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aadhiskanmani · 6 years ago

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I am back with Part 2 as promised earlier also because it was bugging me that i have left it incomplete the other day. The formatting is going to remain exactly the same way.. am just saving myself some extra text clutter , time and typing/copy paste this time round LOL.

DISCLAIMER: THIS IS COMPLETELY MY OPINION ABOUT THE FOLLOWING FEATURES. I feel the need to say this again because last time too i got a message but x,y,z film has x,y,z issues . I've said it before and i will say it again It is all a mixed Bag, Mixed Genres, Mixed reasons to suggest them right from the quality to acting to cinematography to story to critical acclaim to some just for PURE ENTERTAINMENT PURPOSES. I makes these lists because I feel these features deserve love and appreciation and because some made me feel Proud and some just for pure entertainment factor . Sidenote.. all titles are actual links where you can watch the features with subs and most of these are On prime video or netflix as well

K.G.F: Chapter 1 |Kannada| *Yash | alt Link A young man's promise to his dying mother leads him on a dangerous quest for power and wealth. If I may say so this One pretty much did the same thing in terms of opening doors to kannada film industry like Baahubali did to tollywood. This one followed the formula and dubbed it in multiple languages and gave it a wide release worldwide which raised eyeballs and got me curious too esp caz this one has a similar plot with the rise of a hero and the hunger for power just set in a completely different world and era. Now the Strength here is the screenplay and the non-linear pattern which keeps you engaged, with the growth of Rocky being shown steadily. The film is set between 1951 to 2018 and maintains a sense of curiosity as each character is unveiled. Yash is Phenomenal in it as rocky. I said it back then when i watched it and i will say it again He exuded the same kind of charisma say like a 70′s 80′s hero e.g Mr Bachchan from his blockbuster hits where he Played similar roles or salman khan in his typical masala characters basically Larger than life even if he has this arc of being a nobody to Rocky Bhai to Rocky the messiah. One word of Caution... This one gets a lil confusing in Kannada and with subs as there are too many characters and each one has his/her own agenda. i was confused at many parts but then i watched the hindi dubbed version and it made a world of difference. this one is fairly well dubbed too just like baahubali and what i mean is the voices didn’t sound robotic. Also i personally felt they went a little too far with the dukhi junta in prison in 2nd half and the violence as in it got very tedious but thank God that got over soon with the rise of this hero but it is worth watching and rest of it is really good, esp the last 15 mins WOWWWWW I cannot wait for part 2. Also my only sandalwood entry.

p.s all dubbed versions are available on prime including Hindi but i have linked the kannada originals

Fidaa | tel |*Varun Tej, Sai Pallavi (on Prime as well) Two young people embark on a winding and rocky path to love after meeting at a wedding. First of all supercute romantic, comedy/ family drama but what is refreshing about it is that it is Mainly from the Heroine’s POV and we have a VERY STRONG heroine who has her opinions, her say ,her own thought process and who is just so real. On the surface it looks like just another tollywood rom com but it’s Not. the music is really Good too and Sai Pallavi is A bundle of joy as Bhanu who calls the shots mostly here. Needless to say it is one of my Feel good films when i want to see something that makes me smile and gives me that comfort vibe i go to this one mostly.

Tumbbad|hin|*soham shah . A man and his son encounter a legendary demon while searching for hidden treasure in 19th-century India.

This one will come as a surprise to many as it is a hindi title but This one a rare gem that is Underrated af and i haven’t seen a finer hindi film in the last year because of how rich it’s content is and how thought provoking it is. The makers have invested years in getting to final result and it shows. this one gave me goosebumps, sacred me, left me mesmerized and make me go WHAT too. This is also on this list because you may not have heard about it at all just like myself who had no idea and jumped into it out of supreme boredom and was left in complete awwwwww and then did my reading and research. This one is a well thought out psychological horror film with strong visuals and metaphors and makes you question as it plays with your mind. Tumbbad is a perfect example of a film that creates a surreal illusion.

