#Though that's just a theory a play theory

[drop-dead-dropout]

🤿 squiblybeakers77 sep 30 2024

hey guys so apparently my house has had black mold for the past 11 years 👍

🤿 squiblybeakers77 sep 30 2024

i've been living with my girlfriend for the last month or so and most of my symptoms are gone now, doctor said i'll be fine with some rest and nose spray. oh also btw i'm a guy now. crazy

#sadly mold exposure is not fixable via testosterone injection #i'm still doing it though uhhhh just in case #.txt

🤿 squiblybeakers77 oct 8 2024

I Know I Just Got Done Beating The Allegations But Hear Me Out: a comprehensive guide to why i think marina from off the hook is secretly an octoling

Keep Reading

🧡 miss-tenta-missles oct 11 2024

lol. lmao even

🤿 squiblybeakers77 oct 11 2024

GUYS STOP I'M SERIOUS ABOUT THIS ONE I'M NOT DELUSIONAL I SWEAR

🪻yokoandthegoldbisexuals oct 13 2024

🔫 z3nzOnes oct 16 2024

personally i already knew about this theory and believed in it but the fact that it's being cosigned by Turquoise October Is A Government Plant guy is really making me second guess myself

🤿 squiblybeakers77 oct 18 2024

every1 is so mean 2 me alexa play buoyant boogie

#IM NORMAL NOW I SWEAR 💔💔💔

🤿 squiblybeakers77 aug 25, 2014

how many times do I have to tell you guys octarians don't exist anymore. the army literally killed all of them in the great turf war you're not going to get a hot octoling gf they're fucking extinct

🍤 woomy-mother-fuckers aug 30, 2014

op your bio says you listen to turquoise october

🤿 squiblybeakers77 aug 30, 2014

yeah cause it's a bop. not made by octarians tho, it's a coverup to keep us from questioning it.

⭐ tetradualies-trash mar 8, 2024

guys I found this gem from like a decade ago. aged very well I think

🐡 OutFishing mar 16, 2024

is this person real... @squiblybeakers77 were you created in a lab I don't understand you

🦐 NOBODYTOUCHMYFISHFRYS mar 19, 2024

and here we have the legendary squibly, who fought valiantly against Big Octo's lies and also didn't bother to take the fifteen minute bus ride to mt nantai where you could've literally seen octolings patrolling the outside of octo canyon. truly a warrior of the people,

🔫 z3nz0nes mar 20, 2024

"turquoise october isn't actually octolings".... THE LYRICS ARE IN OCTARI??? A WHOLE ASS DIFFERENT LANGUAGE?????

🦐 NOBODYTOUCHMYFISHFRYS mar 20, 2024

zen you don't understand. obviously Big Octo created a fake language to keep us complacent

🌷 burst-bombs-are-gay mar 25, 2024

omg why didn't u guys tell me my wife went extinct in 2014 😔😔😔 @yokoandthegoldbisexuals I miss u already babe 💔

#also loving the implication that Big Government was like #"hey we need to fake some stuff for this octo thing" #and the best idea they could come up with was... leaving an unlabeled cd in a dumpster???? #granted the later ones had labels but like. that's absolutely insane what do you MEAN

(3,610,857 notes)

[lu-is-not-ok]

Hello there! My friend introduced me to the Daiyu/Baoyu theory recently and I repaid them by immediately becoming crazy about Soda Hong Lu. Have you looked at Soda Hong Lu in the lens of this theory? Because half joking about this:

1. It is the only EGO that I can recall that features a transformation type sequence

2. In the corrosion, two shrimps attempt to check on the hallucinating Hong Lu/Body; he destroys them in the frenzy

3. It is an EGO that Hong Lu strangely has no Identities for in regards to archetype, Poise, and is one of the EGO for which Hong Lu has a dull eye. (Next Walpur might outdate this one but still squinting at it)

4. It is an Envy EGO, the sin associated with. Yknow.

5. In the pull animation, a shrimp is inexplicably focused on, crying from the same side Hong Lu's jade eye is on.

Idk if this is totally out of the ballpark here, but I'm seeing Soda as an EGO that represents Daiyu being dragged onto the 'boat', that being the family, as Baoyu guiltily observes, barely keeping it together under the idea that the 'boat' is the "better life" as seen on the log for Wellcheers in LCorp. They want to be able to pretend that the transformation is something that'll bring them fortune, just another process in the façade, but as the corrosion shows, one slip will doom them into inconsolable panic. It is an EGO that demands you provide to the group, but it is hanging by a thread. Do you see my logic. Shrimp Jia Family.

