#Ulf Eriksson
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Hockey Names That Go Hard
Just a fun little post of some hockey player names that I think are really cool or fascinating.
Kristopher Pierre Joseph Irwin Letang - Tanger, one question, why so many middle names?
Erik Sven Gunnar Karlsson - Go off, viking king!
Oliver Oscar Emanuel Ekman-Larsson
Rickard Lars Gunnar Roland Rakell
Cal Clutterbuck
Nino Niederreiter
Zemgus Girgensons
Ukko-Pekka Luukkonen
Jack St.Ivany - romance movie character much?
Ryan Nugent-Hopkins
Leon Draisaitl
Mirolsav Satan (yeah, I know it was shah-tahn, but it's still cool)
Rick Rypien (rest in peace, Rypper)
Andreas Athanasiou
Justin Abdelkader (originating from Arabic! Abdul-Qadir)
Jeff Beukeboom
Kevin Shattenkirk
Juraj Slafkovsky
Arber Xhekaj
Darius Kasparaitis
Slater Koekkoek
Ilya Kovalchuk
Alexander Ovechkin
Evgeni Malkin
Jack Studnicka
Rod Brind'Amor
Zach Whitecloud
Elias Fredrik Pettersson - if EK is a viking king, Petey is a viking prince
Teddy Blueger
Magnus Hellberg - love ya, Chopper!
Jesperi Kotkaniemi
Elvis Merzlikins
Igor Shesterkin
Mika Zibanejad
Carter Verhaeghe
Shayne Ghostisbehere
Sergei Gonchar
Zach-Aston Reese
Thatcher Douglas Demko
Garnet Hathaway
Gabriel Landeskog - awesome name for a gorgeous man.
Sidney Patrick Crosby - Irish af and I love it sm.
Patrice Bergeron
Brad Marchand
Daniel Hans Sedin and Henrik Lars Sedin - my beloved super twins!
Zdeno Chara - brief, blunt, and fucking massive.
Andrew Mangiapane
Mats Zuccarello
Teuvo Teravainen
Sergei Bobrovsky
Andrei Vasilevskiy
Rasmus Ristolainen
Dustin Byfuglien - no idea how you get buff-lin from that, but oh well.
Joel Eriksson-Ek
Jonathan Huberdeau - also sounds like a hockey booktok mc.
Kailer Yamamoto
Dakota Joshua - my beloved
Evgeny Kuznetsov
Vincent Desharnais- welcome to Vancouver, Vinny!!
Taro Tsujimoto - if you know, you know!
Henri Jokiharju
Kasperi Kapanen - cat boy extraordinaire!
Jarome Iginla - I know he has like, a million, middle names but I'm not typing all that out.
Nils Hoglander - or, pardon me: Nils - Big Hog - Hoglander!!!
Jonathan Quick - sounds like a superhero!
Rob Klinkhammer
Anze Kopitar
Jaromir Jagr - a badass name for an equally badass man.
Bill Quackenbush
Jordin Tootoo
Jonathan Cheechoo
Radek Bonk, and his son, Oliver Bonk
Jonathan Lekkerimaki - our baby swede!
Gino Odjik - rest in peace, big man!
Ulf Niklas Alexander Edler - miss you, Eagle!! Please come home to us, dad!
Bowie Horvat - Take care of him, Islanders.
If anyone has any others, chuck them in the replies or reblogs!
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Prime Minister Ulf Kristersson receives the Prime Minister of Norway Jonas Gahr Støre and the President of Finland Sauli Niinistö. The countries' defense and foreign ministers als...
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What do we know of this place? Trees, cities, and giant armies? These Norse are not our people.
They are Viking, just like you.
No. We are Greenlanders, as are you.
