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totalenvironmentinbangalore · 1 year ago

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Top 10 Villa Projects in Bangalore – Floor Plan, Amenities, and Prices

Introduction

Bangalore, the vibrant and dynamic city of India, offers a plethora of luxurious villa projects that epitomize opulent living. With stunning architectural designs, world-class amenities, and serene surroundings, these villa projects have captured the attention of discerning homebuyers. In this comprehensive blog, we will explore the top 10 villa projects in Bangalore, delving into their floor plans, amenities, and prices. Whether you seek a peaceful retreat or a lavish abode, this guide will help you discover the perfect villa project that matches your lifestyle and preferences.

1. Total Environment Windmills of Your Mind

Nestled in Whitefield, Total Environment Windmills of Your Mind offers luxurious villas designed to inspire harmony with nature. The villas boast unique circular architecture, offering a seamless blend of indoor and outdoor living spaces. With 4 to 5 bedrooms and prices starting from INR 4.5 crores, this project appeals to those seeking a unique and environmentally conscious lifestyle.

2. Sobha Lifestyle Legacy

Situated in Devanahalli, Sobha Lifestyle Legacy presents lavish villas amidst lush green landscapes. The villas feature 4 to 5 bedrooms and come with modern amenities like a mini-theatre, gymnasium, and children's play area. With prices starting from INR 3.5 crores, Sobha Lifestyle Legacy offers an upscale living experience in a tranquil environment.

3. Prestige White Meadows

Located in Whitefield, Prestige White Meadows offers luxurious villas in a picturesque setting. With spacious floor plans ranging from 5 to 6 bedrooms, these villas boast top-notch amenities, including private pools, landscaped gardens, and a fully equipped clubhouse. Prices for these opulent villas start from INR 5 crores, catering to the affluent homebuyers seeking a serene and sophisticated lifestyle.

4. Adarsh Palm Meadows

Adarsh Palm Meadows, located in Bellandur, features exquisitely designed villas set amidst lush greenery. With 4 to 6 bedrooms, these villas offer world-class amenities, including a golf course, tennis courts, and an exclusive spa. Prices for these luxury abodes start from INR 6 crores, making it a preferred choice for those seeking a lavish and active lifestyle.

5. Brigade Orchards

Situated in Devanahalli, Brigade Orchards presents opulent villas with 3 to 4 bedrooms, offering breathtaking views of the Nandi Hills. The project boasts a 130-acre sports arena, a multi-specialty hospital, and an international school. With prices starting from INR 2.5 crores, Brigade Orchards provides a perfect blend of luxury and convenience for homebuyers.

6. Ozone Urbana Prime

Ozone Urbana Prime, located in Devanahalli, offers lavish 4-bedroom villas set in a serene and beautifully landscaped environment. The project includes top-notch amenities like an amphitheatre, swimming pool, and a state-of-the-art clubhouse. Prices for these luxurious villas start from INR 1.5 crores, making it an attractive choice for those seeking a blend of luxury and affordability.

7. Godrej Gold County

Godrej Gold County, situated in Tumkur Road, presents spacious 4 to 5 bedroom villas surrounded by landscaped gardens and water bodies. The project offers a host of amenities, including a fully equipped gymnasium, swimming pool, and sports facilities. With prices starting from INR 2.5 crores, Godrej Gold County provides an upscale living experience in a serene and scenic setting.

8. Century Ethos

Located in Jakkur, Century Ethos offers luxurious 4-bedroom villas set amidst verdant landscapes. The project boasts state-of-the-art amenities like a rooftop infinity pool, private elevator, and a fully equipped gymnasium. Prices for these exquisite villas start from INR 3.5 crores, catering to those seeking a lavish and contemporary living experience.

9. Embassy Boulevard

Embassy Boulevard, situated in Yelahanka, presents exclusive 4 to 5 bedroom villas designed by renowned architects. The project offers world-class amenities, including a private helipad, an 8-acre clubhouse, and an international standard tennis court. With prices starting from INR 5 crores, Embassy Boulevard offers an unparalleled living experience for the discerning homebuyers.

10. Nambiar Bellezea

Nambiar Bellezea, located in Sarjapur, offers luxurious villas with 4 to 5 bedrooms, surrounded by lush green landscapes. The project features amenities like a private swimming pool, a wellness center, and a meditation pavilion. With prices starting from INR 2.5 crores, Nambiar Bellezea provides an upscale living experience in a peaceful and idyllic setting.

Conclusion

Bangalore's luxury villa projects redefine opulent living with their exquisite designs, top-notch amenities, and serene surroundings. Whether you seek a peaceful retreat or a lavish abode, these projects cater to diverse preferences and lifestyles. From Prestige White Meadows to Nambiar Bellezea, each project offers a unique and upscale living experience for the discerning homebuyer. As Bangalore continues to thrive as a real estate hub, these top 10 villa projects stand out as exemplars of luxury living in the dynamic city.

Content source: Total Environment Projects

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totalenvironment · 2 years ago

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Pursuit of a Radical Rhapsody by Total Environment in Whitefield, Bangalore

Pursuit of a Radical Rhapsody

Total Environment is an established builder group that aims to provide premium luxurious living spaces and has built around 28 residential projects in Bangalore. These properties are located in the most desirable locations and offer world-class amenities. The company has also launched eBuild, an online tool to customize and design your home.

Luxury Villa Homes in Whitefield

Whether you are looking for a new home or an investment opportunity, Whitefield is one of the most sought-after areas in Bangalore. This growing suburb offers a range of modern lifestyle options and is close to key landmarks like Forum Mall, Manipal Hospital, and Sheraton Hotel.

The apartments at Total Environment Pursuit of a Radical Rhapsody are expertly designed to embrace the natural landscape and feature warm earthy materials throughout. The community is also planned for a healthy microclimate to ensure a comfortable living environment year-round.

Pursuit of a Radical Rhapsody is a unique property by Total Environment Bangalore that is situated on the edge of a small lake in Whitefield, India's IT hub. The development is a sensitively designed community with spacious earth-sheltered duplex homes and compact simplex apartments.

Location

The community is a short walk from Forum Mall, and within a 2-kilometer radius are Barbeque Nation & Grill, Inorbit Mall, and Forum Shantiniketan Mall. This vibrant neighborhood is also known for its firmly developed social infrastructure and high-quality schools.

About Total Environment

Total Environment is an established builder and developer that focuses on creating magnificent structures and lifestyles that are sustainable and green. It has a wide range of residential projects to choose from including Pursuit of a Radical Rhapsody, In That Quiet Earth Total Environment, Windmills of your Mind, and After the Rain.

