#Uttar Pradesh border

[rightnewshindi]

हिमाचल-उत्तराखंड सीमा पर गौवंश हत्या से बवाल: चक्का जाम, तनाव और जांच का दौर शुरू

Sirmaur News: हिमाचल प्रदेश और उत्तराखंड की सीमा पर स्थित मानपुर देवड़ा के पास यमुना नदी में सोमवार को गौवंश के अवशेष मिलने से इलाके में हड़कंप मच गया। इस घटना ने दोनों राज्यों के स्थानीय लोगों और हिंदूवादी संगठनों को आक्रोशित कर दिया, जिसके बाद सड़कों पर चक्का जाम और प्रदर्शन का सिलसिला शुरू हो गया। पुलिस प्रशासन ने मामले की गंभीरता को देखते हुए तुरंत जांच शुरू कर दी है, लेकिन अभी तक कोई ठोस…

[darnmand]

Historical notes on Armand’s cultural background in the show

In the interest of not playing fast and loose with South Asian history and geopolitics, I have, to the best of my ability, compiled this guide on Armand as a character in the historical context of the regions and periods he is associated with. I am not an expert on these things, so anyone more educated than me is welcome to suggest edits. Probably the most complex topic here is language, and so that is the section in which I most likely made errors.

While I do have some formal academic training in this area, I must emphasize again that I am not an expert, nor am I native to any of the countries listed here, so I am functioning mostly on outsider knowledge. In the interest of making this accessible, most of this information can also be found on Wikipedia with a quick google search. This is not definitive or exhaustive, but it is meant to encourage people to be conscientious about not slipping into Orientalist thought or discourse when discussing the character (or ever, obviously). Also please remember not to conflate the character and the actor. This may also serve as a tool for fic writers.

Content warning: discussion of slavery/slave trade

(Main content below the cut)

Period and Region

India

Armand tells Daniel in s1e7 that he is 514 in 2022, meaning he was either born or made around the year 1508. He tells both Louis and Daniel that he is from Delhi, or was at least in Delhi when he was abducted. Delhi is a city in Northwestern India that sits on the border between the states of Uttar Pradesh and Haryana. (There is an Old Delhi and a New Delhi. These two cities abut and overlap one another. Armand refers to Old Delhi.) Therefore, Armand would have been living in Delhi during the latter years of the Delhi Sultanate, which was an empire of Islamic dynasties that ruled Northwestern India from the late 12th century until the Mughal conquest in 1526. (The Delhi Sultanate also pushed expansion into the south and the east during various periods throughout its reign. Its main opponents were other Muslim kingdoms along with Hindu kingdoms, especially in the south.)

Italy

Armand would have been living in the Republic of Venice during the height of the Venetian Renaissance. Like the Delhi Sultanate, the Republic of Venice was also in its later years during this time, but, although the Republic did face economic and political unrest during this period, they remained the richest city-state in Italy. Marius was a Venetian painter, a contemporary of Tintoretto, according to Armand in season 1. Tintoretto lived from 1518 to 1594. Whether the painting Daniel is examining in the episode was painted before or after Armand’s arrival in Venice is unclear, but we can assume that he was living in Venice as Amadeo in the early decades of the 16th century. The Republic entered its full fledged decline in the 18th century, by which time Armand would have been in Paris.

Language

In India

Armand most likely spoke an early version of Hindustani (likely Hindavi) while living in Delhi, although, according to the books, Armand has mostly forgotten his native language by the time Marius buys him. Hindustani first developed under the Delhi Sultanate, and is still spoken today. Its two main branches today are Hindi and Urdu. (Many other languages are also spoken in India today, including English, Punjabi, Tamil, Bengali, and many more. Sadly, not all of these languages enjoy legal status.)

Armand may have also spoken a dialect of Western Hindi, which was commonly spoken in Haryana and Uttar Pradesh, and is an ancestor of Hindustani.

Hindavi and Persian were the official languages of the sultanate.

Hindavi is the most likely due to his region, period, and his Sanskrit name, Arun. Sanskrit is an Old Indo-Aryan language from which many later Indo-Aryan languages are derived. (Sanskrit names are still common in South Asia.)

In Italy and France

However, as mentioned previously, Armand forgets his native language early in life. Therefore, it is unclear whether he counts it among the languages he speaks when he tells Daniel that French was his fifth language.

While in Venice in the books, Armand is trained in classical Latin and Greek, and often communicates in Greek, which was also the canonical language of Eastern Orthodox which he practiced in the books before his abduction. Italian and Venetian were also spoken in Venice at the time, so it is likely that Armand picked up both of those while living there. Even if he only picked up Venetian, he would have learned Italian while living with the Children of Darkness in Rome. Venetian, Italian, and Latin were the official languages of the Republic of Venice.

He tells Daniel that he learned both French and English while living in Paris (making English his sixth language).

Religion

In Dehli

The Sanskrit name Arun also suggests that Armand was from a Hindu family living in Delhi. While having a Sanskrit name does not necessarily preclude his being Muslim, it is just more likely that he was Hindu. The majority religion in Delhi during the sultanate was Hinduism, while Islam was practiced mainly by the elite, although conversion was common. The state religion of the sultanate was Sunni Islam. Christianity, Buddhism, Jainism, and Zoroastrianism were also practiced in the sultanate.

Sanskrit is the canonical language of both Hinduism and Buddhism, but Buddhism was facing persecution during this period, and therefore becoming increasingly rarer in the north.

We can assume that Armand was devoted most likely to Hinduism, or possibly one of the others listed, as Armand is deeply religious in the books.

In Dubai, Venice, and Paris

We do see Armand praying according to Islamic practice in season 1. Even more confusingly, Daniel points out that the phrase “asr namozi” is not Arabic, but perhaps Kazakh. “Asr namozi” is actually an Uzbek phrase referring to the asr prayer, or “afternoon prayer,” in Islam. Why Armand would be speaking Uzbek is lost on me, as nothing else in his history necessarily suggests ties to the region. It could be part of his Rashid disguise to somehow misdirect Daniel. Whatever the case, as a highly intelligent five hundred year old vampire, I’m sure Armand could learn any language he wanted.

While Armand may not have practiced Islam during his life in Delhi, it is entirely possible he later converted. If Armand was Hindu, it would also make sense that he lapsed out of practice in Venice, as, in the books, Armand loses almost all ties to his native culture while in Venice (his name, his language, his religion, etc.) at least partially due to Marius’s influence. Marius’s beliefs are closely aligned with western humanism, and so he discourages Armand from complete devotion to religion. The state religion of the Republic was Roman Catholicism, but Eastern Orthodox, Protestantism, and Judaism were also practiced. There was also a small Muslim population, mainly Ottoman merchants.