#vikings valhalla#freydis eriksdotter#leif eriksson#liv#yrsa#toke#skarde#ulf#njal#gifs#is that everyone? lol
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Latency radio show on Rinse #8 (part 1/2) - Ulf Eriksson (Kontra-Musik) by Latency Recordings http://ift.tt/2aZwiIP
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Not just friends
Pairing: Leif Eriksson x reader
Summary: You fell asleep on Leif's lap
Tw: Fluff, English is not my first language
You were completely immersed in the festive atmosphere. The sound of ballads, laughter and struggles filled your eardrums. You and your group were slightly away from the din: you surrounded a small bonfire that warmed and illuminated you on that freezing night. Probably because of the wine, or the few hours of sleep you had, your palebras were getting heavier every moment. Your brain could not concentrate on the tales told by Skarde and Ulf. You unconsciously rested your head on Leif's shoulder. The latter's cheeks heated up, but he blamed the heat of the fire. Freydis smiled as her brother stripped off his fur to lay it on your body as he slowly moved your head over his lap. He played with your hair, twisting locks in his fingers. When everyone left he stayed there, so as not to wake you up: «I'll wait a little longer» he kept saying. The dim light of the almost extinguished fire illuminated your features that he carefully observed, tracing them with his index finger. When he touched your lips you woke up, then sitting at his height. «Where are the others?» You asked in a sleepy voice as you looked around: there were only a few people left and your friends were all gone, except Leif. «They're asleep» the boy explained. «You're freezing, Leif» you pointed out «It doesn't matter» he said. You were about to give him back his robe but he held you back: «Really, I don't want you to get sick» «I won't, but you for sure» «Let me decide for myself». Your face and his were inches apart. You loved Leif, you always did. At that moment you understood that it wasn't just a brotherly love: he was much more. You could no longer resist the closeness of his face, joining your lips in a slow and delicate kiss, followed immediately by one rough and hungry. «It took me too long to figure it out» you said rubbing your noses «I just need you to» said Leif, squeezing your cheeks.
Hope you like it! You can give me idea for other stories <3
#vikings valhalla#vikings x reader#vikings#Vikings Valhalla x reader#Leif#leif eriksson#fluff#reader insert#leif eriksson x reader#leif x reader
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(KONTRA-MUSIK/ULF ERIKSSON)
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Heyy since requests are open, may I ask for a modern AU Leif drabble? Btw I love your natural way of writing and well constructed characters<33
Thank you anon! I don't always get a lot of feedback on my fics but it means a lot! So here's a little drabble.
Summary: You hate frat parties but Harald's new friend might just change your mind.
Pairing: Leif Eriksson x F!Reader
Rating: Gen. Modern AU, drinking, and brief unwanted touching.
Word Count: 431
You take in the room, eyes drawn to the rowdy, drunk frat boys first. Harald is holding courting at the center of the room swaying back and forth as he sings some stupid song, red solo cup held high. Half the girls are already mooning over him. To his left is his brother Olaf who is way too old to be at a party like this but still comes, watching everyone with that creepy stare.
You almost skip over the stoners, sitting quietly in the corner. Leif and Harald are unlikely friends but he and the other Greelander exchange students have been coming to these parties for the last couple of months. They mostly keep to themselves, though Liv and Ulf could be lively when the hard liquor came out.
“Hey kitty kat,” a drunk frat boy purrs. You don’t recognize him, he must be one of the new pledges. The older boys would know better than to mess with you.
“Go away,” you warn, waving him off. You look up, searching for Harald but he’s otherwise occupied with Freydis of all people. You like her quick wit and feminist leanings. She seemed to have a good head on her shoulders but clearly not if she’s interested in Harald of all people. He may be your brother's best friend but he turned into an idiot at these parties.
“Don’t be a bitch baby,” the pledge slurs, grabbing your arm. “Just wanna talk.”
“Well I don’t want to. Let go,” you tell him firmly. When he doesn’t budge you frown, annoyed that you’re going to have to involve Harald but before you can the kid releases you with a yelp, dropping to his knees.
“She said no.” You blink up at Leif, his normally blank expression serious. He has a loose hold on the boy’s wrist but it must be painful based on the way the pledge’s face is rapidly turning red. “You should apologize,” Leif encourages.
“Jesus, fuck. Ok. I’m sorry. Super sorry,” he babbles, crawling away when Leif releases him. When he turns to rejoin his friends, you catch his arm. "Thank you.”
Leif nods and stares at you for a beat longer than is comfortable. “Do you want to get a drink?” He asks.
“Sure. I think the keg is in the kitchen,” you offer but he shakes his head.
“No, tomorrow. Coffee. Just the two of us.”
“Oh, um. Yes,” you agree, surprised but pleased. “We should exchange numbers…”
“I can get it from Harald,” he promises, a half smile under his wispy beard. “Be careful,” he adds.