Get the best deal on your real estate purchase by viewing and downloading this official brochure! The brochure contains important details about the society and its amenities, payment plans, and much more.

Buying an apartment or a villa at Total Environment Pursuit of a Radical is simple! Simply fill out your contact details and we will send you the complete brochure with detailed information.

Pursuit of a Radical Rhapsody Price

Prices of apartments at Total Environment Pursuit of a radical range from INR 3.49 Cr to INR 2.85 Cr. This is based on the location, size, and features of the property.

View and download the brochure of Pursuit of a Radical Rhapsody Total Environment ITPL for more details about this upcoming housing society. The brochure includes the property location, amenities, and details about payment plans for the apartments in this project.

3 BHK Flat For Sale in Whitefield, Bangalore

This ready-to-move flat is a must-buy in the Whitefield area. Located in the well-planned and sought-after Total Environment Pursuit Of A Radical Rhapsody township, it is a perfect home for those seeking an affordable property in the heart of Whitefield. This under-construction flat in Whitefield is available at an affordable price of INR 3.25 Cr.

#total environment #bangalore #realestatebangalore #realestate #apartments in whitefield #flats in bangalore #villas

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sapnasingh1 · 5 years ago

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#Total Environment Windmills of Your Mind #Total Environment Windmills of Your Mind Bangalore

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aesthetic-villas · 3 years ago

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Total Environment Homes Projects

Our Total Environment homes are thoughtfully designed, with free-flowing spaces that can be customized to suit your unique needs. Warm, private, purpose-built spaces can be achieved through the use of partitions that not only add functionality, but also increase the aesthetic quotient of your home. eDesign Your Home Your Way, with our proprietary Interior Design softwareTo know more call +91 99000 78000

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regardingseas · 4 years ago

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Ttile: Echoed Vexations (Part One, part two linked)

Fandom: Hermitcraft

Rating: Teen and up audiences (violence warning)

AO3: here! (Full story at once)

•••

Plot Summary:

It's all too easy to turn a blind eye to the past-- to believe that because someone has been shielded from harm's way, they should no longer fear the wrath of their opponent's creed. They're safe now, after all, so why would they..?

Yes, Scar and Cub are certainly "safe", but they're still haunted by memories of the Vex and their deals all the same.

An average afternoon during the HCB Base Swap is cut short when Mumbo accidentally digs up a remnant from Scar's Vex partnership days, and unfortunately for the town's mayor, the other Hermit is far from aware just how triggering the topic can truly be. Things only dissolve from there, and in the end, Grian lends a helping hand to console a friend.

•••

Additional Content Warnings:

Depictions of trauma disorders, panic attacks, flashbacks, paranoid thoughts/delusions, manipulation, gaslighting, threats, injury, and violence. Mentions of religious themes, unintentional self-harm, and non-permanent character death.

Do be careful, but otherwise, enjoy!

•••

The sun was still high in the sky even as Scar finished decorating the monument's support chains, sweltering rays beaming down and adding to the oppressive humidity of the jungle around him. With his usual jacket set aside to fight the heat, he wiped away the beads of sweat that had gathered on his forehead and grabbed a stray bucket from the sidelines. He'd nearly finished the waterfall aspect of the design-- crystal blue streams cascading over the edges of four white spanners, all joining together in the octagonal pool at the base's foundation. It was looking quite spectacular, if he were to say so himself, with the vine-coiled braces and additional water currents tying the otherwise juxtaposing themes together nicely.

Scar scooped up a fresh pail of water, filling it to the brim and hauling it towards the last pillar. He glanced down at the container as he carried it, catching a glimpse of his reflection from the liquid inside. His face shone red with effort, misplaced strands of hair having clung themselves to his tan skin.

Though unsurprised, he still couldn't help but laugh at the rippling image. "It's just my luck I'd swap with another jungle dwelling Hermit. I swear, I can never escape this climate for long. First the island last year, then all this."

With a shake of his head he returned his gaze upwards, continuing to muse aloud to the landscape before him, "You tropics are wonderful and all, but it sure would've been a nice change of pace to set up camp in somewhere like the mountains. Or pull total 180 and have landed in the tundras!"

Concepts for each design raced through his head, each idea fighting the others for dominance and tacking details onto itself, trying to land its place on the metaphorical pedestal of his imagination. A cottage with medieval influences? No, that would be far too typical, amp both of those components up. An entire village with a steampunk driven aesthetic, built into the mountainscape itself; no doubt with custom terraforming to integrate the buildings into the natural environment. That was more like it.

Scar could envision working windmills and waterwheels accompanying purposefully makeshift farmlands, historic blimps having reclaimed skies where they'd soar high overhead. Below them, eye-catching pops of colour, shining through as floating lanterns that hover above connective rope bridges.

As for the arctic concept? Something more grand would be ideal. In his fantasy, he'd created an absolute oxymoron of the words cabin and mansion jumbled together, and he adored it that way. A bottom floor made of bricked stone, the top made of logs and large windows to oversee the view. Accompanying them in the same manner would be a balcony, propped on columns that hugged the building and curved around its corners. The top deck would be open for clear days, and the space below it safe on harsher ones. Sloped roofs would be adorned with chimneys, and the interior warmed by cozy flames that were kept organized with inviting lofts. The living area could be split leveled, sinking down to create its own margin where guests could comfortably gather by the fireplace and--

There was a tug at his ankle, and next thing he knew, a bemused Scar went crashing to the ground, having been too caught up to notice the trailing plants blocking his footway. His hands shot out to catch himself, palms scraping against the concrete floor in a way similar to the childhood stunt of crashing and burning on the pavement. A stinging snapped up his arms, and the water bucket dropped from his grasp, clattering down with a metallic rumble before spilling its contents across the floor.

Scar pushed himself upright with a hiss of air through his teeth, shaking off his grazed palms and wiping them on his jeans. Pulling his foot free from the greenery and gathering himself up was no problem, what was a problem, however, was the troubling sight now before him.

The water had spilled all over one of Mumbo's redstone contraptions, causing the device to short circuit and emit a sort of maroon-grey smoke. The wires fashioned from the compacted dust had been all but washed away, any remaining pieces hanging on by threads and failing miserably whenever a signal attempted to fire; more so sizzling rather than surging alight with energy.

"Oh, crud!" he shouted, racing towards the machine and yanking on the shut-off switch to divert any further input from the broken setup.

It powered down, but Scar was still left swatting the coloured smoke from his face, coughing as the scent of burnt metallics filled his nostrils. When had he gotten so absorbed in possible building opportunities that he'd managed to miss the foliage in front of him? Why had he even been wondering so deeply about it, anyway? This event was about improving one another's bases by adding their own personal touches, not starting a new project entirely.

