#Tony Murphy Park
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jlcomicsandgames · 14 days ago
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San Diego Padres National League Champions 1984 Dedicated Season (LP)
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broadwaydivastournament · 7 months ago
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Broadway Divas Tournament: Round 4
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Diva, icon, certified GILF Christine Baranski (1952) has a theatre resume a mile long. A two-time Tony winner, Christine has performed on and off-Broadway, regionally, and internationally in shows such as Mame at the Kennedy Center, the pre-Broadway workshop of Sunday in the Park with George, and the infamous flop that was Nick & Nora (1991). She can be seen alongside a slew of other Broadway Divas in HBO's The Gilded Age, and has also participated in at least ten Sondheim shows and concerts over the years.
Newly certified GILF, Donna Murphy (1959) is a two-time Tony-winning legend of the Broadway stage, with five nominations in all, each for Best Leading Actress in a Musical. Her gripping performance as the chronically ill Fosca in Sondheim's Passion (1994) may have disgusted and disturbed audiences, but earned her immense critical acclaim. Two years later, she won her second Tony for The King and I (1996), and the year after that, earned a Daytime Emmy. Additional credits include: Dear World (2023), Hello, Again (1993), LoveMusik (2007), and most recently on Broadway, Bette Midler's alternate in Hello, Dolly! (2017)
NEW PROPAGANDA AND MEDIA UNDER CUT: ALL POLLS HERE
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"The high-kicking bitch herself, Christine Baranski. It's a legal requirement that every actress who plays Phyllis must have legs for days, and she delivers."
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"There is one singular show above all other I would commit heinous crimes to travel back in time to see. Follies for Encores!, 2007. And now, with the upcoming Follies concert at Carnegie Hall this June, I can live out at least some of my dream. Donna Murphy, my beloved, who looks fucking stunning with no makeup. I am unwell."
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caffiend-queen · 8 months ago
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Do NOT Say 'Always After My Lucky Charms,' Or I Will Stab You
Welcome to another addition to the Holidays in Hel series! Where Loki and Mina attempt to save the Avengers from yet another catastrophic holiday fuckup.
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I've been cleaning up and adding bits to my Holidays in Hel series because really, it's my favorite. I hope you enjoy, and thank you as always for reading!
Chapter One: An Unmitigated Disaster Awaits
In which Loki and Mina once again find themselves in the middle of a colossal Avengers holiday fuckup. And who knew the Fey Folk were such assholes?
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If there was blame to be assigned for the night that destroyed any charm and mystery left in St. Patrick’s Day, it should really go to The Paddy O’Hoolihan’s, an Irish folk band with a painfully cheesy name. But their music- it was frenzied and delightful, which was why Mina, Wanda, Jane, Pepper, Darcy, and even Natasha were swirling madly in some sort of a jig between each other like a flutter of butterflies, colorful spring dresses flaring out in a pleasing way that exposed a toned thigh or two. They were so fascinating to watch that the rest of the Avengers agreed right then that a Night Out On The Town would be necessary in the hopes of seeing more of this.
“A flutter of butterflies?” Tony blustered. “That can’t be right.”
Loki was seated elegantly on a comfortable chair in the middle of Central Park while most of the other male Avengers were seated in the grass, soaking the seat of their jeans. “A flutter,” he confirmed, watching closely as Mina sent him a saucy little wink. “Known also as a kaleidoscope or a swarm.”
“Swarm isn’t the right word,” mused Steve, still brushing at the green streaks on his pressed chinos. “That sounds like bugs. The girls are definitely butterflies.”
“Butterflies are bugs,” grunted Bucky, eyes closed and soaking in the weak spring sunlight.
“You romantic bastard,” chortled Sam, who was watching Thor capering with the women and getting the dance steps wrong. “I’m gonna go save those ladies from his bigass feet.” 
“That slick son of a bitch,” Tony observed morosely, watching Sam gracefully sweep Pepper under one arm and Natasha with the other.
It was a rare day, a blissful day where nothing was exploding, no one was invading anyone else’s borders, no one was getting kidnapped, and even HYDRA appeared to be taking a long afternoon nap. The Avengers were all lazing in Central Park on an almost unnaturally warm day for March 17th and enjoying a holiday where they were, for once, not urgently needed. Anywhere.
“To St. Patrick’s Day!” toasted Bucky, raising his bottle of Guinness to clink with Steve’s. “So what’s the plan for tonight?”
Tony pulled another bottle from the specialty vibranium cooler that floated next to him, its propulsion jets hissing softly. “Watch the parade from Stark Tower, say a prayer at St. Patrick’s Cathedral, and hit The Dead Rabbit Grocery & Grog. The Dropkick Murphy’s are headlining.”
Loki sniffed, still watching keenly as Mina took the hands of an elderly gentleman so wizened and stooped that he could legally be classified as a leprechaun. “My lady and I will be spending the evening safely at the Tower. I do not understand this keen desire for holiday-based mayhem and disaster, but I assure you we shall not participate.”
“Brother!” Thor’s voice was unfortunately right next to Loki’s ear, and God or no, the roar from the oaf seared through his ear canal and scrambled his ganglia. “You must bring the Lady Mina, she will be terribly disappointed! Darcy has been telling her of the majesty of the Celtic celebrations here. She must pay homage to her ancestors.”
Loki frowned. Mina had Irish blood? He would rather crush his own skull with Thor’s hammer than admit that his brother knew something about his Mina that he did not, so he settled for a haughty sniff. “Why must I be the sole sentinel during every holiday on this benighted excuse for a realm to remind you all that it will always, always invariably result in death and destruction? That there will be some unnatural force that will target the Avengers and endanger all those we love? Why must I be the-”
“Hey, did you hear that?” Tony interrupted happily, “Loki looooves Mina!”
And then the tiresome chorus rose from this pack of imbeciles. Loki rolled his eyes, wondering if he sent a hailstorm of toads down upon this crowd if it would immediately be traced back to him. But then his Mina returned and sat down in his lap. Kissing him on the tip of his aquiline nose, she sighed, “And Mina loves Loki, so all of you hush.”
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“Darling, are you indeed of Irish descent?”
Mina looked up from the 3D chemical strain she was modeling for one of Jane’s experiments. “Yes, and Scottish. How did this come up?”
Loki sniffed haughtily. “My oaf of a brother attempted to claim that I must indulge you in a night of drunken excess with the rest of the team as some sort of homage to your heritage. Is this night one that must be dedicated to your ancestors? Is it a sacred rite?”
Giving a very unladylike snort, Mina said, “Nothing sacred about gulping down too much green beer and singing Irish folk songs. But…” Loki groaned internally. His sweet girl had a look of longing as she continued. “But it’s always such a fun night! I get to dance and sing, and the saying is that ‘On St. Patrick’s Day, everyone is Irish.’” She smiled up at him sweetly. “Even you, Loki.”
Lip curled, he snarled, “Do not assign me a heritage from this insignificant rock!” Traditionally, this sort of elegant sneer would quail Mina, but this time, she gave him a sneer of her own. 
“Oh, you do not disrespect my people, Loki!” She quailed slightly before seeing his curled lip stretch into a smile. 
“My, my. Look at my fierce little banshee! I would not think of it.” Mina gave him the sort of shameless, hopeful grin that crumbled the God of Lies and Mischief’s will more often than he’d care to admit. 
Sliding her hands over his broad shoulders, admiring the hard muscle beneath, she asked, “Does that mean you might be willing to join the group tonight at the Dead Rabbit?”
His elegant head pulled back from hers, “What a truly bizarre name. Does the proprietor wish to drive people away from his tavern?”
Mina cackled a bit. “We Irish are tough. We like it rough and difficult.” She instantly realized her mistake as Loki’s pupils flared.
“Really…” he purred, his deep tone more like a rumble against her spine. “You like it, ‘rough,’ do you, darling?”
It was a desperate scramble to get away from her God’s ruthless grasp, but Mina found herself pulling on her old plaid kilt and cream Irish fisherman’s sweater after a promise to show Loki later the bit of “rough” that a good girl from the Emerald Isle could handle. “My lovely Mina,” he approved, stepping behind her in the dressing room mirror to straighten his cuffs. She’d just pulled on some warm black tights and her knee-high riding boots. “You have a very delectable ‘upper-crust schoolgirl’ sort of look here. I find myself quite interested in knowing what good Irish schoolgirls wear under their kilts.”
“Well, I imagine a big, strong man like you can find out for yourself,” Mina answered primly, then leaped over the bench with a yelp when Loki made a sudden move at her. Chuckling, he straightened his tie and strolled sedately after her.
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It was, of course, vile. Loki sighed in a long-suffering way as he surveyed the crowded bar, one hand securely on Mina’s back. “The sun barely set and here are your countrymen, already intoxicated,” he said, leaning in close so she could hear him over the drunken chorus of “Whiskey You’re the Devil.”
“Oh, look!” Mina shouted back, “There they are! In the Snug.”
“I beg your pardon?” Loki raised a brow.
“The Snug,” Mina was the one carving a path through the partygoers, heading for their friends. “There’s one in every proper Irish bar.  It’s the room right off of the bar where the ladies used to go to have a pint or a sherry and not have to worry about being considered loose. Now the bars just rent them out as a VIP space.”
