#Tom & Collins

[giantmetalrobotto]

Tom & Collins y Orfeón Reimaginan Clásicos Latinoamericanos

Tom & Collins, el dúo mexicano de música electrónica reconocido globalmente, se une a Orfeón, el histórico sello discográfico con el catálogo de música latinoamericana más grande del mundo, para presentar su nuevo EP, “Ayer y Hoy”. Este lanzamiento es una fusión única de ritmos electrónicos contemporáneos con clásicos atemporales de la música latina, y promete ser uno de los proyectos más…

[vivetlaxcala]

Estos son los DJs que se presentarán en la Feria de Puebla 2024

Se sabe que la feria de puebla 2024, contará con la presencia de Yiss And Dala, Oriana, Sebastián Yacoul, Kassie + Fer y El Cartel de los Hipopótamos. DJs que tambien se presentaran en la feria de puebla 2024 Tom & Collins El dúo mexicano electrónico conformado por Jorge Corral y Juan Pablo Escudero, conocido como Tom & Collins, también lucirá en el escenario instalado en la plaza cívica de La…

[spryfilm]

Movie review: “The Hunger Games: The Ballad of Songbirds & Snakes” (2023)Movie review:

[alltrekvarnews]

La Precuela de 'Los Juegos del Hambre' Logra un Acuerdo Interino entre SAG -AFTRA....

[knightotoc]

Musician Heroes

I'm such a sucker for them! Society largely ignores musicians and treats them like shit even though they are the coolest people, so it's always fantastic when we at least throw a bone to a fictional one.

Orpheus of Greek mythology, okay musical Hadestown, and dozens of sentimental Tumblr posts

I like the idea that music on its own is this otherworldly force that can do anything, but music is never on its own, and human nature will always bring us back to reality. Though usually the flaw in human nature is more like "the musician was an antisemite" or "the executives of spotify only pay musicians $0.006," not "the musician loved his wife a lot."

Link of the big medievalist video game franchise for kids

I've seen a bunch of nerds lament that the current Link is no longer left-handed, but I think the far bigger shame is that he is no longer a musician. In past incarnations, he was perhaps the most famous and important fictional musician of them all, not least because you get to push the buttons yourself. In Link's reality, music is the source of magic; in our reality, it's the hard work of genius Koji Kondo; in both realities, it's the bedrock of community and understanding, bonds that make the world worth fighting for. David Collins has an excellent 4-part podcast on Ocarina, and this comment on a video of Majora's Astral Observatory track blew my mind:

The Close Encounters aliens and their influence

The aliens in Spielberg's weird adultery masterpiece "Close Encounters of the Third Kind" initiate first contact with a bizarre but ultimately harmless (?) plan that involves addicting subliminal imagery and a flashy John Williams concert. It's a beautiful and even logical idea that music will be the thing that brings life from other planets together.

There are a ton of direct homages in subsequent works of science fiction, such as the live-action He-Man movie, which inspired this post. "The universe is made of music," Gwildor says to a young Tom Paris actor, and the Earthling teenager is able to use his perfect pitch and melody recall to calibrate the transporter-thingy and build a bridge between Earth and Eternia. The biggest fight takes place in a music store where a ton of instruments gets smashed to pieces with enthrallingly reckless abandon.

A more recent Close Encounters homage is the misunderstood villains of Discovery season 4, species 10-C; but because we can't have any fun anymore, the first-contact-light-show corresponds to hydrocarbons or primary numbers or something, not music.

NOT Cal Kestis of Jedi: Fallen Order

Speaking of musician fake-outs, I was so amped when JFO seemed to actually include music-making. For a franchise so reliant on non-diegetic music, the only musician characters we've ever really gotten have been the turtlenecked Biths in A New Hope's cantina. But Cal is yet another lonely teenage boy who leads a big-budget Star Wars project and doesn't even know how to play the guitar. In this picture, he is using psychometry, a Jedi power that lets you access memories embedded within objects, to play a song that someone else played on it before. That's so cool! But it means he's not technically playing it. It's also a microcosm of JFO's whole story, which is Cal filling in for Cere Junda, confronting people from her past, while you wonder why Cere isn't the main character herself.

Fancy Movies: "Carnival of Souls" and "Boy and the World"

These are two of the best movies about musicians who are really up against it: the nameless busker of "Boy" vs the horrors of economic exploitation, and church organist Mary Henry of "Carnival" vs the horrors of Utah. Great movies to watch while the avoiding the 4th of July fireworks.

