#Re Release Success
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theomenmedia ¡ 2 months ago
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Tumbbad Re-Release Success!
#Tumbbad re-release hits ₹21.57 crore in 10 days, outshining its original run! A cinematic comeback like no other!
Link to the full story: https://www.theomenmedia.com/post/tumbbad-s-re-release-triumph-outshines-original-box-office-run-with-21-57-crore-in-10-days
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rememberleegs ¡ 5 days ago
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Imagine adapting “How to Train Your Dragon,” a film that has a specifically cartoon-y style, into yet another live action CGI fest and making the decision to keep the cartoon style but poorly comping in live actors only to make what looks a lot like the original animation but worse. Im not saying they should’ve given toothless the dragon version of the live action lion king treatment. I’m saying they should’ve never taken yet another amazing feat of animation, voice acting, music, writing, and directing and only to make it into the theatrical equivalent of one of those cardboard cut out posters with a hole for people to put their faces through to take pictures.
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hagbrigade ¡ 8 months ago
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see the whole point of animal kingdom was 4 guys all fighting to be mommys number one Candy baby and in the end no one wins… so as you can see succession copied animal kingdom
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lyricsolution-com ¡ 2 months ago
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Tumbbad's Re-Release Achieves Rs. 7.34 Crore Box Office Milestone In Just 3 Days | Movies News
New Delhi: The re-release of the critically acclaimed film ‘Tumbbad’ has achieved a significant box office milestone, mirroring its original week-long earnings in just three days. Originally launched in 2018, ‘Tumbbad’ earned ₹7.34 crore over its first week. During its recent re-release, the film has matched this impressive figure in a mere three days, underscoring its continued resonance with…
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doyoulikethissong-poll ¡ 11 months ago
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Aha - Take On Me 1985
"Take On Me" is a song by the Norwegian synth-pop band A-ha. The original version from 1984 was produced by Tony Mansfield and remixed by John Ratcliff. The 1985 international hit version was produced by Alan Tarney for the group's debut studio album, Hunting High and Low.
In 1984, Andrew Wickham was the international vice-president for Warner Bros Records America, and their A&R man in London. He immediately signed A-ha to Warner Brothers America, after learning several previous attempts had failed to make "Take On Me" a commercial success. The next release was not successful either and featured a very ordinary performance video. He authorised considerable investment in the band: on Slater's recommendation, renowned producer Alan Tarney was commissioned to refine the song. The new recording achieved a cleaner and more soaring sound. It was re-released in the UK, but the record label's office in London gave them little support, and the single flopped for the second time.
Wickham placed the band on high priority and applied a lateral strategy with further investment. Steve Barron directed a revolutionary rotoscoping animation music video which took six months to create, using professional artists. Approximately 3,000 frames were rotoscoped, which took 16 weeks to complete. The single was released in the US one month after the music video, and immediately appeared in the Billboard Hot 100 and was a worldwide smash, reaching No. 1 in numerous countries.
At the 1986 MTV Video Music Awards, the video won six awards: Best New Artist in a Video, Best Concept Video, Most Experimental Video, Best Direction in a Video, Best Special Effects in a Video, and Viewer's Choice, and was nominated for two others, Best Group Video and Video of the Year. It was also nominated for Favorite Pop/Rock Video at the 13th American Music Awards in 1986.
"Take On Me" received a total of 95% yes votes, and is currently the most liked song on this poll blog! 🥳
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self-made-cages ¡ 2 years ago
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Thinking about how two years ago, we all thought the re-records would come pretty quickly and by this time we’d probably only be waiting for Rep to be finished… I’ve never been so glad to be wrong!
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scribeofmorpheus ¡ 14 days ago
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Dragon Age Veilguard: Love, Wisdom and Pride
A very long Dragon Age post!
Warnings for: Veilguard Spoilers, Solavellan spoilers.
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Okay, so I will preface this by saying that this ‘analysis’ primarily focuses on Solas’ arc; both romanced and unromanced. It isn’t intended to be a romanticised analysis, though it is very much enamoured with how a romanced Solas and his relationship with Lavellan foils (and informs my reading/reception of) that of Solas and Mythal’s relationship in Veilguard. There is a relationship I will address that I feel does parallel Solas and Mythal! Scroll down to “Reading Between the Lines” if you wanna skip my little intro below. Spoilers follow.
Truth be told, I wasn’t ever expecting much in terms of actually getting a sequel to Inquisition. The game dev market went through a tumultuous reshuffle before the remake madness breathed life back into many studios. Bioware game sequels (Mass Effect Andromeda) were underwhelming and not as fleshed out since the EA acquisition. I absolutely believe Bioware would have been shunted had Mass Effect Legendary Edition not been so successful. EA’s reputation was always lacklustre and underhanded, but laying off or losing several head writers attached to Bioware with almost two decades of work under their belts was the biggest red flag. Trevor Morris not being asked to return in exchange for a ‘bigger name’ was also a grave warning that returning to the atmosphere, ambience and world of Thedas that we knew was getting further and further away from a plausible reality. And on top of that, there’s the fact Solas was never intended as a romance interest during early development of Inquisition.
Solavellan seemed doomed!
Despite this, I still held out hope for a sequel, but I feared we’d always be in permanent Solavellan/developmental hell. Heck, I’m still waiting for a Beyond Good and Evil sequel—the game released in 2003! So, actually witnessing people play Veilguard, seeing reactions to it, seeing memes and gifs and essay pieces (like this one), it’s like my community has awoken again, and I never thought I’d see the day. Yet I am not blind to the fact we were robbed of so much potential. I knew thing’s wouldn’t live up to re-emerging expectations when Dragon Age: Dreadwolf was rebranded to Veilguard—the shift seemed to imply less of a primary focus on Solas (and apparently, according to the artbook, the early concept art proves this implication correct).
Things seemed even more dire when the devs revealed there was no tapestry mechanic. I had only one hope: that with the Inquisitor’s confirmed return, we’d get at least some form of catharsis for our Inquisitors (Lavellans and otherwise), if we couldn’t get the conclusions to so many storylines present in each of our worldstates. My main fear was that they’d go the clichéd Ultimate Sacrifice route (which happens anyway, but in a way that makes thematic sense given the stakes and heavily blighted worldstate).
Suffice it to say, there was a lot of evidence that Veilguard would disappoint me in the end. But it hasn’t. It hasn’t lived up to the many expectations and marks of excellence that the Dragon Age world built itself into with the first three entries, that’s for sure, but I am also just so deprived of conclusions, of endings (whether it be because TV doesn’t exist in a sustainable format anymore or that comicbook movies are made with a sequel in mind, never letting anything just “Exit Stage Left” gracefully; or the fact we live in a regurgitating content cycle with late-stage-capitalism where anything remotely profitable gets turned into a caricature of itself: Squid Game, Star Wars, etc.). The cycle is so exhaustive that I am actually at a point where I can say I am content with the ending we were given (on a Solas/Solavellan front), Veilguard gave me relief, and beautiful, achy pain to boot. Though I would absolutely be disappointed by both the "non-romanced Solas" endings, given that Solas winds up either "dying alone, forever" or turns to Tyranny.
Now onto the actual review of that Solavellan ending, Mythal and themes of Love!
Note: I have only gotten the ‘best’ ending in my first playthrough, but I also thought the consequences of not maxing factions would be more… dire? Another note, pls, if your romanced Inky swore to stop Solas, how does that ending differ, if at all? Let me know, I’m dying here!
Sidenote: I’m working on writing another review about my views on the ‘sanitised’ worldstate, the new companions (and why I think Varric was the wrong choice to have as an advisor in the game, given that the Inquisitor or Morrigan would have been more impactful; and not to mention that Cole or Briala should have been companions), removal of the tapestry and what it means for the future of stories in Thedas (The Story We Lost is such a poignant compilation of the sheer volumes of lost lore and depth that I honestly think I won’t go as in-depth on that review as this one), and why I think Veilguard is my final entry into Dragon Age.
Reading Between the Lines: What Pride Hath Wrought
One thing is for sure, Trick Weekes flourishes when writing within the ambiguities and complexities of meaning. This makes every word uttered by Solas so great to dissect, he's a god of lies not because he 'lies' but because he's so careful with how he phrases things, what he holds back, and what he reveals.
For instance, the famous Trespasser exchange where Solas mocks his own follies with sarcasm by saying:
“What is the old Dalish curse? May the Dread Wolf Take you.”
Then a softer, more saddened and beaten-down Lavellan replies:
“And so he did.”
This irks him. Because he then realises in that moment that he absolutely did take advantage, but for some reason he frames it around sex rather than power because that’s easier to address than the latter. And he rejects the notion, even though he brought up the expression he knows to mean nothing close to a sexual inuendo for being ‘taken’, and yet he has the gall to try and derail the conversation by pivoting and saying:
“I would not lay with you under false pretences.”
When I first had this dialogue exchange, I was baffled, because did this mean that there was another meaning to ‘Dread Wolf take you’ that Dalish clans lost through the years, or was it more of a self-deprecating joke Solas had with himself because he, the Dread Wolf, romanced (took) a Dalish Inquisitor (away from her people’s beliefs, histories, past), and he found irony in the saying?
On the surface, “wouldn’t lay with you under false pretences” could simply mean “we didn’t sleep together” or “we did sleep together, but I wasn’t taking advantage as the Dread Wolf, I was simply Solas in your presence”. But I have recently thought of a more… ambiguous reading.  Lay could have been used in a milder, more vulnerable way; to mean to be at peace, to be completely vulnerable, as if to sleep. In that sense, the phrasing becomes: “I could not be at peace with you because I was living a half-truth”.
I absolutely think the moment he feels he is truly beyond hope is when we see his expression of abject horror as Lavellan shouts: “I would have had you trust me!”. He realises then that he did fuck up, he did take the choice away from her because he thought he knew better, him and his pride led to a decision that hurt someone close to him, and he could finally see how wrong he was, how alike the entire situation became to Mythal’s treatment of him. Especially if Lavellan asks to go with him. Because he can see that despite the hurt, the lies and the betrayal on his part, Lavellan still wishing to join him draws too close to his first regret: following Mythal.
Whether he likes it or not, Solas’ love which could burn like a bonfire was directed at a powerful woman—a Herald, an Inquisitor—and inspite of her greatness of character, it still shaped her into someone willing to follow him on his dinanshiral out of love, much like he left the Fade and took physical form for Mythal. So now whenever I hear Lavellan shout “Var lath vir suledin”, Solas replying with “I wish it could, Vhenan,” changes drastically with the Mythal reveal, knowing he always walks away from the Inquisitor in Trespasser.
