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kamenstranger · 27 days ago

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A review(?) of Dandadan

Starting these reviews off is always the hardest part, but it often comes to me after some time filling out the rest of the article. Dandadan has been stubborn in that regard, so much so I've been trying to figure out where to start with this series since it first came out.

I began reading DDD before tankōbon's were being printed, hell before it even made it to NA digitally (There were translations in Europe which got them early iirc.) Then batches starting coming out, and I still have those original single chapters from Sept. 5 '21

I became captivated, but, like its namesake, describing why I enjoy DDD is daunting in how esoteric it all is.

The general plot is straightforward on its own: Momo Ayase, the granddaughter of a spirit medium, though circumstance meets with an occult obsessed otaku, Ken Takakura, and, yes, he's named after exactly who you think, which drives the Takakura obsessed Momo nuts. She calls him Okarun, which I will also be doing for the rest of this.

Okarun's big obsession is UFOs and aliens, which he believes in, but not ghosts. You see where this is going. Hi-jinks ensue, both go to hot spots for each others interest and what do you know, Momo gets abducted by Aliens and Okarun is possessed by a geriatric genital biting speed demon.

Feel free to re-read that last part a few times.

Suffice to say, Dandadan gets fucking nuts almost as soon as the first chapter, but we're not even close to how off the rails this series gets.

I'll save you the details of how they deal with the Turbo Granny, but I will say the mythos and rules surrounding the various spirits, urban legends, cryptids and aliens is handled with a shocking amount of intricate care. If you're like me, you grew up surrounded by a plethora of Unsolved Mysteries, caught UFO Files as it was airing, maybe you even had some of those Forbidden World books laying around from the 80s before getting into stuff like Yokai. Even though I don't really engage with that sorta thing outside Weird NJ nowadays (It stops being fun when people in public office are into conspiracies-- particularly of the nazi variety like lizard men and flat earth)

The narrative and aesthetic appeal of them has stuck with me.

Anyone that's read my Kamen Rider reviews would know how much of a sucker I am for that quintessential cryptid look, which Dandadan has plenty of along with just being absurdly unhinged and hilarious.

The first two volumes do a fantastic job setting up the limitations and powers of spirits in particular, eventually resulting in part of Turbo Granny's soul being trapped in a Meneki Neko and leaving her speed abilities with Okarun. Unfortunately, Okarun only got 1/3 of his bits back.

So now have two super powered protagonists touched by the supernatural and the unearthly on the search for…missing nuts. Or I guess testicles that look like magic golden orbs of power. That's seriously how we're kicking this off.

And yes, there is a basis for that in mythology called Kintama. If you're familiar with Gintama you probably knew that.

But beyond that basic set up… where the fuck do I even go from there? The series is far more than OTT action and good monster lore, but it's also hard to delve into the how and why of its overall qualities. Sure The supernatural and sci-fi bits are fantastic, and the comedy is wonderful, but it's a by product of the real core of Dandadan: the interpersonal relationships of the characters. Surprise.

Which yeah, if it wasn't clear from the get go, DDD has a romantic angle between Okarun and Momo.

Under the monsters, dick jokes, and the completely unhinged nature of everyone and everything is an oddly captivating and flat out adorable love story between our two leads, one that slowly unfolds but is challenged by the various shake ups from monsters, invaders and cast additions that occur to hinder that development; or in some cases push it further by bringing the two closer.

Okarun in particular very well might be one of my favorite interpretations of the Otaku with a heart of gold. He's a legitimately sweet person, cares for people, he trains his ass off to earn mastery over his powers to make things easier on Momo and to keep up with the ever increasing threats they face. In a sea of otaku power fantasy characters, it's nice to be reminded that characters with limitations and weaknesses to be overcome or dealt with are still showing up.

He's also just a total sweetheart to Momo.

And it's pretty clear even early on that the feeling is mutual. Momo is easily flustered whenever a cute girl gets a little too chummy with Okarun, or strings him along. She even retaliates in some cases.

Momo is also about as dorky as Okarun (As seen above) just in different ways, which makes the two complement one another while also contrasting in how much of a hot head Momo can be.

For a series that gets as bonkers as DDD, Momo's grade A shit talking "too stubborn to admit her feelings" gruff Gyaru personality helps ground the series with a rather realistic portrayal of a girl her age-- albeit one with psychic abilities and goes through some extreme struggles much later in the series.

In fact one of the more overlooked aspects whenever I read about Dandadan is how surprisingly dark the chapters start to get in the 80s onward. Because despite the major kick off involving Okarun having his balls stolen, the series is capable of being very sardonic.

For all the absurd fun like giant enemy crabs or the Flatwoods monster as a Sumowrestler, and even a daikaiju way later, you also have things like human sacrifices and tragic ghost stories which are treated with a heavy tone that is never undermined by that off-kilter comedy. You even see tones of that with Turbo Granny of all things, involving the trapped spirits of butchered girls.

Don't misunderstand, however, the series is first and foremost a romcom with horror elements, but sometimes the horror shines through in surprising ways. That nuance is also seen in the rest of the cast, which I've yet to talk about much because one of the biggest challenges of this whole thing is figuring out how.

Talking about Dandadan beyond the very bare basics of the opening chapters is difficult without spoiling something, it's part why I was hesitant to review it back when I first started reading, despite how enamored I was. For one thing, focusing on any one aspect would be a gross oversimplification, doing a disservice to how each angle of the series is handled. Conversely, delving into Dandadan as whole would mean recapping the story arcs and events because Dandadan has some of the most tightly woven threads I have seen in some time. I can barely graze the surface of why character dynamics work or are unique before inevitably getting into a full blown synopsis and spoiling character arcs and entire narrative structures, which is… frustrating, to say the least.

For example, I can't really give you a good look at Aira Shiratori without getting deep into how she's a schoolmate of Momo and Okarun, gets into a rivalry with Momo because Aira thinks she's a demon while viewing herself as "The special one"; a delusion made stronger when she gains her own demonic powers which is basically Sedusa. But over time she forms a bizarre friendship with the two over their trial and tribulations, while also dealing with the massive weight of guilt over cruel rumors she spread about Momo. But that really doesn't even begin to tell you how much of an absolute fucking perfect little bitch she is, and yet what an enjoyable dork she becomes. To do so would be to just tell you everything that happens in her story, which, while not complicated, is tied heavily into the narrative.

It's a similar scenario with Jin "JiJi" Enjoji, Momo's first crush, which you can imagine the upset that causes; one that's pretty goddamn funny because the dude, while handsome, athletically fit and arguably the strongest of the entire cast, has the personality of a goddamn muppet. So Okarun's getting all strung up on a guy even more goofy than him.

In a nice subversion, his relationship with Okarun develops into something surprisingly positive pretty quickly, if not without complications due to a fairly dark story with his character, which pushes Okarun even further in his training after Jin gets his own possession. And it also makes it all the more hilarious that the chipper muppet baby has a secondary Shadow the Hedgehog cracked to 11 persona that's a legit threat.

Then there's Kinta "Kinny" Sakata who is basically if Okarun was even more socially inept and a dipshit Gunpla addict who tried really hard to be a Jojo. His strengths is a vast knowledge of sci-fi tech and a chuuni like ability to imagine entire fantastical constructs; quite handy when mind reading alien nano machines enter the picture. It also helps break up the monotony of everyone else having or developing some sorta supernatural power.

