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nyxshadowhawk · 7 months ago

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A Retrospective on Harry Potter

Why did I like it in the first place? What about it worked? Where do I go from here?

I have decided to give up Harry Potter.

J.K. Rowling’s reputation now stinks to high heaven. At this point, she is quite indefensible. And even if that weren’t the case, she is not someone that I would want to associate with anyway. Meanwhile, the internet has not only turned against her, but against Harry Potter itself. An innocent question on Reddit, about which Hogwarts Houses the ATLA characters would be in, got downvoted to oblivion. Innumerable Tumblr threads insist that fantasy fans should get into literally anything else (suggestions include Discworld, Earthsea, The Wheel of Time, and Percy Jackson). And now that Harry Potter is no longer a sacred cow, there has been a recent slew of video essays that rip it to shreds, attacking it for its poor worldbuilding, unoriginality, and the problematic ideas baked into the original books (like the whole SPEW thing), etc. Those criticisms always existed, but now they’re getting thrown into the limelight.

It pains me to see such an ignoble downfall of Harry Potter’s reputation. If Rowling had just kept her damn mouth shut, Harry Potter would have aged gracefully, becoming a beloved children’s classic. I'd still plan to introduce it to my own kids one day (after Rowling dies and the dust settles). It’s not surprising that not all aspects of it have aged well, since it’s been more than twenty years since its original publishing date, and everything starts to show its age after that long. I acknowledge that most of the criticisms of the series that I’ve seen lately are valid, and I’ve read plenty of better books. And yet, when I return to the books themselves, even with the knowledge of who JKR really is inside my head, I still really enjoy reading them! There’s still a lot about them that I think works!

None of the other things I’ve read have had as collossal of an impact upon my identity, my values, and my own writing as Harry Potter. It’s hard to move on from it, not just because it’s something I enjoy, but because I have to literally extract my identity from it. I don’t know who I’d be without Harry Potter. I don’t know what my work would look like without Harry Potter. I don’t know how to carry it with me as just another piece of media that I like, as opposed to a filter for who I am as a person. So, with all that in mind, I have to ask myself why I liked Harry Potter so much in the first place. If I’m going to move on from it, then I have to be able to define and isolate the things about it that I want to keep with me. Something about it obviously worked, on a massive scale. So what was it?

It’s not the worldbuilding. The worldbuilding is objectively quite terrible, especially in comparison to that of other fantasy writers who knew what they were doing. At best, it’s inconsistent and poorly thought-out, and at worst it’s insensitive or even racist. Is it the characters? The characters are, in my opinion, one of the stronger parts of the story. But I felt very called-out by one of the many online commentators, who said that anyone who identifies with Harry is too cowardly to write self-insert fic. (I do not remember who said it or even which site it was on, but I distinctly remember the phrase, “Reject Harry Potter, embrace Y/N.”) The reason why people get so invested in Harry Potter’s characters is because they’re easy to project upon, and it’s possible that my love of Harry comes more from over a decade’s worth of projection than anything else. The incessant arguments over characters like Snape, Dumbledore, and James Potter ultimately stem from the fact that these characters do not always come across the way Rowling wanted them to. As for the writing itself, it’s decent, but not spectacular. Harry Potter is something of a sandbox world, with less substance than it appears to have and a crapton of missed opportunities, making it ripe for fanfic. For more than ten years, I’ve been doing precisely that — using Harry Potter as a jumping-off point to fill in the gaps and develop my own ideas, some of which became my original projects.

So what does Harry Potter actually have that sets it apart? Why are people so desperate to be part of Harry Potter’s world if the worldbuilding is bad? What, specifically, is so compelling about it? I think that there’s one answer, one thing that is at the center of Potter-mania, and that has been the underlying drive of my love of it for the past decade and a half: the vibe.

Harry Potter’s vibe is immaculate.

You know what I mean, right? It’s not actually a product of any specific trope, but rather a series of aesthetic elements: The wizarding school in a grand castle, with its pointed windows and torches and suits of armor, ghosts and talking portraits and moving staircases, its Great Hall with floating candles and a ceiling that looks like the night sky, its hundreds of magically-concealed secret doorways. Dumbledore’s Office, behind the gryphon statue, with armillary spheres in every single shot. Deliberate archaisms that evoke the Middle Ages without going as far as a Ren Faire: characters wearing heavy robes, writing with quills and ink on parchment instead of paper, drinking from goblets, decorating with tapestries. Owls, cats, toads. Cauldrons simmering in a dungeon laboratory. Shelves piled with dusty tomes, scrolls, glass vials, crystal balls, hourglasses. Magical candy shaped like insects and amphibians. A library with a restricted section. A forbidden forest full of unicorns and werewolves. That is the Vibe.

There are five armillary spheres just in this shot. They are unequivocally the most Wizard of tabletop decor.

There’s more to it than just the aesthetic, though. The vibe is present in something that writers call soft worldbuilding.

There’s a phrase that writers use to describe magic systems, coined by Brandon Sanderson: hard magic and soft magic. Sanderson’s first law of magic is, “An author’s ability to solve problems with magic is directly proportional to how well the reader understands said magic.” A hard magic system has clearly-defined rules — you know where magic comes from, how it works and under which conditions, how the characters can use it, and what its limitations are. Examples of really good hard magic systems include Avatar: The Last Airbender and Fullmetal Alchemist. If the audience doesn’t understand the conditions under which magic can work, then using magic to get out of any kind of scrape risks feeling like the writer pulled something out of their ass. It begs the question, “Well, if they could do that, then why didn’t they do that before?”

You may come away from that thinking that having clearly-defined rules is always better worldbuilding than not having them, but this isn’t the case. Soft magic isn’t fully explained to the audience, but that doesn’t matter, because it isn’t trying to solve problems — its purpose is to be evocative. Soft magic enhances the atmosphere of a world by creating a sense of wonder. If your everyman protagonist is constantly running into cool magical shit that they don’t understand, then the world feels like it teems with magic, magic that is greater and more powerful than they know, leaving lots of secrets to uncover. Harry Potter, at least in the early books, excels at this. The soft magic in Harry Potter is what got me hooked, and I think it’s what a lot of other people liked about it, too.

The essence of soft magic is best summed up by this scene in the fourth film, in which Harry enters the Weasleys’ tiny tent at the Quidditch World Cup, only to find that it’s much bigger on the inside. His reaction is to smile and say, “I love magic.”

That’s it. That’s the essence of it. You don’t need to know the exact spell that makes the tent bigger on the inside. You don’t need to know how Dumbledore can make the food appear on the table with a flick of a wand, or how he can make a bunch of poofy sleeping bags appear with another flick. You don’t need to know how and why the portraits or wizard cards move. You don’t need to know how wizards can appear and disappear on a whim, or what the Deluminator is, or where the Sword of Gryffindor came from. You don’t need to know how the Room of Requirement works. Knowing these things defeats the purpose. It kills the vibe, that vibe being that there is a large and wondrous magical world around you that will always have more to discover.

One of the best “soft magic” moments in the books comes early in Philosopher’s Stone, when Harry is trying to navigate Hogwarts for the first time:

There were a hundred and forty-two staircases at Hogwarts: wide, sweeping ones; narrow, rickety ones; some that led somewhere different on a Friday; some with a vanishing step halfway up that you had to remember to jump. Then there were doors that wouldn't open unless you asked politely, or tickled them in exactly the right place, and doors that weren't really doors at all, but solid walls just pretending. It was also very hard to remember where anything was, because it all seemed to move around a lot. The people in the portraits kept going to visit each other, and Harry was sure the coats of armor could walk. —Philosopher’s Stone, Chapter 8

Many of these details don’t come back later in the series, which is a shame, because this one paragraph is super evocative! It establishes Hogwarts as an inherently magical place, in which the very architecture doesn’t conform to normal rules. Hogwarts seems like it would be exciting to explore (assuming you weren’t late for class), and it gets even better when you learn about all the secret rooms and passages. The games capitalized on this by building all the secret rooms behind bookcases, mirrors, illusory walls, etc. into the game world, and rewarding you for finding them. The utter fascination that produces is hard to overstate.

Another one of the most evocative moments in the first book is when Harry sees Diagon Alley for the first time, after passing through the magically sealed brick wall (the mechanics of which, again, are never explained). This is your first proper glimpse at the wizarding world and what it has to offer:

Harry wished he had about eight more eyes. He turned his head in every direction as they walked up the street, trying to look at everything at once: the shops, the things outside them, the people doing their shopping. A plump woman outside an Apothecary was shaking her head as they passed, saying, “Dragon liver, seventeen Sickles an ounce, they're mad....” A low, soft hooting came from a dark shop with a sign saying Eeylops Owl Emporium — Tawny, Screech, Barn, Brown, and Snowy. Several boys of about Harry's age had their noses pressed against a window with broomsticks in it. "Look," Harry heard one of them say, "the new Nimbus Two Thousand — fastest ever —" There were shops selling robes, shops selling telescopes and strange silver instruments Harry had never seen before, windows stacked with barrels of bat spleens and eels' eyes, tottering piles of spell books, quills, and rolls of parchment, potion bottles, globes of the moon.... —Philosopher’s Stone, Chapter 5

What works so well here is the magical weirdness of wizardishness juxtaposed against normalcy. Eeylops Owl Emporium is just a pet shop to wizards. A woman makes a very mundane complaint about the price of goods, but the goods happen to be dragon liver. Broomsticks are treated like cars. All of these small moments contribute to the feeling of the wizarding world being alive, inhabited, and also magical. It gets you to ask the question of what your life would be like if you were a wizard. What do wizards wear? What do they eat? What do they haggle over and complain about? What do they do for fun?

In Book 3, Harry enjoys Diagon Alley for a few weeks when he suddenly has free time, and we get to experience the wizarding world in a state of “normalcy,” when he isn’t trying to save the world. He gets free ice creams from Florean Fortescue, gazes longingly at the Firebolt, and engages with delightfully weird people. He’s a wizard, living a (briefly) normal wizard life among other wizards in wizard-land. And that is fun. It’s so fun, that people want that experience for themselves, enough for there to be several theme parks and other immersive experiences dedicated to recreating the world of Harry Potter.

One of the greatest things about Universal was its phenomenal attention to detail. You can hear Moaning Myrtle’s voice in the women’s bathroom, and only the women’s bathroom. The walls of the Three Broomsticks have shadows of a broom sweeping by itself and an owl flying projected against the wall, so convincingly that you’ll do a double take when you see it. Knockturn Alley is down a little secret tunnel off of the main street, and that’s where you have to go to buy Dark Arts-themed stuff. It’s really well done.

Another thing that contributes to the vibe, in my opinion, is that the wizarding world is slightly macabre. They eat candy shaped like frogs, flies, mice, and so forth, and they have gross-tasting jellybeans. In the film’s version of the Diagon Alley sequence above, there’s a random shot of a pet bat available for purchase. In the third film, when Harry is practicing the Patronus Charm with Lupin, the candles are shaped like human spines. In the first book, this is Petunia’s description of Lily’s behavior after she became a witch:

Oh, she got a letter just like that and disappeared off to that-that school, and came home every holiday with her pockets full of frog spawn, turning teacups into rats. I was the only one who saw her for what she was — a freak! —Philosopher’s Stone, Chapter 4

I remember reading this for the first time, and it just kind of made intuitive sense to me. I suppose it fits into the “eye of newt and toe of frog” association between magical people and gross things, but somehow it works. Unfortunately, this is retconned later with the knowledge that wizards can’t use magic outside school, but before that limitation gets imposed, the idea of Lily amusing herself by turning teacups into rats seems like an inherently witchy thing to do.

That association between magic and the macabre shows up elsewhere, as well. In The Owl House, Luz’s interest in gross things is one of the things that marks her as a “weirdo” in the real world. When she goes to the magical world of the Boiling Isles, weird and gross stuff is absolutely everywhere. That world’s vibe leans more towards the macabre than the whimsical, but it works because you sort of expect the gross stuff to exist alongside the concept of witches, and that they would be an intrinsic part of the world they inhabit. You don’t question it, because it’s part of the vibe.

(The Owl House is one of the few things I’ve encountered that has a similar vibe to Harry Potter, but it’s still not the same vibe. In fact, The Owl House outright mocks the expectation that magical worlds be whimsical, and directly mocks Harry Potter more than once. The overall vibe is much closer to Gravity Falls.)

