#Tom Mangano

[picturebookshelf]

Blue's Clues: The Color Finders (2003)

Story: Annie Evans -- Art: Tom Mangano

[doyoulikethissong-poll]

The Avalanches - Frontier Psychiatrist 2000

"Frontier Psychiatrist" is a song by Australian electronic music group the Avalanches, that was released on 21 August 2000 as the second single from the group's debut album Since I Left You. It is built around several elements sampled from other music; Avalanches members Robbie Chater and Darren Seltman sampled music from several vinyl records in the production and creation of Since I Left You. The prominent orchestral sample heard throughout the track is sourced from a recording by the Enoch Light Singers of the 1968 composition "My Way of Life". The track also contains several vocal samples of Canadian comedy duo Wayne and Shuster, the most prominent of these samples taken from the duo's comedy routine "Frontier Psychiatrist", as well as the John Waters movie Polyester.

Only the aforementioned samples are credited in the liner notes of Since I Left You; various other uncredited samples are used in the track, with sources ranging from Harvey Mandel's 1968 cover of the spiritual "Wade in the Water", and comedy routines by Flip Wilson, sketches from Sesame Street, and Maurice Jarre's main theme from Lawrence of Arabia. The closing mariachi band plays "El Negro Zumbón", first performed by Flo Sandon's, who doubles Silvana Mangano in the 1951 movie Anna.

Upon release, it peaked at number 18 on the UK Singles Chart and number 49 in the group's native Australia, becoming their first single to enjoy commercial success. "Frontier Psychiatrist" was well received by music critics, who praised the Avalanches' use of samples.

The "Frontier Psychiatrist" music video, directed by Tom Kuntz and Mike Maguire, was the runner-up in the "Best Music Video" category at the 2002 Rushes Soho Shorts Film Festival. Pitchfork Media placed the video at number 19 on their list of the "Top 50 Music Videos of the 2000s". An alternative video was made, featuring actors acting out the 'dialogue' of the track in various scenes, including a psychiatrist's office and "Dexter's" bedroom. In addition, Rorschach ink-blots are animated to reflect various samples in the track.

"Frontier Psychiatrist" received a total of 73,2% yes votes!

[byneddiedingo]

Jennifer Lawrence in Joy (David O. Russell, 2015)

Cast: Jennifer Lawrence, Robert De Niro, Bradley Cooper, Edgar Ramirez, Diane Ladd, Virginia Madsen, Isabella Rossellini, Dascha Polenco, Elisabeth Röhm, Susan Lucci. Screenplay: David O. Russell, Annie Mumolo, Cinematography: Linus Sandgren. Production design: Judy Becker. Film editing:  Alan Baumgarten, Jay Cassidy, Tom Cross, Christopher Tellefsen. Music: David Campbell, West Dylan Thordson.

A thoroughly conventional movie with an exceptional cast that features what seems to be the core of writer-director David O. Russell's stock company, Jennifer Lawrence and Bradley Cooper, Joy is the kind of feel-good underdog-against-the-odds movie with screwball touches that could have been made at almost any time in Hollywood history. I can easily imagine it in the 1940s with Rosalind Russell and Fred MacMurray, for example. Joy Mangano (Lawrence) was a brilliant student in high school, but she didn't go on to college, and now struggles to make ends meet, while dabbling with ideas for inventions. A divorcee, she lives in an unusual household: In addition to her two children and her grandmother (Diane Ladd), the ménage also includes Joy's mother (Virginia Madsen), who spends her days in bed watching soap operas, and Joy's ex-husband (Edgar Ramirez), who lives in the basement. Joy's father (Robert De Niro) also joins the household after splitting from his latest wife, but he soon takes up with Trudy, a wealthy widow (Isabella Rossellini). When Joy comes up with the idea for a self-wringing mop, Trudy agrees to help finance it. Joy has to contract the manufacture of some of the mop's parts, and she struggles to market it until the idea comes to sell it on TV. She approaches the QVC shopping channel, where an executive, Neil Walker (Cooper), takes an interest in the product. It becomes a big seller, but then the company Joy contracted to make the parts claims ownership of the design. Facing bankruptcy, Joy fights the claim, wins, and becomes a huge success, marketing other household products. There's a real-life Joy Mangano on whose story the film is based, with the usual disregard for accuracy. Lawrence got an Oscar nomination for her performance, which is, as always, wonderful. She gives the film more than it deserves, and the supporting cast measures up to her. But there are few surprises in the story or in Russell's treatment of it, unlike his previous films with Lawrence and Cooper, Silver Linings Playbook (2012) and American Hustle (2013).

[dalekofchaos]

Ways I would improve The Godfather Games

I love The Godfather games, but I feel as though the games should have been restructured a bit to fit the movies better. Here is how I would do it

Godfather 1.

Opens similarly with Johnny's death and Aldo's mother seeking help from Vito and Luca saving him(tho imo I think Clemenza should have been the one to rescue and mentor Aldo in the tutorial, not Luca)

Then after the tutorial and after helping Monk and Paulie with returning Bonasera's favor, we'd get a call from Clemenza to meet Rocco and they'd fly to LA to do the Woltz mission. This happens after the tutorials to better line up the narrative of the movie

After the hospital mission, Tessio would seek us out in hitting Bruno Tattaligia as in his words “We hit Bruno Tattaglia at 4 o'clock this morning...”

There would be a sex scene between Aldo and Frankie

Rest  of the game pretty much plays out the same. Only Frankie would live and Monk would not turn traitor.

In one of the endings we would get to see Aldo and Frankie married prior to becoming Don Of New York

Godfather 2 I strongly feel like it was a mistake to kill off Aldo in this game, in an ideal world Aldo Trapani would still be the protagonist of the game, while Dominic is his right hand. Also it was such a weird place to start in Cuba when that's when the first half of the movie ends.

It begins with flashbacks to Aldo's father Johnny and we'd flash to Aldo and Johnny, much like Michael and Vito in the movie. Maybe Johnny could've been a victim of Don Fanucci's Black Hand and Clemenza rescues him and brings him into the family.  Over time we would see Aldo in the flashbacks wipe out the Black Hand's members and help Vito cement his power in New York

Aldo would be Don of New York, Frank Pentangeli is his Consigliere, Clemenza his Underboss and Monk and Dominic would be his Capos

We would witness Clemenza's death, Aldo killing Rosato's men as would be the tutorial

Aldo and Frankie would have two kids. one boy and one girl. Johnny and Rosie

Then Dominic is promoted to Underboss, while Monk is Aldo’s Capo

Over time we would build the rest of our crew and while Tom is running things in Nevada, we would recruit a new Consigliere

Aldo would be at Anthony’s party pissed because the Rosato brothers killed Clemenza, Michael urges caution as he does in the movie, Aldo does what he's asked but Frank is the wildcard

We’d see Aldo dancing with Frankie at the party

When they return to New York, The Rosatos attempt to assassinate Aldo in the peace meeting and it's all out war on the Rosato Brothers

After Aldo regains control of New York, Michael would contact Aldo to go to Florida as their friend and business partner Hyman Roth has need of assistance

We would get our own Compound in Florida when we arrive, rather than just take a compound. 

This way we can take over businesses and rackets and take out the Granados and later the Mangano family. We would also meet Henry Mitchell before returning to New York.