“I wish it could, Vhenan��� sounds heavily like: “You would regret me, as I regret Mythal, and I cannot bear for that to happen us.” More poetically, it could read as: “I wish our love could overcome a duty that has lasted an incomprehensible amount of time, I wish I could change my nature, but then I’d be twisted into a demon, like the spirit of Wisdom in the Dales; and yet again, I would become your regret.” These two readings are very, very romantic. Realistically, given what we know of his kinship with Felassan, and how they were comrades and friends for centuries (“A story unfinished. His back turned!”), and given what we know of the complexity of Mythal’s will that presides over the creation of his very being, and yet he was still able to muster the strength to kill a fragment of her to fulfil his mission,  “I wish it could” was most probably a lament: “Do not ask me to hurt one of the two women I’ve loved on this journey, because if it ever came to it…” he would.
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Knowing what I know of Solas, of how he was able to convince himself that Varric’s death (avoidable as it was) was just another necessary step, that it was just another sacrifice, another loss that would be worth something only if he completed his ritual, I have no doubt that Solas would also be able to rationalise hurting Lavellan (which is why in his mind, turning away from her, breaking her heart, leaving with no explanation and aiding her in Trespasser so she could live whatever few years remained in “relative peace” is actually an act of preserving that love). I partially think the reason he reveals the truth in Trespasser (especially for a romanced Lavellan) is in the hopes his ‘truths’ will push her away. But on a deeper note, I think he also thinks of it as some twisted form of repaying her for loving him to the point that he could have almost forgotten what it was to be the Dread Wolf, to just be with her as Solas, that night at Crestwood. Maybe his harsh truths would push her to the point where she’d give up her love for Solas, now that she knew he was the Dread Wolf, freeing her from the shackles of their love. He’s very self-flagellating, all about self-sacrifice for the ultimate goal, the ends always justify the means, he will endure any pain and punishment as long as Arlathan returns in the end.
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What is his love of a mortal compared to the despair and loss of an entire empire? Solas views himself as selfish for falling for her, and that nearly broke him, if he was selfish enough to leave the dream of Arlathan behind for her, what would that do to his spirit then?
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In his way of thinking, perhaps telling the Inquisitor the truth is a way out, a rationale they can use to justify stopping him or to make it easier to hate him as the Dread Wolf rather than love him as Solas (someone he hasn’t been in so long).
‘Masking’ as the Dread Wolf
During Trespasser, the Inquisitor has every right to despise Solas after all they’ve learned, and I think he half reveals the truth as a tactic so the Inquisitor can have an excuse to hate him, to be driven to anger and have less pull over his choices, once they learn the truth. Solas is particularly skilled at making other’s play the role that makes his own choices seem inevitable, he orchestrates a lot of events to play out in a manner where it's easier for him to talk himself into bringing down the veil.
He goads Elgar’nan to anger easily. He inspires the spirits to fight for him to the death as a necessary distraction during the war. He absolutely allows the Inquisitor to speak to him one last time so he can offer insight, yes, but also so he can easily frame his actions as just and inevitable. But, Oh boy does he get in for a shock if the Inquisitor shows empathy towards him, it scares him because he’s become accustomed to being seen only as the Dread Wolf. To be understood? That gives way to remorse. And remorse gives way to doubt. And he cannot doubt his purpose, twisted as it is, it is all he has left of his former self. Without it he would most likely change into something different. Someone he doesn’t recognise.
This fear intensifies more so if a romanced Lavellan asks to go with him, and in that case, he takes command and distances himself away (rejecting the help of someone close to him; the chance for a possible betrayal; the chance at another Felassan or Mythal [x]; the chance to twist Lavellan outside of her purpose, in this case, the purpose would be love/empathy) but not without showing remorse at having sacrificed yet another relationship for his crusade.
“Ir abelas.”
Sorrow for what cannot be is at the heart of why the Solavellan romance is so powerful, especially because even though both Solas and Lavellan love each other passionately, love alone cannot be enough when faced with regrets. Love would ultimately be stifled. Corrupted into something else over time. And so, for Solas, having loved and lost tragically is better than having loved and corrupted.
He will not do to Lavellan what was done to him, even if it is her choice, because she knows so little, her naivete cannot close the distance of a millenia’s old sea, and it would hurt him immensely to take advantage of her kind heart [x].
By leaving, he keeps her heart pure. And the yearning! Knowing the love is there, but on its own it cannot be invulnerable to corruption, so it is better to lose it than twist it. Ugh! Him leaving Lavellan is the ultimate show of love! IT IS A WISE DECISION. A rare glimpse into pure wisdom. Which is why he kneels beside Lavellan in Trespasser, he does not “Stand Tall” in the face of Wisdom’s heart. He kneels beside her. And when he stands tall again, he is Solas once more, filled with regret, and once through the eluvian, he returns to masking as the Dread Wolf.
Sidenote: It’s especially confounding that Veilguard allows Rook to push the Inquisitor to save or stop him after you’ve reached act 2 despite your world state choice (I think this was done in case they feared the Inquisitor wouldn’t stand by Solas after everything he was revealed to be responsible for in Veilguard, however it doesn’t work because the Inquisitor wasn’t an advisor, Rook never told them what they learned from the wolf statues, so having a stranger hold the ability to make Lavellan keep her promise or not rings hollow). Personally, I wish the Inquisitor’s presence had more weight in the non-Solavellan endings, too. I wish the Inquisitor could end up being the last friend/former love that Solas destroys (if you don’t collect the wolf statues) which then prompts Rook to fight him because Solas’ last tie to empathy failed to redeem him, that the Inquisitor falling is the last straw and Solas snaps, choosing to be a villain in the hopes of being stopped because he can’t stop himself, and not the ‘I am a God’ ending they gave us. Same for if your Inquisitor vows to stop him. I also wish the Inquisitor was the one to do the wolf statue missions. Would have been a nice secondary protagonist mission like the switching perspectives between Kratos and Atreus in GOW: Ragnarök (the old guard and the new; Inquisitor and Rook). I would have loved if they dedicated more dialogue to Inquisition days too, which is why I think Cole should have been a companion (if he wasn’t recruited, he could simply be a compassion spirit that ‘follows’ the greatest pain in the Fade that yearns to be healed, giving a compassionate viewpoint to Solas’ folly; recruited Spirit Cole could have a greater connection to Solas than even Varric, seeing as Cole was most likely a literal representation of Solas rewriting his own history by preventing a spirit from becoming too ‘real’; Human Cole would have a deeper connection to the world of Thedas, and could have been a great tool to prove how change was inevitable, not always a bad thing, and inevitably out of even Solas’ control. But alas, we live with what we are given! Even Imshael could have served in this role! Spirit/Demon of choice and it wasn’t incorporated into the game that supposedly asks you to make the greatest world-changing choice ever; redeem the Dread Wolf or end the age of the Evanuris entirely?!
Now onto the next segment: I want to talk about Solas’ regrets and how I read the ‘love story’ between Solas and Mythal, and why Lavellan (and what she represented) wasn’t enough to get through to him (and that’s a very believable thing, that’s what makes their love both tragic and epic!).
The High Price of Redemption
A romanced Lavellan has the most agency to see through his guises, if she resolves to save him, but even she cannot undo the shackles that still bind him to Mythal—the binds that twisted Wisdom so far from its purpose it became Pride, even when he burned (Mythal) from his face. (Likewise, A close friend Inquisitor who promises to save him is most likely a parallel to Felassan, again, they cannot undo the shackles of regret either.) I fully believe the vallaslin had a deeper magic than simply marking one as being committed/devoted to an Evanuris, I think it linked them magically, and since Solas was the first to burn the vallaslin away, he probably wasn’t as good at severing the link on himself as he was for other elvhen, so maybe a part of Mythal’s will still lingers in him, twisting him to Pride still.
In Veilguard’s final confrontation, I love the intention of showing how Lavellan approaches Solas slowly, as she doesn’t know who she’ll be faced with up those steps, Dread Wolf or Solas. But when she speaks to him, trying to get him to change his mind yet again, forgiving him for his wrongs, we are reassured that Wisdom hasn’t been completely consumed by Pride despite everything we’ve witnessed in the game because he bows his head at her in reverence as he apologises.
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He shows humility towards her. He elevates her and her enduring love as worthy of his respect, but he does not consider himself worthy of hers. Thus, Lavellan pries open the door to acceptance but his heart is still not enough. Which is why love alone cannot turn the tide. He’s too broken to accept it. He doesn’t think he deserves it, so the only way out is through; to continue the ritual, to prove he was right. The shackles persist. Varric’s death weighs on his conscience now more than ever. Possibly members of Rook’s team too if they died on his crusade. But he is vulnerable enough for Morrigan to approach, and now Rook can use Mythal’s essence to make the final push. The only way he could be with Lavellan, the only way he could atone for the past and shed the weight of his armour (his crushing duty to the Elvhenan) is as Wisdom, fully restored, unbound by mistakes.
“Ar lasa mala revas.” He could only find absolution once Mythal (the angered and more brash essence of Mythal, the one unchanged by Flemeth and all the human women’s lives she’s been shaped by, but the closest iteration to that of Mythal in Arlathan, the version that he perceives as having every right to be angry at him for turning his back on her, for not going that last final stretch with her and subsequently, not being by her side when she died) severed the final connection: facing his regrets, showing humility and apologizing, while not taking away the blame but sharing it.
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What is Benevolence without Wisdom if not Hubris?
We know Elgar’nan was twisted to Tyranny during the war, and I saw a post somewhere where someone wondered what led to his corruption, and what he was before (leadership/command). Likewise, Mythal was not above corruption.