The Harry Potter films utilize a lot of similar soft worldbuilding with the background details, especially in the early films that were still brightly-colored and whimsical. For example, the scene in Flourish and Blotts in the second film has impossibly-stacked piles of books and old-timey looking signs describing their subjects, which include things like “Celestial Studies” and “Unicorns.” When Harry arrives in the Burrow in the same film, one of the first things he sees is dishes washing themselves and knitting needles working by themselves, taking completely mundane things and instantly establishing them as magical. In that Patronus scene with Harry and Lupin, the spine-candles and a bunch of random orbs (and the obligatory giant armillary sphere) float around in the background. One small detail that I personally appreciate is the designs on the walls above the teacher’s table in the Great Hall, which are from an alchemical manuscript called the Ripley Scroll:

It’s all these little things that add up to produce The Vibe.

Obviously, much of the vibe is expressed very well in John Williams’ score for the first three Harry Potter films. The mystical minor key of the main theme, the tinkly glockenspiel, the strings, the rising and falling notes that mimic the fluttering of an owl, the flight of a broomstick, or the waving of a wand. That initial shot of the castle across the lake as the orchestra swells, as the children arrive at their wizarding school:

If you grew up with Harry Potter, just looking at this image gives you The Vibe. The nostalgia hit is definitely part of it, but The Vibe was already there, back when you were a child and you didn’t have nostalgia yet.

In my opinion, only Williams’ score captures this vibe — the later films, though their scores are very good, do not. But the soundtrack of the first two video games, by Jeremy Soule (the same person who did Skyrim) absolutely nails it. This, right here, is Harry Potter’s vibe, condensed and distilled:

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This is why I feel invalidated by the common advice “just read another book.” I have read other books. I’ve read plenty of other books, many of which are wonderfully written and have left an impact on me. But there’s still only one Harry Potter. To date, there’s only other book that has filled me with a similarly intense longing for a fictional place, and that is The Night Circus by Erin Morgenstern. That book deliberately prioritized atmosphere over everything else in the story, and actually lampshades this in-universe. The Night Circus has a plot and it has characters, but it’s not about its plot or characters. It’s about the setting and its atmosphere. It swallows you up and transports you to a fictional place that is so evocative and so magical that you just have to be part of it or you’ll die. And even then, The Night Circus has a different kind of vibe from Harry Potter. In this particular capacity, there’s nothing else like Harry Potter.

The thing is, I don’t think Rowling was being as deliberate as Erin Morgenstern. (In fact, given many of Rowling’s recent statements, I question how many of her creative choices were deliberated at all.) She was throwing random magical stuff into the background without thinking too hard about it, which works when you’re writing a kids’ story, but stops working when you try to age it up. Actually, scratch that — soft worldbuilding is definitely not just for kids! The Lord of the Rings has a soft magic system, for crying out loud, and Tolkien is the original archmage of worldbuilding. Don’t listen to anyone who tells you that prioritizing atmosphere over meticulousness is bad worldbuilding. That is a valid way to worldbuild! Not everything needs to be clearly explained, not everything needs to make sense. The problem is that Harry Potter doesn’t balance it well. Certain things do have to be explained in order for the magic to play an active role in the story (and the setting of a magic school lends itself to that kind of explanation), but no rules are ever established for the kinds of magic that need rules. When you begin thinking about the rules, you’re no longer just enjoying the magic for what it is. At worst, you begin running up against the Willing Suspension of Disbelief.

It wasn’t actually the “aging up” of the story that did it in, per se, but rather, the introduction of realism. The early books were heavily stylized, and the later books were less so. A heavily stylized story can more easily maintain the Willing Suspension of Disbelief. That’s why, for example, you don’t ask why the characters are singing in a musical — you just sort of accept the story’s outlandish internal logic, and the inherent melodrama of it doesn’t take you out of the story. Stylized stories are more concerned with being emotionally consistent over being logically consistent. The later Harry Potter books changed their emotional tone, but without changing the worldbuilding style to compensate.

In addition to the more mature themes and darker tone, Harry Potter introduced more realism as it went, but Rowling did not have the worldbuilding chops to pull this off. There’s the basic magic system stuff: When you begin thinking about it too hard, something like a Time-Turner stops being a fun magical device, and starts threatening to break the entire story. Then there’s the characters: Dumbledore leaving Harry on the Dursleys’ doorstep in the first book is an age-old fairy tale trope that goes unquestioned, but with the introduction of realism in the later books, it suddenly becomes abandonment of a child to an abusive family. The exaggerated stereotypes of characters like the Dursleys become tone-deaf. The fun school rivalry of the House system is suddenly lacking in nuance. And then there’s the shift in tone: The wizarding world that we were introduced to as a marvellous place is revealed to be dystopian. You start thinking about how impractical things like owl messengers are, you start wondering if Slytherin is being unjustly punished, the bad history appears glaringly obvious, the quaint archaisms become dangerously regressive. Oh, and the grand feasts are made through slave labor! The wizarding world suddenly feels small and backward instead of grand and marvellous. J.K. Rowling’s bigotry throws it all into an even harsher light.

This is why I’ve always preferred the early books and films to the later ones. There’s a lot of things I like about the later ones, but they’re not as stylized — they don’t have The Vibe. Thinking about things too hard is just a necessary condition of adulthood, but it’s still possible to tell a dark, mature story that is highly stylized. I really think JKR could have better pulled off that shift if she was a more competent worldbuilder. But it is painfully obvious that she did not think things through, and probably didn’t understand why she had to. In her defense, she did not know that her story would end up being one of the most scrutinized of all time. As it stands, her strength in worldbuilding was in the softer, smaller, deliberately unexplained moments of magic that were there just to provide atmosphere. And there were less and less of those as the books went along.

Pretty much all the Harry Potter-related content released since the last film — including Cursed Child, Fantastic Beasts, Hogwarts Mystery, Hogwarts Legacy, Magic Awakened, and that short-lived Pokemon Go thing — have been unsuccessful attempts at recreating The Vibe. In fact, the only piece of supplemental Potter content that I think had that Vibe down pat was the original Pottermore, back when it was more of an interactive game. And of course that got axed. That was right around the time things started going downhill.

Some of the art from Pottermore’s original Sorting quiz.

So what now? Well, that’s the question.

I think I can safely say that The Vibe was the reason I liked Harry Potter. It’s the thing I still like the most about it. I’ve spent years chasing it, like an elusive Patronus through a dark wood. If I can capture and distill that Vibe, and use drops of it in my own work, then perhaps I won’t need Harry Potter anymore.

I'm gonna write the story that I wish Harry Potter was, and when I'm a famous author, I won't become a bigot. I'll see you on the other side.

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abigailnussbaum · 7 days ago

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The Georgette Heyer Master List

Is it just me, or has Georgette Heyer kind of... gone away? Ten, maybe fifteen years ago, she was a name I'd hear quite often. Especially in the circles of science fiction and fantasy fandom that also overlapped with the avid readership of Jane Austen or Patrick O'Brian, she was often recommended as a sort of Austen methadone. Over at Tor.com, as it was then known, fantasy author Mari Ness did a whole season of reading through Heyer's voluminous back-catalogue. These days, even as romance writing—and especially Regency romance, the subgenre that Heyer arguably created—has gained enormous mainstream visibility, and as science fiction and fantasy romance has become its own wildly successful subgenre, Heyer seems to come up less and less. One might have expected the success of Bridgerton, for example, to inspire some film or TV adaptations of her books (it was, after all, the reason the Austen fanfic series Sanditon came back from being cancelled after its first season), but so far nothing.

This might be one of those cases where the answer is contained in the question. The reason fewer people are reading Heyer is that, although she more or less created Regency romance, there are so many people writing within it now that readers looking for something like Jane Austen, but not quite, have a lot of other options on offer. Which makes it easier to notice the problems with Heyer, or simply the ways in which her style has fallen out of fashion. There is no sex in her books (and no queerness, obviously), but there are poisonous sexual mores—all her heroes have had mistresses who are, quite obviously to them and everyone around them, not the sort of woman one marries, while her heroines, even at the moment of declaring their love to their HEA, feel obliged to "resist" any physical display of affection. Her books are rife with chauvinism, antisemitism, and most of all classism (and frankly, I think the only reason racism is absent is that everyone in these books is white), and while this is arguably more realistic than a lot of starry-eyed modern Regency romances, it is also a reflection of Heyer's own prejudices.

Still, I took in all those recommendations a decade or more ago, and while I may be slow I will usually get around to reading something if a lot of people tell me I should. In the last year I've ended up reading a lot of Heyer—mostly stuff I had in my enormous TBR, or found at a used bookstore, or at the local library, so there's not a lot of intentional choice happening here. I'm not here to say that Heyer is an overlooked gem. All those problems noted above are very much present in her writing, and in addition she has some favorite tropes that she goes back to again and again—in a mere twelve books, the plot strand in which one character is kidnapped across the channel to France, while another character pursues them, going deep into the logistics of finding them and catching them up, recurs a surprising number of times. But she's nevertheless a more interesting writer than I think is commonly acknowledged today, more likely to pay attention to the psychology of her characters (and not in the modern, sometimes quite exhausting, therapy-speak way), and more interested in her setting (Heyer also wrote historical fiction, and some of her romances shade into that genre). I dipped into some of Julia Quinn's Bridgerton novels this year as well, and I have to say, beyond the fact that Heyer is just a better writer, it's a bit more palatable to encounter nasty sexual politics in novels written in the 40s and 50s, than to have to accept that the implied threat of sexual violence is but a stepping stone to true love from a writer whose books were published only twenty years ago.

Below are some thoughts on the Heyer books I've read so far. I will add to them when and as I read new ones, though I think I will continue to leave the selection of those books to happenstance.

S-Tier

Cotillion (1953) - This is the first Heyer I ever read, and to an extent it has spoiled me for the rest of her writing by being such a high water mark. Kitty Charing has been informed by her guardian that she will be forced to marry one of his nephews, and instead decides to run off to the city to find her own match, with the help of gadabout Freddy. The two end up first pretending to be engaged, and then trying to throw Kitty in the path of eligible bachelors, while inevitably falling in love themselves. This is a great book first because it's extremely funny. Heyer had a great ear for the absurd slang of the fashionable London set, and gets a lot of mileage out of Kitty's cheerful refusal to let logic or common sense stop her, and Freddy's Regency himbo antics. More importantly—and rather rarely for Heyer's writing—Kitty and Freddy are true equals. They're both a bit silly and a lot sheltered, but also able to rise to the occasion when it's required, and they lock into each other's wavelength early in the novel and never let go. Inasmuch as they change each other, it's only in revealing that they are able to pull off audacious schemes when someone they care about needs them to, and you can imagine the two of them having a long, ridiculous partnership in crime for the rest of their lives.

Sylvester, or the Wicked Uncle (1957) - Informed that Lord Sylvester, who has a bad reputation that is only partly earned, is about to propose marriage to her, Phoebe runs off with her best friend Tom. When the two of them run into trouble on the road, they are rescued by none other than Sylvester, which throws him and Phoebe together for extended periods, with predictable results. This format—older, powerful man; younger, sheltered woman—is one that Heyer returns to quite often, but it works better here than in any other of her novels. Sylvester isn't cruel or a rake; he's arrogant and high-handed, though often with some justification (most of his bad reputation comes from his self-absorbed, thoughtless sister-in-law). Phoebe isn't a naif, but an intelligent woman with a hidden career as an author that she's quite devoted to. The two of them develop a compelling friendship long before they fall in love, rooted in the fact that they are often the smartest person in the room, and able to help each other steer a tricky situation towards calm waters. The twist that threatens their relationship—before meeting him, Phoebe wrote a novel in which the villain was a thinly-veiled version of Sylvester—is highly original, and the novel's final act, in which Sylvester must pursue Phoebe and his kidnapped nephew into France, is one of the most hilarious sequences I've ever read. By the time the two get together, it's obvious that they could only be happy with each other.

Good

False Colors (1963) - Returning from his diplomatic post abroad, Kit Fancot discovers that his twin brother Evelyn has disappeared, right before he was about to propose to Cressida Stavely. Persuaded by his mother to impersonate his twin for one night, Kit quickly finds himself hosting Cressida and a whole raft of other characters in his country home, while trying to keep up the charade and, of course, keep from falling in love with Cressida himself. This is a book that's interesting more for the background than the main romance—Kit and Cressida are quite sweet, but more because they're a point of calm amidst the chaos of all their relatives and friends. But it's that chaos—especially Kit's mother, an airheaded inveterate gambler whom Kit nevertheless adores— that is the real source of the novel's fun. The fact that Kit and Cressida are able to put all the various crises around them to rest is what convinces you that they will be a good couple, but it's not their further adventures that you'd like to follow.