And then we have Vamola, a character I literally cannot say a single thing about without giving away massive plot points. I can't even show a photo because her design itself contains spoilers. Just know that her story is when shit really hits the fan and will be a gut wrenching read while also having the most Battle Manga goodness.

What I can at least tell you is that for as much as Momo and Okarun are the main protagonists, Jin and Aira get damn good focus and are fully formed characters in their own right, they're not just a monkey-wrench thrown into the fray. I mean, they are also that, but they add to those elements while being more than a foil to our main heroes developing relationship, making the story much more varied and expansive than a supernatural will/won't they. Vamola especially in that area.

If there's one takeaway from this it's that Yukinobu Tatsu is capable of creating a great, varied cast full of humor and impeccable chemistry. (not to mention a lot of cheescake that shouldn't work as often as it does.) I'm constantly surprised with how masterful all the different pieces come together to create a compelling dynamic in this deranged Sci-Fi, Supernatural comedy mishmash. Hopefully I can convey a little bit of that Dada-esque appeal despite my spoiler aversion.

What's a lot easier for me to get across without spoilers, however, is the drop-dead gorgeous artwork. Good god is this series beautiful to look at.

Tatsu has a backround in, uh, backgrounds, and it shows on just about every page. Any one side panel has more detail than most double-page fight spreads in other books, and when they do a splash page it is breathtaking.

The fact this is a Weekly series is goddamn insane and… honestly kinda makes me a lowkey worried about their work ethic. But a lot of panels feature just the character on simple stark backgrounds (And some pages feel a little heavy on the reference material, if you get my meaning.) But even so, it's hardly a sacrifice for the impressive amount of work that goes into each chapter and how just about every other page has at least one impressive environment to gawk at.

Not only is the detail impeccable, but the layout, timing and expressions are goddamn phenomenal and a big part of making the series legitimately funny. That same talent translates seamlessly to high energy fights and impactful creepy moments.

This truly is one of the most compelling reasons to read the manga. At the time of this writing we're 5 episodes in the Science Saru anime and I want to make clear I'm enjoying it and do highly suggest watching it. I think their high octane stylistic approach is, in many ways, perfect for the series. There's clearly a lot of love put into translating page to screen best they can. Realistically, I know there's no way you could completely capture Tatsu's style 1:1, especially with what the industry is nowadays. The budget and man power it would take for that wouldn't be worth it.

But that sense of scope, scale, the depth, shading and a ton of small eccentricities is something unique to the manga and a big part of why it works. If you only know the anime then I think you're missing out. Plus you've got 8 volumes to read up on.

But also still watch the anime, I'd love a season 2. Hopefully with a bigger budget. Frankly, they're gonna need it.

That said, while I have praised and gassed up Dandadan, I should mention it has a number of trappings that by all means should not fly with me. As previously stated, there's a lot of cheesecake, and I like cheesecake, but it can bog down stories like this and they're a dime a dozen in the manga and anime world. At first glance DDD can look like that from the outside. There are so many instances of things that are annoying in other works, schlocky things (derogatory) that are sell themselves only on the limp-dicked exploitive elements like Fan service. Make no mistake, Dandadan is schlocky (complimentary) but it's also incredibly endearing not only outside those aspects, but in them. At least for the most part. I have to imagine it's aware of the more stupid indulgent elements but wisely plays them straight while at the same time employing a cleverness many other series fail to have.

For example, the characters are comically stripped very frequently, even (and usually) during otherwise semi-serious moments like battles (although not if the stakes are dire.)

But the cheescake is always balanced out by the other qualities. Hell, the cheesecake is often imbued a certain charm that is funny in itself or oddly sweet, which certainly becomes more true in the later chapters. Think more Cutie Honey and less Highschool of the Dead in terms of how it's handled.

A big hand in that is they're not afraid to get silly with all the characters, especially the girls, so it typically feels more tee-hee fun. They're almost if not equally goofy in their own ways and that does a lot in keeping it from being obnoxious. And ya know, they also have real developed personalities and relationships outside just having their clothes blasted off, which also happens to Okarun if that wasn't clear. Actually it's worse because he usually loses everything, and the same is also true for Jin.

It's so audacious in every aspect that I simply can't fault it. I mean, I also wouldn't fault anyone not gelling with it, but I just sorta expect it and roll with it for a series this absurd. I'm a critic, not a goddamn puritan. I know exactly what it is, and it's doing it far better than most. It is, at worst, background noise.

That's not to say the series handles all of its exploitative elements well. Rather infamously the first chapter has an almost not quite sexual assault for Momo. It's… not as bad as it sounds-- in part because it doesn't happen and also the situation is so absurd. Honestly I think there's been a bit much blown out of proportion with it. Still, the over the top nature of an Alien with a metal syringe dick getting his comeuppance by having it bitten off by a granny speed-demon can only mitigate the general grossness of the implication so much and I still wince at it. It's the only part of Dandadan that dips into a level a cheapness it otherwise sidesteps in most other endeavors. Thankfully, it happens early on, but it also isn't a great first impression, especially if you didn't have more chapters or episodes to view at the time, leaving you to wonder just what the hell kinda story this is.

It's worth noting some of the other early chapters have bumps here and there, but nothing quite on the level of chapter 1, and those parts are ironed out overtime to be a lot more palatable. Compare how chapter 3 handles T&A to chapter 26 and you'll know what I mean.

Aside from that, however, there is at least one semi major stigma I have against Dadadan's otherwise enjoyable self indulgent nature, which is that a lot of the monster designs are painfully derivative. And I mean DERIVATIVE. Just about every alien creature in this series is an Ultra Kaiju.

Oh Shin Godzilla in the case of Nessie.

And, look, I get homaging stuff you like. Dr. Slump has loads of references, Patlabor has references to Ultraseven, depending on which version of Urusei Yatsura you're looking at it's loaded with them, Project A-KO has them, Eva is a love letter to Jissouji Ultra (along with flat out copying a few fights from various 70s mecha anime) and even something like Bocchi The Rock is at least a quarter references. References are not the problem. Well, maybe a little, but I'm not gonna get Orson Wells on you here.

Regardless, its hard not to think that maybe they could've dialed it back a little bit.

The Z'gok in Gundam is based on Alien Zarabe but it's doesn't look like a knock-off version of it. But the Dover Demon in Dandadan looks like "original the character" Kanegon that turns into Baltan. Because it is.

Like come on, man. Even the Space Pirates in Metroid aren't this blatant.

Why this sticks out to much is because the art is so damn impressive but the design aspect is lacking in certain areas. I'm willing to give leeway for some designs if they're based on folklore elements like Ghosts, Yokai, and crypids. You want to make them recognizable, but can still work in cute references or original ideas without being as glaring as "we have Ultra Seijin at home." For what it's worth, I guess Dada knockoffs with Pegassa eyes are better than generic greys. But while it's cute at first, I felt it got irksome by the time I saw Shin Godzilla… and then Hipporit as a subterranean shows up. Then a tail-less xenomorph. And Alien Guts, and a Metal Gear, and Elecking, even an Alien Zarabe.

A lot of those do end up as cannon fodder so I can understand not wanting to put a lot of work into stuff that ends up being one offs. I can't deny the art looks incredible and hype as fuck. But man, it gets distracting sometimes, especially when Gomora shows up at one point with the body of Red King and later on they end up making that a major deity in an alien culture. It's not played as a joke at all. It is one of the most dead serious chapters… But it's still just an Ultra Kaiju. Sometimes I'm reading Dandadan and I'm having a great time and I'm getting all the referential designs, and I don't *hate* this, but in the back of my head all I can think of is that line in Akibaranger.

