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#Used Bridge Saws for marble/granite
bridgesawlosangeles · 2 years
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To achieve a precise cut and reduce tool wear while using a marble bridge saw to cut natural stone or ceramic, you will need to tune several parameters dependent on the peripheral speed of the diamond blade.
The recommended RPMs depend on the blade diameter and the material, but generally speaking, the slower the peripheral speed, the harder the material. Finding the ideal location necessitates ongoing experience and practice.
Marble and Granite bridge saw
The Marble and Granite bridge saw machine is the best tool for cutting granite slabs that are two-dimensional and have a specific size and shape. We must use a laser light to orient the blade before cutting. The entire cutting process is automatic and programmed once the operation settings have been specified. One of the many varieties of stone-cutting equipment is the granite bridge saw. dependable bridge saw for cutting marble and granite.
In contrast to other bridge saw machines, this one is designed with four hydraulic columns to raise and lower the blade. With this design, the cutting will be more precise and forceful when the machine is operating.
The blade size can be 600, 800, or as specified by the client. Typically, we produce 600mm blades with a maximum cutting thickness of 20 cm.
Used Bridge Saws for Marble/Granite Where to Get Them?
Any fabricator building one or more kitchens a day needs a well-used bridge saw for marble/granite. An automated bridge saw offers a consistently clean cut at a high rate of production, in contrast to a manual saw. A good bridge saw is essential even if all of the other instruments in a shop are hand tools.
The statistics support this. An automatic bridge saw can cut up to 120 lineal feet of material per hour, although the finest operator of a manual saw will seldom go beyond 10 lineal feet per hour. Furthermore, compared to the hourly worker's salaries, benefits, and tool prices, the automated saw's cost per foot is extremely affordable.
Look for a saw with a 90-day guarantee on the electrical parts and a one-year warranty on the mechanical parts and labor. It is the norm in the field.
Ask for customer references and speak with colleagues to learn more about their experiences using bridge saws in addition to thoroughly studying these numerous bridge saw features. A fabricator can convert a bridge saw into a profit center for many years by carefully selecting the proper bridge saw and the appropriate equipment.
Finding Bridge Saw for Marble and CNC Machine
There are numerous sensors fitted on the bridge saw for marble and CNC machine. This design is comparable to an arc slab polishing machine. It can control both the upward and downward movement of the blade. The two side beam pieces on the bridge saw are designed with screw guides; this is a very practical design since it allows the bridge parts to move forward and backward.
Additionally, even after extended use, the screw guide devices are quite stable. A panel with all the machine's electric components, including the inverter, PLC, and others, is located on the bridge portion of the machine. Bridge Saw USA most crucial components for the bridge saw machine are the PLC set and the computer screen of the stone saw machine.
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poison-shark · 2 years
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Gotham Bound
Description: Cece Waldron is moving in with her supervillain aunts after being granted a scholarship to a private high school. Slice of Life kinda stuff ensues. But then she receives more than a couple of surprises. Watch out, Gotham City. (Gods, I suck at descriptions)
Characters: Cece Waldron (OC), Harley Quinn, Poison Ivy, Delia and Lucy Quinzel (Mentioned), The Quinzel Brothers (Mentioned), Nick and Phyllis Quinzel (Mentioned), Special Guest OC
CW: ADHD/Autistic Character gets mildly overestimated, Needles (On like a flu shot level), Blood (a few drops), Shady Adults are still kinda shady, Two people disagree for like a second, New Jersey, Brooklyn (Mentioned), Florida (Also Mentioned I think)
Word Count: 4299
(A/N: Dunno whether or not to make this a full fix. Comment and lemme know pls and thx <3)
Minors DNI -> Nothing is Explicit I'm just covering my bases for the future
Cece’s head was spinning as she peeled her forehead off of the seat in front of her. She had known it was a bad idea to read on the train, but she just couldn't help herself. The trip was excruciatingly dull when the only thing to do was stare out the window at New Jersey’s landfill-ridden countryside for four hours. She had updated herself on all of her favorite YouTube channels while waiting for the train to arrive, so the way Cece saw it she had no choice but to indulge in some Agatha Christie. The motion sickness must have gotten the better of her and put her to sleep judging by the dribble on her chin.
Affixing her glasses that had fallen into her open palm, she lifted her head to check her trip status on the Amtrak app. The plastic of her phone charm clacked against her charm bracelet as she unplugged it from the charger. Only ten minutes left. Had she really spent two hours taking a nap? As she shook her head back into reality once more, blue eyes glanced down at something nudging her feet. The novel she had been reading had not been as fortunate as her eyewear and landed pages down on her cherry-shaped duffle bag, the paperclip she'd been using as a bookmark had been cast to the floor. She cursed to herself and let out a sigh as she leaned down to grab her things and pop them back in her backpack on the seat next to her.
The remainder of the ride into the city was spent gazing out nervously at the Gotham skyline. Gloom and fog hung thick in the air as the rain beat against the windows of the car. What little light there was seemed to be emanating from the city itself despite the fact that it was nearing six o'clock. Cece didn't know if the AC was cranked up or if it was just the fact that they were above the bay, but the compartment was far too cold for early September. She slipped on her red hoodie and shook off the unnatural chill, hoping it wasn't some infamous ice villain deciding to wreak havoc on the train. Somehow, she figured her aunties wouldn't be too pleased knowing some hooligan with superpowers caused her trouble. As the bright lights and neo-gothic architecture loomed ever nearer in the distance, she hoped her future in Gotham City was more exhilarating than the journey there.
Once her feet hit the platform of Gotham Train Station she immediately stumbled back a little. The smells got to her first; pretzels, sandwiches, cigarettes, and human waste. The fluorescent lights cast everything in an eerie green glow that did nothing but worsen Cece's headache. Not to mention the noise of hundreds of people and the screeching of trains. Eager to exit the platform she beelined it up the concrete stairs, bolted through the main dais (completely ignoring the massive, gorgeous, marble hub), and busted out of the revolving door and onto the granite steps outside the station with her luggage in tow.
Hastily, she threw her hood over her head, hiding her low strawberry-blonde pigtail braids, in an attempt to shield herself from the downpour. She pushed her glasses back up the bridge of her nose and scanned the crowd for one of her aunts, eventually coming up empty, so she shot one of them a text.
Within seconds her aunt replied with a, ‘Be there in a sec,’ and sure enough, a fluorescent, pink helmeted blonde came barreling over the hill on roller skates. In front of her was a shopping cart with a soaked sheet of paper plastered to the front, but as she got closer Cece could begin to read the letters that bled through the disintegrating paper. ‘Welcome Home, Nugget!” it read in bright blue, undoubtedly once scented, marker. Smiley-face stickers flew off in a trail behind her as she dodged pedestrians, hurtling toward her niece at an uncontrollable pace.
The grin on Cece’s face as her aunt pulled over at the bottom of the steps practically split her face in half. The tall woman gazed up the stairs with an equally deranged smile and outstretched her arms toward the child, making a quick flexing motion with her fingers. Excitement buzzed through the small girl’s body, now faced with the reality of being reunited with her aunt. From the top of the steps, she launched her luggage into the cart before backing up and taking a running start, leaping off of the wet stone. Her aunt caught her effortlessly, spinning her around with glee as the two embraced.
“Auntie Harley!”
“Welcome home, Nugget! How was the trip?” her voice cut through the rain like a stray sunbeam, warm and mildly disruptive. She placed her niece back on the ground and nodded to the cart’s main basket. Getting the hint, Cece climbed in.
“It was okay, mostly boring. My head hurts.” the girl complained, adjusting herself against the metal. Her aunt unhooked a neon orange helmet from inside the shopping cart and tossed it to her with a knowing smirk.
“Which book was it?”
“Murder On the Orient Express,”
“Classic! Got to love good old Aggie!” her aunt leaned down and ruffled her hair, “Alright, Nugget, helmet on! This thing doesn't have breaks!”
The pair rocketed uptown to a red-bricked apartment building across the street from the reservoir. Cece knew it was theirs instantly. It looked nearly identical to every other building on the block save for the fact that climbing plants had completely overtaken the sides and roof. They had even surrounded the door, blooming as the Quinzel women approached. The staircases were lined with potted plants that tilted their foliage upwards as the blondes made their way up to the apartment. It almost seemed like they were whispering. The apartment door opened with a slam and out popped her Aunt Ivy. Her red hair was braided to the side draping over an apron that read “What the Fucculent”.
“Hurry up and get inside, you two. Your steaks are gonna get cold.”
The air inside the apartment was a drastic change from the pea soup of the city. It was still humid, but warm, clean, and breathable. The kitchen was especially hot even with the vent fan blasting. On the counter, surrounded by overflowing planters of herbs, was a large plate piled high with steaks. Halfway climbing onto the counter were two massive hyenas, frozen in place as they were caught very obviously trying to snatch up the savory meal. All Auntie Harley did was raise her arms and the giant beasts launched over the counter, scrambled over the tile (knocking into each other rather comically), and tackled the tall blonde woman to the floor. The licking and sniffing didn't let up until Cece shifted the duffel on her shoulder. She was immediately given the same treatment. Bud and Lou hadn't seen her since she was ten so her mother wasn't sure if they would recognize her, but the way the carnivores knocked off her glasses to lick her face more effectively proved otherwise. Soon all four of them were a squirming, giggling mess. Aunt Ivy managed to steal away their attention however by placing the steaks in two dog bowls next to the front door.
Auntie Harley jumped to her feet and hauled the teen up with her and dragged her to the couch. Her aunt patted her head and tossed her the remote before rolling over to the cabinets and producing two plates. The blonde wheeled her way over toward her niece, spinning the plates on her fingertips and humming circus music as she glided. Ivy chuckled in amusement as she set the meat on the coffee table. The redhead removed the apron from her person and hung it on a nearby vine while another root fetched the silverware. Both women plopped down beside the fourteen-year-old and began eating.
“Peanut, skates.” Ivy reminded.
“Oh, right! Thanks, Buttercup!” She started to unlace her roller skates.
“You too, Peaches.”
“Yeah, Nugget! Take a load off!” the blonde demanded. Immediately, the teen kicked off her sneakers. Another root quickly snatched them away down the hall. Whilst her aunts distributed the food, she took it upon herself to flip through the channels on the tv.
“So, Peaches, are you excited about high school?” Aunt Ivy asked, taking a rather late bite of her steak.
“Yeah, it's pretty daunting though. I'm just glad mom thought it was too good of an opportunity to pass up.”
“You should come with us to orientation, Ives! Go on, Trouble, tell her about your class!” Cece put down the bite of steak she was about to take.
“It’s called ‘Art, Science, and Nature’. It's like environmental science mixed with art class. It looked cool so I thought I’d take it next semester to give myself a break from playwriting class.” Ivy’s expression barely shifted, but the room filled with a subtle floral scent, and spindly blue flowers sprouted from her hair.
“That sounds wonderful, Peaches. Let me know if you’ll be needing any help.” Her earnestness took physical form as more flora bloomed throughout the apartment. Cece smiled as she flipped the channel over to the news in her search.
“Will do, Aunt I-”
“- The old Nestler Textile plant is set to be demolished tomorrow morning to make way for the new Wayne Pet Rescue Shelter,” informed the news anchor, “This is immediately following the buyout of Nestler Textiles by Wayne Enterprises after the former’s pollution fiasco last week. We were unable to get a quote from former C.E.O. Richard Nestl-” Cece flipped the channel once more and settled on the classic cartoon reruns. The green woman simply crossed her arms and leaned back with a sneer.
“Of course, that nasty meat suit has nothing to say for himself. Pumping all those pollutants into the bay, poisoning the water, destroying The Green. He’s just lucky the bat was there to keep me from strangling him with my babies.”
“Would you believe it, Munchkin? He poisoned nearly half the city and they're gonna let him off with a slap on the wrist!” Harley exclaimed, “That reminds me, Nugget, don't drink the tap water. At least not until the city filters all that crud out.” She wagged a finger at her niece. “Or until you're up to date on your shots.” The teen cocked her head to the side.
“My shots? I'm up to date. Went to the clinic last week for physicals.” The blonde doctor glanced at the chipped varnish on the floorboards.
“Well, Kiddo, as you know Gotham’s a pretty dangerous place,” her tone was laced with a cautiousness that her aunt hadn't used in years, “and sometimes your Aunt Ivy and I can instigate danger, so while you're staying with us we wanted to make sure you're prepared.”
“We asked your mother and she permitted us to give you an immunity vaccine.” Doctor Pamela Isley was never one to beat around the bush.
“Basically, it'll just keep you from croaking if you bump into Ivy while living here.”
“You'll be insusceptible to most toxins, but it comes with side effects.”
“Like what?” Cece questioned, popping more steak in her mouth.
“Heightened strength and speed, but only slightly. You'll still be mostly normal.”
“Well, as normal as a Quinzel gets, y’know? But we're not gonna force you to take the shot if you don't want t-”
“-If you say it's safe and you think it'll help then I'm sold.”
“Really?” Both of her aunts eyed her with varying degrees of skepticism.
“Of course!” the bespectacled girl reassured them, “If you two think it's necessary and Mom said it was fine then sure. Have at my arteries!” She shrugged and finished off her steak. Swiftly, she snatched up her and Aunt Ivy’s plates and slid on her socks over to the sink, and started washing.
“Remember-” Ivy barely had to remind her.
“Turn the water off while soaping them up. I got it.” Harley grinned at her niece, brimming with pride.
After the clown queenpin finished dinner, Ivy retreated to the bathroom to grab her equipment. Minutes later she emerged with a syringe, some gloves, ethanol, a cotton pad, and a glass medicine vial containing a swirling purple liquid. She handed the materials off to her wife who quickly slapped on the gloves before she grabbed the pad and placed it at the mouth of the alcohol bottle. She tipped it over, sure to saturate cotton enough, and took the pad to her niece's arm, rubbing small circular motions into the flesh. The psychiatrist then removed the plastic cap on the needle and stabbed it into the metal cap of the vial, measuring slightly over the amount. She squeezed the syringe a bit to remove any air and adjust the amount, which caused some of the liquid to squirt out. When the purple liquid was exposed to the air it transmuted into a green vapor.
“Cool,” Cece remarked, eyebrows raised and clearly fascinated. Ivy chuckled at the girl’s wonder. Meanwhile, her other aunt had jabbed her arm with the needle already and was pushing the stopper down evenly. The teen twinged in pain as the solution settled into her bloodstream. “That does not feel great.”
“Tastes worse, trust me,” warned Harley.
“Wait, you mean I could have just drunk it?”
“Believe me, Nugget, this was the least painful option.” Her aunt discarded the used materials in the trash can by the door.
“Bullshit! You just wanted to play doctor,” she smirked. The taller blonde turned dramatically and scoffed.
“Honey,” she mockingly flipped her hair, “I don't gotta play doctor. I am a doctor!” With each word her Brooklyn accent thickened.
“Of course, you are, Peanut.” chimed Ivy, earning a laugh from their younger relative.
“Red!” Harley whined.
The green woman placed a quick peck on her wife’s cheek as she moved back to the couch. She snatched up a book from under the coffee table, flitted through it, identified where she left off and tuned out the world. Harley sauntered over to her niece, swinging an arm around the girl’s shoulders and hugging her close, she walked them both past the breakfast bar. “Wanna see your room?”
“Duh!” the teen responded fervently.
The former supervillain led her niece to a dark wood door beside the kitchen. Moss and lichen sprawled across the paneled surface, coating the door in a glittering green carpet while the orange of the lichens spelled out her name. As the teenager reached for the shoddy doorknob to reveal her home for the next four years, her aunt paused her.
“Before we go in there, I wanna make sure you know that if you don't like it we can always change it. Y’know, move some stuff, repaint, and such? So don't feel like you have to like it just because we set it up and you don't want to hurt our feelings.” Cece’s arms wrapped around her aunt in an instant and Harley patted her hair comfortingly as she squeezed back. “Alrighty! You ready?” Cece nodded her head vigorously. “Okay, okay, okay! Close your eyes, Nugget! Pammy, get the camera!”