Charity Girl (1970) - While visiting relatives, Ashley Desford encounters Charity Steane, the penniless ward of a family who are mistreating her. When Ashley later finds Charity running away, he convinces her to let him try to find her a respectable situation, and places her with his childhood friend Henrietta Silverdale. In any other novel you'd expect Ashley and Charity to fall in love (and indeed this is what several characters in the novel assume—when they're not assuming something more salacious). Instead, Ashley's efforts to untangle Charity's family situation, get the best of her odious relatives, and find a safe place for her are a method of throwing him in company with Henrietta, whom he has for years insisted is only a friend. It turns out that Ashley and Henrietta, having rebelled against their families' plan to marry them off at a too-young age, have been shame-facedly pretending that they haven't fallen in love for ten years, and it's only by becoming jointly responsible for Charity that they can work their way around this predicament. The stakes aren't particularly high, but the scenario is original enough (especially for Heyer) to make this a worthwhile read.

Interesting

These Old Shades (1926) - Infamous rake Justin Alastair encounters a runaway, Léon, on the streets of Paris and takes him in as his page. It doesn't take long to realize that Léon is actually Léonie, but the untangling of her convoluted family history—a tale of swapped babies, mistaken identities, and false heirs—is the business of much of the novel, during which, of course, Justin and Léonie also fall in love. The potboiler plot is quite fun, as is Léonie herself—having pretended to be a boy for years, she is at once indifferent to the mores she's expected to adopt as a respectable young lady, and immediately won over by fancy clothes and balls, which allows her to triumph over opponents in both high and low society. But this can't quite get around the problem that Justin is twice Léonie's age, and also a pretty bad person (the character previously appeared in The Black Moth (1921), where he was the villain, and a subplot in These Old Shades even throws Justin into the company a woman he had kidnapped in the previous book). Despite the force of Léonie's argument that she actually wants to be with Justin, this is a book better enjoyed for its rollicking, adventurous middle than its romantic conclusion.

An Infamous Army (1937) - Heyer was simply mad for the Napoleonic wars, and this is one of several books she wrote set in and around them. As aristocrats and officers await the arrival of Napoleon's army in Brussels, Colonel Charles Audley encounters Lady Barbara Childe, a widow with a scandalous reputation. The two feel an instant, powerful attraction, but end up having to navigate Barbara's habit of playing games with her suitors, and Charles's impatience with them, before the battle of Waterloo erupts and forces them both to confront more pressing issues while also realizing the depth of their feelings for each other. It's nice to have a central couple who are older, more experienced people, but An Infamous Army steps away from Charles and Barbara quite often. Sometimes this is quite interesting—the absurdity of 18th century warfare, with Wellington throwing balls for the who's who gathered in Brussels while everyone debates when to flee the city—and at other points quite tedious—several subplots in which Charles's extended family play forgettable matchmaking games. In the end, however, Heyer's interest is in Waterloo itself, with the novel culminating in an 80-page, blow-by-blow description of the battle. This can sometimes be quite moving, when it captures the sheer extent of the carnage, or the confusion of individual officers. But mostly it's just descriptions of military tactics, which is not what I signed up for when I picked up a Regency romance. By the time Charles and Barbara find their way back to each other, you'll mostly be feeling exhausted rather than overjoyed.

A Civil Contract (1961) - Adam Deveril is called home from the peninsula by the news that his father, a viscount, has died, and that the family finances are in such dire straits that Adam may be forced to sell their ancestral estate. The only solution, Adam is quickly made to realize, is for him to marry rich, to which end he's introduced to Jenny Chawleigh, the daughter of a fantastically rich but boorish merchant. In most books we'd expect Adam and Jenny to fall in love, and it takes a while to realize that this is not going to happen. Adam continues to think wistfully about Julia, the woman he had been attached to before his finances made the idea of proposing to her impossible, and the narrative is at pains to point out that he doesn't feel any attraction towards Jenny. What A Civil Contract is about, instead, is class relations. The complicated push and pull between Adam and Jenny's father Jonathan as they negotiate one's social position, and the other's wealth; the delicate negotiations between Adam and Jenny as she learns to understand the importance of tradition to him, and he realizes that she is actually capable of being a great viscountess if he just trusts her a little. The whole thing is a lot more Edith Wharton than Jane Austen, with some great scenes in which Adam is torn between genuine appreciation of Jonathan's energy and intelligence, and disgust at his determination to tear down everything old and replace it with whatever is newest and most expensive. In the end, however, it's all a bit too bleak, and Heyer doesn't quite have the courage to let us sit with that. She tries to assure us that Adam and Jenny have found a genuine partner in each other, and that this, too, is a form of love, but this is not very convincing. In the hands of another author, A Civil Contract would have been the half-tragedy it actually is.

Meh

The Convenient Marriage (1934) - Intending to propose to the eldest Winwood sister, who is already in love with someone else, the Earl of Rule is persuaded, by her younger sister Horatia, to marry her instead. That's basically the story—a marriage of convenience for both parties that turns into a romance. But while in other books Heyer has made a meal of this premise, The Convenient Marriage never convinces you of either its lovers being especially suited to each other, or the rather thin obstacles it places in their path. There are some interesting worldbuilding details—some information about how the invitations to Almack's used to work, or about the mechanics and norms of duel-fighting. And towards the end, there are some good scenes in which Horatia has to outsmart a kidnapper, or her brother has to arrange a highway robbery to retrieve a stolen jewel that might destroy her reputation. But ultimately, the fact that this is all in service of a couple who aren't particularly engaging (and whose age difference—35 and 17—is hard to get over) makes the whole thing a bit of a slog.

Cousin Kate (1968) - Kate Malvern is at the end of her rope, having been chased off yet another governess position by an employer with wandering hands, when a long-lost aunt invites her to visit her country home. When Kate arrives, she soon realizes that her aunt Minerva plans to pressure her to marry her cousin Torquil, and that there are secrets in the estate and the family that are being kept from her. This is Heyer working in the Gothic mode, complete with an isolated great house, a young woman being manipulated and lied to, and a dreadful family secret. It's reasonably well done for what it is, but there were better authors than Heyer working in the Gothic mode—by 1968 you could have read something like Mary Stewart's The Ivy Tree (1961) or Nine Coaches Waiting (1958), both of which do much more interesting, innovative things with the Gothic form than Heyer is even attempting. Finally, there is the fact that the dark secret being kept from Kate has to do with mental illness, whose handling is as tragic and sensationalized as you might expect from this author and era.

Yikes

Devil’s Cub (1932) - The sequel to These Old Shades, this book centers on Justin and Léonie's son Vidal, who has all of his parents' faults and none of their charms. After killing a man in a duel, he schemes to run off with a silly middle class girl, whom he of course feels no compunction about ruining. When her sister Mary takes her place, Vidal is shocked to realize that he has compromised a "respectable" woman, and tries to convince her to marry him. There are further twists, but none of them can get around the fact that the main character of this book is odious, and that the supposed love story between him and the girl he has kidnapped and ruined is highly unconvincing. Not helping matters is that an older Léonie periodically appears to explain that her son has done nothing wrong and that marrying Mary will obviously be the best thing for him, which frankly feels too much like the voice of the author for comfort.

The Spanish Bride (1940) - Based on the real experiences of Captain Harry Smith and his Spanish war bride Juana, this is another novel deeply rooted in the minutiae of the Napoleonic wars, beginning on the peninsula and culminating, of course, in Waterloo. In itself this might simply be boring, but right off the bat we get a scene in which Harry and other officers stand back while their soldiers, enraged after the bloody siege of Badajoz, murder and rape their way through the town for several days. Harry's marriage to Juana is arranged in the wake of this atrocity as a means of protecting her, despite her being only fourteen years old. The rest of the novel is spent careening between detailed descriptions of various battles, and cutesy interludes between Harry and Juana as they settle into their marriage—Harry often exasperated by Juana's stubbornness and emotional outbursts (I don't know, man; if you didn't want a wife who behaves like a child, maybe you shouldn't have married a child); Juana almost slavishly devoted to him but also prone to jealousy and anxiety. (Harry Smith left copious journals so one assumes his side of the story is fairly realistic; Juana Smith's feelings on the whole matter are, as far as I know, lost to history.) The whole thing is alternately boring and gross.

The Grand Sophy (1950) - Charles Rivenhall is informed that his family will play host to their cousin Sophy, whose diplomat father is being sent abroad. Accustomed to keeping house for her father, Sophy quickly takes over the Rivenhall household, rearranging her cousins' financial and romantic lives while a stunned Charles is at first outraged, and then won over. This is a solid premise, but the execution is appalling. Sophy is a bulldozer who interferes in people's lives not because she cares about them but because she always thinks she knows better, and eventually she comes to feel more like a bully than a savior. That Charles is attracted to these qualities might be taken as a defensive trauma response (or, in the hands of a more open-minded author, a kinky tendency), but at no point did I even begin to believe that Sophy had any romantic interest in him (there are a number of Heyer characters who would make a lot more sense if they were queer, but Sophy, in particular, is so clearly a lesbian that the very idea of her happily married to a man breaks one's brain). Adding insult to injury is a lengthy sequence in which Sophy "defeats" an odious Jewish moneylender—read, a collection of poisonous antisemitic stereotypes in human form—whom her cousin has borrowed money from and who, completely unreasonably, expects to be paid back until Sophy threatens him with a gun. I will no doubt ruffle some feather by placing this book—generally held to be one of Heyer's best—so low, but reading it nearly put me off her for life.

#georgette heyer

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mightybog · 1 month ago

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Twenty Questions for Fanfic Writers

Thank you @liviapeleia for the asks <3!!

Tagging longtime frond @breadkween, fabulous runner of @merlinmicrofic @queerofthedagger (thank you!) and reader and writer who's left me lovely comments @achillesuwu. @mythandmagic, Ao3 is down rn so I can't check but if you have any fics yourself, here's an ask game for you! There's no obligation, presh or time limit of course! Also like @liviapeleia said before me, consider yourself tagged if you see this!

1. How many works do you have on AO3?

2. What’s your total AO3 word count?

265,960

3. What fandoms do you write for?

Right now just Merlin. I've written for other fandoms in the past but each of those works have been standalone.

4. What are your top 5 fics by kudos?

Always His Destiny | Merlin | A true love's kiss, resurrection and golden age AU written for Glompfest 2024.

Like Every Tree Stands On Its Own | Merlin | A longfic inspired by other Arthurian media/sources featuring Wildman Prophet!Merlin and a magical forest. This is my magnum opus.

What's Mightier Than a Sword and Robs a Prince of His Servant? | Merlin | Pre-slash Merthur minor canon-divergence in which Merlin's talents in speech writing land him a promotion and Arthur is Not Pleased™.

Only Human | Venom | A short gift/exchange fic about masturbation, lol. The fic I received in exchange was also about masturbation. In my defence this was a writing exercise (I promise).

The Sky Is Falling | Nightvale | Unfinished fic about alcoholism recovery, love, community and the complete collapse of reality.

...Okay wow what a mix :D

5. Do you respond to comments?

I really love comments and I love getting into discussions with readers! It really makes my day to see that someone has commented on one of my fics.

6. What is the fic you wrote with the angstiest ending?

Am I allowed to choose a soon to be published WIP? Words Are Dead, a microfic inspired by the Agnes Obel song of the same name in which Merlin and Arthur are unable to communicate when Arthur returns. Merlin has lost Brythonic, his first language, and his capacity to relearn it. He's simply been alive for far too long and his mind has suffered :(

7. What’s the fic you wrote with the happiest ending?

Like Every Tree has a prolonged bittersweet kind of ending but I think Always His Destiny wins.

8. Do you get hate on fics?

Nope/not yet!

9. Do you write smut? If so, what kind?

Yes, though so far it hasn't been the focus of any of my works, there's no reason why that can't change though (the Venom one doesn't count, I make the rules here). As to what kind I'd say loving and intimate, I guess? Sometimes with a bit of a hurt/comfort element to it. Again, no reason why I can't branch out in the future ;)

10. Do you write crossovers? What’s the craziest one you’ve written?

While not labelled as a crossover, Like Every Tree was heavily inspired by Arthurian media both new and old, and one medieval Irish source. I did so much research for this fic and I'm still down those various rabbit holes. It was a homage to my favourite, janky cartoon movie from my childhood Quest for Camelot. Otherwise I don't write proper crossovers.

