#UMass Amherst Department of Theater

[umass-digiturgy]

Emilie Scholars, Dr. Julie Hayes and Dr. Julia Jorati, both study 16th-18th century philosophy and have graciously agreed to participate in a post-show talkback on Saturday, March 9th at 2pm in the Curtain Theater.

Dr. Julie C. Hayes (pictured left) is a Professor of French and the former Dean of the College of Humanities and Fine Arts at the University of Massachusetts Amherst. She has written Translation, Subjectivity, and Culture in France and England, 1600–1800 (2009); in addition to being an Emilie scholar, she also has worked on a monograph about seventeenth- and eighteenth-century women moral philosophers.

To celebrate her contributions to UMass, a part of the Arts Bridge, the Julie C. Hayes and Claude Bersano Recording Studio, is named in recognition of Hayes, and her late husband, Claude Bersano.

Dr. Julia Jorati (pictured right) is member of the Department of Philosophy at The University of Massachusetts, Amherst. Her main research area is the History of Early Modern Philosophy and she has completed two books on philosophical debates about slavery and race in the 16th–18th centuries. Also an Emilie scholar, Dr. Jorati is the co-director of Question Everything, a summer philosophy program for high school students.

[larryland]

UMass Amherst Presents "The Bacchae of Euripides"

UMass Amherst Presents “The Bacchae of Euripides”

UMass Amherst Department of Theater presents THE BACCHAE OF EURIPIDES by Wole Soyinka directed by Judyie Al-Bilali Performance Details Nov. 7, 8, 9, 14, 15, 16 at 7:30 Nov. 9 & 16 at 2 Curtain Theater Tickets $5 students and seniors, $15 general admission. Call 1-800-999-UMAS or  reserve your tickets through the Fine Arts Center Box Office

Content Advisory This production includes: Simulated…

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北美作业代写：A Discussion of Musical Iago’s Plot

下面为大家整理一篇优秀的essay代写范文- A Discussion of Musical Iago’s Plot，供大家参考学习，这篇论文讨论了音乐剧《伊阿古》。音乐剧《伊阿古》的情节改编自绿日乐队的专辑《美国白痴》。它的主要情节是关于伊拉克战争发生时的三个年轻人，所以它情节的中心是青春的迷茫。《伊阿古》展示了我们身边迷失的一代：他们中的一些是嬉皮士，生活在这个混乱的国际政治环境中，渴望塑造自己的命运。但由于缺乏理想，或者是他们的理想被迫陷入盲目的爱国主义，但等他们发现的时候，已经错过了美好的青春。

The musical Iago’s Plot is adapted from the rock band Green Day’s album entitled as "American Idiot" in 2004. The major plot of it is about the three young men when the Iraq war took place, so the theme of the album and the central conflict of Iago’s Plot from the production is confusion of youth.

The songs of the musicals are selected both from "American Idiot" and "21th Century Breakdown" two albums. This adapted musical also inherited the main theme of the "American Idiot", in which three good friends’ life experience in the United States is depicted. Thus, after the "9.11" attack, three young people began to look for the meaning of life.

The costume designer of it is Andrea Lauer. And the work of her includes musicals such as roadway's Bring It On, STREB's: Forces and the 2012 London Cultural Olympiad and style design in Rolling Stone, Vogue, Interview, (umass.edu, 2008). The design choices she made in the production is effective as it is good in reflecting the main characters personality. All of the main characters have obvious characters, which is easy to be remembered by the audience. Thus, the costume design work well in supporting the production of this musical. The main information that I can gain from the costume design choices made by Andrea Lauer is that each character has totally different characters by the way they dress. However, something didn’t work as the way that John Gallagher dress should be manifested in a different manner to show different moods of him when he experiences ups and rises of life such as drug abuse, and lost love.