Hands quickly shrouded the fourteen-year-old’s vision as she stumbled for the knob. Pushing inwards, she released her grip as she was coaxed forward a few paces into the room. “Okay, Trouble! Open those peepers!”
The first thing Cece noticed was that the quilting on the bed matched the patchwork curtains framing the window it was pushed against. As her fuzzy socks padded across the beige carpet, she took in the wallpaper, obviously new, on her way to the bed. It was cream and bright, unlike the rest of the apartment’s faded and stained yellow, and printed on it were strands of lovely orange flowers. The fresh coat of sage green was smooth atop the frame that encased the mattress. When she drifted her fingers over the iron there was no trace of her great-grandmother's old headboard, save for the shape of the welded metal.
“Is this actually Gee-Bee’s bed?”
“Well, it's a new mattress, but yeah. Your Uncle Barry and Uncle Frankie fixed it up for you before they brought everything up.”
“Everything?” Her aunt motioned to the end table directly beside the girl’s new bed. Cece could hear the roaring of her blood and the beating of her heart.
“This was Zayde’s,” She placed a hand gingerly on the nightstand, the walnut cold against her skin.
“Yep! Now, it's yours!”
“And Buh-Beeps just let you have it?”
“Nope!” popped Harley, “Hell no! She let you have it. Ma doesn't even remotely trust me with this stuff, but, and I quote, ‘Gotham’s a scary place, Harleen! She needs to feel as comfortable as possible! Better just give her the full set.’” The teen’s eyes morphed into dinner plates as she scanned the room for more of her grandfather’s things.
There, adjacent to the door, blocked by the comfiest-looking orange leather armchair, drowning in cardboard boxes, was the matching writing desk. The one she'd adored as a child, sitting in Zayde’s lap as he taught her how to play poker or watch him write his memoirs. On said desk, now in her new room, was her most recent Quinzel family photo, framed in a novelty Harley Quinn picture frame, illuminated by her grandfather's stained glass desk lamp.
Across from the window, on the opposite side of the room, stood the holy grail of Zayde’s possessions. The bookcase. She strode the width of the small room and at once skimmed her fingers along the side, between the wood and the plaster that made up her closet. Her fingers finally brushed a clear piece of tape and began intently pressing her digits into the same area of walnut. Soon she felt it; the divet where two different seams of lumber met. Cece made quick work of the tape and pushed up at the fissure, revealing a small velvet compartment that housed the tiny brass key. Removing the key from its cubby, the teen unlocked the glass-paneled doors of the antique shelving. It was as if the cabinet had let forth a fierce gust of wind, knocking the air out of her lungs. “We wanted you to put the books in yourself. Lucy thinks you're particular and your mom said you didn't like it when people touch your stuff without permission.”
“They're both right,” she confirmed, still gaping at the impressive piece of furniture.
“Same goes for your clothes. They're all in those boxes on the desk. Your hamper and Gee-Bee’s dresser are in the closet too, just to give you some extra storage.”
The teen paused as she went to slide open the closet door, noting the odd texture of the charcoal-colored paint. “Do you like it? It's chalkboard paint! It was your Uncle Ezzie’s idea! He thought that if you're gonna go to fancy art high school, you should have somewhere fancy to put all the big creative brainstorms you're gonna have! Pretty cool, right?” At that, the young blonde started tearing up, grateful to her hood for hiding her expression from her aunt.
“Yeah,” she agreed, sliding the door open, “it's way cool.” Once the wooden panel landed flush behind the other, Cece spotted them. A squeal left her throat before she could stop it.
“Oh, did you finally notice the-”
“The knobs!” Aunt Ivy’s laughter could be heard from the living room. Set into the fragrant chest of drawers were new handles. Green and orange glass flowers had been fitted into the cedar drawers, replacing the outdated cloth-coated wooden ones. “Wait, what do you mean ‘finally’?” She scoped the room once more, this time actively attempting to focus, and realized everything openable had the new glass daisies. “My life is complete!” Her fists pumped into the sky.
“You can thank your baby sister for those. She sent them to Red on Instagram and you know how your aunt is.”
“Lucy can have anything she wants for the rest of forever! These are so sweet!”
“Careful, Peaches, she'll take you up on that.” Ivy cautioned, now standing beside her wife, “and now that we're on the topic of sweetness there's one more surprise.”
“There is?” Harley raised her brow at her spouse. The vines and leaves that covered the ceilings throughout the entire apartment (and had been recording her reaction with Ivy’s phone), began to shutter and shift something they had entangled in their tendrils. Slowly, they extended the rather large item downward, depositing whatever it was in the corner of her room. The foliage soon retreated and revealed… more foliage. Now, enclosed between her bed and desk, there was a sapling in a terracotta pot.
“A tree… thanks.” Ivy simply rolled her green eyes at the teen’s sass, the vibrancy of which increased tenfold as the plant wedged in the corner started to shimmy. A creaking noise emitted from its bark as its branches stretched upwards and outwards, curling around the windows and swallowing the ceiling in twigs and leaves. Rapidly, flowers sprouted and blossomed with reckless abandon, and as quickly as they arrived, they were replaced with plump, fuzzy peaches. “Whoa… Sick!”
Ivy sidled up to her niece with an outstretched palm. Without a second thought, Cece held her aunt’s hand like she'd done a million times before. Snappier than the girl could register, a thorn jutted out of the May Queen’s palm, pricking the blonde. The minuscule droplets of blood beaded along the seam of the nick once the teenager withdrew her palm.
“What the hell, Pammy?” contested Harley, rushing to dress the child’s wound. She was stopped, however, by her spouse. Seeing her aunts about to have a domestic dispute, Cece speedily intervened.
“Auntie Harley, it's ok. Aunt Ivy never does anything without a reason.” At the soothing tone of the fourteen-year-old's voice, the older Quinzel’s shoulders unclenched. Ivy smiled sweetly at her niece, gratitude dripping with every crimson pearl.
“Put your palm to the roots.” Unlike her usual commanding tone, this seemed to be something of a request. Cece obeyed as Harley pouted apprehensively, muttering something about infections. She soon ate her words, however, when the rough bark vibrated and Green ripped through the tree. Suddenly, the peaches ripened, the bark strengthened, and the leaves were more vibrant. “It will respond to you now. Protect you if need be.”
“Cool…” claimed the Quinzels in unison. The younger one plucked a stone fruit from a branch. Sweet juice dribbled out her mouth as she chomped down, the fuzzy skin tickling her nose. She hummed in delight and thanked her aunt once more, this time genuinely.
All it took was one yawn from the child and Harley was ushering herself and Ivy out to let her rest after her long day. Despite that, Cece ignored her drowsiness and decided to organize her clothes. She only brought a few boxes a couple of months prior, and she knew her aunts were taking her back-to-school shopping later in the week, so she decided to put away what she could to avoid the hassle.
Halfway through folding her sweaters something hit her window with a thunk. She paused for a moment before she decided to return to her closet and placed her knitwear in a dresser drawer. Her braids smacked her in the face when she whipped her head around at the second thunk. She waited again. Silence.
‘It was probably a pigeon,’ she justified. The teen then continued to arrange her clothing. Five minutes later, the clanging of metal on the other side of the glass startled her out of flattening the cardboard. Grateful for the cover the thick, patchwork curtains provided, she tiptoed back over to her desk. Sifting through the package heap, she slid out a faded blue duffel with her name on it. From her softball bag, the blonde produced her trusty bat, rubber grip familiar in her grasp. She ducked behind the metal footboard and raised her weapon. Seconds passed as she sat crouching with her bat primed.
Thunk! Thunk! Thunk!
She waited with bated breath. For what? She didn’t know. For someone to break into her room. A random Scarecrow gas attack. A very dedicated Jehovah's Witness. A fiber optic salesman gunning for a promotion. Whatever it was, she was ready. What she hadn’t considered was that the mystery thunker would just leave. Surely enough, the clanging of metal returned, decreasing in volume as the perpetrator climbed down the fire escape. Ten more minutes passed before she hopped to her feet, bat in hand, and quickly whipped the curtain away.
At least it wasn’t a ruse. The metal landing was bare, but as she hopped on her bed to look closer she spotted someone retreating from the pulled down ladder. She couldn’t maneuver herself into a better position to see the thunker, but out of the corner of her eye, she noticed a canary yellow sewing pin sticking a small piece of cream fabric to her window sill. In shiny, navy blue embroidery were the words, ‘Nestler Textiles Plant #9 451 Smelter Place’ in a gorgeous almost handwritten cursive. However, sewn haphazardly over the lovely script was a fraying carmine thread that taunted in sloppy print, ‘COME AND PLAY’.
Never one to turn down an invitation, she laced up her limited-edition Poison Ivy sneakers, slid up her window, and leaped onto the fire escape. As she cautiously closed her window, she snapped up the tag and pin. Then the blonde climbed onto the metal railing and front-flipped, landing gracefully on the asphalt below. Smirking, Cece Waldron strolled out of the alley, head low, red hood up.
Tags: @a-god-in-crime-alley @saturniidz @gegeru @oathofoaks @insideoflit
Message me if you wanna be tagged. I don't really check my inbox.
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klzdiamondtools · 7 days
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Local Convenience: Based in Dallas, we’re always nearby to provide the tools you need, when you need them. Our easy-to-navigate website also allows you to browse our inventory and make purchases online, ensuring a seamless shopping experience.
Conclusion
Whether you’re working on a large-scale commercial project or a residential renovation, having the right tools makes all the difference. At KLZ Diamond Tools, we’re proud to be a leading supplier of bridge saw blades, cutting tools, coring tools, chemicals, and grinding wheels in Dallas. Our products are designed to help you work smarter, not harder, by delivering consistent, reliable results on every project.
Visit our website to explore our full product range or check out our Google Business Profile for more information about our local offerings. Let us help you equip your next project with the best in diamond tools.
Visit Us: KLZ Diamond Tools
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igoldenlaser · 1 month
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CNC Stone Granite Marble Cutting Machine
The CNC granite stone cutting machine has revolutionized the stone fabrication industry by offering unparalleled precision, speed, and versatility. These machines use computer numerical control (CNC) technology to automate the cutting and shaping of granite and other types of stone, making it possible to create intricate designs and achieve high levels of accuracy.
Types of CNC Stone Granite Marble Cutting Machine
CNC Bridge Saws
CNC bridge saws are commonly used for cutting large slabs of granite and other types of stone. They feature a bridge-like structure that supports the cutting head, allowing for precise and controlled cuts.
A CNC bridge saw machine is a specialized cutting tool used in the stone fabrication industry. It features a bridge-like structure that supports the cutting head, which is guided by a computer program to perform precise and controlled cuts. The machine is equipped with a diamond blade that can cut through various types of stone, including granite, marble, and quartz. The automation provided by CNC technology ensures high precision and efficiency, making CNC bridge saw machines ideal for both small-scale and large-scale stone fabrication projects.
Intelligent five-axis bridge cutting machine is a comprehensive five-axis processing equipment. It has the function of taking photos, positioning and typesetting, automatic measurement of plate thickness and tool size, and the head can rotate 360 degrees. Cutting, edging, chamfering, digging and other multi-functional intelligent operating system, simple and easy to learn; High quality motor, high precision, fast speed; Transverse, longitudinal, arc, circular, arbitrary Angle, shape cutting. The machine head can move and rotate freely. Besides cutting modeling, it can also open material for large plate, 45 degree chamfering, open basin hole, stove hole, and slash line cutting.
Suitable for quartzite, rock plate, artificial stone, granite, marble all kinds of large and small stone decoration engineering stone processing machinery. Save plate save time save worry save effort!
Advantages:
High cutting precision
Suitable for large slabs
Automated cutting process
Durable and robust design
Applications:
Countertops
Flooring
Wall cladding
Architectural elements
5 Axis Bridge Cutting Saw Parameter
Technical indicatorsparameterModeliGS-B3320(Pro)Stroke of X axis3300mmStroke of Y axis2000mmZ-axis stroke 1255mm(Blade Diameter 400mm)A axis90°C axis360°Saw blade motor power7.5kw/11kw / 15kw/18.5kwBlade Diameter350mm/400mm/450mmMotor powerXYZ axis 1.8kw (Z-axis holding brake); A-axis 0.85kw; C axis 1.3kwInput power3-phase AC 380V/220V 50-60Hz 10A
Standard configuration function: Laser positioning, table flip, cutter, can cut square, round, horse belly side cutting, 45 degree cutting, Taichung basin cutting, Yin Angle drilling and milling, milling cutter opening.
Optional Functions:Suction cup displacement, photo layout, inverter, transformer, clean installation and measurement software.
5 Axis Bridge Cutting Machine Advantage
1. The A axis can automatically rotate 0-90°, while the C axis can rotate up to 360°.
2. It is equipped with a high-precision on-board camera, which brings higher-definition images and can provide high-precision stone processing. Moreover, it can take pictures to position stone plates, and can automatically plan the cutting path directly from the generated map, which greatly improves the processing efficiency.
3. The overturned worktable is adopted, which has large overturning weight redundancy, up to 80°.
4. Adopts a 11kw motor with high precision, it can complete circular cutting, square cutting, sector cutting, oval cutting, 45 miter cutting, drilling, external edge polishing, etc.
5. The robotic system has a lift capacity of 75 kgs for stone slab moving.
6. The 5-axis cutting head can miter and interpolate in any direction.
CNC Water Jet Cutters
CNC water jet cutters use a high-pressure stream of water mixed with abrasive particles to cut through granite and other stones. This method is ideal for creating intricate and detailed cuts without generating heat.
High pressure water cutting system mainly includes pressurization system, cutting platform, sand storage system, control system and auxiliary system.
Water cutting cutting without thermal deformation, to avoid the physical and chemical changes of materials, widely adapted to the cutting and processing of various materials, has the reputation of “universal cutting machine”, the incision is smooth and flat without burr, generally no need to reprocessing, the equipment is controlled by numerical control system, high cutting precision, cutting joint less than 1.2mm, easy to cut, save materials, The process does not produce environmentally polluting waste;
Numerical control water knife for those other methods are difficult to cut materials such as aramid, titanium alloy and a variety of composite materials is very ideal processing means.
Advantages:
High cutting precision
No heat generation
Suitable for intricate designs
Versatile cutting capabilities
Applications:
Decorative stonework
Inlays
Custom shapes
Artistic designs
Water Jet Cutting Machine Parameter
ModeliGWJ-4020Platform size4200*2200mmCutting stroke4000*2000*150mmA axis rotation Angle±60°C axis rotation AngleInfinite rotationMax. cutting speed20m/minMax. running speed50m/minCutting accuracy±0.1mmRotating accuracy±0.1°Control accuracy±0.05mmRepeated positioning accuracy±0.05mmPlatformSteel platformCNC garnet feederTaiwan FLOW sypeMotor servoJapan Yaskawa servo motorGuide railTaiwan HIWINScrewTaiwan HIWINGear rackImported rack and pinion from SwitzerlandControl systemWEIHONGElectrical elementSchneider
High pressure water cutting system mainly includes pressurization system, cutting platform, sand storage system, control system and auxiliary system.
Advanced Performance
Gantry design lathe bed, solid and stable, with a higher strength;
X/Y/Z axis adopts the new labyrinth protection to prevent double professional waterproof protection;
X/Y axis adopt high quality LINDEN, Sweden and Taiwan silver guide rail, heavy support, guarantee the parts machining precision, stable and durable, Z axis fully enclosed design of lifting mechanism of backwash in the cutting process of sand and water erosion can’t lead screw and guide rail;
Adopt Japanese valley centralized lubrication system, make the equipment maintenance automation;
Internal components choose schneider international brand, quality, reliable operation;
Use dimensional macro WEIHONG water cutting control system for special purpose, simple easy to operate;
International famous brands and yaskawa servo motor, reliable quality, long service life.