Stupid Movies: "Cloud Atlas" and "Dungeons and Dragons"

I have beef with these movies, but that's unrelated to these put-upon, lovable musician characters. Still, Robert Frobisher is better in the book, and Edgin Darvis is better in the version of this movie in my head where death has consequences.

Sad TV Guys

Learning an instrument takes time, and Picard has more than enough of that in famously tragic TNG episode "The Inner Light." He lives an entire life through the mind-altering technology in this alien flute to become the last living memory of a dead civilization. The most musically significant thing about this episode, besides the fact that a real musician is holding the instrument to Patrick Stewart's face, is that they replaced TNG's bombastic credits music with a wistful woodwind.

Another musician who really takes the punch out of being a hero is Ishida Yamato, the bad boy of Digimon. While Yagami Taichi leads the group recklessly through the dangerous digital world, Yamato is most interested in keeping everyone safe, especially his little brother. He manifests the emotional side of their adventure by playing sad songs on his harmonica like a pint-sized cowboy.

Perhaps all this angst is exactly why there are so few Musician Heroes, and quite a few:

Musician Villains!

Tolkein's Melkor/Morgoth and Asimov's The Mule bring discord into their old-timey SFF novels; the sheer force of their free will disrupts the carefully laid plans of wiser, better men, and this free will is represented by their music. Hypnotic and miserable, they are the most interesting people in their universes, and for that the normie heroes must bring them down. Anybody else think the Devil won that fiddle contest?

Webber's Phantom and George Harvey Bone of "Hangover Square" are iconic evil incels detached from reality, exploited and despised by everyone around them, driven to murder by weird and sinister forces. As buildings go up in flames around them, they are left alone with only their music, a fate for only the most committed, and therefore most evil, of musicians.

[youtwitinmyface]

"AUTHENTIC" by LL Cool J

So, I actually bought a physical CD today. That’s such a rare occasion for me, these days. Like most folks, I mostly buy music via iTunes. Stacy Clark is the only artist I make a point to still buy the hard copy of her new albums, but that’s because I know her personally, and I like getting her autograph on all her albums when I see her perform live. But I saw this in Target this morning, and I…

[celestialmazer]

‘He was 50 Years Old Going on Eight’: Stewart Copeland on Taylor Hawkins’ Childlike Joy

Hawkins idolized the Police drummer, then befriended him. This week, Copeland called up Rolling Stone to pay tribute to his late “brother of the stick”

By ANGIE MARTOCCIO for Rolling Stone

"As a young drummer, Taylor Hawkins worshipped the Police. “My brother handed me a copy of Zenyatta Mondatta,” Hawkins told the BBC in 2019. “This was 1982. He goes, ‘If you want to be good, you have to play it like this guy.’ My two first major inspirations — probably the two guys that shaped a lot of what I do when I play drums in a rock band — are Roger Taylor and Stewart Copeland.”

Hawkins finally met his hero in 2005, and they began a long friendship that consisted of jams at Copeland’s home studio, the Sacred Grove, late-night phone conversations, and frequent hangs. Copeland called Rolling Stone to share his memories of the late drummer."

"All of us in the drummer community are texting back and forth our shock and horror at this unexpected event. In fact, not to get too Grim Reaper-ish about it, but the last time I physically saw Taylor — although we talked on the phone a lot — was just as the lockdown was beginning, at Neil [Peart’s] memorial. I was there with [Jethro Tull’s] Doane Perry, [Tool’s] Danny Carey, and [Red Hot Chili Peppers’] Chad Smith, and Taylor, all lamenting the loss of our guiding light Neil Peart. And now, we will be reconvened.

We enjoyed each other’s company. Much more than guitarists do. You would think we would be more competitive, because there’s only one drum set on stage and you can have any number of amps. But for some reason we like extra rhythm clattering around us. He was very much in the drum tribe. Brothers of the stick. We have our own language, one not understood by guitarists, and particularly alien to keyboard players.

Taylor was a great hang, and there’s a big hole where a lot of laughs used to live. When we weren’t goofing off with each other, we were on the phone talking crackpot theories, get-rich-quick schemes, and just general hang bullshit. He was just indefatigably cheerful. He was emotional as well, but that just gave spice to his cheerfulness.