And on some level I do get how that borderline level of infringement adds to the absurdity, how the near mono focus of a singular love for Tsuburaya is charming. Hell, it's even refreshing in some ways considering how that hasn't really been a thing in Japan since the 80s. But it does still get a bit much from the sheer volume.

I think on some level Tatsu knows this because in the more recent chapters the Serpo Aliens are primarily depicted in their disguised forms and the fake Gomora gets a slight redesign in later appearances that's a lot more generic. I sort of get the impression things that were maybe meant to be one off gags ended up becoming reoccurring elements, but given the tone and humor of the series that's really hard to tell, for better or worse.

Although kudos to Science Saru saying fuck it and making the opening to the anime one big Ultraman reference. They know what they're doing.

All that said... I don't really know where to lead off from here. Dandadan is still ongoing, currently at about 170 chapters in Japan, while the anime is still currently airing the first season. So I can't really give a full review of either. Likewise, for all I know the series could go completely off the rails at some point-- in a bad way, I mean.

As it stands I'm still finding enjoyment out of this series and now seems good a time as any to suggest everyone check it out. There's multiple manga out, it's easily available digitally, there's the anime across multiple platforms in NA, we've got figuarts coming out. It's good to see.

I was long over due for look since first reading those Glitter screen-grabs some years back.

Funny enough, this late August I visited my Girlfriend in Illinois and got to see 8 volumes of Dandadan on the shelf in a comic shop, that was a nice surreal experience for something that wasn't even available digitally in NA when I first started reading it.

What I didn't realize at the time was when I took a photo of them on the shelf, it was September 5, three years to the day I got the first few chapters. So yeah, it was time for this to happen.

Given the on going status of DDD, I'll certainly be revisiting the series for a future look at and proper review. Until then, I encourage you to read the manga and see if you see what I see. It might not be some super deep narrative, but it is most certainly unique and well worth your time.

As always, thanks for reading.

#review #dandadan #manga #cryptid

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qiutls · 1 year ago

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TNGDH 011

'Ack, my whole body is aching...'

I can't count how many days I've been working out in this supposed no exercise life of mine.

As if that wasn't enough for the muscles of my body to scream out of pain, the uncomfortable cohabitation with mealworms lasted all night and I had no choice but to sleep at the top of the slide which was a tight fit for me.

How can someone sleep with a bug by their bedside. I can't do it. I mean, I'm a cowardly urban type of person who can't even farm because of insects.

I really can't live like this. This is unfair, I want to run away from home. That's it, I'm leaving the house!

"I prepared a different special meal for you today, Cashew Nut."

Just as I've made up my mind, Kyle came into the study to collect the bugs at the corner of the house.

"Sen said this raw food might not be to your taste. It's my fault."

― Eek! [ That's right, you were wrong. ]

"This morning I prepared dried pollack, and later in the evening I'll let you have some beef. There's plenty of meat because it's festival season. Tomorrow, should I bring you some chicken?"

'... Maybe I should think about running away twice.'

Hmm. That's right put your whole heart into it, since you're set in taking care of me anyways.

Kyle's face lit up noticeably as I came down the slide and looked up at him. He quickly put a piece of dried pollack in my hand and took the water bowl I spilled and filled it with clean water.

I nibbled away at the dried pollack. It seems it wasn't seasoned at all since he was planning on giving it to me, so it tasted a little bland, but it was worth eating. To be honest, this is a blessing considering the past few meals he tried to make me eat.

'It should've been like this in the first place.'

If I had no choice but to eat the bugs... Ah my poor life.

I choked and drummed my fist on my chest, then Kyle placed the water bowl beside me.

"The castle's atmosphere has been unsettling recently. Although you'll only be staying here and there's really nothing to worry about, just in case that pervert who confessed comes back..."

― Squeak!

I suddenly choked drinking the water and it almost went through my nose.

'W-what? The p-pervert who confessed?!'

Isn't that me? No, but which crazy bastard made that as my nickname?

"But don't worry, Cashew Nut, you have nothing to worry about, I've placed a guard in front of the study."

Of course, I have nothing to worry about, because that pervert is actually me...

When I shook my head, Kyle lifted me up and made a face as if he was dying because of my cuteness, then proceeded to shower me with kisses.

Hey, stop! Why do you care about kissing me more than giving me food. Do your men know you live like this, huh?

You said you were the Duke of the North. You said you were the strongest knight in Minehardt, and that you don't have tears nor blood. You're supposed to be the greatest leader of this barren wasteland. But you're just a damn hamster otaku!

"Your Highness."

Someone knocked on the door and Kyle put me back inside the house in the speed of light, and pretended nothing was amiss.

He spoke with a stern look, as if he was a completely different person.

"Come on in."

Wah, are you really the same person just now.

I can't get used to it, no matter how many times I see it. He completely turned his back from my gaze and received a report from the knight.

The second prince, Belial Serena Minehardt, was about to arrive at the estate.

*his name is Serena too... I thought only empresses could have that name bc the book said so, maybe the second name of the characters are their mom's name, since Kyle's second name was Jane?*

The report was so meticulous that it seemed unusual, the knight reported everything from the welcome procession, the location of all decorations, the route from the entrance of the castle to the dining area, down to the menu and ingredients.

It sounded like an irregular audit just by listening to the contents, Kyle's serious expression shows just how much importance was given to make this perfect.

'I knew you weren't on good terms with the royal family, and I even heard the servants talk about it while I was human... Just how serious is it?'

If you look at his expression now, you would think Kyle was fighting against demonic beasts.

"I should leave now."

Kyle glanced back at me. His eyes filled with lingering feelings.

I don't know if he just likes to hide his gentle feelings, or if he's only gentle to me. Or maybe he's only sweet towards animals, well there's no harm in it...

"Goodbye, Cashew Nut."

I held out my hand instead of answering. Give me one more dried pollack before you go.

"It's not good for you if you eat a lot, hmm?"

He whispered.

'... Okay...'

I decided to lie down on my back and just imagine the food I wanted to eat.

A hamburger with three patties, hot pot, shrimp meatballs, a T-bone steak bigger than my face, two pieces of pork belly on top of a lettuce. Herring sashimi during autumn, yellowtail sashimi in winter and for spring...

As I lay down and rolled around after finishing the rest of the dried pollack, an idea suddenly came to mind.

'Come to think of it, why did Kyle have a bad relationship with the royal family? Although it's not a loss on his side, he's still a son of the previous emperor, what could've happened?'

Indeed, there are stories that you can't hear without shedding tears. You're supposed to be a prince living luxuriously, yet right now, you're acting as a duke in this barren land.

Kyle Jane Minehardt was not a very important character in the original. Moreover, he died quickly, so his past story was not treated as important.

System, do you know what he wants to achieve? If I can lend a hand, then maybe the future might change.

[ Kyle's only wish is revenge. ]

'He also wants revenge?'

There are so many dreamers of revenge here and there.

It's probably because of his origin that he opposes the royal family. His biological mother was not accepted as a royal family member and lead to her taking her life in misery.

But that didn't make Belial and Kyle's relationship bad from the beginning. Maybe as he grew up, he started to despise Kyle.

The North was in danger, even though no one was actively trying to crush it, still it was good to reduce the possibilities of this happening, hence Kyle's meticulousness.