Imaikkaa Nodigal| Tam| Nayanthara,Atharvaa, Anurag kashyap: alt link A suave CBI officer (Nayanthara), is in search of a serial killer who kidnaps and kills the children of important people. The killer, however, is targeting his nemesis next. a revenge thriller with a strong Plot unpredictable and amazing twists.Each character has an important role and Nayan As a Bad ass cop who freaking sets the bar too high for female officers in desi films. THis one is one of the finest Thrillers in recent years which actually gives you thrills and Shocks and most of them one can’t guess. Let me be honest i gave upon this seeing anurag kasyap as the antagonist as i was unable to bear rudra and just his Ottness on top of that atharvaa’s lovestory as the parallel track mad me go ehhh as i initially clicked on it for nayan and there was so little of her in the beginning but then i gave it another try and couldn’t stop & was WOWEDDD by the Film and Nayan as anjali and yeah she is the MAIN CHARACTER so we get a lot of her later. She is at her FINEST as anjali. this is the film one wants to watch to get a high of sorts. WATCH IT FOR NAYAAAN FOR A STRONG FEMALE ACTOR/CHARACTER Taking the center stage and BEING FANTASTIC. This one is so just so entertaining in so many ways and the film one can watch on any given day despite knowing the plot twist. Beware Nayan and Vijay’s little arc is heartbreaking and i cried a lot tooooooooo... i was shattered at that part..... it is so hauntingly shot too. TW: Graphic violence In that scene

Mahanati|Tel|* Dulquer Salmaan, keerthy suresh, samantha, vijay D |alt link Biopic based on The life story of South Indian actress Savitri, who took the film industry by storm in the late '50s and '60s Mahanati is a film about the rise of the first female south Indian superstar – Savitri. Her story one of the most heart wrenching romantic tragedies of our times.This film tells a story of the Mahanati; her life, her journey to fame, and the dramatic downfall. Keerthy Suresh, elegantly brought Savitri to life, and Gemini Ganesan, played by Dulquer Salman, makes this film a true pleasure to watch. I had no idea who Savitri was i went into it because DQ and Again was BLOWN AWAY by How well made this film is and how it is made with so much sensitivity and rawness. it keeps the real journey part intact as in doesn’t sugarcoats or overly glamorizes things to show Savitri as some mahaan hasti. They make this film the Grand celebration of her life with all her struggles and tragedies and makes you connect with her in a very real manner and All this Makes this film so much more than a film. this one becomes that Larger than life Grand,SHE IS A HERO More because she truly is rather than OH because she had this sob story IYKWIM like hindi Biopics do. They have made savitri Grand By her resilience by her courage by her will power and invested in the character and plot rather than all taam jhaam. This one is By far the best Biopic i’ve seen from desi industries and Not One and i mean it NOT one Hindi biopic even comes close to this one in terms of presentation. Keerthy suresh is a joy to watch as savitri. i am not gonna lie i broke down at few points and that is because of her acting and laughed too i connected so strongly to an actress’s story (who i had no idea about as in savitri i had 0 knowledge about savitri or in general about south industries retro eras ) only because of keerthy’s presentation.Also dulquer is a Joy as gemini ganeshan. he really slipped into it with ease and lived upto the part. they have achieved finesse in showcasing a life story and recreating old songs from black & white era. If nothing else on this list watch this and imaikaa nodigal and you won’t regret it

Rangasthalam |tel| *Ramcharan, Samantha : Chitti Babu, a hearing impaired boat skipper, becomes caught in the middle of a political feud in the village of Rangasthalam. Watch this one for Ram charan’s performance He is a delight to watch as chitti babua and this easily is his Best WORK till date this character have so much to play with and He ACES IT . The strong and intriguing story line is also a Plus . The film is not just set in the 80s; it also picks a story template from that era and narrates the tale in a refreshingly raw manner but the characters are so well fleshed out they don’t look caricatures by any means. the songs are grand and super fun to watch too.

Maari 2 |tam|* dhanush, sai pallavi : Maari, a gangster with a heart of gold, tangles with a new nemesis who is determined to bring about his downfall. First things first this one is mileas ahead of the previous version in everything. A much stronger film in every way. Otherwise it is a pure masala entertainer with all the masala elements and dhanush and sai make a BOMB pair and their lil story is ahh sooo full of feelz.

Sudani from Nigeria |Mal|* soubin shahir: When a soccer club manager brings one of his injured foreign players home to recuperate, they form an unlikely bond despite their cultural differences.. A refreshing sports drama that touches your heart. explores the cultural differences so beautifully. the characters stay with you much longer after the film is over. The film effortlessly explores iissues in the neighborhood and much bigger political issues too. overall SImply an underrated film and one should watch it for it’s warmth and sincerity.

