#Video Review: Black Wig

[thejoyofviolentmovement]

New Video: Ren Harvieu Shares Swooning Baroque Pop Anthem "Black Wig"

New Video: Ren Harvieu Shares Swooning Baroque Pop Anthem "Black Wig" @heygroover @romainpalmieri @DorianPerron

Ren Harvieu is an emerging Manchester, UK-based singer/songwriter and producer. Harvieu’s work is inspired by a life altering brush with death when she was 20 — and by the Northern English working class penchant for finding humor within despair. The Manchester-based artist’s single, the Romeo Stodart and Harvieu co-written and co-produced “Black Wig” is a baroque, chamber pop anthem reminiscent…

[sharmeeynk]

New video OUT tomorrow 🩷

[gloomwitchwrites]

Monster (S)mash - Task Force 141 x Female Reader - Porn Star AU

Content & Warnings: Porn Star AU, group sex, oral sex (male & female receiving), unprotected piv, cnc, restraints, anal sex, double penetration, haunted houses, masks, knifeplay, creampie, multiple orgasms, cum swallowing

Word Count: 5.5k

A/N: For Kinktober 2024 (Group Sex)

On the set of Monster (S)mash, the monsters come out to play. It's your first themed porn film and it's set in a haunted house. You're eager. Excited. But you've never taken something like this on before. You're filming with four of the greatest names in porn, and you don't want to mess this up.

ao3 // main masterlist // kinktober 2024 masterlist

"Would you like to review the scene? Go over boundaries again?"

Kate Laswell, the Intimacy Coordinator, takes a seat on the opposite couch.

"I'd like a refresh," replies Johnny. "Now that I'm in character." He grins, gesturing at himself, and you almost laugh at how ridiculous he looks.

Johnny MacTavish, known in the industry for his many creampie videos, is dressed as a crazed clown with a red wig and exaggerated makeup. His clothing is nothing more than a black industrial vinyl apron covering up the important bits. Kyle Garrick, a connoisseur of the cam world, sits next to him in a fresh white robe with a Jason Voorhees mask sitting on top of his head, the elastic band digging into his skin behind his ears.

Kyle taps away at his phone. "I should go before you, mate." Kyle glances up and winks at you. "Since I’m up first."

You feel heat rush to your cheeks. Kyle is incredibly handsome—all four of them are—but Kyle has a gentle swagger that flusters you a bit every time he addresses you. The two others, John Price and Simon Riley, are still in the makeup tent transforming into a werewolf and a demon.

While you've been on various porn sets, this one is far more complex than previous films you've been a part of. Monster (S)mash is set in a "haunted house." You'll go room to room, each containing one of the four men before it ends with the five of you partaking in each other. Filming is expected to take all day and possibly into the next.

Kate finds a comfortable spot on the sofa and addresses the two of you. "Your scene takes place in a forest with a cabin. They'll be a fake machete. We're looking at knife play. Some c-n-c. A bit of a chase. What do you think about that?"

Kyle shrugs and then glances at you. "Sounds fun. I'm excited. But it's what you want." He gazes at you expectantly.

You shrug. "What we talked about during our meeting yesterday is good with me."

Kyle nods. "I remember."

"And we know the safe word and the non-verbal signal in case anyone needs to stop?" asks Kate.

"Apple," says Johnny.

"Three fingers with a wrist shake for non-verbal," adds Kyle.

Kate smirks. "And what if someone is restrained and cannot shake their hand?"

"Then three fingers will do," you finish.

She smiles, clearly content with that answer. "Very good." She clasps her hands and then pushes up from the couch. "My assistant and I will be standing off to the side watching and listening for a signal."

Rodolfo, the director’s personal assistant pops his head in. “We’re ready for the first scene.”

Kyle groans as he stands, returning the Jason mask to its proper place. The robe is gone and tossed onto the sofa beside Johnny. Kyle is completely naked underneath it all. You follow him out, robe still on.

"Head that way to mark," Rodolfo says to Kyle and then he gestures at you, beckoning you closer. "Stand here."

You find your mark and then remove your robe, handing it off to Rodolfo who politely keeps his gaze averted. Unlike Kyle who wears nothing, you're in a skimpy black thong that's more string than material.

“Quiet on set!” comes Alejandro Vargas’ voice from the director’s area. He’s standing behind a monitor, watching whatever is coming through on the camera.

There's some minor rustling before all goes silent.

"On three...two...one."

You stand just outside the entrance of the fake haunted house. Taking a deep breath, you count to three. Glancing over your shoulder, you deliberately stare off-camera, and then head inside. The camera moves forward as you walk, focusing in on the makeshift sign.

You will be touched, carried, restrained, played with...

The camera lingers on the sign for a few seconds before following you into the dark.

"Cut!" Alejandro calls out. "Let's hold there. Get her to mark two."

Rodolfo appears, gesturing toward the first "room" of the haunted house.

Each set is separated by curtains. With the lights on, it looks a bit silly, but during filming and post-production editing, no one will know that these scenes weren't filmed in an actual haunted house attraction.

As you step up to your mark, a tingle of excitement swells in your belly. You've always found your job fun and enjoyable, but this is the first themed film you've attempted. While the film crew and intimacy coordinator have solid reputations in the industry, the four men you're working alongside are known for their decency, politeness, and general kindness when working with others. During yesterday's meetings, they were incredibly focused, asking questions, and spent extra time wanting to know and remember your boundaries and limitations.

When you first started out, that was unheard of. You’d show up to set and hope for the best. Discussions about limitations and boundaries were few and far between.

"Going on three...two...one."

You enter the first room.

It's arranged to resemble the front of a cabin in the middle of the woods near a lake. The cabin is just a facade anchored onto a wall while blue lighting creates water-like ripples off the front of the cabin. The path to the "exit" is lined with two folding chairs, a metal picnic table, and a makeshift campfire with fake flame included. Ambient nature sounds play in the background, but it's only loud enough to create an unsettling atmosphere.

Slowly, you step around the two folding chairs and walk past the picnic table, glancing around in feigned nervousness as if danger lurks around every corner. That danger is just Kyle in his Jason mask.

As if summoned by your thoughts, Kyle appears. Standing near the makeshift exit, he is completely naked other than the mask and the machete clenched in his right fist. You freeze, holding up your hands in a placating gesture.

Kyle rolls his shoulders and neck. You hear the audible pop from where you're standing. He saunters forward, turning the machete handle end-over-end in his palm. Though you know the machete is fake, and that Kyle won't harm you, your fight-or-flight response kicks in. It fuses with your excitement and underlying arousal, sending your senses into overdrive. Your vision narrows, focusing on Kyle as he swaggers toward you.

"No," you whisper, backing toward the spot you entered from.

Kyle lunges, and you shriek, turning on your heel to dodge out of the way.

Spreading his arms wide, Kyle blocks your way forward. You step to the left and he matches your movement, the machete blade outstretched. While the two of you discussed this scene with the intimacy coordinator, the chase is entirely improvised. You don't know what Kyle will do or how he'll eventually trap you. The idea is thrilling, warming your body with heightened anticipation.

Stepping around the edge of the picnic table, you aim to dart around him on the right side. Kyle leaps over the fake flames and lands in your path. He swings the machete and you duck. The blade is nothing more than rubber, and his aim is purposefully wide.

As you turn away, Kyle follows, his stride casual and calm. It's infuriatingly sexy how sure of himself he is. And somehow, you're flustered by him, even as you try to make for the exit.

But there is no escape—and it's not like you want to get away from him.

Kyle's muscled arm catches you by the stomach. He hauls you against his chest, even as you wiggle and squirm, lashing out as if that will do anything. His strength is apparent in the way he confidently keeps you close, unafraid that you might accidentally clip his jaw with your knuckles.

The camera moves in as he brings the machete up to your throat, pressing the rubber blade against your jugular.

"Stop moving," he growls, the mask muffling the sound.

You cease your squirming, both hands grasping his forearm. The edge of the mask digs into the side of your face, and his hard cock presses roughly against your back.

"Are you going to be a good girl?" he asks. The low gruffness in his voice sends a bolt of heat straight to your pussy.

You whimper, but say nothing.

Kyle lightly slaps the inside of your upper thigh. "Answer me."

"I'll be good," you gasp, the sting of his strike causing your muscles to clench, ass bucking into his pelvis.

"You'll be what?" This time he squeezes your thigh.

"A good girl."

He makes a pleased sound as the machete falls away and his arm releases you. Grabbing the back of your neck, Kyle uses his grip to turn you around, to force you to look at his face. With the mask, all you can see are his eyes. They're in shadow, but fuck, they're gorgeous.

With a final squeeze, Kyle forces you to your knees. His cock bobs in front of your face. Your lips part, but Kyle keeps a firm grip, allowing nothing. He is in control.

Your gaze is entirely focused on him. You have no idea where the camera is, and there is no point in looking. It's not your concern.

"Wider," he instructs, and you present your mouth to him, tongue out. "That's it."

The head of his cock taps against your tongue and then slides back and forth over its surface, teasing what's to come.

You want it. You want him.

Kyle's hand moves from the back of your neck to the top of your head. He fists your hair there, and then guides your mouth around his cock, forcing you to take every inch of him. The cool rubber of the machete presses against your neck. Your hands rise, anchoring yourself by grasping the front of his bare thighs.

You hold on as he fucks your throat. Keeping your gaze on the mask, you relax your muscles, focusing on not gagging. Kyle is more length than girth, and the head of his cock roughly hits the back of your throat with each stroke.

"That's a good girl," he rasps. "My perfect slut."

The praise is wonderful. Perfect. You hold on to it, humming with contentment around him, the vibrations making him shiver. In your peripheral, you notice the glint of a camera lens but you don't glance over. You focus on Kyle, and how eager you are to get both of you off.

Kyle is rough but not overly slow. He's careful not to go too far. His movements are restrained but controlled, and that only turns you on more. One of your hands slips between your thighs and you find yourself blissfully wet.