But despite Kyle's efforts to maintain peace in the North, Belial succeeded in his plan and found an excuse for the imperial family to pressure the North.

Just in time, the system showed the current situation as it happened in the original.

[ "Kyle Jane Minehardt, decorated an assault under the guise of a festival. There was proof that the chandelier fell on top of the Second Prince, Belial Serena Minehardt, at the banquet on the last day of the festival! In response, the Duke of Klein labels Kyle as an enemy of the imperial family and declares that he will confront everyone under the Blake's estate." ]

'That's it, this chandelier incident!'

On the last day of the festival, Belial's accident led to declare his maternal family's hostility towards the Blake estate.

And if it really happened, there's a possibility that Serena and Belial would first meet here. Sen might've been appointed to treat Belial's injury and they might have found out they shared the same goal.

If Belial, and his maternal family, the Duke of Klein, join forces together to antagonize Kyle, the North will be more isolated than it is now. That probably was the major cause of Kyle's death.

So, we need to stop this situation from happening.

'Since the banquet will happen on the last day...'

There's a simple way to stop it, whatever I need to do, I just need to delay Belial's appearance so he can't appear during the banquet.

'What should I do...'

Should I meet Belial, first? I need to figure out how he looks like. I also have to think about how to persuade him not to attend the banquet. If it doesn't work out, then just hit him at a weak point.

It was time to remove the sawdust stuck in my front paws after a long day of thinking.

"Why do you keep soldiers by the door?"

An unfamiliar voice sounded outside the study.

It was a soft and gentle voice that was close to a whisper. Soon the door opened, and Kyle brought the guest inside as he answered.

"I told you I strengthened the security because of a small matter."

He used a tone often use here in the study, a tone that made my nerves feel taut. The man behind Kyle laughed quietly.

"It seems even the Grand Duke's study encounters such unexpected changes."

Is he telling Kyle that he can't even manage one of his rooms? A cold smile appeared on Kyle's face for a second and then it quickly disappeared. I stepped out of my hiding place and climbed to the side of the wheel on the top floor to look at them. Then, I finally saw the man sitting across Kyle.

[ Belial Serena Minehardt. ]

As expected, it was Belial.

Golden hair that shone like honey, bright green eyes, a lively yet gentle appearance. His eyes pointing downwards making him look like a gentle sheep and a polite smile adorned his face...

If I were to manifest a prince from a fairytale, I think it would look exactly like him. What am I saying, of course it would look like him, he's a real prince.

"Other than that, I heard you started to raise a strange beast in your study?"

Ah. That strange beast would be me.

As I chewed on the walnut I brought up to the top floor, I saw Kyle's eyebrows twitch. H-hey! Don't react!

"It's a magical beast cub that I saved from the eastern forest, it's none of your business."

"I heard demonic beasts eat people when they grow up. It is very courageous of the Grand Duke to raise such a beast."

Belial smiled at Kyle with his eyes closed, while he (Kyle) just stared at him expressionless.

There seemed to be an invisible spark between the two. The festival is just starting, so why are you two like this already. Let's get along, okay?

"Do you have any other plans regarding that beast?"

*Belial kept hinting Kyle will use the hamster to kill people in the future...*

...Ahhhh! I really can't stop you two huh?

"You cannot take back words once spoken, Prince Belial."

"Shouldn't you begin by saying no, Grand Duke?"

It was an obvious provocation. And it was a bad one, as it insinuates Kyle would like to commit treason.

But look at me, could you not say those kinds of words. When I grow up, I'll attack the imperial city? Am I not the size of half a palm? I'm only getting angry because you're spouting nonsense.

But Kyle seemed to be in a different situation. The cold air felt like it froze. I looked at them, rubbing my arms with my front paws.

'Hey... Don't tell me.'

You're not pulling out the sword are you? Be tolerable, don't commit murder. Just hang in there. Breathe.

"Don't suddenly throw a punch Kyle. You'll look as vulgar as your mother."

Kyle's hand crawled to the sword.

No! Don't kill him! Of course, I think he's a crazy bastard that shouldn't be forgiven for swearing at your mother, but still! Killing is not...

I didn't have much time to think about what to do in the situation. I jumped from the top floor and my body rolled down the slide. Thump. Clack. Thump.

At the sudden sound, both of them were stunned and turned to look at me.

".... Cashew Nut?"

Kyle was shocked and approached me quickly, when I didn't answer he shouted at the knight guarding the door.

"Take the prince to his chamber and bring a doctor quickly!"

The knight responded to the orders urgently. Then there was a creak as the door opened and someone stepped into the study.

It was Sen, who came to bring me snacks.

"..... Your Highness?"

"Sen, please lead the prince to his chamber."

Kyle said as he pulled me out of the hamster house. Sen took a second to assess the situation, then nodded and walked out of the study with Belial.

The noisy study quickly became silent, and I could feel Kyle's anxious gaze on me.

'It should be fine now, right?'

It was an acting masterpiece that will go down in history.

[ ó﹏ò ]

Why! What! Look at how everyone was deceived. If this is not a masterpiece, then what is?

I moved my body as if I had just woken up, and Kyle sighed in relief. He put me closer to his face and asked in a gentle voice if I was okay.

As expected, I like this side of him more than him pretending to be indifferent.

*earlier in the chap, Kyle was pretending to be indifferent towards Soohyun when a knight/attendant was reporting the festival preparations*

novel ⠀✿⠀ next

#tngdh

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fantastic0fairy · 5 months ago

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From Cherry Blossoms to Giant Robots: How Anime and Japanese Culture Captivate the World

Imagine a world where cherry blossoms float through the air, where samurai honor codes meet futuristic technology, and where everyone, from a teenager in New York to a retiree in Paris, can find joy in animated tales of adventure, romance, and heroism. Welcome to the realm of anime and Japanese culture, a vibrant, dynamic force that has crossed borders and generations, leaving an indelible mark on global society.

The importance and growth of anime.

Anime, Japan's unique style of animation, isn't just cartoons it's a cultural phenomenon. From classics like "Astro Boy" and "Dragon Ball" to modern hits like "Attack on Titan" and "My Hero Academia," anime has a diverse range of genres that appeal to all ages. What makes anime so special? It's the blend of intricate storytelling, complex characters, and stunning visuals. These aren't just shows; they're experiences that pull you into their world.

Anime is a gateway to Japanese culture. Through anime, viewers learn about traditional customs, festivals, and even cuisine. Think of "Spirited Away," where the protagonist, Chihiro, navigates a magical bathhouse filled with spirits a nod to Japan's rich folklore and Shinto beliefs. Or "Your Name," which beautifully portrays the rural-urban divide and the traditional practice of "musubi" (tying threads as a symbol of connection).

Global influence by connecting generations

Anime's influence stretches far beyond entertainment. It's a style, a vibe, a community. Fashion brands like Uniqlo and Gucci have launched anime-themed collections, while sports stars like Naomi Osaka openly express their love for anime characters. Moreover, the principles and aesthetics of anime have seeped into global pop culture, inspiring everything from Hollywood films to video games.

One of the most magical aspects of anime is its ability to bridge generational gaps. Parents and children can bond over shared favorites like "Pokémon" or "Studio Ghibli" films. For the older generation, anime offers a nostalgic trip back to their childhood while providing fresh stories that resonate with today's themes and issues.

Anime has created a global community of fans who gather at conventions, participate in cosplay, and engage in online discussions. Events like Anime Expo in Los Angeles or Comiket in Tokyo draw fans from all over the world, celebrating their love for this unique art form.