Stone CNC Routers
Stone CNC routers are versatile machines that can cut, shape, and engrave granite and other stones. They use a rotating cutting tool to perform various operations, making them suitable for both cutting and engraving.
ATC Stone CNC Machining Center
Stone processing center is a CNC automatic engraving high-tech equipment, mainly used for the processing of stone countertop, can achieve a feeding to complete all the processes of countertop processing. Stone countertop copying, special-shaped processing, grinding Roman edge, treatment of circular arc after retaining water, cutting basin holes, grinding basin along, polishing and other processes can also do stone relief carving.
Widely used in kitchen countertops, bathroom countertops, stone tabletop, coffee table countertop, TV counter surface processing, can also be used in billiard table, welcome table countertop, ordering table and other stone countertops.
Quartz Stone CNC Processing Center Applications
Technical DataX, Y Axis Working Area2000*3000mmZ Axis Working Height500mmPositioning Accuracy0.05mmRe-positioning Accuracy0.02mmBody StructureWelding BodyX, Y Axis Structure Gear RackZ Axis Structure ScrewMax. Running Speed20000mm/minMax. Working Speed10000mm/minSpindle5.5kwWater-coolingSpindle RPM24000Working VoltageAC 380V±10%
/50-60HzMachine Weight3300kg
If you need more detailed information, please inform us as soon as possible.
CNC Stone Cutting Advantage
The whole high quality steel is welded and tempered to ensure the long-term use of the machine without deformation;
The larger storage of automatic tool changing system makes the whole process from opening, cutting, milling molding and polishing all kinds of processes in one go, fully realize a high degree of automation;
Intelligent environmental protection, the whole process of automatic environmental protection processing; Create a dust-free workshop to reject pneumoconiosis;
Positioning adsorption block, double-sided sealed suction system combined with high-power adsorption pump + auxiliary positioning device effectively increase the adsorption capacity of the sucker, to ensure that the stone does not shift during processing.
Electric oil injection system, machine maintenance more time and labor saving;
The machine comes with circulating water tank, the whole machine realizes self-circulation, only need to change the water regularly to clean.
With Japan Pantoscopicguide rail and  rack, high positioning accuracy, smooth sliding, reliable quality, long life.
Professional CNC control system, easy to learn and easy to operate.
Applications:
Engraved stone plaques
Custom stone shapes
Decorative elements
Signage
Benefits of CNC Granite Stone Cutting Machines
High Precision and Quality
CNC granite stone cutting machines offer exceptional precision and quality, allowing for the creation of detailed and intricate cuts. The computer-controlled movements ensure minimal distortion and high accuracy, resulting in high-quality stone products.
Speed and Efficiency
CNC machines are known for their speed and efficiency, making them suitable for high-volume production. The automated cutting process reduces the overall production time, increasing productivity and reducing costs.
Versatility
CNC granite stone cutting machines are versatile and can be used on various types of stone, including granite, marble, and quartz. This versatility makes them suitable for a wide range of applications in the stone fabrication industry.
Durability and Robustness
CNC machines are equipped with durable and robust components that can withstand the rigors of stone cutting. This durability ensures a long lifespan and reliable performance, making them a valuable investment for stone fabricators.
Automation and Reduced Labor
The automation of CNC machines reduces the need for manual labor, increasing efficiency and reducing the risk of human error. This automation also allows for the production of complex and intricate designs that would be difficult to achieve manually.
CNC Stone Cutting FAQ
1. What types of stone can be cut using CNC stone cutting machines?
CNC granite stone cutting machines can be used to cut various types of stone, including granite, marble, quartz, and other natural and engineered stones.
2. How does CNC cutting compare to traditional stone cutting methods?
CNC cutting offers higher precision, speed, and efficiency compared to traditional stone cutting methods. The automation of CNC machines reduces the need for manual labor and increases the accuracy of cuts.
3. What industries benefit the most from CNC marble stone cutting machines?
Industries such as countertop fabrication, flooring and wall cladding, architecture, decorative stonework, and signage benefit greatly from the precision, speed, and versatility of CNC marble stone cutting machines.
4. Are there any limitations to CNC granite cutting machines?
While CNC granite cutting machines offer many advantages, they may not be suitable for all applications. Factors such as stone type, thickness, and cost should be considered when choosing a cutting method.
5. What maintenance is required for CNC granite cutting machines?
Regular maintenance, including cleaning and inspecting the cutting tools, checking the alignment, and monitoring the machine’s performance, is essential for ensuring the optimal performance of CNC granite cutting machines.
Conclusion
CNC granite stone cutting machines offer exceptional precision, speed, and versatility, making them an ideal choice for various stone fabrication applications. Whether you are involved in the production of countertops, flooring, architectural elements, decorative stonework, or engraved plaques, a CNC granite stone cutting machine can enhance the quality and efficiency of your projects. By understanding the different types of CNC machines and their benefits, you can make an informed decision and choose the right machine for your needs.
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rohanssi · 4 months
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Cut Through Any Challenge: Somani Industries' High-Performance Diamond Wire Saws
In the realm of industrial cutting, precision reigns supreme. From the delicate shaping of intricate sculptures to the robust segmentation of massive concrete blocks, achieving clean, efficient cuts is paramount. Enter the diamond wire saw machine, a technological marvel that harnesses the unparalleled cutting power of diamonds to tackle a diverse range of materials with unmatched accuracy. Somani Industries, a leader in cutting-edge machinery, takes this technology to the next level, offering diamond wire saw machines that redefine the boundaries of industrial cutting.
Unveiling the Power of Diamond Wire Sawing Diamond wire saw machines utilize a continuous diamond wire as the cutting element. This wire, meticulously embedded with industrial diamonds, acts like a high-precision saw blade capable of slicing through an astonishing array of materials. The sheer versatility of diamond wire sawing stems from the unique properties of diamonds themselves. Diamonds, the hardest natural material on Earth, possess exceptional abrasive qualities, allowing them to effortlessly cut through even the most challenging materials, including:
Granite and Marble: The diamond wire saw machine excels in the stone industry, enabling precise cutting of natural stone for countertops, monuments, and architectural features.
Concrete: Diamond wire sawing finds extensive application in demolition and construction projects. It facilitates controlled demolition of structures, precise creation of openings in concrete walls, and meticulous removal of concrete sections for renovation purposes.
Reinforced Concrete: This composite material, notorious for its toughness, is no match for the diamond wire saw. The machine effectively cuts through concrete reinforced with steel rebar, making it ideal for bridge and tunnel construction, seismic retrofitting of buildings, and other demanding applications.
Refractory Materials: These heat-resistant materials pose a significant challenge to traditional cutting methods. Diamond wire sawing offers a clean, efficient solution for cutting refractory bricks used in furnaces, kilns, and other high-temperature industrial applications.
Beyond its impressive material versatility, the diamond wire saw machine boasts a plethora of advantages that make it an indispensable tool in various industries:
Unmatched Precision: The thin, flexible nature of the diamond wire allows for incredibly precise cuts with minimal material wastage. This is particularly beneficial in delicate applications like architectural stonework or the creation of intricate concrete shapes.
Reduced Noise and Dust: Unlike traditional demolition methods, diamond wire sawing generates significantly less noise and dust, making it ideal for use in urban environments or situations where dust control is crucial.
Remote Cutting Capability: The diamond wire can be remotely controlled, enabling safe and efficient cutting in difficult-to-reach areas or environments with potential hazards.
Minimal Vibration: The sawing process produces minimal vibration, minimizing the risk of damage to adjacent structures or sensitive equipment.
Environmentally Friendly: Diamond wire sawing utilizes water as a coolant and lubricant, reducing reliance on harmful chemicals and minimizing environmental impact.
Somani Industries: Diamond Wire Sawing Redefined Somani Industries takes diamond wire saw technology a step further, crafting machines distinguished by their unwavering commitment to quality, performance, and innovation. Here's what sets Somani's diamond wire saw machines apart:
Uncompromising Quality: Somani prioritizes high-grade materials and meticulous engineering practices to ensure the machines' durability and longevity, even under demanding industrial use. Advanced Technology Integration: Somani incorporates cutting-edge features like automated tensioning systems, variable speed control, and user-friendly control panels to enhance cutting accuracy, operator efficiency, and overall user experience.
Customizable Solutions: Somani understands the diverse needs of various industries. Their commitment to customization allows them to tailor diamond wire saw machines to specific project requirements, including wire length, diamond grit size, and cutting head configurations.
Unparalleled Service and Support: Somani prioritizes customer satisfaction. Their comprehensive support network provides training, readily available spare parts, and expert technical assistance to ensure optimal machine performance and address any potential concerns.
Diamond Wire Sawing: A Future-proof Investment The diamond wire saw machine represents the future of industrial cutting. Its unmatched precision, versatility, and environmentally friendly operation position it as a crucial tool for a wide range of industries. By choosing a Somani Industries diamond wire saw machine, you invest in a technological marvel that delivers exceptional performance, unparalleled reliability, and a commitment to innovation that ensures your cutting operations remain at the forefront of efficiency and accuracy.
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dewiresawing · 6 months
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Exploring the Efficiency and Versatility of Wire Sawing in Modern Industries
Introduction: In the realm of construction and manufacturing, the pursuit of precision and efficiency is relentless. Among the various techniques employed, wire sawing has emerged as a versatile method offering remarkable advantages. This innovative approach has revolutionized the way we cut through tough materials like concrete, metal, and stone. In this article, we delve into the intricacies of wire sawing, its applications, benefits, and the role it plays in modern industries.
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Understanding Wire Sawing: Wire sawing is a cutting method that utilizes a continuous loop of wire coated with industrial-grade diamonds. This wire, often made of high-tensile steel, is threaded through a series of pulleys and driven by a machine to create a cutting action. The diamond coating on the wire enables it to slice through robust materials with precision and minimal waste.
Applications of Wire Sawing:
Construction Industry:
Concrete Cutting: Wire sawing is extensively used in construction for cutting through thick concrete structures such as bridges, dams, and foundations. Its ability to cut through large sections of concrete with ease makes it indispensable in projects where traditional methods fall short.
Demolition: In demolition projects, wire sawing offers a controlled and efficient way to dismantle concrete structures without causing excessive vibrations or collateral damage. This precision is crucial in urban environments where space constraints and safety concerns are paramount.
Manufacturing Sector:
Metal Processing: Wire sawing finds applications in the manufacturing of metal components where traditional cutting tools may not suffice. Its ability to cut through hardened metals with precision makes it ideal for shaping intricate parts used in aerospace, automotive, and machinery industries.
Semiconductor Industry: In the semiconductor sector, wire sawing plays a crucial role in slicing silicon ingots into thin wafers used for manufacturing microchips. The precision and smoothness of the cuts are essential for ensuring the quality and performance of the final products.
Stone Cutting and Quarrying:
Dimensional Stone Extraction: Wire sawing has revolutionized the quarrying of natural stone blocks. Its precise cutting action allows quarry operators to extract large blocks of marble, granite, and other stones with minimal wastage. This efficiency not only reduces costs but also minimizes environmental impact.
Stone Fabrication: In the stone fabrication industry, wire sawing is used to cut slabs of natural stone into precise shapes and sizes for countertops, flooring, and architectural features. Its ability to cut through dense materials like granite and marble with minimal chipping or breakage ensures high-quality finished products.
Benefits of Wire Sawing:
Precision: Wire sawing offers unparalleled precision, allowing for intricate cuts with minimal material loss. This precision is essential in industries where accuracy is paramount, such as aerospace, automotive, and electronics manufacturing.
Efficiency: Compared to traditional cutting methods, wire sawing is highly efficient, reducing both time and labor costs. Its ability to cut through tough materials quickly makes it ideal for large-scale projects and tight deadlines.
Versatility: Wire sawing is versatile and can be adapted to various materials and applications. Whether cutting through concrete, metal, stone, or composites, wire sawing provides a reliable solution for a wide range of cutting challenges.
Minimal Waste: The precise nature of wire sawing results in minimal material wastage, making it an environmentally friendly option compared to other cutting methods. This reduction in waste also translates to cost savings for businesses.
Conclusion: Wire sawing has emerged as a game-changer in modern industries, offering unmatched precision, efficiency, and versatility in cutting through tough materials. From construction and manufacturing to stone quarrying and fabrication, its applications are diverse and far-reaching. As technology continues to advance, wire sawing is poised to remain at the forefront of innovation, driving progress and efficiency in various sectors.
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kashdra · 1 year
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Efficient Stone Cutting: The Optima Wire Saw Machine.
In the ever-evolving world of construction, innovative machinery plays a pivotal role in enhancing efficiency and precision. The Optima Wire Saw Machine is an advanced stone cutting tool designed by Kashdra Group. This revolutionary machine utilizes a diamond-coated wire, which is tensioned and guided across the stone surface to perform precise cuts. It is widely acclaimed for its efficiency and versatility, making it an indispensable asset in the construction sector. This Machine, developed by us, has emerged as a game-changer in the stone cutting industry.
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The Technology Behind This Machine
The  Machine employs state-of-the-art technology to achieve exceptional cutting precision. The machine's main components include a high-torque motor, an adjustable wire tensioning system, and a sophisticated control panel. The diamond-coated wire is guided by a set of pulleys, allowing smooth and seamless cutting operations.
Advantages of Using this Machine
Unmatched Precision: This  Machine can execute intricate cuts with unparalleled accuracy, ensuring minimum wastage of materials.
Versatility: It is suitable for cutting various types of stone, including marble, granite, limestone, and more, making it adaptable to different construction projects.
Time-Efficient: The high cutting speed of the machine significantly reduces project timelines, enhancing overall productivity.
Cost-Effective: With its optimized cutting process and reduced material wastage, this Machine leads to cost savings in the long run.
Ease of Use: The machine's user-friendly interface and intuitive controls make it accessible to both skilled operators and newcomers.
Applications of this Machine in Construction
The Machine  finds applications in a wide range of construction projects:
Monument and Sculpture Creation: Artists and sculptors use the machine to shape intricate designs with precision.
Building Facade Cladding: The machine facilitates precise cutting of stone panels, ensuring a seamless and visually appealing building exterior.
Interior Design Elements: This  Machine is employed to create custom stone elements for interior decoration.
Quarrying: In the stone extraction process, the machine aids in obtaining large stone blocks with minimal damage.
Road and Bridge Construction: The machine is utilized for cutting stone blocks used in road and bridge construction projects.
How this Machine is Improving Productivity
The Machine has transformed the construction industry by boosting productivity levels:
Faster Cutting Speed: Compared to traditional cutting methods, the machine's high cutting speed accelerates project completion.
Automation Features: The machine incorporates automation, reducing the need for manual labor and expediting cutting processes.
Reduced Downtime: With its sturdy construction and reliable performance, the machine experiences minimal downtime, ensuring continuous operation.
Higher Output: The precision and efficiency of the Machine lead to increased output, enabling construction companies to handle larger projects.
Maintenance and Care for Optimum Performance
Proper maintenance is crucial for the longevity and performance of the Machine:
Cleaning and Lubrication: Regularly clean and lubricate the machine's components to prevent debris buildup and ensure smooth operation.
Inspections: Periodically inspect the machine for signs of wear and tear, and promptly address any issues.
Replacement Parts: Use genuine replacement parts to ensure optimal performance and avoid voiding the warranty.
Why Choose Kashdra Group:
Experience: With years of experience in the industry, Kashdra Group has earned a reputation for excellence and trustworthiness.
Custom Solutions: We understand that each customer's needs may vary. Our team is ready to offer personalized solutions tailored to your specific requirements.
Customer Support: Our dedicated customer support team is always available to assist you with any inquiries or technical assistance you may need.