In his usual fashion, Tony had not only bought out the Snug, which had an excellent view of the rest of the pub, but he also had the management re-create the magnificent, shining walnut bar that ran nearly the length of the main room into a private version for the Avengers. When they drew closer, they found Thor in a handstand with one end of a tube in his mouth and the other in a cask of aged whiskey. 
Sam, Clint, Darcy, and the usually shy Bucky were circling the spectacle, shouting “Drink! Drink! Drink! Drink!” Thor finished the cask and flipped upright with a flourish, raising his huge arms and roaring in triumph.
“What are you wearing?” Loki frowned, all the men were sporting hideous green plaid patterned neckties, and the more drunken amongst them - namely Clint and Tony - had little green bowler hats perched atop their messy hair.
“It was Tony’s idea, where’s your tie?” asked Bruce, who looked distinctly put out that he’d been forced to wear this itchy novelty neckwear while Loki looked as smooth and perfectly put together as always in an onyx Tom Ford suit.
Loki sniffed, “Ideally, at the bottom of the Hudson River.”
Tony stumbled up behind Loki and Mina, sunglasses askew as he looped an arm around each of them. “Your brother knows how to party, Severus Snape! Let’s tap another cask for you!”
“It is a crime to treat a good whiskey so,” admonished Loki, “and Thor must consume twenty or so of those casks for him to find something even approaching intoxication.” Nonetheless, he found himself relaxing and even amused as his Mina dragged Natasha up on to the bar for a round of Irish Ceili dancing, the Russian gracefully moving along as if she’d performed Irish jigs all her life.
“Man, is there anything Natasha can’t do perfectly?” groused Darcy, watching the footwork until it made her dizzy.
Bucky put his arm around her. “She can’t make that cute little noise you make when I…” She dissolved into a round of giggles and Loki rolled his eyes, looking around the pub. There was a thicket of drunk college students, singing along off-key with the Dropkick Murphys, who’d moved on to “Rose Tattoo.” The main bar was claimed by the regulars, who held court and toasted something new at least every sixty seconds, based on the cheers and clinking of glasses. Small islands of tourists floated through the crowd, gripping a beer mug in one hand and a souvenir Dead Rabbit t-shirt in the other. Irish flags were draped in every corner and the light glowed off the massive selection of alcohol behind the bar, bathing everything in a pleasingly golden glow. And… Loki raised one elegant brow. There was a small group of… small people?
“Little people,” Steve said, leaning in. “The correct phrase is little people.”
“Descendants of a visit long past from a group of lustful and irresponsible Nidavellir,” mused Loki, “the dwarves always eager to spread their seed.”
Steve looked alarmed, “I don’t think you want to be floating that theory, Loki. Especially not here, and not tonight.”
Before the God of Mischief could further discuss Nidavellir sex tourism, he heard a loud “Hellooo, Monty!” from his sweet girl, still tip-tapping away atop the bar.
One of the men broke away from the group and waved eagerly. “Éire go Brách, Mina!” 
Leaping rather gracefully from the bar, she took his small hand, greeting him warmly. “Éire go Brách, Monty! I’m so glad you came.”
The gentlemen had a face like a withered crabapple, all wrinkles and slightly sunken, but when he glanced at Loki, there was a spark of… something in his eye. One trickster always knew another, and he recognized the elderly gentleman she’d favored with a dance that afternoon at the park. “Well, when you promised me another dance, my dear, how could I not?” Monty turned to Loki and bent his head in a courtly gesture, “If your date for the evening has no objection, of course.”
Oddly, Loki did have an objection. The gleam in the small man’s eye was growing brighter, and his own emerald ones narrowed. “And what brings you to New York, Monty? Your accent has all the slurs and ellipses of a Dubliner, born and bred.”
Mina’s new friend threw back his head and laughed grandly, “Ach, you’ve caught me. I am, indeed. But I find that here in America, the Irish celebrate this day with greater enthusiasm.”
Just then the Dropkick Murphys launched into “The Boys are Back” and Mina squealed. “Monty! This is my song, let’s go!” And with a final smirk at Loki, her diminutive beau allowed her to pull him into the crowd. 
He stared after them disapprovingly. The Dead Rabbit was even louder - if possible - than it had been when they arrived and the discordant screech of electric guitar and the accompaniment of the Uilleann pipes rose over the crowd.
The boys are back
The boys are back
The boys are back
And they're looking for trouble
Standing on the highway, ???
I'm missing my home, and it's killing me
Down the ramp past the jail, I'm feeling alright
Bought roses for my ladies from a corner delight
It's time to get ready for that song and dance
Let's go my friends, it's time to take a chance
We're back in town, we're gonna get it done
We got nowhere to hide, we got nowhere to run
It's been a long time coming,
It's been a long time coming,
The boys are back
The boys are back
The boys are back
And they're looking for trouble
And in the blink of an eye, Mina and her questionable dance partner were swallowed up into the crowd. “Did he not seem unnatural to you?” Loki asked Tony, who was leaning heavily on his shoulder and wrinkling the perfect cut of his jacket.
Tony stumbled back, “Woah, Lokes, prejudiced much? What’s next, snide comments about the little people always being after your Lucky Charms?” He said the last in a deplorably bad Irish accent, and Loki’s brow furrowed. Tony (partially sober) was just barely endurable. Completely intoxicated Tony was a punishment that could make the strongest Asgardian choose Odin’s dungeons over Stark Tower.
Bucky gently elbowed Tony into a seat, where his head tipped back and a gentle snore rose from his slack mouth. “Ignore him, Loki. What’s the problem?”
“Most pressing,” he said, “is that my dear Mina seems to have disappeared into this drunken throng with a most untrustworthy creature.”
“Takes one to know one,” Bucky agreed, but he refused to take offense, still searching the crowd. Looking around, he frowned. “And where’s Darcy and Jane? And Pepper? And Natasha?” By now the others were closing in. Thor shouldered his way into the knot of drunken, flailing New Yorkers and Clint hopped up on the table.
Pale hands shooting out, Loki sent a silver stream of energy that coiled and ripped around the pub, curling and snaking along, but there was no sign of the women. “By the NORNIR!” he shouted. “Why? Why must it always be the holidays? You Avengers are a curse, I swear it!”
“Huh?” Tony woke up, standing and rubbing his face. “What?”
Loki turned on him. “You will never heed my warning, will you? All our women- they are gone. Gone!”
“Aw, damn,” sighed Steve, "AGAIN?"
Chapter Two is up tomorrow. You know, the one with all the smut.
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I'm starting over with a vague memory of who might like my Loki and Avengers tales. If you would like on or off this list, please let me know! Thank you. Mwah!
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@sweater-daddiesdumbdork
@the-soulofdevil
@americasass81
@mdemontespan1667
@sultry-rachael
@myoxisbroken
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@notpedeka
@narnianarcher
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@winterslove1917
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@hawkeyes-queen
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@stevihj
@lizette50
@jevans2
@wolfsmom1
@devikafernando
@wegingerangelica
@nildespirandum
@alexakeyloveloki
@thebatshitcrazyfangirl
@thehumming6ird
@archy3001
@iheartsebastianstan
@tomstinkerbell
@wolfpawn
@rayofdawnworld
@thecutestlittlebunbunfairy
@dangertoozmanykids101
@alexakeyloveloki
@nuggsmum
@boredbrooder
@fairlightswiftly
@inkededucatednnerdy
@nonsensicalobsessions
@viv-annelore
@eleniblue
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d-criss-news · 4 months ago
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How Sondheim and Burnett Got Darren Criss to Provincetown
Provincetown hasn’t been compared to The Godfather or Star Wars very often, but those are the examples actor and singer Darren Criss names in acknowledging that his July 21 town hall appearance will be his first visit here.
“Provincetown is like that movie that you haven’t seen but you don’t want your friends to know you haven’t seen, so you don’t incur their wrath and ridicule and disbelief,” he says, noting that several of his good pals visit often. “I don’t bring up that I haven’t been there because my friends will give me crap. I haven’t avoided it — I’ve really wanted to go. Finally, the stars aligned quite nicely.”
Maybe the stars had a little help from Carol Burnett.
Host and accompanist John McDaniel, a Grammy and Emmy award-winning musician, says he invited Criss to be part of his summer Broadway series here after Criss performed on 2023’s Carol Burnett: 90 Years of Love + Laughter TV birthday special. McDaniel was the music director.
Criss’s best-known roles are his breakout portrayal of Blaine for five seasons (2010 to 2015) on Glee in a milestone-for-mainstream-TV gay romance with Chris Colfer’s Kurt, and his 2018 Emmy- and Golden Globe-winning turn as spree killer Andrew Cunanan in The Assassination of Gianni Versace: American Crime Story. (Both roles came thanks to producer and Provincetown part-timer Ryan Murphy.)
In addition to acting and singing — including Glee’s “Teenage Dream” cover that climbed the Billboard charts — Criss is a songwriter. He first won notice for co-writing and starring in 2009’s A Very Potter Musical parody for the Chicago-based StarKid Productions, which he co-founded. Criss’s A Very Darren Crissmas generated national holiday tours.