Scar sighed, he wasn't sure why his mind had begun drifting so far. He'd like to blame it on the wild imagination of a builder, but he had a feeling there was a little more to it. Sometimes, when the world wasn't too much to handle, it was too easy to let fall away. Maybe he spent too much time daydreaming-- he was sure there was a word for that, when trances became so all encompassing, so engrossing.

"But I don't have time to think about that right now," he reminded himself, "I really need to fix this. It doesn't look like most of this redstone is salvageable, I'll have to get new supplies to repair it. Maybe some of the circuits are okay..?"

Scar nudged a repeater with his shoe, the device making an unnatural sloshing noise in his attempt to change the feed-in. He scrunched up his nose, "Okay, nope, gonna need to replace that, too."

Running a hand through his hair in defeat, he glanced towards Mumbo's storage system before shaking his head. It wouldn't be right to use the other man's supplies without asking, let alone waste them on a mistake made due to Scar's own carelessness. He'd have to make his way back to his original base and gather the materials from there once more. When he dropped by initially, he figured he'd gotten everything he needed, but apparently hadn't accounted for dissociation-induced redstone mishaps.

"I guess we're making a trip back," Scar announced to no one, finally picking up the empty bucket to set it safely aside. He made his way over to his tent, temporarily discarding any excess materials and bidding adieu to Jellie before grabbing his elytra and setting off.

Taking to the skies, Scar squinted against the wind as it roared in his ears. His hair parted itself from where it had stuck, short locks brushed back by the flowing breeze. With arms extended for balance, and maybe a dash of amusement, he lit his rockets and propelled himself into the distance.

-----

It wasn't long before he encroached on his base again, allowing his faux wings to glide him downward where he kicked out his legs to come to a soft landing. Scar stopped before the massive drill site just on the outskirts of the forest, heading towards the agglomeration of crates and boxes he had haphazardly stowed aside. He was certain there had to be the necessary hardware in one of the many containers, though which that may be was lost on him. At least, thanks to Mumbo and his new storage system, the chest monster he'd created would soon be a thing of the past.

"I wonder how that's going for him..." Scar pondered, striding over to a random shulker and beginning his sure-to-be protracted search.

"Scar?" a familiar voice interrupted, making him peer ahead to see the moustached man himself rounding the corner. "Hello there! I see you've made yourself rather at home at my base," Mumbo teased.

He couldn't help but chuckle, "That I have. I just needed to stop by and pick up some redstone and iron. With all the ore this place has quarried up, I was sure there's bound to be more of that here than back at Larry."

Mumbo faked surprise with a hearty grin, "Getting into mechanics, are we? Have the inner workings of the temple really had that much influence on you after only a few days?"

"Now I wouldn't say that," Scar shook his head and closed the lid of the grey shulker, seeing no point in hiding the truth. "I took a tumble holding a bucket of water and it kinda spilled on one of the contraptions. I'm sorry for the trouble-- but don't worry! I came here to fix it right up. I just didn't wanna waste your materials fixing my silly error."

The suited man waved his hand dismissively, "Nonsense, it's no trouble. Have you seen the improvements you've made to that place? I mean, of course you've seen them, you built them, but rhetorically speaking--" Mumbo cleared his throat, "Just don't fret over it, I trust that you'll have it fixed right up in no time."

Scar smiled, "Thanks, dude. Now I just have to find where on Earth I put those ore…"

Mumbo gave another laugh, "You know, you can feel free to use some of my things if need be. I have no idea how you expect to find anything in this mess. I'm only trying to do a basic look through so I know where to begin when it comes to the item sorter, but even that doesn't seem to do much good. I swear, it's like trying to play a very intense game of memory, with thousands of nonsensical cards all scattered about."

Scar snickered sheepishly at the comparison, "Yeah, no kidding. But being able to use some resources without flying all the way over here would be great. Thanks again, Mumbo. I don't know if there's anything you'll need here while working, but hey, consider it free range. We're doing these things for each other in the long run, anyway."

"I'd say, 'unless we don't switch back our deeds', but in all honesty? I'm beginning to miss the ol' living monument already."

The two exchange a chuckle before returning to their previous tasks, both going back to digging through the pile of chests in preparation for their projects.

It took longer than Scar wanted to admit to finally find the crate stocked with valuables-- sighing in relief at the sight and immediately beginning to pile the items into his inventory. There were pre-smelted metals from an iron farm, so he didn't have to bother with the ore, and the redstone he'd gathered was already in dust from, meaning all he'd have to do was craft the items after returning.

"I wonder if it would've been easier to stop by the shopping district and buy these directly, instead of making them by hand..." he said, "Oh well, saves on diamonds, and these had to be used some time, I guess."

"Talking to yourself over there?" Mumbo asked.

"Just thinking aloud is all."

"I see," the moustached man nodded, pushing himself up from where he'd been examining the supplies. "I found something neat from last year! Do you wanna see?"

"Sure!" Scar agreed, setting aside his intent of flying back in favour of seeing what it was Mumbo had to show him.

He smiled and stepped over to Scar, holding out a faded piece of paper for them both to see, "I found it stuck to the bottom of a shulker box! Can you believe we used to be competition so recently?" He joked.

Scar could only stare at the advert before him, a steele blue page embellished with a vault-like ring in the center. It meant nothing to the untrained eye, but to him, all of the company's horrors were sealed underneath. ConCorp read bold text in half-connected lettering, the logo finalizing its signature with a black bow tie adorning the bottom.

"Hardly," managed Scar, having just remembered he'd been asked a question, "But it wasn't that recent."

"It was practically yesterday if we're talking business," Mumbo snickered, "but we aren't. I'm not very good at business."

"Me neither, I prefer mayorship," he said in an attempt to change the subject.

Mumbo, however, didn't seem to notice, only turning to stare at Scar with eyes wide. "Are you kidding me? You were quite literally the richest Hermit of all last year! You're wonderful at business. Sahara was amazing, and I don't for a second doubt it was the most ambitious project of our group to date, but she had plenty of bugs, being the machine powered industry that she was. ConCorp, however? That was an utter monopoly! The thing lasted two bloody seasons!"

Scar chuckled awkwardly, "I know, I know, Cub and I worked very hard. But it wasn't all us, we couldn't have done it alone."

"Give yourself more credit," Mumbo insisted, "I'm more than convinced you could have gotten your business up and running even without the help of your Vex friends. Weren't they less prominent in your company last year, anyway? You did change your guy's name from ConVex to ConCorp, after all. I think that would imply less input on their part."