Global Presence: Kashdra Group has a strong global presence, ensuring that our products and services reach customers worldwide.
Ready to revolutionize your cutting operations with the state-of-the-art Optima Wire Saw Machine? Don't miss out on this incredible opportunity to enhance precision, efficiency, and productivity in your industry. Contact us  today and let our experts guide you towards a tailored solution that meets your specific needs.
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Marble Services is the name that you can always trust with the help of Granite Bridge saw for sale. The items are hard for you to miss out and you better check out the values of the machines before purchasing the same. In case, you are confused with so many options and don’t know which one to choose, then you can always catch up with this company for help. They can help make you select used granite bridge saw for sale.
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What is Diamond Quarry and Concrete Wire Sawing
For bench cutting in marble quarries in India, diamond wire saw (DWS) machines are mainly used. The cutting performance of the DWS machine, or diamond cutting tools depends on non-controllable parameters related to rock characteristics and controllable parameters related to machine and other operational aspects. Cut size area of a bench is one of the operational controllable parameters and it has an important role in the cutting performance of the machine. Dolomitic marble deposits are available in large quantities in India. Thus, this study was undertaken to investigate the effects of bench cut size area on the cutting performance of DWS machines in soft, medium-hard and hard dolomitic marble. The study revealed that cut size of the bench plays a significant role in the performance of the DWS machine. The optimum bench cut size also varies with the nature of marble to be cut. It also depends on the types of cuts to be made in the marble such as vertical, vertical strand and horizontal. The results of this study can also be applied to other types of marble and they will also be of use to the operators of stone quarry machine.
Raw Stone Processing
Stones exploited from mines by rock driller with irregular form and rough section are called raw stones, which can not be applied in plate processing immediately. At present, raw stone in China mainly involves marble and granite. With the development of technology, the old way of shaping stones by labor is outdated.
Diamond saw blade used to process raw stones usually owns a large circular saw blade, on which diamond grits are inserted. Owning to its flexible property, diamond wire saw blade can be used to process ultra-hard stones. However, its diameter is usually large, and its height is twice the stones to be processed together with the diameter of Flange. It is not easy to produce diamond saw blade with too large diameter. Therefore, diamond saw blade is unsuitable to process oversize plates.
Comparatively, diamond wire saw not only owns the flexibility of ropes, but also owns rigidity of diamond. Moreover, they are not limited by length. Due to those features, diamond wire saws are almost applicable to cut any large objects. It has many advantages, such as short time preparation, strong flexibility, high efficiency, energy saving, etc, which make diamond wire saws popular in stone mining and stone processing.
Plate Cutting
When processing stones, plate cutting is a quite important step. Usually diamond saw blades are used to cut plates. But in this situation, the size of plates is relatively small. One diamond wire saw is able to cut large plates and ultra-large plates, and is not restrained by the thickness of stones. However, compared with diamond frame saws containing several tens or a few hundreds saws, diamond wire saw is neither efficient nor cost-effective. Consequently, diamond wire saws are used when plates are too thick or their amount is small. With the development of technology, combined diamond quarry wire saws are went out. Combined diamond wire saws can be applied in cutting marble and granite plates when changing different beads or linear velocity of diamond wire saws.
Irregular Stones Processing
Irregular stones refer to all special-shaped stones except sheet and block stones, and include many types, such as pillars and arches. Nowadays, people’s demands are much stricter, so it is with irregular stones processing. In the course of irregular stones processing, diamond wire saws and diamond saw blades are used. Owing to its high linear velocity, diamond wire saws could shift curve type and arc type, and can be widely applied in processing parquet and curved sides.
Concrete wire sawing is a versatile and effective concrete sawing tool used for particularly challenging projects where traditional saws won’t work. When cutting through concrete structures, cross-sections, and other complex objects, manual saws are often unable to do the job effectively—when those situations arise, wire saws can get the job done. Once set up, wire saws can easily saw through any concrete, stone, or metal structure.
A concrete wire saw consists of a thin steel wire with diamond segments embedded that cut through hard materials via abrasion. The wire is threaded through a system of pulleys that are aligned in the direction of the cut. Once the wire is securely wrapped around the object, the pulley pulls the wire across the concrete and begins cutting. Water is fed across the system to keep the wire lubricated and the system from overheating from extreme friction.
WHEN IS
Quarry Wire Saw
NECESSARY?
If you have a difficult construction project that involves cutting through steel-encased concrete, concrete-encased steel supports, concrete retaining walls, or reinforced rebar, wire saws can saw through them safely and with ease. Due to its diamond cutting edge, wire saws are ideal for segmenting or removing large chunks of reinforced concrete when other saws can’t cut through the strong material. Stone cutting wire saws can also be configured to tackle unique structures such as steel nuclear reactors or metal engine blocks.
THE BENEFITS OF WIRE SAWS
There are several reasons why conventional diamond saw blades won’t work for a concrete cutting project: the concrete structure may be too large, the shape may be too irregular to safely work around, the location may be too inaccessible, or the structure may be too heavily reinforced for blades to cut through. Wire saws are easily able to navigate all of those problems. The benefits of using wire saws for concrete construction projects also include:
Cleaner construction areas. Since water needs to flow across the wire saw to keep concrete dust from building up and damaging the equipment, this process produces much less airborne dust than traditional saws. Not only does less dust make the construction area easier to clean up, but it also keeps workers from inhaling concrete particulates
Deeper concrete cuts. Traditional cut-off machines, diamond chainsaws, and circular saws have a limited reach. Concrete cutting wire saw offers an almost unlimited depth range for concrete cutting.
Precision cutting. Since the wire is more narrow and flexible than ring saws, concrete cuts will be more precise using wires. And since the wire is guided through pre-cut drill holes, the final cuts will always be the right size and in the right location.
Easy access. Wire saws don’t require as much space to operate as ring saws do. And since they aren’t manually operated, it’s an ideal option for construction jobs that have hard-to-reach places and are in challenging environments like underwater.
Quiet. Wire saws cause minimal vibrations and are much quieter than other construction equipment. This low noise output makes it the preferred cutting option for residential projects and night operations.
Quick cutting. Since wire sawing doesn’t require manual operators, the machine can cut at a consistent speed without breaks. This keeps construction projects running on schedule.
Increased safety. Because wire saws are remote control operated, it minimizes the risk of an accident and keeps everyone near the construction site safe.
PROBLEMS WITH CONCRETE WIRE SAWS
Just because wire saws are remotely operated doesn’t mean there isn’t a chance of injury. Since the wires are under extreme tension, there is always a chance that they can snap and cause extreme injuries to anyone nearby. Construction teams should still take proper safety precautions when using this piece of machinery. Just like any large piece of machinery, only trained specialists should operate wire saws with dry cutter.
A-CORE’S WIRE SAWING CAPABILITIES
The concrete wire saw, or diamond saw blade for concrete has become an indispensable tool for any concrete cutting company because of its adaptability and strength. At A-Core, we rely on our wire sawing division to handle many of our toughest projects.
From state governments and private contractors to residential homeowners, we produce quality concrete wire sawing services to a wide spectrum of clients. Whether we’re repairing highways, retrofitting the Utah State Capitol for a seismic update, or executing controlled demolition on a 230-foot smokestack, A-Core provides practical and flexible solutions for all types of construction challenges.
Many of our projects involve segmenting and removing all types of difficult-to-cut materials from hard-to-reach places. So when it comes to cutting and hauling away large, reinforced concrete masses from piers, bridges, towers, dams, and other structures, our wire sawing division is always ready.
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wanlong · 3 years
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we are the manufacturer of stone tools and machinery. The main products are diamond segment, diamond saw blade, stone abrasive, drilling tool, diamond wire, multi-blade bridge block cutter, laser cutting machine, polisher line etc. Need to contact us, https://www.wanlongstone.com
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bridgesawlosangeles · 1 month
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The Happy Prince
High above the city, on a tall column, stood the statue of the Happy Prince.  He was gilded all over with thin leaves of fine gold, for eyes he had two bright sapphires, and a large red ruby glowed on his sword-hilt.
He was very much admired indeed.  “He is as beautiful as a weathercock,” remarked one of the Town Councillors who wished to gain a reputation for having artistic tastes; “only not quite so useful,” he added, fearing lest people should think him unpractical, which he really was not.
“Why can’t you be like the Happy Prince?” asked a sensible mother of her little boy who was crying for the moon.  “The Happy Prince never dreams of crying for anything.”
“I am glad there is some one in the world who is quite happy,” muttered a disappointed man as he gazed at the wonderful statue.
“He looks just like an angel,” said the Charity Children as they came out of the cathedral in their bright scarlet cloaks and their clean white pinafores.
“How do you know?” said the Mathematical Master, “you have never seen one.”
“Ah! but we have, in our dreams,” answered the children; and the Mathematical Master frowned and looked very severe, for he did not approve of children dreaming.
One night there flew over the city a little Swallow.  His friends had gone away to Egypt six weeks before, but he had stayed behind, for he was in love with the most beautiful Reed.  He had met her early in the spring as he was flying down the river after a big yellow moth, and had been so attracted by her slender waist that he had stopped to talk to her.
“Shall I love you?” said the Swallow, who liked to come to the point at once, and the Reed made him a low bow.  So he flew round and round her, touching the water with his wings, and making silver ripples.  This was his courtship, and it lasted all through the summer.
“It is a ridiculous attachment,” twittered the other Swallows; “she has no money, and far too many relations”; and indeed the river was quite full of Reeds.  Then, when the autumn came they all flew away.
After they had gone he felt lonely, and began to tire of his lady-love.  “She has no conversation,” he said, “and I am afraid that she is a coquette, for she is always flirting with the wind.”  And certainly, whenever the wind blew, the Reed made the most graceful curtseys.  “I admit that she is domestic,” he continued, “but I love travelling, and my wife, consequently, should love travelling also.”
“Will you come away with me?” he said finally to her; but the Reed shook her head, she was so attached to her home.
“You have been trifling with me,” he cried.  “I am off to the Pyramids.  Good-bye!” and he flew away.
All day long he flew, and at night-time he arrived at the city.  “Where shall I put up?” he said; “I hope the town has made preparations.”
Then he saw the statue on the tall column.
“I will put up there,” he cried; “it is a fine position, with plenty of fresh air.”  So he alighted just between the feet of the Happy Prince.
“I have a golden bedroom,” he said softly to himself as he looked round, and he prepared to go to sleep; but just as he was putting his head under his wing a large drop of water fell on him.  “What a curious thing!” he cried; “there is not a single cloud in the sky, the stars are quite clear and bright, and yet it is raining.  The climate in the north of Europe is really dreadful.  The Reed used to like the rain, but that was merely her selfishness.”
Then another drop fell.
“What is the use of a statue if it cannot keep the rain off?” he said; “I must look for a good chimney-pot,” and he determined to fly away.
But before he had opened his wings, a third drop fell, and he looked up, and saw—Ah! what did he see?
The eyes of the Happy Prince were filled with tears, and tears were running down his golden cheeks.  His face was so beautiful in the moonlight that the little Swallow was filled with pity.
“Who are you?” he said.
“I am the Happy Prince.”
“Why are you weeping then?” asked the Swallow; “you have quite drenched me.”
“When I was alive and had a human heart,” answered the statue, “I did not know what tears were, for I lived in the Palace of Sans-Souci, where sorrow is not allowed to enter.  In the daytime I played with my companions in the garden, and in the evening I led the dance in the Great Hall.  Round the garden ran a very lofty wall, but I never cared to ask what lay beyond it, everything about me was so beautiful.  My courtiers called me the Happy Prince, and happy indeed I was, if pleasure be happiness.  So I lived, and so I died.  And now that I am dead they have set me up here so high that I can see all the ugliness and all the misery of my city, and though my heart is made of lead yet I cannot chose but weep.”
“What! is he not solid gold?” said the Swallow to himself.  He was too polite to make any personal remarks out loud.
“Far away,” continued the statue in a low musical voice, “far away in a little street there is a poor house.  One of the windows is open, and through it I can see a woman seated at a table.  Her face is thin and worn, and she has coarse, red hands, all pricked by the needle, for she is a seamstress.  She is embroidering passion-flowers on a satin gown for the loveliest of the Queen’s maids-of-honour to wear at the next Court-ball.  In a bed in the corner of the room her little boy is lying ill.  He has a fever, and is asking for oranges.  His mother has nothing to give him but river water, so he is crying.  Swallow, Swallow, little Swallow, will you not bring her the ruby out of my sword-hilt?  My feet are fastened to this pedestal and I cannot move.”
“I am waited for in Egypt,” said the Swallow.  “My friends are flying up and down the Nile, and talking to the large lotus-flowers.  Soon they will go to sleep in the tomb of the great King.  The King is there himself in his painted coffin.  He is wrapped in yellow linen, and embalmed with spices.  Round his neck is a chain of pale green jade, and his hands are like withered leaves.”
“Swallow, Swallow, little Swallow,” said the Prince, “will you not stay with me for one night, and be my messenger?  The boy is so thirsty, and the mother so sad.”
“I don’t think I like boys,” answered the Swallow.  “Last summer, when I was staying on the river, there were two rude boys, the miller’s sons, who were always throwing stones at me.  They never hit me, of course; we swallows fly far too well for that, and besides, I come of a family famous for its agility; but still, it was a mark of disrespect.”
But the Happy Prince looked so sad that the little Swallow was sorry.  “It is very cold here,” he said; “but I will stay with you for one night, and be your messenger.”
“Thank you, little Swallow,” said the Prince.
So the Swallow picked out the great ruby from the Prince’s sword, and flew away with it in his beak over the roofs of the town.
He passed by the cathedral tower, where the white marble angels were sculptured.  He passed by the palace and heard the sound of dancing.  A beautiful girl came out on the balcony with her lover.  “How wonderful the stars are,” he said to her, “and how wonderful is the power of love!”
“I hope my dress will be ready in time for the State-ball,” she answered; “I have ordered passion-flowers to be embroidered on it; but the seamstresses are so lazy.”
He passed over the river, and saw the lanterns hanging to the masts of the ships.  He passed over the Ghetto, and saw the old Jews bargaining with each other, and weighing out money in copper scales.  At last he came to the poor house and looked in.  The boy was tossing feverishly on his bed, and the mother had fallen asleep, she was so tired.  In he hopped, and laid the great ruby on the table beside the woman’s thimble.  Then he flew gently round the bed, fanning the boy’s forehead with his wings.  “How cool I feel,” said the boy, “I must be getting better”; and he sank into a delicious slumber.
Then the Swallow flew back to the Happy Prince, and told him what he had done.  “It is curious,” he remarked, “but I feel quite warm now, although it is so cold.”
“That is because you have done a good action,” said the Prince.  And the little Swallow began to think, and then he fell asleep.  Thinking always made him sleepy.
When day broke he flew down to the river and had a bath.  “What a remarkable phenomenon,” said the Professor of Ornithology as he was passing over the bridge.  “A swallow in winter!”  And he wrote a long letter about it to the local newspaper.  Every one quoted it, it was full of so many words that they could not understand.
“To-night I go to Egypt,” said the Swallow, and he was in high spirits at the prospect.  He visited all the public monuments, and sat a long time on top of the church steeple.  Wherever he went the Sparrows chirruped, and said to each other, “What a distinguished stranger!” so he enjoyed himself very much.
When the moon rose he flew back to the Happy Prince.  “Have you any commissions for Egypt?” he cried; “I am just starting.”
“Swallow, Swallow, little Swallow,” said the Prince, “will you not stay with me one night longer?”
“I am waited for in Egypt,” answered the Swallow.  “To-morrow my friends will fly up to the Second Cataract.  The river-horse couches there among the bulrushes, and on a great granite throne sits the God Memnon.  All night long he watches the stars, and when the morning star shines he utters one cry of joy, and then he is silent.  At noon the yellow lions come down to the water’s edge to drink.  They have eyes like green beryls, and their roar is louder than the roar of the cataract.”