You circle your clit and then dive downward to slip one finger, and then two, inside your pussy. Repeating the motions only builds the oncoming orgasm like a viper hidden in a pile of leaves, waiting to strike.

"Are you fucking yourself with your fingers?" Kyle's question isn't meant to be answered. It's rhetorical. He knows you are. He can see it.

With his cock in your mouth, you're unable to answer. One watery tear rolls down your cheek and Kyle lightly taps the machete blade against your throat.

"Not being a good girl. Didn't tell you to do that."

The machete disappears. Using his grip on the top of your head, Kyle guides your mouth off and away with a wet pop. He drags you to your feet, and as you move to run from him, Kyle presses the tip of the machete against your stomach.

"Get on the table," he growls. "Now."

You glance over your shoulder briefly to figure out where it is. The path is clear—just a few steps and you're on it. Kyle prods you with another poke of the machete.

Moving backward, you eventually bump into the edge of the table. Kyle does not help you up but the top is just below hip-level. You get on easily.

"On your back. Legs spread."

The command in his tone is undeniable. You do exactly as Kyle says. The camera is directly behind him, following his forward advance. Kyle wraps his hand around your ankle and tugs, dragging you to the very edge until you're close to falling off.

Without ceremony or elegance, he tears away your thong and tosses it aside. Kyle lines himself up and thrusts.

"Fucking hell," he groans.

You moan loudly, toes curling as your pussy takes all of him. The stretch is just enough to hurt but entirely euphoric.

Kyle slams the machete down onto the table next to you. In seconds, he has one hand over the front of your throat and the other on your inner thigh, keeping you wide as he drives in and out of your body.

This is where he's roughest, and you don't care at all. It's delicious. Glorious. From this angle you can watch every corded muscle shiver as he moves.

And the eye contact.

Kyle won't stop looking at you. His gaze is firm. Heavy. You are trapped by it as much as by his strength. His hand on your inner thigh slides further inward until he's almost on your pelvis. The camera shifts to point directly at where your bodies meet just as Kyle's thumb starts rubbing slow circles around your clit.

The building orgasm shivers outward, stretching into your limbs. A sense of numbness comes with it, as if you're floating above your body. It lingers there at the heightened apex before crashing down around you.

Your body tenses—seizes. Kyle groans, continuing to thrust through it. His thumb keeps stroking, and the intensity continues, wave after wave flooding through your system until you near overstimulation.

Kyle's thrusting increases, a pounding rhythm that signals his coming end.

"Fuck," he groans, hand around your throat tightening slightly.

The fingers on your thigh dig in, and Kyle stills, his sigh a gentle rainfall. You feel your pussy flood with warmth as his release hits him. You see the shudder, watch as his eyelids close behind the mask, and the keen pulse of his veins in his arms.

Kyle thrusts once. Twice. And then with a heavy sigh, grasps the base of his cock, stroking it as he slowly eases out. The camera comes into view, panning inward to catch the sight of his cum. Kyle keeps you still, gaze lingering on you. He's waiting for the camera's retreat.

Just as it backs away, Kyle's grip on you loosens. You're the pretend, helpless victim no longer.

Gripping the machete, you strike out. Kyle avoids your terrible swing, and that gives you your change. Off the table and onto the floor, you rush toward the exit, not looking back though you hear his enraged growl and the swoosh of air as he lunges for you.

You disappear, nearly stumbling into the next room as the director calls for the end of the scene.

"Cut!"

You catch yourself before falling forward, a little breathless. Poking your head out from behind the curtain, the set team comes rushing in, moving objects out.

"Let's set the next scene."

As you step out, Rodolfo and someone from the makeup department rush in. You're offered your robe which you politely decline but accept the water.

"You good, love?" Kyle approaches, removing his mask, gaze expectant and observing.

"Yeah. I'm good," you reply, taking another gulp of water.

His observation isn't one of keen interest but one of concern. He's checking you over. Making sure he didn't harm you.

"I didn't hurt you?"

You're a little sore but it feels good. "No," you answer. "Promise. I'm fine."

He grins, relief clear on his face. "Thought I might have been too much."

You shake your head. "Not at all."

Rodolfo checks his watch. "Ready for the next scene? Or would you like a break?"

You cap the water and hand it to him. "I can handle it."

He nods. "Be ready in five."

After a bathroom break, a brief touch-up, and a gentle cleanse between the thighs, you're herded to the next mark.

"We're going in ten...nine..."

Your robe is removed and water whisked away. The camera is somewhere in the room already, ready for you to step out from behind the curtain.

"...three...two...one."

You emerge, knowing that this might be the scene you need to call a stop to. Not that it'll be Johnny's fault, but the place is absolutely ghastly.

It's set up like a meat processing warehouse. The room is bathed in red light. Fake bodies wrapped up in cloth hang from the ceiling along with a few hooks on chains. There are two "exits" covered in plastic strip curtains. One is a true exit and the other is where Johnny is supposed to emerge from, but you have no idea which.

The camera follows your forward movements as you navigate around the hanging set pieces. Against the wall is a stainless-steel table. On it are bloody body parts all haphazardly stacked on top of each other.

As you make it to the middle of the room, Johnny appears—not that you see him. You don't notice him at all. It isn't until he revs the chainsaw he's holding that you do. It startles you so bad that you stumble backward into a fake body, almost tripping on your own foot.

Johnny charges forward, much faster than Kyle. The hanging bodies, hooks, and chains are in the way. You try to push them aside, to run as you're supposed to, but it hampers your movement.

Johnny catches you quickly.

Cornering you between a trio of hanging bodies, Johnny circles the space, revving the chainsaw as he walks. There is no chain on it, but he doesn't point it at you. He keeps it pointed away from his body and yours.

Transferring the chainsaw to one hand, Johnny snags your upper arm, dragging you against him. You beat at his chest, the vinyl apron slippery when your skin makes contact. Nothing happens. Johnny is solid.

With his grip on your arm, Johnny hauls you toward the body-covered table. He sets the chainsaw down and then both hands are on you. Spinning you around to face him, you attempt to fight him off even as he restrains you, attaching handcuffs to your wrists with ease.

“Let me go!” you shriek, but Johnny only laughs. It’s manic and high—completely deranged. It’s wonderful acting. You’ll give him that.

With a sharp tug on the connecting chain, Johnny sends you stumbling. He steps out of the way, his hand coming down on your ass with a sharp slap. You yelp but manage not to fall. The smirk on his face tells you everything. He’s loving this.

You attempt to strike out at him but Johnny is so much stronger.

Using his massive, muscled arms, Johnny wrestles for control, winning easily. You’re herded to the center of the room. At one of the hooks, Johnny lifts your arms over your head, hooking the connecting chain on the nearest one.

Everything stretches, but it’s not painful. It's a good stretch and just enough to keep you on your feet but appear as if you're hanging in the air. It's a great trick. You're on full display for the camera and for Johnny.

You’re facing away from Johnny, and you have no idea where the camera is. All you’re aware of is your breathing, and the swelling tightness in your muscles as the stretch starts to curl forth a gentle ache.

You’re hanging there. Untouched. Waiting.

There’s a gentle brush against the back of your thigh. You jerk against the touch, tilting your head to catch a glimpse of him. Johnny appears before you like a phantom. He steps into your view slowly. The red light bathes him in a blood-tinged glow.

Johnny grins, grasping your chin in his hand.

“Are you going to remain a good girl for us?” His Scottish lilt is sinful. You find yourself leaning forward as if you’ll kiss him. That grin softens, and then becomes a wicked thing.

Johnny drops to his knees before you.

His hands grab the backs of your upper thighs, lifting you off your feet. He guides your legs over his shoulders, hands adjusting to support your ass. Johnny’s mouth is on your pussy immediately, tongue teasing your entrance. The fake plastic nose he wears perfectly presses against your clit. It rubs back and forth against it as he devours your pussy.

The orgasm comes quickly and with sharp intensity. You scream out your pleasure, head falling back, eyes closed as Johnny continues to feast between your thighs. Your toes curl, the muscles in your lower back seizing and relaxing with each wave.

With a final lick, Johnny tilts his head back, smug with himself.

You’re gasping for air, chest heaving as Johnny returns your feet to solid ground. He ascends, hand undoing the ties that keep his black vinyl apron in place. He circles you as he does it, a teasing dance before it falls away.

Your gaze immediately drops, and fuck—Johnny is thick. There’s a decent amount of length but this man is all girth.

He palms his hard cock, gaze enraptured with the sight of you. Circling you like a predator, Johnny takes his opportunity to run his hands over your body, to touch everything. It’s been he comes to a stop behind you that the anticipation builds.

Johnny’s face presses against your neck as his hands grab hold of your hips. His cock rubs against your ass and then slides between your thighs. He rocks back and forth, coating himself in your wetness. The head of his cock pokes at your sensitive clit.

You whimper, and Johnny gives you relief.

With his grip on your hips, Johnny angles himself at your entrance. A quick thrust, and Johnny is home to the hilt. Your thighs are pressed against each other, and the thickness of Johnny’s cock is only intensified by the limited space.

He remains behind you, pumping steadily as you hang from the hook. Johnny’s hands on your hips delve, squeezing your thighs. He brings one palm down in a quick slap against it, your thigh jiggling from the strike.

“Fucking gorgeous,” he whispers into your ear, and you know that’s only for you to hear.

While Kyle was a bit rough with you, but Johnny is steady, his rhythm hitting all the right beats until you’re numb with lust. You fall into it, heading leaning back against his as Johnny as his way with you.

At his end, Johnny’s groan morphs into a whimper. He comes inside you, his grip tight as he holds you flush against him. A few more thrusts and then Johnny is pulling you, forcing your thighs apart to show the camera the mess there.

You expect a pause as the camera lingers there. What you don’t expect is for Johnny to put his mouth back to your pussy, to suck his cum out of it, to stand and force your head back, slipping his fingers between your lips only to spit his cum down your throat.