Koode|Mal|*prithviraj,nazriya nazim, paravthy A family tragedy causes a young man to reflect on his childhood and reassess his future.Anjali Menon and that brilliant cast should eb your reason to watch. i don’t think i need to say another word to convince you but still anyway. it takes you on and emotional roller coaster ride. it is a flawless film with an extraordinary cast. also Naz is as charming as ever in her comeback film. there are very few films who actually jump into exploring the bond between a brother and sister and this one aces it with reflecting upon various issues and things they had to go throughasa family as well as their individual struggles. AMAZING AMAZING AMAZING. Also Paro and prithvi yeah. .. simply OUTSTANDING film

Varathan |mal|* fahadh faasil,Aishwariya lekshmi: After losing his job, Abin and his wife, Priya, move from Dubai to Priya's family estate in Kerala, but peace eludes the couple. It takes it’s time in the first half but in second it comes all guns blazing and turns into a worth watching survival thriller. it does makes one uneasy at times with the contsant stalker guys lurking around but it is all worth the wait at the end. trust me..

Chekka Chivantha Vaanam |tam| *vijay sethupathi,arinswami,jyothika,simbu; An attempt is made on the life of a reigning don, and it sets in motion a succession battle between his three sons. In other words Godfather with Mani ratnam twists A delicious film to devour it si an out and out maniratnam film with massy fan moments and smart filmmaking techniques. watch it for performances esp. i wish jyo had more to do but she is good at what she does in her supporting role. . this one is a true blue multi starrer ,family drama.

Merku Thodarchi Malai |tam| Antony, Gayatri Krishnan, Abu Valayamkulam : it revolves around the life and times of a group of people living along the foothills of the Western Ghats. basically we travel along with Rangu ( teh pratagonist) who is a daily wage worker and his struggles in bringing that load upto the city and his one dream to own a piece of land someday. this oen is almost like a documentary. this makes you thank and count your blessings. feel every bit of pain and effort and struggle that these daily wage workers have to go through in their daily lives. i broke down at so many points and i just wanted to do something to help makes lives a bit easier. IDK it hit me so hard at places and made me thankful for all the things i have.

Mayanaadhi |Mal|*tovino thomas,aishwariya lekshmi : A mule driver in a gang and an aspiring actress try to navigate their way through an unexpected romance. Mayaanadhi is a beautiful tale of love. The emotions it conveys needs to be experienced and the movie gives us a taste of life. Aashiq Abu really knocked it out of the park once again with this one. this one. It is a simple enough tale with a plot that is real to life and familiar.It is perhaps the most Soulful Romantic film i’ve seen in last year or so.

Takeoff|Mal|*parvathy,fahadh : A young Muslim woman (Parvathy) struggles to find love and happiness in midst of the ongoing civil war in Iraq. It an ode to the Indian spirit. This is a riveting survival saga, made by a team gifted with acute political and social awareness. It is, in one word, stunning. Paro Simply have slayed. A bit like airlift as in the basic setting and premise is similar but poles apart. it is one hell of a film( in a good way) PARO,PARO,PARO. this is all i have to say to explain the brilliance of it.

and with that this comes to an end.. again please feel free to share your thoughts and opinions with me i would love to see you guys actually taking the use of this list and sharing your thoughts. Bye and Have a Wonderful Summer binge watching these hehe. i hope you love them as much as i do. looking forward to your thoughts

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filmmakersvision · 6 years ago

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Top 10 Hindi Films of 2018

January 13, 2019

by Inakshi Chandra-Mohanty

1. October

October is like poetry unfolding on screen. An amalgamation of visual pleasure, a heart-warming score, and some of the strongest, most emotional performances of the year, this film is the definition of beauty. With an extremely simple plot, October thrives on the humorous antics of the eccentric Dan (Varun Dhawan) as he develops an unspoken bond with Shiuli (Banita Sandhu). As the trailer stated, it’s not a love story, but instead a story of love. There is the love between mother and daughter, which is tested time and again as the mother (Gitanjali Rao) is pushed by her brother-in-law to take Shiuli off the ventilator. And on the other hand, there are the selfless emotions that Dan has for Shiuli. His feelings for her are never explained, while what she feels for him can never be known. There is so much more to explore in the film, so many more nuances to touch on, which is why it is the best film of the year.

2. Tumbbad

“So jaa varna hastar aa jayega.” When children cry at night, mothers say phrases like this interchanging the villain (for example, Gabbar Singh), to make the children go to sleep. It has become such a popular phrase in the media, that the Tumbbad writers used it as the catchphrase of their film. This mythological horror fantasy film told in three phases, deserves to be recognized for being one of the most imaginative, surreal films made in Hindi cinema. A combination of frightening visual effects, a heart-racing background score, mindblowing cinematography, and creative storytelling, this film is about a man who encounters a mythological demon while searching for an ancient, hidden treasure in his ancestral ‘haveli’ (mansion) situated in the village of Tumbbad. Behind this unique storyline, is a very basic concept of greed in human nature. However, the film manages to present it in a fresh way. The best aspect of this film is the fact that it is a pure entertainer, which is commercially viable. The regular Indian film-going audience would love this film, if they were taken to see it. Unfortunately there is no known name associated with the film, therefore most of this audience has not even heard of the film, let alone gone to see it.