11. Have you ever had a fic stolen?

Don't think so.

12. Have you ever had a fic translated?

Also don't think so.

13. Have you ever co-written a fic before?

No but I would love to!

14. What’s your all time favourite ship?

I guess it really has to be Merthur! I don't recall a ship ever having such a hold on me. Those two are doomed but made for each other. The way they interact is so much fun to read/write.

15. What’s a WIP you want to finish but doubt you ever will?

Damn, this is definitely Be Here When the Weather Turns, a Mushi-shi fic. It has a very soft, restful and liminal vibe and I adore it. I really do wish I can finish it someday. So sometimes like a song, you share a piece of media with someone, or you associate it with a particular chapter in your life, and that song/piece of media brings up feelings. I'd like to think it's still worth a read. If you don't know Mushi-shi, please consider checking it out, it was weird and quiet and beautiful.

16. What are your writing strengths?

I can't deny that I put a lot of love into this hobby. Also @breadkween has told me that they really like my dialogue :3

17. What are your writing weaknesses?

I'm really prone to typos. I can re-read something a hundred times and just fail to see them. I'm a very slow writer; what I put out usually goes through months of edits and change-ups. Lastly I have embraced a faux-pas or two for fun, such as starting sentences with 'and.' And no one can stop me >:)

18. Thoughts on writing dialogue in another language in fic?

I'd only be comfortable writing dialogue in a language I've formerly learned and have some level of familiarity with for fear of getting something wrong.

19. First fandom you wrote for?

Okay I love this question because the answer is the highly formative Garth Nix's Keys to the Kingdom series, a YA series I was obsessed with, and have continued to read, and re-read as an adult and as unexpected prequels and sequels popped up in more recent years. I wrote it on a literal floppy disk :D First fandom I wrote for that I actually published online was Undertale.

20. Favorite fic you’ve written?

Definitely Like Every Tree. I'm just really proud of it :3

#ask game #Ao3 went down while writing this #I had to employ strange and unusual tactics to be able to paste in the links #merlin fanfic

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gloriousburden · 4 months ago

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A few types of MCU Loki fans I’ve encountered/noticed being in the fandom for over three years now:

DISCLAIMER: DON’T TAKE THIS TOO SERIOUSLY PLEASEEEE IT’S LIGHTHEARTED!! Some of these things apply to me as well, and some don’t lol. Doesn’t necessarily apply to everyone it’s all just for giggles.

The Lokius shipper Series Fan:

- Usually younger Gen Z. Can be anywhere from 14 to 23 years old. They’re younger teenagers most of the time.

- Heavily on TikTok but also on Pinterest/Twitter.

- Got into the MCU/Loki more recently. Either from the Series, or from Ragnarok.

- For some reason, wholeheartedly believes that one Tumblr post from like ten years ago that states Loki is 16/17 in human years. Even though that’s not canon at all and it does not work like that.

- Favorite depiction of Loki tends to be the Variant/Ragnarok. Sometimes Avengers.

- Almost ALWAYS a fan of Good Omens or OFMD.

- Obviously… Ships Lokius.

- Very anti Sylvie/Sylki, but LOVES Mobius.

- EXTREMELY anti Thorki, even though not a lot of people ship them anymore.

- Spreads a lot of misinformation. Such as taking the fact that Marvel confirmed that the Scepter influenced Loki, and mistaking that with them 100% confirming the theory of Loki being brainwashed by Thanos.

- Thinks Loki’s eyes are green???

- Newer to fandom in general.

- Doesn’t talk a whole lot about the series outside of the ships/fanon discourse.

- Making Loki tree/Yggdrasil jokes CONSTANTLY.

- Either thinks that Loki before the series was completely evil, or an angel. No in between.

- “For you, for all of us 🥺” / “Your savior is here!”

- Often forgets/doesn’t remember the fact that Loki/OG Loki are two different characters, and groups them together.

- Either a Swiftie who likes to constantly joke about when Taylor and Tom dated for 3 months like 8 years ago and also associates a lot of her Songs/Lyrics with Loki, or is someone who has a bit more of an Alternative taste in Music/Fashion.

- Doesn’t really talk about Thor that much, or really wants him and Loki to reunite.

- They’ve probably seen other movies including Tom like Crimson Peak, Skull Island, and High Rise. The more popular ones.

- Owns a lot of TVA related merch.

- “He’s not Odin’s son, or Laufey’s son… He’s Frigga’s son 🥺” or insists on calling Loki by “Laufeyson.”

- In Fanon, sort of treats Loki as a very normal, modern human, and not a god from an entirely different realm.

- Has either dropped the Series/their love of Loki a few months after the Series ended for the “next best thing”, or is currently still raving about all of it.

- Quite immature about other’s opinions/perspectives on Loki/or even people who ship the opposite ship from their own. This is mainly because they’re younger or because they really like their Fanon idea of Loki/Which ship should be Canon.

- Has some questionable headcanons/opinions of their own on Loki.

- Loves Frigga.

- Hates Odin.

The OG Loki fan who’s been a fan of him since 2011/2012, but is a bit more casual about his characterization:

- Usually a Millennial/in their late twenties or mid thirties. May even be in their fourties.

- Has been here for a good while, and saw just about every movie featuring him as well as other MCU movies in the theater when they first came out. Was probably a younger adult/older teenager when Avengers came out.

- Fanfic writer!!

- Favorite depiction of Loki tends to be Ragnarok, TDW, or Avengers.

- Mainly reside on Tumblr/AO3 but also on Twitter from time to time.

- “The Sun will shine on us again.” / “Love is a Dagger.”

- Some depict Loki in their Fanfics in a Smutty/BookTok YA Fantasy Novel style. Some in other ways. They also have a lot of fun with their Fics! So many AUs.

- They are carrying the Loki x Reader tag, I won’t lie. 🫡

- Doesn’t necessarily love the Series, but also doesn’t necessarily hate it. Does prefer the OG Loki they know and love over the Series and had a few disappointments with the Series, though.

- MAJOR Hiddlestoner. Some may like Tom more than they like Loki. Have watched his entire filmography and then some.

- A lot of them have really cool Loki related tattoos.

- Collects a lot of merch. Both from the Series, as well as more OG Loki merch. Also owns about fourty Tom magazines.

- Probably has met Tom/owns an autograph or something signed by him.

- Usually ships Loki with Sigyn, Jane, Tony, or an OC they’ve had since 2013. Honestly, I don’t personally see them that often anymore, but may ship Thorki. Does not really ship Lokius/Sylki whatsoever, or uses Sylvie as a bit of a self insert in Fics.

- Sometimes also a huge fan of Bucky/The Winter Soldier or Sebastian Stan. Associates Bucky and Loki a lot especially in Fics.

- Some are also fans of Star Wars who love Kylo Ren.

- Actually they like a lot of other morally grey characters.

- Probably has a pet named after Loki.

- Feels deeply for Loki, and relates to him in certain ways. Really likes humanizing him in their fics. Loves the more vulnerable side of him.

- Loves Frigga.

- Hates Odin.

The Loki purist/“He’s literally me” Fan:

- Anywhere from 16 - 28 years old. May be a bit older than that. Usually Mid/Older Gen Z, or younger Millennial.

- Has either grown up loving Loki, or became a fan a bit more recently.

- Favorite depiction of Loki tends to be TDW, but obviously can be any of the three OG depictions of him.

- LIVES on Tumblr. A bit of an extinct species elsewhere, but some may also be on Twitter.

- #1 Loki defenders. Very protective of/sensitive about how he is depicted not only in Canon, but also in Fanon. Usually deemed as harsh by series fans/non series haters whenever they criticize the Series or Ragnarok, but in reality, deeply relates to Loki and takes it very personally when he is depicted inaccurately. They see themselves in him, and are so, so, SO tired of seeing him mischaracterized. But also can be genuinely harsh at times. I’ve been guilty of that.

- Either heavily believes the “Thanos Brainwashed Loki” theory, or completely rejects it.

- “I never wanted the Throne. I only ever wanted to be your Equal.” / “Trust my Rage.”

- Very creative. Creates Art of Loki, Fanfics, Edits, Cosplays him, etc…

- Sometimes weirdly resembles him in ways??? LOL. Taking “He’s literally me” literally

- Has a more Alternative taste in Music, Fashion, Aesthetics, etc..

- They either see Loki as their bff, their life partner, or as an enigma to observe. Or all of the above.

- Pretty into Norse Myth, and likes incorporating aspects of it creatively, or when talking about Loki.

- Has a good amount of Fandom experience, and does not tend to argue with other Loki purists/OG Loki fans over petty things. Because at the end of the day… it’s just Tumblr. And we usually all have a common middle ground. Or, is constantly arguing with others.

- They don’t really ship Loki with anyone, but if they do… it’s usually Sigyn or Thor. Or someone really random.

- Either really enjoys depicting Loki in a more Feminine/Neutral form, and wishes his fluidity was depicted in the MCU, or doesn’t talk about it all that much.

- Single handedly keeping the memory of Loki (prior to Ragnarok) alive. 🫡

- Loves the comics, or hasn’t touched a single one.

- Disliked Taika Waititi before it was cool.

- Lost complete trust in the MCU after the handling of Loki’s characterization in Ragnarok, and had no hope in the Series when it was first announced. Or… really hoped it would be our last hope.

- Either deems Thor as the origin of all evil, or actually likes him.

- Wishes it was still 2013 everyday of their lives.

- Either respects/likes Tom to a certain extent, or really does not like him.

- Has a few really cool merch items, or has a lot of everything and anything they can find that doesn’t include Ragnarok/The series. Usually, they DIY their merch.

- Needs to emulate him at any given moment and in any way possible.

- Likes Frigga, but acknowledges that she has messed up in ways. Or really does not like her, period.

- Hates Odin.

The… Male MCU casual/dudebro who strictly lives on TikTok/Instagram/Twitter and did not really like Loki that much until the Series finale came out and thinks Loki is a Sigma Male who dropped everything in order for his friends and his… “Girl” to live:

- ????? Wtf

- Okay I added this one more as a joke because obviously they’re not Loki fans, but…

- Anywhere from ages 15, to 24. No older than that.

- Definitely disregarded Loki’s character before the Series. Also due to him having a fanbase where Women/Girls are the majority. Now Loki is the best MCU character and has the best arc out of everyone else. 🤦🏻‍♀️

- Wholeheartedly believes that Loki was a narcissist/was overreacting about everything he’s been through, or believes that Loki is an angel now because he had a “Redemption Arc”.

- Has never picked up a single Loki comic.

- Jokes a lot about Loki “loving” himself (Sylki kiss).

- Calls the Series “Peak Fiction” just because the rest of the bullshit the MCU has been putting out was absolute garbage, and also because they haven’t really watched anything else.

- If you as an actual Loki fan correct them on any of their bullshit, they act like they know more than you because they loved the series. How could anyone hate it?

- Makes self insert memes/tries to project onto Loki in the absolute worst ways possible.

- Worships the ground that Michael Waldron walks on. Though, they all hated Multiverse of Magic..

- “Let time pass…” / “I know what kind of god I have to be. For you, for all of us.” (Once again.)

- Similarly to our Lokius shipper Series Fans… they do not realize that Loki/the Variant are literally two different people.

- Loves Mobius JUST because he is portrayed by Owen Wilson.

- Also very annoying about Loki being confirmed bisexual in the Series.

- Really wants not only Thor and Loki to reunite, but also Hela.

- Hated the earlier Thor movies, loved Ragnarok, hated Love and Thunder.

- Probably thinks the treatment of Thor in Endgame was funny af.

- Who’s Frigga?