Fun Fact: The Origins of Cosplay

Did you know that cosplay (dressing up as characters from anime, manga, and video games) originated in Japan? The term "cosplay" comes from "costume play," and it has become a worldwide phenomenon. From local conventions to international events, cosplay is a testament to the creativity and dedication of anime fans.

Anime and Japanese culture are more than just entertainment they are a window into a different way of life, filled with beauty, tradition, and endless creativity. They remind us that, no matter where we are in the world, we can find common ground in the stories we love and the values they teach us. So, whether you're a seasoned otaku or a curious newcomer, dive into the world of anime. You might just find a new favorite story or even a new perspective on life.

Ready to start your anime journey? Check out classics like "Naruto" or "Sailor Moon," or dive into newer hits like "Demon Slayer" or "Jujutsu Kaisen." And if you're already a fan, share your favorite anime moments with someone new you never know whose life you might brighten with a little bit of anime magic.

Happy watching, and may your adventures be as epic as your favorite anime!

References.

Cavallaro, D. (2010). Anime and the visual novel: Narrative structure, design and play at the crossroads of animation and computer games. McFarland.

Condry, I. (2013). The soul of anime: Collaborative creativity and Japan's media success story. Duke University Press.

Napier, S. J. (2005). Anime from Akira to Howl's Moving Castle: Experiencing contemporary Japanese animation. Palgrave Macmillan.

Noppe, N. (2013). Fanning the flames of fandom: The commercialization and transformation of fan activities in the age of media mix. In M. Ito, D. Okabe, & I. Tsuji (Eds.), Fandom unbound: Otaku culture in a connected world (pp. 104-127). Yale University Press.

Steinberg, M. (2012). Anime's media mix: Franchising toys and characters in Japan. University of Minnesota Press.

#anime art #anime aesthetic #anime #japan #japanese #culture

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caw4brandon · 2 months ago

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The City of Durarara!!

Imagine, you are a newbie who just got an opportunity to attend a new school in a new city. A fresh start in a new chapter of your life but, you are still the same old you.

There are no familiar faces here. You just showed up via the bus or the train, carrying your heavy suitcase. Stumbling about and trying your best to follow the flow of the crowd to your new home. You live in an age where yes, you have a phone to check everything but the place is much more complex than you thought.

Hence, you are very, very, lost.

That is Mikado Ryūgamine's first day in the bustling city of Ikebukuro and the subject for today. The show famously known to have 15 (give or take) main characters co-existing in a space. Developing their own stories while another story unfolds in the back.

- I Love Humans! -

< Durarara!!/ DRRR!! > by Ryōgo Narita; Follows a cast of ordinary characters who reside in Ikebukuro. A lively city known for its nightlife and as a hub for all things Otaku-related. The city is currently a home for our main character; Mikado who just moved in and is about to attend a new school with his childhood best friend; Masaomi Kida.

Elsewhere, we follow a mysterious and non-verbal biker lady who just rescued Rio Kamichika from a kidnapping. Taking her to a secluded building rooftop to "end things".

Somewhere else, Shizuo Heiwajima is throwing a fit at a random man who owes him money. Causing a scene by throwing a venting machine into the sky. Scaring the pedestrians. This, is < DRRR > in just a few minutes. A large mix of events happening all at once at separate parts of the city.

As Kida guides Mikado, he provides some exposition of what's been going on in Ikebukuro. Mentioning that there has been a new gang in town right after the city survived another previously. Kida runs into some of his friends; Kyouhei Kadota, Walker Yumasaki, Erika Karisawa, and Saburo Togusa.

Meanwhile, Rio got to the roof and encountered her online friend; Nakura whom she contacted to make a suicide pact. But it was revealed that her kidnaping was a ploy by Izaya Orihara who wanted nothing more but to mess with her. Rounding up, Kida and Mikado witnessed a famous city urban legend. The mysterious biker lady called; The Headless Rider.

-We are...Dollars! -

Several key pieces are driving the plot for < Durarara > forward. Firstly, we have the everyday life of Kida and Mikado. School students in Raira Academy with their new best friend; Anri Sonohara who has secrets of her own.

Next, we have the questionable love story of the Headless Rider; Celty Sturluson. An odd-job transporter with her partner; Shinra Kishitani an underground doctor. Both are on a quest to find Celty's missing head.

Then, we have the ongoing gang wars that Kida mentioned. Since a new gang; The Dollars started showing up. The further we follow our characters, the deeper the relations go to the point where you need a chart for who is who. Yet, the show is rather comprehensive.

< DRRR > is actually a story about no one and everyone. It takes place in a location where everyone has a story. No matter if you are interested in the gang war, a twisted love story between certain characters or the simpleton life of the Van gang.

Perhaps you like a good ole beatdown action, or maybe. You like something a little bit supernatural regarding several slasher cases. There is something for everyone and while some of the parts may not interest you as much. The threads eventually cross paths. Leading to a big Crescendo~

- The World isn't as Cruel -

One of the most consistent themes seen in all of < Durarara > is the theme of making connections. As the audience, we get to see the characters being much closer than they make it out to be.

In a chatgroup. The characters take on differing identities and exchange information to help one another. Not realizing that they chatted about it a while ago. Perhaps the most encouraging thing about the show is how it uses the word "gang".

To join a gang often comes from a desire to find a sense of belonging. As mentioned, The Dollars are a new gang but the peculiar fact is, they are a colourless and leaderless gang. Sure, factions among them can exist. But no one has the power to control each other. Anyways, the gang is often seen to have done both good and bad to their respective communities.

Ikebukuro is crowded with countless activities going on in the light and in the dark. How our characters react to it determines the outcome. Despite the show has already declared itself as ended.

I personally think it's not a definitive end. Because the ending is not the point. < Durarara > is a show about people and how people deal with complex situations in their daily lives both personally and externally as a community. Perhaps its also a good display of how we are more interested the lives of someone else rather than our own.

To wrap this up, I just want to say that this show displayed the true power of an online community. It's a stroke of genius on the power we have as a collective to make change to our communities. That is what < Durarara > is about!

#durarara #drrr #mikado ryuugamine #kida masaomi #anri sonohara #izaya orihara #shizuo heiwajima #celty sturluson #dollars #Ryōgo Narita #anime #gangs #dullahan #chat groups #online community #color gangs #multiple characters #main character

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mageknight14 · 2 years ago

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Something I always find funny when it comes to TWEWY discussion is how people tend to take Hanekoma’s words at face-value when it comes to the TWEWY mythos and his opinions on the Shinjuku games’ structure and take everything he says as fact when the games show, subtly or not, that he’s a heavily biased source who will outright LIE in the Secret Reports and that he’s not always the right moral viewpoint.

And that’s what I honestly love about his character because like any well-written character, he is often fraught with his own subjectivity.

I think an important thing to note is that in the Secret Reports, there is a small mistranslation that shapes a lot of what Hanekoma has to say regarding the events that takes place within the story; namely, Rindo DOESN’T have a high Imagination. It’s actually rather low or mediocre and his Replay power mainly comes from his pin, with Nagi and Fret being the real powerhouses.

(Shout-outs to my friend ζ for this great document!)

In the original ENG translation, the report went "For better or for worse, he is able to maintain abnormally high levels of Imagination, thereby increasing the accuracy of each Replay."