#viking valhalla#vikings netflix#Leif Eriksson x reader#leif ericksson x you#leif erikson x reader#leif eriksson#vikings: valhalla#leif Eriksson x female reader#leif eriksson x you#vikings fanfiction#vikings fanfic
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Рождество в лесу Авторы: Ulf Stark, Eva Eriksson Иллюстратор: Eva Eriksson Языки: Русский
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#Proto Eclectica#Athena Keskus#Tartu#2008#Estonia#Dopplereffekt#Kiwanoid#Wochtzchee#Ulf Eriksson#Tilman Tausendfreund#Erection deck#Nep Tong#Dart
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Electronic Beats Podcast: Sebastian Mullaert & Ulf Eriksson (Hybrid DJ/Live Set) by sebastianmullaert Website: http://ift.tt/2nGoP8Y From Tokyo’s infamous Liquid Room through my sound recorder and straight to your eardrums via Telekom Electronic Beats... 2 hour jam from Ulf and I made with love and fun!
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Wagamama - Vegamama (Dir. cut) from BUSINESS CLUB ROYALE on Vimeo.
Production Company: Business Club Royale + RiffRaff Films Director Vedran Rupic Executive Producer: Tom Berendsen Producer Christian Kuosmanen DOP: Nico Poulsson SWEDEN TEAM 1st AD: Daniel Andersson PM: John Horn 1st AC: Simon Mortensen 2nd AC: Alexander Toma Gaffer: Luisa Fanciulliacci Gaffer assistant: Per Anders Nilsson Gaffer assistant: Pierre Wernäng Key grip: Sebastian Saury DIT: Olof Bäckström Production designer: Christian Olander SFX: FIXAS SFX Niklas Hermansson SFX Simon Krümmel SFX Pernilla Fisher SFX Oskar Wallroth SFX Kicki Öman SFX Moa Kristensson SFX Peter Holmgren SFX Jonas Frykberg SFX Fia Reisek VFX supervisior: Ulf Lunden Post producer: Henning Szpiro Eriksen Steady cam: Josef Persson Pyro technician: David Peter Covid 19 Robert/Livtjänst PA: Sofie Gällespång PA: Joel Niwes PA: Fredrik Pernehed Studio / GFS: Johan Jonsson
KIEV TEAM EXECUTIVE PRODUCER: SASHA BEVKO PRODUCER: VAL PETYSHKIN PM: VOVA ALTSYBEEV UNIT MANAGER: IEGOR POGREBNIAK PC: ANDREW BIRCH 1ST AD: MASHA VERBOLIUK PD: MAX HALUSHKA STYLIST: DASHA FILSHINA MUA: KATE MAKSIMOVA CASTING ON SET EVGENIY KRIVOSHEEV CASTING ON SET YULIA TOLKACHEVA FOOD STYLIST: ALEXANDRA GORDEEVA 1ST AC: SERGEY KOLESNIK SCRIPT SUPER: MARYOHA GAFFER VOVA AKULOV KEY GRIP: ARTEM PILIPCHUK SOUND: SERGEY VERDES SFX: OLGA MARKOVA PLAYBACK: VITALIY BEAR LOCATION MANAGER: VITALIY BATYSHCHEV DOCTOR ON SET: YANA SHCHEBETIUK CHAPERONE: ROXY MUDRYK SECURITY: JAMAL AL-BAED CRANE: SERGEY SUBOTA POST-PRODUCTION Post-producer: Henning Szpiro Eriksen Colorist: Julien Alary Editor: Elias Nilsson Online editor: Stefan Ekman VFX lead: Ulf Lunden VFX: Dupp & Istudios VFX artists: Magnus Jonsson Emil Eriksson Pär Olsson Zafer Fanari Håkan Ossiann Anders Nyman Viktor Johansson Lars-Gunnar Thorell VFX coordinator Istudios: Sofia Frennesson Matte Painter: Pär Olovsson Music: Gustav Jennefors Sound design: Redpipe Sound design : Erik Olsson Sound studio coodinator: Felicia Bjurefors
Casting: Beast Casting
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AUTOSCOPY follows a sound artist who escapes to the Swedish wilderness for a period of creativity and introspection. The discovery of an old abandoned floatation tank and experimenting with psilocybin mushrooms evokes a strange alchemy of deep-rooted imagery. Boundaries are dissolved between the organic and the unnatural, the imagined and the experienced. A disorientating voyage deep into the heart of nature and ultimately; deeper into himself. We are currently seeking producing-collaborators to help continue the development of AUTOSCOPY as a feature film. SCREENINGS & AWARDS: NOWNESS, Worldwide Online Premiere 26-11-2021 British Shorts, Berlin (Narrative Shorts) May 27 - June 3, 2021. Tampere Film Festival, Finland (Generation XYZ Competition) March 10-14, 2021. Slamdance Film Festival, Park City, USA (Narrative Shorts) February 12-25, 2021. Horror Haus Film Festival, Los Angeles CA, October 2020 (Narrative Shorts) Horrible Imaginings Film Festival, Los Angeles CA, September 2020 (Narrative Shorts) Nominated “Best Director” & “Best Cinematography”. Crested Butte