"Not really," he explained, though the tension building in his body was becoming harder to conceal. He had to keep his arms rigid so that they wouldn't shake, forcing in deep breaths to avoid the shaky ones that threatened to take their place. "We just thought it would be better for business, rebranding to something more gentlemanly and all."

Mumbo nodded, "Ah, that makes sense. Though I still don't understand how you managed to work with them to begin with. I likely wouldn't believe it if I hadn't seen it with my own two eyes. I mean business partners with the Vex? Friends, even? How'd you do it? Not to mention why? With all due respect, what makes one seek that out?"

Scar blinked hard at the influx of questions, "Oh, it's- it's really complicated, you might not understand. Cub started it, though. I joined the team not long after, but I wasn't there when he first struck the deal with Them."

"Huh, some deal," Mumbo remarked thoughtfully, and Scar nodded.

He had no idea.

"So what made you leave that behind?" Mumbo continued.

"What?" he asked, finding his thoughts hazy. They were static nothingness, but somehow also crashing into his skull. He found himself having to dig his way through them, while at the same time trying to bury them once he passed. The last thing Scar wanted was to do was hark back to the Vex, to beckon forth Their memory with his own.

The other man simply chuckled, oblivious to Scar's inner turmoil. "ConCorp, the Vex. Did you two just get bored? Having done the same thing for too long?"

"In a sense, you could definitely say we were tired of it. It just- well, it wasn't what we wanted to do anymore. We wanted to move on to new things."

"That's fair enough. Do you blokes still get along? Or did they take the corporation's end like a sour breakup?"

This time, Scar couldn't contain his wince. "We're still friends!" he insisted, "Of course the Vex are my friends."

Mumbo finally quirked a brow, "Are you sure about that? You don't have to worry about hiding some burnt corporal bridges from me, I'm not here to judge."

"Oh yeah, I'm positive," he nodded eagerly, "I'm just- I'm gonna go work on fixing that contraption I damaged, best to get it fixed before we have to switch back."

"Buddy, are you sure everything's alright? I'm sorry if I upset you or anything."

"Nah, I'm just peachy!" Scar announced with far too much false enthusiasm, internally cringing at his failed masking abilities. Not allowing any more time for his ruse to be cracked, he uttered a quick goodbye before adjusting the straps on his elytra and dashing off, leaping into the air and back towards the ruins.

"Scar, wait!" Mumbo tried, but he was already gone.

------

The returning flight was far from the peaceful journey he'd made to the excitation site. His artificial wings beat frantically, struggling to keep up as he charged forward with excessive firepower. He paid no mind to the safety protocol regarding the rocket's cool-down period, simply heralding through the air as fast as his elytra would carry him. Scar arrived back to the monument in a trip overall much faster than when he'd left, but it seemed to drag on for an eternity. The entire excursion consisted of a battle with his own mind-- a war in which he knew he was bound to lose, but he had to hold down the fort until he was on solid ground.

Scar was lucky not to crash into the debris upon landing, frantically stumbling to the dirt and having to grasp onto a piece of wreckage to maintain his balance. His legs nearly buckled under his weight, form trembling in spite of the deep breaths he gave it his all to draw in.

He grasped hard to the rubble, trying to anchor his brain into focus. He couldn't let his thoughts spiral, he couldn't think about Them. He knew grounding techniques, and he tried to rush his way through them.

Five things you can see.

He could see the golden heart, plants, stone, the golden heart again-- the thing was too anatomically correct, he'd seen horrors too similar to it before. And the sound, it was too damn loud, too hard to ignore. Its unsteady rhythm hammering in his ears alongside his own faltering pulse.

Forget visuals, four different noises?

Scar squeezed his eyes shut in an attempt to listen, focusing hard on the world around him. Still, he could only hear the heart. He could only hear it pounding, its once melodic notes like nails on a chalkboard. He could remember far too many times when he was left alone with nothing but his heartbeat and his pleas.

Tactile. Texture. What can you feel? Three things you can feel.

Internally, he screamed at his dulling senses to return. God, he didn't want to think about Them, it wasn't worth the risk. They'd been inside his head before, and the mere idea of having his thoughts broadcasted again made his stomach churn. Scar tried harder and harder to suppress the images bubbling to the surface, festering like maggots in an old wound. The more he tried to push them down, however, the fiercer they'd rise back up, and he choked down a sob in attempt to list the sensations he could currently identify.

He could feel the stone-- but he already said the stone, didn't he? He could also feel the sun. It was hot against his back. So hot. He was overheating.

The notes should have been a success, but the drops of sweat felt too akin to tricking blood. The sting of his hands felt too much like the friction burn of a rope. It felt too much like he was back with the Vex again, and as he finally sunk to the soil, he could no longer swim against the onslaught of memories crashing over him like a tidal wave.

They could still hear him, They could still hear him, They could still hear him, They could still get him--

------

The day he and Cub first found the courage to try and cut ties with the Vex had been a hellish one, and the two men weren't even successful in their attempt. Hence, of course, it being the first.

Still, it had taken ages for Scar to persuade Cub that it was even worth trying, the other man having believed it was impossible to sneak anything past the Vex on their own. Scar was persistent, however, and eventually convinced his friend they had a shot if they played their cards right, if they made the right proposal without their intentions being discovered.

They'd constructed their plans in secret for weeks; discussing them only inside of untold locations with hushed whispers, or in the form of coded scrawls they'd burn immediately after reading. They couldn't be too careful, that's what they'd tell themselves whenever they worried their precautionary measures may be over the top. Even so, when a so-called conference was put on the schedule --such events were far from any type of cordial meeting, despite having been assigned the title of one-- the men were hardly prepared for it.

Their conference room consisted of a needlessly grandiose suite, with floors of marble and walls carved from deep umber wood. The polished lumber was adorned with expensive paintings in aureate frames; antique laden shelves taking up the spaces they did not. Aesthetically pleasing decorative tactics were discarded in favour of showing off their riches in a possessive cluster, with the only average items being the table and its chairs sat in the dead center of the area. A chandelier of gemstone and gold swung from above, dangling by the same chains fated to one day bind their vassals.

"Concordats, greetings!" A Vex declared as the men were led through the doorway, hovering in the air at the opposing end of the surface.

"Greetings," parroted Cub minimally, Scar giving a plain nod beside him. Fewer words meant less chance at letting their guard down.

"We've been needing to speak with you," a different Vex chimed.

"Speak with you about the business," yet another visitant confirmed.

"We actually need to discuss similar matters with you all," Scar noted, voice and expression a façade of tranquility.