Several romance scenes between Aldo and Frankie, while also see Aldo spend time with his children

Sometime after taking over Florida, Aldo, Fredo and Frankie would be targeted by Roth’s men but Frankie would live and Fredo would say it was Mangano

Then the war between Aldo’s family and Mangano begins

Then we attend the meeting in Cuba. In Roth's speech he will detail that he left all his businesses in Florida to Aldo

Maybe Aldo could agree to stay behind in Cuba to take out the Almeida family and Henry Mitchell

Then when we return to New York we help out with Vincenzo and the senate hearing

We would later find out that Roth enlisted the help of Fredo to make it look like the Manganos' attacked him and Aldo in Aldo's home to the Manganos would take Aldo out and Fredo would take control of Aldo's family in New York, Florida and Cuba

Aldo and his crew would go and kill Roth, escape and the end credit scenes would have Aldo kill Fredo

[yrh72]

趣味で映画50選つくってみました(600本くらい観てきた中で)。自粛のお供に参考にしていただけたら嬉しいです… 50選となると大味な作品も多いように思いますが、自分が何を評価し好むのかわかるようで楽しかったです！

my best movies 50 ( -2020) ���=amazon prime ☆=Netflix で視聴可(多分)

――――――40's―――――― ○MILDRED PIERCE (1945) /Michael Curtiz Jone Crowford

――――――50's―――――― ★CARRIE (1951) /William Wyler Laurence Olivier, Jennifer Jones

★MOULIN ROUGE (1952) /John Houston Jose Ferrer

★山椒大夫 (1954) /溝口健二 田中絹代、香川京子

――――――60's―――――― ★しとやかな獣 (1962) /川島雄三 若尾文子

○BARABBAS (1962) /Richard Fleischer Anthony Quinn, Silvana Mangano

○Romeo and Juliet (1968) /Franco Zeffirelli Olivia Hussay

○Andrei Rublyov (1969) /Andrei Tarkovsky Anatoly Solonitsyn

――――――70's―――――― ○Patton (1970) /Franklin J. Schaffner George C. Scott

★Milano Calibro 9 (1972) /Fernando Di Leo Gastone Moskin, Philipe Leroy

○Ludwig (1972) /Luchino Visconti Helmut Berger, Romy Schneider

○The Way We Were (1973) /Sydney Pollack Robert Redford, Barbra Streisand

○Voyage of the Damned (1976) /Stuart Rosenberg Faye Dunaway

――――――80's―――――― ○Amadeus (1984) /Milos Forman Tom Hulce

○Ferris Beauller’s Day Off (1986) /John Hughes Matthew Broderick, Mia Sara, Alan Ruck

○Camille Claudel (1988) /Bruno Nuytten Isabelle Adjani 

○Time of the Gypsies (1989) /Emir Kusturica Davor Dujmović

――――――90's―――――― ○ROCKY 5 (1990) /John G. Avildsen Sylvester Stallone

○THE HUNT FOR RED OCTOBER (1990) /John McTiernan Sean Connery

☆THE REMAINS OF THE DAY (1993) /James Ivory Anthony Hopkins

○THE JOY LUCK CLUB (1993) /Wayne Wang Ming-na Wen, Tamlyn Tomita

★Natural Born Killers (1994) /Oliver Stone Woody Harrelson, Juliette Lewis

○Pulp Fiction (1994) /Quentin Tarantino John Travolta, Samuel L. Jackson, Uma Thurman

○UNDERGROUND (1995) /Emir Kusturica Mirjana Jakovic

★Trainspotting (1996) /Danny Boyle Ewan McGregor

○Titanic (1997) /James Cameron Leonaldo DiCaprio https://www.instagram.com/p/COIj6G0sA1zyzvztOBxZrLNeaeHpmor_K_nKNM0/?igshid=wahvykljv56u

[giallofever2]

1969

La morte bussa due volte

Release

Also Known As (AKA)

German Blonde Köder für den Mörder

Australia (video box title) Death Knocks Twice

Canada (video box title) Death Knocks Twice

France (video title) La Mort sonne toujours deux fois

France La mort sonne toujours deux fois

Greece (transliterated) Sta dihtya mias gynaikas

Greece (video title) O thanatos htypaei dyo fores

Iran (Persian title) Marq dobar dar mizanad

Netherlands (video box title) Blonde Lokvogel voor een Moordenaar

Turkey (Turkish title) Ölüm Kapiyi iki Kere Çalar

Lietuviu Mirtis beldžia du kartus

Russia Блондин — приманка для убийцы

USA (dubbed version) The Blonde Connection

USA (reissue title) Hard Women

World-wide (English title) Death Knocks Twice

Directed by Harald Philipp / Sergio Garrone

Music by Piero Umiliani

Filming Dates August 1969

Dates

Italy 25 November 1969

West Germany 20 March 1970

Iran 18 November 1971

USA 1973

Turkey 1 April 1974

USA November 1975

France 18 February 1976

Mauro Sacripanti ... assistant director (uncredited)

Writing Credits

Sergio Garrone ... (writer)

Mario di Nardo ... (writer)

Harald Philipp ... (writer)

Max Pierre Schaeffer ... (novel)

technical specifications

Runtime 1 hr 21 min (81 min) (Netherlands)

1 hr 30 min (90 min) (USA)

1 hr 35 min (95 min) (West Germany)

Filming Locations

Quercianella, Livorno, Tuscany, Italy

Pisa, Tuscany, Italy

Roma, Lazio, Italy

Cast

Fabio Testi: Francisco/Francesco Villaverde

Dean Reed: Bob Martin

Anita Ekberg: Sophia Ferretti

Adolfo Celi: Max Spiegler,il professore

Riccardo Garrone: Amato Locatelli

Mario Brega: Riccardo

Hélène Chanel: Angela

Femi Benussi: Lois Simmons

Renato Baldini: Mr. Simmons

Teodoro Corrà: (con il nome Teodoro Agrimi Corrà)

Tom Felleghy: Berry

Lanfranco Cobianchi: il professor Martinez

Ini Assmann: Ellen Kent

Leon Askin: Pepe Mangano

Werner Peters: Charly Hollmann

Nadja Tiller: Maria Villaverde

[cinenthusiast]

WARNING: The following contains heavy semantics. This is the equivalent of letterboxd users breaking down their dumb rating systems. OK, not as bad, but still! You have been warned!

I’m starting a new (and final) iteration of something I’ve done my whole life. A single list of my 50 Favorite Actors, covering the full scope of era and gender. I’ll make a new one from scratch each year as a kind of record. 50 doesn’t leave too much room for sudden or drastic evolution, but the long game is what I’m playing at.

All of my old lists (of any kind) used to be ranked. Frankly, fuck that. I’m all for ranking within narrow frameworks (Top Ten By Year, etc) but general lists like favorite actors and movies? Why do it? Numbers make the whole thing an arbitrary assessment, isolating the actors and films into a misguided hierarchy that doesn’t add any insight or clarity. Lists and rankings are such an oversaturated aspect of culture content as it is, and I’d like to avoid this feeling like just another ranking. The collective group is the thing, the totality of taste, interest, and meaning. Keeping this a singular entity (with one or two caveats) preserves this as a personal journal entry of sorts, a snapshot and not the end-all be-all. It’s a way of capturing my taste in film and the people in it. I’ve put a star next to my ten favorites, and I’ve got a separate long list of people I considered but ultimately didn’t add, and that’s the extent of it.