Shortly after Criss wrote the opening number for the 2022 Tony Awards, his friend Paul Miller, director of the Burnett tribute, asked him to refashion Stephen Sondheim’s “Side by Side” from Company into an homage to Burnett’s famous duets with celebrity guest stars.
In what he called “one of the coolest things I’ve ever gotten to be a part of,” Criss performed “Burnett’s Duets” for the star-studded birthday-party special with Broadway’s Sutton Foster. That came after he meticulously dissected Sondheim’s music to fit new lyrics and fine-tuned the arrangement with McDaniel.
“When I was doing this,” Criss says, ��in my mind, I was going, ‘What would the ghost of Sondheim be OK with?’ ”
More Broadway music will be on Criss’s mind in Provincetown for what he says will be an unusual program because it likely won’t include original work or him playing guitar or piano; McDaniel will accompany him. Criss prides himself on not performing the same live show twice and plans to include Broadway songs he’s not yet sung in public.
That said, he recognizes fans might want to hear something connected to his own Broadway star turns. Those include — besides the nonmusical American Buffalo in 2022 — How to Succeed in Business Without Really Trying in 2012 and 2015’s Hedwig and the Angry Inch. Plus, earlier this year, Criss starred in off-Broadway’s Little Shop of Horrors.
In September, he’ll originate a Broadway role for the first time, headlining Will Aronson and Hue Park’s musical Maybe Happy Ending. Criss plays an outdated, retired robot in futuristic Seoul who explores the nature of love with another retired robot (Helen J. Shen). To try to help boost its U.S. profile, Criss is also a producer of the musical, which has been a hit in Korea, China, and Japan. Its Broadway debut will be directed by Michael Arden (2023 Tony Award for Parade, Spring Awakening), a longtime Criss friend who directed the English-language debut in 2020 in Atlanta.
Criss is excited but nervous about the piece; he says it’s intimate and epic at once. “There’s an excitement about the uniqueness and specialness of this show that I’ve never encountered before,” he says. “So that’s either going to crash and burn and blow up in our faces or catch on. I don’t know, but the prospect is very thrilling.”
Criss, who is straight, made headlines this spring for comments at a Chicago expo about being “culturally queer” because of his admiration for the LGBTQ community. “The things in my life that I have tried to emulate, learn from, and be inspired by are 100 percent queer,” he said then, later adding that “it was in queer communities that I’ve found people that I idolize, that I want to learn something from.”
“That had to be the slowest news day ever,” Criss says about his comments getting attention — especially because he’s talked many times before about similar things, including how much it meant to be part of Glee’s Blaine-Kurt relationship story.
Beyond Provincetown and Broadway, in August Criss’s voice will be heard in an unusual spot: on season 10 of Netflix’s Gabby’s Dollhouse, a children’s show, as the new Marty the Party Cat, magical host of the Party Room. It’s a voice role Criss says was planned long before his two-year-old daughter and seven-week-old son were born to him and his wife.
Marty is described by Netflix as a lovable, “exuberant goofball” who has a big heart and the ability to laugh at himself.
“He’s a fun guy,” Criss says. “I’m aspirationally Marty the Party Cat.”
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saucy-mesothelioma · 1 month ago
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October 9th: Creature Feature | Tremors
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Tremors was released in 1990 and was directed by Ron Underwood. Two repairmen, Val McKee (played by Kevin Bacon) and Earl Bassett (Fred Ward), are ready to move on to bigger things than what can be found in their small town of Perfection, Nevada. But when mysterious deaths start occurring and a local seismologist named Rhonda (Finn Carter) begins to get strange readings, their trip gets put on hold. With the help of other locals such as cattle rancher Miguel Sanchez (Tony Genaro) and the libertarian doomsday-survivalist couple Heather (Reba McEntire) and Burt Gummer (Michael Gross), they must not only figure out what is killing of their neighbors but also figure out how to put a stop to it.
Tremors doesn't get as much love as it should, which is an absolute shame. In my opinion, it is probably one of if not the best B horror flicks of all time. The reason I picked Tremors out of all of the Creature Features is not just from the creatures themselves (called graboids), but for the fact that it's a smart movie pretending to be a dumb one. The characters are smart: they come up with plans and if one fails, they quickly brainstorm to think of another. The audience is allowed to speculate alongside the heroes as they learn more about the graboids and how they work, and the fact that the characters make pretty rational decisions gives such a sense of justification. It's funny, well-shot, and the creatures are entirely practical, and that makes Tremors an absolute gem of a movie.
It can be watched for free on Internet Archive.
Content Warnings for the Film (may contain spoilers): slight objectification of women (really only in the first part of the movie), violence, monster gore (it's orange though, just looks like pumpkins because it was), humans being eaten (not really graphic), dead animals (only aftermath shown)
Once more, get ready for some behind the scenes info because the practical effects in this movie are STUNNING.
The graboids were designed by Tom Woodruff Jr and Alec Gillis and this film was actually the first one their company Amalgamated Dynamics worked on (you might recognize them from Death Becomes Her, Sam Rami's Spider-Man films, the original Jumanji, IT, Alien 3, and Smile). The design was based off of snapping turtles, slugs, and rhinos, and were completely done with practical effects in the first film (although CGI with some practical effects would be used to varying levels in the later films). For their movement underground, boat buoys in a dirt trench covered by a layer of latex rubber was used, and the graboid guts were made of cotton batting stuffed in pantyhose that was then covered in slime and pumpkin pie filling. Since the graboids were so large, quarter scale models were seamlessly blended with full scale ones in order to get all of the shots they wanted, as well as a mixture of animatronics and puppets (both cable and hand). Tom Woodruff Jr actually puppeteered the full sized graboid named Stumpy from underground, with only an oxygen tank and flashlight down there with him. What a fucking king. Also fun fact, Arianna Richards plays the pogo-stick girl named Mindy, who is best known for her role as Lex Murphy in Jurassic Park.
If you want to see some of the Behind the Scenes footage, here's some great videos talking and showing the process behind it.
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Y'all it's so beautiful I can't
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satansapostle6 · 10 months ago
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Characters I Write For
Please message me with any ideas/requests! I need ideas(short fics or series)
Mostly write for fem!readers. I can write fluff, angst, smut, etc. If I’m not comfortable with something I can let you know
Character/Actor List
Favorite Characters/Actors To Write For
Draco Malfoy, Weasley twins
Jesse Pinkman
Paul Dano characters
Josh Hutcherson characters
Dean Winchester, Sam Winchester, Castiel
Damon Salvatore, Silas, Klaus Mikaelson, Kol Mikaelson
Rodrick Heffley
Bellamy Blake
Ezra Fitz(should probably make it clear I don’t condone)
Ian Duncan(Community)
Charlie(It’s Always Sunny)
Luke Castellan, Percy Jackson, Annabeth Chase
Finnick Odair
Tommy Shelby
Killian Hook
Paul Dano
Klitz(The Girl Next Door)
Dwayne Hoover(Little Miss Sunshine)
Edward Nashton(The Batman)
Calvin Weir-Fields(Ruby Sparks)
Brian Wilcox(Fast Food Nation)
Joby Taylor(For Ellen)
Nick Flynn(Being Flynn)
Josh Hutcherson
Peeta Mellark(The Hunger Games)
Mike Schmidt(FNAF)
Josh Futturman(Future Man)
Devon Bostick
Rodrick Heffley(Diary of a Wimpy Kid)
Jasper Jordan(The 100)
Cillian Murphy
Tommy Shelby(Peaky Blinders)
Dr. Jonathan Crane(The Dark Knight)
Neil(Watching the Detectives)
Christian Bale
Patrick Bateman(American Psycho)
Bruce Wayne(The Dark Knight)
Breaking Bad
Jesse Pinkman
Jane Margolis
Saul Goodman
Harry Potter(Golden Trio Era)
Harry Potter
Ron Weasley
Hermione Granger
Fred Weasley
George Weasley
Ginny Weasley