So, I'm gonna put it this way.

The things you pointed out about Soda? Huge. Like, they do definitely point towards something and I have my own interpretation of them to share.

Your interpretation of the EGO... I feel like it misses the mark a bit, but that's okay, because it very much can still be about the Two in One Daiyu Baoyu of it all in a way, thanks to the things you pointed out.

Let me explain.

Soda, both for Ryoshu and Hong Lu, is symbolic for their escapism, while also having some major themes of Reality/Fiction.

To briefly show what I mean by explaining Ryoshu's Soda - her form of escapism is that of indulging in the cruel Reality. Note how her Soda focuses on the Wellcheers drink itself - she uses the soda itself to attack, and in the corrosion she turns into the soda as well. Her EGO focuses on the cruel Reality that Wellcheers is a soda company that only cares about people consuming their product, she literally forces her target to drink it in her Awakening animation. Her Corrosion then focuses on the Fictionalization of that Reality, on the rumors that the soda can lead you to wake up on a ship in the middle of an ocean.

This isn't a Ryoshu post though, so if any Ryoshu scholars want to add onto this with their own interpretation of how that connects to Ryoshu's art and how she wishes to reflect reality in all its cruelty, be my guests.

Now, back to Hong Lu's Soda - for him, escapism is the reverse. He indulges in Fiction, his EGO reflecting the life shown in hypothetical Wellcheers' advertisements, happily fishing for shrimp among prawn on a ship in the middle of an ocean, surrounded by seagulls. Then, his Corrosion is the Realization of that Fiction, of what it would be like to actually live on a ship like that, having to hear seagulls scream and run away from you.

And this is where the details you pointed out come in. Because they made me realize something.

The 'Fiction' being symbolized by Soda? It's Hong Lu's current life as 'Hong Lu'.

Here's the thing about the Daiyu Baoyu theory - one of its many parts is that Hong Lu as a person does not exist. 'Hong Lu' is a fake persona. He's not a real person with an actual history, it's a character made up and played by Baoyu to cope with being forced to override Daiyu.

After all, it's not until after Canto 4, where Hong Lu becomes aware of Yi Sang's attempts of calling for help, that he starts actually saying concerning things. Until then he's tried his fucking hardest to make it seem like his homelife is as uneventful as a sheltered rich kid's homelife could be, with the anecdotes only getting more and more actually fucked up when it became clear his turn drew closer. Perhaps because that's what Hong Lu as an act was originally supposed to be - a rich kid like Baoyu but without his baggage, without his trauma. Until he started getting desperate and realizing that he too needs help, but couldn't ask directly without revealing he'd been lying this whole time, so instead he's sprinkling in more and more concerning things hoping Someone Will Get The Hint.

That little tangent aside, I believe this is what the magical girl transformation in the Awakening is meant to symbolize - Baoyu indulging in the Fiction of his new made up persona that is Hong Lu. After all, if you think about it, isn't it a common trope in magical girl shows for the girls to use pseudonyms and keep their true identities secret while transformed? Isn't that exactly what Baoyu is doing while he's acting as Hong Lu?

With that in mind, the prawn that gets focused on in the acquisition animation, the one randomly crying out of the equivalent of Hong Lu's jade eye, could be a little reference to the fact that under the act Baoyu is Fucking Miserable.

And then there's the matter of the ship. If the transformation sequence is a reflection of Baoyu becoming Hong Lu, then what is the ship about?

...It's the bus. The ship is Limbus Company's Bus.

Soda as an E.G.O symbolizes Baoyu's escapism via becoming Hong Lu aboard Limbus Company's Bus, getting carried around to "fish for shrimp" or perhaps hunt for Boughs.

Then there's the Corrosion. The seagulls screaming and crying all around him. The genuine anxiety and panic in his voice (listen to the original file for the voiceline without the effects if you can btw, it's so well acted - you can find it in the Organized Assets drive). The way others try to check up on him and he instead lashes out at them. How the animation seems to purposefully hide the actual enemies being hit so that it seems on first glance like the only things he's attacking are fellow prawn.