So far, I’ve seen a lot of takes on Solas’ ties to Mythal, the power dynamic of being a student/disciple enamoured (could be romantic) with the benevolence of Mythal, but not how Mythal’s purpose was possibly also twisted towards hubris the moment she asked Wisdom to turn physical and build weapons from its knowledge, twisting it to Pride. Without Elgar’nan’s tyranny to rally against after the war with the Titans, Mythal would most likely turn a similar route, seeing her ruling as “necessary” for the people: “If not me then who?”. And that is a very short stop and quick drop to “I am your all-powerful ruler, I liberated you, and only I can guide the way”. Benevolence twisted by hubris can easily turn to Tyranny too, only one more subtle, a kind of cultish indoctrination compared to violent subjugation. If Solas had not turned his back on Mythal when she chose to be Evanuris (a god over her people) then they most likely would have made the worst (best) pair in the Evanuris. Pride is the Seventh Deadliest Sin. But imagine Pride next to Godhood?! That is frightening. So, when Solas burns the vallaslin, walks away and works against the Evanuris, I believe that he also inadvertently stops Mythal from becoming a corrupted version of herself. The sorrow at having lost her closest confidant and “love” grounds her, keeps her saintly in Solas’ mind, and in some ways, perhaps saves the Elvhen empire from a worse fate than him erecting the veil to begin with. But neither of them ever consider this. And I think that sort of self-blindness perfectly encapsulates how flawed both Mythal and Solas are. Now onto love.
Solas and Mythal – a Love too complex to simply classify as mortal ‘Love’.
There’s no doubt Mythal and Solas shared a deep bond, one that definitely had love in it, when we hear Mythal calling him ‘love’, without the possessive ‘my’ in front of it, it’s easy to misconstrue what type of love they share. A small nitpick, but like a thorn, it applies sometimes just enough pressure to change a perspective. Not calling Solas “My love” but instead choosing to simply use “love” works within those wonderful ambiguities/complexities that Weekes thrives in.
If one started out as a spirit, it’s safe to say concepts like familial bonds, romantic bonds, and blood ties mean little to nothing. There is no one type of love and there is every kind of love all at once. It is only once physical bodies are introduced, that physical touch, the ability to stab someone in the back, to kiss out of affection, to hug out of empathy, to strike out of anger, that love now becomes this twisted thing too. There are no spirits of love because spirits always possessed love, but there are demons of Desire (Gluttony) and of Rage (love denied).
I believe, from GDL’s acting skills, his soft whisper, his almost submissive smallness in the breadth of Mythal’s already soft voice, that Solas was in love with Mythal, devoted as a student, beguiled by her benevolence, content even in her shadow, and possibly star-struck. He was in love with someone who doesn’t have the possibility to love him back the same, it is not in her nature to love those beneath her in the same intensity that those who look up to her do. It’s like a priest being in love with God. The priest can devote themselves, sacrifice everything, but a God will always love their flock equally, but they can still play favourites.
Benevolence cannot be enamoured with Wisdom because to be truly benevolent they must possess Wisdom but there is also Pride to be had in walking beside benevolence, but they can never be on equal footing. Likewise, Solas’ love is not reciprocated entirely by Mythal, but she does love him back in her own way. While Mythal is definetly Solas’ first love, layered and complex, it is also strangled by regrets and twisted by uneven scales of power. It would never be a nurturing love, only a consuming kind.
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When he speaks of Mythal during the Solavellan ending, he calls her his “oldest friend”, much like what Mythal says, (paraphrasing) “would you have me be angry at my oldest companion whose experienced so much with me”. Because friendship is perhaps the easiest way to describe their companionship. They went through many iterations, one certainly holding romantic tensions (specifically from younger Solas), but ultimately, with that much time shared, kinship/friendship becomes the easiest to surmise. You can love your friends, fall in love with them, fall out of love with them, only to love them again, be disappointed in them, etc.
Media today is flushed with romance as a linchpin for driving a hero to make dire choices, and that has warped our perception of how a platonic/non-romance-based relationship can be all-consuming, and sometimes more impassioned than strict romance. But, to make it easier for people to understand Solas’ motivations, it's easier to see their love in the light Taash sees it (an unreliable, somewhat “still juvenile” narrator, in that they are still growing into themselves and their culture and the world): “They were doing it”.
However, Bellara, a companion whose entire companion story is linked to her strong, deeply character-driving relationship with her brother (platonic love) refutes that reading by saying (paraphrasing here): “We don’t know if their ‘love’ is the same type of love we tend to think of in a masculine and feminine relationship.”
Felassan’s letter after the Mythal Dragon fight alludes to Solas having been in love with Mythal, but nothing about how she felt. This is why I consider the Solas/Mythal relationship to be more of a one-sided romantic love, but a requited ‘love’ relationship for them both.  
A parallel I find so compelling: Solas and Mythal vs Briala and Celene. Solas and Briala both hold deep emotions for people in great power with the ability to end a tyrannical cycle of subjugation, enslavement and classism, yet for both of these ruler’s charisma and well-meaning intent, they often are swayed to side with tyranny. For Mythal, that was Elgarnan, the Evanuris who made all the other’s worse tyrants; as well as her own hubris for believing her presence alone could dampen the ravenous hunger for power that the rest of the Evanuris held at the small prospect of leading the Elvhen in a time of confusion (being a North Star is hard when all the other lights around you aim to blind the flock into submission). For Celene, this is more about the nuances of retaining favour, pull and power over other noble families, their backing (be it financial, political or simply cut-throat), and their support so she can be the ‘lesser of two evils’ compared to Gaspard’s warmongering personality and Florianne simply being a puppet with no backbone. Both Briala and Solas are turned to pawns despite their immense strength and compassion for their respective elven plights; Briala is rendered a fangless lion (for lack of a better metaphor) if she is reunited with Celene, whereas if she is chosen to puppet Gaspard, there’s every likelihood her story could parallel a ‘power-mad’ Solas if he’d been tethered to Rage (at betrayal) and not Regret (at having not rejected Mythal when she asked him to take a physical body) throughout his tenure as the Dread Wolf.
Solas and Lavellan – a Heart that was never intended to be Given/Taken
Now I will compare the lack of possessives in front of Mythal’s “love” to Solas declaring Lavellan as ‘Vhenan’ and then ‘Ar lath, ma Vhenan’ vs ‘Ar lath ma vhenan'; again, the coma is the thorn, the pause that shapes the quiet unsaid things we can deduce. In the Trespasser cutscene DGL puts the pause after “Ar lath”, even though the subtitles construct the sentence with Vhenan as a proper noun since it’s a nickname often used by Solas: “Ar lath ma, Vhenan”. But I believe Solas actually says “Ar lath, ma Vhenan”.
With “Ar lath, ma Vhenan” the stressor is after the pause, so the line reads: “I love [you], my heart.” And with “Ar lath ma, Vhenan” it makes even less structural sense but can be inferred to mean: “I love you, Heart”.  
The possessiveness of “My” is what definitively differentiates the love Solas feels for Lavellan as one more of the romantic side, it is a love of yearning and desire and a wish to have one last good thing that is pure and incorruptible. The one thing he had left to give. His heart. But that does not mean his heart is enough! The rest of him is still bound to the love of Mythal that was twisted through the ages. That changed him. And given how Pride often comes before a fall, I absolutely understand why Solas is actually very brash and ill-considering when he’s romancing Lavellan (“The kiss was ill-considered”/”It would be kinder in the long run”/”I wanted to show you what you mean to me”). He's on a precarious cliff during Inquisition. His first plan failed. He's allowed ancient elvhen magic to fall into a blighted Tevinter magister's hands. Literally everything the Inquisition did could have been for nought if the Mark had fallen to the wrong person. Things could have easily fallen apart for Solas too, so why not indulge in something trifling and fleeting? Execpt it wasn't trifling. Nor was it fleeting. And when he saw that the fall could potentially not happen, that the Inquisitor could do it, save Thedas and retrieve the orb, he was struck by the gravity of his brashness, of letting impulses control him instead of acting according to a plan. But it was too late. They'd both fallen for each other.
Solas didn’t expect to form entanglements within the Inquisition. He was committed. He was angry at the world, “walking through a sea of tranquil”, called flat-ear by the Dalish that later chased him from their village when he proved he was the Dread Wolf. He was despised by people who looked like him. Spirits were constantly being abused and turned into demons. People erected monuments to heroes who slew demons. Mages were caged. Elves were subjugated. The empire fell. Humans razed the lands with their wars and petty squabbles of succession. The darkspawn tainted the land. The dwarves would never dream. Solas awoke to the worst possible fate; in his eyes, it was all his fault.
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So when he kisses Lavellan in the Fade, impulsively, he isn’t kissing her there because it is less ‘real’ than if they kissed while she was awake, it makes it so much more real. He’s kissing her in the space where he is most himself. Where he can shed the body he was forced to build and trap himself within, the body of Pride. He is acting on the impulses of an enlivened Wisdom spirit that does not consider tomorrow, for the first time in a long time. It isn’t a long game with Lavellan, like so much of his life has been about always thinking to the future, always considering the outcome, machinating, scheming, the wiles and woes of every trickster god in mythology. It’s being in the moment with her that is all-consuming. It lowers his guard, leaves him vulnerable, and when she enquires about the Fade or spirits or histories, he gets to be useful as pure Wisdom again.
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Lavellan challenging him when he first shows animosity or irritation towards the Dalish (a prideful act), and then him being taken aback when she explains that maybe the Dalish could be shown another way (making him consider her words, being given a morsel of wisdom back, reminding him of his old self), these are all small moments where Solas can begin to see springs of hope in the broken world. And that’s terrifying. It means he’s destroying not just himself, but the memory of Mythal and Arlathan too, all for the love of a woman who fell for an apostate.
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The best, most genuine unmasking of Solas for me is during Wicked Hearts, when he’s tipsy on wine, has no inhibitions, and revels in the intrigue, the gossip, the dancing, the music (something we now know is important enough to have an entire music room in the Lighthouse), the sex! He is at his most relaxed, and then he asks Lavellan to dance, not caring about how it would look for the “Inquisitor’s serving man, Solas” to be intimate in a fucking Orlesian palace with the Herald of Andraste, right after stopping an assassination attempt! He finds comfort in the world of Thedas at that moment. Something he rarely shows so outright.
When he takes Lavellan to Crestwood to confess, I believe removing her vallaslin wasn’t entirely just for her, it wasn’t just to free her from slave markings or to simply reveal a form of a truth he wanted to tell her, it was to resolve himself of what his first purpose was supposed to be, what she distracted him from. Removing the vallaslin had been something he’d done for the slaves of Arlathan, it was what earned him the mantle of Dread Wolf. When he removes Lavellan’s vallaslin, he resets.