Luna Lovegood
Neville Longbottom
Draco Malfoy
Pansy Parkinson
Blaise Zabini
Theodore Nott
Daphne Greengrass
Adrian Pucey
Terence Higgs
Harry Potter(Marauders Era)
James Potter
Remus Lupin
Sirius Black
Lily Potter
Severus Snape
Regulus Black
Lucius Malfoy
Narcissa Malfoy
Bellatrix Lestrange
Arthur Weasley
Harry Potter(Fantastic Beasts Era)
Newt Scamander
Queenie Goldstein
Leta Lestrange
Percy Jackson
Percy Jackson
Annabeth Chase
Luke Castellan
Thalia Grace
Jason Grace
+ Gods
Criminal Minds
Spencer Reid
Aaron Hotchner
Emily Prentiss
Derek Morgan
JJ
Penelope Garcia
David Rossi
Elle Greenaway
Cat Adams
Megan Kane
Supernatural
Dean Winchester
Sam Winchester
John Winchester
Mary Winchester
Castiel
Charlie Bradbury
Rowena McLeod
Adam Milligan
Lucifer
Ruby
Jessica Moore
Gabriel
Benny Lafitte
Bela Talbot
Jo Harvelle
Ellen Harvelle
Superstore
Jonah Simms
Amy Sosa
Marcus White
Garrett McNeill
Dina Fox
Cheyenne Lee
Bo Thompson
Gilmore Girls
Lorelai Gilmore
Christopher Hayden
Luke Danes
Logan Huntzberger
Jess Mariano
The Hunger Games
Peeta Mellark
Katniss Everdeen
Gale Hawthorn
Finnick Odair
Johanna Mason
Haymitch Abernathy
Pretty Little Liars
Aria Montgomery
Spencer Hastings
Emily Fields
Hannah Marin
Mona Vanderwaal
Alison Di Laurentis
Jason Di Laurentis
Ezra Fitz
Toby Cavanaugh
Jenna Marshall
Caleb Rivers
The Vampire Diaries
Damon Salvatore
Stefan Salvatore
Katherine Pierce
Elena Gilbert
Jeremy Gilbert
Bonnie Bennett
Caroline Forbes
The Originals
Klaus Mikaelson
Elijah Mikaelson
Kol Mikaelson
Rebekah Mikaelson
Freya Mikaelson
Hayley Marshall
Marcel Gerard
Davina Claire
Twilight
Edward Cullen
Bella Swan
Alice Cullen
Jasper Hale
Rosalie Hale
Emmett Cullen
Victoria
The 100
Bellamy Blake
Octavia Blake
Jasper Jordan
Shameless
Fiona Gallagher
Lip Gallagher
Carl Gallagher
Frank Gallagher
Mandy Milkovich
Kevin Ball
Veronica Fisher
The Bear
Carmy Berzatto
Sydney Adamu
Richie Jerimovich
Suicide Squad
Harley Quinn
Rick Flag
Blackguard
Once Upon A Time
Emma Swan
Regina Mills
Killian Jones
Rumplestiltskin
Robin Hood
Ruby
Hades
Community
Jeff Winger
Abed Nadir
Annie Edison
Troy Barnes
Ian Duncan
It’s Always Sunny In Philadelphia
Charlie Kelly
Dennis Reynolds
Dee Reynolds
Mac
Cricket
House MD
Greg House
Robert Chase
James Wilson
Lisa Cuddy
Parks and Recreation
Ben Wyatt
April Ludgate
Andy Dwyer
MCU, Marvel
Steve Rogers
Tony Stark
Natasha Romanoff
Bruce Banner
Wanda Maximoff
Loki Laufeyson
Peter Parker(Holland, Garfield, Maguire)
Gamora
Peter Quill
Scott Lang
Steven Strange
Jessica Jones
Wade Wilson
DC CW
Oliver Queen
Barry Allen
Felicity Smoak
Laurel Lance
Sara Lance
Malcom Merlyn
John Constantine
Leonard Snart
Ray Palmer
Caitlyn Snow
Julian Albert
Rip Hunter
10 Things I Hate About You
Patrick Verona
Cameron James
New Girl
Jess Day
Nick Miller
Schmidt
Other Characters
Charlie Kelmeckis(Perks Of Being A Wallflower)
Jesse Eisenberg Characters
Dr. Who(10th Doctor)
Will Probably Add More
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behindthemirrorofmusic · 4 months ago
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My interview with Carmen Cusack is now available to watch!!
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Carmen is known for her incredibly versatile voice her stage credits range from Christine Daaé in "The Phantom of the Opera" to Fantine in "Les Miserables", Dot in "Sunday in the Park with George", Nellie in "South Pacific", Mrs Lovett in "Sweeney Todd" and Elphaba in "Wicked".
She also created the Tony nominated role of "Alice Murphy" in Steve Martin's "Bright Star" on Broadway and recently starred in the new Broadway production "Flying Over Sunset".
In this interview we discuss her times on Broadway, West End and beyond, her upcoming projects, the difficulty of singing Elphaba eight times a week, the feeling of singing Sondheim and working with Steve Martin on "Bright Star".
We also touch on companies mistreating actors and other darker sides of the industry.
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relatableblorbopoll · 1 year ago
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Preliminaries
Here's how it will work:
The first round will consist of 18 polls of 6 participants each, the first two places get a place on the bracket
For the second round, there will be 12 polls of 6 participants each, the first two places get a place on the bracket
The third round will consist of 4 polls of 12 participants each where there will be a (metaphorical) knife battle to the death where only one character from each poll will get in the bracket
All pairings of groups are randomly generated
Check after the read more for the full list of participants and for the groups of the first round of preliminaries
Group 1 poll
Nimona (Nimona)
Twelfth Doctor (Doctor Who)
Blue/Green Oak (Pokémon Green/Blue/Red)
Jack Reacher (Reacher Series)
Tsubakura Enraku (Len'en Project)
Albedo (Genshin Impact)
Group 2 poll
Jessica Day (New Girl)
Daniel LaRusso (Karate Kid)
Omota Uramichi (Life Lessons with Uramichi Oniisan)
Jack Spicer (Xiaolin Showdown)
Hatsune Miku (Vocaloid)
Eichi Tenshouin (Ensemble Stars)
Group 3 poll
Conner Bailey (The Land of Stories)
Lucy Honeychurch (A Room With A View)
Greg Heffley (Diary of a Wimpy Kid)
Gideon Nav (The Locked Tomb)
Akaashi Keiji (Haikyuu!!)
Burgerpants (Undertale)
Group 4 poll
Legosi (Beastars)
Stephen Stills (Scott Pilgrim comics)
Sunny (Omori)
Tony Stark (Marvel Avengers)
Rookie (Club Penguin)
Charlie Morningstar (Hazbin Hotel)
Grupo 5 poll
Melissa Chase (Milo Murphy’s Law)
Candace Flynn (Phineas and Ferb)
V-Flower (Vocaloid)
Ciaphas Cain (Warhammer 40k)
Percy Jackson (Percy Jackson series)
MK (Lego Monkie Kid)
Group 6 poll
Jesper Fahey (Six of Crows)
Crowley (Good Omens)
Dave Strider (Homestuck)
Junior (Total Drama Presents: The Ridonculous Race)
Kim Dokja (Omnicient Reader's Viewpoint)
Donutella (Tokidoki)
Group 7 poll
Rigby (Regular Show)
Angua (Discworld)
Cao Weining (Word of Honor)
Aang (Avatar: The Last Air Bender)
Okuyasu Nijimura (Jojo's Bizarre Adventure)
Shin Tsukimi (Your Turn to Die)
Group 8 poll
Stanford Pines (Gravity Falls)
Miles "Tails" Prower (Sonic The Hedgehog Franchise)
Jonathan Sims (The Magnus Archives)
Ford Prefect (The Hitchhiker’s guide to the Galaxy)
Shaun Murphy (The Good Doctor)
Sonic (Sonic The Hedgehog Franchise)
Group 9 poll
Overlord (Bad End Theater)
Denji (Chainsaw Man)
Abed Nadir (NBC Community)
Entrapta (She-Ra and the Princesses of Power)
Gren (The Dragon Prince)
Ocean O'Connell Rosenberg (Ride The Cyclone)
Group 10 poll
Nagisa Ran (Ensemble Stars)
Waver Velvet (Fate series /The Case Files of Lord El-Melloi II)
Shuichi Saihara (Danganronpa V3)
Opossums (real life)
Midori Takamine (Ensemble Stars!! Music)
Seven of nine (Star Trek)
Group 11 poll
Mae Borowski (Night in the Woods)
Shigeo Kageyama / Mob (Mob Psycho 100)
Barry the Quokka (The Murder of Sonic the Hedgehog)
Kaveh (Genshin Impact)
Yusuke Kitagawa (Persona 5)
Nanami Kento (Jujutsu Kaisen)
Group 12 poll
Rod (Avenue Q)
Missi (Vampair Series)
Lia (The Music Freaks)
Sand (Only Friends)
Pa Jindapat (Bad Buddy)
Sara Murphy (Milo Murphy’s Law)
Group 13 poll
Cecil Gershwin Palmer (Welcome to Night Vale)
Noah (Total Drama Series)
Basil (Omori)
Stanley Pines (Gravity Falls)
Wen Ning (Mo Dao Zu Shi/The Untamed)
Nick (Only Friends)
Group 14 poll
Oz Vessalius (Pandora Hearts)
Sound (My School President)
Luz Noceda (The Owl House)
Gundham Tanaka (Super Danganronpa 2)
Saiki Kusuo (Saiki Kusuo no Psi Nan/The Disastrous Life of Saiki K)
Drew (The Music Freaks)
Group 15 poll
Wen Kexing (Tian Ya Ke / Faraway Wanderers)
Homura Akemi (Puella Magi Madoka Magica)
Nico di Angelo (Percy Jackson Series)
Heinz Doofenshmirtz (Phineas and Ferb)
Reki Kyan (Sk8 the Infinity)
q!Quackity (QSMP)
Group 16 poll
Parker (Leverage)
Gudetama (Sanrio)
Finn the Human (Adventure Time)
Rain O'Fire Frazier (Worm)
Piper Mclean (Heroes of the Olympus)
Norma Khan (Dead End Paranormal Park)
Group 17 poll
Berdly (Deltarune)
Hamlet (Hamlet)
Squidward Tentacles (Spongebob)
Hunter (The Owl House)
Szeth-son-son-Vallano (The Stormlight Archive)
Nami (One Piece)
Group 18 poll
Tobias (Animorphs)
Isaac O'Connor (Paranatural)
Trisana Chandler / Tris (Emelan book series)
Sokka (Avatar: The Last Air Bender)
Haruhi Fujioka (Ouran Highschool Hostclub)
Shinji Ikari (Evangelion)
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mikefaistinfo · 6 months ago
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Interview: Mike Faist Isn’t Sure About This Whole Acting Thing
“I can’t tell if I hate acting or if I love it too much,” he said ahead of the debut of the Amazon series “Panic.” Coming soon, a major role in Steven Spielberg’s “West Side Story.” For now, he’s going to Ohio.