He grins at you, licks his lips.

This dirty fucker.

Your thumb finds the small button on the cuffs. Like everything else, it’s a prop. You press the button. The chain breaks as it’s supposed to. The moment your feet are flat, you take off, rushing toward the exit.

You hear pounding footsteps and then—

“Cut!”

Johnny almost knocks you down on the way out. “Shit,” he gasps, grabbing on to you before you topple forward.

“Take ten!”

A robe is thrust at you, and Johnny is pulled away as someone else shoves another water into your face and someone else fusses with your hair and makeup.

It’s the maze that’s next. This one is completely staged compared to the other scenes. At a certain point, you, Johnny, and Kyle will converge on a singular point. Johnny on one side of you. Kyle on the other.

When you’re set, you enter into the makeshift maze. You don’t need to go far. Just a few feet. Johnny is right behind you, every step heavy and loud as he navigates the maze. Only a couple striders further and you’re trapped.

Kyle steps out of the dark and you come to a halt. But as you retreat, Johnny is right there, blocking your exit. Their hands are on you immediately. You have no control. You give in to them, allowing them everything. It’s nice to surrender, to hand control off to someone else.

They move you into position. Johnny’s cock slides home, filling your pussy. Kyle takes the other side, and then you’re full in both holes, groaning loudly with each thrust. Your hands seek, fingers digging into whatever they can find.

Over your shoulder, Kyle pushes up his mask enough to reveal his lips. You go in, tasting Kyle’s sweetness. His hand grasps the front of your throat, dragging you in for a deeper kiss.

Johnny isn’t one to be left out.

As Kyle breaks away from the kiss, Johnny reaches for him, the two men locking lips next to your face as they both move in and out of your body. You drape your arm over the back of your Johnny’s neck, and all you know is the perfect way they fill you, and the feel of their lips against your skin.

And when it’s over, you’re a little disappointed that it couldn’t continue.

There’s another break—this one longer than the others. Kate’s assistant massages your muscles, and she checks in before the graveyard scene with John Price. You’ll truly need some rest before the final scene with Simon Riley and the rest of the men, but you can do one more.

But only one.

And it’s the easiest of the bunch.

There is no chasing. No running.

You play the helpless damsel, pushing at John’s chest as if you don’t want it. All around you is smoke and shadow. The headstones around the two of you create a little circle, almost as if you’re in the center of a ritual.

You’re put on your hands and knees on the ground, the fog from the fog machine swallowing up your hands and legs. Price is behind you, already pumping, already taking from you like the wolf he’s supposed to be.

The makeup department did wonders. They gave him sharp teeth, yellow contacts, and a partially transformed look to him. It’s brilliant, really. He looks very much the monster.

Each stroke is deep. John presses on your lower back, forcing you into a different position, pushing your ass higher into the air. Your legs widen and then John increases his pace, his pelvis smacking loudly against yours. Skin meets skin, and your pussy quivers with excitement as the orgasm builds.

You stroke yourself between your legs, leaning on one side to keep yourself upright enough not to slip. You’re slippery between your thighs, and you can’t help but trace where your bodies meet. Your nail grazes John’s cock, and he emits a low moan.

John grips your ass harder, and then he’s pounding into you, using your body like it belongs to him. You lightly bite your lip, trying to focus on your building orgasm. Each stroke comes with a spank, jerking you against your teasing fingers.

“Oh—fuck,” you mewl as your orgasm comes raging forward, curling outward.

John fucks you through it, growling like a fucking animal behind you. When your orgasm wanes, his hand grasps the back of your throat, holding you in place as he continues. All you have to do is sink into it, to grin with contentment and let him have what he wants.

There’s something primal to the way he holds you down and fucks you. It’s different from the way Kyle kept you in place or the way Johnny fucked you. Even in their roughness they were sweet. John is all business, and you’re perfectly fine with that.

His cock is fucking perfect, his dominating demeanor a soothingly sensual experience. There’s something to be said about giving in—to submitting.

But it’s after the extended break that completely alters your brain chemistry.

Simon is the last. The very last.

There is no chase. No true lead up.

This room is set in hell. There are fake flames, reddish-orange backlighting, and a throne. Simons sits on that throne, lounging casually, legs wide, his cock and heavy balls on full display. He’s dressed like the devil, but there are no plastic horns or dollar store red cape. He is perfectly painted in red and black. From his head are twisting black horns that curl up and back. They’ve given him red contacts and fake canines for a vampiric bite.

You are in his thrall, sitting at the base of his throne when the camera turns on. There is a leather collar around your neck connected to a silver chain that Simon holds in his fist. He lightly tugs on it, urging you forward.

Your hand wraps around his cock, stroking slowly, coaxing him toward hardness. You tease the head with a swirl of your tongue before taking him into your mouth. Simon fists the chain, twisting another link around his fist. Every time you take him deeper, Simon shortens the chain further and further.

At first, there is no tightness. It grows shorter. Shorter still. The leather begins to bite into your skin. With each twist of Simon’s wrist, the leash shortens. It draws you closer to Simon, leaving no room for you to retreat—to get air.

Your nostrils flare as you breathe through your nose. Relaxing your throat, you suck him down, cupping his testicles gently in tandem with your movements. The only sound he makes is a grunt and you have no idea if that’s good or bad.

But his cock is hard. Solid. You can’t take all of him or you’ll fucking choke on it.

He tugs sharply on the leash. "In my lap, pet."

You do as Simon instructs, standing between his legs before turning around toward the camera. You sink down into his lap, and Simon leans back, gently guiding you to straddle his lap, legs wide and draped over his thick thighs. He rubs his cock against your pussy, and then you’re sinking down on him.

John arrives from the dark, still in costume. He prowls forward, coming up to the left side of the throne. He grabs your wrist as he comes to a stop, guiding it to his cock. You fist John just as Simon thrusts upward.

Kyle arrives soon after. He kneels in front of you and Simon, teasing your clit with his fingers. It starts as a gentle stroke before his tongue replaces them, swirling little circles against your clit. Simon thrusts upward again, and your pussy clenches.

Just before your orgasm crests, Kyle’s tongue descends, stroking against the space where Simon’s cock intrudes. He descends further, lightly sucking one of Simon’s balls into his mouth. It’s brief. Just a blip. And then his tongue is back on your clit.

Your orgasm comes raging forward, but just as your mouth opens to cry out, Johnny appears, grabbing the back of your head, filling your mouth with his cock.

Your body is theirs to use.

Theirs to enjoy.

Simon thrusts upward, and Kyle draws back, his lips glossy with your arousal. He puts the mask back into place, and Simon lifts you off his cock. You’re picked up. Turned around. You sink back down on Simon’s cock, and Kyle is right there, adding his cock to your pussy. It’s an incredibly tight fit. They rock their hips gentle as John and Johnny touch your body, guiding your hand and mouth back to them.

One of them comes inside you—but you have no idea who before you’re full of just one cock. There are two sets of hands on your ass, bouncing you on whoever’s cock is filling you up. You’re simply clinging on, fingers digging into Simon’s shoulders. His head dips, the horns brushing against your cheek as his tongue circles a nipple.

John grabs the bottom half of your face. “Open,” he instructs and you do so, eagerly sticking out your tongue. John jerks himself until his cum explodes on your tongue. He tips your head to the side and Johnny follow suit.

“Swallow,” growls John and you do exactly that.

Someone groans, and whoever is inside you comes. You’re lifted off Simon’s lap, brought to standing, and then promptly bent over the arm of the throne. Simon’s cock returns to your mouth, and someone settles behind you, spreading your legs before sliding inside.

Every time someone comes in your pussy, you’re moved. Switched. Bent over. Spread wide. Forced onto your knees. You take it all. Enjoying every orgasm. Enjoying every touch.

As your energy fades, it is Simon that takes the final fuck, who brings you into his lap. His hands are firm on your ass, bouncing you up and down his shaft as the camera zooms in on it. You are lost in him—lost in the bliss that pulses throughout your body.

You are perfectly fucked.

Perfectly content.

taglist:

@glitterypirateduck @km-ffluv @tiredmetalenthusiast @miaraei @cherryofdeath

@ferns-fics @tulipsun-flower @miss-mistinguett @ninman82 @eternallyvenus

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@marispunk @jackrabbitem @arrozyfrijoles23 @lovely-ateez @spookyscaryspoon

@ash-tarte @waves-against-a-cliff @gingergirl06 @certainlygay @greeniegreengreen

[beauty-by-tyy]

JulyQueen of Amazon Skunk Stripe Bob Wig Unboxing & Review

In this video I will be unboxing and reviewing a Skink Stripe unit that was sent to me from the JulyQueen Store of Amazon.

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If you are looking for a new do and want to check out, what I’m putting down, watch this video.

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Contact email: Babs362436@icloud.com

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PLEASE CLICK HERE IF YOU HAVE NOT SEEN THESE VIDEOS: 👇🏾👇🏾👇🏾

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JulyQueen of Amazon Skunk Stripe Bob Wig Unboxing & Review: https://youtu.be/echM1mqxr2I

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It’s Almost Christmas Again (ft. DDSNNT Store of Amazon Wig) Unboxing & Review: https://youtu.be/ZfYt8sLkJA4

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Products used for this video:

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Featured Brands:

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Brand: JulyQueen Store of Amazon

Material: Synthetic Wig

Length: 12”

Texture: Straight

Hair Color: Black/Pink/Blue

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Nails:

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OPI Nail Lacquer Color: You blue it!