Growing up, I made favorite actor lists obsessively. When I was around six or seven I would play ‘School’. I was the teacher. My students? The likes of Tony Danza, Christopher Lloyd, Danny DeVito, and John Travolta. I had pages and pages of any actor whose name I knew (the entire casts of Angels in the Outfield and Addams Family Values were represented). I took very careful attendance to make sure everyone was present, calling out each name and imagining that yes, they were there. Each actor received a little check in their row of squares (I made sure I had the checkered graph paper to keep everything orderly and precise).

age 11

all of these were made at age 11

Then there were the dark days, the days when tween Katie made lists like Top Ten ‘Cutie-Patootie’ Actors (a reference to the Rosie O’Donnell Show, yes, the Rosie O’Donnell Show, seen above). As you can see, the kid from Dennis the Menace topped that one. I also had my constantly revised Top Ten Favorite Actors & Actresses. Five actors from the lists pictured above are also on this current one: Nicole Kidman, Jim Carrey, Winona Ryder, John Travolta, and Michelle Pfeiffer. They were major icons for me then, and they remain so now, 20 years after the fact. They are forever favorites.

the four quadrants, from 2006 (age 18)

What followed were continuously updated versions of this, covering half my lifetime: Top Blank (at varying points it was 20, 30, and 50) Modern Actors, Modern Actresses, Classic Actors, and Classic Actresses (‘Classic’ accounted for the Hollywood studio era). They were always divided into those four quadrants. I can timestamp the years by who was on them. Simon Pegg at the top? Must be 2008. Katee Sackhoff near the top? I must have been watching “Battlestar Galactica” then. You can find the 2012 versions on this site: here and here.

These categories created considerable grey area, swaths of actors that never really fit comfortably in their group. Those who either featured in films from both eras (Jack Lemmon) or were technically of the ‘Modern’ era but with careers that didn’t really transition into the current (Faye Dunaway). And those ‘Modern’ lists were always much more about the now. I never made room for these actors who qualified as ‘Modern’ but who could be pinpointed to the past. I wanted to feature the up-and-coming, people whose careers I was excited about now! Filmographies I could follow along with as they progressed.

This factor, which meant so much to me then, means nothing re: this new list. For one, I don’t follow current stuff to the degree I used to. 21st century film is less interesting to me (current TV far less so). But I’m really fond of a lot of actors working today, from relative newcomers to tried-and-true character actors to cemented A-listers. The group there was no room for, not by a long shot, were the relative newcomers. I’m an easy lay when it comes to loving actors. But with over a century of performers to choose from, it doesn’t leave much room for the young “oooh I love him/her/them, I can’t wait to see what they do next” ones.

But for the record, the fresher (2010 to present) faces that I’m most invested in are Adam Driver, Elizabeth Debicki, Tom Hardy, Lakeith Stanfield, Kristen Stewart, Jesse Plemons, Nicholas Hoult, and Jonah Hill (whose career trajectory I’m endlessly intrigued by, a man funnier than most of his peers, with the unstable depths of a Chris Penn, whose hyper-sensitivity about being taken seriously and joining the ranks of the prestigious show up on the screen).

The old lists, especially the 50-each ones that totaled to 200 actors, were actually more challenging than this list. Because with so much room, you’re fooled into thinking everyone can be represented. But they can’t; even those lists fill up quick. And now, with just 50 total, it gets down to essentials. There are the favorites, and then the ones who matter most. Oh, I love them? Cool, next! Oh, I love them a lot? Cool, next! Omgtheyaresoamazing? Cool. Next!

There are so many actors whose performances I consistently love or enjoy, that I always look forward to seeing and am often moved by. But there’s a difference between actors who frequently deliver great work, and actors who make something inherently more just by being there, that make me sit up in my seat because what they give either draws out extra engagement from me or they are so distinctive a presence that the fabric of the film/show is thereby altered. But none of this exists without the secret ingredient: that chemical thing that just draws you to one person’s talent and onscreen life more than another.

The factors are endless. Above is my next tier of favorites, the ones that I didn’t go with but thought about and in some cases agonized (yes, agonized) over whether to include or not.

What do you do when a specific stretch of someone’s work means more to you than most people’s entire careers? Most don’t make it (Patty Duke, Diane Lane, Juliette Lewis, Marlon Brando, etc) But a few do: pre-Dick Tracy Warren Beatty, Eric Roberts in the 1980’s, and Sandy Dennis in the late 1960’s and early 1970’s.

What do you do with the actors who are still alive but not working regularly, at all, or at the same caliber they used to? Most don’t make it (Nancy Allen, Tim Curry, Kathleen Turner, Fairuza Balk, Sheryl Lee, etc). But a few do: Jim Carrey, Shelley Duvall, Theresa Russell (a spot that could have been occupied by many that mean just as much to me, but I went with Theresa this time because it felt right), Eric Roberts, and John Travolta.

What do you do with the actors who mean a lot to you but whose careers were so brief that it’s hard to justify adding them over others? Unfortunately, almost all of those actors didn’t make it (Linda Manz, Paula Sheppard, Laird Cregar, Zoe Lund, James Dean, Pamela Franklin, etc). One does: Louise Brooks.

What do you do about the actors you love watching more than most but whose work you aren’t familiar enough with yet? None of them make it (Natasha Lyonne, Yaphet Kotto, Silvana Mangano, Helmut Berger, Dagmar Lassander, Tuesday Weld, etc). There are plenty of films from the 50 I’ve yet to see, but I’ve at least seen enough.

Then there are all the others, the really tough ones. I think about James Gandolfini more and more as the years go by. Harvey Keitel’s performances resonate a lot more as I get older (those defiant eyes, I can often feel him). I can’t believe I didn’t make room for Christina Ricci. Julia Louis-Dreyfus is the defining comedienne of my lifetime. There is only one Carol Kane, Donald Sutherland, Nicolas Cage, Joan Cusack, Parker Posey, Lily Tomlin, Crispin Glover. I get distinct pleasures from watching each of them. Some of my favorite immortals are Marlene Dietrich, Alain Delon, Judy Garland, Bette Davis, Buster Keaton, Cate Blanchett. I’m pretty sure I talk about Jude Law all the time. I will, and have, watched Jean-Claude Van Damme in anything I can find. In recent months I’ve rewatched a lot of key Samuel L. Jackson performances (Jackie Brown, Pulp Fiction, Black Snake Moan, Django Unchained), and was newly reminded that he is one of our most compelling living actors. His pervasive and phoned-in presence in every imaginable franchise had led me to forget that. I’ve been hooked on Gene Wilder, Charles Laughton, Eva Green, Cillian Murphy, and still am. It goes on and on and on.

But this is the challenge of it, and the fun of it. My 50 favorites capture my fascination with stardom and long-range careers with eras & reinventions (ex. Crawford, Cruise, Fonda, Monroe, DiCaprio, Farrell, Taylor), physicality (ex. Chan, Ball, Phoenix, Reeves, Olyphant) & commanding physical presence (ex. Reed, Kidman, De Niro, Mitchum), blue moon charisma (ex. Pfeiffer, Russell, Walbrook, Cagney, Reed, Nicholson), the ones I feel a deep connection to (all of them but especially Carrey, Brooks, & Hoffman) & offbeat god-tier character actors (Dennis, Dourif, Roberts, Black, Duvall) I would take a bullet for.

I start to realize some of the people that aren’t even on this second list: Tilda Swinton, Kate Winslet, Robin Williams, Ingrid Bergman, Cary Grant, Humphrey Bogart, Gloria Grahame, Katharine Hepburn, Michael Shannon, Al Pacino, Meryl Streep, Jeanne Moreau, Saorsie Ronan, Brad Pitt, Gena Rowlands, Dirk Bogarde, James Mason, Jeff Bridges, Ethan Hawke, Jeff Goldblum, Steve Buscemi, Julianne Moore, Catherine O’Hara, Catherine Deneuve, Juliette Binoche, Charlize Theron, Robert Redford, Julie Christie, Michael C. Hall, Michael Caine, Malcolm McDowell, John Hurt, Paul Newman, Anjelica Huston, Sigourney Weaver (every time I watch her in something I think about how much I love her. Her work in Alien 3 means a lot to me), Elliot Gould, etc etc etc. Hell, Peter Mullan is the only person on either list who appears in any Harry Potter film, and that franchise employed basically every British actor you can think of. Most of these actors have been on other lists in the past. Some you’d always be guaranteed to find there (Binoche, Deneuve, etc). As I type this I am realize I forgot Michael Stuhlbarg and John Hawkes in that second group. At the end of the day it just becomes about knowing who there was never any question about, and going with your gut on the rest.