Film Festival, Colorado, September 2020 (Narrative Shorts). Nevada City Film Festival, Nevada City CA, August 2020 (Narrative Shorts, US PREMIERE) Screened as part of “Best of the fest” at the drive-in cinema). CREDITS: Writer, Director: Claes Nordwall Actor: Ulrik Munther Director Of Photography: Max Larsson Original Score: Evan Caminiti Sound Design: Greg Niemand Production Design: Kane Silks Costume Désign: Peghah Maleknejad First Assistant Director: Simon Broström Editor: Claes Nordwall Gaffer & Drone Operator: Marcus Möller Colourist: Alex Gregory at The Mill Sound Recordist: Elizabeth Carlyon 1st Assistant Camera: Rasmus Frostell Art Department assistants: Pär Nordwall and Tomas Eriksson Prop builders: Ulf Nordwall and Pär Nordwall Title Design: Joel Folkesson Catering: Ann-Kathrine Nordwall CONNECT: https://bit.ly/3lZf9lV https://bit.ly/3pSL74m https://bit.ly/3oNypoz https://bit.ly/3oKZ2KH
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ABOUT THE PROJECT
When Moderna Museet was forced to close due to the covid-19 pandemic, we decided to share the exhibition that had just opened, “Walid Raad – Let’s be honest, the weather helped” in a rather different way in different times.
We asked a few of our museum hosts, who normally greet and talk to visitors in the exhibition, to share Walid Raad’s works according to their own personal thoughts and experiences. They had all met Walid Raad earlier, when he held two master classes for our staff before the opening. Our ambition was to offer new interpretations of the exhibition “Walid Raad – Let’s be honest, the weather helped”, based on the new situation.
At the two-day workshops participants formulated their thoughts, ideas and observations, giving perspectives on the Museum and the exhibition under the current conditions. These thoughts were then expressed in short videos. Each participant became the sender of one of these videos.
The project was led by Ulf Eriksson, curator of learning, who invited Kristoffer Svenberg, artist and freelance art educator, to manage the process, filming together with the hosts and then editing the material.
The result was seven short videos that offer new doors into and interpretations of the exhibition “Walid Raad – Let’s be honest, the weather helped”.
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Saint Bridget of Sweden - Feast Day: October 8th - Latin Calendar
Saint Bridget of Sweden - Religious, founder, Patroness of Sweden, Mother of Saint Catherine, Co-Patroness of Europe
Birgitta Birgersdotter (1303—23 July 1373) was a mystic and saint, and founder of the Bridgettine Order after the death of her husband of twenty years. She was also the mother of a saint—Saint Catherine of Vadstena.
She is one of the six patron saints of Europe, together with Saint Benedeict of Nursia, Saints Cyril and Methodius, Saint Catherine of Siena and Saint Teresia Benedicta of the Cross (Edith Stein). Life
The most celebrated saint of Swede was the daughter of Birger Persson of the family of Finsta, governor and lawspeaker of Uppland, and one of the richest landowners of the country, and his wife, a member of the so-called Lawspeaker branch of the Folkunga family. Through her mother, young Birgitta was a relation of the Swedish kings of her lifetime.
In 1316, when she was 13 she married ULF Gudmarsson of the family of Ulvåsa, lord of Närke, to whom she bore eight children, four daughters and four sons. All of them survived infancy, which was very rare at that time. One of them was afterwards honored as St. Catherine of Sweden. Birgitta’s saintly and charitable life soon made her known far and wide; she gained, too, great religious influence over her husband, with whom (1341-1343) she went on pilgrimage to Santiago de Compostela.
In 1344, shortly after their return, ULF died in the Cistercian monastery of Alvastra Abbey in Östergötland, and Birgitta then devoted herself wholly to religion.
It was about this time that she founded the Order of the Holy Saviour, or the Brigittines, of which the principal house at Vadstena was richly endowed by King Magnus Eriksson of Sweden and his queen.