He was always Mister Fanboy, but that was part of his shtick. “OK, OK, Taylor, calm down!” One of his social tricks was that whenever we were hanging out, he’d select a Police T-shirt from his extensive collection. When he hung out with Neil, he’d have his Rush T-shirt on. He was 50 years old going on eight.

He was a fan of everybody, a real enthusiast. Even though he was a star, he was very interested in all the other people, how they got there and what they do. He knew it all — all the different things that everybody could do. Every flammadiddle and rattamacue as played by his heroes.

He’d go to his extensive estate, at the end of which is a guest house he turned into the drum palace. He could do the John Bonham double-bass-drum kick thing before they invented double-bass-drum pedals. Neil’s single-stroke rolls down all 14 tom-toms. All my stuff, Roger Taylor’s stuff, Phil Collins. He was fascinated by it all — and I’m sure it informed his own style — but he had his own thing. He went straight for the money.

He had no sense of competition or one-upmanship, and we all know the reason for that: because his boss was a drummer. The worst indignity: His boss was one of the best drummers ever. So this made all of us other drummers with our axes to grind and gripes look at the world more calmly. Just think about Taylor’s gig.

I was thinking about when we met. I got a strange invitation out of the blue from the Foo Fighters to join them on their jet up to San Francisco to play a show [in 2005], and then straight to New York where they did 24 Hours of Foo on MTV. I think that’s the first time I met those guys. What really impressed me about all of them was that not only were they the headlining act, but they all had side bands that were the supporting acts. Hardworking, those young musicians.

I’m not sure if it was Taylor or Dave who decided “That’s it, on the Police reunion tour [in 2007] we’re opening for the Police, damn it!” They were already a stadium act! So when we played Dodger Stadium, they insisted on opening for the Police. It was a very good thing, because they lit the whole stadium up. All we had to do was walk out there and look handsome, and the place was ours. There was that one moment [in the 2008 concert documentary Certifiable] where Dave’s going, “They’ve got lamb. We don’t have lamb.” By the way, they had lamb.

He had many more chops than he ever showed in the context of the Foo Fighters. The singing part came later. He always wanted to do the Klark Kent [Copeland’s 1980 solo debut] band. I said “Look, everyone wants to play the drums on that, can you play guitar or sing?” And at the time I got the impression he didn’t have that. Dave probably pushed him out in the front of the stage. He discovered, the same way Dave did, “Hey, it’s not rocket science. All you’ve got to do is have charisma and you can sing.” Dave and Taylor were so fraternal. They would claw at each other’s jugular veins and hug very soon after. In a way that only brothers can.

As I’m entering my 70th year, I’m an agony aunt for all my brothers of the stick. Never gave him any advice on how to play his darn drums — I would not be so impertinent — but we did talk long into the night about life’s complexities. OK, I’m giving the game away here, but he was a rock star, but also a father of three, husband to Allison. The three kids, Oliver, Annabelle, and Everleigh. And since I have seven kids and five grandkids, I had a couple of words of wisdom to impart. But in that sense, he was extremely solid.

He would come over here to some of our parties. Some of which were daytime sober parties, some of which were nighttime. Some of which were extremely unsober. But I can comment that Taylor never was an out-of-control, or even in-control, party animal. He was a pretty straight arrow, as far as I knew.

I had just finished playing a show with the Nashville Symphony [when I found out he died]. It was just an amazing show. Came offstage, the hotel was a block and a half away, so I was in the shower before the audience was out of the building, with endorphins pumping out of every pore. I was heading down to the bar, and just as I’m walking out of my hotel room door, I get the text. “Oh, for fuck’s sake, you’re kidding.” I get down to the bar, which is full of a throng of happy cheerful people all saying “Good show.”

The natural endorphins are still going strong, and at the same time just overwhelmed with disbelief and shock. Like I said, Neil saw his train coming and he had a first-class ticket. Nobody saw Taylor coming. He was just a force of life that seemed unstoppable. He was a living thing, not a thing that will ever die. So the suddenness was profound.

The music, of course, is going to be important to a lot of people, but the hang, that’s what I miss. The guy, that laugh, the husky kind of voice that he had, that surfer voice. He was certainly the quintessential surfer dude. Laguna Beach all the way. Was he actually a surfer? I never got a chance to ask him.