The “Children of Darkness,” the vampire cult which kidnaps Armand in Venice and which he later leads in Paris, follows Catholic teachings. In the book and in the show, the cult’s obsession with Satan is explicitly Catholic. Satan is also an adversarial figure in Islam (called “Iblis” or “Shaitan”), so if Armand was a practitioner of Islam before, he likely would have been able to syncretize those beliefs and practices with those of the Children or Darkness. However, by the time Lestat finds Armand, he has lost faith (if he ever had it) in the teachings of the Children of Darkness. The last is true of both the show and the novels.

In the novels, Armand alternates between periods of religious fanaticism and zealotry and total atheism, so it would make sense that, along these oscillations, he would also move between different religions, trying to find the right one. In the books, after Armand meets Lestat, he enters a period of atheism that lasts well into the twentieth century. If the show is following this sequence, then it is likely that Armand’s praying in front of Daniel is just part of his disguise. However, the show clearly is not following the novels’ timeline to a T, so it is also entirely possible Armand is genuinely praying in this scene.

Slave Trade

(Disclaimer: Slavery is, unfortunately, ubiquitous across cultures and time periods. While slavery is deplorable in any context, the intent of this post is not to make moral judgements about any one culture. It is simply to discuss the possible historical context of a fictional character. We ought to condemn slavery wherever we see it, but we ought not to view it as pathological to one culture or another. Slavery is still practiced in various forms today (wage slavery, convict leasing, illegal human trafficking, etc.) Slavery serves a capitalist market, but it can create revenue in other systems as well.)

Slave trade was a major economic practice under the Delhi Sultanate, with the enslaved most commonly being of Turkic or Hindu origin.

(From the Wikipedia page on “Slavery in India.”)

Enslavement of Muslims was far less common under the Delhi Sultanate (although many enslaved people converted to Islam), and so this, again, suggests Armand was most likely a Hindu.

Slave trade was highly regulated under the sultanate, and private slave trade was essentially banned. The exporting of enslaved people on the international market was an important source of revenue for the sultanate, especially during military campaigns. (Slavery continued in the Mughal period, but in somewhat different contexts.)

Therefore, Armand was likely a young Hindu who was abducted in Delhi with sanction from the state and sent overseas to be sold on the international market, landing him in Venice.

However, it is also possible that Armand was abducted by Venetians, as the Republic often sent merchant ships to foreign countries, including India, during this period. The Republic also had many trade outposts and territories in various central and west Asian cities. I am unsure whether this type of trade would have been considered legal or permissible under the sultanate.

In the books, Armand is abducted by the Ottomans and taken to Constantinople/Istanbul to be sold. This is a less likely possibility for the show, given the shift in region.

//

If you’ve stayed with me this long, thanks for reading. All bolded terms have corresponding Wikipedia articles. This post may be edited according to new information or outside corrections.

[mythicalwomansblog]

Religious Imageries in JJK: The Conflicting Views of Shinto and Buddhism.

Disclaimer: This is not an explanation post, this is an observer post. I will try to sum up what I have observed so far.

Let's begin with the definition and history of both Shinto and Buddhism.

Shinto [神道]: Combined with the kanji of God/Kami (神) and Road /Michi(道), Shinto literally means The way of the God(s). It is the indigenous religion of Japan and is as old as Japan itself.

Shinto belief is polytheist and animistic as it has almost 8 million gods that are derived from nature and natural things. This religion revolves around "Kami". Kami can be manifested from anything, but the most important Kami are the natural ones.

Sun, Rain, Earth etc. The most important central Kami is Amaterasu the Kami of the Sun. The exact history of Shinto is untraceable but it was mentioned in the Yayoi Period (300 BCE to 300 CE) of text.

Shinto describes the world as a inhabitant of the human and the kami they worship. It describes the world as founded by the kami and once humans/ living beings pass away they become kami as well.

It is safe to say that Shinto belief described humanity as living being as a whole, where even after death they don't living. The idea of morality or immorality is also absent from it. The existence of Kami is the manifestation of humanity itself and not separated from human beings.

Fun Fact: Chinese indigenous religion 'Dao' has the same characters as Shinto's kanji. So it might be possible that Shinto actually comes from Chinese Daoism.

Buddhism: Buddhism is an Indian religion. It revolves around the teaching of Buddha. Buddha is no myth. Even though convoluted, early texts gives his name as "Gautama" and he lived around 5th to 6th Century BCE.

In India his name is mostly known as "Siddharth". He was born in Lumbini in present day Nepal and grew up in Kapilavastu. The border of India and Nepal, a town of the Ganges plain of present day Bihar and Uttar Pradesh.

The most notable person who helped spread Buddhism around India so much that it was spread in the NEA and SEA is Emperor Asoka (304-232 BCE) from the Maurya Empire (322-180 BCE).

Buddhism circles around the suffering of human, the circle of life and Karma (deed). Where a soul is constant as it is being born in this world as human, it goes through the cycle of life (suffering) and it dies.

It also talks about Dharma as the ultimate truths, also that humans are born to fulfill a certain role. Moksha: The liberation from the earthly desire which should be the ultimate goal of a human being.

It also draws the line between God and humans as Gods are separated from the earthly matters and pushes the idea of Gods creating the universe and the creating the humanity.

The Mix of both Religion:

Though the idea of Shinto and Buddhism is pretty contradicting it existed with each other for centuries.

Even though Buddhism entered in japan in Yayoi Period (250-538 AD), it became popular in Asuka Period (538-710) due to buddhist sect taking the rein of the country. Initially Buddhism and Shinto coexisted and even mixed with each other. It was called Shinbutsu-Shougou. However, later it was forcefully separated by Japanese nationalists in Meiji Era (1868-1912) and Shinto became the state religion of Japan with the Emperor being worshipped as Kami the descendants of Amaterasu.

Cursed Spirit: The reason I am writing this is not because the obvious depiction of buddha, Buddhist shrines and mention of clans and sects etc. What caught my interest was that the idea of "Cursed Spirit".

The textbook explanation of Cursed Spirit is that the reaction of human emotions but as we see it is actually the manifestation of human existence. As long as humans will exist, curses will also exist.

Which pretty much resembles the idea of Kami.

The timeline: The golden era of jujutsu was Heian Era which historically existed between 794-1185 AD. Almost a century after Buddhism was introduced in Japan. Also in that era Sukuna rose up as the king of curses. Which may indicate the clans existed even before and Sukuna existed throughout.

Characters like Kenjaku and Tengen their birth and living timeline are unknown but they might just as be as old as Japan, like Shinto.

Getou and Megumi are the only two people who can control curses as Shikigami. Which is another japanese Shinto belief that has also been associated with "Curses" during Heian Era.

The people who used to control Shikigami were called Onmyoji (Yin-Yang Master).

Both of them were either antagonised or villfied by the jujutsu society at one point.

Also the most important part that made me think about this is...Sukuna's domain.

This resembles an average Shinto shrine...

The Tori is missing.

Insanity.

Anyways. I am not saying that Gege is making one religion look bad and another look good. It's not true and actually far from it. Though contradiction, Gege shows the good and bad of both sides. Kenjaku is bad and the higher ups are as worse as him.