Thedas cannot allow Wisdom to truly exist without fear of corruption to Pride, Thedas the world he was responsible for shaping, literally the Maker of the Veil, and he falls for a woman Heralded as Andraste’s Chosen One, Mythal’s incarnation in the South. The irony. The cruel, cruel irony. The Inquisition is tied to his past, every Andrastian he meets, every Dalish person with vallaslin on their face, every slave or city elf. Tevinter worshiping the dragons that still have the essences of the Old Gods. His heart alone cannot withstand all of the punishing, gruelling, oppressive weight that is Thedas. Even for Lavellan. So he frames their romance as this tragic, short-lived tale that was beautiful but ultimately destined to end. He expects it to pass for her, she’s mortal after all. But he also leaves his heart with her, literally giving her power over the last uncorrupted part of himself. Think Will Turner and Elizabeth Swann at the end of World’s End, but metaphorically. He gives her his heart to safe keep as he goes on a journey that could corrupt a heart, turn it cold and bitter, destroy it.   
Ar lasa mala revas. You are free.
He frees his heart.
Lets it go.
Twice!
So only once he is relinquished of his regrets, once Mythal does the same for him, only then is there “Nothing left except their love”. Because Lavellan still held his heart there was still something left after. Something beyond despair and regret and loss. He had given his heart to her to safekeep. And she did. Lavellan returns his heart to him when he is freed. What Mythal had to break so Solas could heal right again (like a bone), Lavellan casts a splint around so it can be set and heal properly. This is the difference between Mythal’s love and Lavellan’s. Both Mythal’s love and forgiveness broke him, but Lavellan’s love gives him the strength to Stand Tall one last time.
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Solas, before Pride alone, as Wisdom (perhaps Solas always meant both Standing Tall and Wisdom, for Wisdom can grant one pride to stand tall for what they believe in), finds contentment with the rare and marvellous spirit that endured (his Vhenan). Wisdom endured because of humanity, something benevolence is beyond.
Bellanaris
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When Lavellan offers to go with him, to continue on the dinanshiral that she already considers herself a part of, Solas is legitimately taken aback. His expression is soft yet full of disbelief and awe. He actually stops walking a few frames before Lavellan says this, as if hoping Lavellan would say something to him!
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And then she basically proposes to him! “Bellanaris!” I absolutely adore the fact that Lavellan promises them eternity. A vow as sacred as a death right, as protected as an ancient, elvhen, undisturbed burial ground in the face of Orlesian colonialisation. They endured and now they will have an eternity. For once, we have an elvish tale that is not a curse, it is a love story with reunion at its core, where both elves reclaim something precious that was denied them.
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Lastly, i am absolutely frothing at the mouth that Solas and Lavellan primarily speak in elvish! And even more feral at the fact Solas does not try to talk her out of joining him (because this sweet talker very well could!). He simply tells her where he is going is terrible. And she shuts that shit down immediately. No repeat of Trespasser. She's standing beside him, the South has all but fallen, whatever ties yet survive are strained, and she has fought the good fight for 8 years. I think the Inquisitor was about ready to leave Thedas behind.
The last decisions Solas makes are of his own volition. Entering the Fade for atonement. Stepping into the Fade with Lavellan (It was confirmed by Weekes that Lavellan’s presence in the Fade prison would fundamentally change it in a way we haven’t seen!). Thanking Rook for giving him one last shot at getting happiness. All his own!
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This is the look of a man finally reunited with his wife! So much emotion in ONE frame. God! There’s never been a character like him. A love story like theirs! I’m so happy I got to see this ending. Full circle!
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P.S. If you read this far, woah nelly! That’s crayyzeee, so here are some more great pieces: Why it was important for Lavellan to kneel for Solas as he knelt for her in Trespasser in the Solavellan ending [x], and here’s a great deep-dive on Solas as a spirit of Wisdom [x].
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tpwk-formula1 ¡ 2 months ago
Note
Hi! I would like to make a pizza order with a sicilian crust and res sauce. I would like green peppers, salami, spinach and mozzarella and no dessert. For drinks, I would like a coke and a wine for Max Verstappen and Charles Leclerc please. Thank you
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Lee-Lee's Pizzeria Menu
sicilian crust dating red sauce rough sex green peppers "I'm gonna have that ass glowing red by the time I'm done with you" salami "Such a little cum slut" spinach "Awe I love to know I stretched you out just enough to take all my cock" mozzarella “All you ever do is bitch and complain, just fucking take it” coke spanking wine free use kink dessert no served by Max Verstappen and Charles Leclerc
Max Verstappen x Charles Leclerc x poly! reader
TW spanking, finger fucking, unprotected sex, creampie, blow job, cum swallowing, finger fucking, MDNI 18+
WC 1300+
Y/N POV
"Our hotel 8pm, do not be late" Max whispers in my ear making me nod softly before getting back to work.
As the day goes on I can't help but think about what's gonna happen tonight. This is how it works, when Charles and Max need a third they give me a time and a place and I'm expected to be there, and if I need a release I do the same.
I don't leave the Red Bull hospitality until late due to extra work needing to be done so by the time I'm knocking on the door ten minutes late.
"You're late," Charles said when opening the door.
"I'm aware, it's not my fault," I said while walking into their hotel room before plopping on the couch next to Max.
"I told you to be on time," Max says roughly making me shake my head.
"Tell Horner to not hold me late so you can wet your dick," I snap not enjoying the attitude I'm receiving from both of the men.
My attitude snaps something in Max cause the next thing I know I'm being dragged across his lap and pulling the skirt I'm wear up to expose my pale ass to him.
"I'm gonna have that ass glowing red by the time I'm done with you" Max says before landing a rough slap right on my ass, making me whine at the sting.
"Fuck," I moan when he sends another slap to my ass.
"Don't start being a brat now," Max roughly states before sending another hard slap to my ass making me scream out again.
"Fuck, Max," I groan when his rough hand is rubbing the place he just slapped.
I feel another 3 slaps fly down in quick successions making me jolt forward while screaming out at the quick and harsh pain that is sending pleasure straight to my core.
"No more," I moan out. The pain was far from unbearable but the throb between my thighs is becoming unbearable.
"All you ever do is bitch and complain, just fucking take it” Max says sending another several slaps on my ass making me moan.
When Max has reddened my ass to his liking I feel Charles's hands on my hip pulling me up and turning me around to pull me in for a messy makeout.
He leads us to the bed where he softly pushes me onto the bed before climbing on top of me and grinding his hardening cock into my throbbing core.
"Charlie, please," I whine bucking my hips up trying to get more stimulation.
"Patience," Charles mumbles starting to trail his kisses down my body, starting to pull my shirt up making me sit up slightly so he can pull it off all the way. Once my shirt has been discarded somewhere in the room he makes quick work of unclipping my bra and discarding it too before going back to kissing down my neck where he settles on my tits and pulls my nipple into his mouth and gives it a strong suck before moving to my other nipple.
I feel Max crawl into bed near my face before he's leaning down and pulling me in for another kiss making me whimper into his lips at hot rough he is being.
I feel my skirt and thong be pulled down and thrown to join the rest of my clothes on the floor before he groans making me gasp when his breath hits my pussy.
"She's fucking drench," Charles tells Max making Max smirk against my lips proud of himself.
"Such a good slut, getting drenched from your spanking," Max whispers making me moan when Charles takes a small lick at my clit.
"More," I moan needing Charles to pick up the pace. Charles listens but only slightly. He sped up his actions but was still moving at such a teasing pace making me moan loudly.
"Fuck, feels so good," I mumble against Max's lips.
Charles finally slipped a few fingers into my pussy stretching me out making me scream at the pleasure coursing through me.
"Fuck," I moan when Charles starts finger fucking me and sucking on my clit bringing me to the edge and threatening to fall into a strong orgasm.
"Cum for him," Max mumbles against my lips while pulling one of my nipples between his fingers and giving it a tug, and throwing me over the edge from all of the stimulation coursing through my body.
Charles makes sure to help ride my orgasm out while Max holds me down slightly making sure I can't wiggle away from the pleasure.
Once I start cumming down from my orgasm Charles slows his actions down before slowly pulling away. It doesn't take long for Max to pull me up the bed slightly before flipping me over so I'm on my stomach.
I instantly get on my knees and arch my back. I feel Max shuffle behind me before Charles appears in front of me with his shirt and pants off leaving me to stare at his large cock making my mouth water slightly.
I instantly pull Charles's cock into my hand before I start sucking on the tip making Charles hiss at the pleasure. While I'm slowly jerking Charles's cock I feel the tip of Max's cock start teasing my pussy making me moan around Charles's cock sending vibrations down on him making him moan.
When Max slips into my pussy I pull off CHarles's cock and scream slightly from how full I felt.
Awe I love to know I stretched you out just enough to take all my cock" Max groans when he starts picking up the pace of his thrust making me moan loudly before pulling Charles back into my mouth.
"Fuck, so good," Charles groans pulling my hair into a makeshift pony helping me to bob my head on his cock faster, making me gag around his cock.
I can feel Max's pace start to pick up making me moan that is easily muffled by Charles's large cock.
"Fuck, she's gonna cum again," Max groans to Charles making me clench around him from being talked about like I couldn't hear him.
"Cum for Max," Charles says making me instantly cum all around Max's cock feeling his hips start to buck erratically before feeling him start to cum deep into my pussy.
He continues to fuck me making sure to help us ride our orgasms out. I could tell Charles was close to the edge as well which has me pulling him all the way into my mouth and down my throat making me gag before Charles starts unleashing a large load of his cum down my throat making me start swallowing instantly.
"Such a little cum slut," Charles groans when he slips his cock out, making me whine slightly. I loved having Charles's cock filling my mouth up as much as he loved having his cock shoved down my throat.
I feel Max slowly slip out of my pussy making me gasp at the emptiness before moaning slightly when his cum starts to leak down my pussy and over my sensitive clit.
"God I could watch my cum leak out of this pussy all day," Max groans before swiping his fingers through my folds and pushing two fingers into my pussy making me moan.
"I wanna see you cum again," Max says while starting to finger fuck me.
"Fuck," I moan when I can feel my orgasm approaching far sooner than it should. After having two strong orgasms I get so sensitive it doesn't take much to cum again and Max knew this.
"Come on, cum for me," Max groans speeding up his fingers before bringing his thumb down to tease my clit making me scream out as I start cumming all over Max's fingers.
"Good girl," Max says while riding my orgasm out before slipping his fingers out and offering them to Charles so he can lick them clean.
