#Tyler Hubbard

[music-wrestling-nascar-fan]

[sinsdaycorp]

I need a WenClair one shot based off getting eloped and telling no one.

[kelly-clarksons]

April 18, 2024

[midnight-star-world]

Toby Keith: American Icon (2024)

#CountryMusic

So today on the MSR (Midnight Star Review), we weill talking about the latest Country Music Special to honor the late & great Toby Keith. This tribute show took place on Wednesday August 28th, 2024 on NBC (Where I am at) and at 9pm EST (Eastern Standard Time). Here is how they honored Toby and what they played for him/us. This tribute seemed to be hosted by Jelly Roll & Priscilla Block.

Set list. Carrie Underwood - A little less talk and a lot more action. Eric Church - As good as I once was. Darius Rucker - God love her. Riley Green & Ella Langley - Who's your daddy? Ashley McBryde - Wish I didn't know now. Lainey Wilson & Jamey Johnson - Beer for my horses. Luke Bryan - Should've been a cowboy. Jordan Davis & Clay Walker - I love this bar. Jelly Roll - My list. Tyler Hubbard, Jordan Davis, Jelly Roll, HARDY, & friends - Red solo cup. HARDY & Brantley Gilbert - How do you like me now?! Toby Keith's last performance - Joe Diffie Cover - Ships that don't come in. Krystal Keith - Don't let the old man in. Trace Adkins - American soldier. Parker McCollum - Courtesy of the red, white, & blue (The angry American) with everyone getting up on the stage.

And on the MSR (Midnight Star Review), I will not be giving a tribute show a review. And it was good in my opinion to give it 2 hours. It is fair to say all of those involved gave their own way to pay tribute to Toby, the best way that could think of. Thanks for taking the time to read this review. See ya all next time.

[thedroneranger]

Post a screencap of your lockscreen photo and a screencap of the last/current song listened on Spotify/YouTube, as well as the last photo of a celebrity that you saved in your phone. 📞 Thanks for tag @roosterforme, @cherrycola27, @daggerspare-standingby!

Sorry, not sorry, it’s the same Glen photo from like two weeks ago.

No pressure tags: @teacupsandtopgun, @blue-aconite, @shanimallina87, @glen-powells, @lt-bradshaw

[pose4photoml]

Tyler Hubbard - Dancin’ In The Country (Unofficial Video)

[thisaintascenereviews]

Tyler Hubbard - Self-titled Florida Georgia Line is most often to be considered the worst thing to happen to country music within the last decade, and you could make an argument as to why -- they started the “bro-country” trend, where these artists talk about trucks, girls, beer, and the same types of things, all the while incorporating pop and hip-hop tropes into country. A lot of people hate it, and for good reason. It’s really bad, misogynistic, boring, and uninspired. FGL was always at the forefront of it, especially with their 2012 hit “Cruise,” which admittedly is very catchy. They broke up in 2021, but they didn’t officially call it quits until last year. It was very quiet, but the inevitable finally came. It also makes sense because both members, Tyler Hubbard and Brian Kelley, were putting out solo projects. Hubbard is the latest one to do so with his debut solo album. He released an EP last year, all of which appears on this new self-titled album, but I thought I’d check it out for a couple of reasons -- out of pure curiosity, just to see if this album might be good, and because I’ve got a somewhat soft spot for these guys. FGL’s music is either really, really bad or it’s generic but still rather catchy. I enjoy some songs on all of their albums, at least to some degree, and I like Hubbard’s voice a lot. He’s nothing special, but he’s got a good sound to it, and I can enjoy it. Maybe his new self-titled debut album might be good, so I thought it would be good to check it out, especially when I liked the songs from the EP. As far as EPs go, it’s fine, but how is the whole album now that it’s been out for the last week? Let me ask you, the reader, this first: do you want the short version or the long version? The short version is that this album is fine, nothing more or less. There’s a lot more I can say, but if I had to sum it up, this album’s okay. It’s nothing special, and if you have an idea of what to expect with FGL, you’re going to get the same thing here. This album feels like an extension of FGL, and it’s almost like they never broke up, but this album is less obnoxious. The long version, however, is that there are some bright moments on this album, but it’s frustrating, because it’s so generic in a lot of places, too. It’s catchy, and a lot of the songs on this album have good hooks, but this record places radio-friendly hooks over songwriting and lyricism. Hubbard’s performance is fine, and the instrumentation is well and good, but the lyrics are very bland a lot of the time, usually being very surface-level, and the songwriting is blase, too. It’s just a lot of the same, especially within the album itself. Every song on this hour-long album sounds the same, and it’s bad, folks. Not the songs are bad, but the album is way too long. This didn’t need to be an hour. I would have wanted this to be maybe around 36 to 40 minutes. It doesn’t need to be an hour. You could have cut a lot from this album and it wouldn’t have made a difference, especially when a lot of the songs have very similar lyrics. A lot of this record is about how this girl that Hubbard is with loves him for who he is, such as on “Me For Me,” which is a decent song and a good sentiment, but it’s weird when he’s painting himself out to be this unique guy when he’s just describing country tropes, such as big trucks, wearing boots, and drinking beer. There are a few songs that try to break out of the generic formula, such as “Miss My Daddy,” where he talks about his late father, but it’s few and far between. Some songs are pretty fun, such as “Everybody Needs A Bar,” which is just about how everyone needs a bar to drink, decompress, and socialize at. He even says that everyone needs somewhere to just shoot the shit, and it’s a pretty fun moment on this album that I really liked. Overall, though, this LP just feels like a bunch of outtakes and leftover ideas from FGL records. That’s fine in itself, because a lot of their fans are going to enjoy this, since it’s not much different, but there’s a lot that’s left to be desired. I wasn’t disappointed by this, because I went into it knowing what to expect, and it’s exactly what I thought I’d get. From the EP, it’s the same thing, but there are some good moments. “5 Foot 9″ is a catchy song and one of the lead singles, “Everybody Needs A Bar” is a ton of fun, and “Miss My Daddy” is an introspective song that looks more inward and has something more personal to say than the generic country tropes that this album continues with and that Hubbard and his songwriting team thinks people still want to hear. It’s funny when you consider Hardy’s second album, The Mockingbird & The Crow, came out a couple of weeks before this, and it actively deconstructs and pokes fun at these exact tropes (especially when Hardy himself had a hand in writing some of FGL’s biggest hits). If you’re looking for some solid country with a pop edge, you’ll like this, or you miss FGL, you’ll get something out of it, but people who don’t like country already will not like this. I like some of it, especially some hooks and vocal melodies, but as a whole, it’s really lacking.