“Swallow, Swallow, little Swallow,” said the Prince, “far away across the city I see a young man in a garret.  He is leaning over a desk covered with papers, and in a tumbler by his side there is a bunch of withered violets.  His hair is brown and crisp, and his lips are red as a pomegranate, and he has large and dreamy eyes.  He is trying to finish a play for the Director of the Theatre, but he is too cold to write any more.  There is no fire in the grate, and hunger has made him faint.”
“I will wait with you one night longer,” said the Swallow, who really had a good heart.  “Shall I take him another ruby?”
“Alas!  I have no ruby now,” said the Prince; “my eyes are all that I have left.  They are made of rare sapphires, which were brought out of India a thousand years ago.  Pluck out one of them and take it to him.  He will sell it to the jeweller, and buy food and firewood, and finish his play.”
“Dear Prince,” said the Swallow, “I cannot do that”; and he began to weep.
“Swallow, Swallow, little Swallow,” said the Prince, “do as I command you.”
So the Swallow plucked out the Prince’s eye, and flew away to the student’s garret.  It was easy enough to get in, as there was a hole in the roof.  Through this he darted, and came into the room.  The young man had his head buried in his hands, so he did not hear the flutter of the bird’s wings, and when he looked up he found the beautiful sapphire lying on the withered violets.
“I am beginning to be appreciated,” he cried; “this is from some great admirer.  Now I can finish my play,” and he looked quite happy.
The next day the Swallow flew down to the harbour.  He sat on the mast of a large vessel and watched the sailors hauling big chests out of the hold with ropes.  “Heave a-hoy!” they shouted as each chest came up.  “I am going to Egypt”! cried the Swallow, but nobody minded, and when the moon rose he flew back to the Happy Prince.
“I am come to bid you good-bye,” he cried.
“Swallow, Swallow, little Swallow,” said the Prince, “will you not stay with me one night longer?”
“It is winter,” answered the Swallow, “and the chill snow will soon be here.  In Egypt the sun is warm on the green palm-trees, and the crocodiles lie in the mud and look lazily about them.  My companions are building a nest in the Temple of Baalbec, and the pink and white doves are watching them, and cooing to each other.  Dear Prince, I must leave you, but I will never forget you, and next spring I will bring you back two beautiful jewels in place of those you have given away.  The ruby shall be redder than a red rose, and the sapphire shall be as blue as the great sea.”
“In the square below,” said the Happy Prince, “there stands a little match-girl.  She has let her matches fall in the gutter, and they are all spoiled.  Her father will beat her if she does not bring home some money, and she is crying.  She has no shoes or stockings, and her little head is bare.  Pluck out my other eye, and give it to her, and her father will not beat her.”
“I will stay with you one night longer,” said the Swallow, “but I cannot pluck out your eye.  You would be quite blind then.”
“Swallow, Swallow, little Swallow,” said the Prince, “do as I command you.”
So he plucked out the Prince’s other eye, and darted down with it.  He swooped past the match-girl, and slipped the jewel into the palm of her hand.  “What a lovely bit of glass,” cried the little girl; and she ran home, laughing.
Then the Swallow came back to the Prince.  “You are blind now,” he said, “so I will stay with you always.”
“No, little Swallow,” said the poor Prince, “you must go away to Egypt.”
“I will stay with you always,” said the Swallow, and he slept at the Prince’s feet.
All the next day he sat on the Prince’s shoulder, and told him stories of what he had seen in strange lands.  He told him of the red ibises, who stand in long rows on the banks of the Nile, and catch gold-fish in their beaks; of the Sphinx, who is as old as the world itself, and lives in the desert, and knows everything; of the merchants, who walk slowly by the side of their camels, and carry amber beads in their hands; of the King of the Mountains of the Moon, who is as black as ebony, and worships a large crystal; of the great green snake that sleeps in a palm-tree, and has twenty priests to feed it with honey-cakes; and of the pygmies who sail over a big lake on large flat leaves, and are always at war with the butterflies.
“Dear little Swallow,” said the Prince, “you tell me of marvellous things, but more marvellous than anything is the suffering of men and of women.  There is no Mystery so great as Misery.  Fly over my city, little Swallow, and tell me what you see there.”
So the Swallow flew over the great city, and saw the rich making merry in their beautiful houses, while the beggars were sitting at the gates.  He flew into dark lanes, and saw the white faces of starving children looking out listlessly at the black streets.  Under the archway of a bridge two little boys were lying in one another’s arms to try and keep themselves warm.  “How hungry we are!” they said.  “You must not lie here,” shouted the Watchman, and they wandered out into the rain.
Then he flew back and told the Prince what he had seen.
“I am covered with fine gold,” said the Prince, “you must take it off, leaf by leaf, and give it to my poor; the living always think that gold can make them happy.”
Leaf after leaf of the fine gold the Swallow picked off, till the Happy Prince looked quite dull and grey.  Leaf after leaf of the fine gold he brought to the poor, and the children’s faces grew rosier, and they laughed and played games in the street.  “We have bread now!” they cried.
Then the snow came, and after the snow came the frost.  The streets looked as if they were made of silver, they were so bright and glistening; long icicles like crystal daggers hung down from the eaves of the houses, everybody went about in furs, and the little boys wore scarlet caps and skated on the ice.
The poor little Swallow grew colder and colder, but he would not leave the Prince, he loved him too well.  He picked up crumbs outside the baker’s door when the baker was not looking and tried to keep himself warm by flapping his wings.
But at last he knew that he was going to die.  He had just strength to fly up to the Prince’s shoulder once more.  “Good-bye, dear Prince!” he murmured, “will you let me kiss your hand?”
“I am glad that you are going to Egypt at last, little Swallow,” said the Prince, “you have stayed too long here; but you must kiss me on the lips, for I love you.”
“It is not to Egypt that I am going,” said the Swallow.  “I am going to the House of Death.  Death is the brother of Sleep, is he not?”
And he kissed the Happy Prince on the lips, and fell down dead at his feet.
At that moment a curious crack sounded inside the statue, as if something had broken.  The fact is that the leaden heart had snapped right in two.  It certainly was a dreadfully hard frost.
Early the next morning the Mayor was walking in the square below in company with the Town Councillors.  As they passed the column he looked up at the statue: “Dear me! how shabby the Happy Prince looks!” he said.
“How shabby indeed!” cried the Town Councillors, who always agreed with the Mayor; and they went up to look at it.
“The ruby has fallen out of his sword, his eyes are gone, and he is golden no longer,” said the Mayor in fact, “he is litttle better than a beggar!”
“Little better than a beggar,” said the Town Councillors.
“And here is actually a dead bird at his feet!” continued the Mayor.  “We must really issue a proclamation that birds are not to be allowed to die here.”  And the Town Clerk made a note of the suggestion.
So they pulled down the statue of the Happy Prince.  “As he is no longer beautiful he is no longer useful,” said the Art Professor at the University.
Then they melted the statue in a furnace, and the Mayor held a meeting of the Corporation to decide what was to be done with the metal.  “We must have another statue, of course,” he said, “and it shall be a statue of myself.”
“Of myself,” said each of the Town Councillors, and they quarrelled.  When I last heard of them they were quarrelling still.
“What a strange thing!” said the overseer of the workmen at the foundry.  “This broken lead heart will not melt in the furnace.  We must throw it away.”  So they threw it on a dust-heap where the dead Swallow was also lying.
“Bring me the two most precious things in the city,” said God to one of His Angels; and the Angel brought Him the leaden heart and the dead bird.
“You have rightly chosen,” said God, “for in my garden of Paradise this little bird shall sing for evermore, and in my city of gold the Happy Prince shall praise me.”
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What are the different finishes of natural stone?
When it comes to choosing a natural stone for a project, there are several factors to consider, as we described in our previous post. Some of these factors include the appearance, the hardness, or the suitability of the stone for the project. After selecting a stone, the next step is to choose the finish. We know that this might be a bit confusing at first, so we would like to give a bit of insight into this matter.
The most common finishes for natural stone are polished, honed or satin, leathered/brushed and bush hammered. Examples of other finishes that are not so common are hydro finish and flamed surface finishes. You can see below the main differences between them.
Polished
Polished is one of the most common types of stone finishes. Polishing is usually applied to marble, travertine, and granite, as it enhances and highlights the natural color and pattern of the stone, making the surface brilliant and shiny. Homeowners who are looking for a glossy effect will find polished finish suits what they are after. A polished surface will certainly add a touch of beauty and glamour to your home, and it will enhance the ambiance where it is installed.
Polishing is achieved by repeated application of abrasive treatments. Through this process, different particle sizes become finer, giving the stone a brighter and lustrous appearance. The polished finish is a classic choice for bathroom wall cladding, floors, console tables, and walls. However, it is not recommended for outdoor areas because it is very slippery.
Honed or Satin
The honed finish provides a smooth, consistent, matt surface. It is contemporary and natural-looking. The satin finish is further achieved by finishing off the process using special fine abrasive pads following the honing process.
As a result of being honed, the shades might look lighter than a polished finish, however, the overall color and depth of the stone are preserved.
A honed finish is usually preferred for floors, stairs, hallways, and other areas with a lot of foot traffic. When a honed surface gets wet, it is less slippery than polished making it a great choice for flooring. Additionally, the honed finish also works well in areas with heavy traffic like countertops, bathrooms, wall coverings, and facades.
Another advantage is honed surfaces are more resistant to scratches and etching, and they go unnoticed for a longer period.
Leathered
The leather finish has become increasingly popular in recent years. The leather finish provides an undulating, soft, and slightly matte surface. This finish is achieved by brushing the slab with a range of brushes. As a result of this process, the surface looks less glossy than polished, but it also has more depth than a honed finish. The result is a refined and captivating stone that will add a touch of warmth and authenticity to any ambiance.
Leathering treatment closes the pores of the stone, which will make leathered stone more resistant to stains and less susceptible to damage over time. Acid etching on marble is much less obvious and visible on a leather finished surface. Leathered surfaces hide fingerprints, water spots, and smudges well. That’s why this finish is a great option for countertops, bathrooms, fireplaces, and also for outdoor applications. In our collection, you can find Calacatta do Brasil, Nero Assoluto, Taj Mahal, or Quarzite Nera with a leathered finish.
Brushed
If you are looking for a finish with slightly more texture and rustic feel, a brushed finish may be the perfect alternative. This effect is created by the stone being brushed by steel mechanical brushes under high pressure. This helps to enhance the natural color of the stone and add an extra bit of texture, leaving the surface rougher and more porous than honed or polished.
Brush finishes are often used in combination with a bush-hammered finish. A brushed finish can be an excellent choice as it maintains the practicalities of a honed finish, however, with a little more detail. This gives the stone an authentic and natural look. The brushed finish is the best option for shower flooring.
Bush-Hammered
This highly textured finish is achieved by the application of a hydraulic bush hammer to the surface. It is commonly used for external applications such as flooring, paving, thresholds, and walkways, as its slip resistance rating is greater than other finishes. A mechanical hammer hits the stone, creating uneven irregularities on the stone. A bush-hammered finish leaves the surface of the stone textured with small indentations, suitable for anywhere indoors and outdoors. The roughness may be varied by using different levels of bush hammering.
Overcoming the Challenges of Stone Cutting with Waterjet Technology
Flow Waterjet
In a recent survey on home buying preferences, one out of every four respondents said they preferred a custom-built home rather than a new home already built or existing home. There are many advantages to having a custom-built home: unique finishes, custom floor plan, superior quality, and getting exactly what you want.
But when your customer requests a unique design, you’re often faced with several challenges, especially when it comes to trendy materials for kitchen countertops, lobby entranceways, and other living spaces in the home. As an architect or home designer, you can use software programs to easily imagine all kinds of personalized elements for a custom home. But converting those designs from the computer screen to the tangible real world? That presents an entirely different set of problems during the construction phase.
Modern Kitchen
These challenges are magnified when the design involves the use of stone. Cutting granite, marble, slate, limestone, soapstone, travertine, engineered stone for intricate counter and floor designs can result in major manufacturing headaches.
Cutting stone: What could go wrong
Recent design trends look great when they jump off the page of the latest interior design magazine and the finished product can be extremely attractive – if the components are properly cut. Many contemporary kitchen and bathroom designs include waterfall countertops – a very different construction from traditional countertops which involve a single horizontal surface that ends at the edge of an island, peninsula, or bank of cabinets.
The waterfall concept, in contrast, drops down vertically from the sides creating a continuous flow to the floor. This design requires that you cut the top of the slab at a 45-degree angle from the edge and then glue the drop-down piece to give the impression of a thicker piece of marble down to the floor. This intricate design introduces an especially tricky cutting problem.
Additional cutting challenges comes when customers request the use of man-made rather than natural materials. Many of these manufactured materials are non-porous, naturally resistant to bacteria and mold, durable, and easy to maintain. That’s good news. The bad news is that these materials are extremely brittle and difficult to cut.
Sintered stone is another man-made material gaining in popularity. It is created by exposing minerals to extremely high temperatures and pressure, creating an incredibly strong and durable surface, resistant to heat, abrasions, and scratches. Again, all positive attributes for the end customer. But the manufacturing process to create this material introduces serious issues when it comes to cutting. The high amount of tension can cause the material to shatter when cutting with conventional bridge saws.
The move to these types of materials isn’t going away. So how are you going to address the resulting cutting challenges?
Waterjet to the rescue
Fortunately, there is a solution to working with difficult natural and man-made stone materials: waterjet cutting technology. Whether you’re cutting natural or engineered stone or other material for floors and counters, you can rely on the abrasive waterjet’s unique ability to cut intricate designs at high speed without breakage. This advanced technology is the key that enables you to bring these imaginative designs to life. Compared to traditional cutting tools and CNC machines, Waterjet cutting systems are easy to use, dramatically increase productivity, and reduce costs when working with stone, glass, and tile.
Flow – Dynamic Cutting Stone
There are several advantages waterjet has over traditional cutting tools when it comes to cutting stone or tile. No heat or surface stress introduced ensuring the stone or tile retains its original appearance and strength. Minimal kerfs improve material utilization, reduces costs, and increasing profits. Virtually no chipping on the edge even on thin materials. Reduced scrap and significant raw material savings. Low operating costs with long cutting nozzle life and light flexible tooling. Omni-directional cutting eliminates constant repositioning on the cutting bed. Minimal lateral and vertical forces eliminate the need for extensive parts clamping. Single-pass cutting for most materials. Net or near-net cutting reduces the need for hand finishing. Real-world results
Juan Trujillo, the owner of Atlanta Natural Stone, has experienced the benefits of waterjet technology first hand. He has been a Flow Waterjet customer for over two years and now has two units – Mach 2B and Mach 200. Before bringing in the waterjet systems he used bridge saws and performed tough cuts by hand. With the Flow waterjet units, Trujillo has been able to grow his business while keeping costs down. The company’s work involves the most high end, a million-dollar custom home market that requires high quality to meet the intricate, unique design requirements.
“We couldn’t do the work we do without the waterjet technology,” Trujillo said. “Our competitors can’t do the type of work we do because they don’t have waterjet systems. They come to me for their high quality, tough cutting needs.” The company employs eight people and brings in extra contract labor to help during peak demand periods. They are now able to do complicated work like waterfall counters two to three times faster than they could with conventional cutting tools. The raw material savings and increased productivity have been a boom to his business.
“Waterjet technology has been key to the success of my business,” said Trujillo. “If you want to take your business to the next level, you should invest in the waterjet.”
Added by expert and export team of Bhandari Marble World…….
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5 Axis CNC Stone Cutting Bridge Saw for Quartz, Granite, Marble
5-axis CNC stone cutting bridge saw is a specialized piece of equipment used for cutting and shaping stone materials, such as granite, marble, and other natural stones, with a high degree of precision and flexibility.These machines are a valuable asset for businesses involved in stone fabrication, design, and sculpting, as they offer precision, efficiency, and the ability to create intricate and customized stone products. When considering the purchase of such a machine, it’s crucial to thoroughly research options, assess your specific needs, and budget accordingly.