Ya'll... this could be another Distortion foreshadowing. Think about it. The realization that his escapist Fiction isn't enough, that the horrible reality he's living in has started to poke through and scream at him and cry at him. And the resulting breakdown causing him to lash out indiscriminately. ...Doesn't that sound like something that could happen with a Distortion?

Alternately, it could simply be a way to show in general what would happen once the act is stripped from Hong Lu. The fear, the panic. The pushing others away. A representation of someone whose escapism is a defense mechanism, and who, upon being stripped of it, cannot handle reality.

So, sorry to say Shrimp Jia Family is likely not the case. Thankfully, we can have the alternative of Shrimp Sinners.

On the other hand, here's a fun semi-related fun fact: the Sin Affinities of the Soda EGOs could in part be references to the two work types you can perform on the Abno to get the grape soda! Gloom representing Repression work, and Envy representing Attachment work. Neat, huh?

[hrrtshape]

THINGS TO REMEMBER WHEN YOU'RE DOUBTING SHIFTING a.k.a REAFFIRMING YOUR MINDSET.

welcome back to HRRTSHAPE's series of: THINGS TO REMEMBER WHEN YOU'RE DOUBTING SHIFTING. where i hold your hand and help you through helping your mindset if it was mixed by the blender that is shifttok.

in this chapter, we're talking about the why. why does shifting work? why is it possible? why can you, specifically, do it? the truth is, it comes down to mindset, belief, and the magical soup of existence that connects everything. if you want to shift, it’s not about "if"—it’s about when.

✶ NR ONE. YOU ARE THE ARCHITECT OF YOUR MINDSET.

your mind is POWERFUL. like, you could be chilling in your room and suddenly be in a DR castle because your consciousness is the architect of everything you experience. think of your brain as a projector: whatever’s playing in your mind becomes what you see.

⋆   LAW OF ASSUMPTION. what you assume to be true becomes true. if you walk around KNOWING that you can shift, then shifting is inevitable. your subconscious doesn’t differentiate between “real” and “imagined.” if you FEED it with affirmations and belief, it builds that reality for you.

affirm, affirm, affirm !! "i am the creator of my experiences. shifting is natural for me. my mind and reality align effortlessly."

⋆   WHY IT WORKS. your brain loves patterns and shortcuts. when you repeat affirmations, your brain starts to accept them as facts. it’s like carving a path through a forest—the more you affirm, the easier it is for your mind to follow that path straight to your DR

✶ NR 2. LET'S DIVE INTO SCIENCE.

okay, let's get a little nerdy because i LOVE to sprinkle some quantum spice into this. science might not outright say, “shifting is real,” but it gives us so much evidence to vibe with.

⋆  MULTIVERSE THEORY. every choice, thought, and possibility exists somewhere. you’re not creating your dr; you’re just stepping into the version of reality where it already exists.

⋆ NEUROPLASTICITY. your brain literally rewires itself to match your beliefs and experiences. when you practice visualisation, scripting, or affirmations, you’re training your brain to believe in your dr—and to eventually shift there.

⋆ THE OBSERVER EFFECT. in quantum physics, particles behave differently when they’re being observed. translation? your focus changes reality. what you focus on grows.

✶ NR 3. SCHRÖDINGER’S CAT: HOW A DEAD-AND-ALIVE CAT PROVES INFINITE REALITIES.

now, we're far from dummies, but let me freak down schrödinger’s cat down like we’re having a latte and chatting about quantum mechanics? it’s a wild concept, but soooo perfect for understanding the possibility behind shifting. let’s go:

alright, picture this: there’s a cat in a box. it’s not just chilling in there, though—it’s part of a very weird science experiment. inside the box, there’s:

a cat (obviously), a vial of poison, a radioactive atom, and some device that might break the vial if the atom decays (science is chaotic, let’s move on).

HERE'S THE DEAL.

⋆  the radioactive atom has a 50/50 chance of decaying within an hour. ⋆  if it decays, the poison is released, and the cat dies. ⋆  if it doesn’t decay, the cat lives.

BUT—and this is the trippy part—you, as the observer, don’t know what’s happening inside the box until you open it. so, until you check, the cat is in this in-between state. it’s both dead AND alive at the same time. this is called superposition—when something exists in multiple states until it’s observed. It’s not until you open the box that the reality “collapses” into one outcome: the cat is either alive or dead.