By Elisabeth Vincentelli Published May 27, 2021
Tall and lanky, looking as if he were born wearing Wranglers, Mike Faist cuts quite a striking figure in the Amazon Prime series “Panic”: His character, Dodge Mason, is a Stetson-wearing rodeo dude who breaks untamed horses, then soulfully gazes into their eyes.
That, however, is not at all how the character was written in the Lauren Oliver young adult novel that inspired the show, debuting Friday, in which Dodge and a dozen other small-town teenagers face off in a series of life-threatening challenges — think a naturalistic “Hunger Games” with more class war.
After shooting a pilot in 2018 in upstate New York (where the book is set), the production completely rebooted in Austin, Tex., a year later, and Dodge’s back story was changed to better fit the new locale. Suddenly, the school wimp who was interested in cards and magic had been turned into a Western archetype: the strong, do-right loner who doesn’t say much. Faist went with the flow.
“Ciphers can be really boring,” said Oliver, who also wrote the screenplay, “but he manages to capture the power inherent in a certain level of invisibility.”
Dodge is quite a departure for Faist, who is best known for his Tony-nominated performance as the tormented, cynical Connor Murphy in the Broadway musical “Dear Evan Hansen.” Blessed with a rangy charisma and a bone structure that appears to have been carved with a scythe, the actor, now 29, could have easily coasted in “Panic.” But his sensibility is closer to that of such atypical leading men as Adam Driver, and he modernizes a potentially boilerplate part.
“Mike really didn’t want to be a caricature, but I don’t think he ever could be,” said Jessica Sula, who plays Natalie, Dodge’s love interest in “Panic.” She recalled that when shooting resumed in Texas after a Covid-19-imposed pause, Faist chose to live in a trailer on a plot of land with his rescue dog, Austin.
“He’s just so fabulously ridiculous and wonderful,” she said of Faist, laughing fondly.
Faist’s own course has been ascendant since he dropped out of acting school at 18, and his plum role in Steven Spielberg’s highly anticipated “West Side Story” as Riff, the leader of the Jets, should put him on Hollywood’s speed dial when it debuts in December. (Shooting wrapped in September 2019.)
And yet the actor spent much of a recent conversation candidly admitting to ambivalence and incertitude. He spent some of the past year driving around the country with Austin and writing a screenplay. He has been turning down offers and is now selling his Brooklyn apartment and heading back to Ohio.
Faist was warm and laid back on a recent sunny morning in Park Slope, and he laughed a lot in what seemed to be protective self-deprecation as he pondered his future, professional and otherwise. These are edited excerpts from the conversation.
How did they spring the new Dodge on you?
It was still the same elements in terms of, “Oh, here’s the new guy,” but instead of, like, a weird magician, he’s now a … cowboy? I was like, “What do you mean, I’m now a cowboy?” They were like: “Yeah, yeah, you’ll be fine. Maybe try an accent.”
You do look pretty comfortable playing a horse whisperer.
I’d never worked with a horse in a production before. There were two of them: a very calm, gentle horse and a skittish one. We just ended up working with this skittish horse because it was actually doing stuff. The scene where the horse moves toward me was not planned or choreographed at all. They are, you know, unpredictable.
It might have been less intimidating than a sex scene. Is the one with Jessica Sula your first as an actor?
Maybe. I don’t know.
Wouldn’t you remember?
You’d think! I did do a romantic scene [onstage] in “A Month in the Country” with Taylor Schilling. I remember getting a pretty [expletive] review. [Laughs.]
Since the fall of 2018, you’ve gone back and forth between “Panic” and “West Side Story.” How did you handle these very physical projects?
For “West Side,” I found these Bruce Davidson photos of Brooklyn gangs from the late ’50s. If you look at their photos, these guys are emaciated, they have tattoos, and they look wired. Any money they had, they would pool and buy cheap wine and maybe they would have French fries or something. Then they were doing drugs. So I was like, “I need to lose some weight.” But my body was totally breaking down. Then I tried to bulk up as much as possible for “Panic” — just eating potatoes.
Did you do any kind of special training?
I started going to the Mendez boxing gym in Manhattan for “West Side.” I was working with John Rosado, who was raised in New York, Puerto Rican, badass. He was like, “I can’t believe I’m training a Jet!”
Your first big job was in the Broadway musical “Newsies,” which is quite dance heavy. Still, was it daunting to audition for “West Side Story”?
I put together a tape, and then they said, “We want you to come back in and dance.” I was like, “Is there any way you could not have me dance?” They were like: “What are you talking about? This is ‘West Side Story’!” The only saving grace is that Justin Peck [the choreographer] and I have similar body types: tall, nothing but arms and legs. They had their work cut out for them in order to get me up to snuff.
Why aren’t you in the upcoming “Dear Evan Hansen” movie alongside your former co-star Ben Platt?
I feel like I couldn’t do it. I started that when I was, like, 21, and was with it for five or six years. When you’re doing eight shows a week, it very much turns into relying on your technique and the job of it. And the show was such a zeitgeisty thing. It really took a lot out of me, and I didn’t really have it in me anymore.
With “Panic” and “West Side Story” behind you, what are you lining up?
Maybe this is so pretentious, but “West Side” was everything I had ever hoped to accomplish as an actor. It’s really crazy, but it was transcendental: either I didn’t feel like I was myself, or I was the most authentic version of myself. I can’t really tell which one. Having gone from having no money, wanting to just be a working actor — I don’t want to just be a working actor anymore. I had that experience. It [expletive] me up.
What did?
“West Side,” in the best of ways. I can’t unsee what I’ve seen. The pandemic nearly killed us and — what, I just want to be an actor? That’s ridiculous. [Laughs.] I don’t care enough. It’s a weird thing: I can’t tell if I hate acting or if I love it too much. It’s not like I don’t plan on doing it. I just don’t want to follow the trajectory of what the industry wants me to do.
Which is what?
Put on a cape and wear a mask. I need to take more agency because no one’s going to do it for me. It’s tricky, but it’s interesting and pretty exciting. I’m going to hang out with my family in Ohio and then start to figure out where I’m going to go. I would like to ultimately be of service and of use; that’s when I feel at my best.
You can find here: https://www.nytimes.com/2021/05/27/arts/television/mike-faist-panic-west-side-story.html
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droughtofapathy · 11 months ago
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The Gilded Age of Broadway Divas: Duets, Trios, and Other Crossovers
While I wait for my matinee show to start, here's our final compilation just six hours before our season finale. If you've been following along with this series, you'll notice how much overlap there is in the theatre. Everyone has been with, or sung with, or played the same role as everyone else. Here is just a taste of the sublime combined talents of our favorite Broadway Divas. And yes, this is my petition to have a musical episode.
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#1: "Lily's Eyes," (The Secret Garden) Miscast 2022 - Audra McDonald and Kelli O'Hara
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I watched this, and my soul transcended space and time. Performed at MCC's 2022 Miscast gala honoring Christine Baranski (of course), Audra and Kelli have a brief tiff about which soprano is worthy of Soprano Island before joining together to sing the most resplendent duet you will ever experience in your life.
The Secret Garden opened on Broadway in 1991 starring Rebecca Luker as Lily. Kelli and Audra are singing the parts of Lily's husband and brother-in-law respectively. And like Lily, Rebecca Luker has since passed away. Knowing that they are singing not only to honor Christine, but also to Rebecca, their dear friend and fellow soprano, is yet another layer of heartbreak. I love this song.
#2: "Move On," (Sunday in the Park with George) Princetown concert 2022 - Audra McDonald & Michael Cerveris
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Former co-stars reunited in Princetown last year to sing this impromptu duet from the Pulitzer-winning Sunday in the Park with George. Sunday is filled with sublime music, and "Move On" is one of the best. In it, Dot appears to George, the grandson of Georges Seurat, and encourages him to move on with his artistry and stop worrying about perfection. The show itself is beautiful and complex, and a proshot is available for your convenience.
Audra and Michael had previously done a three-day, semi-staged production of this show in 2004, also featuring Patti LuPone as Yvonne/Blair Daniels (the role Christine Baranski created in the original pre-Broadway workshop). Interestingly, this trio would move on to take part in the Lincoln Center Broadcast of Passion in 2005 with Audra as Clara (the Marin Mazzie role), and Patti as Fosca (the Donna Murphy role).
Michael Cerveris would play Giorgio multiple times in his career, including the 10th Anniversary concert with Marin and Donna.
#3 Tonight: Quintet (West Side Story) - Lucky to Be Me: The Music of Leonard Bernstein (2010) - Kelli O'Hara, Donna Murphy, Michael Cerveris
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Speaking of Michael Cerveris and Donna Murphy, and joined by Kelli O'Hara, this audio comes from a 2010 concert celebrating the music of Leonard Bernstein. The youtube video incorrectly attributes this to a 2012 concert, but it is not.