When in actuality, it’s "The higher [the] levels of Imagination he is able to maintain, [the] increas[ed] accuracy of each Replay." Which basically means that Replay relies on him maintaining the focus of his Imagination, rather than how much Imagination he has in general. It also fits in well what we know about Rindo and how he contrasts his team. Nagi is a huge otaku with a passion for her favorite gacha game, Fret is a fashionista that’s caught up on the latest trends, Shoka has her entire thing with Gatto Nero and Neku and Beat are winners of the last Reaper’s Game, with the former already having high amounts of Imagination even before he got sucked into the game due to a combination of his love for urban culture and the arts and Hanekoma’s graffiti subconsciously raising his Imagination levels even higher. Meanwhile, all Rindo has is the words of a social media guru that he mindlessly parrots and a mobile game that he casually plays. Not exactly grounds for cultivating a high level of Imagination, no? That said, Rindo is still able to function as a potent user of Replay due to his ability to hold a LOT of information in his head at one time, giving him a holistic view of the situation that makes him be able to piece together character relationships and bits of information in a way that he can use to his advantage to turn a bad situation around to his favor. W1D5, W2D2, W3D3, and the final day are especially great examples of this.

This is an important distinction to make because Hanekoma actually dismisses Rindo multiple times due to his low Imagination, in contrast to how supportive he was of Neku in the first game. Hanekoma's prioritization of Imagination is him believing that it is a necessary foundation for people to have in order to face adversity; to interpret their world; to grow, self-analyze, and to properly contribute to society. With that in mind, Rindo not having a good level of Imagination to him is indicative of a kid whose potential to do all these things is not as impressive and therefore would probably fail the Shinjuku Reaper’s Game. And to some extent, he’s right since Rindo does fuck up at times and stagnate when people he believes to be more capable show up to potentially solve his problems for him; taking away his responsibilities from him.

However, Rindo does grow from his mistakes, which ultimately culminates into him rejecting the offer for Haz to solve everything for him in favor of striving for a better future for both him and the people he cares about and the Shinjuku Game’s ruleset does make him come out of his shell as a leader, which was what ultimately saved all of them in the end, not his Imagination levels. It’s important to note that unlike the others, Rindo doesn’t actively participate in Operation Awakening: he’s the guy who gets the pieces to go where they need to go in order to have the operation go by smoothly and navigates them to do their job correctly. Operation Awakening ultimately succeeds due to Rindo’s skill as a leader, which Hanekoma did not view as something to make ado about. Hanekoma's vibe was that imagination, and by proxy, the things it provides a person to do, is something that is predisposed..but Rindo proved that you don't have to be predisposed to imagination to do really amazing things or affect change on a grand scale; you can learn how to do it through your experiences. There’s a reason why World is Yours, which is basically Rindo’s theme, has the phrase "Making mistakes is proof that you’re challenged. The World is Yours."

This is also a pretty big contrast when you consider how the Shibuya Game operated, which was heavily biased towards high Imagination people to excel further while pushing low Imagination people out of the running. I mean think about it: out of a normal week in the original game (Week 1), only Neku and Shiki survived legitimately (Beat only got by due to Hanekoma’s intervention in order to make him a wild card later on). But because they have high Imagination, Hanekoma is fine with such a low survival rate for the others. If someone only cares about supporting the already "gifted", then it makes sense that Hanekoma would only focus on a model that promotes Imagination gain and self-reflection for those he deems worthy, i.e. already have good Imagination.

That’s not even getting into how the nature of psychs and pins already predisposes low Imagination people to be weeded out in the original game. And of course, there’s also this Report from the original to consider.

"So, what happens to those who survive the week? Those whose Imagination is less than outstanding are broken down into Soul, while those with excellent Imagination become Reapers. The most talented of these may travel to the next plane, inhabited by Us Angels."

Remember Sota and Nao? By Hanekoma’s and the Shibuya Game’s logic, those two deserved to be absorbed into Soul by account of them not being able to survive but it’s because how the Game operates, that’s just how it has to be, even though the circumstances were out of their control and they are shown to be genuinely good people. From Hanekoma's view, he sees the act of facilitating Imagination as the means to progress evolution; a way to improve the health of world's laws. And why wouldn't he, right? By focusing on Imagination, you are promoting people to think better, to build self-awareness, to grow and change into better people; to reflect. Hanekoma finds this to be ideal, but maybe doesn't consider the vast ways with which people could achieve high Imagination. Hanekoma essentially viewed the lack of focus on Imagination specifically in the Shinjuku Games as precluding the capacity to grow and change, but failed to account for ways in which the team system could allow for growth and self-reflection in other ways even without an entry fee, and arguably more so because of it. The great thing about Hanekoma as a character is that while he has good intentions, he still falls under the Higher Plane mentality of "the ends justify the means" and this leads to a heavily biased perspective from his end. Just take a look these excerpts from the original game’s secret reports:

"My art is widely accepted in Shibuya."

"This proves that those with Imaginations sufficient to create the future are gathering in the area. Shibuya's future is looking very bright."

"I imbue my art with two command codes. The first is "Enjoy the moment more". This strengthens the Imagination. The proxy received this signal loud and clear, though past trauma precluded him from responding accordingly."

"The second code, "Gather", calls to those with strong Imaginations. Hence the inevitability: why wouldn't the Composer find his worthy proxy standing in front of my graffiti?"

When you break it down, he’s essentially saying "My art is so good that it is propelling Shibuya into a better future. Just ignore how I implant my own codes within it to specifically cultivate Imagination." Sounds just a bit egotistical, doesn’t it?

Shibuya is a hub of youth culture and is where new trends are born. Of course the UG of it would value individuality and creativity -> influencing others through art and passion. Shinjuku is both a business district but also has a very expansive night culture. It’s considered "adult" in comparison so of course the UG would value having to work with many, many different kinds of people -> being able to navigate and work with people to your advantage. This also helps to explain why the concept of entry fees aren’t a thing because the team set-up is the challenge in and of itself. Obviously Shiba’s version of the game is an anomaly so huge teams like that probably wouldn’t exist in a "normal" version of the game.

But being a leader in and of itself puts that individual in the best position to ascend and gain power within the UG, but then the leader is burdened with being in charge of the individuals under them. Meaning they have to learn to balance the two and work with their team. Likewise, just joining a team means you end up at the mercy of just following along with what your leader says, meaning without the ability to actually challenge or discuss things openly, you will also fail as an individual within that team.

Let’s compare Fuya and Kanon’s teams for this example: Fuya is explicitly noted to have a high Imagination but that didn’t stop him or his team from repeatedly coming into second-to-last place and the mental breakdown he’s currently having while Kanon doesn’t have a whole lot yet she has her head on her shoulders and the social skills needed to be an effective leader, hence why she and her team are able to survive relatively comfortably in the middle. Just having high Imagination or high qualities won’t be enough on its own if you’re unable to work together and balance out your respective strengths The Wicked Twisters end up being the best example of this ideal since they’re able to work together and clash thoughtfully as a team and support one another in times of needs, with the final day in particular running entirely on this concept. If just a single piece was out of place, the entire thing would’ve fallen apart.