But these 50 (ok, 52, I cheated, the truth is out!), the ones I ultimately chose, are the actors whose work collectively means more than the rest, my ultimate favorites: the ones I can lose myself in, and then find myself in. Who are yours?

1st Annual 50 Favorite Actors list WARNING: The following contains heavy semantics. This is the equivalent of letterboxd users breaking down their dumb rating systems.

[famoustyle]

Jon Kortajarena Redruello is a Spanish fashion model for Just Cavalli, Versace, Giorgio Armani, Bally, Etro, Trussardi, Diesel, Mangano, Lagerfeld, Pepe Jeans H&M, Zara, Guess and Tom Ford.

[glitzempireofficial]

Jon Kortajarena Biography: Wife, Husband, Net Worth, Age, Instagram, Movies, Couple, Height, Wikipedia, Photos, Parents

Jon Kortajarena Biography: Wife, Husband, Net Worth, Age, Instagram, Movies, Couple, Height, Wikipedia, Photos, Parents

Biography Jon Kortajarena Redruello (born 19 May 1985), simply tended as Jon Kortajarena, is a vibrant and passionate Spanish fashion model and entertainer. His creativity and sense of fashion have secured him some campaigns on popular clothing brands such as Cavalli, Versace, Giorgio Armani, Bally, Etro, Trussardi, Diesel, Mangano, Lagerfeld, Pepe Jeans but H&M, Zara, Guess, and Tom Ford. Jon…

[my-access-florida]

Las 14 mejores películas de negocios que todo empresario debe ver

De todos los programas de televisión y películas creados en el ámbito del entretenimiento, las mejores películas de emprendedores tienden a ser las que más afectan a los propietarios de pequeñas empresas. No hay nada como imaginarte en la pantalla grande, especialmente cuando el protagonista se enfrenta a la clase dirigente, se pelea con el jefe y, en última instancia, deja su 9-5 sólo para construir un negocio legendario.

Como descubren los protagonistas de estas películas, dirigir tu propio negocio es un trabajo duro. A veces sólo necesitas un poco de inspiración para superar los momentos difíciles. Aquí hay nueve de las mejores películas de emprendedores de todos los tiempos que necesita ver tan pronto como sea posible y por qué se relacionan con los propietarios de pequeñas empresas de todo el mundo.

Las 14 Mejores Películas Empresariales de Todos los Tiempos

1. “La red social” (2010)

Las mejores películas de emprendedores siempre incluyen algún tipo de ataque contra el establecimiento, y “The Social Network” no es diferente. Esta película detalla el traicionero camino de los comienzos de Facebook cuando el emprendedor Mark Zuckerberg (interpretado aquí por Jesse Eisenberg) lanza la red social en su dormitorio de Harvard para vengarse de una ex-novia reciente. Muy pronto, con la financiación del inversor y amigo Eduardo Saverin, Facebook cobra vida propia. Siempre creyendo en sus propias habilidades, Zuckerberg construye la plataforma de Facebook con determinación, ignorando los requisitos financieros, las legalidades y los sentimientos de los demás.

Cuando el legendario empresario de Internet y creador de los primeros borradores, Napster Sean Parker se incorpora, Saverin es expulsado de la empresa y Zuckerberg se ve envuelto rápidamente en una desagradable demanda por la propiedad y los derechos de Facebook.

Maduro con el drama de construir un negocio que crece para apoderarse del mundo, y se convierte en su propio lenguaje universal, “The Social Network” es una perfecta película de emprendedores (y una señal de advertencia) de lo que puede suceder cuando una idea atrapa al mundo en llamas.

Con la actual relevancia de Facebook en el espíritu de la cultura pop, esta película de emprendedores es una visita obligada para cualquier empresario que sueñe con hacerla grande y aprender los riesgos de cualquier gran empresa.

Por qué es una de las mejores películas de emprendedores: “The Social Network” captura los arquetipos del espíritu emprendedor y el surgimiento temprano del mundo de la tecnología en Silicon Valley, hasta el dormitorio de Harvard, los «coding bros» y el fundador que carece de inteligencia emocional.

2. “Jerry Maguire” (1996)

En esta historia empresarial de la caída y ascenso de un agente deportivo de alto poder, Jerry Maguire (Tom Cruise) es despedido de su exitosa compañía después de abogar por su creencia de que los agentes deben tener un toque más personal, con menos clientes y más tiempo para entenderlos. Impulsivamente inicia su propia agencia de gestión deportiva con el único cliente que cree en su nuevo espíritu adoptado, Rod Tidwell (Cuba Gooding Jr.), un volátil jugador de fútbol cuyas necesidades familiares y financieras empujan a Jerry a convertirse en su mejor jugador.

Con Dorothy (Renee Zellweger) como única empleada, Maguire debe construir su negocio y superar tanto sus propias dudas como las de su único cliente. En última instancia, él tiene éxito poniendo las necesidades de su cliente antes que su propio deseo de hacer dinero.

https://www.youtube.com/watch?v=tzxy-6zQ0BM

Por qué es una de las mejores películas de emprendedores: Tachar por tu cuenta porque crees que puedes hacerlo mejor es la clásica historia de inicio de . Es aterrador, seguro, pero como lo prueba Jerry Maguire, todo lo que realmente necesitas es un buen cliente y mucha determinación.

3. “Joy” (2015)

Otra verdadera película de emprendedores es “Joy”, la historia del empresario y magnate de los negocios Joy Mangano. Al principio, Mangano (Jennifer Lawrence) vive en una casa destartalada con dos hijos, sus padres divorciados, su abuela y su ex-marido (que pasa sus días haciendo karaoke en el sótano). Su futuro se ve oscuro hasta que se ve afectada por esa inspiración tan familiar para cualquier empresario: una idea para un producto de limpieza revolucionario llamado la Mopa Milagrosa.

Aunque Mangano continuamente se encuentra con complicaciones dentro de su familia y su casa (que se está desmoronando porque no puede pagar las reparaciones), ella se esfuerza por hacer realidad su idea de negocio. Cuando QVC le da a Mangano la oportunidad de promocionar su fregona en el aire, su pasión por el producto brilla. Esta película de emprendedores tiene como resultado un final realmente feliz, ya que Joy Mangano es ahora una multimillonaria con cientos de patentes a su nombre.

https://www.youtube.com/watch?v=videoseries

Por qué es una de las mejores películas de emprendedores: Pocas películas sobre pequeñas empresas capturan con tanta precisión la locura que a menudo se produce entre bastidores (como la pelea por la que pasa Mangano para producir suficientes unidades a tiempo para su aparición). Además, la lucha de Mangano para manejar tanto a su familia como a su negocio sonará verdadera con casi todos los empresarios.