"Tonight (Quintet)" is, of course, from West Side Story, where Bernstein wrote the music, and Sondheim wrote the lyrics. Because this was a concert, certain singing parts are taken by those who would not sing such parts in a full production...anymore. (Lest we forget Natalie Wood in the movie.)
Donna sings Anita, and Kelli sings Maria, the two young Puerto Rican women in the show. And I think we'll leave that there. Michael Cerveris sings the part of Riff, and they are joined by Cheyenne Jackson as Tony.
Also featured in this concert is the amazing, incredible, beloved soprano Victoria Clark, who has starred opposite all three of our Gilded Age actors at one point or another. As the Margaret to Kelli's Clara (Light in the Piazza), the Sally to Donna's Phyllis (Encores! Follies), and in Titanic with Michael Cerveris. Theatre, it's all connected.
#4: LoveMusik (2007)
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A little more on LoveMusik. While I've already detailed a little on my Donna Murphy post, here's some more about Michael Cerveris, two-time Tony winner. As Kurt Weill, Michael was nominated for a Tony, Drama Desk, Outer Critics Circle, and Drama League Award, but did not win any. While the show itself was given mixed reviews, the performances of Donna and Michael were almost universally praised.
The 2007 Tony Award for Best Leading Actress in a Musical included three Gilded Age nominees. Debra Monk (Curtains), Audra McDonald (110 in the Shade) and Donna Murphy (LoveMusik). All three lost to Christine Ebersole of the Grey Gardens variety. Fair. I suppose. However, Audra and Donna tied for the Drama Desk. And there WAS a wonderful clip of their award ceremony online for years, except now that I need it for this, it's been taken down. Of course.
#5: "At the Ballet," (A Chorus Line) - Audra McDonald & Kelli O'Hara
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Joined by Megan Hilty, Kelli O'Hara and Audra McDonald performed "At the Ballet" from A Chorus Line at a Lincoln Center Marvin Hamlisch tribute in 2013. Audra showcases a robust lower range I simply adore. Unfortunately the lower key change leaves Kelli's soprano in an awkward place, but I love her anyway.
A Chorus Line is one of the musical theatre greats, and while "At the Ballet" is often overshadowed by "What I Did for Love," it's my personal favorite. The original stage show ran for 6,137 performances, and was nominated for twelve Tonys, winning nine. After Follies, this is the show I most want to see fully staged. A 50th Anniversary revival was rumored back in 2016 for 2025, but I'll believe it when I see it.
#6: The Ladies Who Lunch (Company) - Take Me to the World: A Sondheim 90th Celebration - Christine Baranski & Audra McDonald (ft. Meryl Streep)
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Legends. Icons. Divas. What more can I say about "The Ladies Who Lunch," performed by Christine Baranski, Audra McDonald, and Meryl Streep, mother to Louisa Jacobson? As the story goes, they had done so many takes that by this time, they were well and truly on their way to being drunk. And yet, Audra McDonald still sounds more exquisite than anyone on earth.
I watched this when it premiered "live" on YouTube during the early days of the pandemic. Several Broadway stars who would go on to The Gilded Age are featured, including Kelli O'Hara, Laura Benanti, Nathan Lane, and Michael Cerveris.
It has been almost four years, and I have still not recovered from this song's placement in the concert. Picture it: you have just been emotionally wrung out by Donna Murphy's revelatory "Send in the Clowns," sung whilst seated in front of an Al Hirshfeld print of Passion, with her cleavage out in true Mrs. Astor fashion. And then suddenly there's jaunty Company music, and an illustration of the great Elaine Stritch with her martini glass high. And then there is Christine Baranski in a bathrobe and a truly massive glass of red wine. And you think it cannot get any better. And then the second verse hits and there's Meryl Streep with a cocktail mixer. AND THEN Audra Fucking McDonald. They put those two songs back-to-back and expected me to recover one day? As if.
Bonus: "Lips Together, Teeth Apart" (2018) - Nathan Lane & Christine Baranski
While not a musical performance, I would be remiss if I didn't direct your attention to this masterpiece. Did you ever think you'd hear Aunt Agnes gunning to see Ward McAllister's dick? No? Well, here it is. Terrence McNally wrote "Lips Together, Teeth Apart" specifically for his 1991 original cast which included Christine as Chloe and Nathan Lane as her brother Sam. And they are going through marital troubles with their respective spouses. Nathan and Christine reunited in 2018 to perform this scene for McNally's 80th Birthday.
But the Gilded Age connection doesn't stop there:
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In 2019, The New York Times Magazine ran a special "America 2024" issue, as a tribute to Terrence McNally. The whole thing is a fantastic read, and I'd recommend it. In it features photoshoots depicting scenes from several of McNally's plays, including "Lips Together, Teeth Apart." And look who's here: Donna Murphy as Chloe (the Christine Baranski role), Broadway's Leading Man Brian Stokes Mitchell, Michael Shannon as Sam (the Nathan Lane role), and Katie Finneran.
And on one of four covers for this issue, Celia Keenan-Bolger.
With that, the conclusion to my little Diva miniseries. I hope you've found this as entertaining as I have. And if you'd like me to go into more detail about anything you've seen throughout this series, let me know, because I have so much more gossip and drama that I had to restrain myself from adding.
LINK TO MASTERPOST
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aceditwrites · 1 year ago
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The Master List (hi)
Master List:
Hi, i’m ace. I got really bored and i need an excuse to procrastinate on my personal writing projects so i decided to start an account dedicated to just writing. So like, you can request almost anything (limits below) like if you want like a platonic fic just ask! If you want the reader to be the kid or sibling of the character, i’ll do it! You can be as specific or as vague as you want, eventually i’ll get some prompts for help but for now, you gotta wing it. Also I’ll write for like any fandom even if i dont know it, i’ll try my hardest but i’d prefer if you stuck to the list below. Anyways yeah.  (also pfp is nyurei on picrew)
So basic rules, 
If youre an nsfw account dni, also i will not write smut regardless of age given i’m a minor
No incest 
I’m currently only doing x readers, that might change in the future but for now no ocs or ships
I’d prefer if you didn’t request x reader with an actual person, (ex. Instead of asking for a Maya Hawke x reader, ask for a Robin Buckley x reader)
If you know a character’s sexuality and you dont fit, dont ask (ex. Nico is gay, I will not write Nico x fem! reader)
Please specify pronouns when requesting 
Please keep in mind i’m not a professional writer 
Please use common sense and dont do something that makes me have to update the rules
Anyways, so fandoms i’ll write for
It 2017/2019: Richie Tozier, Eddie Kaspbrak, Stanley Uris, Bill Denbrough, Beverly Marsh, Ben Hanscom, Mike Hanlon (specify if you want 2017 or 2019)
Percy Jackson: Percy Jackson, Annabeth Chase, Grover Underwood, Piper McLean, Jason Grace, Leo Valdez, Hazel Levesque, Frank Zhang, Connor Stoll, Travis Stoll, Nico Di Angelo, Will Solace
Supernatural: Dean Winchester, Sam Winchester, Castiel, Gabriel, Kevin Tran, Crowley, Charlie Bradbury, Rowena (does girly have a last name 💀), Jack Kline (platonic only)
South park (platonic only for everyone, they’re children): Kyle Broflovski, Stan Marsh, Eric Cartman, Kenny McCormick, Butters Scotch, Tolkien Black (or is it Token? I swear its always spelled different), Timmy, Craig Tucker, Tweek Tweak, Jimmy Valmer, Wendy Testaburger 
Jurassic World Camp Cretaceous/Chaos Theory: Darius Bowman (i’d prefer if we kept it platonic with him but romance is ok i guess), Kenji Kon, Brooklyn, Yasmina Fadoula, Sammy Guiterrez, Ben Pincus, 
Marvel: Tony Stark (platonic only, so sorry) Steve Rodger, Bucky Barnes, Natasha Romanoff, Wanda Maximoff, Peter Peter, Ned Leeds, M.J, Harley Keener, Thor Odinson, Loki Odinson, Shuri, T'Challa, Okoye
The Owl House: Luz Noceda, Willow Park, Amity Blight, Edric Blight, Emira Blight, Gus Porter, Eda Clawthorne, Lilith Clawthorn, Hooty (platonic preferred, but if you freaky like that go ahead and ask for romance, see what happens), Raine Whispers
The Umbrella Academy: Luther, Diego, Alison, Klaus, Five (would he date a kid or an adult cause-), Ben (he can be alive or yall could be ghosts), Vanya 
Dear Evan Hansen: Connor Murphy (my beloved), Evan Hansen, Jared Kleinman, Zoe Murphy, Alana Beck
Heather: Heather Chandler, Heather McNamara, Heather Duke, Veronica Sawyer, Jason Dean, Martha Dunnstock
Invincible: Mark Grayson, Debbie Grayson, Eve Wilkins, Rex Splode, Amber Bennet, William Clockwell
Idk how any of this works but uh have fun
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brokehorrorfan · 1 year ago
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Ruby Gillman, Teenage Kraken will be released on Blu-ray and DVD on September 26 via Universal. The 2023 DreamWorks computer-animated family action-comedy is currently available on PVOD and hits Digital on August 29.