"Fuck, that's hot," I whisper as I watch Charles twirl his tongue around Max's cum soaked fingers. Charles just groans at the favor before pulling away and placing a wet kiss on my lips making sure I can taste Max and I's cum mixing together.
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iwanthermidnightz ¡ 1 year ago
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When I think back on the Speak Now album, I get a lump in my throat. I have a feeling it will always be that way, because this period of time was so vibrantly aglow with the last light of the setting sun of my childhood. I made this album, completely self-written, between the ages of 18 and 20. I've spoken about how I feel like those ages are the most emotionally turbulent ones in a persons life. Maybe when I say that, I'm really just talking about myself.
I think they might just be the most idealistic, hopeful years too. At this point in my life, I had released my second album, Fearless. It became the breakthrough moment I'd always dreamt of, one that catapulted my career to new realms of success. It had brought with it a tidal wave of pressures and pitfalls and growing pains. All the while, I was encountering the milestones and checkpoints of normal teenage growth. I had cataclysmic crushes and brushes with heartache. I moved out of my parents' house and set my bags down in a new apartment. I hung photos on my own walls and decorated the space where I would sob and cackle and shatter and dream. Sometimes I felt like a grown up, but a lot of the time I just wanted to time travel back to my childhood bed, where my mom would read stories to me until I fell asleep.
In my darker moments, I was tormented by the doubt that swirled loudly around my ascent and my merits as an artist. I was trying to create a follow up to the most awarded country album in history, while staring directly into the face of intense criticism. I had been widely and publicly slammed for my singing voice and was first encountering the infuriating question that is unfortunately still lobbed at me to this day: does she really write her songs? Spoiler alert: I really, really do.
In the years since, I've developed a thicker skin about public criticism and the cynicism with which some people approach the music I make. At that time, it leveled me. I had these voices in my head telling me that I had the perfect chance and I blew it. I hadn’t been good enough. I had given it all I had and been found wanting.
I wanted to get better, to challenge myself, and to build on my skills as a writer, an artist, and a performer. I didn't want to just be handed respect and acceptance in my field. I wanted to earn it. To try and confront these demons, I underwent extensive vocal training and made a decision that would completely define this album: I decided I would write it entirely on my own. I figured, they couldn't give all the credit to my cowriters if there weren't any. But that posed a new challenge: It really had to be good. If it wasn't, I would be proving my critics right.
I had no idea how much this pain would shape me. That this was the beginning of my series of creative choices made by reacting to setbacks with defiance. That my stubbornness in the face of doubters and dissenters would become my coping mechanism through my entire career from that point forward. This exact pattern of enacting my own form of rebellion when I feel broken is exactly why you're reading these very words, and I'm re-releasing this album now.
I went through my first worldwide scandal (the mic grab seen around the world). I experienced the weirdness of trying to get to know a boy while a swarm of paparazzi surrounds the car. Media contacting my publicist for an official statement on why two teenagers broke up. These are weird experiences to have at any age, but even more surreal when you're 19.
I had the nagging sense that in the most intense moments of my life, I had frozen. I had said nothing publicly. I still don't know if it was out of instinct, not wanting to seem impolite, or just overwhelming fear. But I made sure to say it all in these songs. I decided to call the album Speak Now. It was a play on the speak now or forever hold your peace' moment in weddings, but for me it symbolized a chance to respond to the chatter and commentary around my own life.
Some of these emotional revelations were surprising to people. Some expected anger and instead got compassion and empathy with 'Innocent'. Some expected a kiss-off breakup song but instead got a hand-on-heart apology, 'Back to December. It was an album that was the most precious to me because of its vast extremes. It was unfiltered and potent. In my mind, the saddest song I've ever written is 'Last Kiss'. My most scathing is 'Dear John' and my most wistfully romantic is 'Enchanted'.
I'll be forever proud of setting a goal and seeing it through. I'lI always feel shivers all over when I remember singing 'Long Live' to close the show every night on tour. The outstretched hands of those bright and beautiful faces of the fans. Their support was like an open palm that reached out and helped me up off the ground when others were, frankly, mean.
These days I make my choices for those people, the ones who thought I had been good enough all along. I try to speak my mind when I feel strongly, in the moment I feel it. I'm still idealistic and earnest about the music I make, but I'm less crushed when people mock me for it. I know now that one of the bravest things a person can do is create something with unblinking sincerity, to put it all on the line. I still sometimes wish I was a little kid again in a tiny bed, before I ever grew up.
I always looked at this album as my album, and the lump in my throat expands to a quivering voice as I say this. Thanks to you, dear reader, it finally will be.
I consider this music to be, along with your faith in me, the best thing that's ever been mine.
Yours,
Taylor
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kalki-tarot ¡ 1 year ago
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Detailed love tarot reading.
You & your Destined person ♡
@kalki-tarot
Pick a picture you're drawn to the most.
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Masterlist | Pick a pile masterlist
Disclaimer : tarot is not 100% accurate, this reading is just for fun. Tarot does not substitute professional treatment of any kind. I'm not responsible for any decisions you make on behalf of my readings. This may not resonate with everyone. Please be mindful of your own actions and thoughts ♡
Pile 1
Channeled song :
How and when will you meet them?
The universe will conspire for your meeting when you may have turned away from love itself. When you think everything in this world is against you, when you least expect it, you'll meet them by destiny. The reason why you turned your back on love is because you may be heartbroken, you dealt with something painful. Your thoughts would tell you that true love doesn't exist. You'll meet them when you are not even looking for love. This phase will come on it's own. You need not force it.
You can meet them while traveling. Most probably while traveling. This can be love at first sight for both or one of you. This person can also be a foreigner or from a different state/city.
For time frame, you can meet them in some weeks, 10 years or six months.
What is their current energy and what will be their energy when you meet?
444 or 33 can be significant. This person is currently in a very creative energy. They are upto something. They are starting a new shop or business. Whatever new venture they're upto, they'll be happy and content with whatever they make in terms of money from it. They are doing it for their own happiness. They can be interested in stargazing. They can also be a star. Like a famous individual. They are embracing their feminine energy, no matter the gender. They are allowing their emotions to come and flow. They're not becoming a block in the path of their own success. They can also be dating alot. They are doing a partnership currently, in business, work, school etc. They are very caring and loving towards their family. They have a lot of ideas, but they are not pursuing it right now.
By the time of your meeting, their energy will drastically shift. There would be a shocking realization about something. This person would've become very sensitive by the time they meet you. They'll know sides of human nature they didn't knew before. They can be traveling to their home town and you both can meet for the first time in their home town also. You can meet at a family celebration also. Like a wedding, family reunion or a friend's marriage ceremony. I see people around you. The most probable situation I'm getting is that, they travel to their home town in a wedding party and they see you there and fall in love with you. Their energy seems very family oriented.
What are the blocks or obstacles in this meeting? How do you overcome them?
I know people acted wrong with you, people were deceitful with you. But it's time to let divine play their part. You have to release the blocks in your heart chakra. Let love enter your life. Don't stop it from coming into your life.
You can release the past heartbreaks now. Take a deep breathe and release that heavy energy that rests upon your heart. You need to be intune with your intuition. The cycle has ended. Now you have to focus on the present. Know that you are the king/queen. Know that you can do this. Karmic cycles have already ended.
The ideal version of you that you look upto can become your reality if you're confident enough about yourself. Know that and move forward.
What is their personality like?
This person comes from a rich and happy family. They are connected with their family so much. They are quick and impulsive. They do make impulsive decisions sometimes. They like to party and socialize lot. They like meeting with people. Can be an extrovert. They have a great social and personal life balance. They believe in partnerships and collaborations. They are your romantic soulmate. This person is sad because someone left from their family. Or maybe a fight took place with their family members.
What will this relationship feel and turn out like?
Again 444 popped up. It's a very significant number. This relationship would feel very dreamy. You'll go on trips together and experience many things. It'll help you look better within yourselves. You guys would be able to understand yourselves better. It'll come with a lot of wise teachings. Things would calm down after the exhausting period. And you guys would definitely marry each other. This can be a destination wedding. Or you would travel after the wedding to some place for your honeymoon.
What is the divine purpose behind this connection? What will it teach you?
It'll literally teach you how to love yourself. The purpose behind this is to teach to the power of inner strength and compassion. The masculines would learn to get in touch with their feminine and emotional sides. Like to express themselves better and not to be afraid or ashamed of your emotions. It'll teach you how to take a leap of faith and trust in yourself. The feminines would get to know how powerful they are and how important they are. You know, you'll get to know your self worth through this.
Pile 2
Channeled song :
How and when will you meet them?
After a fight, with yourself. You'll meet them after a fight or a betrayal. Someone would lie or cheat on you and you nay go in ther hermit mode for sometime before they come into your life. When you actually realize your self worth pile 2, they'll enter your life. When you'll be in your boss b*tch era or when you'll be powerful and self confident.
When your life will be in your control or hands, things will fall into place and they'll enter your life when you would not even want love anymore.
Time frame would be 11 days or the waxing phase of moon.
What is their current energy? And what will be their energy when you meet them?
This person has also suffered very hard. Sleepless nights and racing thoughts surrounded this person. But now they're very focused and clear about their life. They may work with a lot of women or are surrounded by lots of women in their life. There might be a gossip surrounding this person, like how cold they act with others. Their ex probably cheated on them snd lied to them, with the three and seven of swords, they were very heartbroken and they cut themselves from the world. They appeared very silent and lost in their mind alot. And people are gossiping about how this person's behavior changed after the heartbreak. To be honest, they really loved their ex and had marriage in mind. But things went bad for them.
They have overcome all of this, now they are in a good state but sometimes the past haunts them. They don't want to socialize for a while now, they just wanna focus on their career goals. They are really heartbroken. A karmic cycle has ended for them. They cleared out whatever karma they had in their hands. Now here comes divine intervention at place, divine will help this person move forward. Angels literally guide this person towards you, towards love. They are being shown the positive sides of love, they're being introduced to pure and truthful love. Divine is blessing this person with a romantic union. Wow! They're being shown the path, don't worry they'll reach you when the time is right.
What are the blocks or obstacles in this union? How can you overcome them?
Someone's mental health is literally falling out of place, either your or theirs. Don't let someone manipulate you through kind words. Astrological events can be significant. You need to know where the obsession starts in love and you should be aware of it. Don't repeat the mistakes you made in the past. Learn from mistakes please. Be aware of red flags, addictions and toxic people. It'd be better if these things are cut from your life as early as possible.