4. “Wall Street” (1987)

«La codicia es buena», es el incansable mantra de Gordon Gekko (Michael Douglas), antagonista obsesionado con el dinero de Wall Street. Esta película de emprendedores cuenta la historia de Bud Fox (Charlie Sheen), un joven y ambicioso corredor de bolsa que se sumerge de cabeza en la volátil bolsa de valores de 1980. Con la agresiva tesis de su nuevo jefe arraigada en su formación, Bud se encuentra susceptible al glamour y la emoción de su nuevo estilo de vida.

https://www.youtube.com/watch?v=SRQVazjgEQk&list=PLl54YTULdkIYKBbLwJibBBR-ZKfhWv_a_

Por qué es una de las mejores películas de emprendedores: Un vistazo al mundo de las finanzas corporativas, la inversión y los mercados de capital, “Wall Street” muestra lo resbaladiza que es la pendiente de la avaricia, y las últimas consecuencias de las prácticas comerciales fraudulentas.

5. “El diablo viste a la moda” (2006)

De la historia de la vida real de una mujer joven decidida a triunfar en la industria editorial surge este relato sobre el poder del éxito y la intimidación. Andy es una aspirante a periodista y, a pesar de su faux-pas de moda, se las arregla para impresionar a Miranda Priestly (una Anna Wintour ligeramente velada), editora en jefe de la prestigiosa revista Runway (una revista Vogue ligeramente velada). Lo que sigue es una guía en “How Not To’s’s” hasta que Andy se encuentra subiendo a la cima de los aliados más confiables de su jefe. Eventualmente, Andy se da cuenta de que estar encima de un montón de The Worst People Ever no es todo lo que es, y que puede haber perdido su sentido inherente de la ética y la integridad en algún momento a lo largo de su viaje hacia la cima.

https://www.youtube.com/watch?v=6R_cgAnYP3E

Por qué es una de las mejores películas de emprendedores: El ascenso de Andy a la cima de la lista A de la moda finalmente la deja sintiéndose fuera de contacto y perdida a pesar de su éxito. Similar a “Wall Street”, “The Devil Wears Prada”, contrarresta la idea de que el éxito corporativo y la riqueza masiva indican una vida feliz, y en su lugar descubre el vacío de tales esfuerzos. Andy se mueve a partir de su experiencia en Runway y es capaz de seguir adelante y cumplir su sueño original de convertirse en periodista.

6. “Espacio de oficinas” (1999)

Nadie conoce la monotonía de la cultura corporativa mejor que Peter Gibbons («Ron Livingston»). Las interacciones diarias de Peter con sus tediosos compañeros de trabajo y su agotador jefe hacen que sueñe despierto con destruir la compañía de software para la que trabaja. Las relaciones de trabajo y la política de la oficina están en el centro de esta comedia satírica, y cualquier empresario que deje la existencia de la oficina se relacionará con la ineficaz burocracia de la vida corporativa.

Por qué es una de las mejores películas de emprendedores: A través de la lente de un dron corporativo, “Office Space” muestra cómo la falta de sentido de la cultura corporativa tradicional deja a muchos empleados sin inspiración y sin pasión. Al final, Peter decide dejar la compañía y seguir una carrera que le guste, y esa es una historia con la que todo empresario puede identificarse.

7. “Erin Brockovich” (2000)

Este drama legal saca a la luz la verdadera historia de Erin Brockovich (interpretada por Julia Roberts) y su improbable victoria contra los peces gordos corporativos de Pacific Gas and Electric Company (PG&E). Brockovich, madre de tres hijos y anteriormente desempleada, se gana el favor como investigadora legal en el pequeño pueblo de Hinkley, California, cuando se entera de que los residentes’ los problemas de salud han sido causados por la contaminación propagada por PG&E. Con una determinación intensa y una actitud intrépida, Brockovich emprende acciones legales contra la corporación de 28.000 millones de dólares y finalmente gana.

Por qué es una de las mejores películas de emprendedores: Aunque no es una película de emprendedores en el sentido tradicional, la historia de la vida real de Brokovich es una inspiración para todo emprendedor inspirado por un llamado a apoyar la responsabilidad social y la ética corporativa.

8. “El Fundador” (2016)

En esta nueva versión del padre fundador de McDonald’s, Ray Kroc es un hombre de negocios que cobra por un restaurante con un nuevo estilo de entrega de comida: hamburguesas hechas en 30 segundos, no en 30 minutos. Kroc es implacable en su búsqueda de construir el mayor imperio de comida rápida del mundo, y su camino hacia la grandeza no llega sin problemas. Con un sinfín de ideas y determinación, Kroc consolida el nombre de McDonald en la historia como uno de los mejores restaurantes de franquicia de todos los tiempos.

Por qué es una de las mejores películas de emprendedores: Construir un imperio no es’ no es fácil, especialmente cuando se desafía el status quo. “ El Fundador” explora el lado de los negocios que requiere una persistencia desconocida para muchos, pero que sin duda inspirará a los empresarios que están decididos a crear “ la próxima gran cosa. ”

9. “Baby Boom” (1987)

En esta película de empresarias centrada en la mujer, el gran empresario corporativo J.C. Wiatt (Diane Keaton) y su novio igualmente adicto al trabajo (Harold Ramis) se encuentran más enamorados de sus carreras que los demás. Cuando un pariente lejano muere y nombra a J.C. guardián de una niña, su vida profesional se desmorona: su novio obsesionado con su carrera la abandona, y hacer malabarismos con su poderoso trabajo y su hijo recién adoptado obliga a que la promoción corporativa por la que estaba trabajando se vaya por el desagüe.

Cuando un compañero de trabajo intrigante la apuñala por la espalda, J.C. toma la decisión de renunciar en lugar de ser despedido. Compra una casa en ruinas en Vermont, comienza a hacer su propia comida para bebés y, antes de que te des cuenta, es la fundadora de una nueva y próspera empresa y la heroína de su propia historia de empresaria.

Por qué es una de las mejores películas de emprendedores: “Baby Boom’s” la historia del origen de los emprendedores tocó la fibra sensible de los ejecutivos corporativos bien pagados que dejaron la carrera de ratas para empezar una bodega o un negocio de fabricación de queso en la década de 1990. Para las mujeres, la película captó el comienzo del auge de los negocios de propiedad de mujeres y demostró que convertirse en propietaria de un negocio era mejor que tratar de atravesar los muros corporativos.

10. “Big Night” (1996)

En “Big Night,” dos hermanos inmigrantes italianos -Primo (Tony Shalhoub), un talentoso chef, y Secondo (Stanley Tucci), un tipo práctico- inician un restaurante. Pero la negativa de Primo a comprometer su «visión» da como resultado una carta de platos a los que los clientes estadounidenses no están acostumbrados. Como resultado, el restaurante casi se ve forzado a una ejecución hipotecaria temprana.

De repente, otro restaurador promete convencer a un popular músico de jazz (Louis Prima) para que haga una recaudación de fondos en el restaurante de los hermanos para ayudarles a salir de la crisis. Primo y Secondo trabajan juntos, lanzando su corazón y su alma en su última «gran noche», y vale la pena. Incluso cuando el prometido músico Louis Prima nunca se presenta, los comensales alaban los resultados de la noche y catapultan al restaurante al éxito.

Por qué es una de las mejores películas de emprendedores: Demasiados nuevos emprendedores son presa del problema de Primo: intentan vender lo que creen que los clientes quieren en lugar de trabajar para descubrir lo que los clientes realmente quieren . “Big Night” ilustra la importancia de llegar a un acuerdo para permitir que la gente trabaje mejor en conjunto y crear un negocio exitoso.

11. “Willy Wonka y la Fábrica de Chocolate” (1971)

Cuando el excéntrico fabricante de caramelos Willy Wonka (Gene Wilder) decide que necesita pasar su imperio de los dulces a su sucesor, selecciona a cinco niños afortunados para que visiten su fábrica de chocolate secreta, rápidamente se da cuenta de que cuatro de los cinco niños están hartos, malcriados y malhumorados. Pero Charlie Bucket, un niño dulce y empobrecido, tiene los ojos muy abiertos y está encantado con los increíbles inventos que Wonka comparte con el grupo.