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Sally Hansen Salon Miracle Gel Top Coat

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Beauty 360 Resurface Base Coat

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Makeup:

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Face

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@Elfcosmetics Poreless Face Primer Shade: Clear

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Fenty Beauty Pro Filt’r Setting Powder Shade: Hazelnut

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Fenty Beauty Pro Filt’r Setting Powder Shade: Cashew

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Fenty Beauty Pro Filt’r Setting Powder Shade: Banana

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Fenty Beauty Pro Filt’r Hydrating Longwear Foundation Shade: 390

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Fenty Beauty Sun Stalk’r Bronzer Shade: Mocha Mami

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Milani Eye Pencil Shade: True Black

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MAC Cosmetics Studio Finish Concealer Shade: NW45

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Measurable Difference Blush Shade: Rose

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ELF Cosmetics Poreless Putty Primer

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Maybelline Master Chrome Metallic Highlighter Shade: 100 Molten Gold

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Eyes

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Fenty Beauty Sun Stalk’r Bronzer Shade: Mocha Mami

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Fabulashes (Kara Beauty) 3D Faux Mink Lashes #11

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@Lagirlcosmetics HD Pro.conceal Shade: Tawny

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ELF Cosmetics Liquid Eyeliner Shade: Jet Black

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Urban Decay 24/7 Glide-on Eye Pencil Shade: Zero

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Cheeks

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@MeasurableDifference Baked Face Blush Shade: Rose

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Lips

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Black Radiance Shade: Magnetic Sapphire

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Cover girl lipstick Shade: 275 Coffee Crave

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[dnpanimationstudioclone]

Meet Velvette📱🧶

Meet my take on Velvette! I had LOT OF FUN with this one! She’s reviewing Pentabucks newest drink!(being its top influencer can get you it for free!)

My Velvette’s more involved with social media/advertising/trends rather than owning all of Hell’s fashion indurstry. She’s basically a social marketer/influencer who uses her influence to support and advertise a lot of the overlords and high influence peoples businesses, products and services. She’s def still into fashion, I imagine she has something like a Bergdorf Goodmans, luxury end store and probably collabed with other fashion brands). I also see her own some fo the trendiest resteraunts, clubs, beauty salons, etc. def sewn herself into big brands!

I’ve heard she was suppose to be a doll because her pilot look mouth alluded a bit to stitching and wore frilly clothes.

so I ended up making her a rag doll! Doll’s are very popular to sell, especially to sell additional objects such as fashion, accessories, etc. Basically she sells herself out to the public eye 👁️. There’s also a bit of sewing terms that fits with social media such as “Pinned”, “Threads”, etc.🪡📍

And rag dolls are known for their adaptability(perfect for trend setting Vel)! I styled her outfit as a kinda tweaked modern outfit of Raggedy Anne/Andy’s outfit. The jumper and black booties. Restyled into a more flashy romp jumper and heeled boots 👢 Even made it to her name, VELVET!

Ngl many friends of mine have said she gives off Monster High vibes(I feel like 2000’s cartoons def inspired me). As well as Lalaloopsy!!!!!!! I was also a bit inspired by OG Millie’s outfit(love the double straps).

Put her in two shades of brown for a patchwork vibe! Another thing I’m going for with the rag doll theme is to allude to insecurity. I imagine she came from less glamorous origins. Didn’t have porcelain dolls like Charlie or plastic Barbies like all the other popular and rich girls, but simple rag dolls and stuffies. No matter how hard she tries to be like perfect porcelain or pretty plastic…she’s cursed to be seen as just some raggedy rag doll💔. I also imagine her death had something related to becoming…torn up(I imagine it wasn’t a pretty end)…

For this look, went with bubble braids made from balls of yarn 🧶 She has all kinds of hairstyles, from yarn, cotton, stitch on wigs and even real hair(from scalps of those who got on her nasty side, @a-sterling-rose suggested this). There’s even a type of hairstyle called “yarn braids”.

Wears fake nails 💅. Gel, acrylic, she’s made of cloth so she can adapt to any kind.

Gave her actual ears 👂 (added them on herself).

Clout Glasses 😎.

For her color scheme, @the-burd-lord suggested I'd go with RGB theme, colors on display screen(Vox is the leader and a screen) Ngl I was conflicted what colors to go with for the vees(Primary, Red blue purple etc). But then I realized when u mix those colors u get those other colors and then I decided to give the Vees two main color themes for each. One for show, the other their true colors! Velvette likes to use green, magenta and purple, for a visually pleasing vibe, light green and magenta for sweetness with purple/gold for luxury, but truth she’s a vain, envious clout seeker who has and will do less than ethic things for the likes. The two colors r also a mix of Val and Vox’s colors(uses them, advertises them to advertise herself!)

Played around with a assymetry color vibe for the envy vibe, thats she’s two faced 🎭. Having a deceptive social media personality like Miss Heed(less lovey dovey).

@lovesart23 video on Velvette really helped me consider what to do with her, like her beign Envy theme(she’s a clout chaser afterall). I LOVE her use of purples and greens for her! I also really dig the eye theme which mine in a sense does too. In this case, button eyes.

Added more weight on her a bit, to give off a more rag doll type body(especially with the limbs 🦾🦵)

Gave her black purple eyes with pink and mint button irises. Got Pin eyelashes 🪡📍

Her her a needle/selfie stick. Good for selfies, fashion emergency and stabbing people!

What do u think? I’d love to know💖

I’ve also done the Hazbin Gang, Mimzy, and even her associate, Vox 📺.

[sunnydaleherald]

The Sunnydale Herald Newsletter, Friday, September 13th

XANDER: No, it's just... this Malcolm guy? What's his deal? I mean, tell me you're not slightly wigged. BUFFY: Okay, slightly. I mean, just not knowing what he's really like. XANDER: Or who he really is. I mean, sure he says he's a high school student, but I can say I'm a high school student. BUFFY: You are. XANDER: Okay, but I can also say that I'm an elderly Dutch woman. Get me? I mean, who's to say I'm not if I'm in the elderly Dutch chat room?

~~I, Robot... You, Jane~~

[Drabbles & Short Fiction]

cherry lipgloss by sapphistically (Buffy/reader, not rated)

Oblation by The_Crazy_Knight (Buffy/Giles, E)

[Chaptered Fiction]

Jojo's Bizarre Adventure: Shadowed Suspicion, Chapter 341 by madimpossibledreamer (Ensemble, Jojo's Bizarre Adventure crossover, T)

Don't Swerve, Chapter 9 by thisyearsgrrl (Buffy/Faith, E)

My (love) Kill, Chapter 3 by witchywriter3 (Buffy/Spike, G)

Book Stew! Chapter 5 by MGAllan (Michael (from Gingerbread)/Lance (from The Pack), G)

After Life, Chapter 5 by Alwaysandforevermylove (Buffy/Faith, E)

A-Z of Sex, Chapter 1 by KatyAmberAuthor (Buffy/Giles, E)

Soul Mate Magic, Chapter Three by emma-m-black (Giles/OC, 18+)

Out of this World, love..., Chapters 7-8 by Miss Kitty (PG-13, in French)

The Neighbor's Point of View, Chapter 130 by the_big_bad (Buffy/Spike, PG)

Little Light, Chapter 7 by Melme1325 (Buffy/Spike, NC-17)

Way Beyond Chaos, Chapter 1 by Girlytek (Buffy/Spike, R)

Wallflower, Chapter 24 (complete!) by Girlytek (Buffy/Spike, R)

[Images, Audio & Video]

Manip: MerMade For You by Claire (Buffy/Spike, PG-13)

Lego: my custom Lego Buffy the Vampire Slayer by buzzlymuzz

Artwork: Collage #160 by thedecadentraven (Buffy/Spike, worksafe)

Collage: Spike by thedecadentraven (worksafe)

Gifset: Buffy/Cordelia by lovebvffys (worksafe)

Fanvid: Andrew Wells | Puppet Boy [slight flash warning] by homoeroticvillain

Fanvid: Spike/Buffy - The Albatross by DarkEleni

Fanvid: Andrew Wells | Puppet Boy [slight flash warning] by homoeroticvillain

Fanvid: Don't Stop Me Now [BTVS Season 6 BLOOPER REEL] by Aurora Edits

Fanvid: Buffyverse by juliaroxs241

Fanvid: willow and tara | i know the end by editsbysarahx

Fanvid: Buffy the Vampire Slayer Season 2 Opening Credits (Charmed Style) by Rotten Lemonade

Fanvid: Buffy and Spike - Are You That Somebody By Aaliyah by Naki-a Littlejohn

Fanvid: Buffy and Spike - Bang Bang By Ariana Grande by Naki-a Littlejohn

Vidlet: hello kitty | buffy summers | mep part by DreamingWithDragons

Vidlet: Buffy summers || legends never die || by CaptainSwann

Vidlet (untitled) by cupcakexmeow (Buffy/Spike, Buffy/Angel)

Music: BUFFY THE VAMPIRE SLAYER THEME SONG / ‪by JETT Fighter Drumming‬ (age 12 )

Acting: Anya's Monologue by Skyler Brown

Song: Something to Sing About - Singing - by Sparkly Rainbow Kaz

Song: Rest In Peace - Spike - Once More, With Feeling - Buffy - Singing by Sparkly Rainbow Kaz

[Reviews & Recaps]

Video: Top Grumps - Buffy The Vampire Slayer by Nerdy Up North

Video: Buffy the Vampire Slayer Season 4: Episode 7 - The Initiative by The Cheshire Kiwi

Video: Our Love of Buffy The Vampire Slayer PART 1 by It Crept From The 80s

Video: Buffy 2.15 Phases by Jen Katz and Ryan Something

Video: Buffy Vs Charmed | An Observation of Unnecessary Comparison by They Call Me MR. G

Video: Buffy S02E22 "Becoming (Part 2)" Spoiler Review by LGRN - Entertainment

Video: Sleeper-Slayer Sunday by Jane Talks Buffy

Podcast: Showtime S7 E11 Buffy and the Art of Story by Lisa M. Lilly

Podcast: BwB 609 - Point Insertion [Smashed] by Beer With Buffy

Podcast: Tales of Music and Film Season 8 Episode 8 Buffy The Vampire Slayer Take Two by Tales of Music and Film Hosted By Christian Taylor