Don't be stuck in the past love. That's the advice for you. I know you want love and you'll get it don't worry. Just don't be obsessed with anything. Let things come to you.
What's their personality like?
They are famous, very peopular like i said before, people gossip and talk about them alot! But this person is very isolated and introverted. Kinda contradictory, right? They are very wise and kind. They don't talk unnecessarily. They're an old soul. They can be a teacher or a manifestation coach.
They really feel trapped in their mind. They overthink a lot. They can't see a clear picture due to this. What's really great about them is that they are aware of what they're doing. That's really a curse and a gift. I can relate to that. They know where they lack and they can't do anything about it. They have certain traits which are bad and they know that they are bad but they can't really do anything about it. It's their own personality anyway, how can they change it? I'm sorry if i couldn't explain it better. Being aware of your own faults is really crucial. They also psycho-analyse themselves, i do that too lol. But it can become too self critical which leads to the weird paradox of self hatred and self awareness.
Aside from that, they want a happy family of theirs. Like even a small family would do, but should be a happy one. They want marriage, right now. They're ready to date around and get a girl/guy. They are very romantic, romance flows out from them! They would literally do what you want without you asking for it! They may belong to the education field somehow.
How would this relationship feel like?
Your fear of vulnerability will end with this person. You'll feel safe with them. This relationship would feel like a reward. You may look back to the past but this person would make you forget all of that. You'll feel safe with them. I sense warmth. You may also start a new business after getting married. The wall you've built around yourself would diminish and you'll feel your bond strengthing over time. The feminine would be a very caring and loving person to the masculine. The masculine would be a very romantic and giving person to the feminine. Such a beautiful and healthy relationship!
What is the divine purpose behind this connection? What will it teach you?
This will teach you how to create a balance. You'll learn how to face your shadow side and you'll learn how to end toxic cycles that surrounds you. You'll learn how to overcome your heartbreaks. You'll learn how to be more giving to others & yourself. You'll learn how to love and be in harmony with your person. You'll learn that sadness comes and goes. You'll learn that you're much more powerful that you think you are. You'll learn to be confident with yourself.
Pile 3
Channeled song :
How & when will you meet them?
You will receive a love offer after a cycle ends in your life. You may have a fear of getting rejected in love so you don't allow anyone get closer to you in the first place. But trust me, this person will come into your life when you'll stop fearing love. Don't be scared of it. Take the leap of faith with this person.
Holding onto things is not going to help, you should do justice with yourself. Libra season may be significant in your life. Your creativity will spark before meeting this person, so take it as a sign that you're gonna meet them soon. They'll be very romantic and will sweep you off your feet in the first meeting. When you'll let go of these fears, and move on from heartbreak They'll enter your life without wasting time. You can meet in a social gathering or a party. You can meet them at night or even midnight. For time frame Capricorn season can be the time you meet them. You can trust this person, don't be shy with them.
What is their current energy? What will be their energy when you meet them?
Alright pile 3! This person is currently releasing all the emotional turmoils and pains and blocks. These reason of this pain that they're releasing right now was that people or maybe a past lover took advantage of their empathetic and loving nature for their own means. Now they're improving and maintaining a distance from these kind of people. They're just being nice to people who are close to them. They are setting boundaries. They wanna start new and afresh in love. They're releasing every past energy. This person is becoming kind and gentle with themselves first and for their loved ones only. They're putting up a wall in front of strangers so that no one can take advantage of their kind nature anymore. They're working on themselves and improving their skills. They may be taking new classes or even join new sports practice. They're learning wise things and moving forward in life.
They'll create a significant balance in their life between their emotional and logical self by the time they meet you. They won't get swayed by people anymore when they're about to meet you, but they'll get swayed by you ;) they'll be very abundant or even wealthy and stable when they meet you.
What are the blocks and obstacles in this union? How can you overcome them?
Current advice for you is that you don't have to lose your balance in any tough situations. Don't get swayed by any handsome or beautiful person in the first sight only. Know that people hide so much behind their lovely demeanor. You not should just focus on love, focus on other things in life too, to be in a state of balance and equality. Otherwise i don't see any block.
What is their personality like?
They have a great convincing power. They can get anyone do what they want, not bad things of course. They're strong and energetic. Very enthusiastic energy, they stand up for what they believe in. This person's past was not very good in terms of love. They got cheated by someone whom they truly loved the most. This person is in an energy of walking away from love or his/her romantic side right now. They're heartbroken. As i said before, this person is cold to others but soft to their loved ones only. They have a fiery personality, air and fire signs are prominent. They may still be in a school/college right now. This person wants a powerful match for themselves, they want a man or a woman who is as capable as them. They're very romantic and loving too, very passionate about the people whom they love. It's hard to win their love, but once they let you in, they won't let you out of their minds and hearts.
How would this relationship feel like?
This relationship or union will be divinely guided for a greater purpose. This relationship will help you release toxic cycles and negative thinking. All the obsessions and attachments will be released. It will help you both transform and have a rebirth. So that you can start a new journey in life. This will teach you to take that leap of faith. And will also help y'all to get out of your comfort zone and visit all the places you've never been. A deep and sentimental connection is present here, full with compassion, empathy and divinity. I just love the whole cozy and comfortable vibe of y'all relationship.
What is the divine purpose behind this connection? What will it teach you?
Wow! We have three aces and the powerful queen and king of swords couple right here! The spread tells me about a past life of uou both where you both could were either very poor and separated from each other. In this lifetime, multiple opportunities will be given to you both for wealth, prosperity and abundance. And divine will itself guide you both together with eachother in this lifetime so that you both can finally love and be with eachother. This will teach you balance and harmony. Everything will be right in this lifetime for you both, whatever bad thing takes place, take it as a lesson or your own karma and be happy for yourself.
Please provide insights so I can improve more ♡
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daydreams-after-dark ¡ 10 days ago
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Can we get details of what’s in each of the report for OT8 Jail Series *insert eyebrow wiggle here* especially for Lee Know and Chan and Felix?
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A fun addition to the fic Ot8 Free Use Jail Cell
Yes we can! Here we go, a sneak peek at the Skz ot8's police reports after their encounter with y/n. This was such a fun little extra thing for the series. Enjoy.
OFFICER SEO CHANGBIN TASK: Arresting officer, assess the suspect’s attitude and willingness to comply. KINK: Sex in semi public space, pain kink, stretch kink, abuse of power. NOTES: The suspect initially resisted arrest. Force was required to detain her. However, once handcuffed she was extremely enthusiastic to obey. Her mouth was very skilled and cunt was cooperative, stretching nicely around my girth. She was a delight in the final interaction, her anus snug around my cock. It was a shame to see her be released.
OFFICER KIM SEUNGMIN TASK: Interrogation assisting Detective Minho KINK: BDSM, degradation, stretch kink, sex torture. NOTES: The suspect appeared insolent, requiring restraining her with a collar, ball gag and nipple clamps. Detective Minho and I agreed that she needed to receive a punishment for causing us to both have erections. She accepted the paddling, but she eventually had an orgasm without our permission. Detective Minho and I determined it necessary to fuck all her holes. During the gang bang, I did need to remind her that she is a bad girl, and not on holiday. I believe certain officer's gave her the "princess treatment". I request they be disciplined over this. And although no one believes me, I am certain she can take two cocks up her ass at once. All documentation and reports were provided to the suspect on release.
DETECTIVE LEE MINHO TASK: Interrogation, aftercare KINK: BDSM, degradation, stretch kink. NOTES: During the interrogation, the suspect experienced multiple orgasms. We were successful in inserting multiple sex toys, in which she responded positively. I provided after care and returned her to the holding cell. She appeared to be experiencing a bout of Stockholm Syndrome, requesting I stay and fuck her again. I did not decline (see contract re spontaneous requests). After the suspect’s interaction with Office Yang Jeongin, I took it upon myself to provide the suspect with care to ensure she was fit to continue with questioning. The suspect was cleaned thoroughly, and her clothing returned prior to release. I will be keeping an eye on her to ensure she is arrested and questioned for any criminal activity she becomes involved in.
OFFICER HWANG HYUNJIN TASK: Double penetration with Officer Han KINK: Somnophilia, double pen NOTES: The suspect was asleep upon Officer Han and I  entering her cell. She had been prepared for us by the previous officers with an anal plug inserted and was leaking semen. She responded to the stimulation provided by myself and Officer Han. Nipple play, oral sex was administered. She woke while Officer Han was providing vaginal penetration. The suspect was easily coerced into double penetration, climaxing multiple times. She was displeased when we removed our penises from her to restrain her to the ceiling chains, but settled once we were back inside her. The suspect is the most responsive we have encountered so far, and is definitely a favorite.
OFFICER HAN JISUNG TASK: Double penetration with Officer Hwang Hyunjin. KINK: Somnophilia, Double pen NOTES: How we ended up with the prettiest suspect in the world I will never know! Her pussy is the most perfect I have ever felt. So tight, warm and soaking wet. She was willing, open to experimentation (as seen in the gang bang), enthusiastic. Loves it rough and messy. Eager for more. So insatiable. I did need to use force by slapping her across the cheek. She’s so much like me, huh? Did I say she’s pretty? Her mouth accommodated my cock well, and I would very much like to have her cum (hehe) here again, preferably on my dick. She tastes like a dream too. Seungmin, Chan - please ask her to come back!!! I need to feel her warm, tight cunt again!!!
OFFICER YANG JEONGIN TASK: Showering the suspect, interrogation KINK: Fear play, knife play, blood kink, cnc, piss kink. NOTES: The suspect smelled like dried cum, so I took her to the shower to ensure she was cleaned. She was fearful of my interrogation tactics. When I produced the fake knife she was terrified, and when I pissed on her she appeared humiliated. Following this, I penetrated her with my baton. Her body responded favorably.  The color code Orange was used, and I ceased all activity immediately. After negotiating, the suspect requested I use my real knife for the remainder of our interaction. I left her on the floor of the shower, and sought Detective Minho immediately so he could administer aftercare. During the gang bang, the suspect was again aroused by knife play, particularly using it to provide clitoral stimulation, resulting in an orgasm and squirting.