3. Mukkabaaz

Though many people characterize Mukkabaaz as a film about boxing and the hardships sports players in India face, I believe that it is at its core a love story. The heroine, Sunaina Mishra (Zoya Hussain), is the driving force behind the hero, Shravan Kumar Singh’s (Vineet Kumar Singh), passion for boxing. The first time he sees her he rebels against his good-for-nothing, but powerful coach, Bhagwan Das Mishra (Jimmy Shergill), who also happens to be Sunaina’s uncle, in an attempt to impress her. Throughout the film, his motivations, his passion, and his support all derive from his love for her. And even his decision at the end of the film is for the safety and happiness of Sunaina. His passion for boxing is secondary to his love for his wife, which is proven again and again by his actions. Mukkabaaz is Anurag Kashyap’s first attempt at creating a love story and is much better than his latest film, Manmarziyan, which after a certain point, becomes frustrating. Not only is Mukkabaaz a fresh and unique love story, but it also contains elements of Anurag Kashyap’s trademark style, so no true Anurag Kashyap fan will leave the film feeling disappointed.

4. Andhadhun

For many critics and audience members, Andhadhun is being lauded as the film of the year. It is no doubt a great film. The writing is intelligent for the most part, the direction is crisp, and the performances are phenomenal. But in my opinion it is fourth on this list primarily because I viewed it less in comparison to the other films of this year, and more in the context of Sriram Raghavan’s body of work. If compared to his other films, Andhadhun is closest in style and storytelling format to Johnny Gaddaar. Both are told as flashbacks. Both begin with a small mistake spiraling out of control. Both are an ode to 60s and 70s Bollywood crime capers. Both have elements characteristic of a neo-noir. And both are extremely intelligent edge-of-the-seat thrillers, with twists and turns at every moment keeping the suspense high. However, Johnny Gaddaar has a far tighter script than Andhadhun, especially in the second half where Andhadhun becomes slower and slightly less interesting due to the introduction of less entertaining characters. Therefore, Andhadhun is still one of the best films of the year, but my love for Johnny Gaddaar prevents me from rating it higher on this list.

5. Raazi

Bias is the biggest weakness of any film based off of real events. The director’s most difficult obstacle is to not let his/her own views reflect on the objectiveness of the story, while still keeping the emotions intact. With Raazi, Meghna Gulzar has so brilliantly manipulated the audience into empathizing with every character in the film, regardless of nationality, therefore feeling patriotism regardless of country. After watching this film, you won’t hate Pakistan, nor will you hate India. You will just hate war altogether. Everyone will leave the theater feeling patriotic with no specific country in mind. Raazi follows the character Sehmat (Alia Bhatt), the daughter of an Indian spy, who gets married to a Pakistani military officer, Iqbal Syed (Vicky Kaushal), in order to gather information on the Pakistani military plans during the Indo-Pakistani War of 1971. Sehmat is such a well-written character with multiple dimensions. On one side, she is bound by her patriotism towards India, and the promises she has made to her father. And on the other hand, her growing love and affection for her husband and his family comes in the way of her mission. Ultimately, she is torn between these two and can no longer distinguish between right and wrong. There are very few films, which explore so many emotions and so many different sides to an issue with minimum bias, and Raazi is one of them.

6. Mulk

In the current times, when the Hindu-Muslim animosity is still fatal, and when anti-Muslim hatred is spreading widely throughout the world, a film like Mulk is essential. The film explores the backlash and ostracization Muslims face from Hindus and even from their own community, when the word terrorism is applied to a member of their family. After his nephew, Shahid Mohammed (Prateik Babbar), turns to terrorism, it is up to a respected advocate Murad Ali Mohammed (Rishi Kapoor) and his daughter in law Aarti Mohammed (Taapsee Pannu) to reclaim their family’s honor and fight for their prestige, as the whole family is prosecuted in court on charges of terrorism. The issues discussed in Mulk are tackled with sensitivity and minimum bias by writer-director Anubhav Sinha, and are made to resonate with the audience through the poignancy of the film. The film is not a landmark film, but it is an important one and hopefully it will allow people to gain a broader understanding of the type of anti-Muslim hatred that plagues the country.