Personally I think this is a battle of belief of the world with a main character emerges with no beliefs at all. Itadori Yuuji hates Sukuna but not by the virtue of being Gojo's student but his own opinion about him. In the latest chapter he says "Human beings are not a tool, so nobody's existence is premediated." Which contradicts the idea of "Dharma".

The message might be "If you want to change the world, you have to diverge from the existing path and forge your own."

[molkolsdal]

Portrait of Begum Samru, born Farzana Zeb un-Nissa, married Christian name Joanna Nobilis Sombre (c. 1753-1836)

Unknown artist, Delhi School

watercolour on paper

Delhi, India, c. 1830

Starting her career as a dancing (nautch) girl, Begum Samru eventually converted from Islam to Christian Catholicism and became the ruler of the small territory of Sardhana in present-day Uttar Pradesh. She was the head of a professionally trained mercenary army consisting of Europeans and Indians that she inherited from her European husband, Walter Reinhardt Sombre after his passing in 1778. She built several palaces including at Chandni Chowk in Delhi. Stories have been written about her political and dipolomatic astuteness and the important battles fought by the troops under her command. This painting follows the format of a portrait miniature on ivory but is larger and on paper surrounded by a lavish decorative border. She is depicted older in age with her right hand holding the end of a hookah pipe. It may have been part of a set of portraits of Indian rulers of the 19th century.

[beardedmrbean]

Dozens of construction workers have been pulled out alive from metal containers after they were buried by an avalanche in the Himalayas in India's Uttarakhand state.

They survived - some as long as nearly two days - as the containers in which they were living had enough oxygen to sustain them until rescuers could dig them out, Indian media reported quoting officials.

On Friday, 54 workers were buried when the avalanche hit a construction camp near Mana village. Eight were killed, while the other 46 were rescued.

The operation lasted almost 60 hours in sub-zero temperatures and concluded on Sunday.

Most of the labourers, who were working on a highway expansion project, were able to "withstand the wrecking avalanche" because of the containers, rescuers told The Indian Express newspaper.

"These metal shelters saved most of them. They had just enough oxygen to hold on until we got them out," a senior rescue official told The Times of India.

The newspaper reported that the force of the avalanche had hurled eight metal containers and a shed down the mountain.

Uttarakhand state Chief Minister Pushkar Singh Dhami has thanked rescue teams for their efforts in challenging conditions.

Members of the Indian army, national and state disaster response forces and local administration had worked to free the workers, using helicopters and drones for the operation.

Many of the rescued workers are receiving treatment at hospitals in the state's Joshimath town and Rishikesh city.

Satyaprakash Yadav, a migrant worker from Uttar Pradesh who was among those rescued, said the "avalanche hit our container like a landslide", according to a video released by the army.

He added that the container he was in broke apart when the snow hit and it ended up near a river.

"We managed to get out on our own and reached a nearby army guest house, where we stayed overnight," he added.

Rajnish Kumar, a worker from Uttarkhand's Pithoragarh town, said most of them were sleeping when the avalanche struck.

"When the snow hit the container, it sank about 50 to 60 metres down [the mountain]. The Army arrived quickly and rescued us," he said, according to the army video.

Gaurav Kunwar, a former village council member of Mana, told the BBC on Friday the area where the avalanche hit was a "migratory area" and that it had no permanent residents.

"Only labourers working on border roads stay there in the winter," he said, adding that it had rained for two days prior to the avalanche.

The India Meteorological Department has warned of rainfall and snow in the northern states of Himachal Pradesh and Uttarakhand, as well as Jammu and Kashmir until Tuesday.

Avalanches and landslides are common in the higher regions of the Himalayas, especially during winter.

Experts say that climate change has made extreme weather more severe and less predictable. There has also been a rapid rise in deforestation and construction in Uttarakhand's hilly areas in recent years.

In 2021, nearly 100 people died in Uttarakhand after a piece of a Himalayan glacier fell into the river, triggering flash floods.

[themorguepoet]

it is appalling how underrepresented awadhi is as a language despite it being such a dominant force in indic literature. Hello? The Tulsidas ramayan sung across this country is in awadhi. Kabir ke dohe? Ras Khan ke poems? Awadhi!

Awadhi literature is being taught in hindi books as hindi literature? Children don't even know of this language. A lot many people instantly assume it to be bhojpuri or bihari when they hear it- but it is distinct from both of those.

No it is not a dialect (boli) of hindi. Awadhi is much older than not just hindi but also Khadiboli- the precursor language of hindi.

Parents in the Awadh region no longer teach their kids this language. Why? Because bollywood has done an awesome job of identifying awadhi with illiteracy, poverty or both in the media space.

Hindi is not the natural language of uttar pradesh. "Hindi belt" sounds like a slur at this point. We have 7 distinct languages here which are dying out. Hindi is not the mother tongue of UP- it is the mother tongue of Delhi and its sub regions.

Awadhi is the language of Awadh- land of Ram.

We have Brajbhasa of Braja, Kannauji, Kauravi in Northern UP, Bagheli and Bundeli in the western borders and Bhojpuri in the south Eastern parts. All of these are older than hindi and its precursor. None of these are dialects of the delhi language so stop treating them as inferior sub languages. They have linguistic history and literature spanning far back in time.

If you are from southern India please be educated. Stop calling us hindi belt ffs- northern region is just as diverse and linguistically rich as your states if not more. UP is not a "bimaru" state either. Also we have no interest in imposing hindi on any state. We are possibly one of the biggest victims of hindi domination ourselves. Our scripts and language is systematically wiped off- not just in the last 75 years though-we have been struggling for a millennium. So please read, read and read more before you fall into stereotypes.

[ask-pavitr]

I know alot of people think Pavitr is south indian but my head canon is that Pav is probably from the Braj area of Uttar Pradesh (north-eastern province in India) because Prabhakar is a Haryanvi surname and Haryana is right at the western border of U.P. Also bc Lord Krishna was from there (im totally not in love with him) so a lot of Pandits (i.e Hindu priests) are from there and Prabhakar is a Brahmin (priestly caste) surname

Braj Area on Map

hey I actually really like this headcanon

it’s really well researched and honestly I could play along with it 🤷🏾‍♂️ you’re a genius

Krishna’s my favorite too :3

[mohifashion]

15 Traditional Indian Bridal Wear from Different Regions

India is a land of diverse cultures, languages, and traditions, showcases a diverse array of bridal attire, each intricately tied to its respective region. Weddings in India are extravagant , and the bridal wear holds significant importance in defining the overall aesthetic. The cultural tapestry of the nation finds expression in the distinct styles, fabrics, and embroidery techniques that vary from state to state.

From the luxurious Banarasi silk saris of the North to the graceful Kasavu sarees of Kerala, and from the lively Phulkari of Punjab to the majestic Zardozi lehengas of Uttar Pradesh, each bridal ensemble narrates its unique tale. As India progresses, these customary bridal dresses persist as enduring symbols of the nation's vibrant cultural legacy.