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5 axis CNC bridge saw is an automatic infrared stone cutter to make custom slabs and countertops for kitchen and bath including granites, modular granites, granite tiles, honed granites, engineered stones, laminates, soapstones, marbles, quartzites and other stones.For example, cutting and milling straight and inclined edges, chamfering, cutting arc edges, polygon, edge milling, edge tracking, and other powerful functions. The 5 axis bridge saw is widely used in the stone processing plants, kitchen countertop processing, background wall profiling, and other fields. It is the ideal machine for cutting stone slabs with different shapes and sizes.
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5 axis CNC bridge saw adopts a PC-based five-axis linkage numerical control system for stone machining. The tool is controlled by three linear axes and two rotary axes, and the two rotary axes rotate around the X axis and the Z axis respectively. The automatic function of cutting, engraving and milling with complex pentahedral features is mainly used for the processing of high-quality stone decoration with complex surfaces in multi-dimensional space. The stone industry has undergone many product technological changes. The technical characteristics and advantages of the processing equipment whose tool motion trajectory is controlled by 5-axis and 6-axis linkages are becoming more and more obvious. The CNC five-axis bridge stone cutting machine is a professional stone machining equipment with outstanding flexible manufacturing ability and high automation, which uses a diamond disc saw blade as the main cutting tool.
5 axis CNC stone cutting bridge saw adopts an automatic computer control system, which can realize manual programming or CNC programming and other programming methods to automatically complete cutting operations.
5 Axis CNC Stone Cutting Bridge Saw Features
1. It adopts 5 axis bridge cutting head, which is independently researched and developed and adopts the cast rotating bracket. This ensures good stability and flexibility during operation.
2. This bridge saw uses a high-precision RV reducer, ensuring better rotating precision of the cutting head.
3. It has built-in CAM software in the control system for the convenient of drawing designs and programming. Besides, it’s easy to learn the software to make designs.
4. The worktable can flip automatically up to 80 degrees, reducing human labor and facilitating the unloading process.
5. It is capable of cutting lengths of up to 2800mm, widths of 1200mm and thicknesses of 100mm.
6. The table automatically tilts up to 80 degrees. And the spindle is automatically rotated 90° or 360°by hydraulic pressure.
Main Configuration
NameManufacturer/BrandBodyHeavy duty bedGantrySteel structureTableAutomatic copy flip feedingGuide railTaiwan hiwin 35 guide railRackTaiwan YYC 2MScrewTaiwan TBI screw5010MotorVEICHISystemCutcamWater pumpStandardWater pipe12 meters long, 16mm in diameterStandard configuration functionLaser positioning, table flip, cutter, can cut square, round, horse belly side cutting, 45 degree cutting, Taichung basin cutting, Yin Angle drilling and milling, milling cutter openingOptional FunctionsSuction cup displacement, photo layout, inverter, transformer, clean installation and measurement software
5 Axis CNC Stone Cutting Bridge Saw Application
The 5 axis CNC bridge saw can cut any shape of stone lines, arc edges, duckbill edges, straight edges, beveled edges, non-slip grooves, dry hanging grooves, sink processing, and special-shaped edge forming.
1. Countertop cut: blank slab cutting, rear gear cutting, reverse buckle cutting, hanging material, L-shaped table to length, corner cutting reserved, 45-degree chamfered front mouth, pot hole, stove hole, Diagonal line cutting, cutting at any angle of the wall crenel.
2. Automatic cut: Realize the import of CAD drawings, cutting completely according to the drawing style, no need to enter complex data.
3. Bridge cut: It has all the functions of bridge cutting equipment on the market.
4. Roman column cut: Cut the square Roman column main board and both sides at one time, and simultaneously chamfer 45 degrees on both sides to complete the Roman column hole cutting.
5. Arc-shaped line cut: Install the line grinding head to complete the arc-shaped line shape, and cut into a rough arc-shaped line as a whole, which requires manual polishing.
6. Concave-convex cut: According to the arc, grind out the desired convex or concave plate. It is mainly used for grinding and making curved plates of special-shaped background walls or special-shaped decorative panels.
7. Abnormity cut: To solve the problem of uneven walls, cut out asymmetric quadrilaterals or isosceles trapezoids.
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FREQUENT ASKED QUESTIONS
What machining processes can this machine complete?
It can complete edge milling, curved edge cutting, countertop cutting and milling, inclined edge cutting, arc edge cutting and milling, wash basin cutting and other processes.
What software and control system does it use?
This 5 axis stone bridge saw is provided with a built-in CAM software with customized control system dedicated for stone CNC machine. The interface is human friendly, so it is easy to learn and operate.
Can the worktable rotate?
Yes, the worktable of this machine can flip up to 80 degrees to facilitate the unloading of stone slabs. It also improves work efficiency and saves human labor.
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oldsolidbooks · 5 years
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The Happy Prince by Oscar Wilde
High above the city, on a tall column, stood the statue of the Happy Prince. He was gilded all over with thin leaves of fine gold, for eyes he had two bright sapphires, and a large red ruby glowed on his sword-hilt.
He was very much admired indeed. `He is as beautiful as a weathercock,' remarked one of the Town Councillors who wished to gain a reputation for having artistic tastes; `only not quite so useful,' he added, fearing lest people should think him unpractical, which he really was not.
`Why can't you be like the Happy Prince?' asked a sensible mother of her little boy who was crying for the moon. `The Happy Prince never dreams of crying for anything.'
`I am glad there is some one in the world who is quite happy,' muttered a disappointed man as he gazed at the wonderful statue.
`He looks just like an angel,' said the Charity Children as they came out of the cathedral in their bright scarlet cloaks, and their clean white pinafores.
`How do you know?' said the Mathematical Master, `you have never seen one.'
`Ah! but we have, in our dreams,' answered the children; and the Mathematical Master frowned and looked very severe, for he did not approve of children dreaming.
One night there flew over the city a little Swallow. His friends had gone away to Egypt six weeks before, but he had stayed behind, for he was in love with the most beautiful Reed. He had met her early in the spring as he was flying down the river after a big yellow moth, and had been so attracted by her slender waist that he had stopped to talk to her.
`Shall I love you?' said the Swallow, who liked to come to the point at once, and the Reed made him a low bow. So he flew round and round her, touching the water with his wings, and making silver ripples. This was his courtship, and it lasted all through the summer.
`It is a ridiculous attachment,' twittered the other Swallows, `she has no money, and far too many relations;' and indeed the river was quite full of Reeds. Then, when the autumn came, they all flew away.
After they had gone he felt lonely, and began to tire of his lady-love. `She has no conversation,' he said, `and I am afraid that she is a coquette, for she is always flirting with the wind.' And certainly, whenever the wind blew, the Reed made the most graceful curtsies. `I admit that she is domestic,' he continued, `but I love travelling, and my wife, consequently, should love travelling also.'
`Will you come away with me?' he said finally to her; but the Reed shook her head, she was so attached to her home.
`You have been trifling with me,' he cried, `I am off to the Pyramids. Good-bye!' and he flew away.
All day long he flew, and at night-time he arrived at the city. `Where shall I put up?' he said; `I hope the town has made preparations.'
Then he saw the statue on the tall column. `I will put up there,' he cried; `it is a fine position with plenty of fresh air.' So he alighted just between the feet of the Happy Prince.
`I have a golden bedroom,' he said softly to himself as he looked round, and he prepared to go to sleep; but just as he was putting his head under his wing a large drop of water fell on him. `What a curious thing!' he cried, `there is not a single cloud in the sky, the stars are quite clear and bright, and yet it is raining. The climate in the north of Europe is really dreadful. The Reed used to like the rain, but that was merely her selfishness.'
Then another drop fell.
`What is the use of a statue if it cannot keep the rain off?' he said; `I must look for a good chimney-pot,' and he determined to fly away.
But before he had opened his wings, a third drop fell, and he looked up, and saw
- Ah! what did he see?
The eyes of the Happy Prince were filled with tears, and tears were running down his golden cheeks. His face was so beautiful in the moonlight that the little Swallow was filled with pity.
`Who are you?' he said.
`I am the Happy Prince.'
`Why are you weeping then?' asked the Swallow; `you have quite drenched me.'
`When I was alive and had a human heart,' answered the statue, `I did not know what tears were, for I lived in the palace of Sans-Souci, where sorrow is not allowed to enter. In the daytime I played with my companions in the garden, and in the evening I led the dance in the Great Hall. Round the garden ran a very lofty wall, but I never cared to ask what lay beyond it, everything about me was so beautiful. My courtiers called me the Happy Prince, and happy indeed I was, if pleasure be happiness. So I lived, and so I died. And now that I am dead they have set me up here so high that I can see all the ugliness and all the misery of my city, and though my heart is made of lead yet I cannot choose but weep.'
`What, is he not solid gold?' said the Swallow to himself. He was too polite to make any personal remarks out loud.
`Far away,' continued the statue in a low musical voice, `far away in a little street there is a poor house. One of the windows is open, and through it I can see a woman seated at a table. Her face is thin and worn, and she has coarse, red hands, all pricked by the needle, for she is a seamstress. She is embroidering passion-flowers on a satin gown for the loveliest of the Queen's maids-of-honour to wear at the next Court-ball. In a bed in the corner of the room her little boy is lying ill. He has a fever, and is asking for oranges. His mother has nothing to give him but river water, so he is crying. Swallow, Swallow, little Swallow, will you not bring her the ruby out of my sword-hilt? My feet are fastened to this pedestal and I cannot move.'
`I am waited for in Egypt,' said the Swallow. `My friends are flying up and down the Nile, and talking to the large lotus-flowers. Soon they will go to sleep in the tomb of the great King. The King is there himself in his painted coffin. He is wrapped in yellow linen, and embalmed with spices. Round his neck is a chain of pale green jade, and his hands are like withered leaves.'
`Swallow, Swallow, little Swallow,' said the Prince, `will you not stay with me for one night, and be my messenger? The boy is so thirsty, and the mother so sad.'
`I don't think I like boys,' answered the Swallow. `Last summer, when I was staying on the river, there were two rude boys, the miller's sons, who were always throwing stones at me. They never hit me, of course; we swallows fly far too well for that, and besides, I come of a family famous for its agility; but still, it was a mark of disrespect.'
But the Happy Prince looked so sad that the little Swallow was sorry. `It is very cold here,' he said; `but I will stay with you for one night, and be your messenger.'
`Thank you, little Swallow,' said the Prince.
So the Swallow picked out the great ruby from the Prince's sword, and flew away with it in his beak over the roofs of the town.
He passed by the cathedral tower, where the white marble angels were sculptured. He passed by the palace and heard the sound of dancing. A beautiful girl came out on the balcony with her lover. `How wonderful the stars are,' he said to her, and how wonderful is the power of love!'
`I hope my dress will be ready in time for the State-ball,' she answered; `I have ordered passion-flowers to be embroidered on it; but the seamstresses are so lazy.'
He passed over the river, and saw the lanterns hanging to the masts of the ships. He passed over the Ghetto, and saw the old jews bargaining with each other, and weighing out money in copper scales. At last he came to the poor house and looked in. The boy was tossing feverishly on his bed, and the mother had fallen asleep, she was so tired. In he hopped, and laid the great ruby on the table beside the woman's thimble. Then he flew gently round the bed, fanning the boy's forehead with his wings. `How cool I feel,' said the boy, `I must be getting better;' and he sank into a delicious slumber.
Then the Swallow flew back to the Happy Prince, and told him what he had done. `It is curious,' he remarked, `but I feel quite warm now, although it is so cold.'
`That is because you have done a good action,' said the Prince. And the little Swallow began to think, and then he fell asleep. Thinking always made him sleepy.
When day broke he flew down to the river and had a bath. `What a remarkable phenomenon,' said the Professor of Ornithology as he was passing over the bridge. `A swallow in winter!' And he wrote a long letter about it to the local newspaper. Every one quoted it, it was full of so many words that they could not understand.
`To-night I go to Egypt,' said the Swallow, and he was in high spirits at the prospect. He visited all the public monuments, and sat a long time on top of the church steeple. Wherever he went the Sparrows chirruped, and said to each other, `What a distinguished stranger!' so he enjoyed himself very much. When the moon rose he flew back to the Happy Prince. `Have you any commissions for Egypt?' he cried; `I am just starting.'
`Swallow, Swallow, little Swallow,' said the Prince, `will you not stay with me one night longer?'
`I am waited for in Egypt,' answered the Swallow. `To-morrow my friends will fly up to the Second Cataract. The river-horse couches there among the bulrushes, and on a great granite throne sits the God Memnon. All night long he watches the stars, and when the morning star shines he utters one cry of joy, and then he is silent. At noon the yellow lions come down to the water's edge to drink. They have eyes like green beryls, and their roar is louder than the roar of the cataract.'
`Swallow, Swallow, little Swallow,' said the prince, `far away across the city I see a young man in a garret. He is leaning over a desk covered with papers, and in a tumbler by his side there is a bunch of withered violets. His hair is brown and crisp, and his lips are red as a pomegranate, and he has large and dreamy eyes. He is trying to finish a play for the Director of the Theatre, but he is too cold to write any more. There is no fire in the grate, and hunger has made him faint.'
`I will wait with you one night longer,' said the Swallow, who really had a good heart. `Shall I take him another ruby?'
`Alas! I have no ruby now,' said the Prince; `my eyes are all that I have left. They are made of rare sapphires, which were brought out of India a thousand years ago. Pluck out one of them and take it to him. He will sell it to the jeweller, and buy food and firewood, and finish his play.'
`Dear Prince,' said the Swallow, `I cannot do that;' and he began to weep.
`Swallow, Swallow, little Swallow,' said the Prince, `do as I command you.'
So the Swallow plucked out the Prince's eye, and flew away to the student's garret. It was easy enough to get in, as there was a hole in the roof. Through this he darted, and came into the room. The young man had his head buried in his hands, so he did not hear the flutter of the bird's wings, and when he looked up he found the beautiful sapphire lying on the withered violets.
`I am beginning to be appreciated,' he cried; `this is from some great admirer. Now I can finish my play,' and he looked quite happy.
The next day the Swallow flew down to the harbour. He sat on the mast of a large vessel and watched the sailors hauling big chests out of the hold with ropes. `Heave a-hoy!' they shouted as each chest came up. `I am going to Egypt!' cried the Swallow, but nobody minded, and when the moon rose he flew back to the Happy Prince.
`I am come to bid you good-bye,' he cried.
`Swallow, Swallow, little Swallow,' said the Prince, `will you not stay with me one night longer?'
`It is winter,' answered the Swallow, `and the chill snow will soon be here. In Egypt the sun is warm on the green palm-trees, and the crocodiles lie in the mud and look lazily about them. My companions are building a nest in the Temple of Baalbec, and the pink and white doves are watching them, and cooing to each other. Dear Prince, I must leave you, but I will never forget you, and next spring I will bring you back two beautiful jewels in place of those you have given away. The ruby shall be redder than a red rose, and the sapphire shall be as blue as the great sea.'
`In the square below,' said the Happy Prince, `there stands a little match-girl. She has let her matches fall in the gutter, and they are all spoiled. Her father will beat her if she does not bring home some money, and she is crying. She has no shoes or stockings, and her little head is bare. Pluck out my other eye, and give it to her, and her father will not beat her.'
`I will stay with you one night longer,' said the Swallow, `but I cannot pluck out your eye. You would be quite blind then.'
`Swallow, Swallow, little Swallow,' said the Prince, `do as I command you.'
So he plucked out the Prince's other eye, and darted down with it. He swooped past the match-girl, and slipped the jewel into the palm of her hand. `What a lovely bit of glass,' cried the little girl; and she ran home, laughing.