[fullaccessdetroit]

Faster Horses Festival - Brooklyn, MI - July 19th-21st 2024 <Steve Sergent/HowieHerula>

Cody Johnson, Photo Steve Sergent, Article: Howie Herula Brooklyn, MI – As we packed up the camper for the adventurous weekend to come, I couldn’thelp but smile. Not only for being able to attend this event with all the traveling I do for work,but also for the chance to hang with some good people and meet some new ones in theprocess. The drive to Michigan International Speedway, about 90…

[music-wrestling-nascar-fan]

[kelly-clarksons]

kellyclarksonshow: Egg nog pong champ @ henrygolding is in the house today on Kelly! PLUS a performance from @ tylerhubbard and highlighting a Best in Class teacher!

[midnight-star-world]

#CountryMusic

MSR 5-11-24 Midnight Star Report 5-11-24

So today I will be bringing you the Top 20 Country Music Songs for the week of 5/11/24 with the help of both CMT (Country Music Television), the Billboard Country Music Airplay Charts, & even myself. So let's get started right now.

Number 20 belongs to Tim McGraw who is new to the list this week - One bad habit.

Number 19 belongs to Warren Zeiders who is dropping 1 spot this week - Pretty little poison.

Number 18 belongs to Chase Matthew who is moving up 1 spot this week - Love you again.

Number 17 belongs to Jelly Roll who is moving up 3 spots this week - Halfway to Hell.

Number 16 belongs to Nate Smith who is moving up 1 spot this week - Bulletproof.

Number 15 belongs to Jordan Davis who is dropping 13 spots this week - Tucson too late.

Number 14 belongs to Chris Young who is staying in the same spot as last week - Young love & Saturday nights.

Number 13 belongs to Old Dominion featuring Megan Moroney who are staying in the same spot as last week - Can't break up now.

Number 12 belongs to Bryan Martin who is moving up 3 spots this week - We ride.

Number 11 belongs to Megan Moroney who is moving up 1 spot this week - I'm not pretty.

Number 10 belongs to Scotty McCreery who is dropping 9 spots this week - Cab in a solo.

Number 9 belongs to Ashley Cooke who is moving up 2 spots this week - Your place.

Number 8 belongs to Jason Aldean who is moving up 2 spots this week - Let your boys be Country.

Number 7 belongs to Tyler Hubbard who is dropping 2 spots this week - Back then right now.

Number 6 belongs to Bailey Zimmerman who is moving up 1 spot this week - Where it ends.

Number 5 belongs to Kenny Chesney who is moving up 1 spot this week - Take her home.

Number 4 belongs to Lainey Wilson who is moving up 4 spots this week - Wildflowers and wild horses.

Number 3 belongs to Carly Pearce featuring Chris Stapleton who are moving up 6 spots this week - We don't fight anymore.

Number 2 belongs to Jackson Dean who is moving up 2 spots this week - Fearless (The echo).

Number 1 belongs to Sam Hunt who is moving up 15 spots this week to regain the top - Outskirts.

And that's a wrap for the Top 20 Country Music Songs for the week of 5/11/24 with the help of both CMT (Country Music Television), the Billboard Country Music Airplay Charts, & even myself. Thanks as always goes out to both CMT, & the Billboard Country Music Airplay Charts for doing their weekly Country Music Song Countdowns. And thanks as well goes out to you for taking the time to read this weekly list. See ya all next time.