- Loves Odin probably. (Hehe)

#all jokes #loki #mcu #loki mcu #loki fandom #mcu fandom #fandom #loki odinson #loki laufeyson

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iovestuck · 14 days ago

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YOUR FAVS TAG GAME 2024

I have made this in my old account and decided to make a end of 2024 one so here you go! Feel free to do your own one if you wish to! I would love if you could tag me in so I can see what's yours favs and such!

rules are simple! Answer the questions that are provided, and feel free to tag the users or link their stories like how I did. Any K-pop readers & writers can join! Tag your friends and followers to join! Have fun!

what are your favorite fanfic(s) you read

vanilla coconut [kim sunoo] - gyuuberryy

tied up in you [nishimura riki] - senascoop

pancakes & champagne [sim jaeyun] - neoras

toxic until the end [nishimura riki] - haruahungs

do you think I'm fragile [lee heeseung] - just-nc-tea

the same heart [nishimura riki] - babeyun

is it new year yet? [yang jungwon] - hoonven

love like the movies [yang jungwon] - won4kiss

fade into you [lee heeseung] - i2sunric

love-batter [lee heeseung] - heegyukeluv

wrongful rejection [nishimura riki] - luciathcv

what are the cutest fanfic(s) you read?

smiley eyes [sim jake] - mochiwonz

in sickness and in health [park jongseong] - lcvclywon

sulking when he has to leave for work [lee heeseung] - jaysng

enha & the little things they do [enhypen] - heelix1r

what fanfic(s) do you think should get more recognition/hype?

when i was your man [lee heeseung] - iovestuck

twenty [yang jungwon] - iovestuck

feeling a bit shy [park jongseong] - iovestuck

love languages [txt ot5] - iovestuck

aka my works lol-

What are your favorite fanfic authors?

senascoop [enhypen]

mochiwonz [enhypen]

gyuuberryy [enha & txt]

tinietaehyun [txt]

milkbobatyun [multi-fandom]

jjunberry [multi-fandom]

which author or reader or whoever do you admire/adore the most and why? You may promote their account and work, too!

hmm, that's a good question past me. Well, the people I listed above and more first of all. That's cause they are literally ones of the best writers in Tumblr! They deserve all of the support and love they can get! I love their works so much and will always support them! All writers are the best that I have seen/read/etc!

Also, me. Lol, self-promoting myself because I'm not a popular writer yet. I am still growing, of course, and learning too! I will do my best to create a space/place for those who wished a place where you can feel comfortable and can read fics whenever you want! I hope my kindness shines brighter than any of my flaws. I hope my kindness and comfort are the ones people talk about. Something like "Do you remember that kind and sweet writer that I feel comfortable with on Tumblr?" That's my real dream in Tumblr. To be remembered as that kind and sweet writer/friend on Tumblr that everyone feels so comfortable with. I love having 1k followers and people interacting with me, but being that kind of person is my main goal and dream. Hehe.

tag: anyone who wants to join! (Pls do join)

#╰ 💭 ．tag games #enhypen fanfic #txt fanfic #kpop #kpop fanfic

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spybrarian · 6 months ago

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Twenty Fanfic Writer Questions

Tagged by @storyspinner91 a while back but I was in Australia!

Who'd like to play? I've tagged a few people in the questions themselves, but maybe also... @onlyshestandsthere, @expensivefate, @jayenator565, @commanderbuffy @geek-and-nina if you like?

1. How many works do you have on Ao3?

19, which feels *wild*! 19!!

2. What’s your total Ao3 word count?

221,606

3. What fandoms do you write for?

Willow! Just Willow, these days. Tanthamore have my heart.

4. What are your top five fics by kudos?

one night at the start of the end of the world - my Shattered Sea one shot, tender tender Tanthamore, and there's only one bed, and it's the birthplace of pillbug Kit, and the fic where I worked out how much I liked writing them looking after each other. I'm glad this one is other people's favourite, too.

more than just survival - my multichapter canon story about Jade as she grows up, from when she was a kid in Tir Asleen to what happens after they return from the quest. Also a 5+1 (five times Kit made Jade blush and the one time Jade got her back).

The Pieces - kinkverse modern au short stories, a collaboration with @acre-of-wheat and @swashbucklery. I've written The Spider, The Mile High Club, The Maintenance and The Holes.

kiss me, kill me - my Bone Reaver Jade au, Jade busts into Tir Asleen to kidnap the princess and ends up getting got herself, in so many ways.

I scream at your chest for as long as I must - a post canon one shot, just after they return from the quest. Jade grieves for Ballantyne and Kit learns how to walk with her though her grief.

5. Do you respond to comments?

I like to!

6. What is the fic you wrote with the angstiest ending?

I don't know - I can tell you my darkest premises (probably the very canon divergent the cellar door is an open throat aka the barbed wire, Kit Jade and Elora in a dungeon au) but even the ending of that one finishes with a glimmer of hope.

7. What’s the fic you wrote with the happiest ending?

Huh, I think with most of my fics I tend to go for hopeful endings over happy ones. I think my most *satisfying*, hopeful ending I wrote was Samaras (an Architect of Catastrophe story) that I wrote as a present for @wigster07. I'm really, really pleased with that one. It's about rebuilding after tragedy.

8. Do you get hate on fics?

I haven't, and am very grateful for that.

9. Do you write smut? If so, what kind?

Do I ever?! What kind? What *kind*?! The gay kind. Aside from the aforementioned kinkverse, I've also got a canon based smut series (my kissing fics!) called There's not a step we can take that does not bring us closer where Kit and Jade are inventing all the different ways they love being together.

10. Do you write crossovers? What’s the craziest one you’ve written? and 11. Have you ever had a fic stolen?

Nope and nope!

12. Have you ever had a fic translated?

Also nope - although Juliette made [Podfic of] one night at the start of the end of the world where she read this fic GORGEOUSLY! It's there for download if you want to listen.

13. Have you ever co-written a fic before?

I've collaborated! I haven't done a true co-writing thing for this fandom but, there's the kinkverse series in which I'm in deep cohorts with Acre and J, the singing cowboy fic I wrote into J's (cowboy) take me away (tanthamore rdr2 au). I love them both - they push me in new directions, and the feedback loop of inspiration is an utter joy.

14. What’s your all-time favorite ship?

Tanthamore, hands down

15. What’s a WIP you want to finish but doubt you ever will?

I plan on finishing them all. Yes even Wyrm Jade/I'll be the sweetest thing to ever scare you, yes I know it's been a hot minute. I do have genuine plans to finish.

16. What are your writing strengths?

Coming up with phrases/images that people remember, that's probably the part I get a kick out of the most. I think my pacing and character and words in general are all pretty good, but writing callbacks to earlier in the story, or getting the foreshadowing right, are two of my favourite things to play with.

17. What are your writing weaknesses?

I get repetitive - mostly I manage to catch this in edits, but ho boy do I know how to say the same thing over and over.

18. Thoughts on writing dialogue in another language in fic?

I'm not fluent in anything other than English so I haven't used dialogue in other languages in any of my fics - unless you count the Ancient Angoran in 'kiss me kill me'.

19. First fandom you wrote for?

Dragonball Z, an epic written by hand in double spaced lines over several exercise books ;)

20. Favourite fic you’ve written?

I'm really proud of 'one night' and 'more than just survival' but there is a special place in my heart for Let's take a knife and cut the world in two and its follow up there is light somewhere (it may not be much light but it beats the darkness) - my Exorcist Jade/possessed Kit au. The strange not-canon, not-modern, some-mix-of-the-two world that I made for that one is my *favourite*.

#tanthamore #willow 2022 #jade claymore #kit tanthalos #fic asks #willow

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aseriesofsmallthings · 11 months ago

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Hello!

Welcome to my writeblr! I'm very new to this whole thing, and while I have *had* tumblr for a while now, I've never actually used it, so please bear with me :)

About my writing

I started out writing fanfic and short stories over a decade ago (ouch, now I feel old) and am hoping someday to become a published novelist. I mostly write horror, fantasy, and dystopian fiction, (with romance often playing quite a big role), though I am incapable of resisting dabbling in other genres too from time to time. A lot of my writing tends to deal with themes of loss, mental illness, suffering, and the inevitability of the human condition. In a bid to see myself and others like me represented more widely in the media, my longer fiction works often include neurodiverse, disabled and lgbt+ characters.

About me!

First things first, my name is Shannon, though online I mostly go by Shay. Feel to free use either :)

Now, a few fun little facts to break up those hefty chunks of writing (make the most of it, this might be the last time in a while).

I'm from, and currently live in, the UK. And I use she/they pronouns.

I'm a (twenty-something year old) child living an adult's life. And I am not having fun. Please, send help.

My reading tastes tend to be quite similar to my writing, in that I'll read just about anything I deem interesting in most genres but my preferences lie in dystopia and fantasy.

I have AuDHD and a whole host of other funky little brain things that keep writing (and life) all that much more fun! On a serious note, this may mean I'll disappear from time to time and posts may not always be consistent. (It also means interactions may be somewhat difficult for me, so again, please bear with me :)

I'm an amateur field hockey player with no other interest in sport besides playing it.

I have studied creative writing at uni briefly but I'm currently in the midst of switching to a social sciences and anthropology degree - expect a little academia related content maybe.

I'm a fur-parent - pictures may follow (they definitely will) of my little demon child.

I love to travel (especially solo) and often take a lot of inspiration for my writing from my little adventures, from setting and plot ideas to character development and world-building. Also, train journeys have proven quite fruitful in producing some pretty solid sentences... that have yet to be of further use.

A few pictures (below) from my most recent solo trip.

I also occasionally play video games, listen to an unhealthy amount of rock music, obsess over fictional characters (other than my own), and partake in multiple other creative pastimes, most of which get abandoned rather unceremoniously (thank you, ADHD).

About my writeblr

My username 'a series of small things' comes from one of my favourite Van Gogh quotes; "great things are not done all at once, but by a series of small things brought together", which I think is really apt, not only as a writer but also just in everyday life too. Also, inspite being rather artistically inept myself, I have a fondness for ol' Vinny, which makes the quote even more perfect.

I hope to use this space as a way to start getting my original work out into the world and to hopefully make some like-minded friends along the way too! I'll mostly be posting some of my short stories and progress reports on my longer wips, but may also post some poetry and other random ramblings from time to time.

Feel free to ask me any questions and interact with me :)

#writerscommunity #writeblr #fantasy writer #writers #writerscorner #queer fiction #writer things #writers on tumblr #neurodivergent #adhd writer #new blog

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thedaselcor · 1 month ago

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Twenty Questions for Fanfic Writers

Tagged by @tansyuduri (thanks!) Taggong forward: @cat-in-a-tesseract , @gallows-into-oblivion , @mxkelsifer , @miyriu , @toomanyfanficsbruh

1. How many works do you have on AO3?

Not including unrevealed exchange works I currently have 60 works on Ao3.

2. What’s your total AO3 word count?

135,630

3. What fandoms do you write for?

Dragon Age and Mass Effect (ThedasElcor , ThedasHanar)

Merlin (OAFelcor)

Overwatch (MildBeagle)

4. What are your top 5 fics by kudos?

the hope of a new life (38 kudos)

Mass Effect Andromeda Evfra de Tershaav/Female Ryder | Sara I'm always a bit disappointed about this one because I had a whole subplot involving this Ryder being deaf and specifically preferring hearing aids to corrective surgery but I didn't have time to really perfect it before the exchange deadline so I had to scrap it.

a love that burns like holy fire (32 kudos)

BBC Merlin Arthur/Merlin I just started this one not long ago and it's really been neat to see it take off and have a huge welcome from the Merlin fandom, it's been a really cool community to join. The concept for this one is that Merlin is Transmasc, and that he uses magic as part of his gender affirmation, and somehow that leads to all sorts of dominoes falling that changes the entire outcome of the series starting around the middle of season one.

nights of holy fire (30 kudos)

BBC Merlin Arthur/Merlin So this one's actually the nsfw companion piece for "a love that burns like holy fire", I decided to write the main fic as fade to black and have this separate place for sex scenes and I think it's actually been working really well.

Some Kind of Wonderful (30 kudos)

Dragon Age Female Inquisitor Trevelyan / Josephine Montiliyet This is one of my favourites, I think. I wrote it as an exchange treat and it led to me meeting my fandom friend @sandalinbohemia A funny story with that one is that Rowan as an inquisitor stuck with me so much I thought Sandal had specifically requested the name, but I entirely made up the request and the name and had no idea for over a year. The premise is that Inquisitor Trevelyan finds an old clause that allows her to duel for Josephine's hand using a board game rather than a physical duel, and it's a bit of a fix it for the canon Lord Ortranto situation.

Of Wrath and Wanting (19 Kudos)

Dragon Age Leliana/Morrigan Honestly this is a tiny little flash piece I did for a crackship request back on the bird site. It's really neat, but it's only about 250 words. I have no idea how it did so well.

5. Do you respond to comments?

Definitely, I love comments. the main reason I write most of my longfics like a serial in a newspaper or an old cable tv show where I publish as I go is that I can find writing exceptionally lonely. I love to talk about my work, my blorbos, whatever else.