7. Laila Majnu

It is very difficult to recreate a timeless, epic love story in a period where in film, practicality and realistic situations have begun to take over the classic notion of love. Making people believe in the intensity of emotions and craziness of love is a complicated task. The plot of Laila Majnu is a basic love story, boy meets girl, they fall in love, and their family enmity causes obstacles in the path towards their union. The first half is full of clichés yet remains fresh because of the new faces, the beautiful music, and the strong chemistry between the leads. However, it is the daring second half, when we see the love being torn apart, where Majnu’s separation from Laila causes him to succumb to depression, that makes this film worthy of being on this list.

8. Stree

After Bhool Bhulaiyaa, here is another brilliant horror comedy that has truly left the audience frightened by some scenes but has also managed to make them laugh extremely hard in others. A town is terrorized by a woman, called Stree (Flora Saini), who abducts men, leaving their clothes behind, and Vicky (Rajkumar Rao) attempts to solve this mystery and rid the town of ‘Stree’ forever. The three male leads, Rajkumar Rao, Aparshakti Khurrana, and Abhishek Banerjee, as well as Pankaj Tripathi have impeccable comic timing, which is supported by the hilarious dialogues. And yet the film still lives up to its role as a horror comedy since it is filled with scary moments and jump scares, the essence of which are not affected by the comedy. Stree is an overall entertainer, and its box office success is proof of that.

9. Pari

Pari was harshly criticized by film critics and the audience because it promised a horror film, yet it was not scary. However, its approach at creating a unique universe and widening the imagination of the audience is commendable. Pari is the story of a man, Arnab (Parambrata Chatterjee), who takes in an apparent victim of abuse, Rukhsana (Anushka Sharma), after her mother is killed in an accident caused by his car. However, everything is not as simple as it seems and soon Arnab realizes he has been dragged into a very dark world filled with conspiracies and supernatural forces. The line between good and evil has been blurred, and he no longer knows whom to trust. Though not scary in the moment, it leaves people with nightmarish thoughts and goosebumps afterwards, as the concepts and characters, which are thoroughly developed, are quite frightening. It would have been on the same level of Tumbbad if not for the weak script that completely derailed in the second half. However, despite that, the film works, partly because of the daring to try something new, and the brilliant performances, especially by Anushka Sharma, which will continue to haunt you for days.

10. Blackmail

At the time of its release, this film went almost completely unnoticed, due to bad PR and few noticeable actors. When I went to see the film, there were only two people apart from me in the theater. However, this black comedy is such a hilariously entertaining film. A man, Dev Kaushal (Irfan Khan) returns home one day to find his wife, Reena (Kirti Kulhari), cheating on him, and instead of confronting her like any normal person would, his sadistic mind convinces him to anonymously blackmail her and her lover, Ranjit Arora (Arunoday Singh). What begins as a simple plan, turns into a convoluted game as Ranjit’s wife, Dolly Verma (Divya Dutta), an employee at Dev’s office, Dolly’s father, and a private detective get involved. Though I do believe that a lot more could have been done with the story to make more comedic situations using the unique characters, the film was still thoroughly engaging due to the witty dialogues and brilliant characterization, emphasized further by the amazing performances.

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wishuponaspook · 5 years ago

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PARANORMAL IN POPULAR CULTURE

“Ssshh koi hai….”remember the chills which used to run down our spines when as kids we used to sit down in front of television screens at 11:00pm to watch these shows which now might seem more funny than scary, but you will have to agree that watching horror shows and movies have been one our guilty pleasures even though it does not let us sleep at night but we still love it, it is like going back to your toxic exes, it is dreadful but you cannot resist.

What we all can agree upon is that most of the information we have today about Ghosts, Spirits, Witches comes from their representation in popular culture which basically is through movies ,theater shows and folklore. The horror genre has been there in the movies for quite some time now, with the world’s first horror movie “THE HAUNTED CASTLE” made in 1896 and first Bollywood horror movie “MAHAL” made in 1946 which surely was long back and from then horror movies have been gaining popularity.