Los mocosos tienen un final horrible, mientras que un fabricante de caramelos de la competencia le promete a Charlie riqueza si saca de contrabando algunos dulces de la fábrica. Cuando Charlie se niega, el Sr. Wonka le dice que «pasó la prueba» y lo nombra como su sucesor.

Por qué es una de las mejores películas de emprendedores: Encontrar un socio que comparta su visión es una de las tareas más difíciles a las que se enfrenta todo emprendedor. Esta película de emprendedores demuestra que aunque la imaginación y la pasión te llevarán lejos, necesitas ética para crear un negocio que valga la pena transmitir.

12. “It’s a Wonderful Life” (1946)

Un cuento clásico y a menudo relatable, “It’s a Wonderful Life“ sigue el ascenso empresarial de George Bailey, un joven que crece en el pequeño pueblo de Bedford Falls con sueños de viajar por el mundo. Sin embargo, cuando su padre muere repentinamente, Bailey se hace cargo a regañadientes de la familia Bailey Bros. Building and Loan para salvarla del avaro de la ciudad, el Sr. Potter. Durante años, Bailey sacrificó sus sueños de aventura para mantener la construcción y el préstamo en marcha, y para ayudar a los trabajadores de la ciudad a convertirse en propietarios de viviendas en lugar de alquilarlas a los habitantes de los barrios bajos de Potter. Pero cuando todos los ahorros del banco desaparecen de repente, Bailey desea amargamente no haber nacido.

Ángel Clarence parece mostrarle a Bailey lo diferentes que serían las cataratas de Bedford si ese deseo se hubiera hecho realidad y, mientras cientos de amigos y vecinos se reúnen a su alrededor, Bailey se entera de lo mucho que sus acciones desinteresadas realmente han importado.

https://www.youtube.com/watch?v=COCoPJIB2T4

Por qué es una de las mejores películas de emprendedores: “It’s a Wonderful Life” es un cuento clásico, y una de las mejores películas de emprendedores de todos los tiempos. Se podría pensar en George Bailey como el primer empresario socialmente responsable – poniendo a su ciudad y a sus vecinos en primer lugar, tuvo éxito en algo más que en los negocios – tuvo éxito en la vida.

13. “ Tommy Boy” (1995)

Tommy Callahan (Chris Farley), de buen carácter pero tonto, recibe un trabajo cómodo en la fábrica de autopartes de su padre. Pero cuando su padre muere de un ataque al corazón, el banco amenaza con pedir un préstamo. La madrastra y el hermanastro de Callahan quieren vender la fábrica y pagar el préstamo, pero cuando Callahan se entere de que eso dejaría a todos los empleados sin trabajo, promete salvar el negocio él mismo.

Al enterarse de que 500.000 pastillas de freno darían como resultado suficiente dinero en efectivo para pagar el préstamo, Callahan y el cínico asistente de su padre, Richard (David Spade), se dirigen a un viaje a través del país para vender las piezas. Aunque Callahan tiene mucho que aprender sobre negocios, tiene una habilidad natural para leer a la gente y cerrar la venta. Callahan y Richard alcanzan su cuota y (después de unos cuantos secuestros) regresan a Ohio para salvar el negocio.

Por qué es una de las mejores películas de emprendedores: Aunque es una farsa alocada, “Tommy Boy“ pinta una imagen realista de las estrechas relaciones que tienen los empleados y los jefes de muchas pequeñas empresas, y cómo esas amistades pueden, en última instancia, fortalecer el negocio.

14. “The Intern” (2015)

En la película “The Intern,” About the Fit founder Jules Ostin (Anne Hathaway) apenas puede mantener su cabeza en línea recta cuando su compañía de comercio se dispara hacia el éxito. Cuando la startup contrata al interno de 70 años Ben Whittaker (Robert De Niro), Ostin asume que no se puede enseñar trucos nuevos a un perro viejo. Pero el sabio y observador Whittaker aprende rápidamente de sus compañeros de trabajo más jóvenes. También ofrece algunas sugerencias para optimizar el negocio, y Ostin depende cada vez más de su consejo cuando éste resulta exitoso.

Cuando Ostin descubre que su marido la engaña al mismo tiempo que los inversores quieren traer a un nuevo CEO, está desesperada por encontrar más tiempo para pasar con su familia y salvar su matrimonio. Eventualmente, Ostin acepta renunciar. Whittaker señala que no necesita sacrificar el negocio que ama por un matrimonio feliz, y que podría mantener ambos con el otro. Con el consejo de Whittaker, Ostin decide permanecer como CEO mientras su marido le pide perdón, resultando en un final feliz tanto para Ostin como para Whittaker.

Por qué es una de las mejores películas de emprendedores: “ The Intern” explora la política de edad y género, junto a los estereotipos sobre Silicon Valley y las comedias románticas de una manera fresca. Además, es una rara descripción de una mujer empresaria que es tan apasionada por su negocio como cualquier hombre, y un hombre que apoya sus decisiones y señala que el éxito en una no es necesariamente un fracaso en la otra.

La entrada Las 14 mejores películas de negocios que todo empresario debe ver se publicó primero en ᐅ My Access Florida – You Login to Access Florida ✅ ☎.

from WordPress https://my-access-florida.com/las-14-mejores-peliculas-de-negocios-que-todo-empresario-debe-ver/

[bringinbackpod]

Interview with Mike Dillon

Together with American Songwriter, we had the pleasure of interviewing Mike Dillon over Zoom video! 

Mike Dillon has spent the last three decades performing well over 200 shows a year with both his own band, as well as playing vibraphone and percussion with artists including Rickie Lee Jones, Les Claypool and Ani DiFranco. So when the pandemic hit in early 2020 forcing Dillon off the road, he instinctively directed his perpetually restless creative energy to writing and recording. Recently relocating to Kansas City after spending 15 years in New Orleans, Dillon and producer Chad Meise would track a trilogy of albums: 'Shoot The Moon,' 'Suitcase Man' and '1918.' In collaboration with his longtime record label Royal Potato Family, they would offer the records exclusively via Bandcamp just days after they were mixed and mastered. In 2021, those albums now receive the full vinyl treatment, as well as complete digital release across all streaming outlets. 

The first of the three records, 'Shoot The Moon,' is a ten track collection that Dillon describes as "Punkadelic-Funk-Psych" focused heavily on the current political climate in the United States. Assembling an assortment of stylistically uncompromising musicians to contribute, its line-up features Matt Chamberlain, Steven Bernstein, Nicholas Payton, Robbie Seahag Mangano, Jean-Paul Gaster and Nick Bockrath among others. Highlights include the apocalyptic road warrior anthem "Drivin' Down The Road," a swirling New Orleans jazz-raga "Further Adventures in Misadventures" and the snarling punk rock diatribe "Quool Aid Man" with its indictment of the American right: "old men and their guns."

The second recording in the series, 'Suitcase Man' is a nine-song cycle through which Dillon examine his life and choices made over the past 55 years. It's a distinct entry in his extensive discography, notable for its strikingly honest lyricism and minimalist arrangements that incorporate sparse vibraphone and percussion with a handful of background vocals by Tiff Lamson of Givers and frequent collaborator JJ Jungle. Songs like "Empty Bones," "Turkish Rose" and "Matthew" represent Dillon at his most creatively daring, while confirming his ascent into the upper echelon of cult music outsiders in the lineage of artists like Tom Waits, Harry Partch and Captain Beefheart.