 Bridal Wear From Different Parts of India

Let's explore 15 types of traditional Indian wedding attire from different regions, showcasing their significance, craftsmanship, unique attributes, materials, embroidered designs, and other captivating elements. We'll also touch on what the bride's family can wear during the ceremony.

Banarasi Silk Saree (Varanasi):

The Banarasi Silk Saree, the origins of Banarasi saris can be traced to the Mughal era around the 14th century , symbolizes bridal luxury, elegance, and enduring tradition. These saris hold immense cultural significance and are favored by brides seeking a regal presence on their wedding day. Crafted with meticulous detail, they boast intricate weaving of gold and silver threads, a skill passed down through generations. 

Featuring elaborate brocade work with resplendent Zari, inspired by the majestic Mughal era, they exude timeless allure. Made from pure silk renowned for its luxurious texture and sheen, and adorned with exquisite gold and silver threads, these saris epitomize opulence. 

Their elaborate embroidery, incorporating Zari and brocade, presents upon brides a royal grandeur, ensuring they feel like queens on their special day. Thus, Banarasi silk sarees remain a cherished and timeless choice for bridal attire.

Kanjeevaram Silk Saree(South India) :

The Kanjeevaram Silk Saree,  got its name from the temple city of Kanchipuram in Tamil Nadu, India. Kanjivaram silk sarees have their origins in Hindu mythology. The Kanchi Silk Weaver is believed to be a descendant of Sage Markanda, the Gods' Master Weaver. Kanjivaram weave has a history of 400 years and it is said that the two large weaving communities Devangas and Saligars from Andhra Pradesh relocated to Kanchipuram to weave Kanjivaram sarees. 

What sets the Kanjeevaram silk saree apart are its distinctive features: rich color combinations, intricate temple borders, and traditional checks patterns. These saris' vibrant hues and contrasting shades create a stunning look for brides, while the temple borders, inspired by South Indian temples, add a divine touch. The check pattern enhances their timeless elegance.

                                         Image Courtesy: Wedding Wire

Characterized by heavy golden Zari work, the embroidery style of these saris exudes regal opulence. This seamless blend of luxurious silk, vibrant colors, and intricate Zari work makes the Kanjeevaram silk sari a quintessential representation of South Indian culture, offering brides a timeless choice to radiate elegance and tradition on their special day.

Mohi Fashion

Website: www.mohifashion.com

Mohi is a curated multi-designer online marketplace offering lehengas, Indian sarees, designer wear, lehenga for engagement, lehenga for reception, Ghagra choli for women and men's groom wear. They source their products from Surat, Jaipur, Kolkata, Tamil Nadu, Chandni Chowk, Lucknow, Assam, Pakistani wear and so on, providing a focus on reflecting the diversity of South Asian fashion. Mohi Fashion provides a 10% discount on all MRPs year-round and exclusive offers, along with video consultations for brides and customizable outfits in all sizes.

Lehenga Choli (Rajasthan, North India) :

The Lehenga Choli, a traditional bridal attire originating from Rajasthan in North India, is a masterpiece that accentuates the bride's beauty, evoking a princess-like feel on her special day. Lehenga became most popular among women, mainly in North India in the 10th century. Lehengas were the attire of Rajput's but it was Mughals who evolved the lehengas into Indian fashion.

Embellished with intricate Gota patti work, it exudes grandeur, same as royal adornments, elevating the bride's stature. Crafted from luxurious silk or georgette, it offers both comfort and graceful draping, enhancing the bride's elegance. The enchantment lies in the embroidery – mirror work, Zari, and sequins – reflecting the bride's radiance, adding sophistication, and lending sparkle. 

Beyond mere attire, the Bridal Lehenga Choli embodies a celebration of the bride's beauty and new journey, enhancing her charm and honoring Rajasthan's rich heritage. It transforms dreams into reality, rendering the bride as the epitome of beauty and royalty on her special day.

Paithani Sari (Maharashtra, West India) :

The Paithani Sari originated in Paithan, in the 2nd century B.C. Satavahana Empire nestled a small town on the banks of River Godavari, named ‘Pratishthana’. Pratishthana was the capital of the Satavahana Empire under the rule of Shalivahana. Pratishthana hosted a trade center and was renowned for being an international hub for the sale of Silk and Zari. The old city of Pratishthana was named Paithan later.

                                            Image Courtesy: Vogue

Crafted from pure silk with gold and silver threads, it offers luxurious comfort and elegance. The shimmering threads create a magical aura, enveloping the bride in a captivating glow. Embroidered with lustrous gold Zari, the Paithani Sari captures the bride's innate radiance, serving as a living tribute to Marathi artistry.

More than just attire, the Paithani Sari bridges history and tradition, allowing the bride to embody tradition and grace in a remarkable way on her special day.

Mekhela Chador (Assam, Northeast India) :

The Mekhela Chador, originating from Assam in Northeast India, enhances the bride's beauty while reflecting the simplicity and elegance of Assamese culture. This attire epitomizes tradition and grace, distinguished by handwoven motifs resonating with Assamese heritage. Adorned with delicate designs featuring peacocks, flowers, and traditional patterns, it embodies Assam's natural beauty and cultural richness.                          

           

   Image Courtesy: Pinterest

Crafted from fabrics like Muga silk, Eri silk, or cotton, it drapes gracefully around the bride, offering a unique texture and natural sheen that accentuates her elegance. The minimalistic yet intricate embroidery adds a touch of artistry to the attire.

                                              Image Courtesy: Pinterest

Symbolizing Assamese culture and the assam mekhela saree bride's connection to it, the Mekhela Chador elevates her beauty by embracing simplicity and heritage, allowing her to exude a unique charm that speaks of tradition and grace on her special day.

6. Phulkari (Punjab, North India):

Phulkari, originating from Punjab in North India, is a bridal masterpiece reflecting the lively spirit of the region. This traditional attire features hand-embroidered floral motifs that uniquely enhance the Punjabi bride's appearance. Known for its vibrant colors and intricate floral patterns, Phulkari symbolizes the exuberance and rich cultural heritage of Punjab. 

                                                 Image Courtesy: Pinterest

Crafted from lightweight fabrics like georgette or chiffon, Phulkari drapes around the bride with delicate grace, enhancing her beauty. Its dense threadwork in vibrant colors infuses the Punjabi bride's ensemble with vivacious energy, embodying Punjab's joyful and colorful culture. Worn not just as an outfit, but as a celebration of roots, Phulkari elevates the bride's beauty while honoring Punjab's spirit on her special day.

Kasavu Sari (Kerala, South India) :     

  Image Courtesy: Shaadi Wish

The Kasavu Sari, originating from Kerala in South India, enhances the bride's beauty with its simplicity and grace. This bridal attire, characterized by plain white fabric and a golden border, symbolizes the cultural richness and elegance of Kerala. Its hallmark is the traditional gold border, often adorned with cream or off-white fabric, imparting the bride with a delicate and airy aura.