"You do?" the first asked, wide smile replaced with inquiry.

"Yes," managed Cub, "we want to make you an offer, one you can't refuse."

"I do like the sound of that!" the second snickered.

"We'll hear your offer," the Vex grinned, "we only have one question first!"

"Of course, what is it?" asked Scar, in mental awe of how well their exchange was going.

"Do you recognize these?" it asked, gesturing towards the white table where a blue light flashed, fading away to reveal a small pile of ash.

Cub and Scar glanced to one another in evident confusion, the latter of the two speaking once again, "Forgive me, but we're not sure what you're talking about."

"Oh, silly me!" the Vex giggled, another flash of luminesce encompassing the soot and leaving a stack of papers in its place. As if caught in a controlled gust, they blew from the surface and organized themselves midair; levitating in a cloud of magic.

All of their once burnt notes were lined up before them, cyphers needed to crack their messages included.

Still beaming with innocence, it continued, "How about now? Look familiar?"

The blood drained from their faces, and Scar could have sworn his heart was going to burst from his chest with how hard it was drumming. He wanted to wake up, because this had to be a nightmare.

"No, we have no idea what those are," he tried.

LAIR!

Overlapping voices screamed in his head, all sounding in haunting unison. Scar hastily clapped his hands over his ears, but it did nothing to silence the uproar emanating from within.

You try to break our contract then lie to our faces?

Foolish concordats.

Terrible secret keepers, terrible subjects.

Cub seized hold of Scar's arm and made a break for the door with the brunet in tow, reaching the exit and tugging desperately on the handles. They refused to turn under his grasp, and his eyes darted back towards the Vex; floating creatures growing ever closer to their imaginary bubble providing them with the illusion of safety.

More of Them were phasing in through walls, forms non-corporeal and having no need for the sealed entryway.

Apologize.

They all ordered, Scar flinching at the simultaneous projection. He lowered his hands and turned towards Them, watching Their unmoving grins with wide eyes.

Kneel before your gods and divulge your prayers, we may just show you mercy.

"I'm sorry-" Scar whimpered, but Cub was having none of it.

"No!" the man barked, "Screw this! This isn't worth it! None of this is worth it! He's right! The business, the money, the power, it-- it means nothing! Not when you treat us like this!"

They watched him step forward, his furious yells echoing through the expanse of the room, "We're done! And we mean it! You're going to get us go or else!"

An orchestra of shrill cackles filled the air.

Oooh, it's angry.

They're fighting back!

Teach them a lesson.

"You won't dare make another-" Cub's retaliation was cut short with a cry, the bearded man dropping to the ground in a swift crash.

"Cub!" Scar called, but his attempt to step towards his friend was met only with a searing pain through his legs and the subsequent buckling of his knees. He fell to the marble, limbs heavy as if they'd been weighted. It took considerable force to balance on his arms, appendages left shaking as he peered back up towards the Vex.

He regretted it instantly.

•••

(Part two)

#hermitcraft #hermitcraft fanfic #goodtimeswithscar #grian #mumbo jumbo #mcyt #the vex #cubfan135

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inventors-fair · 4 years ago

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Recycling day: Commentary on “Unique Artifacts”

This contest went exactly how I was hoping it would go. A variety of artifacts, a whole slew of unique mechanical ideas, experimentation — what more could I ask for? I’m glad that people liked this one. I’ve been stewing with it for a little bit. I think there were a few wording issues that I’ll get around to, but I’m also a stickler for perfection. Y’all should know how pedantic I am at this point. I’m practically a vedalken.

Anyway. Commentary time!

@ajani — Devra Chai

I really like your callback to Indian inspiration and the nature of Kaladesh. Mechanically, this card’s got some chops. I also like the abstract use of energy here as it relates to food. There are a few easily fixable issues. Firstly, there should be a comma after “sacrificed.” Secondly, as this is a Food, the second ability should be “2, T, Sacrifice Devra Chai: You gain 3 life.” The “You” is super important. Lastly, and most pedantically, as great as the flavor text is, “it’s” should be “its” because English is certainly a language. Small issues aside, good idea overall.

@deafeningsandwichpeach — Ancient Stone of Greed

The power level here is really hard to judge. The draw on the first ability seems really strong. Did you base this on Coveted Jewel? Overall, I feel that this card is a fine idea but a little busted with any artifact untapping. Filigree Sages makes this an infinite draw combo, but it’s not broken wide open. Let’s fix the wording. The second ability should be “Spend this mana only to cast a Hydra or Dragon spell.” This should be four lines, with “Skip your draw step” and the death trigger being on separate lines. I’m 80% sure that “Skip your draw step” also should be the first line on the card, and with that, you can probably take off the flavor text.

@demimonde-semigoddess — Gilded Yarn

This is an interesting one. Personally, adding an activated ability onto the equipment itself that’s not an equip cost seems a little hard to grok for the average player. Flavorfully, I understand the first ability, but not the attack clause at all. I’m not connecting it to anything specific in mythological tropes. It’s not a bad card mechanically, but I’m a little lost. Did you shift+enter for the equip cost? It looks really close to the other line.

@dimestoretajic — The Steel Leaf

The one and only! I like the callback. From a cursory look, I don’t think there is an actual “steel leaf” on Dominaria, but the sentiment is appreciated. I’m a little iffy on the fact that it doesn’t exactly do anything if you don’t have the trigger, and it doesn’t really help itself to the trigger, but it’s okay to have cards that you need to build around. The last ability is a little awkward because the way it’s worded now you can return green creatures your opponents control to their owner’s hand and it gets around hexproof, which I’m sure wasn’t intentional. “you control” could fix that easily.

@fractured-infinity — Cold-Iron Skillet

This is a fascinating little equipment. I love the creativity here. Honestly, not a whole lot to say about this one. It’s niche, but flavorful enough. Maybe the second ability should somehow be tied into being equipped to a creature? After all, the skillet’s not gonna do anything by itself, right? Major notes: both “foods” and “faeries” should be capitalized.

@gollumni — Pontiff’s Coinbox

Now this is unique. I can perfectly imagine the art here, which is majorly cool. I’m not sure why you tied the untapping to each opponent’s upkeep rather than their untap step, which is the way things usually go. And based on the amount of massive counters you can gain fairly early on, “twice the number” might be a little too powerful. The last ability should have “YOU gain 3 life” as well. I’d add a “(1)” to it as well, personally. I’m a little iffy on this kind of white acceleration, but there’s only one way to find out, right?