OFFICER LEE FELIX TASK: Photographing injuries, assisting  in double vaginal penetration, providing refreshments. KINK: Spanking, double vaginal pen, praise. NOTES: The suspect was endearing, cooperative, and receptive. I noted that she enjoys pain, and is aroused by seeing images of herself with injuries. I was concerned that she would not be able to accommodate two penises, however with persuasion and a gentle approach, Chief Chan and I were able to penetrate her successfully. After some time, she required more forceful thrusting to satisfy her needs. I noticed exhibitionist tendencies from the suspect too, particularly when she masturbated in front of all officers, which resulted in her squirting. A lovely person whom I would love to meet again.
CHIEF BANG CHAN
TASK: Double vaginal penetration, spanking KINKS: as above FINAL ASSESSMENT
The suspect required several interrogation and questioning sessions whilst she was detained. My personal interaction with her was to provide spanking with a belt, and to penetrate both her mouth and vagina. She was compliant and cooperative, however required encouragement from time to time. Her vagina and mouth are robust, allowing the officers to take multiple turns of her body. She appeared to drift into a state of complete submission, drunk on cock and fucked dumb. Officer Han administered one slap to her face, as per procedure, so we could re-establish boundaries. Release documentation was provided.
CONCERNS: Detective Lee Minho.  
>>>>
Hope you found that to be fun :-)
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burntoutdaydreamer ¡ 8 months ago
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3 Steps to Improve Your Characters and Make Them Three-Dimensional
So I don’t have a process for creating/developing characters (to me the process is intuitive to the point where I wouldn’t even know how to explain it), but I do have a process for revising characters that just… fall flat, for whatever reason. 
I like to get to know my characters by throwing them into a bunch of different situations and seeing how they react, but sometimes that’s not enough. In these cases I need to go back to the drawing board and figure out how to make them not feel like a cardboard caricature of the role I need them to fill. Here’s the process I use, and it involves three key questions to understand what makes your character tick.
1) What is this character’s fundamental belief- either about the world or themself?
2) Where does this belief come from?
3) How does this belief hinder them, and are they capable of growing past it?
Alright, here’s what the process looks like in action. 
Let’s say I have a character I need to flesh out for my story.
Character A is a middle aged coffee shop owner and the protagonist of her story. The central conflict of the story revolves around trying to save the family run coffee shop she inherited from her father when he passed away, which has recently fallen on hard times.
What is this character's fundamental belief?
Character A believes that the world is an inherently good and fair place. She believes that good is always rewarded and bad is always punished, even if the timing isn't always perfect. As such, she strives to live a virtuous life, putting as much good into the world as she possibly can. While she understands that even good people can face hard times, she believes that in the long term, if things don't work out, it'll be because she didn't put in the work needed to turn things around.
Where does this belief come from?
Character A grew up in a solidly middle class household with good parents that treated her well- rewarding her for good work, and fairly punishing her for misdeeds. Her parents gave her everything she needed, but also expected her to work hard for the things she wanted. She also had the experience of watching her father build a successful business through hard work and by building strong connections with the people in town. If we want to push this further, we could also say that this belief was reaffirmed by watching her brother ruin his own life, squandering all his money and goodwill with those around him on failed get-rich-quick-schemes and outright scams that landed him in jail.
How does this belief hinder them, and are they capable of growing past it?
Let's say that Character A recently hired a barista who seems perfect for the job. Strapped for help, she gets him started right away before getting the results of his background check. When the results come in, she finds out that he is on probation and was recently released from jail for a violent crime. Shocked, she fires him. Believing that people who end up in jail always deserve it, she can't see past her initial prejudices. As a result, her coffee shop suffers from the loss of her new star barista.
Some time goes on, and Character A encounters the barista again, and learns more about the circumstances that landed him in jail (maybe he was falsely convicted, maybe he was battling psychosis, maybe the violent act was done to prevent a loved one- anything that makes her question her initial assumptions). He then confesses that he is struggling to provide for himself and his family because no one will hire him because of his criminal record. Character A comes to realize that her belief isn't completely true, and that the world isn't entirely fair. Though it takes a lot of inner work to do so, including coming to terms with her privilege, she eventually accepts this, and revises her beliefs. She decides that even though the world isn't fair, people have the responsibility to make it fair.
She decides to re-hire the barista she fired. After doing everything she can to make things right with him, she proposes an idea she wants his help with. Together, they transform her family business into a joint coffee shop and community rehabilitation center. In addition to selling coffee, they also launch a program to provide resources to recently incarcerated individuals looking to reenter society. They'll host weekly events on job interview coaching, alcoholics anonymous, motivational speeches, group therapy, opportunities to connect with open-minded employers, and more. Their promotion of this new program enables them to secure funding from local patrons and public grants, and customers are willing to pay for more expensive coffee with the knowledge that that money will be put to good use.
Additionally, if we want to go with the brother in jail backstory, we could have this ending be an opportunity for her to reconnect with him and maybe even repair their relationship as she gets to see him in a new light.
Main Takeaways
And there you have it!
You can use this process on any character- protagonist, antagonist, side character, etc. By grounding your character's motivations and development in their beliefs, you can easily introduce depth and internal conflict while keeping everything connected to the themes and plot driving your story.
Depending on your character's role or your story's plot, the belief can be wide reaching and complex (such as a philosophy or ideology), or specific and personal (such as having to do with their self-esteem). Either way, it should always be tied to their personal experiences or observations. This doesn't necessarily mean a tragic backstory. It could be, but I encourage you not to make this your default way of creating character depth. A mundane but grounded and sincere motivation will always be more compelling than cheap, dark shock factor.
Generally, protagonists with happy endings and villains with successful redemption arcs are capable of moving past their beliefs, while tragic heroes and antagonists aren't, and this failure is usually the source of their downfall. Keep in mind that even if characters do move past their old beliefs, it will always be a difficult thing to do. It will require them to confront their own mistakes, biases, and emotional wounds, and require both internal and external work in order to fix whatever their old beliefs have damaged.
Hopefully this guide will help you approach your characters from a different perspective. Feel free to share any insights.
Happy writing y'all!
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aeth-eris ¡ 29 days ago
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★ shadow work for each rising sign: navigating the transformative transits of 2025-2026 ★
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☆ pluto into aquarius:
first entry: march 23, 2023 (retrograded back into capricorn in 2023)
re-enters aquarius: november 19, 2024
fully settles in aquarius: january 20, 2025
stays in aquarius until 2043, as pluto spends about 20 years in each sign.
☆ uranus into gemini:
first entry: july 7, 2025
retrogrades back into taurus: november 8, 2025
re-enters gemini and stays: april 26, 2026
stays in gemini until 2033, with uranus spending about 7 years in each sign.
☆ neptune into aries:
first entry: march 30, 2025
retrogrades back into pisces: october 22, 2025
re-enters aries and stays: january 26, 2026
stays in aries until 2039, as neptune spends approximately 13-14 years in each sign.
☆ saturn into aries:
first entry: may 24, 2025
retrogrades back into pisces: september 1, 2025
re-enters aries and stays: february 13, 2026
stays in aries until february 15, 2028, as saturn spends about 2.5 years in each sign.
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★ aries rising ★ pluto’s move into aries rising’s 11th house of friendships and goals pushes them to face insecurities around group identity and social roles. shadow work here involves examining where they may have masked self-doubt with a bold presence, fearing they might fade into the background. they may discover a tendency to lead or assert control as a way to feel valued. meanwhile, neptune and saturn in the 1st house challenge them to question if their confident self-image hides deeper vulnerabilities, asking if they’ve built a facade to protect against rejection. addressing these dynamics will allow aries rising to embrace authenticity in both social groups and personal identity, finding strength in their true self instead of external validation. ☆ prompts: “where do i feel the need to ‘prove’ myself to others? how do i feel about the idea of taking a less prominent role in group settings? am i masking insecurity with confidence, and if so, where can i soften and allow my true self to be seen?”
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★ taurus rising ★ pluto’s transit through taurus rising’s 10th house of career asks them to address attachments to public success and stability. shadow work involves exploring fears of failure, especially if they’ve tied self-worth to professional achievements or status. with uranus moving through the 2nd house of values and finances, taurus rising is also called to question if material wealth has become a substitute for inner security. they may uncover scarcity mindsets or a hidden fear of instability. by confronting these shadows, taurus rising can redefine their sense of success and security, focusing on inner values over external rewards and building a career path aligned with their true needs. ☆ prompts: “how does my career affect my sense of worth? where am i relying on material wealth for a sense of security? what do i fear losing if my career or financial situation changes? what would true inner security feel like for me?”
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★ gemini rising ★ as pluto transforms gemini rising’s 9th house of beliefs, they’re called to re-evaluate core philosophies that may have limited their growth. shadow work involves confronting any fear of uncertainty or “not knowing” that could lead them to cling to rigid beliefs. uranus in the 1st house encourages self-reinvention, but they may hesitate to break free from familiar identities, fearing they’ll lose themselves. they’re invited to examine any habits of hiding emotions behind wit or intellect. by releasing these fears, gemini rising can embrace a fluid, open-minded approach to life that honors both their curiosity and evolving identity, allowing them to connect authentically with others. ☆ prompts: “what beliefs or ideas do i feel resistant to let go of? where do i avoid vulnerability by intellectualizing or using humor? who am i without my established ideas and perspectives? how would embracing change deepen my self-expression?”
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★ cancer rising ★ pluto in cancer rising’s 8th house of intimacy and transformation encourages them to confront fears around vulnerability and dependence on others. shadow work involves addressing any control issues in relationships that may stem from fears of betrayal or emotional pain. with neptune and saturn in the 10th house, cancer rising is also asked to question whether their career choices reflect their true self or if they’ve sought “safe” paths to avoid risk. they may find they’ve neglected personal fulfillment for security. by embracing openness in relationships and honesty in career pursuits, cancer rising can create a life that aligns with their authentic self, balancing vulnerability with resilience. ☆ prompts: “how do i respond when i feel vulnerable in relationships? what control tendencies do i rely on to avoid emotional risk? am i compromising personal fulfillment for security in my career? what would true openness look like in both my relationships and career?”
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★ leo rising ★ with pluto in leo rising’s 7th house of relationships, they’re invited to explore where their self-worth is intertwined with external approval. shadow work involves examining any patterns of people-pleasing or overcompromising due to hidden fears of rejection. uranus in the 11th house prompts them to shift their social dynamics and find fulfillment beyond admiration. neptune and saturn in the 9th house further challenge leo rising to question long-held beliefs that may have propped up their public image rather than supported authentic growth. by working through these dynamics, leo rising can develop relationships based on mutual respect and self-confidence, finding satisfaction beyond external validation. ☆ prompts: “where am i seeking approval in relationships and social circles? what beliefs about myself might i have formed around admiration or validation? what would it feel like to create connections based purely on mutual respect and authenticity? how can i affirm my self-worth without external reinforcement?”