Kasavu Kerala Saree Crafted from comfortable materials like cotton or silk, this sari drapes the bride with gentle, natural beauty. Featuring minimalist embroidery, the main focus remains on the plain fabric and the golden border, evoking traditional charm and allowing the bride to radiate in understated elegance on her special day.

8. Chanderi Silk Sari (Madhya Pradesh, Central India) :

The Chanderi Silk Sari, originating from Madhya Pradesh in Central India, enhances the bride's beauty with the region's unique charm. Featuring delicate handwoven motifs such as graceful peacocks and intricate florals, this sari adds elegance to the bride's look. Its sheer texture and pastel colors, complemented by shimmering silver or gold Zari threads, exude refined grace. 

Chanderi sarees are Crafted from comfortable materials like silk, cotton, or blends, it drapes the bride with sophistication. The embroidery style highlights fine motifs in Zari and buta work, showcasing the skill of local artisans and transforming the bride into a vision of timeless beauty on her special day.

9. Pochampally Saree (Telangana, South India) :

The Pochampally Saree, originating from Telangana in South India, is a bridal masterpiece that enhances the bride's beauty while honoring the region's rich weaving heritage. These Pochampally Sarees are crafted using the intricate Ikat dyeing technique, resulting in stunning geometric designs that enrich the bride's appearance with cultural significance. 

Handmade from premium materials like silk or cotton, they drape the bride with graceful allure, highlighting the mesmerizing dyeing technique that encapsulates the spirit of Telangana. This unique symbol of heritage turns the bride into a living work of art and tradition on her special day.

10. Bandhani Lehenga (Gujarat, Western India) :

The Bandhani Lehenga, originating from Gujarat in Western India, enhances the bride's beauty while reflecting the vibrant Gujarati culture. Crafted using the tie-dye technique, it features intricate and colorful patterns that add vibrancy to the bride's ensemble. Made from materials like georgette or silk, this lehenga drapes the bride with an elegant flow. 

The minimalist embroidery style highlights the captivating Bandhani patterns, paying homage to the local artistic tradition and turning the bride into a canvas of tradition and beauty on her special day.

11. Gota Patti Lehenga (Rajasthan, North India) :

The Gota Patti Lehenga, originating from Rajasthan in North India, is a bridal masterpiece that exudes Rajasthani grandeur, enhancing the bride's beauty with meticulous gold or silver gota work. This attire boasts elaborate embellishments, including mirror work, creating a resplendent ensemble. 

Gota Patti Lehengas are Crafted from luxurious fabrics like silk, georgette, or chiffon, it drapes the bride in regal splendor. The intricate embroidery style features stunning gota work with mirror accents, transforming the bride into a vision of opulence and magnificence on her special day.

Kasuti Saree (Karnataka, South India) :

The Kasuti Sarees, originating from Karnataka in South India, is a masterpiece that enhances a bride's beauty with artistic splendor, representing the rich cultural heritage and craftsmanship of the region. Adorned with hand-embroidered geometric patterns, these kasuti sarees showcase Karnataka's unique artistry and are celebrated for their rich black and red color combinations. 

Crafted from fine materials like cotton or silk, they drape the bride with comfort and elegance. The striking embroidery style features intricate geometric designs in contrasting colors, celebrating art and culture, and making the bride's beauty stand out on her special day.

13. Zardozi Bridal Lehenga (Uttar Pradesh, North India) :

The Zardozi bridal lehenga, originating from Uttar Pradesh in North India, epitomizes Mughal-era extravagance and opulence, paying homage to the region's rich cultural heritage and historical grandeur. Intricate gold and silver embroidery adorn the lehenga with meticulous precision, featuring heavy embellishments often adorned with precious stones for a regal touch. 

Crafted from sumptuous fabrics like velvet, silk, or brocade, it drapes the bride with a lavish aura, evoking a sense of royalty. Elaborate zardozi work and beadwork further enhance the grandeur of the lehenga, creating a bridal outfit that celebrates tradition while elevating the bride's beauty to epitomize timeless elegance and sophistication on her special day.

Zardozi bridal lehenga is Crafted from luxurious silk or brocade, the fabric drapes the bride with finesse, evoking a princess-like feel. The heavy Zari and sequin work add shimmer and magic, ensuring the bride exudes enchanting allure on her special day.

Gharara (Hyderabad, South India) :

The Gharara ensemble, originating from Hyderabad in South India, exudes Nizami elegance, enveloping the bride in grace. Adorned with intricate hand embroidery featuring Zari and sequins, it adds opulence and regal charm to the bride's look. This ensemble's specialty lies in its richly embroidered kurti, flared pants, and accompanying dupatta, creating a complete look that elevates the bride's beauty with royal grandeur. 

Pheran and Kalidar (Jammu & Kashmir, North India) :

The Pheran and Kalidar ensemble, originating from Jammu & Kashmir in North India, embody a royal masterpiece, adding a touch of regal charm to the bride's special day. Traditionally donned by brides, these  Pheran dresses carry profound significance, representing the rich heritage of the region. The Pheran dress is a long, loose outer garment, and the Kalidar, a set of flared trousers paired with a fitted tunic, feature exquisite hand embroidery and intricate Kashmiri motifs, showcasing local craftsmen's skill and artistry. 

Pheran Dresses are Woven from luxurious materials like sumptuous velvet or silk, they present an elegant and regal look upon the wearer, creating a unique ensemble that exudes regal charm and cultural significance.

The diversity of Indian bridal wear reflects the kaleidoscope of cultures and traditions across the nation. Each region offers a unique glimpse into the rich heritage, craftsmanship, and artistry that goes into the creation of these stunning ensembles. 

[abhishekpandey123]

Elections in India

India’s national election will take place in phases over 44 days. Here’s why it takes so long

Nearly 970 million people or over 10% of the global population are eligible to vote in India’s general elections. The mammoth exercise is the biggest anywhere in the world and will take 44 days before results are announced on June 4.

Prime Minister Narendra Modi is aiming for a third consecutive term in office. He is set to compete against a diverse yet faltering coalition of opposition parties who are finding it difficult to counter his popularity. The majority of polls forecast a comfortable victory for the nationalist Bharatiya Janata Party, solidifying his position as one of the most prominent and influential leaders in the country.

WHY DOES IT TAKE SO LONG?

Two primary factors contribute to this situation: the vast expanse of India, the most populous nation globally, and the intricate logistics required to enable each eligible voter to participate in the electoral process.

Over the years, the duration of voting has wavered. It took nearly four months to complete the vote in India’s first elections in 1951-1952, after it gained independence from British rule, and just four days in 1980. In 2019, voting took 39 days, and this year’s election is the second longest.

With 969 million registered voters, the size of India’s electorate is bigger than the combined population of the 27 European Union member states. This includes 18 million first-time voters, and around 197 million who are in their 20s.