Podcast: Tales of Music and Film Season 8 Episode 9 Angel by Tales of Music and Film Hosted By Christian Taylor

Podcast: The Quintessential Buffy The Vampire Slayer by Sure Look Sure Listen Podcast

[Search & Recs]

Fic search: Actor spike fic lost by YummyCookies333

Vid rec: Anya Jenkins | Why? [Character Study.] by HostilePoet17 recced by IceStorm22

Fic rec: The Devil's Elegy (Buffy/Angel, M) by coalitiongirl recced by I Will Remember You Marathon

Fic recs: favourite Spuffy recs by userttpd

Vid rec: Charles Gunn - The Loss and Recuperation of the Self by Honeycutt Videos recced by umbralsong

[Community Announcements]

Buffybot and Gilesbot, sitting in a tree… by Buffyverse Kinkmeme

[Fandom Discussions]

Buffy saying “I just wish my mom was here” really falls flat by canary-prince

Rewatch thoughts and questions [Shells, Underneath] continued by multiple posters

Two comics artists who've worked with Joss have died this week by Skippcomet

What happened to the parents in Buffy? continued by multiple posters

Podcast : "Alyson Hannigan Reveals Her #1 Hidden Theory About Me" by Klaus Kartoffel

Spikes justification for not reuniting with Buffy from the episode Harms Way by wtffu006

If I were her relatives, I’d request a refund from the funeral home by Jade_Pratt953

Anyone else believe that the police/coroner/hospitals knew about the undead Americans? by CountChocoula

What is your favourite single scene in the Buffyverse… by tommywest_123

Which ep would you choose [to watch for 24 hours straight]? by No-Jaguar8044

On S2 - watching for the first time and loving it! Will it continue with this quality? by RedRxbin

So I watched a theatre show called Buffy Revamped by CaptainZir0

Your Own Buffy The Vampire Slayer Episode Concept? by Big-Restaurant-2766

[Articles, Interviews, and Other News]

Video: Buffy The Vampire Slayer | Full Q&A | For The Love Of Fantasy (London) 2024 by Monopoly Events

Video: Anthony Stewart Head interview, Buffy the Vampire Slayer - Regis and Kathy Lee (with Tom Arnold) by Cleverkio

Video: Episode 364: Interview With Julie Benz by Don't Go Out There Podcast

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Join the editor team :)

[saqvobase]

Mesmerizer Live-Action Music Video Plan

So I guess you could say that I've been mesmerized by 32ki's Mesmerizer.

I've been infected with an idea so I must write it down before I forget or get bored of it.

I've been kicking around the idea of making a live-action version of the music video. I want it to use as many practical effects as possible and as little CGI as possible, ideally accompanied by a musical cover of the song by the actors.

Part 1: Costumes

Hatsune Miku

Luckily there are plenty of Miku wigs cosplay that can be bought.

I couldn't find an exact equivalent for the dress, but it seems like a fusion between a retro diner dress and a maid outfit. I think there's a golf visor on her head? We don't see the back of the character, but I'm pretty sure there's a big white bow. All that might need to be custom made.

The cuffs can be ordered on their own.

I didn't think that they made bow ties this big, but the color, angle and size all fit. (This goes on the visor)

For the socks, the best equivalent I found was something called 'slouch socks'

Shoes. Red with a white sole and yellow laces, and four wheels. Roller skates would be dangerous on a set. I'm tempted to just nail some painted wooden cylinders to the bottom of some Converse and treat it like platform boots.

Kasane Teto

Luckily there are plenty of Kasane Teto cosplay wigs that can be bought.

Luckily Teto's outfit is much simpler. White collar shirt under a blue pinstripe shirt with a dark gray tie and the same gold brushed nametag.

These pants are so bright, I can't believe they make them in this color. Matching red suspenders were easy to find

I found this pair of yellow cotton gloves, I think it is more likely to be this than rubber. They can be rolled up at the wrist to be more like the ones in the video. I just need to find a pair that is a more saturated yellow.

The hat is red, short, circular with a flat top, switch a small black brim. I couldn't find anything like it, perhaps another custom job.

The smily face pin on the other hand, is a dime a dozen.

Ribbed gray socks

and black loafers.

Miscellaneous

For the name tag, I found these cheap brushed gold plastic pins. It could be cool to etch their names on it.

For the starry-eyed parts, I found these contact lenses. The reviews say that you can still see through them pretty well so that's good. I couldn't find any that were 4 pointed stars.

For the mesmerized parts, I found some contact lenses that totally black out the eye, they are over $100 for a set though.

Part 2: Set

The non-moving backgrounds such as the stripes or water drops can be done traditionally.

The clouds and hills are another story though.

My idea of how to do is is a series of belts with the image on them controlled by a spinning rotor. The song will be recorded in studio, so the sound of the rotors wont affect the video.

Part 3: Effects

In-Camera Effects

A colored frame like this can be placed between the camera and the set. This frame can be moved back and forth as needed.

for the parts when the frames cross, the frame can be folded like this. At the point of crossing cut the footage. Swap the backgrounds, and resume filming.

The center spinner could be threaded through a hole in this frame, with a small gear system for perpendicular rotational transfer.

Special Effects

The confetti can be spread from above, either by a machine or a helper. The curtain of confetti should be after the colored frame, but before the set so that the actors don't get covered.

Conclusion

Finally, the brainworm has left my brain, and transferred to a written medium. I have no idea how much any of this would cost, but I estimate it is below $10,000.

If you have any questions or suggestions let me know!!!!!

[carmenthabaddie]

Move in silence 🤫

2024 I’m moving in silence period. Too many losers and leeches who won’t do the work and hate on your success. I recently had job interview and didn’t tell everyone. I won’t know if I got the job till Tuesday or Wednesday.

People tell they plans cause they seek validation and approval from others. At 31 I don’t need people validation or approval. What people don’t know they can’t destroy. I had so many women hating on me cause I refuse to be mediocre. I hold myself accountable and dont point finger or blame others for shit I should be doing.

Some people addicted to they bad habits and bare minimum. At 31 I realized I needed go harder and less excuses. And I’m blossoming into a baddie. I dont care to know what others doing cause I’m to busy worrying about myself. Stop telling your business and ruining your life cause you are naïve about how most people think. Majority of people are losers. Only 1 % of people are winners.

People you call friends should have goals and productive and letting go bad habits, and holding themselves accountable and showing action and not just words. Who don’t gossip about people cause they too busy improving their lives. Who gives you what you give them. Who never drains you and doesn’t play the blame game. I agree and believe you are who you hang out with seriously. Stop hanging and associating with women who are losers and accepts bare minimum and low maintenance and don’t take accountability for themselves and low standards. She will hate on you and backstab you.

2024 I’m focused on myself and my goals. And learning consistency, discipline, dedication, commitment, and determination. I will be having success stories left to right. Most will not know my blessings cause I don’t believe in bragging and most will hate your success. If you gone tell make sure you accomplish the goal first and then tell. But never tell when you are planning and working for the goal. Cause once you accomplish a goal and they hate thei can’t do shit cause you already accomplished the goal.

I will be doing a video on this for my YouTube channel and explaining this with words from spirit and ancestors. 2024 my year. I refuse to be who I was in 2023. Im so happy since 18 I been in therapy and focus on improving myself. It’s been years and I’m finally reaping the benefits of therapy at 31. More black women should go to therapy and heal and do better.

Spirit and ancestors is all I need. I can do bad all by myself I don’t need another human being approval or validation period. Im too much of a bad bitch to care about others approval and validation. I hold and have the key to success and truth is some people can’t go to the promised land with you. We would accomplish more if we got rid of people who are dead weight. I know my worth and is a beautiful and intelligent and hardworking and well put together bad bitch. And stand out and rather hang by myself then fake people.

Got my 3 new wigs. Will try do quick review. Got Chinese food today. And worked out twice today. And did good at job interview. And busy working on my goals everyday. My goal is week of intermittent fasting 16:8. And gym once this week. Really need be stricter and actually go gym and interment fast 16:8. If I have more updates I all update y’all. The glow up level of journey isn’t for faint of heart. 💖💖😍😍😍

[tophatcosplays]

My friends and I decided to do a Genshin Impact group Trio cosplay. I will attempt to make Furina. As an enthusiastic sewist I strive to sew most of it.

As this is a huge project, I hope to document my thought process whilst making it.

Let’s break down Furina, Shoe to hat.

Shoes:

Most shoes do not fit me. Wearing uncomfortable shoes on long Con Days is one of the dumbest ideas to have. I like buying things, which I can reuse for multiple occasions. I also planned to do a Lenore Cosplay from Castlevania (Netflix, Blue Dress). So, I will look for a Black half boot with a small heel, that I can either use for both characters, or that I would wear on a daily bases too.

Socks: I got white socks, and the ruffle part is in the making. I found a YouTube instruction video on how to make a Shakespeare Ruff

White Pants: I do not wish to wear hotpants to a convention and often visit Cons in autumn / early winter. It rains a lot here and most cons are outside.

I bought a pair of white suit pants and altered them to fit me better (Those are currently not in season, and it took me 6 hours of my life just running into stores trying to locate a pair that is not not-white-but-called-white/beige)

Black blouse:

I will probably buy a pair and likely must add the sleeve ruffles as a detail. The collar ruffles will be sown, and I want to wear them like a necklace or a safety pin.

White vest:

Will be sown by me, no details yet. Fabric matching the pants is available in the local fabric store. No further plans yet.

Blue Blazer:

Currently my number one priority as it is the outer layer. If the rest is not done until the Con, I can close it. Life Hack.

I found a nice dark blue fabric that is sitting in the corner waiting it's turn

The sewing pattern I currently have and made a mockup for needs a lot of alteration. I found a better one: McCalls M7641. Still needs alterations but waaaaay less.