The lighting designer is Kevin Adams. The work of him is effective as the design choices made in the production is overall dark and gloomy, but it is also changing when the atmosphere and plots of the musical change, which is effective in supporting the production. Also, I can gain information of plot development from the lighting design choices made.

The director of it is Michael Mayer, and after examining the director’s use of specific elements of staging within the production, there are two things that stick out in my mind: the performance of the song "Good Riddance (Time of Your Life)" by the entire company with guitars after the cast bow and the curtain rises; the performance of Green Day’s lead singer Billie Joe Armstrong who also takes part in the creation, and who also for a few times has participated in the performance, and starred as St. Jimmy. Thus, this special form to present the song has made the show memorable.

In the final moments of the play, Johnny remarks that he lost the person he loved, but he choose to live inside the struggle between anger and love one year later. Those events related to the central conflict--- confusion of youth. But the central conflict was partly resolved. It is because that Johnny reached a reconcile of anger and love caused by the era in his own heart.

The University of Illinois Department of Theatre chooses to produce Iago’s Plot as the theme reflected in the Iago’s Plot is quite profound. Thus, this production of Iago’s Plot communicated to the audience is the loss and confusion brought by the times to the young generation. This theme appeals to me. It presents a lost generation around us: some of them are the hippies, living in this chaotic international political environment, who is eager to shape their own destiny. But because of the lack of ideals, or their ideals were forced into the blind patriotism, they find that they have missed the beautiful youth.

Reference lists

Umass.edu. (2008). “UMass Amherst: Department of Theater - facultystaff”.

http://www.umass.edu/theater/lauer.php

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Erdman Co-Creator of New Opera “The Scarlet Professor”

UMass Amherst: News Archive Harley Erdman, a dramaturg and graduate program director of the department of theater, has written the lyrics for a new opera to be presented in the fall.“The Scarlet Professor,” co-created with Eric Sawyer, a composer based at Amherst College, is based on local author Barry Werth’s book of the same name…

Erdman Co-Creator of New Opera “The Scarlet Professor”

[westernmanews]

HOLYOKE — Jazz icons have performed at the annual Holyoke Community College (HCC) Jazz Festival for 20 years, but, according to Robert Ferrier, the festival organizer and one of its founders, the two-day event has always been more about education.

Each year, eight to 12 high schools and some area colleges bring their music students to the festival to watch, play, jam, and attend clinics and workshops. It gives students an opportunity to meet other emerging musicians, form friendships, and exchange ideas. It’s also a lot of fun, he said. The only thing students don’t do is compete.

“I love it,” said Ferrier, a jazz guitarist and HCC music professor. “It’s educational. No one leaves thinking they lost.”

The annual festival will celebrate its 20th anniversary March 10-11 with jazz trombonist Steve Davis as guest artist. Davis, a renowned trombonist who has played with some of the greatest performers in jazz. A graduate of the Hartt School’s Jackie McLean Institute at the University of Hartford in Connecticut, he began his career with Art Blakey and the Jazz Messengers, later playing with McLean’s group. He has taught alongside McLean at the Hartt School and Artists Collective.

The concept of a regional jazz festival began in 1998 with Ferrier kicking around ideas with Dan Oberholtzer, the former chairman of HCC’s Music Department, and Oberholtzer’s son Chris, a jazz trombonist who was also teaching at HCC.

At the time, nothing like it existed in the area. The concept of a jazz festival for high-school students was a novel idea. Right away, musicians from the Pioneer Valley Performing Arts Charter School and high schools in Westfield, Holyoke, Amherst, Easthampton, and Springfield, among others, joined in. Soon, local colleges began participating. This year, for the first time, middle-school students from Westfield will also take part.

“We started this, and a year later UMass started one, too,” Ferrier said of the larger festival that generally comes a month after the HCC event. “We start making plans in September.”

The structure of the festival has not changed significantly in 20 years. For the Friday-night kickoff concert, the guest performer plays with the Amherst Jazz Orchestra under the musical direction of David Sporny, in the Leslie Phillips Theater in the college’s Fine and Performing Arts building, beginning at 8 p.m.