Dillon completes the trilogy with '1918.' The focal point here are Dillon's instrumentals: the dank and dark Moog/tabla/vibraphone psych vibe of "Pinocchio," (listen/share) the electro analog trance of "Pelagic" and the jungle groove, space rock of the title track. Dillon once again calls on friends like drummer Earl Harvin and guitarist Shane Theriot to assist. Thematically speaking, the material addresses the Covid-19 pandemic and recent social unrest. "The parallels between 1918 and 2020 are immense. We just have fancier toys, but the tunnel vision and mammalian tendencies are the same if not greater," explains Dillon.

A native of San Antonio, Texas, Mike Dillon got his start as a sideman, playing in such varied projects as MC 900 Foot Jesus, Brave Combo and Secret Chiefs 3. He's also served as an integral member of bands like Critters Buggin, Garage A Trois, Dead Kenny Gs and Nolatet, while leading Billy Goat, Hairy Apes BMX and Malachy Papers. Under his own name, he's amassed an extensive catalog of genre-defying recordings. All Music called his most recent release 'Rosewood,' recorded prior to the 2020 pandemic lockdown, "a hypnotic album that pulls you deep inside a percussive, sylvan-toned dreamscape." Touring relentlessly, Dillon has built one of the most loyal fanbases on the underground music scene, while being invited to share bills with bands including Clutch, Umphrey's McGee and Dean Ween Group

We want to hear from you! Please email Tera@BringinitBackwards.com.

www.BringinitBackwards.com

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source https://bringin-it-backwards.simplecast.com/episodes/interview-with-mike-dillon-LYQGwUcx

[pleaserelaxslowly]

2020: Monthly

Every month I chose one song that I listened to the most or liked the most from that month, and that gave me a nice little playlist.  Sometimes it was a track that was new to me, and sometimes it was just an old track that I can’t give up on, or one that I rediscovered. There was no release date requirement, it could be from any year.

January : Não me deixe só - Vanessa da Mata

February : Sao Lam Plearn - ฉวีวรรณ ดำเนิน Chaweewan Dumnern

March : Cinematic Fireball (Tom Middleton, Jody Wisternoff & James Grant Remix) - Pola & Bryson

April : It’s in Our Hands - Björk

May : No Place - Amtrac featuring Lali Puna

June : El negro zumbón - Silvana Mangano

July : Sémaphore - Requin Chagrin

August : SHE BROKE UP WHEN I ROLLED UP - SLIM HUSTLA

September : Moody - Brijean

October : Black Lagoon - Still Corners

November : !@*$%# - Fischerspooner

December : Final 9.1 - Jens Uwe-Beyer

* Record of the year : Slow Air by Still Corners  ** Track of the year : “SHE BROKE UP WHEN I ROLLED UP” by SLIM HUSTLA

[giallofever2]

1969

La morte bussa due volte

Release

Also Known As (AKA)

German Blonde Köder für den Mörder

Australia (video box title) Death Knocks Twice

Canada (video box title) Death Knocks Twice

France (video title) La Mort sonne toujours deux fois

France La mort sonne toujours deux fois

Greece (transliterated) Sta dihtya mias gynaikas

Greece (video title) O thanatos htypaei dyo fores

Iran (Persian title) Marq dobar dar mizanad

Netherlands (video box title) Blonde Lokvogel voor een Moordenaar

Turkey (Turkish title) Ölüm Kapiyi iki Kere Çalar

Lietuviu Mirtis beldžia du kartus

Russia Блондин — приманка для убийцы

USA (dubbed version) The Blonde Connection

USA (reissue title) Hard Women

World-wide (English title) Death Knocks Twice

Directed by Harald Philipp / Sergio Garrone

Music by Piero Umiliani

Filming Dates August 1969

Dates

Italy 25 November 1969

West Germany 20 March 1970

Iran 18 November 1971

USA 1973

Turkey 1 April 1974

USA November 1975

France 18 February 1976

Mauro Sacripanti ... assistant director (uncredited)

Writing Credits

Sergio Garrone ... (writer)

Mario di Nardo ... (writer)

Harald Philipp ... (writer)

Max Pierre Schaeffer ... (novel)

technical specifications

Runtime 1 hr 21 min (81 min) (Netherlands)

1 hr 30 min (90 min) (USA)

1 hr 35 min (95 min) (West Germany)

Filming Locations

Quercianella, Livorno, Tuscany, Italy

Pisa, Tuscany, Italy

Roma, Lazio, Italy

Cast

Fabio Testi: Francisco/Francesco Villaverde

Dean Reed: Bob Martin

Anita Ekberg: Sophia Ferretti

Adolfo Celi: Max Spiegler,il professore

Riccardo Garrone: Amato Locatelli

Mario Brega: Riccardo

Hélène Chanel: Angela

Femi Benussi: Lois Simmons

Renato Baldini: Mr. Simmons

Teodoro Corrà: (con il nome Teodoro Agrimi Corrà)

Tom Felleghy: Berry

Lanfranco Cobianchi: il professor Martinez

Ini Assmann: Ellen Kent

Leon Askin: Pepe Mangano

Werner Peters: Charly Hollmann

Nadja Tiller: Maria Villaverde

[retegenova]

Green Book

Cinema: Green Book

Un’amicizia inaspettata

(mymonetro: 4,17)

Regia di Peter Farrelly.

Con Viggo Mortensen, Mahershala Ali, Linda Cardellini, Sebastian Maniscalco, P.J. Byrne, Dimeter D. Marinov, Don Stark, Brian Stepanek, Iqbal Theba, Tom Virtue, Ricky Muse, Joe Cortese, Daniel Greene, Ninja N. Devoe, Johnny Williams, David Kallaway, Anthony Mangano, Geraldine Singer, Jim Klock, Rebecca…

[narcisbolgor-blog]

Missing Pennsylvania man found dead

New Hope, Pennsylvania (CNN)The body of one of four missing Pennsylvania men has been found, Bucks County district attorney Matthew Weintraub said.

Authorities identified the man as 19-year-old Dean Finocchiaro.

"We are not done yet. This is a homicide, make no mistake about it," Weintraub told reporters early Thursday in a news conference.

Finocchiaro and three other men between 19 and 22 years old went missing over several days last week within miles of each other. He was last seen at about 6:30 p.m. on July 7.

Local and state police as well as the FBI had embarked on an "all hands on deck" search of a 90-acre property in Solebury Township, an area north of Philadelphia.

Cadaver dogs discovered Finocchiaro's body in what was described as a 12.5 foot deep common grave in that property, Weintraub said.

Additional human remains were found inside the grave, but were not yet identified, Weintraub said.

The property is owned by Antonio and Sandra DiNardo. Their son, 20-year-old Cosmo DiNardo, was arrested Wednesday in suspicion of stealing and attempting to sell a car owned by one of the missing men.

Police found the car on a property owned by the DiNardos.

About a hundred residents and reporters gathered early Thursday at a shopping mall a few miles from the property waiting for updates about the missing men.

"We've been monitoring everything on Twitter. We wanted to be supportive and comforting for our community," said Wyatt McLeod who lives in Bucks County.

Susan Mangano and her teenage daughters said this quiet community in Pennsylvania has not seen anything like this before.

"We live here, we pass by, we saw the helicopters," Mangano said. "As a parent, it's been sickening to watch this. I have kids this age. It's just devastating."

Missing men

The search for the three other missing men continues.

Jimi Patrick, 19, of Newtown Township was last seen at 6 p.m. July 5 and was reported missing the next day after he had no contact with friends or family and didn't show up to work, police said.

Mark Sturgis, 22, of Pennsburg and Tom Meo, 21, of Plumstead Township were last seen together Friday night near the Doylestown area in Bucks County, CNN affiliate KYW-TV reported. Sturgis' father said the two were friends.