I’m so sorry for Allison and those kids. Dave, the band. That’s what makes me get through my day, is how much deeper and more profound, sudden, their loss is. They have a much bigger emotional mountain to climb. But for his people who are more just his chuckle buddies, it takes longer to sink in that there’s a hole there. You know that if it had been anybody else, Taylor and I would be on the phone right now, deeply thinking about it. I just miss him."

[adamharkus]

The Blogging Musician reaches 250 articles

The Blogging Musician reaches 250 articles

The Blogging Musician reaches 250 articles. adamharkus.com We’re only halfway through our third year of The Blogging Musician, and already we’ve hit 250 articles!

A huge THANK YOU to all our team @ The Blogging Musician for your fantastic contributions on music, guitar and travel from all sorts of perspectives.

In no particular order…

Bella Scott

Alina Jamshed

Freddie Tubbs

Serena Dorf

To…

[isgrow]

TOLKIEN | Official Trailer | FOX Searchlight

being published on http://mybecause.com/tolkien-official-trailer-fox-searchlight/

[djohnhopper]

FAVOURITE TRACKS: Artist: Apparat​ Track: Heroist (2019).

DIRECTOR/PHOTOGRAPHER: MATILDA FINN. CINEMATOGRAPHER: BEN FORDESMAN. PHOTO ASSISTANT: SEBASTIAN HINDS. PRODUCER: MARTHA MCGUIRK. EXECUTIVE PRODUCER: KATIE LAMBERT. PRODUCTION COMPANY: STINK FILMS. PRODUCTION MANAGER : NELLIE HERON-ANSTEAD. CASTING DIRECTOR: LOUISE COLLINS. ART DIRECTOR: CAMILLIA BYLES. COMMISSIONER: JOHN MOULE. STEADICAM: JAMES CHESTERTON. FOCUS PULLER: EDWARD TUCKER. 2NDAC: JOHNNY LEWIS. CAMERA TRAINEE: ERNIE GRIFFITH. 1ST ASSISTANT DIRECTOR: JACK MEREDITH. LOCATION SCOUT: FREDDIE WRIGHT. PHOTO PRODUCTION ASSISTANT: RACHEL BASHFORD. GAFFER: ESTEBAN GIMPELEWICZ. SPARK: JEFF CELIS. SPARK: JOSEPH NOWELL. TRAINEE SPARK: TOM PARKINSON. PRODUCTION DESIGNER: CAMILIA BYLES. MAKE UP: NATASHA LAWES. STYLIST: JADE ELISE MOORE. CAMERA TRUCK DRIVER: ALEX BROWN. LIGHTING TRUCK DRIVER: ABS ALLAM. MEDIC: ALEX @ TEAM MEDICS. RUNNER: HENRY GUNN. RUNNER: TIGER BREWER. RUNNER: FREDDIE WRIGHT. RUNNER: ALI COPLAND.

EDITED BY: MATILDA FINN & GAIA BORRIETTI @ THE ASSEMBLY ROOMS. COLOURIST: SIMONE GRATTOROLA & MYLES BEVAN @ TIME BASED ARTS. POST PRODUCERS: SEAN EWINS + JO GUTTERIDGE @ TIME BASED ARTS. COMPOSITER: SHELDON GARDENER.

A BIG THANKS TO: ANNIE STEVENS, LOUISE DANCY AND AMP STUDIOS. ANNA PEDUZZI, SARAH SOLDAN, CONNOR MCCOY AND BEN DRABAVICIUS @ STINK LONDON.

VIDEO CAST: HERO: ROBERT RHODES. HELPERS: MEG AMSI, NAOMI WONG, OLIVIA NORRIS, DENISE LEVETT, JANET MAYER. DOGS: ULF @ ANIMAL ACTORS.

PHOTO CAST: RUFUS WHITE, SARAH HARE, JANET MAYER, AYUMI T FULLER, NATHANIEL TONG, SIMAO MENDES, OLIVIA NORRIS, ADRIAN MOZZI, DAVID LANDAU, DARIA SHIPOVSKIKH, DUNANE NASIS, SABU SUZUKI, LINDY PIERI, DAWA MA, TOBY BUCHAN, MEG AMSI, DENIZE LEVETT, SARA RAIMONDO, AYODEJI BABATOPE, MILLY COPE, NAOMI WONG, GREGORY MALLARD, STEVE JONES, SAMUEL FRIBERG, GZI WISDOM, LATESHA WILSON & RAYHAN WILSON.