“It’s a special event,” said Sporny, a former trombone professor at UMass who has brought his large jazz orchestra to the festival every year. “The festival is not an arts war. It’s not a competition. It’s all educational. The percentage of kids that go on to play professionally is small, but for the kids involved in music, it helps them learn discipline. And the ones who are really passionate about music find each other there.”

The festival continues on Saturday, March 11, from 9 a.m. to 5 p.m. with big band and jazz combo performances by high-school and HCC students. Clinics, workshops, and jam sessions will be held throughout the day, with Davis participating in music clinics at 11 a.m. and 1 p.m.

All Saturday events are free and open to the public, including the closing concert from 4 to 5 p.m. in the Leslie Phillips Theater.

The post Annual HCC Jazz Festival Celebrating 20th Year appeared first on BusinessWest.

[umass-digiturgy]

“and the arrow went on and on, from heart to heart, tribe to tribe, and generation to generation”

Aurash is a fable which explores themes such as individuality, nationalism, loyalty, freedom, and more. More literally, it is a story about fighting against oppressive foreign forces in Iran, in the name of community, tradition, and freedom. It is of note that UMass Amherst’s Theater department is mounting a play based on this fable, while Iran is currently going through much political upheaval. Although the theater department did not choose to produce Aurash for this reason, it is notable that politics in Iran have influenced this particular production and its rehearsal process, foundationally, and irrevocably.

On March 22nd, 2022, UMass Amherst’s Theater Department released a sneak preview of the productions they were planning on producing in the upcoming academic year.  Aurash, suggested by Iranian MFA director Behnam Alibakhshi, was among them. At the time, what was said about the upcoming play was this:

As envisioned by Behnam Alibakhshi, this production will allow students and designers to get more familiar with Eastern legendary myths and theatrical traditions… allowing for an adventurous storytelling process… Aurash builds on the Department’s growing reputation as a place for Persian/Iranian performance (Committee).

It is clear that the political state in Iran was neither a driving force nor a deciding factor in the selection of Aurash. At the time of the play’s selection, the most internationally relevant news about Iran was in relation to their natural resources such as uranium and oil, their ability to manufacture a nuclear weapon, and the Ukraine/ Russia war (Erlanger).

However, in the fall of 2022, a few months prior to the beginning of rehearsals, Mahsa Amini, a young Iranian woman was arrested, and later killed in Iran by the morality police, for allegedly not wearing her Hijab properly. This set off a wave of protests and political demonstrations in Iran, in which individuals would burn their headscarves, cut their hair, and chant “death to the dictator”. The spirit of protest spread, and citizens began to rally against their government, the freedom it denies, and injustices it wages against its own people (Cloud).

At Aurash’s first rehearsal in mid November, the director, Benham Alibakhishi made it clear that although Iranian politics were not directly relevant to the production at the beginning, now they were very much so. Alibakhshi read Bani Adam, by poet Saadi Shirazi, aloud to the cast and production team, and showed striking photos of a few of these bold, Iranian women. Iranian current events had begun to shape the show, in ways such as casting, wherein a woman was cast in the traditionally male role of Aurash to pay respect to the women who were victims and leaders in the protests in Iran.

In mid-December after a few weeks of rehearsing, UMass began its winter break. At this time, the New York Times published an opinion guest essay by Karim Sadjadpour titled “The Question Is No Longer Whether Iranians Will Topple the Ayatollah”, which argued that Iranians will inevitably win out over their oppressive government, and have true freedom. In the article, Abbas Amanat, a historian of Iran says this,

“For nearly two millenniums, Persian political culture and, in a broader sense, a repository of Persian civilizational tools successfully managed to convert Turkic, Arab and Mongolian conquerors… Persian language, myth, historical memories and timekeeping endured… It is Iranian culture and patriotism that are threatening to undo the Islamic Republic” (Sadjadpour).