The squares on the back will be left out. I don’t care.

Further plans to be developed whilst making the second mockup.

Tail:

I am considering making the tail out of different tulle layers. I found a nice dark blue glittery fabric online that I want to use for the left tail and have lots of white tulle at home, probably not enough, but those are available at the fabric store too. The result of the consultation will determine how I do the appliqués on the Tail of the blazer.

For the right tail I found two possible shell/scale fabrics that I must decide between.

Whether I embroider the golden Fontain Fleur de Lis or get them plotted is still up for debate. I have a contact for plotting that I need to reach out to.

I think embroidered would be nicer.

Bow:

Light blue tulle, available at fabric store

Wig:

Doki Doki Cosplay, other sellers did not have picture reviews. They had a styling tutorial on their website. Comes with lashes.

Hat:

Possibly 3D printed like the rest of the details, most likely smaller. I own a tophat for a steampunk costume and I do not wish to wear one with a wig beneath.

Details:

3D Files , drops might get cast in resin or bought

First test print

The blue waves on the back and the gold ones on the shoulders & sleeves could be plotted or a fabric appliqué, if I find a fitting one. I think I'd prefer appliqués.

[theworldsendandmythoughts]

lords of chaos - review 2023

What an awfully hot movie. I already had a lot of knowledge in regards to Mayhem and the history of norwegian black metal. As well as having watched a thorough documentary the weekend before the screening of this.

The casting was pretty alright, I think they nailed HellHammer and Euronymous. Tho the casting for Varg and Dead was really weird, first of all Jack Kilmer had an awful blonde wig and he was definetly not fair enough in the skin. One couldve just casted an actual metal head or just an average swedish person. The casting for Varg seemed a bit off, not to shame but Varg was a skinny lanky maniac. Even Varg himself said ¨the film where they have a fat Jewish actor play the role of me.¨. Not the jewish part, but I do agree that the actor miiiight not have had the right physical appearance to Varg in terms of size.

Finding out that Jonas Åkerlund directed this movie made a lot of sense to me. A lot of it is very choppy and overexaggerated. That has always been his way of directing (in former projects being the live concert movie and music videos for Rammstein). I think he also had a lot to say when it came to the writing of this movie. Its very clear that Lord of Chaos is a hollywood-fied movie about tragic fucked up events.

The pacing of the storyline is extremely fast paced. They do not mention the fact that Mayhem had several vocalists before Dead came along. As well as Dead's part in this story is over within like 5 minutes. He did so much for the band, there is so much to say about his contribution within the scene and band. It felt like they rushed the first part of the movie just to get to the main part of when Varg comes along and does his antics.

Who the fuck wrote Varg for this movie? In the beginning he's an unsure shy wannabe-metalhead that seeks the validation of Euronymous and the rest of the metalhead scene. THATS SO FAR FROM THE TRUTH. He played in two other bands before Mayhem, founded Burzum because he claimed that the rest of the music wasn't evil and heavy enough, and was an already pretty known figure in the scene. His influence skyrocketed Mayhem, yes, but he wasnt some shy boy before he started in the band. VARG SENT DEAD THE FUCKIN SHOTGUN AMMUNITION THAT HE LATER USED TO KILL HIMSELF. Dude, dont call Lord of Chaos a fictional documentary or mockumentary, whatever the fuck - ITS AS FICTIONAL AS YOU CAN BE WHILE THREADING ON THE VERGE OF SOME TRUTH

Also the ¨girlfriend¨ that Euronymous had? Never existed, yes he had bitches, but he didnt have any loyal long term girlfriend. Varg also never liked Scorpions, so why the fuck was he called a poser for it in the movie?? Also Euronymous never cut his hair - thats all bullshit

IN CONCLUSION: Lord of Chaos is full of shit, Jonas Åkerlund can go suck Rammstein's cock instead, and no one is allowed to make a movie on Mayhem besides the true lunatic Varg.

Peace out

[furiouslyescaping]

I posted 950 times in 2022

4 posts created (0%)

946 posts reblogged (100%)

Blogs I reblogged the most:

@nezawsm

@kafkasdiariies

@labyrinthine-intj

@positivelyamazonian

I tagged 949 of my posts in 2022

#gpoy - 208 posts

#video games - 106 posts

#funny - 84 posts

#fanart - 79 posts

#feminism - 75 posts

#tomb raider - 75 posts

#lara croft - 71 posts

#true - 60 posts

#capitalism - 54 posts

#travel - 50 posts

Longest Tag: 101 characters

#the only ever real regret i would ever have in life is that i missed the opportunity to see them live

My Top Posts in 2022:

#4

1 note - Posted December 4, 2022

#3

Saying a black woman looks like a man in a wig, not the best look. Maybe you and the rest of the balkans should go back to blowing each other up and leave the radical feminism to people who aren’t racists? Just a thought :)

At first I was confused what this hate mail was about. lol But then I remembered I wrote a comment on a post about a 38yo black guy who brainwashed young people by telling them that you don't have to be young in order to 'transition'. He shot himself up with a bunch of synthetic estrogen, claimed he now had hips (how?!), put a wig on his head, dressed himself in heals and a skirt and claimed he 'felt' like a woman.

So yeah, you should read up on what RADICAL feminism really stands for. I'll give you a hint: biological sex CANNOT be changed just because a guy has a fetish for wearing heals and women panties. No matter the race :)

PS: Oh don't you worry about Balkan people, you wouldn't even know where to point on the map lol

1 note - Posted January 29, 2022

#2

2 notes - Posted October 22, 2022

My #1 post of 2022

Would’ve just been quicker to call the tranny a nigger since that’s what you’re focused on but go off.

You trans lovers really are baffling sometimes. Writing two slur words in the same sentence and claiming I am the one who's transfobic and racist, when the only thing I wrote on that post was that the dude "still looks like a man" is a bit schizophrenic. I still would've written that even if he was a white guy.

3 notes - Posted January 29, 2022

Get your Tumblr 2022 Year in Review →

[theuniverseawakens347]

well I know this ya aunty miss Beyoncé can you get me wigs n hair mom - jasmean … why lie to black girls struggling n look up to you - fake followers likes comments maybe 5-20 real. Hair deals 5 star reviews “ THIS WAS GREAT” - hey Evelyn can you comment n like my video plz … oh DDG yo dumbass. And since we here DONT EVER TRY THAT DUMBASS SHIT AGAIN YOU FUCKING JASMEAN N TELLING HALLE ITS ME N OR BEYONCÉ CHLOE … N YOU THINK CAUSE YOU GOT HALO A LITTLE ME N MONEY YOU STEALING OFF ME MY MANS N MY FAMILY IMA FLOCK TO YOU… NO NIGGA YOU WEAR MAN HIGH HEELS IM TALLER THAN YOU. THATS WEIRD… YOU NOT BETTER THAN NO ONE CAUSE YOU HANG W MY KILLAS N GOT HAIR THAT HANG COMPARE TO TRISTAN - EXTENSIONS… OKAY TAUPE …ITS HAIR YOU THINK YOU BETTER FOR SUPERFICIAL REASONS BUT YOU N HALLE STEADY CHEATING ON ONE ANOTHER - NO LOVE … BUT YOU WANA KNOW BOUT ME N TRISTAN NO ONES CHEATING A NIGGA JUST SUCK A COMMUNICATING SO IT LOOK OFF BUT YOU ACTUALLY ALL THE WAY OFF - HALO NOT SAFE W YOU EITHER. RECENTLY YOUVE BEEN MORE RETARDED AND DONT THINK A BITCH NOTICE - LAPD CPS WE SEE ALL EVEN IF I DONT SPEAK ASS WIPE. HI TONYA NOT TAWANA DDG REAL MOM AUNTY.

[beauty-by-tyy]

It’s Almost Christmas Again (ft. DDSNNT Store of Amazon Wig) Unboxing & Review

Can you believe it? It’s almost Christmas again! In this video I will be unboxing and reviewing a unit that was sent to me from the DDSNNT of Amazon.

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[afam24]

Rather use the mobile app?

Open

afcnamrcn23

Aug 9, 2023

In the links below are references and more. You can save and review a little at a time. Very interesting rarities are shown with credible source that are not in video.  Finish reading captions on Tumblr if on Pinterest by tapping VISIT or picture's title. If you came here from YouTube, it's best to copy and paste this link to watch in Chrome. This is so you can click right back to the main post where you left off after watching any of the quick videos

Ancient Egyptian Art They Don't Show

(more complete version old notepin link.(Finish reading captions on tmblr if on pntrst by tapping VISIT or picture's title) parts 1 - 10.

Sub Saharan and some African American history parts 6 -10).

You may have to log in to tumblr to view all pictures and links (quick and easy sign up). Same with Pinterest https://www.tumblr.com/afcnamrcn23/714127248426483712/190-wall-paintings-ideas-ancient-egyptian-art?source=share .

OR

This one connects directly to Tumblr if the link above has trouble (some Notepin links may not connect. The site is legitimate, but it's an older version from when the post was first made years ago)

compilation of Egyptian Nubians not included in previous links https://www.tumblr.com/shwat2013/659790664940257280/nubian-egyptian-people?source=share

There's a lot here, but near the bottom of this page is a must see video. "Oldest footage of Giza area 1897 (professionally colorized). Pay attention to each local resident that walks past camera.)