The vote to choose 543 lawmakers for the lower house of Parliament takes place over seven phases. India’s 28 states and eight federal territories will vote at different times. Each phase is one day, with the first held on April 19 and the last on June 1.

Some states may complete their voting process within a day, while others might require more time. For instance, Uttar Pradesh, the largest state in India with a population of 200 million, equivalent to the size of Brazil, will conduct voting over seven days. This extended duration of the voting process in India's general elections has been criticized by Modi's opponents, who argue that it provides an advantage to the prime minister in terms of campaigning and travel, particularly in states where his party is not as strong.

EVERY VOTE COUNTS

The Election Commission of India is responsible for ensuring that a voting booth is accessible within a 2-kilometer radius of each voter. Chakshu Roy from PRS Legislative Research emphasized the extensive efforts election officials must undertake to enable every voter to cast their ballot. Around 15 million election officials and security personnel will travel across deserts and mountains, utilizing various modes of transportation such as boats, walking, and even horseback riding, to reach all voters.

It can be especially arduous. In 2019, when India last held elections, a team of polling officers trekked over 480 kilometers (300 miles) for four days just so a single voter in a hamlet in the remote state of Arunachal Pradesh, which borders China, could exercise their right.

Officials also traveled to a village tucked away high up in the Himalayas in 2019 to install a booth at 15,256 feet (4,650 meters), the highest polling station anywhere in the world.

This time too, polling stations will be installed in remote places, including one inside a wildlife sanctuary in southern Kerala state and another in a shipping container in western Gujarat state.

TIGHT SECURITY

Security is cited as a significant factor behind the multi-phase elections in India, according to experts. In order to ensure safety, a large number of federal security forces, who typically guard borders, are mobilized and work in conjunction with state police. Their primary responsibilities include preventing violence, escorting electoral officials, and transporting voting machines. Previous elections in India have been marred by deadly clashes between supporters of rival political parties, particularly in West Bengal. However, the presence of heavy security forces has contributed to a decrease in such incidents over the years, resulting in relatively peaceful voting. The geographical diversity of the country, with its rivers, mountains, snow, and jungles, poses challenges for the movements of security forces. Despite these obstacles, the chief election commissioner, Rajiv Kumar, has emphasized their commitment to ensuring a smooth voting process by going the extra mile for the convenience of voters.

[bright-holidays]

7 UNESCO Heritage Sites of India by Bright Holidays

Introduction:

India is a country with a lot of different cultures, a long and interesting history, and beautiful natural scenery. It has many places that tourists from all over the world find interesting. Whether it’s amazing buildings or places of worship, India’s tourist spots provide a wide range of experiences. Here, Bright Holidays presents a curated list of seven UNESCO World Heritage sites that encapsulate India’s unique charm.

UNESCO World Heritage Sites of India:

1. Taj Mahal:

Undoubtedly one of the most iconic symbols of India, the Taj Mahal stands as a testament to eternal love. Located in Agra, Uttar Pradesh, this pristine white marble mausoleum was commissioned by the Mughal Emperor Shah Jahan in memory of his beloved wife, Mumtaz Mahal. Its intricate architecture, intricate carvings, and the mesmerizing play of light during sunrise and sunset make the Taj Mahal a must-visit destination for any traveller.

2. Red Fort:

Situated in the heart of Delhi, the Red Fort, or Lal Qila, is a historic fortress that served as the main residence for Mughal emperors for nearly 200 years. Constructed using red sandstone, the fort is a remarkable blend of Persian, Timurid, and Indian architectural styles. The Red Fort hosts the annual Independence Day celebrations of India on August 15th.

3. Champaner-Pavagadh Archaeological Park:

Located in Gujarat, this UNESCO World Heritage site encompasses the archaeological remnants of a medieval capital and the hill fortress of Pavagadh. Recognized in 2004, it showcases a harmonious blend of Hindu-Muslim architecture and culture. Highlights include the Jami Masjid and intricately carved temples on Pavagadh Hill, offering a glimpse into the historical and cultural significance of this unique site.

4. Qutab Minar:

Delhi, with its rich history, is home to the Qutab Minar, the tallest brick minaret in the world. Built-in the 12th century, the Qutab Minar complex includes various historical structures and ruins, such as the Iron Pillar of Delhi. The intricate carvings on the minaret narrate the history of its construction and the dynasties that ruled over Delhi.

5. Konark Sun Temple:

Located in the state of Odisha, the Konark Sun Temple is a mesmerizing architectural marvel dedicated to the sun god Surya. Built in the 13th century, the temple is renowned for its intricate stone carvings that depict scenes from daily life, mythology, and the celestial world. The temple’s chariot-shaped design and the precision of its artwork make it a UNESCO World Heritage Site.

6. Ajanta Caves:

The Ajanta Caves, located in India, are a fascinating historical site with a lot to offer. These caves are known for their ancient rock-cut architecture and beautiful paintings that depict scenes from the life of Buddha. Visiting the Ajanta Caves provides a unique and captivating experience, allowing you to explore the rich cultural and artistic heritage of India.

7. Ellora Caves:

In the western state of Maharashtra, the Ellora Caves comprise a series of rock-cut temples representing Hindu, Buddhist, and Jain traditions. Carved between the 6th and 10th centuries, the caves showcase the artistic and architectural prowess of ancient India. The Kailasa Temple, dedicated to Lord Shiva, is a highlight, featuring a monolithic structure carved from a single piece of rock.

Conclusion:

Embark on a journey through these seven iconic UNESCO World Heritage Sites, each narrating a unique story of India’s history, cultural diversity, and architectural brilliance. As you explore the Taj Mahal, Red Fort, Golden Temple, Qutab Minar, Konark Sun Temple, Ajanta Caves, and Ellora Caves, witness the timeless beauty that invites you to discover the magic within India’s borders. Bright Holidays invites you to embrace the richness of India’s past and present, offering a profound and unforgettable travel experience amidst these UNESCO treasures.

About Us:

Bright Holidays proudly holds the title of the best tour and travel agency in Ahmedabad, offering unparalleled travel experiences that cater to your every wanderlust desire. Whether you’re dreaming of international adventures, exploring captivating domestic destinations, or seeking personalized travel itineraries, our dedicated team is committed to creating seamless, remarkable journeys that transform your dreams into unforgettable memories.

[indianencyclopedia]

River Yamuna is a vital and important river that flows through several states in India. It is not only important for its ecological and economic significance but also for its cultural and religious importance.

https://www.indianetzone.com/2/yamuna_river.htm

[balkikhalnews]

PWD set to make 6km-long elevated road in Sonia Vihar | Latest News Delhi

The Public Works Department (PWD) will construct a six-kilometer-long flyover in Sonia Vihar along the Pusta Road till the Tronica City road on the Delhi-Uttar Pradesh border, minister Parvesh Verma announced on Friday, a move that will help reduce congestion in parts of northeast Delhi which have narrow streets and high population density. Kapil Mishra and Parvesh Verma near Nanaksar Gurdwara…

[kebabiyastreetgrill]

The Story Behind Lucknow’s Famous Galouti Kebab

Lucknow, the capital of Uttar Pradesh, is a city renowned for its rich cultural heritage, stunning architecture, and a deep culinary tradition. Among the many gastronomic delights that the city has to offer, one dish stands out—Galouti Kebab. Famous for its melt-in-the-mouth texture and aromatic spices, the Galouti Kebab is not only a staple of Lucknow’s cuisine but also a symbol of the region's glorious Mughal influence. Its origins are as rich and fascinating as the flavours that define it.