Our mothers have always been warning us to avoid watching horror movies since they were the ones who had to calm us down when we could not sleep at night after watching horror movies and our cries of “ mummy darr lag raha hai” met with “aur dekh bhoot aur chudailon wali picturein”, but did it stop us? Nahh. So here is the list of both Bollywood and Hollywood horror movies which you may like to watch for some sleepless nights:

MUST WATCH HORROR MOVIES IN BOLLYWOOD

1.13B

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Yavarum Nalam titled 13B in Hindi is a 2009 bilingual (Tamil-Hindi) psychological horror film written and directed by Vikram Kumar, starring Madhavan and Neetu Chandra in the lead roles. The film revolves around a mysterious TV show that mirrors and reveals what will happen in the protagonist's family's life that day. Everything is great--lighting, sound, etc. The plot is fascinating and the unraveling of the story behind the TV serial's characters is eye-popping! The violent flashbacks and disturbed characters leaves the viewers horrified! Madhavan, as always, has given a sincere and outstanding performance! You feel terrified with him. 13B is a fine example of intellectual horror. It does not force feed the suspense, but allows the viewer to build their own overtime as the protagonist becomes aware of the unnatural forces manipulating his and his family's mentality to the breaking point

You can watch the trailer here:https://www.youtube.com/watch?v=-eWl5M-jqxs

2.Woh Kaun Thi(1964)

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Woh Kaun Thi? is a 1964 black-and-white psychological mystery film directed by Raj Khosla, starring Sadhana Shivdasani, Manoj Kumar and Prem Chopra. The film was a hit at the box office. Woh Kaun Thi was one of the most scariest Hindi film of that time. The script is tense, interesting and twisted, at times so much that there isn't a possible solution one would offer. The writers try to lead the audience to one particular prediction, but the movie is still highly unpredictable. The movie is aided by some melodious songs composed by Madan Mohan and sung by Lata Mangeshkar. The song shayad ‘lag jaa gale phir ye haseen raat ho na ho’ is about 50 years now and has been and would always be an all time favorite forever, for all years to come. Splendid performances by Manoj & Sadhana and certainly haunting tale from Raj Khosla.

3.Mahal(1949)

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Mahal is a film directed by Kamal Amrohi and starring Ashok Kumar and Madhubala. It was India's first reincarnation thriller film. The film was included in the British Film Institute's list, "10 great romantic horror films". The movie was a groundbreaking supernatural suspense thriller and one of the earliest known films dealing with reincarnation. Mahal became one of the biggest box office hits of 1949 in India and paved way for Indian gothic fiction.

Why MAHAL was one of the most iconic Bollywood horror movie: https://www.cinestaan.com/articles/2018/jan/17/10442

4.PIZZA

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Pizza is a 2012 Indian Tamil thriller film written and directed by debutant Karthik Subbaraj. Pizza tells you a story of a pizza-delivery guy who gets entangled in a story of horror, love and deception. The first part is a juxtaposition of initiation, life and horror. While the second half is where it gets horrid, severe and mind-blowing. The performances of the main leads was great and well maintained too. Special effects were at peaks along with the background score. The climax was great revealing all the twists and turns in the story.

5. TUMBBAD

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This movie has raised the standard among all the horror movies which have been produced and released in India till now. It is something our film industry never produced before. The beauty and horror of this film will stalk you and will capture your mind. The story revolves around God Hastar and his greed for wealth. This is a period film which is based on pre and post-independence period. As the movie progresses the story becomes more gripping and fascinating. There are no big faces in this movie. The actors have done their job brilliantly. There are no big actors in this movie still it made stand out among other horror movies. The score of the music is composed by none other than Ajay-Atul. They have done their job brilliantly. The background music helps the story to move in right direction and make the plot for gripping. Visuals are astonishing, stunning and marvelous which helps the movie to go with the flow.

Movie Review :https://www.youtube.com/watch?v=SBRS6lEDsaY

6.MAKDEE

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This is an excellent movie not only for kids but also for elders. This movie runs around two about 10 years old identical twin girls and a myth in the village. One sister in simple and the other one is naughty. The myth is about a Churhel (Evil Soul) in the village. The naughty sister teases & make fun of the other one but when the other one falls in a serious trap, the naughty one plays with her own life to save the other. This is a fun filled movie. A pure and healthy fun and also gives a good message to kids in the end. The songs are lovable. Particularly kids will enjoy the movie. The acting of the girl artist is excellent. Shabana Ajmi is there in a different role. The direction of the movie is great. A must watch for sensible cinema viewers.

MUST WATCH HOLLYWOOD HORROR MOVIES

1. Psycho(1960)

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Released in 1960 Psycho is one of the finest films ever made and the greatest horror film of all time features dark, twisted and thrilling storytelling and masterful direction from the master of suspense Alfred Hitchcock, Psycho is now a legendary film.

A Phoenix secretary embezzles forty thousand dollars from her employer's client, goes on the run, and checks into a remote motel run by a young man under the domination of his mother.

2. The Exorcist(1973)

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The Exorcist rides its supernatural theme to magical effect, with remarkable special effects and an eerie atmosphere, resulting in one of the scariest films of all time. With great performances and creepy moments, The Exorcist is a classic.