The message put out by​​ this article was one of optimism, strength, and endurance.

However, as students returned from winter break in early 2023, this uplifting message had taken a turn, as the practical hardships started to show their strain on this political movement. In the New York Times “The Daily” podcast there was a segment on the difficulties facing journalists and protesters alike in Iran. Sabrina Tavernise interviewed Cora Englebrecht who spoke about the dangers of being a journalist in Iran, the executions of civilians, and the slowing down of the protests in general (Tavernise). It seemed like the protests in Iran were losing steam, and losing hope.

Despite the increased difficulty of forming protests, and the crackdown on journalists, the people of Iran are still protesting against the current Islamic Republic government. As recently as February 11th, there has been a bold act of resistance against Iran’s president Ebrahim Raisi. During the president’s televised speech in honor of the 44th anniversary of the Islamic Revolution, a hacker disrupted the programming with a clear message of retaliation. A logo popped up on the screen with the name of the group, and a voice which shouted "Death to the Islamic Republic" (Reuters).

The protests in Iran are ongoing, and the pain and injustice continues. To quote Saadi Shirazi’s Bani Adam:

"Human Beings are members of a whole/ In creation of one essence and soul/ If one member is inflicted with pain/ Other members uneasy will remain/ If you have no sympathy for human pain/ The name of human you can not retain".

If you would like to offer some help with the ongoing situation in Iran, below, there are links to some petitions. These petitions and information have been provided by director Behnam Alibakhshi.

Expel Iran’s diplomats.

Free a prisoner. 

[Dramaturgy by Micki Demby-Kleinman]

Cloud, David S. Who is Mahsa Amini, and Why Did Her Death Spark Protests in Iran?, 23 September 2022, https://www.wsj.com/story/who-is-mahsa-amini-and-why-did-her-death-spark-protests-in-iran-d4236eb3. Accessed 11 February 2023.

Committee, Season Selection. Season Proposal FINAL. 2022.

Erlanger, Steven. “How Russia’s War in Ukraine Complicates the Iran Nuclear Deal.” The New York Times, 8 March 2022, https://www.nytimes.com/2022/03/08/world/europe/iran-nuclear-deal-russia-ukraine.html. Accessed 11 February 2023.

Reuters, ? “Hackers interrupt Iran president's TV speech on anniversary of revolution.” CNN, 12 February 2023, https://www.cnn.com/2023/02/12/middleeast/hackers-interrupt-iran-leader-revolution-anniversary-intl-hnk/index.html. Accessed 19 February 2023.

Sadjadpour, Karim. “Opinion | The Question Is No Longer Whether Iranians Will Topple the Ayatollah.” The New York Times, 12 December 2022, https://www.nytimes.com/2022/12/12/opinion/iran-protests-veil-khamenei.html. Accessed 12 February 2023.

Tavernise, Sabrina. Arrests, Executions, and the Iranian Protesters Who Refuse To Give Up. New York Times, 2023.

[larryland]

UMass Play Lab Presents a Pair of Student-Written Plays

UMass Play Lab Presents a Pair of Student-Written Plays

UMass Play Lab Swimming Lessons by Shazeb Meraj and Jared Sarnie Director: Erin Nicole Eggers Dramaturg: Tatiana Godfrey March 21, 29, 30 at 7:30 p.m. March 23 at 2 p.m.

Come My Beloved by Emma Weinstein Director: Josh Glenn-Kayden Dramaturg: Shaila Schmidt March 22, 23, 28 at 7:30 p.m. March 30 at 2 p.m. The Rand Theater

$7.50 general admission per play, $5 per play for students and seniors. Call…

[umass-digiturgy]

Celia and Gilbert

Do you wanna know who these two are? 

Their stories are an important part of our workshop production of Olvidados, written by Elisa Gonzales, which opens this Thursday, April 7th, at the UMass Amherst Theater Department.