KIEV PHOTO SHOOT: Service company: 23/32 Films. Producer Dasha Deriagina. PA // 1AD: Alexander Timkov.   Locations: Viktor Shava. Dog Handler: Jenya Ovcharka.

Cast: Smirnov Alexey. Denikeeva Zinaida. Shishko Anatoly. Kravchenko Valeria. Kravchenko Evgeny. Evstropova Natalia. Efimenko Yuri. Perepelyak Inna. Pustovgar Elena. Kalandyrets Aleksandr. Daniel Kravchenko. Marina Maruschak. Artem Shkylevych. Toma Romanenko. Kristina Suzova. Victoria Varley. Dasha Deriagina.

Big special thank you to Ian Pons Jewell.

[junemo10]

I’m so sorry. But I’ve been rewatching The Flash and I finally got to my favorite episode and had to scream about it. Feel free to ignore this, I’m only posting it for the chance that someone else shares my same feeling about it :’)

“Duet”, Episode 17 of Season 3, is (one of) my favorite episode because it not only is a musical and features all my favorite people singing. (Not to mention the ending?? HELLO??)

No no. It’s also because ALL THE ACTORS ARE LEGENDS AND ARE INCREDIBLE OKAY?

Not only does it have Grant Gustin and Melissa Benoist, the gorgeous superfriends, amazing singers/dancers and my Glee favs, having fun while singing and dancing. But it ALSO HIGHLIGHTS ASPECTS FROM THEIR LIVES?? I mean REAL lives?

Barry watches singing in the rain for comfort? Grant said, at least from what I read in an interview, that watching Singing in the Rain was the reason he started tap dancing as a child! The musical they are trapped in also appears to be a Romeo and Juliet story, which Barry says “this is just like West Side Story” and guesssss what? Grant was IN WSS. (And if you search it on YouTube, you will not be disappointed, TRUST ME)

Melissa is just an amazing actress. If I remember correctly she’s been so many theatre productions such as The Sound of Music and Evita and Footloose. Also she was on Broadway as Carole in Beautiful: the Carole King musical, which is, so cool!

But also Jessie L. Martin!! who plays Tom Collins in Rent, amazing in every way, such a lovely man. (Whenever Joe wears a beanie, I think of Tom.)

And Victor Garber???? Wonderful man with a voice of an angel who starred in Annie and The Music Man (which is one of my favorite musicals!). I will NEVER stop appreciating his talent ever.

Not to mention John Barrowman, West End and Broadway performer, voice like honey. I think I spent an entire month just listening to YouTube videos of him singing.

We also get exposed to Carlos Valdes’s fantastic voice!! I meaaan why can’t we hear it MORE!

ALSO ALSO Jeremy Jordan, THE Broadway man, Newsies, The Last Five Years, incredibly talented man. I just cannot.

And also Chris Wood, who is my Vampire Diaries love okay, he’s just. He didn’t sing but he didn’t need to. I already love this Man. That’s enough. However! I read something about Grant and Chris going to school together? Wild.

AND TO TOP IT ALL OFF: THE ONE. THE ONLY. DARREN FREAKING CRISS. -glee, StarKid, Broadway for Hedwig and The Angry Inch, How to Succeed in Business Without Really Trying, and new American Buffalo for 2020 (when that happens). The man?? The myth?? On The Flash?? Mind blown?

Gosh, nobody has done a musical episode quite like the CW, okay? But this one. This musical episode. Not only worked well for the plots of not one but TWO shows (since it was a cross over) AND it was believable! It was perfect to show the struggles of the two heroes and how music gave them their strength back after they had been beaten down.

The opening number is my favorite song, “Put a little love in your heart” by Jackie DeShannon. Getting to see Grant and the cast just sing their hearts out and have a blast, it was so clear that they all had fun making it. And Watching Grant and Melissa tap dance and sing a song about friendship? GOSH I DIDNT REALIZE I WANTED IT SO BADLY. Not to mention “Runnin Home To You” just being the perfect song for Barry and Iris after everything they had been through? Sighhhhhh, my heart! I’m not crying! At least not anymore! I swear! Maybe!

It was just heart warming and hilarious! Watching Barry and Kara explore the plot was just so cute and I LOVE their adventures. They are just so great when they work side by side.

“If you ever need a hand-“ “I’ll be there in a flaaash!” “Barry.” “That was funny.”

“I’m your super, that has a double meaning, friend!”

