenie]

Jour 10

Un jour dédié au pic et au mine

Un jour dédié aux extrêmes. L'extrême monument. L'extrême non monument. L'extrême voiture cabossée. L'extrême voiture confortable. L'extrême pic qui surplombe le ravin. L'extrême ville encaissée. L'extrême surplus d'histoire. L'extrême sans histoire.

Tatev est le monastère très ancien perché sur un piton rocheux adulé par tous les arméniens.

Kapan est la ville minière sorti de nulle part et composé de rien sauf de blocs d'habitation soviétiques agrippés sur les parois.

Sauf que le rien s'inverse si l'on observe la vie.

A Tatev que du tourisme valseur. Du vide dans une épaisseur historique.

A Kapan que des habitants flâneurs. Du plein dans une ville sans fondation 

Pour aller à Tatev, un taxi cabossé trop cher qui manque de perdre ses boulons à chaque nid de poule.

Pour aller à Kapan, une riche famille qui me prend en stop dans leur voiture intérieur.

Ainsi je rencontre des aisés. Ce qui me manquait jusqu'à présent. Et je ne savais comment y accéder.

Gevorg et sa femme vont à une réunion de famille. Il y aura des cousins de Suisse et du Luxembourg.

Sur la route étroite et très tortueuse, de nombreux camions. Ils viennent d'Iran.

Pas que d'Iran, dit il. Il y a de nombreuses mines ici, du cuivre et surtout du molybdène et aussi un autre métal rare. 

Serait ce la prochaine cible des azéris? 

Tu sais, dans cette histoire avec les azéris, il y a beaucoup de manipulation. La diaspora ignore le point de vue local. Beaucoup de pétrole d'Azerbaïdjan a été longtemps exploité par des compagnies arméniennes. Et l'empire soviétique s'est effondré. Mais ils ont pris soin que cela se brise en restant tranchant, coupant, sanglant. Cela leur permet d'intervenir. Regarde l'Ossétie en Géorgie, le Donbass en Ukraine, la Moldavie, le Haut-Karabagh avec l'Azerbaidjan... Tout cela est voulu pour déstabiliser, pour empêcher ces pays de vivre.

Il y a aussi beaucoup de piratage et de fausses informations propagées partout.

On a perdu le Haut-Karabagh. Espérons que la prochaine guerre soit meilleure pour nous, que nous aurons la technologie suffisante. 

Mais dans cette affaire, on se méfie aussi de notre propre premier ministre. Cela fait longtemps qu'il dit qu'il faut oublier le Haut-Karabagh et qu'il faut ouvrir les frontières avec nos voisins, comme l'Union Européenne. 

Mais peut on ouvrir nos frontières avec des voisins qui nous meurtrent ?

Qui est derrière ce premier ministre ?

.... .. . Et malheureusement, aucune alternative politique à l'horizon.

Me voilà à Kapan. Entre des immeubles soviétiques mais avec une sorte d'ambiance hispanique. Très très proche de la frontière azerbaïdjanaise. Très très proche de la horde de camions venus d'Iran. Dans ce tourniquet, je croque 3 buveurs discutant fort sous une grande roue rouillée à l'arrêt.

Quand cela redémarrera t il?

[abwwia]

Hilla Becher (née Wobeser; 2 September 1934 – 10 October 2015) was a German conceptual photographer. Becher was well known for her industrial photographs, or typologies, with longtime collaborator and husband, Bernd Becher. Her career spanned more than 50 years and included photographs from the United States, France, Germany, the Netherlands, Great Britain, Belgium, Switzerland, Luxembourg, and Italy. Via Wikipedia | Hilla Becher posing next to her photo series "Kühltürme" (Cooling towers) at the Musée d'Art Moderne de la Ville in Paris, in 2002. Credit: David Ebener/European Pressphoto Agency

[thrifty99]

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