6. What is the fic you wrote with the angstiest ending?

I don't write a lot of angst, and I don't write a lot of endings, but probably Rotten Touch. It's a true drabble (100 words), Overwatch, Reaper/Soldier. Since it's so short I'll include it here.

Jack remembers a time before Overwatch, remembers the love they’d shared, remembers Gabriel’s hands on his body in the dead of night. Dead… Dead… That was the problem, wasn’t it? That past was long since over, and now Jack couldn’t even think of himself as anything but 76. Gabriel Reyes had stopped being Reyes, had stopped being anything, long ago, and the vision in Jack's mind can’t cling to the fantasy. Gabriel’s hands become Reaper’s hands become rotten, foreboding, and cold. Every lover, Reaper, before him, and since, melt into an amalgam of broken promises and rotten touches. Jack’s alone.

7. What’s the fic you wrote with the happiest ending?

That's a tough one! I really like fluff, but I also tend to leave stories with an indication that life continues so it's a bit more ambiguous than happy. I guess I'd say my Josephine/Sebastian Dragon Afe epistolary series Vael in Vellum, it really has more of a conclusion than a lot of others and I think it's really cute.

8. Do you get hate on fics?

Not that I know of.

9. Do you write smut? If so, what kind?

Yep! honestly all kinds. I write sweet things, spicy things, things I'd be mortified for people in the real world to know about, all sorts of pairings. I'm a transmasc guy who is gay married and who spent a good amount of time thinking he was a lesbian AND in what he thought was a hetero live-in thing for a while so I feel like I have a lot of the mechanics covered and I have a pretty good imagination. Idk if it's good or not, but people seem to like it, and I tend to like it when I reread it.

10. Do you write crossovers? What’s the craziest one you’ve written?

I don't go out of my way to, but I do write them, especially for exchanges. I think the craziest one was the Commander 'n Chief fShep/The Iron Bull series I wrote for @ferindencadash (Mass Effect/Dragon Age)

11. Have you ever had a fic stolen?

Not that I know of.

12. Have you ever had a fic translated?

No. I started translating Moments Between (Mass Effect Sloane Kelly/enbie Ryder), especially since later chapters that I need to rewrite have Ryder speaking an almost creole-like French dialect, but I got lonely :P If folks were interested, I'd be willing to translate some of my pieces, especially the shorter ones, into French or Spanish.

13. Have you ever co-written a fic before?

I used to do a lot of chat based role playing, but I don't think I ever officially wrote something with someone. I can be really intense when I'm mid hyper-fixation, though, it probably wouldn't be a good time for a co-writer.

14. What’s your all time favourite ship?

Honestly, whatever one I'm writing at the time. I'm absolutely in love with Sloane/Ryder (Mass Effect), writing fCadash/Varric Tethras for the Tethras n' Trouble series and , HardAssi (Krem/Lace Harding) for Her Safeword is Apples (and she smells like blossoms in the rain) (Dragon Age) both felt absolutely world altering. Now that I'm writing Merthur (Merlin/Arthur from BBC Merlin) for the Elements of Albion series, that's everything. I love ships... all the ships. Give them to Ziiiiimmmmmm.. ahem...

15. What’s a WIP you want to finish but doubt you ever will?

I think that I'll keep writing all my pieces as the fixations shift, honestly. Eventually I'll finish more and start more. I guess the most precarious right now is probably A Perfect Fit (HardAssi), but I don't think any work is really doomed. Sometimes I hyperfixate and write over 20k in a weekend, sometimes it takes me weeks to get 500 words out... I think it's more of a lifestyle at this point.

16. What are your writing strengths?

Probably portraying emotions and emulating cadence and mannerisms.

17. What are your writing weaknesses?

Commas, run on sentences, an absolute gay audacity and disregard for all the rules of grammar...

But seriously probably angst, hurt/comfort, I'm really very "meta" in my writing and I go through all the emotions the characters are going through, very, very vividly, to get it all right, so it can be really difficult for me to finish works that hit the really hard spots for long periods.

18. Thoughts on writing dialogue in another language in fic?

I enjoy it! I like it better when the text lends itself to having the translation right there or having the narrator tell us. I've got a few works that use extensive footnotes that are all neatly linked back and forth and stuff and it's just a lot of work to format.

19. First fandom you wrote for?

No idea. The first fandom I published is Dragon Age, I keep a bookmark to the Ao3 import of the fic (I orphaned the account a long long time ago) and it reminds me that I was never as bad as I thought, but that I've also gotten a lot better. In terms of ever written, including role playing days and just loose leaf notebooks I started almost 25 years ago, so I really have no idea.

20. Favorite fic you’ve written?

In terms of complete works only probably either The Writer and the Racketeer (fCadash/Varric) or Antivan Coffee (Josephine Montiliyet/Zevran Arainai), both Dragon Age. I did a lot of Dragon Age exchanges so a lot of my finished works are in that fandom. I would say right now, though, that I'm really enjoying writing a love that burns like holy fire, it's inspiring a bunch of spinoffs and it's been super great to more actively join the Merlin fandom.

Thank you so much to @tansyuduri for tagging me for this, it was so much fun. Thanks to anyone who read through all this, it felt really neat to do a little interview of myself. Hopefully some people I tagged forward have fun with this (no pressure as always), and I really look forward to writing for you all in the future!

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randomfoggytiger · 4 months ago

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React: A Late-Canon Reviler Gives the Revival a Try (Weremonster), Part III

Here we go, first comedic episode of the Revival.

…Yaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaay…

Part I (My Struggle I) and Part II (Founder's Mutation).

Let's go!

MULDER AND SCULLY MEET THE WEREMONSTER

Why are we starting with adults huffing spray paint.

…Darin wrote two episodes with people getting high off of the strangest substances.

And that’s not a lot, but it’s odd that it happened twice.

Why do monsters always run towards the people or object or whatever they’re trying to scare or escape from? Like, what if he got surprise-shanked by two high, high school dropouts? (It’s not out of the realm of possibility.)

No self-preservation instinct, tsk tsk.

This dude’s okay, no that dude, woah that dude might not be okay.

…Random paper bag for the high man to stress-blow into.

Oh, look, a writer remembering the lore.

How quaint.

(Sidenote: Darin did not remember the lore, and kinda prided himself on not keeping up with all of it. But that won’t matter to me if he writes a good one-off.)

Mulder’s older now so he can’t stretch his neck to throw pencils at the ceiling. I guess. I suppose. I supposition. I presume.

Kumail’s in this one?

…’Kay.

“Mulder?” Yay, that’s Scully-- “What are you doing to my poster?” And that’s Gillian.

Mulder’s recounting all his failures in an upbeat, presentational way ‘cuz he’s wooing his girl. At least neither of them act like they’re on the precipice of death, that’s neato.

Oh, look, Scully can smile. Remember how she did that twice in My Struggle I? Good times.

Why’s her shirt look like it’s from Walmart?

Forgot this… pencil-scratch material was popular around the mid twenty-teens.

Can I forget it again…? …No? Do they leave it behind in Season 10?

“--Going through these cases with fresh, if not wiser eyes.” Well, I don’t know about that.

Also, is that a dig at his “wiseness” or a tongue-in-cheek joke at Mulder’s pat-on-the-back nature? (Lemme rewind.) Backpat coupled with epiphany.

“Mulder? Have you been taking your meds?”

…

….

…..

What, did they expect a laugh out of me? It just annoyed me because of the whole “Mulder’s depression” trauma I suffered for two episodes.

But at least Darin’s trying to remind us that’s an on-going issue (despite CC implying it doesn’t bother Mulder anymore in My Struggle I and Morgan?-- or Wong-- reinforcing that idea in his “bitterly healed and chakras open” Founder’s Mutation ending.)

Mulder’s a middle-aged man who just got back to the office and is wondering if anything he’s accomplished… well, if he’s accomplished anything.

A valid question in these dark times.

And by dark times, we all know what me and my chocolate-addled, My Struggle-PTSDed brain are referring to.

Mulder certainly does:

“Maybe it’s time to put away childish things-- the Sasquatches, the Mothmen, and… Jackalopes.”

Okay, well that’s rude-- I always wanted to see a jackalope case.

Mulder spent one weekend not getting a community response to his latest fanfic and let the dark thoughts take over.

All joke’s aside, this is an… it’s an okay scene. It’s weighty enough to be taken seriously, you feel for this clone of Mulder’s, you hope he gets his Mr. Incredibles act together--

Oh, wait, he already did by now.

I guess.

We skipped the traincar training montage while he was getting back into FBI ready shape.

…

.....

.......

You’re welcome.

On another aside, Skinner just pulled all the strings only for Mulder to have an identity crisis after one weirdo case.

Man’s been carrying everyone on his back for decades with no rest and his newly recruited, depressed-but-not-depressed-depending-on-the-writer, domesticated-feral-animal agent might just trounce back out of the FBI and go wall up somewhere to mope.

At least he’s not wandering off to take illegal substances to satisfy his curiosity.

No.

That’s saved for another episode.

Scully brushes over Mulder’s confession to say, “we got another case, and this one’s ALSO got a monster in it.”

And that makes him happy.

Oooooooooooooooooooooooookay.

*scribbling notes for later observation*

Darin has a favorite and that is OG Scully. And I will give it to him, she actually sounds happy for once.

ALSO, I noticed your smoker voice is gone, GILLIAN, unless you’re mumbling or using The Sad Voice ™. I noticed.

Scully’s insisting this is a monster case while Mulder mopes around the woods and says it’s a mountain lion.

…I’m NOT gonna nitpick. I’m NOT-- OKAY, so, rewind time.

Older Mulder-- as in the 90s Mulder-- would have at least been amused by Scully’s antics and followed her around for the fun of it, unless he felt used and abused, i.e. Host and Folie a Deux. Here is not the case.

Further, he was intrigued in the basement but is now kind of… dismissive.

Which is. It’s not a big problem, it doesn’t stand out, and it wouldn’t be something I’d clock except I’m very disgruntled and burned and grumpy about the past three days.

However.

Let’s continue.

Mulder’s Patriarchy Pants are making him do the Marilyn Monroe wiggle again. However, like a virus, middle-aged wedgie crotch has infected Scully, too; and the two of them are squeak-squonking ‘round the forest.

They do say marriage slowly turns you into each other.

Mulder sloughing off the naked guy in the crime scene pics as “Well, maybe he’s a nudist.”

Darin.

I know what you’re doing here.

Give Mulder the doubting identity crisis and have his faith transformed. A reverse Clyde Bruckman, if you will. I get it. But you gotta admit, "a nudist" is a pretty weak rationalization, let alone a comeback.

“That’s how I’d like to go out.” That saved it a little.

“The uniqueness of the wound, Mulder, implies a human element.”

“Ahhhhhhhhhhhhhhhhh, Scully, I gave up profiling before I gave up monsters.” WHAT? LAST WEEK?

YOUR CREDENTIALS AS A PROFILER GOT YOU HIRED BACK TO THE FBI--

Pause, pause, pause.

He’s probably being tongue-in-cheek. He gave up monsters this morning and profiling last night.

…If he’s not, what’s Mulder gonna do? Take up residence under Skinner’s desk? Have his bald benefactor feed him pencil shavings between meetings?

“You seen one serial killer, you seen ‘em all.” Quite literally, no.

I am.

Puzzled.

It’s not offensive-- WAIT, NO. I’m being emotionally manipulated by a softer Mulder and more upbeat Scully, youcan’ttakemealive--

“Mulder, I can see you’re going through a questioning phase of some sort--”

You don’t say.

From bar to basement. From closet to forest. From Founder’s Mutation to… Weremonster Investigation.

Scully points out they need to help the victims.

Mulder: “Okay, well when you put it that way, Scully, but mark my words--”

I’m not getting the essence of Mulder here, gang.

I got him for, like, three whiffs in My Struggle I and once at the end of Founder’s Mutation, but he’s MIA here so far.

…Perhaps my “clone Mulder” crack in a previous paragraph kinds fits.

Hmmm. If he continues to be Mulder-adjacent, I shall name him… I was gonna say ‘Charlie’, then remembered that’s Scully’s brother’s name. The CC name rot is infecting me.

The streetwalker-on-crack scene was amusing, but not really funny.

OH, MAN, JUST GOT JUMP-SCARED BY KUMAIL, OHMYWORD.

Also, that was a weird cut-- Scully opens her mouth to say something, Mulder looks at her, CUT, Kumail face.