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Playwright and TV scribe Theresa Rebeck to Appear at UMass Theater

Playwright and TV scribe Theresa Rebeck to Appear at UMass Theater

A writer of plays, novels, television, and film, Theresa Rebeck holds a unique perspective on what it means to be a writer today. 

On March 26 at 5 p.m., we are thrilled to welcome Rebeck to the University of Massachusetts Department of Theater for a conversation about writing — and what it means to be a woman writing about other women in a field where men’s voices still dominate. The event is…

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UMass Theater Asks What Makes a Theater Piece with "The Water Station"

UMass Theater Asks What Makes a Theater Piece with “The Water Station”

What makes a theater piece? UMass Theater‘s The Water Station pushes the definition of the form.

THE WATER STATION (Mizu no eki) by Ōta Shōgo Directed by Vishnupad Barve Feb. 27, 28, 29, March 4, 5, 6, 7 at 7:30 March 7 at 2 The Rand Theater

Tickets $5 students and seniors, $15 general admission. Call 1-800-999-UMAS or reserve your tickets through the Fine Arts Center Box Office.

A company of…

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Auditions for UMass New Play Lab

Auditions for UMass New Play Lab

Performers — are you excited about helping to shape new work?

The UMass Department of Theateris looking for actors for this year’s Play Lab. Play Lab is a venue for playwrights to experiment, for directors and dramaturgs to collaborate on shaping new work, for actors to bring intriguing characters to life, and for audiences to help shape the work through their reactions. This year, we are…

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Playwright Eliza Bent to Visit UMass Theater for Workshop, Play Reading

Playwright Eliza Bent to Visit UMass Theater for Workshop, Play Reading

Workshop: The Art of Self-Production Nov. 15, 2:30-4:30 p.m. Fine Arts Center Room 204, UMass Free, open to all artists and theater-makers Registration is encouraged but not required, click here to register.

Community Play Read Participate in reading Eliza Bent’s Indeed, Friend! Nov. 15 at 4:30 p.m. Fine Arts Center Room 204, UMass Free, open to all artists and theater-makers, no registration

Art…

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UMass Department of Theater and W.E.B. Du Bois Department of Afro-American Studies Presents "Ntozake Shange: A Celebration"

UMass Department of Theater and W.E.B. Du Bois Department of Afro-American Studies Presents “Ntozake Shange: A Celebration”

Ntozake Shange: A Celebration

Oct. 27, 4-7 p.m. New Africa House Theater, Room 03 New Africa House UMass Free

On the afternoon of October 27th, 2019 the UMass Department of Theater and W.E.B. Du Bois Department of Afro-American Studieswill present a celebration honoring the life and legacy of Ntozake Shange. We welcome you to join us as we commemorate Ntozake’s work through music, poetry,…

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UMass Department of Theater Holding Auditions for "The Bacchae of Euripides: A Communion Rite"

UMass Department of Theater Holding Auditions for “The Bacchae of Euripides: A Communion Rite”

Actors and dancers sought for upcoming auditions Also: attend our workshop for tips on effective auditioning!

The UMass Department of Theater is holding auditions for its production of The Bacchae of Euripides: A Communion Rite, Wole Soyinka’s adaptation of the classic Greek play. We are seeking energized performers with a passion to explore the “communal feast” and “tumultuous celebration of…

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UMass Amherst Department of Theatre Holds Auditions for "Baltimore" by Kirsten Greenidge

UMass Amherst Department of Theatre Holds Auditions for “Baltimore” by Kirsten Greenidge

UMass Amherst Department of Theatre presents Auditions for Baltimore by Kirsten Greenidge Directed by Josh Glenn-Kayden

Feb.  28, 7-10 p.m. The Rand Theater When a racist incident divides her first-year students, reluctant resident advisor Shelby finds herself in the middle of a conversation she does not want to have. As pressure to address the issue mounts from residents, the new dean, and even…