Kirk DeMicco (The Croods) and Faryn Pearl co-direct from a script by Pam Brady (South Park: Bigger, Longer & Uncut) and Brian C. Brown & Elliott DiGuiseppi (Lucy in the Sky). Lana Condor, Toni Collette, Annie Murphy, Colman Domingo, and Jane Fonda star.
Special features are listed below.
Special features:
Audio commentary by director Kirk DeMicco, co-director Faryn Pearl, producer Kelly Cooney Cilella, head of character animation Carlos Fernandez Puertolas, and head of cinematography Jon Gutman
Deleted scenes with intros by co-director Faryn Pearl
Squad Solidarity: Adventures in ADR
The Kraken: Myth or Monster
Meet the Gillman Cast
The Kraken Krew: Meet the Humans Behind the Gillmans
Prom Stories
Super Sea Girl Besties
Oceanside Drawing Guide
Make Your Own Aquarium
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Dive into the turbulent waters of high school with this heartwarming action comedy about a shy teenager who discovers that she’s part of a legendary royal lineage of mythical sea krakens and that her destiny, in the depths of the oceans, is bigger than she ever dreamed. Learning to be an all-powerful sea creature while hiding among humans is hard enough for Ruby, but to make matters worse, her super popular new bestie, Chelsea, is secretly a mermaid! Mermaids have been battling the krakens for eons to rule the ocean, but Chelsea has come to land to finally put an end to that conflict. However, when Chelsea double-crosses her, Ruby will ultimately need to embrace who she is and go big to protect those she loves most.
Pre-order Ruby Gillman, Teenage Kraken.
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broadwaydivastournament · 8 months ago
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A Birthday Tribute to Stephen Sondheim
We interrupt your regularly scheduled Diva posts and polls with a 24-hour Stephen Sondheim lockdown to recognize an honorary Broadway Diva and certified musical theatre god.
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Stephen Joshua Sondheim (1930) was a legendary composer and lyricist who essentially reinvented the American musical with his soaring scores and fiendishly clever lyrics. With Oscar Hammerstein as his mentor, he began his Broadway career writing lyrics for West Side Story (1957) and Gypsy (1959). Throughout his life, he won eight Tony Awards, including a Special Tony, more than any other composer. His dedicating to writing fascinating, flawed, fantastic roles for women (particularly women of a certain age) means his work is some of the most sought-after of our Divas.
Sondheim Theatre and Concert Credits:
I have done the research and pulled together a list of every single role our Divas have played, and every Sondheim concert they have participated in. Here are just a few takeaways.
All together, 64 Divas have had a whopping 245 roles/concerts and counting.
Eleven Divas have never (to my knowledge) performed in a Sondheim or at a Sondheim-specific concert. Seven of those are non-singing actresses, leaving just four musically-inclined Divas bereft. (Brenda Braxton, Lillias White, Linda Eder, Ute Lemper). However, all four Divas have performed Sondheim's songs in their personal concert repertoires
Eighteen Divas have done just one Sondheim, some in particularly obscure contexts.
The most common roles are The Witch (Into the Woods - 9), Mrs. Lovett (Sweeney Todd - 8), Mama Rose (Gypsy - 8), Desiree Armfeldt (A Little Night Music - 8), Phyllis Rogers Stone (Follies - 6). More on that later.
Most Frequent Sondheim Performers:
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Bernadette Peters: 21 Highlights include: Sunday in the Park with George, Into the Woods, Follies, Gypsy.
Patti LuPone: 20 Highlights include: Company, Sweeney Todd, Gypsy, Anyone Can Whistle.
Marin Mazzie: 13 Highlights include: Passion, Merrily We Roll Along, Into the Woods, Anyone Can Whistle.
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Audra McDonald: 11 Highlights include: Sweeney Todd, Passion, Six by Sondheim, A Little Night Music.
Donna Murphy: 11 Highlights include: Passion, Into the Woods, Anyone Can Whistle, Follies.
Christine Baranski: 11 Highlights include: Company, Sunday in the Park with George, Sweeney Todd, Follies.
Tony Awards and Nominations:
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Leading Actress in a Musical: 14 Nominations (exc. wins) | 5 Divas 9 Wins | 4 Divas
Mama Rose in Gypsy is the most-decorated role in musical theatre canon, and arguably the best role for women period. In five productions, every actress has either been nominated (Ethel Merman, Bernadette Peters), or won (Angela Lansbury, Tyne Daly, Patti LuPone).
Both Desiree Armfeldt actresses have won their respective years (Glynis Johns, Catherine Zeta-Jones). Additional winning roles have been Phyllis Rogers Stone (Alexis Smith), Mrs. Lovett (Angela Lansbury), The Baker's Wife (Joanna Gleason), and Fosca (Donna Murphy).
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Featured Actress in a Musical: 17 Nominations (exc. wins) | 4 Divas 4 Wins | 1 Diva
Some of the most common roles to be nominated for in a Sondheim show are Amy and Joanne from Company (in the original production, Elaine Stritch competed in Leading Actress), and Louise in Gypsy. No featured role has netted more than one award.
Winners: Patricia Elliott (Charlotte, ALNM), Laura Benanti (Louise, Gypsy), Karen Olivo (Anita, West Side Story), and Patti LuPone (Joanne, Company).
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lynpheasmagix · 1 year ago
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Winx Musical Casting -The Winx and the Trix
So, yknow how there's those extremely underrated winx stage musicals in the early 2000s in Italy and The Netherlands? What if we brought a production over to broadway? WELL, i've combined my winx fan braincell and my theatre kid braincell and created a casting. HERE YA GO HERES THE GORLS! (the boys will come later)
Bloom: Mallory Maedke
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Mallory's mostly well known for being an alternate and the dance captain for the North American premiere (Chicago, Edmonton, Cambridge, and St. Paul) and Broadway production of Six the Musical. She has such an amazing voice that I feel like she could kill whatever material is in the show, both acting and singing material. Her dancing? Amazing. She was the dance captain for a reason.
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Stella: Stephanie Styles
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Stephanie's credits include: Katherine in the national tour of Newsies and Lois Lane/Bianca in the 2019 Broadway revival of Kiss Me, Kate, and Autumn on Zoey's Extrodinary Playlist. Her character has been described as having an "adorable flower child meets young Kristin Chenoweth vibe" and if that doesn't describe Stella perfectly? In everything I've seen her in, she just radiates stella energy.
Example:
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Flora: Krystina Alabado
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Krystina's credits include: Ensemble/Understudy The Extraordinary Girl and Whatsername in American Idiot, Vanden in American Psycho, Gretchen Wieners in Mean Girls, Dot in Pasadena Playhouse's Sunday in the Park With George, Colombina in Hartford Stage's Kiss My Aztec. I've seen some videos of her and I feel like she radiates Flora energy.
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Tecna: Caitlin Kinnunen
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Caitlin's credits include Thea in Spring Awakening, Carolyn in The Bridges of Madison County and Emma Nolan in The Prom, which she was NOMINATED FOR A TONY FOR! She's such an amazing triple threat so, I think she could definately step into the wings of our favorite fairy of technology.
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Aisha: Lorna Courtney
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Lorna's credits include Understudying Zoe Murphy and Alana Beck in Dear Evan Hansen, Rosalia/Understudy Maria in the short lived 2020 revivial of West Side Story and Juliet in &Juliet, which she's in currently AND GOT A TONY NOMINATION FOR! . I've seen her in &Juliet and she's SO good. Her voice? Spectacular? Dancing? On top of it? Acting? A+.
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Musa: Andrea Macasaet
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Andrea's mostly well known for originating the role of Anne Boleyn in the North American Premiere (Chicago, Edmonton, Cambridge, and St. Paul) and Broadway production of Six the Musical, she's most recently in Stratford Festival's production of Rent as Mimi. I've seen her as Boleyn and she is FIERCE! She's also a short queen which definitely reenforces the short!Musa headcanon lets goooo
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Icy: Renee Rapp
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Renee's credits include: Regina George in Mean Girls. She's a Jimmy award winner and is currently releasing music. From what I've seen of her, she's SO talented. Her voice is KILLER. *it also reenforces the Belter!Icy pipeline so hell yeah* She's played a role similar to this so I think she could do a really good job as icy.
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Darcy: Isabelle McCalla
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Isabella's credits include: Jasmine in Aladdin, Megara in Papermill Playhouse's production of Hercules (pictured) , and originating the role of Alyssa Greene in the Broadway production of The Prom. I've seen her in Hercules and she killled it. Her "I Won't Say I'm in Love' is spectacular and she really gave it her all with this material.
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Stormy: Tiffany Mann
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Out of the videos I've seen of her, she has an amazing voice and I really think she has the proper energy from our favorite weather witch. Tiffany's credits include: Ensemble/Understudy Becky and Nurse Norma in Waitress and Jenna Rolan in the Broadway production of Be More Chill (pictured)
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d-criss-news · 1 year ago
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A.C.T.'s 2nd Annual All Hallows' Gala!