The director was meaning to imply Mulder stopped Scully’s attempted defense with a look, but it only made it seem like one of them said something so cancellable the editors drop-kicked that bit from the final recording.

I haven’t laughed once .

Welp, Kumail ran off after playing a scared animal control officer for three seconds.

Pardon, but what was the purpose of that scene?

This kinda feels like a play: in this set piece, the hooker whacks a creature with a purse; in this set piece, Kumail gets spooked by the agents and runs off after hearing a roar; still in this set piece, Mulder whips out his phone and starts… hitting… the… picture… button.

My thought process:

It's dark at night.

2. I hear a ROAAAAAAAAAAAAAAAAAAAAAAAAAAAAAR.

3. I'm pulling out my gun, not my camera.

You know why?

There are more tigers in North American than the world combined.

Just sayin’.

SCULLY, REINSTALL THE SAFETY FEATURE IN YOUR KEN, PLEASE.

JUST. PUT. THE PHONE. ON. VIDEO. MODE.

Oh, wait, he’s a tech goombus who doesn’t know how to take videos.

THEY SAW A DEAD BODY--

…

THEY SAW A DEAD BODY THROUGH HIS PHOTOS INSTEAD OF NOTICING THE CORPSE RIGHT IN FRONT OF THEM?

I’m not mad because this isn’t as mean-spirited as the previous two episodes, but that’s just. That’s just.

That.

Wait, how’d they get from Mulder’s camera setting to his photo collage, without swiping or going there or…? He was taking rapid-fire pictures, Scully looks over, says, “What’s that?”, and the camera cuts to a picture that has to be in the phone’s gallery. …What happened-- you know what? Never mind.

Mulder runs off INTO THE DARK with ONLY HIS CAMERA OUT while Scully is yards behind him WITH THE GUN.

Solid decision making there.

My man, if this were a tiger (we’ve already seen it’s the horny Lizardman) or a cougar in heat (well, give Scully a few episodes), you’d probably be very dead.

I’ve named Mulder-Clone: Ken. He’s cute, he’s having an identity crisis, and he’s as dumb as a rock.

This fits unintentionally well with his Patriarchy Pants (though they’re wearing him, not of the other way around.)

Kumail’s here and they both scared each other and now they’re hyper-Ken-focusing on Ken’s wonky phone app and stuff.

Barbie-- clone Scully-- hears Ken and Kumail screaming their lungs out after getting jumped by Lizardman and only NOW notices Mulder had Marilyn Monroe shimmied off.

Imagine if this were the end of Mulders career: questioning his life’s purpose, losing the battle to technology, and T-posing, dead, on the ground.

Ken sounds completely fine when Scully runs up to him asking if he's okay. No wooziness. No nothing. (Kumail, too.)

“Okay. I quit.” Smarty Mr. K. over there (not Ken, but you knew that.)

Monster’s a-running, and Formerly-Mulder springs up and races off with Scully.

What did that jumpscare accomplish, narratively? What did any of these jumpscares accomplish, narratively?

I know we’re only 10 minutes in, but it’s feeling a little too… scene-scene-scene-scene-scene, jumpscare-jumpscare-jumpscare, phone-phone-phone-phone-phone. T-pose. That was a shakeup, I guess.

Ken was going to question the guy on the pot (who is, indeed, the Lizardman, btw) but notices Scully’s face and closes the door and walks away with her.

Strangely, that and the basement are the only scenes, thus far, where Ken was most like Mulder.

Scully, do you regret putting a battery pack in your Ken doll now?

This interaction is still Ken-not-Mulder, but Scully is kinda recognizable.

Just realized. Mulder replaced his slideshow with a phone. Now he can inflict them on his partner even in the midst of her autopsies.

No one is safe.

THERE’S A MULDER MOMENT, I ACTUALLY SMILED!

And now it’s gone.

“So now you’re saying you were attacked by a six-foot horny toad?”

“Woah, let’s keep this in the realm of natural sciences, shall we?”

Um.

That’s not a Mulder line.

That’s not even a Ken line, I don’t think.

Need to think up a new name for Mulder, I guess.

I figured it out. David’s attacking the lines too vigorously rather than letting them breathe. I’m sure he’ll get there.

Or Mulder and Scully were swallowed up by a black hole the second after they exchanged “Scratchy beard” niceties. Because that’s the last I’ve seen of them.

But honestly? Clone. Lives. Matter.

So, I shall fully support Clone Mulder and Clone Scully living their truth, expressing their lived experiences, and digging through each other’s brains like hairless capuchin monkeys dressed in skin-tight leotards.

I was gonna say “horny, hairless capuchin monkeys” but I’ve not got a LICK of sexual tension between them this whole time.

They do say married couples transition from goose-pimply “honeymoon love” to matured, knowing passion; but all I’m getting is the “knowing” and none of the “passion”.

Right after my point, the two exchanged a little upbeat moment. I’ll give it that; but the passion’s still not there.

WAIT, this episode has the fox-in-the-wall scene?

Ohhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh.

I thought that was the doppelganger one.

‘Kay. Color me intrigued.

…WHAT is going on with these random, “comedic” scenes?

Desk clerk yells "Monster!", Mulder runs in, guy’s shaking over a bottle, makes up a story, tells Mulder to go back to his room “or I’ll kill ya.” Mulder nods and walks off.

I’m not getting the fun of this episode, but I’m only 12 minutes in. So.

Mulder’s snooping in someone else’s room.

Mulder took someone else’s meds.

Mulder found an animal head with hollow eyes that led him to a secret room behind the motel room.

Heh, get it, he’s a Fox looking through fox eyes at Scully. Get it.

I’m remembering bits from DD and GA’s commentary and how they were cheering him on in this moment. Someone should’ve told them this is Clone!Mulder.

More proof this man finds burrows in the unlikeliest places:

The manager says he installed those peeping tom hallways after 9/11, and yes that’s being used as an excuse but there’s supposed to be a joke behind it, right?

For instance: Rocky from Jose Chung’s From Outer Space took some political hits, but the jokes were funny and well-written. Here, they're either badly written or… someone’s directing these actors astray. And I know Clone!Mulder and innkeeper man are good actors because they’re doing their best selling this material. Things still feel wonky, unfortunately.

Mulder’s getting objectified again, Your Honor. He got closeted last episode, he’s “questioning” this episode, and he’s being stared at in his speedo. And he didn't mind one bit.

Innkeeper man’s got closets of his own, too. *badum tssssss*

HOW did Mulder’s phone get a picture of the Lizardman in his human form earlier? In the split-second he and Scully opened the potty stall before turning and continuing their search? I'll even grant that... but a CLEAR one?

Whatever, whatever, whatever.

Clone!Mulder’s patched his disbelief during the insomnia upgrade.

Clone!Scully unleashed a beast but still wakes up and stays up to hear him ramble. (Here’s the “my Mulder” line and the could-have-been-a-Knick’s-T-shirt moment.)

I do have another nitpick: why is Mulder diatribing here-- trying to convince Scully it’s a werewolf when she’s been saying monster or creature from the get-go? Is it the “werewolf” claim that he thinks she’ll rebut? Or?

I do like: Scully about to answer, then nearly smiling when Mulder cuts her off. Brilliant touch. Hats off to GA for that second of goodness.

“‘It defies every known law of nature’-- exactly, Scully, every known law of nature!”

Mulder, she’s agreed with this point since Herrenvolk. She kinda did a mini speech about it.

He doesn’t know how it came to be, but all he’s saying is, “it’s a MONSTER.”

She’s ready to go back to the Unremarkable House already, Mulder. She just needed you to nerd out over monsters.

Which… isn’t that actually the most Scully thing you’ve ever heard? Think about it: she wants to leave the Conspiracy behind, it’s eating her alive, she’s so sad and yadda yadda yadda. Darin says, “Hold up, this girl loves Mulder’s rants and raves” and makes her poke and prod him out of despair with a juicy creature case. And then (hopefully) reaps the benefits.

Girl’s got a mission.

And also, this doesn’t mesh at all with the Revival’s canon, but when has that stopped this crazy trainwreck?

Why’s Scully calling him watered-down-for-FOX’s-approval crazy when she’s been saying creature this whole time? Does she just… like arguing him? …That’s a stupid question, does she like arguing with him this much? …Again, that’s a--

Mulder spouts his theory, admits he stole stuff from another guy’s room, and tells Scully they can use his meds to track him down. “Well, that sounds like a good investigative plan.” In other words: “And you do so good at beach.”

Now Mulder wants to go peeping around the motel, for the lols.

Ken energy, I’m just saying.

Alsooooooooooooooooooooooooooooooooooooooo not Mulder, sorry. He’d be curious, intrigued, perhaps roguishly amused by peeping tom corridors; but he’s never taken the time to search places inch-by-inch, top-to-bottom unless they directly related to the case. Is this a nitpick? Probably. But he’s flinging around broken FBI regulations left-and-right, carelessly reckless of all the rules and laws he’s breaking. Sure, Mulder’s a lawbreaker; but not to the extent that it would violate civilian rights. And even if it were fine, he’d be running off to the next lead instead of sticking around to snuffle through a useless one.

The “Lizardman stabbing himself in the mirror with green glass to break the curse, not realizing it’s him” story doesn’t… really…. Darin Morgan’s writing crackfic at this point.

Impotency jokes.

Ahhh, the middle ages: you end up questioning things about yourself or having to pop pills one way or another.

The comedy keeps failing, I think, because it’s trying too hard. This episode feels like a play (did I mention that earlier?) with dramatic pauses and etc. etc. Not really X-Filesy.

The psychologist prescribes Mulder a pill (because Mulder believes the Lizardman’s a lizard man), then pops the pill himself the second Mulder leaves… which meansssss he believed, too? Though he doesn’t?

I get he was supposed to be a crazy psychologist (ala Dr. Spiegel during the Johnny Depp trials), but, again, the comedy flopped.

“Horny toad lizard man” works at a smart phone shop OF COURSE. Because that’s soooooooooooo clever! Modernization, crises of humanity and identity, get it???

Weremonster’s not offensive, but it’s… I’m gonna be honest, it’s not clever, either.

Why does Scully wear her shirt open almost past her bra line now? Not shaming her, but that doesn’t seem a very Scully thing to do. I don’t know, maybe I’m overthinking things. It was just her style, her way, her self-expression; and it feels smudged and lost in this version of Clone!Scully.

At least she seems more naturally Scully, this episode. Which means she can only be natural in the funny episodes, huh.

Siiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiigh.

Mulder has a gold car? Mulder rented a gold car? There’s a gold car here that serves as middle-age-over-compensation commentary.

Mulder chastises Scully about the danger of approaching a dangerous suspect without backup then runs off, get it, ‘cuz that’s FUNNY.

I must have a heart of coal because I’m bored instead of tickled. It’s waaaaaaay better than being angry and tired, though, so.

“I’ll take it” is giving this experience too many brownie points, so I’ll use “I’m resigned”, instead.

Here we go, the part where the Lizardman voices Darin Morgan’s gripes with work culture (and I say that because Darin himself said he only works because he has to pay the bills. Which, fair enough, I suppose.)

Wait. Did Lizo Man go from a generic British to an Australian accent?

Guy tries to stage a cop suicide by green glass at Mulder’s hands and…. I’m sorry, this is kind of a fever dream. I can’t even unpack that logic for some bizarre reason.

Let me unpack that logic for some bizarre reason:

Psychologist tells Lizardman the story about breaking the curse by getting stabbed in the appendix.

It involves the realization that the Werelizard stares at himself in the mirror and realizes he’s the monster.

Does… does that prevent him from committing suicide? The psycologist’s instructions remain murky.

Lizardman’s fed up with existence. Decides enough’s enough and goes back to the cemetery.

Mulder walks up and tries to get him to unburden himself.

Lizardman tries to bait him into cop homicide by green bottle.

…How in the world did he think that would happen.

MULDER. LOST. HIS GUN. Which is probably a wink-and-nod by Darin of the good ol’ days when Mulder lost it constantly.

This Lizard’s gotta know who Mulder is at this point, and that Mulder would track him down and find him. That’s my prediction.

Mulder agrees to kill Guy Mann. Guy Mann calls him the only nice human he’s ever met. Of course cut back to Mulder’s face as he insists Guy tell him the whole story, first.

Scully has no idea where Mulder is, does she.

I knew the psychologist’s “other client thought he was a werewolf” would play into this. Heavy-handedly.

