#Trisha Baga

[theories-of]

Trisha Baga, Swanky Car 2022 Oil on canvas 36 x 28 x 2 cm

[abwwia]

Trisha Baga (USA, b.1985)

Untitled, 2017

Acrylic on lenticular print

18 1/2 x 26 1/2 in. (47 x 67.3 cm)

Trisha Baga is an American artist living and working in New York City. Her work is installation based and incorporates video, performance, and found objects. via Wikipedia

#artbywomen #palianshow #womensart #artherstory #trishabaga #postcontemporary

[cosmicanger]

TRISHA BAGA

2:05, 2022

Glazed ceramic

12.6" x 12.6" x 2.09" (32 cm x 32 cm x 5.3 cm)

[charlesbryan]

Trisha Baga at Société

http://dlvr.it/T9Mkwc

[divinars]

4D- Reading Respone #3

Projection: Vanishing and Becoming by Sean Cubitt

In this reading, the author Cubitt describes the dynamics of projection and how it functions not just technological or visually but as something that shapes our understanding of reality, culture, and perception of the world. Through cinema, media, and animation, projection is seen. It conveys our thoughts, our subconscious out to the world for others to see and understand. The author also uses multiple definitions for projection and how our perception changes from meaning to meaning. For example in a physiological sense projection allows emotions to be pushed onto others. Or in a metaphorical way of how we project a meaning onto humanity and society. Then in a more physical definition, how light is projected onto things to create images. Cubitt explains that it's these ways that influence our understanding of space, time, existence, and our relationship with the world around us.

AdvanceHE Fellow, Slade School of Fine Art by By Lea Collet

In this reading it talks about the more technical aspects of video art, specifically focusing on video as an artistic medium and explains various techniques used by multiple artists. For example Trisha a Baga’s installations often include a film comprised of montaged and collaged found footage and photographs, layered in such a way that some images obscure others; the films are projected directly onto a wall, over personal items and detritus from her studio—like toiletries, electronics, and boxes—such that they cast shadows onto the projection. The artists the text shows are works that have shaped the trajectory of video art, offering readers a rich understanding of its development within the broader art landscape. It explores how artists use video as a means of creative expression, experimentation, and communication to create impactful visual narratives. Additionally, the book analyzes the conceptual underpinnings of video art, delving into themes, storytelling techniques, and the unique ways in which this medium engages with time, space, and audience interaction.

Examples I found on the internet:

Selfportrait / Video Art

Memorias | Videoarte

Art Must Be Beautiful, Artist Must Be Beautiful

Shapes and Colors - video installation

DEADLINE - Video Art

[helloitsalexsworld]

Reading and Response # 3

The long and complex history of video art has been debated, along with theatrical and cinematic photography, Video Art involves the use of video and sound to record. Most video artists utilize moving pictures as a cheap and more accessible way of recording. A few artist like Bruce Nauman use body movement as means for exploration in performative art, utilizing the camera to capture the makings of themselves the performance.

Now in this day and age video is now a genre rather than a traditional movement than theatrical cinema. Some artists even use the visual images form multi-disciplinary uses that mimic traditional art forms, such as collaging photo frames together to create a new scene. The artist most known for this style of work is Trisha Baga who uses, photography, music, painting and sculpture to create film montages and collages.

[mentaltimetraveller]

Trisha Baga

Gravity, 2013, Peep-Hole, Milan, installation view

at Vilma Gold

[psikonauti]

Trisha Baga (American, b. 1985)

Untitled, 2017

Acrylic on lenticular print

[collezionedicose]

Trisha Baga, RuPaul: Calcified Encasing for Virtual Assistant, 2018

Glazed ceramics, Amazon Alexa device

[contemporaryartdaily]

"Hysterical Mining" at Kunsthalle Wien

[slcvisualresources]

Trisha Baga

Untitled, 2017

Acrylic on lenticular print

18 1/2 x 26 1/2 in. (47 x 67.3 cm)

Courtesy of the artist and Greene Naftali Gallery

[theories-of]

Trisha Baga, Orange monkey 2022 Oil on canvas 36 x 46 x 2 cm

[chez-mimich]

TRISHA BAGA: “THE EYE, THE EYE AND THE EAR”

Tutto o quasi, quello che si fa in questi mesi, lo si fa dopo una lunga pausa. E’ stato molto suggestivo vedere e ascoltare le realizzazioni di Trisha Baga in “The eye, the eye and the ear” (fino al gennaio 2021) all’Hangar Pirelli Bicocca dopo il lockdown, quasi che questo tempo sospeso, abbia aggiunto un surplus di fascino a creazioni che ne hanno già molto di loro a cominciare da “Orlando” che apre la mostra. Cos’è Orlando? Si tratta di un testo del naturalista e scienziato William Beebe, “Half Mile Down” del 1934, saggio di oceanografia sulla forma di vita acquatica, dove alla parola “book” (libro), viene sostituita quella di “man” (uomo), mentre “it” (esso) diviene “her” (lei), generando uno scambio di identità tra  entità e oggetti viventi che poi è uno dei fili conduttori dell’intera esposizione. Opera di concezione prettamente concettuale che viene riprodotta al contrario, come in uno specchio, al termine del percorso espositivo. Subito dopo l’ingresso  nello “shad” dell’Hangar ci imbattiamo in “Hipotethetical Artifacts” (2015-2020), una serie di ceramiche che sembrano provenire da un surreale scavo archeologico e che vedono accostati barboncini fossilizzati da una colata di ceramica multicolore, ad altri oggetti tecnologici, anch’essi in ceramica colorata passati attraverso un flusso temporale indefinito e poi riemersi da esso. Insieme agli oggetti ceramici la mostra presenta cinque installazioni video. Se le ceramiche neo-archeologiche riproducono oggetti tecnologici della nostra  civiltà come fax, macchine fotografiche, microscopi, reperti di una “modernità” invecchiata troppo rapidamente, più complesso �� il discorso sui video. Qui l’artista americana diventa parte di un complesso gioco di immagini divenendo essa stessa protagonista di video installazioni dal sapore vagamente pop,  attingendo a piene mani, idee ed ispirazione da artiste quali Joan Jonas ed altri video performers. Di grande efficacia  è, a questo proposito, “Studio Photos” (2012), girato nello studio dell’artista con fasci di luce in movimento che si soffermano, oltre che sul suo cane, anche su oggetti ritenuti significativi sparsi per la stanza; detriti culturali, oggetti che dànno senso al reale o che lo deprivano di esso.(continua)

[cosmicanger]

TRISHA BAGA

SLEEP MODE, 2022

Oil on canvas

50" x 73.94" x 2.56" (127 cm x 187.8 cm x 6.5 cm)

[whitneymuseum]

Closing Sunday! Dreamlands explores a century of artists pushing the boundaries of cinema with work by Alex Da Corte and Jayson Musson, Hito Steyerl, and Bruce Conner, among others. 

[356mission]

Trisha Baga's exhibition "Biologue" (on view through March 19th) eatures a multitude of lenticular print paintings. Pictured here is "Beautiful Lunchtime", acrylic on lenticular print 12" x 15.5" 🐅 (at 356 S. Mission Rd)