When a 12 year-old girl is possessed by a mysterious entity, her mother seeks the help of two priests to save her.

https://www.factinate.com/things/26-chilling-facts-exorcist/

3.The Conjuring

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The Conjuring is a 2013 American supernatural horror film directed by James Wan and written by Chad Hayes and Carey W. Hayes. It is the inaugural film in the Conjuring Universe franchise

A very effectively mounted fright fest, played extremely straight, with very good performances. This movie is hugely enjoyable, genuinely scary horror flick. This is a horror film where a pair of suddenly clapping hands gives you the heebie-jeebies, and James Wan doesn't cheat with his jump scares.

4.ROSEMARY’S BABY

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A frightening tale of Satanism and pregnancy that is even more disturbing than it sounds thanks to convincing and committed performances by Mia Farrow and Ruth Gordon that results in one of the finest horror movies of all time that features excellent direction and cinematography.

A young couple moves in to an apartment only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.

5. ALIEN

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A modern classic, Alien blends science fiction, horror and bleak poetry into a seamless whole. With claustrophobic thrills and chills and an empowering performance from Sigourney Weaver, Alien is a horror classic.

After a space merchant vessel receives an unknown transmission as a distress call, one of the crew is attacked by a mysterious life form and they soon realize that its life cycle has merely begun.

So these were some of our top picks from IMDB and would advise you to watch them at your own risk because these movies are surely not for people with weak heart(or people who close their eyes when the ghost is on screen) and please watch these movies with a huge group of friends or family and if you are one of those people who can watch such movies alone then I have nothing but respect for you.

LET THE FEAR TAKE OVER!

You can read about some spooky behind the scenes things that happened on the sets of some horror : Click here

SOURCES: one, two, three, four ,five ,six

#horror #witches #supernatural #paranormal

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vedantsaxena · 6 years ago

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Week 1- Intro to Media Studies

As joining late for Media Studies, Shritej sir and I sat down and went through the syllabus where he taught me what will be coming in this year and what is expected out of me. We discussed about the different papers and what each of them consist of. We discussed also about the different things that come in component. We saw what each component consists;

First in my extra lecture I had started off with the Types of Movies, followed by Principles of Story Telling and the procedure of film making.

In the types of movies, we were taught Art Cinema and Commercial Cinema.

Under the process of film making there are 3 steps:

Pre-Production: It consists of Script, Actors, Budget, Story Board & Animation, Location, Dress and Shooting Schedule

Production: It consists of only Shooting

Post- Production: It consists of Editing, Sound Mixing, Dubbing and VFX/CGI

In the learning of principles of storytelling there are 10 principles which are as follows;

Object: It is when a story revolves around an object. The movie Aladdin talks about how Young Aladdin embarks on a magical adventure after finding a lamp that releases a wisecracking genie.

Places: It is when a story revolves around a location or place. The movie Tumbbad, shows how a man and his son encounter a legendary demon while searching for hidden treasure in 19th-century India.

Conversation: It is when a story revolves around a conversation spoken by 2 or more characters. The movie Coffee and Cigarettes talks about a series of vignettes that all have coffee and cigarettes in common.

News: When a story relvoves around a news. The movie, Sound Of Music talks about how Maria, an aspiring nun, is sent as a governess to take care of seven motherless children. Soon her jovial and loving nature tames their hearts and the children become fond of her.

Nostalgia: It is when a story revolves around something done or presented in order to evoke feelings of nostalgia. The movie, The Artist talks about how Peppy Miller falls in love with the silent film star George Valentin. Things change when Peppy becomes a famous actor while George's career goes downhill with the introduction of talkies.

Myth/History/Religion: When a story has a religious point of view. The story can also be based on a historic event or a story with a myth. The movie, Gandhi talks about how a lawyer, Mohandas Gandhi, returns to British India from South Africa. He begins a nationwide campaign of non-violent resistance against British rule. The campaign pressures Britain to liberate India.

Backstory: When the character has a back story and the story is based on it. The movie, The Gentleman Driver, talks about how Businessmen Ed Brown, Ricardo Gonzalez, Mike Guasch and Paul Dalla Lana moonlight as race car drivers.

Rumour: When the has a rumour in it. The film, Agyaat talks about Anu and Siddhu are in love and Siddhu turns up when Anu's family camps in a tiger sanctuary for a holiday. Unexpectedly, a sandalwood smuggler takes several members as hostages.

Calamity: It’s when a story has a natural calamity in it. The movie, San Andreas talks about how following a massive earthquake, Ray, a rescue-chopper pilot, and his ex-wife try to find the location of their daughter before earth's ultimate destruction.