The harmonies, the songs they chose, the meanings, the messages, THE ENDING. I mean. One can only DREAM of something like that haha. The ending just brought it home for me ~PUN INTENDED~

I know people had problems with it, and I can’t say it was perfect. But as someone who just watches shows with a full and invested heart, it was hard NOT to appreciate it. Of course, Anyone can say what they want about it, I respect your opinions 100%!! but my brother who is not a musical fan, enjoyed this episode and could appreciate the work. And that says A LOT.

Just. AmaZing. The genius of this episode. The beauty of it. I’m just stunned and humbled by the creation. And I will never stop appreciating it.

Bonus:

cuties

And just for me, where it all started:

Blaine and Sebastian Darren and Grant

Blaine and Marley Darren and Melissa

HUGE NOTE:

While fact checking myself before posting, I came across this article which just, grew the sentiment for me realizing what a huge reunion it was for almost the entire cast!

https://www.google.com/amp/s/ew.com/tv/2017/03/09/flash-supergirl-musical-crossover-spoilers/%3famp=true

Also I’m weak, so here are the couple pictures I found of Grant in West Side Story

Did I miss anything? Please feel free to add :)

[ritchiepage2001newaccount]

#HailCaesar #BirtherInChief #CorpMedia #Idiocracy #Oligarchs #MegaBanks vs #Union #Occupy #NoDAPL #BLM #SDF #DACA #MeToo #Humanity

Ocasio-Cortez tells Susan Collins to hold her ‘crocodile tears’ after tensions between Democrats and the GOP majority ‘boil over’ in the Senate

https://www.alternet.org/2020/03/ocasio-cortez-tells-susan-collins-to-hold-her-crocodile-tears-after-tensions-between-democrats-and-the-gop-majority-boil-over-in-the-senate/amp/

In the U.S.  Senate, Democrats and the GOP majority have been vigorously debating the form that an economic stimulus package in response to the coronavirus crisis should ultimately take. Democratic Sen. Sherrod Brown of Ohio has stressed that a bill should contain real, genuine help for struggling U.S. workers rather than merely being a corporate bailout — and GOP senators, from Sen. Susan Collins of Maine to Sen. Tom Cotton of Arkansas, have accused Democrats of not negotiating in good faith. Meanwhile, in the U.S. House of Representatives — which has already passed a stimulus bill — Rep. Alexandria Ocasio-Cortez is calling out Senate Republicans for their shenanigans...

[weownthenitenyc]

Claptone, Zamna Tulum’s next guest

Claptone, Zamna Tulum’s next guest

Zamna Tulum ended its  most successful edition of Zamna Festival so far on the 8th of January. A total of 25,000 people gathered in the idyllic complex of Tulum to enjoy brands and artists such as Afterlife, Renaissance, Paul Kalkbrenner and Black Coffee. But it didn’t end there, the brand continues to grow during the rest of the year with the same philosophy: The best artists in a paradisiac…

[ultrastacion]

Tom & Collins estrenan su nuevo sencillo 'Moving Mountains'

Tom & Collins estrenan su nuevo sencillo ‘Moving Mountains’

Conocidos por su singular estilo y energía detrás de las tornamesas, el dúo de DJ’s y productores, Tom & Collins, siempre presentan a sus fans música que llega al fondo de su corazón y que eriza la piel.

Su más reciente lanzamiento “Moving Mountains” feat. Japha , no será la excepción. Profundo, sensual, lleno de pasión y deseo, este nuevo éxito crece exponencialmente. El sencillo llega…

[gilbertobrenis]

Tom & Collins conquista música electrónica

Tom & Collins conquista música electrónica

Guadalajara, 12 Jun (El Informador).- Renovando la escena de la música electrónica mexicana, el dúo Tom & Collins vive un buen momento en su carrera. Tras la nominación a los MTV Millenial Awards, donde también fueron headliners en la fiesta previa, los DJ’s mexicanos preparan ya un nuevo disco de larga duración en el que incluyen colaboraciones con artistas nacionales y extranjeros.

Conformado…

[cheatinfo]

Tom & Collins: Give Me One Reason

Tom & Collins: Give Me One Reason

Signed to Universal Music Label "AfterCluv Dance Lab" these Mexican Djs and producers joined their talent in the beginnings of 2012 and made a bomb out of it. Influenced by deep house, techno and house music the duo has crated a new electronic music sound that makes everybody move their