The stupid, perfectly placed bush when Lizardman woke the next morning. I can’t even be mad at it.

He took the not-nudist’s clothes, that explains things.

The dialogue’s also kind of… juuuuuuuuuuuuuuuuvenile.

Lizardman leaped over the natural order of human life by talking mad game, and Darin glosses over the details with “humans are the best at that.” Ooooooookay.

Nope, that doesn’t work for me. Not if Lizardman joined a tech shop and got promoted to manager the next day.

I feel like Darin hasn’t hung around iphone shops much.

HE COMMITTED A MURDER BECAUSE HE ATE A COW IN A HAMBURGER. Really.

Was this lizard a vegetarian????? Because animals constantly break their own eating rituals if they’re hungry (deer eating baby birds, rabbits, and even human corpses, for example.) I doubt a creature of that size and strength existed only on vegetation, especially if there were food shortages during the natural course of its life (which happens in the wild.)

But NITPICK ASIDE, he ate his first cow.

…Why didn’t he go find a head of lettuce and chow down on it? Then realize he’s missing something, eat the chicken from the salad, then go on a meat-eating binge? That would have been kinda funny.

Oh, he’s an insectivore.

So, he’s a meat eater.

And he... uuuuuuuuuuuuugh--

Dude’s a protein eater via the carcases of other living things, not plants.

Dude didn’t have consciousness until he woke a man.

So it wouldn’t have mattered to Dude if he ate a cow, anyway, because he’s a carnivore and humans are omnivores.

So what gives?

“No one likes insects. Not even other insects.” SO INSECTS HAVE EMOTIONS, LIKES, AND PREFERENCES. YET, YOU ATE THEM. I don’t see sound reasoning for an ethical or moral stance here, Guy Mann.

Lizardman spent the rest of the day helplessly watching… porn. Just couldn’t help himself. Uh huh.

Dude, you were an animal YESTERDAY, with no association to human morays or social etiquette or guidelines or….

OH. That’s how the Scully scene plays into this.

But then that scene’ll be shot because it’s played for jokes-- males wanting to overexaggerate their knotch count-- rather than a very real reality of animals with zero morals when it comes to their procreation habits.

Let’s see if I’m right.

Guys, this would have been funnier and-- there’s that word again-- clever if Guy Mann lived like a caveman for a few days then overheard some humans talk about job, bills, and etc. spiraled, thinking he would be stuck as a half-human forever, and resigned himself to the fate of every other human (through the lens of his lizard brain, heh.)

It’s not supposed to be taken seriously, I know, but Darin always wrote plausibility into his previous scripts. This one feels like he didn’t try hard enough.

SOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO wow.

Guy went to a "witch doctor"-- oops, “a psychologist”-- but stopped taking his prescribed meds because “it just clouded my thoughts” TO WHICH MULDER NODS IN UNDERSTANDING.

Mulder gets it because, as an Oxford educated psychologist, he could diagnose the other psychologist (who shouldn’t be prescribing meds) as a wack job.

Mulder stopped taking his meds.

Which is what Scully asked if he’d done in the intro.

Which means his depression’s gone away without his meds.

Which means his depression’s either CURED, BOOM, or he never needed meds to begin with.

Which means Scully misdiagnosed him.

And left.

OR Mulder stopped taking them and was on depression med withdrawal in the beginning of this episode, hence his melancholia…?

‘Tis a mess.

Only time to be happy as a human is to spend time in the company of a non-human-- YOU’RE AN ANIMAL. YOU’RE NOT A HUMAN. YOU JUST LOOK LIKE ONE FOR TWELVE HOURS A DAY.

Also, Daggoo. Yup. There he is. Uhuh.

Scully was robbed of her first dog by an overgrown lizard and robbed from another overgrown lizard in return.

Daggoo was let out of the motel and ran off, and Mann felt crushing loss and grief (while looking not quite that) then ran into Mulder and Smarty K and ran to the toilet and got pap shot by Mulder and etc.

(Also, he ran into the werewolf dude; and Mulder knows the urge to “strangle him and eat his flesh” when it comes to villains and their villainy.)

Hokey. That’s how I would describe this episode. Inoffensive, but new Scooby Doo.

Wait, he threw his clothes off while witnessing the werewolf man eat another man (get it, it looked like animalistic sex) then but had them on again when Mulder ripped open the stall door and took his pants-down shot.

What.

Wait, Mulder’s up-to-date with transgender procedures and terms but not? familiar with gay bars?

What, did he subscribe to a Queer Life email subscription between episodes, or is that too new-fangled?

This episode doesn’t know what angle it wants to tackle for Clone!Mulder (forgot that nickname temporarily) and instead becomes a mix of everything at different strengths (that also change depending on which scene.)

HOW did Guy Mann not recognize Mulder after Mulder took a picture of him on the port-a-potty??? And stuck around to ask him some questions???

“That was me, actually.”

“I thought I recognized you!”

So. He… diiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiid?

OR it was a jackalope head on the wall?

No, wait, it wasn’t a jackalope, Guy Mann just misidentified the animal head on the wall-- and he’s “creeped out” by jackalopes ever since a friend got “gored” by them and GET IT, GUYS, THIS ALL LINKS BACK TO THE BASEMENT WHEN MULDER TALKED ABOUT MOTHMEN AND JACKALOPES.

I swear, Mulder’s just trippin or suffering withdrawals from his meds.

Scully said, “We have a creature case,” and he went home and dreamed this all up in a slime pit of sweat.

HIS DEAD FRIEND GEORGE.

SO THESE LIZARD PEOPLE HAVE NAMES????

THEN WHY’S HIS NAME GUY MANN?????????????????????????????????????

SO, they have friends and eat insects that have some form of consciousness and consider burgers to be cow murder.

I need to stop thinking seriously about this plot.

It’s pit stink Mulder thrashing around in his bed, smiling over speedos and peeping tom tunnels and Scully affectionately calling him crazy-- and that makes the most sense, honestly.

“I think my phone isn’t working right because guys don’t send me pictures of their junk on it.”

More evidence that this was written not by Darin Morgan but by his middle school aged doppelganger, Marin Dorgan, who split from his body during the stress of having to write for the Revival.

“Ever since I became a human, I can’t help but lie about my sex life.” Stupid. He’d need a Twitter account, first.

Mulder’s back to doubting because the entire story’s too silly. To be fair, I do like this beat; and it does align (if you squint at it) with his journey out of depression. BUT it is all too silly, so… kinda think Clone!Mulder’s got a point.

Mulder smiling over learning that Shakespeare called us all ignorant idiots is a nice touch which I shall now spoil: how did Guy Mann know that? Porn?

“Fox, man, you’ve gotta put me out of my misery!” Get it, Fox Mann, Guy Mann? Animals, GET IT.

“You wanted to arrest me for something I didn’t do. Who takes advantage like that? I’ll tell you: a human.” That’s the only comedic bit that landed, for me, and even then it was a lip twitch. His contained righteous indignation got through whatever made the rest of this the way it is! WHOO!

The guy goes stomping off yelling “Monster!” behind him at Mulder to drive his point home, which drives Mulder to drink.

“Mulder’s the monster, get it, because he doesn’t know what he is and is just willing to use other people for his own selfish ends?” the plot says, affectionately, with a giggle behind its hand.

This is the scene where he collapses by Kim Manner’s tomb, isn’t it.

ARE YOU KIDDING, MULDER HAS HIS THEME SONG AS A RINGTONE.

MULDER’S HIGH, THAT’S IT. HE’S HIGH OR OVERDOSING ON HAPPY DRUGS, THERE’S NO OTHER EXPLANATION.

Now that I know this is Ken Mulder’s delirium, it’s going to be interesting to draw unauthorized conclusions about his Alice in Wonderland hallucination.

Aww, look, it’s Kim Manners.

Mulder’s got his Patriarchy Pants' cheeks right on Kim’s face.

Me, ten minutes into the Revival: “Maybe I’m just a fool, Scully. Maybe I always have been.”

Can’t knock that line too much because it is a Mulder thing to think or say.

And it still fits into my delirium scenario, so.

Oh, Kumail’s been turned. Didn’t see that coming. The music’s suspenseful, too. That’s cool.

There’s no way Mulder should figure this out, but he probably will.

Oh, he didn’t.

That’s good.

Also, Scully’s: “Maybe I miss having a dog. And someone to hold my grudges for me,” could apply to her tendency to own dogs but it also might refer to Mulder who she let “curse God for a while” in her stead in IWTB.

Also, where was THIS scene hiding? It’s really good.

Ken Mulder’s hobbling, not running, to his car. ‘Kay.

Wait, Kumail's not a werewolf?

And Scully's got it all handled????

Wait, NO, that makes no sense. AND IT’S ALL EXPLAINED AWAY WITH “I’M IMMORTAL” what.

Scully went to the animal control shelter because she suspected Kumail was the murderer.

She lingered with her back to Kumail, letting him have home court advantage.

HE SLIPPED A NOOSE AROUND HER NECK.

That’s it, she’s doneso. She’s a 5’2” woman that’s as light as a bird, there’s no way she’s toppling a man, let alone one with a noose around her neck and has distance on his side.

Yes, I know this was because the transgender woman surprised Guy Mann with her punch, but that doesn’t translate to a stunning twist for Scully to also have the upper hand. She doesn’t have enough meat on her bones, and nowhere near the arm length to stop her attacker.

Did Guy Mann show up and interfere? Help her out in anyway? Did the dogs rush in and tackle him until she could get up?

IS SCULLY A DOG WHISPERER????? If so, why did Daggoo bite her????????

I will say: Kumail being the murderer really changes that one scene where he was sneaking up behind Mulder.

And also… the fact that he worked for an animal shelter, since he started with small animals.

WAIT, this is a normal animal control shelter, yes? That’s what Mulder yelled into his phone, anyway.

But… there were only dogs in the room when Mulder and the officers arrived.

So. Scully is a dog whisperer, or she tackled Kumail, loosed all the dogs before he got up, and pinned him (impossible) until the cops arrived. I guess. Or the dogs were loose to begin with.

Oh, and chickens.

Dogs and chickens.

Dogs. And chickens. And goats.

(Were ALL the animals loose??????)

Scully, the farm animal whisperer. A trait she must share with her Wyoming son.

Welp. There goes that scene.

Scully approached a dangerous suspect twice without backup (says Mulder, who was Kenning it out in the cemetery with the first dangerous suspect… and the second, if you count him running off and nearly getting offed by Kumail without his knowledge); and excuses it by saying Mulder needed “quality time” with his Lizardman.

“Besides, I’m immortal.”

That sounds like the prequel to another poor decision tattooed on your back, Scully.

Mulder’s not soothed by this pronouncement (obviously), but realizes “If Guy’s story was true--” and runs off into the woods. Again.

And Scully asks the dog if he wants to go home with her.

And I question. Why a dog. Why that dog.

You miss dogs but you didn’t have a tie to any particular dog. And this dog bit you.

Because he’s Plot Relevant Dog. I see.

“Woah, I’m not a reptile! That’s racist!”

No it’s not you silly, silly reptile with utterly unexplainable human knowledge and reflection.

Also, another motif of Mulder just standing there watching another guy undress, casually.

An aspect of Darin’s writing I hadn’t considered: Mulder knows Guy does odd things for a normal human; but also knows this is normal for Guy and just goes with it, for his sake. Like a good psychologist. Like a decent human.

But also, he has his limits.

Also, get it, Mulder’s a man outside mankind, too, who just needs to find himself again. Geeeeeeeeeeeeeeeeeeeeeet iiiiiiiiiiiiiiiiiiiiiiit?

“I want to believe,” Mulder says.

Mulder just needed someone to say they’re glad to have met him, they’re glad to have him in their life.

So.

I guess Scully hasn’t said those words yet.

Guy shakes his hand.

Mulder watches, stunned, as Guy runs off to hibernate for 10,000 years-- another hallmark of Marin Dorgan’s writing. Ha ha ha, a knee slapper, that one.

“Likewise,” Mulder whispers, overcome and disbelieving and renewed all in one.

A nice little heartfelt, cheesy, sincere ending.

CONCLUSION

What did I just watch?

Thanks for reading~

Enjoy!

#txf #Mulder and Scully Meet the Weremonster #React #A Late-Canon Reviler Gives the Revival a Try #Revival Reviler's first-time watch through #mine #Part III #Mulder #Scully #Revival #xfiles #x-files #the x files #first-time watch through #and there we go #xf meta #S10

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