Then we must compare how the respective Games are operated. The Shibuya Reaper missions (other than the one assigned by Kitaniji) tended to be pretty simple: go here, defeat Noise, etc. The other stuff such as the need to fix 777’s lighting seemed less about intentionally giving a mission and more incidental. They additionally have harrier Reapers, who more or less fit as the game’s RNG element with their job being to actively hunt down Players like animals. With this and giving the Players simple missions with little structure to go on but letting them have to figure out any resultant complications, the Shibuya Game is a lot more chaotic. By contrast, the Shinjuku Reapers are a lot more involved and administrative, which is fitting considering their business aesthetic. You have them being around to answer questions (unless you’re Shoka but she’s had to do this repeating structure for ages without a shake-up of things so it makes sense that she would be sick of it), preventing unfair interference, providing help, and generally ‘administering’ the missions. You have ordered events like the Scramble Slams, with the commentator actively, well, commentating, more involved missions like decals being set up ahead of time, spot-the-difference missions, a pig treasure hunt, etc…

Of course, there are certainly chaotic elements as well (bribing Reapers for more points, having to act on the whims of the Game Masters, teams forming alliances with one another, etc) but for the most part, it’s a much more controlled structure and it really fits in well when you consider the individuality vs sociality mindset of Shibuya and Shinjuku respectively and shows why Hanekoma, an Angel infatuated with Shibuya, would look down on the Shinjuku games in comparison. In his mind, Shibuya’s more emergent mechanics and interactions allow for more Imagination to be cultivated and to him, Imagination is the sole important thing to focus on. But Rindo’s growth disproves that mentality quite a bit and shows that, like many things, there’s room for compromise between both sides. It may also reflect the devs' changing opinions as culture has changed. In 2007 Nomura and company may have focused more on individual talent under the idea of the spirited sole artist, but by 2018, they realized that leadership and followership, and the ability to work in teams, also really fucking matters. Individuality is still important at the end of the day, hence why Rindo needed to get his shit together and not just become a follower like he was before in order to achieve better things for himself and others, but accepting and learning to balance different viewpoints in order to achieve a desired solution is also extremely important.

At the end of the day, Rindo’s growth is a response to OG TWEWY in that you don’t need high Imagination or some other equivalent to be able to enact change and that there are other methods to do so, especially if you use your own unique strengths for them and even Hanekoma himself seems to realize this when he praises Rindo’s ultimate decision and the courage he had to have to make that choice and sincerely hopes to meet him someday.

Ultimately, Rindo’s growth is a response to OG TWEWY in that you don’t need high Imagination or some other equivalent to be able to enact change and that there are other methods to do so, especially if you use your own unique strengths for them. And even Hanekoma himself seems to realize this when he praises Rindo for this courage he had to make his final decision and that he sincerely hopes to meet him someday.

#twewy #the world ends with you #ntwewy #neo twewy #neo the world ends with you #rindo kanade #sanae hanekoma #spoilers #neo twewy spoilers #analysis post

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ask-the-jester-buds · 21 days ago

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Thinking on our next Fantroll adopts batch

We are making another batch of adopts by the end of the week but both MunK and I are struggling to find a theme, so we decided to like ask some ppl around here for your opinion ^^-

Also, for the ones that are part 2 of our past batches these are the examples:

Mythological Gods (Part 1) https://toyhou.se/27657668.fantroll-gods-adopts

Rainbow Circus (Part 1 & 2) https://toyhou.se/28857659.rainbow-circus-adopts https://toyhou.se/29550601.rainbow-circus-adopts-part-2

#ooc #fantroll #homestuck adoptables #fantroll adopt #fantroll adoptable

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asknarashikari · 4 months ago

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With Kajiki in the know… do we classify him as a Rider fan? Ooooor just an Occult fan in general.

I think he's more a "general occult/urban legend otaku" than a rider fan specifically, but once he gets sucked in the rider lore...

He and Tomoko would get along well

#kamen rider gotchard #kajiki ryo #ask #pulaasul

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animebw · 1 year ago

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Short Reflection: Princess Jellyfish

Let's be honest: we're all a little weird. Nobody fits perfectly into the role society expects from them, and pursuing that ideal is often a losing game for a booby prize. As a certified genderfluid Aspergers' gremlin, I've been painfully aware all my life of how impossible "fitting in" can be when society's view of normal is far out of reach. But I've also been aware of how rewarding it can be to find your own version of normal out on the margins, finding a happiness all your own that doesn't need anyone else's approval to be real. And above all else, Princess Jellyfish is a celebration of exactly that kind of next-to-normalcy. It's a love letter to all of us who fell short of the scripts we were given but found something far more worthwhile along the way, all the freaks and weirdos and washouts who came into our own by leaven the beaten trail behind and charting our own quirky course through this wonderfully strange world we call home.

Our setting is Amamizuku, a boarding house for women who've slipped through the cracks of society. Chinese history nuts, train otaku, doll obsessives, women who've "failed" to live up to their expected role of finding a husband and becoming a doting wife. But that suits them all just fine: they've found their own kind of family among each other. A bizarre, constantly broke family prone to fits of geeky infodumping about their preferred hyperfixations, but a family nonetheless. All except for the youngest among them: Tsukimi, a girl still coping with the death of her mother and struggling with crippling self-doubt. Her mother always told her that all girls grow up to be princesses, but every time she sees her geeky, chubby, socially awkward uberdork self in the mirror, she sees the furthest thing from a princess she can imagine. And as happy as she is among her new friends, part of her still feels inadequate for not living up to the ideal of femininity she thinks she's supposed to fulfill.

That all changes when someone who does embody that ideal of femininity waltzes into her life. The only catch? It's actually a guy! Kuranosuke is a politician's son who's taken to cross-dressing as a way of distancing himself from his stifling family and social role, staking his own identity as a glorious drag queen in defiance of what someone like him is expected to be. And when he puts on the makeup and dresses and boob pads, he's a more womanly woman than most actual women around him. A chance encounter brings his life and Tsukimi's crashing together, and when it becomes clear that Amamizuku may be in jeapordy due to an urban development project his father is invested in, he decides to partner with her and all the boarding house girls to find some way to save it, preserving the community they've carved out for themselves in defiance of a world that wants to drag them back into "normal" society. Provided his little secret doesn't get out, of course.

It's a wonderfully quirky little show, bursting with the kind of lived-in detail that shoujo anime so often excel at. Amamizuku is a wonderfully realized community of oddball losers, and while some of the characters walk the line between amusing and annoying at times, you really come to adore all of them for their eccentricities. Tsukimi in particular is absolutely adorable, a perfect bundle of nerves and anxiety brought to life by Kana Hanazawa's stammering brilliance. She takes you through the whole gamut of emotions from quiet sadness to freaking out to hyperfixated intensity without ever missing a beat. And seeing her play off Kuranosuke as they help each other understand their own hang-ups a little better really put a smile on my face. Neither of them fit the image of what a man and woman are supposed to be, and in that mutual defiance (albeit far more purposeful on Kuranosuke's part), they're able to see the best in each other that they're not always able to see themselves.

But its in the moments where the woman of Amamizuku crash up against "normal" society that Princess Jellyfish really shines. This show is deeply interested in the connections between the marginal and the mainstream, what it means to be "normal" and what so-called normalcy takes for granted in trying to impose a universal standard. There's a great moment where Kuranosuke's giving the women glow-ups so they look trendy and fashionable in order to infiltrate a board meeting about the redevelopment, and she says, "I won't tell you to change your personal style or fit yourself into their boxes. But if you want to take on this shallow world, you have to fight on terms that shallow people understand." It's such a great summation of the pointlessness of our image-focused culture, how a little lip gloss and Coco Chanel can transform someone's perception from a layabout spinster to a glamorous socialite without changing the person at their core. And in playing with those expectations, Princess Jellyfish is able to draw out a much deeper, more honest beauty from its characters, a beauty that shines just as brightly in a pearl necklace or ratty tracksuit.