Then the Swallow came back to the Prince. `You are blind now,' he said, `so I will stay with you always.'
`No, little Swallow,' said the poor Prince, `you must go away to Egypt.'
`I will stay with you always,' said the Swallow, and he slept at the Prince's feet.
All the next day he sat on the Prince's shoulder, and told him stories of what he had seen in strange lands. He told him of the red ibises, who stand in long rows on the banks of the Nile, and catch gold fish in their beaks; of the Sphinx, who is as old as the world itself and lives in the desert, and knows everything; of the merchants, who walk slowly by the side of their camels, and carry amber beads in their hands; of the King of the Mountains of the Moon, who is as black as ebony, and worships a large crystal; of the great green snake that sleeps in a palm-tree, and has twenty priests to feed it with honey-cakes; and of the pygmies who sail over a big lake on large flat leaves, and are always at war with the butterflies.
`Dear little Swallow,' said the Prince, `you tell me of marvellous things, but more marvellous than anything is the suffering of men and of women. There is no Mystery so great as Misery. Fly over my city, little Swallow, and tell me what you see there.'
So the Swallow flew over the great city, and saw the rich making merry in their beautiful houses, while the beggars were sitting at the gates. He flew into dark lanes, and saw the white faces of starving children looking out listlessly at the black streets. Under the archway of a bridge two little boys were lying in one another's arms to try and keep themselves warm. `How hungry we are!' they said. `You must not lie here,' shouted the Watchman, and they wandered out into the rain.
Then he flew back and told the Prince what he had seen.
`I am covered with fine gold,' said the Prince, `you must take it off, leaf by leaf, and give it to my poor; the living always think that gold can make them happy.'
Leaf after leaf of the fine gold the Swallow picked off, till the Happy Prince looked quite dull and grey. Leaf after leaf of the fine gold he brought to the poor, and the children's faces grew rosier, and they laughed and played games in the street. `We have bread now!' they cried.
Then the snow came, and after the snow came the frost. The streets looked as if they were made of silver, they were so bright and glistening; long icicles like crystal daggers hung down from the eaves of the houses, everybody went about in furs, and the little boys wore scarlet caps and skated on the ice.
The poor little Swallow grew colder and colder, but he would not leave the Prince, he loved him too well. He picked up crumbs outside the baker's door where the baker was not looking, and tried to keep himself warm by flapping his wings.
But at last he knew that he was going to die. He had just strength to fly up to the Prince's shoulder once more. `Good-bye, dear Prince!' he murmured, `will you let me kiss your hand?'
`I am glad that you are going to Egypt at last, little Swallow,' said the Prince, `you have stayed too long here; but you must kiss me on the lips, for I love you.' `It is not to Egypt that I am going,' said the Swallow. `I am going to the House of Death. Death is the brother of Sleep, is he not?'
And he kissed the Happy Prince on the lips, and fell down dead at his feet.
At that moment a curious crack sounded inside the statue, as if something had broken. The fact is that the leaden heart had snapped right in two. It certainly was a dreadfully hard frost. Early the next morning the Mayor was walking in the square below in company with the Town Councillors. As they passed the column he looked up at the statue: `Dear me! how shabby the Happy Prince looks!' he said.
`How shabby indeed!' cried the Town Councillors, who always agreed with the Mayor, and they went up to look at it.
`The ruby has fallen out of his sword, his eyes are gone, and he is golden no longer,' said the Mayor; `in fact, he is little better than a beggar!'
`Little better than a beggar' said the Town councillors.
`And here is actually a dead bird at his feet!' continued the Mayor. `We must really issue a proclamation that birds are not to be allowed to die here.' And the Town Clerk made a note of the suggestion.
So they pulled down the statue of the Happy Prince. `As he is no longer beautiful he is no longer useful,' said the Art Professor at the University.
Then they melted the statue in a furnace, and the Mayor held a meeting of the Corporation to decide what was to be done with the metal. `We must have another statue, of course,' he said, `and it shall be a statue of myself.'
`Of myself,' said each of the Town Councillors, and they quarrelled. When I last heard of them they were quarrelling still.
`What a strange thing!' said the overseer of the workmen at the foundry. `This broken lead heart will not melt in the furnace. We must throw it away.' So they threw it on a dust-heap where the dead Swallow was also lying.
`Bring me the two most precious things in the city,' said God to one of His Angels; and the Angel brought Him the leaden heart and the dead bird.
`You have rightly chosen,' said God, `for in my garden of Paradise this little bird shall sing for evermore, and in my city of gold the Happy Prince shall praise me.'
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hoseokmylovesworld · 5 years
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Picture of Love | 11 (M)
Pairing: Photographer!Hoseok x OC x Producer!Yoongi
Genre/Warnings: Hoseok AU/Yoongi AU/Includes strong language, smut, dirty talk, praise kink
Words: 6,056
Summary: Charlotte Galloway is the leader of the up and coming girl band, “She-Bang”, with a side hustle as a photographer for anyone who will hire her.  She meets a fellow professional photographer named Jung Hoseok who helps “She-Bang” realize their dreams and Charlotte to make a love connection along the way.
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"I didn't know we were going shopping." I turn to J-Hope once I finally get myself together from my insane fit of laughter.
Even standing here now with my eyes travelling over all the sexual gadgets on every wall, I couldn't bring myself to believe Jay brought me to a sex shop. The place was way bigger than I could have guessed. Rows of dildos and vibrators, vibrating dildos and anal stimulators went on forever it seemed. There were even walls stocked with weapons, accessories and rope for bondage along with every leather creation known to man. On the opposite wall of the store were imaginative costumes for roleplay. The classic doctor and nurse duo caught my eye and my mind took off with a bed room scenario including Jay in a snazzy lab coat and scrubs and me in a tight, red and white nurse's ensemble. Mmm.
Being pulled out of his shocked stare, he turns to me, flustered.  
"Yeah? Neither did I." He remarks, turning back to his surroundings with his hand with his hand on his hip, finding the humor in the situation, finally. "...Unless you wanted to...I could... you know... " he gestures to the toys to communicate that if I were interested, he would buy me something.
I'll keep that in mind.
"No, thank you. I'm quite satisfied with the collection I have now... Thanks though." I say, looking back at him to gauge his reaction, but taking a few more steps into the business.
Jay makes a slightly caught off guard face and his cheeks slowly, but surely accumulate a pink hue.
"Don't act surprised, you saw that coming. Probably." I brush off.
"Yes, I suppose I did." He laughs. "Well, I'm sorry I brought you all the way here for nothing. Makes for a good story though, ha... I'm gonna kick Suho's ass for this." He curses under his breath.
"Oh? Or did you do this on purpose to tell me something?" I move closer to him and rest my hands on his chest, making suggestive eyes at him, planning to make my move.
He takes hold of my waist in turn, but his next words contradict his actions. "Charlotte, if I wanted to tell you I wanted to sleep with you, I would." He utters smiling, as if it were nothing.
Ooh, bold and rude are we?
"So...why haven't you? Do you not want...?" I don't finish my sentence out of pure embarrassment and offense. I begin to back away and release myself from his grip in fear of making a fool of myself any further.
"No! I mean yeah, I do!" He stammers, attempting to bring my body back to himself. "I just...I thought you wanted to take things slow." He makes a very confused, yet hopeful face. My shoulders drop and I can't help, but let out a giggle.
Of course the reason he hasn't questioned me about sex is because he's concerned. How am I even able to be associated with this man?
"Yes, I do... but I'm thinking this can be the exception." I move closer and lean up to whisper in his ear and press my hand to his crotch, evoking a groan from J-Hope. "'Cuz I really like you. Also because I really wanna suck your dick." He laughs nervously, briefly ducking his head into my neck.
"That sounds... amazing, but I probably should get some food in you first." He looks down into my eyes, caressing my face once again.
"Or you could put something else in me." I persist, biting my lip for effect and keeping eye contact.
J-Hope just laughs freely, all nervousness gone. "That sounds even better, believe me, but I'm serious. You should really eat something and I'm actually pretty hungry myself." He says more sternly, but still has yet to remove my hand. That's the second hard-on I gave him today and he's not jumping my bones.
Is this a joke?
"Wow, what a gentlemen... fine, I'll play by your rules." I relent, accepting that I've lost the battle.
"Good... because soon there won't be any." he whispers in my ear and then  took my hand that was on his crotch and kissed the back of it all while looking at me with those bedroom eyes.
Mission complete. Message received.
I then take the hand that's holding mine and kiss that as well, earning a pleasantly surprised face from Jay. "Good. Let's get outta here."
I drag him out of the building, not sparing the silly blonde another glance on the way out. The car is charged with sexual tension and comfortable yet static silence.
J-Hope pulls up to a large, stone building and parks directly in front of it. "This is where we're having dinner?" I inquire as he helps me out of the car.
"Yeah." He shrugs. "Hope you don't mind." He sends me a smirk and doesn't wait for a reply, leading me towards the building that reads Nob Hill Apartments on at the top. Oh.
I take a good look around the lobby on our way to the elevator. It was filled with huge leather chairs and mahogany furniture and marble walls, altogether a very expensive looking place. Before I can comprehend what's happening, my view is disrupted by the closing of the elevator doors. Coming back to myself, I assess the situation aloud.
"So, what are we going to do about dinner at your apartment?" I'm genuinely confused as to why he didn't just go to the drive through or something. The elevator dings once we reach the fifteenth floor and we step out to approach a lone door at the end of a short corridor. "I'm gonna cook for you, of course." J-Hope takes his keys out and unlocks the door. Oh this just keeps getting better and better.
"You're... gonna cook... for me?" I stand, dumbfounded in the hall. Jay just turns to me and flags me over with a tilt of his head and a flick of his wrist. "Yes, now come in." He laughs. I cross over the threshold into Jay's apartment that happens to be huge as fuck. Before I have a good look around, he requests that I take my heels off and he removes my coat and put them all in the coat closet. A fucking coat closet in an apartment.
"Alright, would you like the grand tour?"
"Yes, please."
"Ha ha, okay."
The closest was the full bathroom, which was surprisingly, very clean, next was the fully equipped laundry room. After that, was Jay's bed room, which had a beige upholstered, king sized bed with a mac laptop resting carelessly on the bed spread, a walk in closet, another full bath, a metal computer desk with a neat desktop setup, for editing I assume, and a stack of books on top of it. The walls were a cool grey and the space was very tidy, but the room still gave off a comfortable, "lived-in" feeling.
"Next is the living room." Along with the initial door that lead us to the bedroom from the hall, there was a sliding, white door that took up most of the wall that lead to the living room. 
Well shit.
The first thing I notice about the living room was the magnificent view of the city from its abundant windows. The Golden Gate and Bay bridges along with the rest of the San Francisco were lit up against the night sky. I let out a content sigh. J-Hope comes to stand beside me as I stare at the beautiful view. "That view is part of the reason why I took the place. My roommate loves that view too." I immediately turn my head in his direction at this.
"Roommate?" I ask, slightly concerned.
"Oh, yeah, well, not really my roommate, my friend is just staying for a while. He won't be back tonight though, don't worry." He rubs my arms, comfortingly, while shooting me a flirtatious glance and I decide to study the living room further so as to not jump his bones right here. 
He'd better not.
It had dark, hardwood floors with a large grey rug covering most of it and a coffee table sat on top of it. A hefty three seat, leather couch accompanies the coffee table and is flanked by two more leather armchairs in front of the full entertainment system and massive flat screen.
"Nice." I say to myself, but he responds "Thanks. That's my guest/roommate's room over there." He points to the closed, sliding door on the right of the living room, directly across from his.
"And this is where all the magic happens. The kitchen." I am then lead into the kitchen that does not belong inside an apartment, but a two story suburban home. There's every kitchen appliance ever to exist and all the cabinet space you could ever wish for. There's even a granite island with three stools in front of it. I take a seat in one as J-Hope gets to work pulling out utensils and ingredients. I watch as he pulls the sleeves of his white dress shirt up to his forearms and washes his hands.
"You have such a nice place here." I say continuing to ogle my surroundings.
"Thanks. Yeah, I worked really hard for it." He doesn't bother taking his attention off of what he's doing.
"I see that. What does your roommate do?" I ask, simply trying to make conversation. I could give a shit what his roommate does for a living.
"Uh, he's a music producer." He shares absentmindedly, very focused on his task.
"Oh, that's cool." I nod. "What are we eating anyway?" I try to peak over his shoulder.
"Chicken parmesan and some spaghetti." I audibly gasp behind him, my eyes popping out of my head.
"That's my favorite food." I announced excitedly.
He turns slightly to me with a pleased smirk. "I know." He almost purrs or at least that's what it sounded like to me. "Oooh, he listens." I cooed proudly. "Of course he does." He shot back satisfied with himself causing me to giggle.
This along with the thought that he probably prepared for this night under different circumstances on a separate occasion really warmed my heart completely.
"Hey, you want some wine to hold you over? This might take a while." He points to the chicken he was in the middle of seasoning.
"Oh, yes please." I accept without a second thought. J-Hope pulls a bottle of Dom Pérignon Rose from the fridge and pours two glasses. I take a sip and savor the taste and watch Jay as impressed as I've ever been. Man, he's got money, a nice car, a nice place and he can cook! 
From what I can smell anyway. God, please don't let me fuck this up anytime soon.
We make small talk for a little while longer before I begin to get bored just sitting and watching his back, so I make my way to the counter, near the stove, where he's working to get a closer look. I glance at the browning chicken in the pan and then up at J-Hope through my lashes and we lock eyes before he chuckles and looks away, I notice, he even starts to blush. How fucking cute is that?!
"You want a sneak peak?" He says, preparing a spoon full of the homemade spaghetti sauce for me to sample. Yeah, a sneak peak of that dick.
"Yeah sure!" I answer, just happy to have his attention again.
He happily escorts the spoon to my lips and my eyes widen once the sauce hits my taste buds.
"Jay," I grab his arm quickly as if I have pressing information to tell him. He looks back at me intently, awaiting my message. "I don't know if you know this, but...this is actually good." I say in a shocked voice. I drop the act and let out a chuckle when his shoulders drop from their tense pose and he narrows his eyes at me.
"That's very funny, but I'm not surprised." He replies, suddenly reaching out to touch my face. He swipes his thumb across the corner of my mouth and comes back with a red sauce that he immediately sucks into his mouth all while making eye contact with those bedroom eyes of his. "Tease." I whisper under my breath, making my way back to the island to sip on my wine. Jay chuckles at my actions and continues cooking, forcing me to do nothing, but look at his impressive back muscles. Taunting me without even trying now.
Get it together Char.
More small talk ensues until I peak to see Jay plating the food. He brings two plates and the bottle of wine over to the island and sits beside me. "Whew! Finally, I'm starving." I dig in without a second thought or reply from Jay. Once again I'm speechless at how delicious this dish is that I've been eating all my life.
"OH, J-Hope!" I mumble frantically through all the food in my mouth. He all-but jumps in his chair and looks me over for any injuries. "What? What is it!? Is it the food? What's wrong?" He asks wildly, trying to find solutions.
I nod hurriedly and swallowed everything in order to speak. "J-Hope, this is so fucking good!" I announce the reason why I was making a fuss and his expression completely changes from one of concern to betrayal. He goes back to eating his meal, fighting off a desperate need to laugh, while I for one took to laughing at his expense openly.
"Awww, Jay. Don't be mad." I teased through laughter as I wrapped my arms around his shoulders. "You nearly gave me a heart attack." He replied, emotionless. "Awww, I'm sorry. It was just so delicious. I couldn't help myself." I say peppering kisses along the exposed right side of his body. I continue to do this as a moment of silence comes over us until Jay speaks up.
"That's twice I fell for that joke." he whispers. "I know! I'm amazing aren't I?" I let go to reward myself with a fork full of chicken parm.