To see the old books showing Thutmose with hair scroll roughly halfway down. Just under the picture are links. https://www.tumblr.com/shwat2013/685592668210872320/the-girl-on-the-top-left-is-bishari-from-southern

Or scroll to roughly the fourth picture. (Finish reading captions on tmblr if on pntrst by tapping VISIT or picture's title) https://www.pinterest.com/shwat2013/tiye-mmy-type/

A little more understanding of the hairstyle (whether wig or not) 1 https://www.tumblr.com/shwat2013/700427514979516416/cultural-similarities-with-ancient-kemetegypt-and 2 https://www.tumblr.com/shwat2013/660526538515759104/simular-to-beja-in-appearance-afar-man-with-afro 3 https://www.tumblr.com/shwat2013/659635781063819264/man-of-the-early-dynasty-during-the-reign-of-pepi

For those with exotic and unfounded explanations for the look of Henuttawy or Ahmose Nefertari, Google Image "Black women with naturals",  and "black women with braids"

Bishari girls of Southern Egypt (1910) and Nodjmet of ancient Egypt's 20th dynastic period https://www.tumblr.com/afcnamrcn23/726105411957161984?source=share

We can't keep generalizing as wigs and extensions after seeing this

Were they once of a more East African appearance? When Queen Hatshepsut traveled to the land of Punt (pinpointed by modern historians to the Somalia - Ethiopia area), she referred to the place as ancestral.

The ancient Egyptian word for Punt Ta netjer (tꜣ nṯr), meaning "God's Land". ... Even old school renowned British Egyptologist, Sir Flinders Petrie, used a east African man to compare to pharaohs of the 12th dynasty in the 1930s book "Making of Egypt". Old pictures of Bishari/Beja people of Southern Egypt and North Sudan show a similar appearance and cultural continuity

From a old book by Flinders Petrie

64.media.tumblr.com

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More on Hatshepsut

There is a published picture of Thutmose the 1st, Hatshepsut's father, with wool hair on the mummy. The picture is in a 1930s published book

Click VISIT ir picture's title if on Pinteres to finish reading captionn and see a few more images and articles on the "black" African conne

TUMBLR

Punt

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1

2

World History Encyclopedia on Punt.

Punt

The Land of Punt was a region in Africa (most likely Somalia) referenced by inscriptions of ancient Egypt initially as a partner in trade an

WORLD HISTORY ENCYCLOPEDIA

Beja of Northeast Sudan near Egypt. Are they the archetypes or progenitors to the tan Egyptian type ..

Keeping in mind Hatshepsut's statement of the area being ancestral, and the Beja/Bishari people of Southern Egypt and North Sudan having a similar appearance, we can boldly say that the traditional hairstyles of east Africa looks exactly ancient Egyptian

1

Afar people

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Oromo

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Sudan.

Shocking results from examination of ancient Egyptian skulls by an expert, known for her decades of forensics and anthropological expertise at University of Dundee Centre for Anatomy & Human Identification, Dundee, Scotland.

Video

In a 90s or early 2000s documentary with "The mummy detective", she showed that one face was certainly more black by the skull measurements, and stated this is common in ancient Egypt

In the bottom 4 pictures we see an old published photo of Thutmose the first, Hatshepsut's father, with hair ( Flinders Petrie 1896 and John Ward 1902), but is now completely bald. The old photo of the two men are probably East or Central African (?...both areas have a source to the Nile after the Blue and White Nile split off) ). The young guys in the top old photo are of Bayuda desert in Sudan compared to Thutmose II (son of Thutmose the first)

Direct links to old books showing Thutmose the first with hair (3 links under picture)https://www.tumblr.com/shwat2013/660538009698140160/the-mummy-of-thutmoses-the-1st-with-hair-in-a-1902.

The White Nile is a river in Africa, one of the two main tributaries of the Nile, the other being the Blue Nile.  Could this stylized statue of Thutmose the first actually represent the black types of this area.

Possible Thutmose III type in Aswan, Egypt ...If he appeared "black".

link

Another "black" man from the same area... different appearance. Notice in these post, people from the area are used as comparisons for the most part, because if any were "black", the ones that live there now would obviously be the most immediate and direct descendants

The "blacks" in this region seemed to have inherited certain traits that one wouldn't commomly find on a West or central African. Similar scenarios are obvious in ancient times with the same admix between different "racial" types in the area. This is probably what we're seeing on some statues with narrow features

1

link

2

Both of them

link

Two Nubian Young Men Traditional Clothes Stock Photo 2341033763 | Shutterstock

Find Two Nubian Young Men Traditional Clothes stock images in HD and millions of other royalty-free stock photos, 3D objects, illustrations

SHUTTERSTOCK

Girls from the same area. Perhaps Hatshepsut as a youth or daughter look alike

link

Nubian children selling selfmade dolls, Thebes west, Luxor, Egypt Stock Photo - Alamy

Download this stock image: Nubian children selling selfmade dolls, Thebes west, Luxor, Egypt - BB8CMW from Alamy's library of millions of hi

ALAMY.COM

Now we have to wonder how may bald mummies once had hair after seeing Thutmose the first. Was it a systematic effort way back then to hide it. Thutmose the first had hair that looks wool, but is now bald, His son Thutmose the second hair remains, and is loosely curled or wavey. Thutmose the third is bald, Thutmose the fourth hair remains and is straight

Dramatization plays by Legrand Clegg Clegg 1991. Hatshepsut is the 1st vid ( 4 minutes long)

Untitled

. Dramatized video Play from Legrand Clegg 1991 Hatshepsut (4:00 minutes) Akhenaton and Nefertiti (7:00 minutes) Ahmose Nefertiti

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Near matches to modern people in the area ( both black and tan)

Untitled

The features and skintones of the darker complected Egyptians certainly reflect in ancient art.

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Shocking ancient Egyptian hieroglyph for " face"

link

Untitled

. Egyptian hieroglyph for face links https://www.metmuseum.org/art/collection/search/549994

TUMBLR

Pre and very early dynasty evidence https://www.tumblr.com/afcnamrcn23/743862521639927808/pre-and-very-early-dynasty-evidence?source=share

Clear discrepancies in old pictures of early dynasty statues vs modern pictures of the same onehttps://www.tumblr.com/afcnamrcn23/741074431223513088/these-were-all-taken-between-the-latter-1800s?source=share

You must watch at least half of this to understand the possible reason why mainstream historians wanted to blot out and totaly "eclipse" the memory of black involvement in ancient Egypt (not saying all, but blacks were a major component to the old population)

.https://youtu.be/CYqqFqoLnnk?si=rjt9brCC8t26FYVr

See the old French definition of Barbarin or Barabra people of North Sudan and Southeast Egypt. These are obsolete ethnographical terms assigned to people of North Sudan and Southeast Egypt. The term was abandoned and considered offensive today. There are very important details about these people that the old world knew - and modern academia chooses to forget. https://txt.fyi/-/22141/f6ac87db/

Nubian and Kemet parallels

Untitled

The top two are Taharqa of the Nubian period, and Senusret II of the 12th dynastic period in the bottom pictures. Both Nubian and Egyptian

TUMBLR

It's like mainstream academia knew back in 1941 what they choose to block out and ignore today. Skip immediately over to 5:50 - 6:14 in this old newsreel

a

link

b

link

Sadat ( former Egyptian President 1970 - 1981)and his mother. https://64.media.tumblr.com/5f398a63c8ef51cfd2da9b47f685fcf2/1003de2cb093e986-6d/s250x400/2f796b2d5c64685aff815145cf4411a2bcc94fdb.pnj. 

This is a video from circa 1978 - 1980. Walter Cronkite of CBS sails the Nile with Egyptian President Anwar Sadat. They talk about certain topics, and at one point, the Egyptian President remarks about how Nubians literally love the land and the Nile. Skip immediately over to 28:55 to 32:07 for the Nubian comments (the entire vid is 40 plus minutes long).

Clear discrepancies in old pictures of early dynasty statues vs modern pictures of the same onehttps://www.tumblr.com/afcnamrcn23/741074431223513088/these-were-all-taken-between-the-latter-1800s?source=share

Egyptian man ( "black" persuasion) talks about the monuments

link

Egyptian man wants his half of statue back from the British Museum #shorts

YOUTUBE

Aired on the Travel Channel in 1998 -2000(?), Egypt from an interesting perspective. The conversation on the black population begins at 2:19.

link

Oldest footage of Giza area 1897 (professionally colorized). Pay attention to each local resident that walks past camera.

For confirmation that tones in the video are present in ancient Egyptian art, Google image paintings of Djehutihotep ( painted stele, British Museum), Baqet III, Ankhtifi, Khety (BH17), governor Khentika (dynasty VI, reign of Pepi II, mastaba at Dakhla Oasis), Mentuhotep - "Son of It" Pushkin Museum, …

Or

Quick reminder of how they look in art during that era of the latter early dynasty to middle kingdom (Ankhtifi, Baqet III Khentika Khety...) https://www.tumblr.com/afcnamrcn23/728943321932791808/15-hair-type-and-style-of-youth-in-old-assouann?source=share

Similar to the 1897 footage, a 1978 episode of IN SEARCH OF, called "Pyramid Secrets" ( hosted by Nimoy), the two times throughout the whole episode we get a close-up of modern Egyptian people, " black" citizens show up in the frame of the brief clips. There's no way of knowing if this was a conscious or subconcious desicions, but the location was in Northern Egypt - where the black phenotypes are scant

Clean, clear and unadulterated images from the video "MOST BEAUTIFUL NON-ROYAL TOMBS! WESTERN THEBES (LUXOR) EGYPT", as she walks through... These are wonderful and unbias. There's no way you can see these and not ask yourself... are the people who lean more towards a black appearance in the Aswan -Elephantine area being represented in these ancient paintings. Excellent images of women in the reddish brown hue. Unfortunately, the wife of Menna is already lightened because the video is from 2022. There's an image of her from 1994 by a Scottish photographer, where she's much darker....same hue as Menna (video at bottom of compilation)

link

https://www.tumblr.com/afcnamrcn23/744432622356365312/video-link?source=share

Major discrepancies in past pictures of Menna a and wife xs new ones. The first is by a Scottish photographer from 1994

Very scrupulous YouTuber https://www.tumblr.com/afcnamrcn23/742361158666846208/excellent-pictures-taken-at-the-neues-museum-of?source=share

Young African American lady, who travels the world, gives her impression of the Nubian area of Egypt