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★ virgo rising ★ pluto’s influence in virgo rising’s 6th house of work and health calls them to confront perfectionism and productivity-based self-worth. shadow work here involves examining any beliefs that their value is tied to their usefulness, revealing a fear of inadequacy. with uranus transiting the 10th house, they’re encouraged to redefine career goals and embrace innovative paths, shedding rigid ideals of success. they may uncover where they’ve sacrificed personal joy for others’ approval. by releasing control over outcomes, virgo rising can foster a healthier relationship with work, recognizing that self-worth isn’t defined by accomplishment, and embracing balance over perfection. ☆ prompts: “in what areas of my life do i feel driven by the need to be ‘perfect’? how does being useful contribute to my sense of worth? what would embracing imperfection allow me to experience in my daily life? where am i putting others’ needs before my own joy, and how can i shift this?”
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★ libra rising ★ pluto’s energy in libra rising’s 5th house of creativity and romance brings up insecurities around self-expression, inviting them to confront fears of rejection or failure in love and creativity. shadow work involves exploring where they’ve stifled individuality to gain admiration. with neptune and saturn transiting the 7th house of relationships, libra rising is also asked to address dependency patterns, particularly where they’ve put their own needs aside to maintain peace. they’ll need to confront any fear of being alone, understanding that harmony begins with self-acceptance. through this process, libra rising can cultivate self-worth, finding freedom to express their true self in love and creativity. ☆ prompts: “where have i held back my true self in creative or romantic expressions? what am i afraid others will see if i show my full self? how do i compromise my needs to keep the peace, and what would happen if i didn’t? how can i practice self-acceptance in relationships, so my needs are honored?”
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★ scorpio rising ★ with pluto in scorpio rising’s 4th house of home and family, they’re prompted to confront emotional security and past patterns that may limit intimacy. shadow work involves addressing fears of vulnerability and abandonment, particularly where family dynamics may have shaped emotional defense mechanisms. with uranus in the 8th house of intimacy, they’ll feel challenged to release control issues that limit trust, uncovering fears of betrayal. this period encourages scorpio rising to establish security within, understanding that true strength comes from embracing emotions fully. by confronting these fears, they can build a foundation rooted in openness and trust, fostering deeper connections and self-acceptance. ☆ prompts: “what fears come up when i consider being vulnerable with those close to me? how have family dynamics influenced my current relationships? where do i exert control in intimate situations out of fear of betrayal? what would building security within myself, rather than relying on external stability, look like?”
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★ sagittarius rising ★ sagittarius rising’s 3rd house of communication is transformed by pluto, pushing them to address insecurities around self-expression and social dynamics. shadow work here involves examining fears of judgment or appearing vulnerable, which may lead to overconfidence or projecting a confident facade. with neptune and saturn in the 5th house, they’re also encouraged to explore where they’ve avoided commitment or depth in relationships, fearing vulnerability. they may realize escapist habits have kept them from genuine connections. by embracing authenticity and communicating openly, sagittarius rising can cultivate deeper bonds, finding self-worth beyond surface interactions and discovering the joy of meaningful connections. ☆ prompts: “where do i hold back in conversations to avoid vulnerability? how do i use confidence as a shield against deeper connection? what would it look like to truly engage in depth with those i care about? where have i avoided commitment in relationships, and how has this limited my sense of connection?”
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★ capricorn rising ★ pluto’s shift into capricorn rising’s 2nd house of values and finances invites them to confront deep-seated fears around scarcity and self-worth, especially where they’ve linked value to financial stability. shadow work involves addressing attachments to success and control, particularly if they equate worth with income or status. uranus’s influence in the 6th house challenges them to release rigid routines and embrace a more balanced approach to work. by confronting fears that tie self-worth to external achievements, capricorn rising can embrace a sense of value that transcends professional image, fostering a life that prioritizes both accomplishment and inner peace. ☆ prompts: “where have i connected my self-worth to my financial or career success? what beliefs do i hold about success and control, and how have they shaped my life choices? how would my daily life change if i released my need for financial validation? what does a balanced approach to work and self-care look like for me?”
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★ aquarius rising ★ with pluto in aquarius rising’s 1st house, they face intense transformation of self-identity, urging them to confront fears around authenticity. shadow work involves addressing any fear of rejection or being “too different,” particularly where they’ve suppressed their individuality to fit in. with uranus in their 5th house, they’re encouraged to embrace creative and romantic vulnerability, examining where detachment may have limited expression. by releasing the need for external validation, aquarius rising can redefine self on their own terms, embracing uniqueness and developing deeper, more honest connections. ☆ prompts: “where do i feel the need to conform to be accepted? what parts of myself do i hold back in creative or romantic settings? how would it feel to let my unique qualities shine without fear of judgment? where am i relying on external validation for a sense of belonging?”
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★ pisces rising ★ pluto’s move into pisces rising’s 12th house of the subconscious triggers a period of deep introspection, highlighting hidden fears and self-sabotaging tendencies. shadow work here involves facing unresolved pain or traumas that may have led to escapism or martyrdom. neptune and saturn in the 2nd house of values prompt them to re-evaluate self-worth, particularly where they’ve linked it to spiritual ideals or self-sacrifice. by addressing these patterns, pisces rising can establish a healthier foundation for self-worth, discovering inner strength and grounding their spirituality in reality. ☆ prompts: “what fears or past pain am i avoiding by disconnecting from reality? where do i overextend myself, sacrificing my needs for others? how have i equated worth with self-sacrifice, and how can i separate these? what would grounded self-worth look like in my daily life?”
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kaunaz ¡ 1 year ago
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hey. so. i need the Ultrakill community to understand something, in case Hakita doesn't say anything about it.
Unity, the company, has decided to begin charging developers that made games with their software, once they meet a certain threshold. if a game earns $200,000 within 12 months, and 200,000 installs of said game happen total, the devs will be billed a flat rate of 20 cents per install. RETROACTIVELY. which is already a major blow to everyone who's ever found success with Unity (hint: Ultrakill is made in Unity).
to make this worse, the company is not planning to use tracking software to figure out how many installs have happened, like we THOUGHT they might, and aren't doing a good job of clarifying what an "install" even means. instead, they have stated that they'll be using a "proprietary data model" to determine this number per game. translation: they're making up numbers with AI. they don't even care. it's basically robbery and we're pretty sure this is mad illegal.
these changes are being finalized by January 1st of 2024.
game developers have the following options:
1) pay the bullshit fee.
2) port their entire game into another engine and re-release it in said engine.
3) cancel their Unity subscription and remove their game from all stores.
i don't know what this means for Ultrakill. maybe Hakita can pay the fee. maybe he'll try to port into Godot or Unreal. or maybe he will just decide it's not worth it to keep going. i don't know. i don't know what sort of person he is.
no matter what happens, PLEASE try to enjoy the game while you can. if development continues, expect delays. lots of them. above all, DO NOT GET ANGRY AT HAKITA IF THE GAME NEEDS TO BE DELAYED OR SHUT DOWN. THE BLAME FOR ANY PROBLEMS GOING FORWARD LIES SOLELY ON UNITY'S CORPORATE GREED.
Hakita, if you're reading this, please just do whatever you think is best. it's your game, your life. we enjoyed everything you've done so far, and for me, that's good enough.
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doyoulikethissong-poll ¡ 9 months ago
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Eiffel 65 - Blue (Da Ba Dee) 1998
"Blue (Da Ba Dee)" is a song by Italian music group Eiffel 65. It was first released in October 1998 in Italy and became internationally successful the following year. It is the lead single of the group's 1999 debut album, Europop.
The song initially found success in France, where it debuted in August 1999 and reached number one for three weeks. It then found success in other European countries, reaching the top spot on many charts in September the same year. It became one of the biggest-selling songs of 1999, reaching number one in at least 18 countries, charting at number three in Italy, and peaking at number six on the US Billboard Hot 100 in January 2000. It reached number one in Australia, New Zealand and Canada. In the UK, the song initially entered the top 40 purely on import sales; it was only the third single to do this. The song re-charted on 6 May 2013 at number 40 in the UK, following its inclusion in Iron Man 3.
The song received a Grammy Award nomination for Best Dance Recording at the 2001 Grammy Awards. "Blue (Da Ba Dee)" has also been heavily sampled and remixed in later years.
The accompanying music video for the song was released in 1999 by BlissCoMedia, a computer graphics division of Bliss Corporation, and featured computer-generated graphics that were done in 3ds Max. With very few resources, tutorials and books, and only one editing machine, the video was made between 1998 and 1999 in a garage in about two to three months.
"Blue (Da Ba Dee)" received a total of 75,2% yes votes!
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edwinspaynes ¡ 2 months ago
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Re: The DBDA fandom is dying (inspired by @crafteeauthor)
Can't speak for other creators but:
Am I uploading fewer fics than I used to? Yes! But what you don't see is that I'm writing a 100k word longfic in most of my writing time. This is true of many writers in the fandom, too! We all are devastated by cancelation and are working on long projects to get justice for our faves.
But for my shorter oneshots, fine. I have been getting fewer hits on my DBDA fanfic lately but the hits-to-kudos ratio is genuinely insane. Like, for every 2-3 hits I'm getting a kudo. I'm getting a veritable smorgasbord of comments at that.
(Also the hits are far from bad like I get 500 regularly still. They're just, like, not like the 2k-3k I'd get in the beginning.)
Plus, the fan events on here like @dbdpromptober (the one I've been doing) are immense successes!
Sure, some more casual fans are dropping off, but the fans who engage are staying. The fans who CREATE are staying, based on the sheer volume of wonderful fanworks (art, fics, etc) we're getting daily.
This is very obviously becoming a creative community that is here for the long haul. Which is wonderful, a rare and beautiful thing.
Also! The magnitude of people who are still discovering the show is awesome. Every day, I'm seeing new people in the tags going "just watched Dead Boy Detectives and learned it was CANCELED!?!?"
Like, the community is growing! Please!!
As someone whose other main fandom genuinely did die out after the last book was released, this is not what the death of a fandom looks like at all.
So don't worry! We're clearly in a Fireflyesque situation, and as Charles once said, we're not going anywhere.
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