"I can't argue with you there. Just not again, please." He looks up feebly, only half joking. "Yes, Jay, you got it. Thanks so much for cooking me this amazing meal by the way. It's lovely." A genuine smiles adorns his perfect face and I mentally pat myself on the back for putting it there.
"Of course, I've actually been wanting to do this for a while, but haven't found the right time. Ha, maybe I should be thanking Suho for telling me to go to that place."
I knew it! He had been planning to make me dinner after all. I don't know how to respond once my suspicions are proven true, as I'm filled with so much pleasure to hear that he would plan all this for me. It shows that he really put a lot of thought into this night to cook my favorite food, save an expensive wine bottle for the occasion and entertain my foolishness all the while. I place my hand on his forearm that rested on the table without thinking.
"You don't have to, you know?" I said in a low voice.
"Don't have to what?" he inquired genuinely lost at my vague sentence.
"To...Impress me, I guess." J-Hope was clearly not expecting this answer, as his eyes got the slightest bit wider and his mouth moved into a small frown. He was obviously lost. "I mean...What I mean to say is, you've taken me to the most expensive restaurants and nothing less, used your resources and connects to get wonderful photos and videos for my band and here you've worked really hard to make me this amazing meal and...I really appreciate it. No one has ever done this much for me... But I would be satisfied with like a burger and fries or something too." We both can't help, but laugh at that last part.
"I know Charlotte. That's the main reason why I like you so much." I give a toothy grin at the compliment that made me feel warm inside and make a side note to ask him about the other reasons later. We each go back to eating in comfortable silence before he decided he had more to say on the topic.
"I want to, though." Were his next words, leaving me the one to look at him in confusion. "Impress you, I mean... I mean it's not like you don't deserve it and it's no secret, I think you're... incredible and honestly, probably the most stunning girl I've ever met." I look down at the commendation out of habit. Jay gets up out of his chair to close the distance between us and lift my chin up to look at him with his thumb and index finger. "So forgive me for wanting to go the extra mile for someone as utterly brilliant as you are."
My stomach struggled to withhold the slew of butterflies running rampant inside it at the amount of praise coming from Hoseok. I honestly didn't know how to take it all, I definitely wasn't used to this and I could swear I felt tears flaring up behind my eyes at the sentiment. But there was no time to process it anyways seeing as Jay's lips were headed straight for mine and I welcomed them, gladly.
He took my face in both hands and bent down to plant on a kiss on my waiting lips. Instinctively, I wrap my hands around his middle, feeling everything I can and let my legs spread wider to give him better access so that I was on the edge of my seat and there is no space left between us. Jay's tongue easily enters my mouth as the kiss turns rough and I let out a soft moan, loving where this is going.
He runs his hands down my sides, not missing a single curve on his way to my thighs. I feel his hands caress the backs of my thighs and suddenly I'm being lifted into the air onto the island in the same exact position without breaking the kiss. An excited and impressed squeal escapes as I land, causing Hoseok to chuckle into my mouth. His mouth travels down my jaw to my neck, spending time on my sweet spot before he explores my collar bones and repeating the whole process with a hunger, like his life depended on it.
He dragged my body to the edge of the counter, one hand on each of my ass cheeks, causing my skirt to ride all the way up. With this, he properly grinded into my center, which was right where I needed him.
"Nnngh... You gonna give me what I want now?" I ask breathlessly in Hoseok's ear, in as sultry a voice as I can muster. "Yes, Charlotte." He pants in between his attacks on my neck. "Anything... You want... It's yours."
Arousal seemed to rush between my legs at the assertion and the delicious assault he was delivering to my jugular.
"Mmm." I hummed in approval, gripping the silky black hair at the crown of his head and pulling it back so that I could look him in those beautiful brown eyes. He wasn't expecting the rough action, moaning at the loss of exposed skin to gnaw on. He looked absolutely ravenous. His eyelids hooded with lust, chest heaving with excitement, ready to pounce again at any moment. I doubted I looked any different. 
It was an odd experience, seeing Hoseok so wild and untamed like his usual gentlemanly self, but I'd be lying if I said I wasn't going to enjoy every minute of it.
"Take me to you room." I say before connecting our lips again. Jay wastes no time in picking me up and getting us to his room. He makes a b-line directly for the bed and carefully places me down on it before going to climb on top of me.  He gives me a passionate kiss that sends warmth through my chest and continues his onslaught on my neck. 
"God, I love your collar bones." He explains giving them a pleasant nip. I moan in delight at the statement. He starts to make his way down my body and I stop him because I have plans of my own.
"Ah-ah." I interrupt him. Jay looks up at me in bewilderment. "Take off your pants and get on your back." I instruct earnestly. A smug smirk appears on J-Hope's face, I don't return it seeing as he is unmoving between my legs. "You calling the shots now baby?" I try not to get distracted by the titillating chill that runs up my spine at the pet name or the memory of our almost first kiss with the phrase before it.
"Don't play dumb, you know what I want." I press, not even trying to hide the carnal desire building up inside of me for this man. Jay seems taken aback and pleased with my answer all at once. He moves off the bed to properly remove his offensive clothing, getting completely naked. "Fuck." I let slip while ogling his body, seeing that he has six pack abs and a very large penis.
"Soon, just be patient." He replies in a smug voice, getting back on the bed. I take advantage of his position and grab hold of his shoulders, pinning him to the bed so that I'm on top. "Smartass." I say as I go to flick his nipple with my tongue.
"Sss! Ahh, uh, that's new." He swallows hard, not knowing what to do with his hands at the sign of something new. "Just sit back and relax, baby." I drawled, pleased that the pet name had the same effect on him as it did on me.
I watch him visibly release the tension from his body and went back to tracing the expanses of his body with my tongue. Jay was mostly silent unless it had to do with his nipples or the area around his privates. I teased him by leaving hickeys on his hips and v-lines and blowing on the sensitive skin, even going as far as biting his thighs a couple of times. 
I would make my way back and forth across his pubic bone and kitten-lick his cockhead each time, but never putting it in my mouth, causing him to whimper. I was having the time of my life just worshipping this man's body, enjoying his moans of pleasure with no rush for him to return the favor... Now that's new.
In my fun-filled daze, I hear Jay's voice in between the pants and whines. "Charlotte," He mewls. "Please..."
Oh? "Hm?" I look up to find his face screwed up in anguish, his left hand fisted in the sheets and the other half covering his face. "What was that?" I question, nipping at his abdominal muscles once more.
"Please-ss! Please stop teasing..." He looks down at me, pleadingly, which I return with a smug smile of my own. I've never been the one to earn pleas from a partner during sex, let alone wish to hear someone beg, but with Hoseok, it was one of the most magnificent sounds to ever grace my ears. It's all I've ever wanted.
"Is that what I'm doing?" I ask coyly. "Yes, Charlotte that is what you're doi-haugh!" His fretting was cut short as I finally took his erection in my hand, offering some kind of friction. "There's no need to raise your voice." I all, but whisper, letting the heat of my breath fall onto the tip of his cock.
"Hoo, ha ha, Charlotte," He begins, losing his patience.
"Say it again." I let my tongue slide up the side of his length briefly.
"Ahh, say what?" Jay asked cluelessly, surely losing his mind. "You know what." Is all I offer him with a sinister gaze. I felt a surge of power rush over me and I loved it. Being in control for once.
"Huhh... Please?" He takes a crack at it, but I wanted more. "Is that all you got?" I inquire while running my fingers along the underside of his balls.
"Mmm! Please, Charlotte will you put my dick in your mouth?" He spat out all at once, chest heaving.
"Mm, better... What will you give me?" I give his cock one long stroke and watch his body shudder. My mouth fell open at the sight and I couldn't resist the urge to touch myself. I hiked my skirt all the way up and stuck my hand inside my underwear to find an insane, but not surprising, amount of arousal already there. Collecting some, I teasingly swirled my fingers around my clit waiting for Hoseok's reply.
Hoseok looks down to see what all the movement is and his head falls back on the bed defeatedly in response. "Ugh, anything! I'll give you anything." He repeats his words from earlier and it's almost enough. I just need one more thing.
"Who's cock is this?" His dick twitches in my hand at the query.
"Oh, it's yours. It's all yours Charlotte, all of it." He panted out wholeheartedly, making my clit throb underneath my fingers and my stomach fill with butterflies simultaneously. With this, I finally took him into my mouth, hollowing out my cheeks and jerking him off with my hand. 
Jay tremors with the contact and immediately fists the sheets, this time with both hands. I take the hand in my panties and drag his fist to my head, signalling that he should grab onto  that instead. He takes the hint and takes a fist full of my hair in his hand and tugs, causing my hand to quickly find its way to my clit again.
"You like when I pull on your hair, huh, baby?" I nod as I bob my head up and down on his dick and let out a moan of approval, sending vibrations through him, causing him to pull on my hair again and the cycle continued as such until Hoseok announces, "I'm gonna cum, Charlotte." I made no move to get off of him, I only nod in understanding. This exchange gives Hoseok the approval he needs to hold my head down on his cock as he hits the back of my throat. 
Tears well up in my eyes at the pressure, but I fight through it as this is all I wanted and this is definitely not my first rodeo. He groans and comes down my throat in hot spurts, waves of pleasure visibly running through his body as he does. He promptly sinks into the bed, satiated and happy while I clean up the mess, still sucking on and sometimes licking up and down his cock because I can. 
Hoseok comes back to life at some point and doesn't stop me, he only caresses my face and massages my scalp and I feel him start to get hard again in my mouth. 
"God, you are amazing." He looks down at me with nothing, but adoration and I give the same gaze back.
"Come here." He orders with his finger. I'm powerless against his strong, heated gaze as I climb my way back up his body. He meets me halfway and I'm sat in his lap, kissing his soft, swollen lips. He works my shirt up over my head and gets rid of my bra in record time. This most definitely is not his first rodeo either. 
He forces me straight back and pins me to the bed now. He eyes my bruised neck and chest with pink and red hickeys covering my brown skin, proudly before diving in to gift me more. I giggle and moan at the gesture. He must really have a thing for collar bones, it's kind of cute.
He travels down to my breasts and gets a kick out of my squirming as he greedily, stroked my nipples with his tongue. Migrating further south, he licked and sucked skillfully down the plains of my body with his sinful mouth. I whined at the loss of contact, as he carelessly removed my skirt and underwear at once. He looks me over once again in awe, it seems. I almost start to fidget under his gaze, but I fight it. The show I put on earlier reminds me of how confident I truly am and I find the power to gaze right back at him with lust filled eyes, silently begging him to take me.
"You're so beautiful, Charlotte." The pure adoration in the way he utters my name sends a delicious chill down my spine. I smile in thanks, not knowing what else to say and frankly struggling to find the words. He doesn't give it a second thought, instead, he backs up and pushes my legs back so that they're touching my stomach and takes my clit into his mouth without warning. 
I intuitively, buck my hips into his mouth, Jay puts a stop to that by grabbing my thighs and forcing them down. The force he exerts will definitely leave bruising, but I find I am more than okay with that when I think about how I want Jay to leave his mark on me. The thought alone causes me to moan out and I grab Jay's head for leverage, twisting my fingers into that thick black hair that I love so much. He hums in approval into my pussy and I let out a tiny shriek.
"Ohhh, yes! Don't. Fucking. Stop." I pull his face closer to my cunt with both hands and my body arches off the bed when he sucks my clit into his mouth and repeatedly flicks his tongue against it full force.
"Shit! Yes, yes, yes, yes, yes, yes, hah!" I felt myself getting close when he Jay inserted two fingers and started fingering me at an intense speed, catapulting me directly into my orgasm. My body froze in place and everything around me stood still. I let out a silent cry and my eyes rolled back into my head as Jay continued to finger me tirelessly for what felt like forever. He continued until I begged him to stop and I couldn't get mad at him for it because I loved every second.
I laid there in a drunken daze, chest rising and falling frantically, slightly convulsing without being touched. I felt Hoseok's body cover mine without putting much weight on me and I turned to face to him. He put both his hands on my face and kept calling my name even though I was right in front of him. With my vision slightly clouded with white spots and my drunken nature, I could see why he might be alarmed.
"Hey, Charlotte? You okay, babe?" The pleasant nickname brought some awareness to me and my senses and I was finally able to make Hoseok out with no spots or anything blocking my vision. The only thing I could think to do when I saw his beautiful face was to kiss him deeply. And the only thing I could think to say afterward was "Thank you."
He just laughs and caresses my face. "Anytime Charlotte." He lays his head on my chest and we just lay there for a while, enjoying the other's company.
"I mean what are you aquaman?" I jokingly ask, causing the both of us nearly cry with laughter. "No, but I try." He lifts his head up slowly and sends me a timid gaze. "You think you got one more in you?" He asks through hopeful, squinted eyes.
As if on cue, his cock twitches against my thigh, fully hard and I can feel arousal swell deep in my gut once more. 
"If what happens next is anything like what I just experienced, I got whatever you want." I said seriously, looking deep into his eyes. He smiled, getting up to put on a condom and bouncing back to the bed like an excited puppy. He gazed at me longingly from above before pouncing on my lips. He kissed me fervently all the while reaching to down to make sure I was still wet enough for the main event. Of course I was.
"You ready?" He asks. "I been ready for a long time." I reply truthfully. I've waited for this moment for what seems like forever and now that it's finally here, I'm trying to revel in it for as long as possible.
Suddenly, he thrust his cock inside me while staring deep into my eyes and I feel like the wind has been knocked out of me. My jaw goes slack and I still his hips to get used to his massive size, but I don't look away. Eye contact during sex isn't a foreign concept to me, but I haven't done it with anyone since my ex. I didn't expect to want to capture the feeling it brings with Hoseok, but it feels more right now than it ever did before.
I girate my hips toward him, letting him know it's okay to move and he pulls almost all the way out and then delves back into me deeply. He hits my g-spot with most of his thrusts, causing my jaw to drop and my eyes to roll back into my head briefly before I refocus on him again and again.
"God, you look so fuckin' hot when you do that. Nnngh, so good baby, you're so good." I smile lazily and hum happily at the praise given to me. Jay takes notice of this.
"You like when I tell you how good you are?" He demands, his thrusts getting more powerful. "Ah! Yes!" My back completely arches off the bed and Hoseok follows my hips up into a new angle where he's on his knees, taking the weight of my hips and my shoulders and arms are the only part of me on the bed.
I let out a shout at the new angle that is bringing me closer and closer to my climax. "Right there! Oh my God, yes!" I scream as Hoseok takes complete control, guiding my body where it needs to go with his body as well as with his words.
"Oh, yes. You're so good Charlotte. Just taking my cock like that. Just take it, it's yours. All yours baby. Ooh--squeeze it like that again... Oh fuck."
Hoseok's intoxicating words and his rapid thrusts left me floating in a sea of nothingness. Euphoria spread from the tips of my toes to the every pore in my body. I was once again frozen in time and space, just a non-responsive pile of gummy limbs left throbbing around this cock for him to use as he pleased. And use it, he did and I welcomed every second of it. He came into the condom a while after me because he has the labido of a horse on steroids and collapsed on top of me. It was not a completely unwelcomed experience. I eventually wrapped my arms around him and vice versa, I was completely content.
A few minutes later, he got up to throw the condom away and made his way back to bed for a bit of cuddling. I haven't been a cuddler for years, but like most things when it came to Hoseok, I made an exception.
"That was absolutely amazing." He uttered into my chest, that was now cluddered with hickeys and fingerprints. "You can say that again. You're a fucking animal Jay, who knew?" We both laughed.
"I could say the same about you. Oh and Charlotte?"
"Yeah?" I peer down at him to get a better look.
"If we're gonna keep doing this, maybe you should learn how to pronounce my real name so I can hear you scream it next time." He smiles at me only half-joking.
I don't hesitate to take the pillow under him and slam it down on his face.
But he's not wrong, I would love to.
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