#Hito Steyerl

[glitchphotography]

"How To Be Anon" (Deluxe Paint IV + Frames from Hito Steyerl's "How Not to Be Seen: A Fucking Didactic Educational .MOV File)

[389]

Factory of the Sun Hito Steyerl, 2015

[301-302]

How Not to Be Seen: A Fucking Didactic Educational .MOV File (Hito Steyerl | 2013)

[the-internet-is-underwater]

library find #1 : Art in the age of the internet ; 1989 to today featured art + Artists: Hito Steyerl ; Liquidity Ink, 2014 Amalia Ulman : Excellences & Perfections, 2015 Camille Henrot : Grosse Fatigue, 2013

[kenyatta]

It’s operating with this myth that it’s participatory. I can just log into ChatGPT and feel like I have agency in this technological moment. But one wonders how futile this will quickly become when they close the doors again, and it becomes obviously hegemonic, and content is just being dictated to us. I know you’ve spoken about this in other instances, about the idea of a shifting public in the face of these emergent machines. 

The public is being captured. Again, it was already captured in Web 2.0 within these app silos, on social media. And web3, which is now being realized through all these machine learning applications, will basically create different silos, which are more software based. So you won’t be able to get any edition of the Adobe suite, let’s say, without integrated machine learning services that you have to pay extra rent for. Basically, you will be forced to subscribe to a lot of different services, which you actually really don’t need, but you have to pay for—I think that’s the business model more or less.

It’s operating with this myth that it’s participatory. I can just log into ChatGPT and feel like I have agency in this technological moment. But one wonders how futile this will quickly become when they close the doors again, and it becomes obviously hegemonic, and content is just being dictated to us. I know you’ve spoken about this in other instances, about the idea of a shifting public in the face of these emergent machines. 

The public is being captured. Again, it was already captured in Web 2.0 within these app silos, on social media. And web3, which is now being realized through all these machine learning applications, will basically create different silos, which are more software based. So you won’t be able to get any edition of the Adobe suite, let’s say, without integrated machine learning services that you have to pay extra rent for. Basically, you will be forced to subscribe to a lot of different services, which you actually really don’t need, but you have to pay for—I think that’s the business model more or less.

Hito Steyerl on Why NFTs and A.I. Image Generators Are Really Just ‘Onboarding Tools’ for Tech Conglomerates

[succult]

(via https://vimeo.com/145844147?ref=tu-v-share)

[spaceintruderdetector]

https://archive.org/details/HitoSteyerlTooMuchWorld/mode/2up

So what does it mean if the Internet has moved offline? It crossed the screen, multiplied displays, transcended networks and cables to be at once inert and inevitable. One could imagine shutting down all online access or user activity. We might be unplugged, but this doesn't mean we're off the hook. The Internet persists offline as a mode of life, surveillance, production and organisation - a form of intense voyeurism coupled with maximum nontransparency. Imagine an Internet of things all senselessly "liking" each other, reinforcing the rule of a few quasi-monopolies. A world of privatised knowledge patrolled and defended by rating agencies. Of maximum control coupled with intense conformism, where intelligent cars do grocery shopping until a Hellfire missile comes crashing down. Police come knocking on your door for a download - to arrest you after "identifying" you on YouTube or CCTV. They threaten to jail you for spreading publicly funded knowledge? Or maybe beg you to knock down Twitter to stop an insurgency? Shake their hands and invite them in. They are today's Internet in 4D. The all-out Internet condition is not an interface but an environment. Older media as well as imaged people, imaged structures and image objects are embedded into networked matter. Networked space is itself a medium, or whatever one might call a medium's promiscuous.

[anarchist-caravan]

Hito Steyerl - In Free Fall: A Thought Experiment On Vertical Perspective

[of-chitin-wrought-peering]

[pieceoplastic]

Experimentations with matter, materiality and their exact opposites – We Make Money Not Art

[glitchphotography]

Just gonna say it, but the lack of Hito Steyerl fan fic on Tumblr is very disappointing. Like she was out there teaching everyone "How not to be seen" and no one is out here calling her "mother" for that. Sad

[marcogiovenale]

"porcili": mostra e film di pier paolo pasolini, a berlino da settembre @ neue berliner kunstverein (n.b.k.)

https://www.nbk.org/de/ausstellungen/pier-paolo-pasolini * https://www.nbk.org/de/diskurs/filmprogramm-pasolini _

[gammm-org]

strike / hito steyerl. 2010

[art410csuf]

Post-internet artist Hito Steyerl on refusing honours, buying her work back – and fighting big tech