@greensunzenith — Dust Bunny

It’s a super cute idea, for sure. I kinda like the idea that your opponent keeps having to sweep it away, and that it’ll keep coming back. The difficulty in removing it is a bit of a pain, but that’s the nature of the beast, I suppose. I wouldn’t call the design anything mind-blowing, and frankly, as a one-drop it’s a pain in the butt probably more than it should be, but it’s not bad. Might have to cost 2 or 3 mana, and I would add a little flavor if you can come up with something.

@grornt — Smothering Rug

Well, I didn’t expect a rug for this contest, so kudos there. It changes up combat in a really powerful way, and I’m worried about its power level in a limited format. It’s an anti-trampler, anti-first striker, and man, that makes combat complicated. This is a card that would have to see a significant amount of testing, considering that every deck can play it. Doesn’t blow me away, but it’s good enough. Again, might want to consider flavor text with the amount of rules text that you have here.

@hypexion — Spy Satellite

It’s unfortunate that we had two spy-oriented cards submitted here. Surveillance is a great concept, and I’m glad you used the name in a flavorful way. I don’t know how powerful the surveil is here considering that it’s harder to remove than other creatures which have repeatable surveil. It’s a good card, certainly. I don’t know if the second ability needs UU instead of 1U, but I guess I can see the reasoning. Flavor text is pretty good. Overall, it’s a fine enough card. Save it for a custom cube.

@i-am-the-one-who-wololoes — Press of Magic Knowledge

Ah, batching. I think that you were ambitious in the way that you designed this card, and I’m not sure the payoff is entirely worth it. Seven different creature types is a lot to ask for, and it implies that all these different types would be in a single set. I think that’s entirely too much to ask for. The card itself isn’t...bad? It’s incredibly powerful. The wording might be a little convoluted. Why does it give the ability to the spells, instead of having it just be a trigger? “Whenever you cast an instant or sorcery spell, you may tap an untapped Spellcaster you control. When you do, copy that spell. You may choose new targets for the copy.” A little easier to grok. Name and flavor text could use a little work, too. Doesn’t excite me.

@illharg-the-rave-boar — Hunted Windmill

I’m still thinking about this card. The fact that is has menace and that it gives your opponent a single creature is kind of an “eff you” but in limited, it’s certainly a pain in the butt. The two toughness really makes it feel fragile, but maybe the eight power makes up for it? I think this card could be fine. I think it could even be good. It’s still asking a LOT of questions that only playtesting and the right environment could ask for.

Also tfw “Dawn Kijote.” Take your kudos and go.

@kavinika — Ace of Spades

This card is... Restrictive. Basically, it says that “for the rest of the game, I decide all coin flips,” and that’s not interactive. It’s not exactly fun. If it was a sacrifice effect with a secret kind of ETB, then I guess it would be okay, but unlike Krark’s Thumb, it’s getting rid of a key part of randomness with no time limit, and that’s not great. I liked the philosophy of your submission, but I don’t feel that this card is adherent to MTG principles.

@koth-of-the-hammerpants — Amphora of Ephara

Kudos for making me look up the word “amphora.” Yet another card I can easily visualize! So, in terms of power level. Man. This card is a pain in the butt. In the right deck, it can grind out aggro decks with even the smallest creatures, and I assume there would be enough artifact/enchantment removal to make it not busted, but holy cow this could be a potential pain. And you know what? That’s not necessarily a bad thing. I would call this card annoying, certainly, but not in a “win the game” way. Two things: One, there should be a comma after the blue mana symbol in the activated ability. Two... “a city?” Too vague. Gotta spice it up with worldbuilding and/or specificity, man.

@machine-elf-paladin — Headmaster’s Lectern

Another great choice for a unique artifact here. Love it. It’s a simple design, but it’s perfectly functional, and sometimes that’s all we can ask for. It’s a great uncommon. Doesn’t reinvent the wheel, but it’s a card that works, and that’s just plain fine. Flavor text 7/10. It’s a little hard to grok exactly what that immortalization looks like and where we are in the timeline. You set up a grand artifact, and then add a funny bit, and the two don’t exactly mesh perfectly. Both parts are fine. Again, good enough to worldbuild.

@mistershinyobject — Peace Table

Let’s get the good out of the way: I like how the middle ability gives a “swords to plowshares” kind of feel. That aspect works. That first ability, though, is missing a major wording. As it reads now, you can tap it and tap any number of creatures with different names — that you don’t control. And you can target those same creatures after. So, basically, for four mana your opponent never gets to attack again. I know that wasn’t your intention at all, but that’s the way the submission reads. Minor note: the flavor text should feel funny, but the art and concept is pretty serious, and it’s a little bit of a tonal clash.

@misterstingyjack — Unwanted Gift

Surprise! It’s horrible. Not the card, though, because I love this card. I can see it going into a set with Morph, and that works perfectly well. It might have to be mythic, because holy shit a reverse Immortal Sun is still awful to deal with. And I take a LOT of issue with that last ability. Just have it punish for every card draw! It’s totally functional without that weird restriction.

@nine-effing-hells — Beldam’s Mortar

This is my favorite artifact in terms of uniqueness. You added mythological aspects that are little-known but easy to grok, it feels magical, it seems cool, and it’s so unusual that you can’t help but to just plain love it. Now, the card. Using Bladed Bracers as a template, there should be one line for the equip buff, and another that says “As long as equipped creature is a Druid, Hag, Shaman or Warlock, it can’t be blocked.” I might take out either Druid or Shaman from that list, personally? Three might be the limit for batching. The flavor text could also talk a little bit more about the importance of the mortal itself as a means of transportation.

@nvijork — Scrying Dish

I have a soft spot for tutors. They are my absolute favorite cards. I love combo, control, unique synergy, all that crazy stuff. Additionally, I love randomness. So, there are two changes I would make to this card, one mechanical and two syntactically. The syntax one is that “3″ should be “three.” That’s just how Magic works. There should also be a comma after “(4).” Mechanically, I would also add that after you shuffle and put the cards on top, you draw a card. It’s the payoff to the scry, it bumps the power level up, and it justifies the cost. Overall, I really liked this card.

@real-aspen-hours — Nutrient slurry

I guess this card would be an uncommon? You gotta add rarity to text submissions. I think that for next week I’ll add an example post. Anyway, besides the name capitalization, I think that this card actually works really well. It feels green, it’s powerful enough, it’s synergistic with the game, and could see some pretty cool +1/+1 counter interaction. Not bad at all. The flavor text might need to be in quotes, because, well, it’s first-person. The card is pretty great, but the submission needs polish.