The Origins of Galouti Kebab

The story of the Galouti Kebab dates back to the Mughal era, during the reign of the Nawabs of Lucknow. It is said that the kebab was created for one of the Nawabs, Sultan Ali, who had lost his teeth due to old age and could no longer enjoy the traditional kebabs made with chunks of meat. His royal chef, who was tasked with creating a dish that could still capture the essence of kebabs without requiring much chewing, invented the Galouti Kebab.

The name "Galouti" comes from the Urdu word galau, meaning “to melt.” The kebab is made from finely minced meat—usually lamb or beef—that is marinated with a blend of aromatic spices, herbs, and raw papaya, which helps tenderise the meat. The mixture is then formed into small patties and cooked on a flat grill. The result is a kebab so tender that it literally melts in your mouth.

The Spice Blend

One of the defining features of the Galouti Kebab is the complex blend of spices that give it its unique flavour. The combination of saffron, cardamom, cinnamon, cloves, and nutmeg, along with an assortment of fresh herbs, creates a kebab that is not only tender but also bursting with rich, layered flavours. The recipe for these kebabs has been kept a closely guarded secret for centuries, passed down through generations of chefs. It is said that each family or restaurant might have its own variation, adding a personal twist to this iconic dish.

The Evolution and Popularity of Galouti Kebab

Over the years, Galouti Kebab has become a symbol of Lucknow’s culinary finesse, representing the opulence and refinement of the Mughal era. Today, it is served in numerous restaurants across the city, both in upscale establishments and street food stalls. Lucknow’s famous Tunday Kebab, for example, is a variant of the original Galouti Kebab and is widely recognised as one of the best kebabs in India. The dish is often paired with naan or paratha, along with mint chutney or raw onions to balance the richness of the kebabs.

The popularity of the Galouti Kebab has expanded well beyond the borders of Lucknow. It is now a sought-after dish in Indian restaurants around the world, including Indian kebab Sydney restaurants, where diners can enjoy an authentic taste of Lucknow’s royal cuisine. Whether you’re visiting a fine-dining Indian restaurant or a casual kebab shop, the Galouti Kebab has become a beloved delicacy enjoyed by food enthusiasts globally.

Other Famous Kebabs from Lucknow and India

While the Galouti Kebab is perhaps the most famous, Lucknow and India are home to a variety of other delectable kebabs that have earned their place in the hearts of food lovers. Some of the other popular kebabs that you can find at Indian restaurants across the world include:

Hariyali Chooza: A succulent chicken kebab marinated in a paste made from fresh herbs, green chillies, and spices, offering a fresh, zesty flavour.

Kali Mirchi Ka Murg Tikka: A peppery chicken tikka flavoured with crushed black peppercorns, garlic, and other spices, creating a bold and fiery taste.

Chicken Tikka Afghani: A smooth, creamy chicken tikka flavoured with aromatic spices and cooked in a tandoor for a smoky finish.

Reshmi Kebab: A soft and tender kebab made from minced chicken, marinated in a mild yet flavourful mixture of spices and cream.

Myrah Malai Tikka: A rich and creamy chicken tikka made with a blend of yoghurt and cream, seasoned with saffron and aromatic spices.

Bhatti da Murg: A Punjabi-style chicken kebab that is marinated in a mixture of spices and cooked on a traditional clay oven, delivering a smoky and spicy flavour.

Murg Kesari Tikka: A vibrant, golden chicken kebab made with a blend of saffron and other fragrant spices.

Peshawri Kebab: A traditional kebab from the northwest region of India, known for its delicate flavours and juicy texture.

Seekh Patiala Shahi: Minced meat skewers marinated in a rich, fragrant spice mix, grilled to perfection.

Veg Seekh Kebab: A vegetarian alternative made with mixed vegetables and spices, shaped into skewers and grilled.

Harra Bharra Kebab: A healthy, vegetarian kebab made from spinach and peas, with a burst of spices and flavours.

The Galouti Kebab, with its rich history and tantalising flavours, is much more than just a dish—it is a culinary legacy that showcases the artistry of Indian cooking. From its origins in the kitchens of the Mughal-era Nawabs to its place in modern-day Indian restaurants, the Galouti Kebab continues to be a symbol of Lucknow’s rich cultural heritage. As you savour a bite of this tender, flavour-packed kebab, whether in the heart of Lucknow or at an Indian kebab Sydney restaurant, you are tasting a piece of history, a story that has been passed down through generations. So, the next time you find yourself at an Indian restaurant, don’t miss the chance to indulge in this exquisite dish that embodies the flavours of India’s royal past.

[createdworldchori]

best tourist places in india march april

March and April are great months to explore India as the weather is transitioning from winter to summer. The coolness of the early months of spring still lingers, while summer heat has not fully set in, making it ideal for traveling. Here are some of the best tourist places in India to visit during March and April: lets discuss about best tourist places in india march april

**1. Rajasthan (Jaipur, Udaipur, Jodhpur, Jaisalmer)

Why Visit: Rajasthan’s royal palaces, forts, and vibrant culture are a perfect blend during this time. The weather is warm but not too hot, making sightseeing much more comfortable.

Highlights:

Jaipur (Amer Fort, City Palace, Hawa Mahal)

Udaipur (Lake Pichola, City Palace, Jag Mandir)

Jodhpur (Mehrangarh Fort, Umaid Bhawan Palace)

Jaisalmer (Golden Fort, Sam Sand Dunes)

**2. Goa

Why Visit: March and April are excellent months to visit Goa as it is post-peak season, so you get to enjoy quieter beaches while the weather is still pleasant.

Highlights:

Beautiful beaches like Baga, Anjuna, and Calangute.

Explore Old Goa’s churches and Portuguese architecture.

Enjoy vibrant nightlife and beach parties.

**3. Kerala (Munnar, Alappuzha, Thekkady)

Why Visit: Kerala’s backwaters, hill stations, and beaches are perfect in March and April when the weather is warm, but not unbearable.

Highlights:

Munnar (Tea Gardens, Eravikulam National Park)

Alappuzha (Backwaters, Houseboats)

Thekkady (Periyar Wildlife Sanctuary)

**4. Andaman & Nicobar Islands

Why Visit: The islands are at their best during these months, with crystal-clear waters and ideal weather for water sports like snorkeling and scuba diving.