Senusret's Nubian heritage

(For the ancient text showing his Nubian heritage, click link under pictures and scroll roughly halfway down compilation)

Links

Overlooked statue of Amenenehat III in Cairo

Women with extreme color variation in the same scene

the women with variation

Painting from Nefferronpet circa 1448 - 1422, and women from a village near Aswan, Egypt From Nebamon and Ipuky Elephantine, Egypt Women

TUMBLR

Black women hair and stereotypes https://txt.fyi/+/da770558

"negroid" etymology https://www.etymonline.com/word/negroid

3rd and 4th paragraph for mummies combined with tincture solution, between the 16th and 17th centuries (for the most part) https://www.smithsonianmag.com/history/the-gruesome-history-of-eating-corpses-as-medicine-82360284/

Direct Tumblr link https://www.tumblr.com/shwat2013

Two more older versions on Tumblr in case other one doesn't connect (not as complete).Ancient Egyptian Art They Don't Show.(Finish reading captions on tmblr if on pntrst by tapping VISIT or picture's title). 1  https://www.tumblr.com/afcnamrcn23/714127248426483712/190-wall-paintings-ideas-ancient-egyptian-art?source=share 2 https://old.notepin.co/shared/lnpgmmb

Be sure to stop at the bottom where it says "More from @afcnamrcn23". Don't be distracted by the pictures and links under that. They will occur again so that you can continue with the main post in sequence

[robert-sims]

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[xtrablak674]

Meet Trevor Brown

[Video review of an interview I did back in ninety ninety-four]

What can I say about this particular video? I do have mixed feelings about it. It was shot sometime between '94 and '95 when I was living in my first apartment in Williamsburg Brooklyn. I have to admit I haven't even pressed play yet, because as much as I enjoy seeing images of my first adult abode my behavior feels a bit cringe. This was a time I felt a need to perform and not just be, my energy was very restless and exasperating.

I can recall that I think a young woman wanted to shoot me for a class project or something, I must have met her through one of my friends at the time. Beyond that I can't really recollect any other context of why I was being interviewed. My personal belief is you never turn down an opportunity to be in front of a camera or in print.

Still haven't started the video, I am totally delaying. Suspending the feelings I know I will have when I start the tape. #😬 Lets comment on the screenshot and what I can see. To the left is my music collection, I can see a lot of cassette tapes which means this has to be sometimes after '93 because I inherited my father's jazz collection on tape and vinyl.

Above the cassettes I can see my collection of CDs that only had another four years of existence before being burned up in the fire in my next and current apartment in '98. On the right I can see the Madonna poster I bought in college that followed me to Brooklyn. Below it looks like one of the Camel cigarette posters from the subway which I was notorious for taking before the MTA changed how they displayed the posters.

I am wearing a red kerchief, a grey sweatshirt that may say Ithaca College (okay it doesn't, I did say 'may') on it and overalls? I have to say not the most glamorous of looks, but comfortable. And it seems I am crocheting, more than likely a scarf, because those were the easiest and quickest things to knit.

Finally let's press play. Now I am being playful and coy, avoiding the question and not telling my age, which I still don't do. I am young and beautiful albeit I am sure I didn't feel beautiful at the time.

It was a curious choice the director/editor of this film chose a graffiti type as the title card. Nothing about me is urban, hood or street. And albeit this time in the nineties is the sweet spot of hip hop I am not and nor have ever been highly influenced in my personal style by rap music. I wouldn't say the choice is offensive, but not well thought out. Just because I am Black doesn't automatically mean that I should be represented by street culture.

'My mama's womb', has been my response to where I am from for decades, its a way to defuse the obvious questions of heritage. Even at this time my presentation of Blackness was confounding for the whytes. I am not saying that this director had that particular position, but asking a Black person where they are from especially if this conversation is happening in America is a very loaded question and may bring up all kind of baggage and unresolved feelings. #ijs

That laugh, still kills me. #🤣 She clearly didn't like my deflecting humor and asked a follow up about where I was from, which I didn't feel was relevant so didn't answer. This was the thing about me, folks would underestimate me in interviews like I didn't have my own agenda no matter how candy-coated I appeared.

Maybe this is what she was curious about the young gay Black man. Let's see how this progresses. I drop my voice a few octaves as I talk about being gay in a very humorous way but also acknowledging that I am also Black, less we forget. I can tell you this definitively I was being interviewed by a straight cis whyte woman.

Then we cut to a wider shot with a clear costume change, I am now rocking that ratty shake and go wig with two red ties forming very dry pig tails. #SuchACheapWig A red and white horizontally stripped shirt, this meshy black dress and an artificial sun flower in my hands.

We can now see the red and purple theme I had for this room especially with my purple IKEA curtains. To my left my fathers old stereo which also perished in the fire in '98. In addition to all the music on the walls I notice that just like my current apartment there isn't much bare wall space albeit now, its not found objects but actual framed artwork. I have covered up just about every piece of white space with something colorful. I think we are about to get a show.

Wow there's a voice-over going on that is really low and hard to hear, I am going to see if jacking into my stereo pushes up the volume. I seem to be talking a bit more about being gay in the nineties. This was clearly a technical difficulty, she didn't get good audio and still decided to use it.

In the background I can see Poopsie my late cat on the window sill, she would be with me two more years before my aunt forced me to reduce the number of cats she would care for in my absence as I traveled Europe for work on a tour. Poopsie would be left in a field near residential houses right outside of Co-op city. I would be devastated for months having to part with one of my two cats this way.

Then there is an abrupt cut to RuPaul's classic "You Bettah Work (Supermodel of the World)", back when I still really adored Ru before she became too problematic for me to continue to mess with. I can see I didn't try to do any huge make-up but I do have on some red lipstick, the least I could do for this fast-drag look.

Cut-to the dry shake and go blonde wig and me in the hallway of my apartment, our interview has turned into a video shoot! I have on the same dress but now a short cut military jacket, that I was just dreaming about last night. There's the old beaded curtain behind me that is represented in my new apartment by a smaller version from the beads that survived the fire.

Back to the bedroom, the sweatshirt says 'Tompkins Cortland', I have no idea what that is. I have stuffed both my cats beneath this large sweatshirt and they are struggling to get out. The cats are even funny to the director, when I joke this is what happens when you don't wear a bra. Hmmm is that misogynistic, I don't think so. I think its common knowledge that if you don't bind your breast they may start to sag especially after having kids. I am open to the fact check here. I will admit that I have never had titties and don't know the true way of breast!

Anastasia who was the cat that was with me the longest peeks her face out of my sweatshirt being coaxed out with the string I dangling in front of her. Clearly the director likes this moment because we are on this scene for over a minute. Ana has been dead I think over a decade, I miss her. I had her for about fifteen years quite old for a cat, she was very affectionate and attentive.

There is a framed portrait of my late friend Tim Fischetti and me, I can see in the background as I search for the GMHC Young, Hot & Safe poster that me and him both helped to develop and starred in. Curiously its also purple like the theme of my room. Then the director shifts to the controversy around the campaign and the posters. I think the New York Post had something derogative to say about it. I mean this was the mid-nineties we weren't where we are with gay rights as we are now. Albeit it feels like sometimes we're moving backwards.

She asked me a question about how I feel about the poster and at first I deflect with humor than come back to an answer that was in line with my HIV/AIDS educator background at the time. We then do another cut and I have changed the scarf on my head to a more mammy-like tying straight out of Gone With the Wind. I do a brief mammy skit obviously the conversation had turned to Aunt Jemima or the representation of Black folks in media or I had directed it there wanting to educate this young whyte female.

I also got a glimpse of the cock-ring Ken doll I had back in the day. I can't say I knew what happened to him. Then I perform the Paul Laurence-Dunbar poem In the Morning. Which I had first learned in church while performing it with my Aunt Mary. I also at the last minute decided to switch my monologue for my audition at Performing Arts (née LaGuardia) to the Laurence-Dunbar poem which I think cemented my spot at the specialized high school.

As I perform the poem I can hear that I have some Björk playing in the background. I love my somewhat eclectic taste in music and for me these add elements to who I am because these were my choices not the directors and in that way they say something specific about me. She likes the poem, she stays on it with me for a minute, with I have to say some mediocre camera work on the zooms and close-ups.

Then there is a pause and we get outtakes or unused footage in the final piece or maybe that was just a really bad transition. I am not sure I even knew these were here. There's a David Dinkin pride poster on the wall behind me. Go on Mayor Dinkins! Oh this looks like the full RuPaul video! Well my version of the video...

This is so trashy I love it! We now cut to a close up of those black boots I used to own, I wonder what happened to them, I loved those boots! And I have my black leg warmers on which I have had since I attended class at Dance Theatre of Harlem. The floor is covered, I am not sure why, I never painted in that apartment, but maybe I was doing some kind of work.

Wait now I can see, it was the other bedroom! The one Henry used to occupy, this must be right before Angel moved in. Maybe she had it painted, painting wasn't ever really my thing. The windows are covered and everything. I have on a black petticoat as a dress and my favorite thrift store acquired flannel shirt tied in a knot with the fake flower in my bosom, pretending to paint the wall as the music plays using the paint roller as a microphone.

That shake and go wig! Now I am in my closet pretending to look for something to wear with a black boa around my neck. I gave this bish production values! #CostumeChange

Now I am cleaning the toilet! on my knees in the robe Steve my college boyfriend gave me, with the shake and go back in a pony tail! Four rooms and four different looks! #YesBitch Then to end the video I collapse in the tub wearing those black three inch suede pumps that Tim got for me.

This is what I have to say in closing. I am not sure what this young woman's project or assignment was I can tell she was a novice, but I can also tell you this I was highly entertaining! And a bish was giving body! I did four different looks on this low-budget drag and that dreadful knotted up hayseed wig. But the thing is, I looked like I was having a good time and I sold that good time to the viewer. Bitch, you bettah WORK!

[Video by Brown Estate]