@reaperfromtheabyss — Resincase Relic

I really would have added imprint here. Although, would that imply that the card never comes back? It’s honestly not the worst price to pay. This is a perfectly functional mana rock, a theoretically budget version of Chrome Mox, and I’m okay with that. It should be “one mana” instead of “a mana,” looking at the Thriving lands and Chrome Mox itself. And two lines of flavor text wouldn’t have gone amiss here.

@scavenger98 — Storm Jar

I really want to like this card. For the first ability, I would absolutely make it a may ability — “you may have target creature gain or lose flying until end of turn.” Gotta simplify it. The second ability needs the “s” in “sacrifice” to be capitalized. This is a fun card mechanically, and very potentially powerful in limited! What’s with the flavor text, though? I don’t get it.

@shandylamb — Cursed Compass

So, major mechanical issue: You, as the player, don’t explore — the equipped creature explores. It would read: Equipped creature has “T, Pay 1 life: Scry 1, then this creature explores.” Easy enough fix, but needs to happen. Additionally, good lord, this should be at least an uncommon. Potential scrying and exploring each turn? Very powerful, moreso than I think you’re giving credit for. A great idea for sure, but NOT common, no sir. I like it, don’t get me wrong. Also, I assume this is from one of the Pirates movies. In the future, please clarify the specific piece of media.

@starch255 — Orb of Petrification

This is a card that I really spent a lot of time thinking about. I still don’t know what to feel about it. It’s evident that you spend a lot of time thinking about this card and putting it together, and I want to give you credit for that first and foremost. The second ability is really weird to me, because it prevents the orb itself from activating its abilities, and it shuts down all artifacts on board? I’m not positive how that works flavorfully. It’s not bad. It’s probably super powerful in commander, not gonna lie. Control magic out the wazoo. I’m still on the fence about this one. Fine in standard, fine in limited, probably part of a frustrating combo in eternal formats. Still gotta congratulate you for the design process.

@teaxch — Semaphore Flag

Another really cool choice for a unique artifact. Functionally fun as a build-around. The card needs some kind of basic flavor text, because man it’s looking blank as heck right now. But older cards do that sometimes. Maybe I’m just a stickler for these sorts of things. Overall: probably fine. Probably not gonna see play except for in that deck made by That Guy that copies a buttload of artifacts.

Thank you all for your submissions! New contest tomorrow. Get the creative juices flowing.

#mtg #magic the gathering #custom magic card #contest #entries #commentary #unique artifact #inventor's fair

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villasinwhitefieldbangalore-blog · 5 years ago

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skanda123 · 2 years ago

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totalenvironmentindia · 2 years ago

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totalenvironmentinbangalore · 1 year ago

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aesthetic-villas · 3 years ago

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landsoflightanddark · 7 years ago

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Interesting things I learned from “An Extraordinary Story”, Part 2

This post will cover part of the “Story Playthrough” which is the longest chapter of the book. It goes through each section of the game and the devs discuss why they made the decisions they made. It starts with some AMAZING maps of the Nest. This post will go from the beginning of the game to the collapsing bridge sequence from E3 2015. - Ueda wanted to get the player right into the action. In SotC it’s awhile until you even see a colossus, but in this game Trico is one of the first things you see. - The key-shaped patches of grass seen throughout the game are actually supposed to be beds for the Tricos. - The first area had the most time spent on it during development. - Do you ever see really detailed concept art for a game that doesn’t end up matching what’s in the game at all? Ueda hates that. It’s why most of the concept art for these games is pretty sketchy and heavily resembles the final product. They build the bones of the level first, then sketch out ways to change it and things to add in it. - The mirror room is NOT under the white tower but the “door” that seems sealed up in the final game does connect to it. Ueda doesn’t talk much about this area, but does say this (which I already posted): “ I’m not saying that it connects The Last Guardian and Shadow, directly, but the spring (pool) is a thing like the Mirror, and the underside of the Mirror could be connected to the world on the other side of the pool. Another world could exist on the other side, though...Maybe it’s a world of things that haven’t happened, or maybe it is the world of Shadow...You think about what it means.” So, think about it what it means everybody.

- The interior of the white stone has a honeycomb structure that suggests strength. This can be seen in the crack though it’s hard to see apparently. - The mirror was originally supposed to be a “weird bird-shaped gun”. It’s the only one in TLG’s world. It’s supposed to be similar to the ancient bronze mirrors of the Japanese shaman queen Himiko. The handle has two Trico heads on it, and the inward side supposedly has “familiar symbols”. Maybe something from the other games? - The full list of animals that can be found in the game: Fish, lizards, doves, bats, butterflies, moths, and small worm-like bugs that are very hard to see. - The pillars of rocks Trico jumps on early in the game were designed to be plausible and realistically hold Trico’s weight. - The small arches in the forest area are mentioned as bearing a similarity to the larger ones in SotC and Ico, but there’s no stated reason for it. They’re referred to as “athletic arches” because the boy can climb on them. Of the windmill and the archways you first see the other Trico on, which bear a similarity to Ico, the team says they’re “a matter of game design, not an intentional visual design ethos.” I don’t know what that means because those structures aren’t even important. That stuff was totally intentional y’all. - After genDesign was formed, Japan Studio was responsible for the “creative direction and vision” of the game, and GD focused on the execution, building and implementing things, Ai, and game engine programming. Considering that the game has Ueda’s vision all over it, I’m...Not really sure what Japan Studio did, just from reading that. - CONFIRMED: The Master controls the Tricos through their horns, not the helmets. Trico was kept in the cave so his horns could grow back. The cage in the antenna room is so the Tricos can’t fly away. - Some early sketches of the Yoroi give them bird-like faces. They have the same designs on their armor as many of the blocks in the environment, which shows that they have common origins. So, that might disprove the theory that the entire Nest except the white stone structures was built before the Master and Yoroi ever got there. - BIG quote from Ueda here: “It’s not just the barrels themselves that matter for the tricos. The chosen ones aren’t transformed into barrels or anything, but into something much more important - and as a byproduct, the stuff that’s in the barrels is produced. It is probably related to the mist that comes from the pots, and the energy that powers the Yoroi. But at first I was thinking about the sarcophagus in the mirror room, and that energy being used to revive or bring to life whatever is in it.” So...There’s some of your theories confirmed right there. Love this book. - The designers think of the locations as pre-ruined, they don’t think of them as they would have been and then ruin them after. - The reason a lot of the rooms don’t seem to have real purposes beyond being puzzles is that they were first designed with gameplay in mind, and then from a narrative perspective after, which is how Ueda’s teams have always worked. “Applying real-world logic to TLG’s world would just result in something a lot like our own world.” one of the devs says. - The ways you can command Trico are detailed more here than they are in the game. I believe this information was online before, but it may not be widely known that the O button can be used to focus Trico’s attention on a specific object. The book also confirms that it’s best to wait for Trico to follow a single command, and not spam it with several. Facing both the boy and the camera in the direction you want Trico to move will help as well. - There was originally more stealth gameplay in the game, which can be seen in one of the early trailers. - Ueda made a cute little 3D map showing the path most players probably take to get around the rafters stealth rooms. - The amount of butterflies flying around will increase from one to two to three as you get closer to a barrel. Ueda’s signature is actually in the texture on the butterflies’ wings. They also have a relation to the boys’ tattoos and to a legend of butterflies being or taking people’s spirits. - As we’ve heard, the glass eyes are inspired by “Toriyoke”, round objects used to scare birds. - If you throw all of the Yoroi helmets used to break the two glass eyes on the wall (right before the E3 2015 area) down into the last room, they’ll reappear. There was originally a barrel dispenser that was there to make sure you didn’t run out of things to throw, but the devs thought it clashed with the technology used in the rest of the game. - There is a gong in the boy’s village with the eye design on it that they bang when Trico arrives. - According to the book, when the game was on PS3 there were no cutscenes, it had trouble running at 30fps, and levels had to be changed by opening a debug menu - they were not seamless like they are now. Give Ueda’s apparent insistence (in a Dengeki Playstation interview before the game came out) that the game would have worked on PS3, could he have been thinking of doing Ico-style loading between rooms?