"We are going to bring each and everyone one of these lost boys home to their families," Weintraub said.

More From this publisher : HERE

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Missing Pennsylvania man found dead was originally posted by 11 VA Viral News

[blogandressasantosposts]

Árvore de Natal pequena: 80 ideias para decorar com encanto

Todos gostam de se preparar para a chegada do Natal enfeitando a casa ou o trabalho. A árvore de Natal é um dos maiores símbolos dessa época de festividades. Existem tamanhos grandiosos, mas para quem tem pouco espaço, é só investir em um modelo pequeno e exibir toda a beleza da decoração natalina. Uma árvore de Natal pequena decorada vai muito bem para espaços reduzidos como apartamentos.

Também é ideal para ser colocada sobre a mesa de casa ou do trabalho. Decore com pequenas bolinhas, laços, sinos, estrelas e luzes para levar a alegria do espírito natalino para qualquer cantinho. Afinal, o tamanho da árvore não importa, mas sim o seu sentido de celebração.

1. Use apenas bolinhas para um visual minimalista

Max Casa Botânica

2. Combine diversos enfeites para uma árvore incrível

Criatividarte

3. Elegância no Natal com enfeites brancos

Milen Maria

4. Varie na decoração da árvore de Natal com biscoitos

Mara Julia Vieira

5. Misture tons vermelhos e dourados

Apartamento Decorado 352

6. Combinação tradicional de branco com vermelho

Sil Doce Lar

7. Somente um laço para um visual limpo e sofisticado

Mimo Em Flor

8. Prefira enfeites proporcionais ao tamanho da árvore

Casinha Decorada

9. Combine prata e dourado para um Natal sofisticado

Lady Linhares

10. Para quem gosta de tons frios, decore com a cor azul

Luciana Marques

11. Decore qualquer cantinho com uma árvore pequena

Rafaela Barbarela

12. Corações de tecido para uma árvore de Natal rústica

Acesso Decor

13. Leve o clima natalino para sua casa com luzes

52.home

14. Vasos dão destaque para os tamanhos pequenos

Lesley

15. Vale usar guloseimas de Natal como enfeites

Van Biscuit

16. Pinhas também são ótimas para decorar a árvore

Vila do Artesão

17. Inove no formato para um Natal cheio de estilo

Design Inside

18. Coloque a árvore em um apoio para elevar sua altura

Dãdara Montenegro

19. Você também pode optar por modelos não tradicionais

Anne Cuchi Morim

20. Árvore de Natal decorada dourada é pura elegância

Roseani Mello

21. Adicione os presentes para completar a decoração

Camille Georgia

22. Deixe a criatividade tomar conta com os adornos

Miro Gonçalves

23. Simplicidade com um laço e luzes para decorar

Sabrina Lozzano | Arquiteta

24. Árvore de Natal pequena decorada prateada

Paola Siviero

25. Escolha uma cor predominante para os enfeites

Franziska Hubener

26. Árvore de Natal moderna com tons roxos e vermelhos

Gabriela Ferreira

27. Laços dourados e luzes para uma árvore deslumbrante

Singular Presentes e Decoração

28. Enfeites brancos para uma decoração clean

Johanna Felicias

29. Detalhes laranjas deixam a árvore muito charmosa

Ana Matuck

30. A decoração da árvore pode ser toda com laços

Casa da Lela – Valéria

31. Crie um cantinho especial com a árvore de Natal

Jussana Moreira Sena

32. Pequenas bolinhas para uma mini-árvore delicada

Vila do Artesão

33. Estrelas são perfeitas para a decoração natalina

Marit

34. Adorne a árvore com cordões pratas e dourados

Lara Hancock

35. A árvore pequena combina com ambientes escandinavos

Maria Ienke

36. Luzes garantem um efeito suave e delicado

Beth Shehata

37. Aproveite para decorar o hall de entrada com uma árvore pequena

Cada Ambiente

38. Deixe sua árvore bem cheia com enfeites coloridos

Casa da Flávia Kitty

39. Economize fazendo enfeites de papel

Home 133- Dani & Alê

40. Uma estrela no topo finaliza a decoração da árvore

Joao Paulo

41. Utilize várias cores para destaque na árvore branca

Letícia Dantas

42. Crie contrastes de formas e cores com os enfeites

Lori Pires

43. Quanto mais cheia, mais presença para a árvore

Casa Da Driks

44. Para diversificar, varie nas cores das bolinhas

Amanda M

45. Alterne bolas e laços para uma árvore bem decorada

Joélia Guerra Decorações

46. Mini-árvore de Natal decorada com luzes

Caroline – Ship and Shivers

47. Um laço é uma outra opção para o topo da árvore

Tiara Hale

48. Corações de feltro para uma decoração delicada

Maravilhas de Alice

49. Quanto mais luzes, mais bonita fica a árvore

Ashley – Twogsgaming

50. Árvore de Natal pequena decorada com laços

Maria Conceição Gomes

51. Envolva toda a árvore com luzinhas coloridas

Elaine Kerin

52. Árvore de Natal pequena rústica de galhos secos

Zoe de Camaris

53. Diversos objetos e formas dão mais vida e beleza

Fla Flores

54. Ouse na combinação de cores com tons de rosa

Ályka Lu

55. Decoração dourada é uma opção certeira

Alina Figueiredo

56. Ideal para decorar estantes e racks na sala

Brenda Passos – Apê 82

57. Pendure primeiro os enfeites maiores

Bárbara Oliveira

58. Mini-árvore de Natal decorada com pérolas

Fox Hollow Cottage

59. Branco e dourado: combinação natalina neutra e sofisticada

CS Interior

60. Explore os personagens do Natal, como Papai Noel

Lú em Casa

61. Para um visual moderno, aposte em elementos coloridos

Studio2m

62. Você também pode decorar sua árvore com fotos

Ladydai Criações

63. Laços e fitas garatem um belo efeito na decoração

Giovanna Diniz – As coisas que fiz

64. Elementos monocromáticos para um visual harmônico

Apto 11

65. Bolas de crochê ficam um encanto na decoração

Nó a Nó Crocheteria

66. Vermelho é a cor do Natal, capriche nesse tom

Adriana Ribeiro

67. Enfeites coloridos para um período natalino cheio de alegria

Aline Mangano

68. Use também elementos inspirados na natureza, como pinhas e frutas

Lisa Sawers

69. Natal vibrante e divertido com cores variadas

Kimberley Anne Freeman

70. A flor típica do Natal fica linda na decoração da árvore

Louçaria

71. Sinos são uma opção de enfeites tradicionais

Neide Ferreira

72. Os laços ajudam a enfatizar a cor escolhida

Ghi Furtado

73. O tamanho pequeno é perfeito para decorar a mesa

Enchante Produções

74. A árvore pequena é versátil, cabe facilmente em qualquer espaço

Cantinho da Lins

75. Tons metálicos são sinônimos de glamour e magia

Gisele Anchieta

76. Adicione brilho com pequenas estrelas douradas

River Port Florist

77. Mini-árvore de Natal decorada com apenas um laço

Lar Doce Lar da Lu

78. Para uma decoração tradicional, use ornamentos vermelhos

Jenna

79. Escolha sua paleta de cores para manter a harmonia de tons

Jaqueline Boganika

80. Acabamentos brilhantes para uma árvore cintilante

Marcella Gonzalez

Impossível resistir à fofura de uma árvore de Natal pequena decorada. Com tantos exemplos encantadores agora é muito mais fácil preparar sua casa para a chegada do Natal, até mesmo com pouco espaço. Celebre toda a magia dessa data especial.

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