Highlights:

Havelock Island (Radhanagar Beach, Scuba Diving)

Neil Island (Coral reefs, tranquil beaches)

Cellular Jail (Port Blair)

**5. Tiruvannamalai (Tamil Nadu)

Why Visit: Tiruvannamalai, with its spiritual energy and peaceful atmosphere, is great to visit during these months. The weather is favorable, and the crowds are manageable.

Highlights:

Arunachaleswarar Temple

Mount Arunachala for trekking and spirituality

Quiet retreats and meditation centers.

**6. Himachal Pradesh (Shimla, Manali, Dharamshala)

Why Visit: March and April are great months to explore Himachal Pradesh as it’s transitioning from winter to spring, making it less crowded and perfect for outdoor activities.

Highlights:

Shimla (Mall Road, Kufri, Ridge)

Manali (Solang Valley, Rohtang Pass, Old Manali)

Dharamshala (Dalai Lama Temple, Triund Trek)

**7. Rishikesh & Haridwar (Uttarakhand)

Why Visit: Rishikesh and Haridwar offer great opportunities for spiritual retreats, yoga, and adventure activities like river rafting and trekking. The temperature during March-April is perfect for outdoor activities.

Highlights:

Rishikesh (Ganga Aarti, Yoga ashrams, River Rafting)

Haridwar (Har Ki Pauri, Ganga Aarti)

**8. Khajuraho (Madhya Pradesh)

Why Visit: Famous for its UNESCO World Heritage-listed temples, Khajuraho is best visited in March and April, with the weather being warm yet manageable.

Highlights:

The Khajuraho Group of Monuments (temples with intricate sculptures)

Light and Sound Show at the temples.

**9. Varanasi (Uttar Pradesh)

Why Visit: Varanasi, one of the oldest cities in the world, is ideal to visit in March and April. You can experience the spiritual and cultural vibrancy of the place.

Highlights:

Ganga Aarti at Dashashwamedh Ghat

Kashi Vishwanath Temple

Boat rides on the Ganges

**10. Tawang (Arunachal Pradesh)

Why Visit: Tawang is a beautiful destination that remains serene during March and April. The snow starts to melt, revealing stunning landscapes, and it's a good time for trekking and sightseeing.

Highlights:

Tawang Monastery

Sela Pass

Madhuri Lake

**11. Sikkim

Why Visit: Sikkim is best explored in March and April, when the weather is pleasant, and the state's natural beauty is at its peak.

Highlights:

Gangtok (MG Road, Rumtek Monastery)

Tsomgo Lake

Nathula Pass (on the border with China)

**12. Mysore (Karnataka)

Why Visit: Mysore offers a blend of history, culture, and spirituality. March and April are ideal for a visit, with pleasant weather to explore the city.

Highlights:

Mysore Palace

Chamundeshwari Temple

Brindavan Gardens

**13. Spiti Valley (Himachal Pradesh)

Why Visit: Spiti is perfect in March and April as the roads are accessible post-snowfall, and the valley begins to bloom with the start of spring.

Highlights:

Key Monastery

Chandratal Lake

Kibber Village (one of the highest villages in the world)

**14. Mount Abu (Rajasthan)

Why Visit: The only hill station in Rajasthan, Mount Abu is an excellent destination to visit during March and April when the temperature is mild, and you can enjoy the cool breeze.

Highlights:

Nakki Lake

Dilwara Temples

Sunset Point

**15. Uttarakhand (Nainital, Almora, Ranikhet)

Why Visit: These hill stations are perfect for a peaceful retreat in March and April. The weather is cool and pleasant, making it ideal for outdoor activities like boating, nature walks, and trekking.

Highlights:

Nainital (Naini Lake, Naina Devi Temple)

Almora (Bright End Corner, Kasar Devi Temple)

Ranikhet (Chaubatia Gardens, Jhula Devi Temple)

These destinations in India are perfect for travel during March and April, offering a mix of spiritual retreats, hill stations, beaches, and cultural experiences. The weather is conducive for sightseeing and outdoor activities, so make sure to pack appropriately for the mild to warm temperatures.

you can also watch jaisalmer best restaurant video in our channel.

[bbpsbrijvihar23]

Article on Bal Bharti Public Schools

Bal Bharti Public schools run by Child education society is the best public school in private category located at Delhi NCR and pan India. Child Education Society runs the BBPS group of schools in India. As on date, under the umbrella of Child Education Society, there are 26 Bal Bharati Public Schools in India. Bal Bharti Public school, also known as BBPS, is one of India’s most popular schools. Bal Bharti Public schools are the best CBSE schools in Delhi NCR and pan India. Bal Bharti Public schools are reputed CBSE schools in India. The best among these is the Bal Bharti Public school, Brij Vihar, Ghaziabad, Uttar Pradesh. Child Education Society Delhi runs the Bal Bharti Public school, Brij Vihar, Ghaziabad, Uttar Pradesh. Bal Bharti Public school, Brij Vihar, Ghaziabad, Uttar Pradesh is a co-ed educational institute in Delhi NCR, established in May, 1984. BBPS Brij Vihar school is situated quite near to Delhi border. Bal Bharti Public school, Brij Vihar, Ghaziabad, Uttar Pradesh has all the facilities that a student will need to prepare for higher education. BBPS, Brij Vihar School has classes available from Class Mont I to Class XII. The infrastructure of Bal Bharti Public School is well planned and designed according to the students, teachers and school staff. The facilities provided by Bal Bharti Public school to students, teachers and school staff as par the guidelines of CBSE. The world class facilities provided by the Child education society to students of Bal Bharti Public school.

BBPS School focuses on the practical delivery of knowledge, and this helps the student in career professionally and socially. Bal Bharti Public school, Brij Vihar, Ghaziabad in addition the academics are based on a comprehensive approach. Bal Bharti Public school, Brij Vihar, Ghaziabad, Uttar Pradesh provides the exposure to students for present the skills, talent and ideas. BBPS prepare the students to do their duties and responsibilities as a good citizen and fine human being. There are many interesting co-curricular activities runs by BBPS. BBPS students also participate in extra-curricular activities like music, dance, art, craft and plays. BBPS students also get the opportunity to take part in sports and games on the big sports ground at school. There is also a large library at BBPS, Brij Vihar that is well stocked with books and other publications. BBPS, Brij Vihar school’s large school building has classrooms which accommodating about thousand students. There are lush gardens with beautiful plants and trees at BBPS, Brij Vihar.

BBPS, Brij Vihar school teachers at school are very kind and caring. They teach students with great attention and patience. BBPS, Brij Vihar school teachers are, however, strict and expect students to be disciplined. There is a great deal of emphasis on punctuality and cleanliness.

Teachers insist on students being neat and tidy in their uniform. BBPS, Brij Vihar school uniform is very smart looking. While girls wear a grey kurta and white salwar, boys wear a white shirt and grey trousers, both with a blue/grey belt. The students are particular that their clothes are spotlessly clean and well ironed. The students put on a blue/grey pair of socks and black, polished and shining, shoes.