#the last guardian #an extraordinary story

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kramlabs · 5 years ago

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Classical Phys Ed For All

by Shane Trotter

Bodyweight training is fast, effective, accessible, and the best way into training. With a progressive, consistent approach, elite levels of fitness can be forged in this manner. After all, the body and its environment are really all most humans have ever had to train with.

Bodyweight calisthenics is the backbone of Georges Hebért’s Natural Method and the training of nearly every elite fighting unit throughout time. This type of training typified the physical education of all great Western societies going back to ancient Greece. It is the training every citizen was once expected to do. Yet no one is doing it.

What adults need is what our kids need—at least a few days a week in a classical PE model. This is probably nothing like what comes to mind when you think of your PE experience. Today’s PE curriculums push instructors to all day yo-yo training.

I wish I was joking—four hours of yo-yo based curriculum. By contrast, a classical PE model is built to create well-rounded, movement empowered citizens who are physically literate and capable of physically contributing to the community. This was once an expectation of all people. Damn automation.

The Thirds of PE

Exemplified by Stan LeProtti at La Sierra High School in the early ’60s, classical PE focused on three equally important thirds: restorative arts (including traditional fitness, calisthenics, and correctives), defensive arts (self and national defense), and pedagogical (sports, games, play, and theory).

Each day at La Sierra began with a 400-meter jog and a 12-minute strength-endurance routine. That was the bulk of the daily physical training dose responsible for creating a truly remarkable standard of physical fitness.

These were followed by either defensive arts or pedagogical activities and finally finished with a run through the obstacle course—a gauntlet of pegboard walls, ropes, and unique manipulatives that honed bodyweight mastery. They called this 5 minute period their “off-the-ground” time.

Characteristic of “grease the groove” training, La Sierra students achieved a staggering level of fitness through consistent daily immersion in this short, simple training regimen. Training videos demonstrate the awe-inspiring feats like the extension press-up that La Sierra students famously demonstrated on Johnny Carson and in Look Magazine.

A sophisticated testing and shorts system helped appropriately progress athletes in intensity while creating a motivating atmosphere that demanded mutual support and student leadership. Shorts groups were known as teams. The three basic groups were the white short team, red team, and blue team, although there was also a gold and even a navy short team for the extremely elite.

All ninth-grade students began in white shorts and every student had the opportunity to level up twice a year by hitting the “ceiling performance in all fitness tests” of whatever test battery they were attempting. For example, to move from white to red shorts groups, a student needed to test at or above all these ceiling performances:

Pull-Ups: 10

Push-Ups: 32

Bar Dips: 12

Sit-Ups (2 min): 60

Standing Broad Jump: 6’9”

Shuttle Run (200 yds total-50 yards down and back twice): 34 seconds

Rope Climb (18’ standing start): Hands only

Agility Run: 20 sec (50 yards and back with barriers every 10 yards)

880 Yard Run: 3 minutes

Mile Run: 7 minutes

Man Lift and Carry (carrying a man within 10 pounds of your own bodyweight): 880 yards

Pegboard (vertical): 6 holes

Swim 50-yard freestyle: 36 seconds

LeProtti demanded that each standard was hit to move forward, making it clear that balanced fitness was more useful and desirable than being elite in a narrow few physical qualities. Every athlete improved through a level-appropriate daily 12-minute strength-endurance (S-E) routine.

The foundational S-E program that every white short La Sierra student began each day with looked like this:

Side Straddle Hop (aka jumping jacks) - 5 sets

Push-Ups - x5

Windmills - 5 sets

Push-Ups - x5

Full Bends - 5 sets

Straddle Hops (jumping jacks w/o arms) - x50

Push-Ups - x5

Stride Hops - x50

Push-Ups - x5

Toe Hops - x50

Push-Ups - x5

Squat Thrusts - 5 sets

Mountain Climbers - 5 sets

Push-Ups - x5

Agility routine - 4 rounds of sprint in place; first two whistles drop to plank - third whistle drop to supine position and roll-over to stand

This entire routine requires no equipment and can easily be inserted on a daily basis to make fitness, flexible, and portable. I highly recommend adopting this chief habit. A daily 15-minute habit is sustainable, extremely effective, and the sort of thing we can all find the time for.

This La Sierra routine is perfect other than having too little back work. LeProtti accounted for this in his “off-the-ground” time. If you are not getting on the bars every day, I recommend substituting Supermans for every other push-up set in order to force more posterior chain activation. These postural muscles are essential in our sedentary world.

Use the Strength-Endurance Program

For those who want to challenge themselves more, you have a simple, fast daily program and a test to measure your progress. So, give it a shot. Take a couple of weeks to go through the test battery.

Then commit to doing the La Sierra S-E routine five days a week along with a short daily jog or bike ride. Also, get a pull-up bar and do daily grease-the-groove pull-up practice. If you aren’t great at pull-ups, practice these steps. After 10 weeks, re-test and compare your scores.

This is a simple, effective, and complete training program to help you operate better in the world. It’s the program we should all try.

https://inspiredhumandevelopment.com/

#shane trotter #gritty #flex this #heavy and sweaty #exercise this

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