About 1350 she went to Rome, partly to obtain from the pope authorization of the new order and partly in pursuance of her self-imposed mission to elevate the moral tone of the age. It was not until 1370 that Pope Urban V confirmed the rule of her order, but meanwhile Birgitta had made herself universally beloved in Rome by her kindness and good works. Save for occasional pilgrimages, including one to Jerusalem in 1373, she remained in Rome until her death on 23 July 1373. She was originally buried at San Lorenzo in Panisperna before being moved to Sweden. She was canonized in the year 1391 by Pope Boniface IX, and confirmed by the Council of Constance in 1415. Because of new discussions about her works, the Council of Basel confirmed the orthodoxy of the revelations in 1436.
Visions
As a child, she had already believed herself to have visions; these now became more frequent, and her records of these "Revelationes coelestes" ("Celestial revelations") which were translated into Latin by Matthias, canon of Linköping, and by her confessor, Peter, prior of Alvastra, obtained a great vogue during the Middle Ages. Her Visions of the Nativity of Jesus had a great influence on depictions of the Nativity of Jesus in art. Shortly before her death, she described a vision which included the infant Jesus as lying on the ground, and emitting light himself, and describes the Virgin as blond-haired; many depictions followed this and reduced other light sources in the scene to emphasize this effect, and the Nativity remained very commonly treated with chiaroscuro through to the Baroque. Other details often seen such as a single candle "attached to the wall," and the presence of God the Father above, also come from Bridget’s vision:
...the virgin knelt down with great veneration in an attitude of prayer, and her back was turned to the manger… And while she was standing thus in prayer, I saw the child in her womb move and suddenly in a moment she gave birth to her son, from whom radiated such an ineffable light and splendor, that the sun was not comparable to it, nor did the candle that St. Joseph had put there, give any light at all, the divine light totally annihilating the material light of the candle… I saw the glorious infant lying on the ground naked and shining. His body was pure from any kind of soil and impurity. Then I heard also the singing of the angels, which was of miraculous sweetness and great beauty…
After this the Virgin kneels to pray to her child, to be joined by St. Joseph, and this (technically known as the Adoration of the Child) becomes one of the commonest depictions in the fifteenth century, largely replacing the reclining Virgin in the West. Versions of this depiction occur as early as 1300, well before Bridget’s vision, and have a Franciscan origin, by which she may have been influenced.
Her visions of purgatory were also well known.
The Fifteen 'Our Father and Hail Mary Prayers'
Saint Bridget prayed for a long time to know how many blows Jesus Christ suffered during His terrible Passion. Rewarding her patience, one day he appeared to her and said: "I received 5480 blows upon My Body. If you wish to honor them in some way, recite fifteen Our Fathers and fifteen Hail Marys with the following Prayers, which I Myself shall teach you, for an entire year. When the year is finished, you will have honored each of My Wounds."
The prayers became known as the Fifteen Oes, because in the original Latin, each prayer began with the words O Jesu, O Rex, or O Domine Jesu Christe. Some have questioned whether Saint Bridget is in fact their author; Eamon Duffy reports that the prayers probably originated in England, in the devotional circles that surrounded Richard Rolle or the English Brigittines.
Whatever their origin, the prayers were quite widely circulated in the late Middle Ages, and became regular features in Books of Hours and other devotional literature. They were translated into various languages; an early English language version of them was printed in a primer by William Caxton. The prayers themselves reflect the late medieval tradition of meditation on the passion of Christ, and are structured around the seven last words of Christ. They borrow from artistic and Scriptural sources as well as the tradition of devotion to the wounds of Christ.
During the Middle Ages, the prayers began to circulate with various promises of indulgence and other assurances of supernatural graces supposed to attend from their regular recitation over the course of a year. These indulgences were repeated in the manuscript tradition of the Books of Hours, and may constitute one major source of the prayers' popularity in the late Middle Ages. They promise, among other things, the release from Purgatory of fifteen of the devotee’s family members, and that they would keep fifteen living family members in a state of grace.
In 1651 the Brigitta Chapel was erected in Vienna, and in 1900 the new district Brigittenau was founded. In 1999 Pope John Paul II named St. Bridget as a patron saint of Europe. Her feast day is celebrated on 23 July, the day of her death.
Her feast was not in the Tridentine Calendar, but was later inserted in the Roman Catholic calendar of saints in 1623 for celebration of 7 October, the day she was canonized by Pope Boniface IX in the year 1391. Five years later, her feast was moved to 8 October, where it remained until the revision of the Roman Catholic Calendar of Saints in 1969. Some continue to use the pre-1970.
Below you can download a copy of the prayers mentioned in this story:
Twelve Year Prayers of St. Bridget of Sweden
Image is of St. Bridget giving rule to her order.
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