The one sour note throughout the show is a subplot involving Kuranosuke's older brother Shuu, a much more politically-minded and traditionally masculine man who gets involved with the woman in charge of pushing the landscape development. She drugs Shuu and takes pictures to make it look like they had sex when he was drunk, blackmailing him in order to get closer to his father and influence his support of her project. It's a deeply disturbing event, and it's really unclear whether or not Princess Jellyfish realizes how messed up it is. Like, this woman essentially makes Shuu think she assaulted him when he was blackout drunk, and it's clear he walks away from the encounter feeling violated (He even says out loud that he was taken advantage of!). But the show pretty much puts all that messiness aside for the sake of fast-tracking a romantic subplot between them that, I'm sorry, is just the most forced thing in the world even without the not-actually-rape hanging in the background. It feels grossly nonchalant about such a serious subject, and while it far from ruins the show, it makes every scene involving them a chore to sit through.

Perhaps that all comes to a much more satisfying conclusion later in the manga. Sadly, this eleven-episode adaptation comes nowhere near close to an ending for any of the threads it sets up, leaving a distinct sense of anticlimax when all is said and done. But hey, if Kimi ni Todoke can somehow wrangle a sequel over a decade later, perhaps there's still hope for a second season of Princess Jellyfish yet. Until then, though, we'll have to remain content with this unfinished but still incredibly enjoyable taste of life on the wrong (but actually right) side of the tracks. And I give it a score of:

7/10

And now to re-watch Kimi ni Todoke and continue reveling in the joys of 2010-era shoujo anime. See you next time!

#anime #tabw #the anime binge-watcher #princess jellyfish #kuragehime #1011 aniwatch

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very-grownup · 2 years ago

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Numbered List of Manga

I don't really understand what's meant by the X to know me by thing going around, because I thought it was generally agreed that media consumption is not a substitute for personality, but here are 10 (licensed) manga series that stick with me.

Hikaru no Go (Yumi Hotta and Takeshi Obata)

Tokyo Babylon (CLAMP)

KUROSAGI CORPSE DELIVERY SERVICE (Eiji Otsuka and Housui Yamazaki)

From Eroica With Love (Yasuko Aoike)

X-Day (Setona Mizushiro)

Pluto (Naoki Urasawa)

Goodnight Punpun (Inio Asano)

Otherworld Barbara (Moto Hagio)

Banana Fish (Akimi Yoshida)

Berserk (Kentaro Miura)

Hikaru no Go

The first sports manga I read and the gold standard for Shounen Jump sports manga. The slow maturation of Obata's art with Hikaru's character arc compliment each other so perfectly (when he does his own writing I don't have time for Obata), the triangle of skill/interest/desire in Hikaru's relationship with the game, JUST PUTTING A GHOST IN YOUR SPORT SERIES AS A MENTOR TO THE PROTAGONIST -- the natural end of the series is perfect (and not undone by continuing for several more volumes) and I still think about it twenty years later and get teary. Any subject can be engaging in the right hands.

Tokyo Babylon

My age and gender mean not including a CLAMP title would be a lie. It would be like a dude my age denying having seen any Dragon Ball. Tokyo Babylon is my go-to, with the heavy contrast of the art, chunkier and less streamlined than CLAMP's later titles, and the themes of death, environmentalism, and the disconnect between people and the world around them in post-Bubble Tokyo, are things I keep coming back to in contemporary series, and looking back is both nostalgic while showing me how things have improved in terms of what's accessible and considered marketable in North America. There was a time when the idea of Tokyo Babylon being licensed was laughable! And now it's been licensed, published, and had the license lapse MULTIPLE TIMES.

Kurosagi Corpse Delivery Service

You should read Kurosagi Corpse Delivery Service. Ask me about Kurosagi Corpse Delivery Service. It's a kind, primarily episodic horror manga with strong anthropological roots. It's supernatural and incredibly real, with stories dealing with xenophobia, the criminal justice system, homelessness, environmental destruction, war crimes, aging populations and the lack of support, isolation, idol culture, otaku culture, employability after receiving a liberal arts education, urban legends, aliens, the dangers of technological innovation, parental loss, revenge, abortion, infanticide, juvenile offenders, cloning, blackmarket animal imports, the continued military presence in Japan, cryonics, the postal service, immigration, what if Jack the Ripper was a ghost and he possessed a cool thing you had imported and continued his serial killings as a ghost. You should read Kurosagi Corpse Delivery Service. Ask me about Kurosagi Corpse Delivery Service.

From Eroica With Love

This series started with superpowered teens, including one named LEOPARD SOLID, and Aoike decided that was boring and she made it a series about a British aristocrat with a secret identity as a flamboyant gentleman thief with amazing hair and a sexually charged rivalry with a German intelligence agent who hates him. It's amazing. It needs to be rescued. There's something like 40 volumes. The pope gets stolen. There's a car chase with a tank and a bazooka on the autobahn. It's perfect and outrageous and over-the-top.

X-Day

I love Mizushiro and she's been tragically unrepresented in English licenses (X-Day is an ex-Tokyopop license, for a one-two punch of tragedy). X-Day is about lonely young people connecting on the internet and planning to blow up their school. There was a panel that felt like my depression had been put perfectly, beautifully, heartbreakingly onto the page.

Pluto

Urasawa's one of the greats and Pluto sees him adapting another of the greats into a smart, often sad, science fiction mystery thriller, and I still haven't been able to bring myself to read it a second time, despite it being Urasawa's shortest series.

Goodnight Punpun

Have you ever read something so profoundly raw and honest and recognizable that you had to quit reading it cold turkey? I think about Goodnight Punpun a lot and I stare at it on my shelf and I know I'm still not ready to read the rest of it.

Otherworld Barbara

No one draws the way Hagio does, with lines that look like they will dissolve if you touch them, and she understands that soft, dreamy beauty should be able to encompass things that are hard and violent and bloody because girls love romance and dream realms and clones and question of identity and beautifully androgynous characters with dark starry eyes and cannibalism.

Banana Fish

I have often gone on, at length, about one of the core components of shoujo, especially classic shoujo, being BIG FEELINGS, and the hugeness of the feelings make the events correspondingly BIG AND POWERFUL AND IMPORTANT but Banana Fish ties that with extreme violence and a plot that becomes increasingly Metal Gear Solid, with impossible drugs and mind control and knife fights and snipers and torture hospitals and the American military industrial complex. And then it comes back to feelings. It's another title where you really see the art evolve, which I love, and it's one of those perfect tragedies, where you can feel bad things coming, sometimes see them coming, but there's a rightness in the tragic ending. It hits the catharsis necessary in real, proper tragedies.

Berserk

I resent how superficial readings of Berserk kept me from reading it for so long. Do I love the hyper-violence and the gore and Miura's obsessive attention to the tiniest details in his shitty, blood-soaked world? Yes, of course, it's powerful and visceral and shocking and wild, which makes the hope and the realness of the trauma and how difficult everything is and how exhausting just living is and the cycles the characters are trying to escape from more engaging. Despite everything it isn't constant, grinding misery. It's a series full of sparks of optimism and so much more than BIG MAN BIG SWORD, with hurts more complex than demonic abominations. But the demonic abominations DO look rad as hell.

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