Blending: It is a combination of all the principles. The movie, Ready Player One talks about after death of James Halliday, the creator of the virtual reality world, his pre-recorded message reveals the hidden fortune, which makes Wade Watts, a teenager, embark on a quest.

Once sir taught me the principles of storytelling, he told me what is the format of story telling. There are 3 elements; Information, Conflict and Destiny. After this, sir told me to write a story with the first three principles; object, place and conversation with the format of Information, Conflict and Destiny.

In the other lecture this week, we were also taught for our editiing the different types of cutting methods like Harsh Cut, Match Cut, Cutting on action, Intercuts, J Cuts, L Cuts, Montage, Jump Cut, Cross dissolve, Fade In/Out, Cut away and Cross Cut.

Cut On Action: Cutting on action refers to film editing and video editing techniques where the editor cuts from one shot to another view that matches the first shot's action.

Intercut: These scenes are occurring at the same time. Instead of repeating the Scene Heading for each scene over and over.

J Cut: A technique in which the audio from a following scene overlaps the picture from the preceding scene, so that the audio portion of the later scene starts playing before its picture as a lead-in to the visual cut.

L Cut: A technique in which the audio from preceding scene overlaps the picture from the following scene, so that the audio cuts after the picture, and continues playing over the beginning of the next scene.

Montage: Montage is a technique in film editing in which a series of short shots are edited into a sequence to condense space, time, and information.

Jump Cut: A jump cut is a cut in film editing in which two sequential shots of the same subject are taken from camera positions that vary only slightly.

Dissolve: It is basically represents the passage of time. While fast motion is also a great technique to show time passing, cross dissolves are much more common and easier to do.

Fade In/Out: Fade In is a dissolve is a gradual transition from one image to another, and Fade Out is a transition to and from a blank image. This is in contrast to a cut where there is no such transition.

Cut away: It is the interruption of a continuously filmed action by inserting a view of something else.

Cross Cut/Inter Cut: It is used to establish action occurring at the same time, and usually in the same place. In a cross-cut, the camera will cut away from one action to another action, which can suggest the simultaneity of these two actions but this is not always the case.

Long Shot: Shows the subject from top to bottom; for a person, this would be head to toes, though not necessarily filling the frame. Eg: The picture below is from the movie “The Hobbit”.

Mid-Long Shot: Shows subject from the knees up. The picture below is from the movie “The Good, The Bad And The Ugly”.

Mid-Shot: Shows part of the subject in more detail. For a person, a medium shot typically frames them from about waist up. The picture below is from the movie “American Psycho”.

Mid-Close Shot: Falls between a Medium Shot and a Close-Up, generally framing the subject from chest or shoulder up. The picture below is from the movie “Alice in Wonderland ”.

Close-Up Shot: Fills the screen with part of the subject, such as a person’s face. The picture below is from the movie “Shining”.

Extreme Close Up: Emphasizes a small area or detail of the subject, such as the eye(s) or mouth. The picture below is from the movie “The Revenant”.

Over the shoulder (OS): A popular shot where a subject is shot from behind the shoulder of another, framing the subject anywhere from a Medium to Close-Up. The picture below is from the movie “The Spiderman: Homecoming”.

There were many other shots sir taught us like;

Ultra Wide/ Estabilishing shot: Used to show the subject from a distance, or the area in which the scene is taking place. The picture below is from the movie “Harry Potter and the Deathly Hallows”.

Birds-Eye View: A high-angle shot that’s taken from directly overhead and from a distance. The shot gives the audience a wider view and is useful for showing direction and that the subject is moving, to highlight special relations, or reveal to the audience elements outside the boundaries of the character’s awareness. The picture below is from the movie “Eternal Sunshine Of The Spotless Mind”.

Dutch Angle: Shot in which the camera is set at an angle on its roll axis so that the horizon line is not level. It is often used to show a disoriented or uneasy psychological state. The picture below is from the movie “ Fear and Loathing in Las Vegas ”.

Low Angle: Subject is photographed from below eye level. This can have the effect of making the subject look powerful, heroic, or dangerous. The picture below is from the movie “Batman VS Superman: Dawn of Justice”.

Top Angle: Subject is photographed from above eye level. This can have the effect of making the subject seem vulnerable, weak, or frightened. The picture below is from the movie “The Chronicles of Narnia”.

Eye Level: Shot taken with the camera approximately at human eye level, resulting in a neutral effect on the audience. The picture below is from the movie “Get Out”.

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