October 27, 2023 A.C.T (American Conservatory Theater) 415 Geary St San Francisco, CA 94102
Ticket Information
Special Guest Artist: DARREN CRISS
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About Darren Criss
Since bursting onto the pop-culture landscape over a decade ago, Darren Criss has embodied the kind of kaleidoscopic artistry that’s entirely uninhibited by form or genre. The multi-hyphenates illustrious career spans television, film, music and stage. 
Last year, Criss shared the Broadway stage opposite Sam Rockwell and Laurence Fishburne in “American Buffalo,” which received a Tony Award-nomination for Best Revival of a Play. He also co-hosted “The Tony Awards: Act One” with Julianne Hough. The duo kicked off their hosting duties with a rousing performance of singing and dancing to an original tune written by Criss, titled “Set The Stage.” In 2015, he returned to the stage as Hedwig in “Hedwig and the Angry Inch.” In the titular role, critics alike raved, including The New York Timescalling his performance “mesmerizing.” He made his Broadway debut in 2012 as J. Pierrepont Finch in “How To Succeed In Business Without Really Trying.” With Criss at the helm, the revival made just under $4 million, which proved to be the most lucrative three weeks of its 11-month run. 
His portrayal of Andrew Cunanan in Ryan Murphy’s award-winning television series “American Crime Story: The Assassination of Gianni Versace” was met with widespread critical acclaim, earning Criss a Primetime Emmy Award, Golden Globe Award, Screen Actors’ Guild Award and Critics’ Choice Award. Known for playing Blaine Anderson on FOX’s global phenomenon “Glee,” he was nominated for two Screen Actors Guild Awards for Outstanding Performance by an Ensemble in a Comedy Series. He also received an Emmy Award nomination in 2015 for Best Original Music and Lyrics for the song “This Time,” which appeared in the series finale. 
As a singer and songwriter, Criss released his first-ever holiday album entitled “A Very Darren Crissmas” on Decca Records in 2021. In it, he brought his radiant imagination and encyclopedic musical knowledge to a wildly eclectic collection of songs: big-band standards and novelty tunes, mid-century musical numbers and modern-day folk-pop ballads. Criss’ original track “Drunk on Christmas” featuring country chart-topper Lainey Wilson, showcased his effortless ingenuity as a songwriter. The result is an essential new entry into the holiday-music canon, both thrillingly unpredictable and touched with a timeless sense of Christmas magic. Made with Ron Fair, multi-Grammy® nominee and producer of numerous GRAMMY-winning hits, “A Very Darren Crissmas” also featured special guest appearances by Adam Lambert and Evan Rachel Wood. 
“A Very Darren Crissmas” was only the latest evidence of Criss’ singular gifts as a song interpreter. In 2021, he delivered a collection of character-driven singles as part of his solo EP titled “Masquerade” (BMG). In 2017, his EP “Homework” debuted at #1 on Billboard’s Heatseekers Album chart and in the same year, introduced his indie-pop band Computer Games. Through the years he’s also written songs for the comedy musical “Royalties,” “Central Park,” co-wrote “Starting Now” for Disney and performed by Brandy, and headlined the iHeartRadio Music Festival with Steve Aoki. 
Prior to his television career, the San Francisco native pursued his acting degree at the University of Michigan. In his senior year, Criss and his friends created a Harry Potter musical parody entitled, “A Very Potter Musical” as a fun project for their classmates, friends and other Harry Potter fans. Along with starring as the boy wizard himself, Criss also lent several of his songs to be used in the show. Within weeks of posting the musical online, it became a YouTube hit, garnering millions of views and musical theater‐world attention.
Using “A Very Potter Musical” as a springboard, Criss and his writing partners started StarKid Productions. Within a year, they wrote and produced subsequent online hits like “Starship” and “A Very Potter Sequel,” both of which he wrote the music and lyrics for. As a result, the StarKid brand has grown to become just as popular as the shows themselves, spawning an enormous cult following from all over the world. 
Criss and StarKid Productions appeared on the Billboard charts through four separate releases – all within the year 2012. These include the #1 spot on Billboard’s Top Cast Album for “Starship,” the #19 spot on the Top Compilations chart for “A Very StarKid Album,” and the #30 spot on Billboard's Heatseekers chart with Criss’ self‐released EP “Human.” 
Criss’ credits include host of ABC’s “The Queen Family Singalong,” “Muppets Haunted Mansion,” “Midway,” “Girl Most Likely,” “American Horror Story,” “Web Therapy,” and “Eastwick.” He is also the founder of New York City’s first show tunes music festival, Elsie Fest.
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sillyname30 · 4 months ago
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How Sondheim and Burnett Got Darren Criss to Provincetown
The songwriter and star of Glee makes his local debut in Broadway-centric concert
By Kathi Scrizzi Driscoll Jul 17, 2024
Provincetown hasn’t been compared to The Godfather or Star Wars very often, but those are the examples actor and singer Darren Criss names in acknowledging that his July 21 town hall appearance will be his first visit here.
“Provincetown is like that movie that you haven’t seen but you don’t want your friends to know you haven’t seen, so you don’t incur their wrath and ridicule and disbelief,” he says, noting that several of his good pals visit often. “I don’t bring up that I haven’t been there because my friends will give me crap. I haven’t avoided it — I’ve really wanted to go. Finally, the stars aligned quite nicely.”
Maybe the stars had a little help from Carol Burnett.
Host and accompanist John McDaniel, a Grammy and Emmy award-winning musician, says he invited Criss to be part of his summer Broadway series here after Criss performed on 2023’s Carol Burnett: 90 Years of Love + Laughter TV birthday special. McDaniel was the music director.
Criss’s best-known roles are his breakout portrayal of Blaine for five seasons (2010 to 2015) on Glee in a milestone-for-mainstream-TV gay romance with Chris Colfer’s Kurt, and his 2018 Emmy- and Golden Globe-winning turn as spree killer Andrew Cunanan in The Assassination of Gianni Versace: American Crime Story. (Both roles came thanks to producer and Provincetown part-timer Ryan Murphy.)
In addition to acting and singing — including Glee’s “Teenage Dream” cover that climbed the Billboard charts — Criss is a songwriter. He first won notice for co-writing and starring in 2009’s A Very Potter Musical parody for the Chicago-based StarKid Productions, which he co-founded. Criss’s A Very Darren Crissmas generated national holiday tours.
Shortly after Criss wrote the opening number for the 2022 Tony Awards, his friend Paul Miller, director of the Burnett tribute, asked him to refashion Stephen Sondheim’s “Side by Side” from Company into an homage to Burnett’s famous duets with celebrity guest stars.
In what he called “one of the coolest things I’ve ever gotten to be a part of,” Criss performed “Burnett’s Duets” for the star-studded birthday-party special with Broadway’s Sutton Foster. That came after he meticulously dissected Sondheim’s music to fit new lyrics and fine-tuned the arrangement with McDaniel.
“When I was doing this,” Criss says, “in my mind, I was going, ‘What would the ghost of Sondheim be OK with?’ ”
More Broadway music will be on Criss’s mind in Provincetown for what he says will be an unusual program because it likely won’t include original work or him playing guitar or piano; McDaniel will accompany him. Criss prides himself on not performing the same live show twice and plans to include Broadway songs he’s not yet sung in public.
That said, he recognizes fans might want to hear something connected to his own Broadway star turns. Those include — besides the nonmusical American Buffalo in 2022 — How to Succeed in Business Without Really Trying in 2012 and 2015’s Hedwig and the Angry Inch. Plus, earlier this year, Criss starred in off-Broadway’s Little Shop of Horrors.
In September, he’ll originate a Broadway role for the first time, headlining Will Aronson and Hue Park’s musical Maybe Happy Ending. Criss plays an outdated, retired robot in futuristic Seoul who explores the nature of love with another retired robot (Helen J. Shen). To try to help boost its U.S. profile, Criss is also a producer of the musical, which has been a hit in Korea, China, and Japan. Its Broadway debut will be directed by Michael Arden (2023 Tony Award for Parade, Spring Awakening), a longtime Criss friend who directed the English-language debut in 2020 in Atlanta.
Criss is excited but nervous about the piece; he says it’s intimate and epic at once. “There’s an excitement about the uniqueness and specialness of this show that I’ve never encountered before,” he says. “So that’s either going to crash and burn and blow up in our faces or catch on. I don’t know, but the prospect is very thrilling.”
Criss, who is straight, made headlines this spring for comments at a Chicago expo about being “culturally queer” because of his admiration for the LGBTQ community. “The things in my life that I have tried to emulate, learn from, and be inspired by are 100 percent queer,” he said then, later adding that “it was in queer communities that I’ve found people that I idolize, that I want to learn something from.”
“That had to be the slowest news day ever,” Criss says about his comments getting attention — especially because he’s talked many times before about similar things, including how much it meant to be part of Glee’s Blaine-Kurt relationship story.
Beyond Provincetown and Broadway, in August Criss’s voice will be heard in an unusual spot: on season 10 of Netflix’s Gabby’s Dollhouse, a children’s show, as the new Marty the Party Cat, magical host of the Party Room. It’s a voice role Criss says was planned long before his two-year-old daughter and seven-week-old son were born to him and his wife.
Marty is described by Netflix as a lovable, “exuberant goofball” who has a big heart and the ability to laugh at himself.
“He’s a fun guy,” Criss says. “I’m aspirationally Marty the Party Cat.”
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