WHAT THIS MEANS FOR SHIFTING. now let’s take that poor cat out of the box (RIP or congrats to it) and apply this to your reality:

⋆  YOUR REALITY IS A QUANTUM SOUP. just like the cat, you and your consciousness exist in a state of superposition. right now, you’re in your current reality (CR), but there’s a version of you in your desired reality (DR) too. both exist at the same time, in the same “box.” ⋆  OBSERVATION CREATES REALITY. in quantum mechanics, things don’t take on a definite state until they’re observed. In the same way, your dr is “waiting” for you to observe and claim it. when you focus your mind on your dr, you collapse the possibilities and step into that version of reality. ⋆  YOU GET TO CHOOSE THE OUTCOME. the cat doesn’t get to choose its fate, but YOU DO. you’re not just an observer; you’re the creator. by choosing to focus on your DR, you make it the “reality” that wins out. ⋆  WHY THIS IS SO MOTIVATING. think about it: schrödinger’s cat teaches us that multiple outcomes exist at once. the universe doesn’t “lock you in” to one reality. shifting works because your dr isn’t some faraway dream—it’s already there, existing simultaneously with your cr. all you have to do is open the box (or, in this case, SHIFT) and see yourself in the reality you want.

HOW DO I USE THIS IN MY MINDSET?

⋆  VISUALISE YOUR DR AS THE CAT. instead of asking, “can i shift?” think of your dr as already existing in superposition. it’s BOTH real and reachable, waiting for you to observe it.

⋆  COLLAPSE THE REALITY YOU WANT. focus on affirmations, meditations, and practices that align with your dr. the more you believe and focus, the more you “collapse” the possibilities into the reality you desire.

⋆  TAKE THE PRESSURE OFF. just like you don’t need to “force” the cat to be alive or dead, you don’t have to force shifting. your dr already exists. it’s inevitable—it’s just waiting for you to claim it.

✶ NR FOUR. SO, WHAT'S THE DEAL WITH DIMENSIONS?

𖥻 3D (third dimension): the "PHYSICAL REALITY." let’s start with what you already know. the 3D is the world we live in every day—the world of physicality, logic, and observation. it’s the “solid stuff” you can see, touch, and experience. things here have length, width, and height.

think:

⋆  that chair you’re sitting on. ⋆  your phone screen. ⋆  the way your crush smiled at you yesterday (!!!).

the 3D is super focused on “what’s real,” aka what you can prove or measure. it’s all about time moving in a straight line (past → present → future) and cause-and-effect logic.

𖥻 4D (fourth dimension): the realm of "THOUGHTS & BELIEF." the 4D is where the magic happens. it’s not just physical—it’s the dimension of consciousness, thoughts, emotions, and POSSIBILITY. time here isn’t linear like in the 3D; it’s fluid. in the 4D, your focus determines your reality, not the other way around.

think of the 4D as:

⋆  YOUR MENTAL PLAYGROUND. it’s where your imagination, affirmations, and beliefs exist. ⋆  THE CREATOR'S DIMENSION. what you think and feel here shapes what you experience in the 3D.

when you’re in the 4D, you’re no longer just a passive observer of reality—you’re creating it. your thoughts aren’t just “floating ideas”; they’re the building blocks of the world you want.

𖥻 3D vs 4D: WHY IT MATTERS FOR SHIFTING.

⋆  THE 3D IS REACTIONARY. it only shows you what you’re currently focused on. if you’re stuck in doubt, negativity, or thinking “shifting is impossible,” the 3D reflects that back to you like a mirror.

⋆  THE 4D IS LIMITLESS. it doesn’t care about the “rules” of the 3D. In the 4D, you can visualize, affirm, and believe in your DR, even if it hasn’t shown up in the 3D yet.

⋆  SHIFTING HAPPENS IN THE 4D. your dr isn’t tied to physical limitations—it exists as a POSSIBILITY in the 4D. when you focus your thoughts and emotions on it, you bring that version of reality closer to your 3D experience.

𖥻 HOW TO USE THE 4D TO SHIFT.

⋆  STOP REACTING TO THE 3D. the 3D might tell you, “you haven’t shifted yet,” (u have. a thousand times) or “this reality is the only real one.” that’s a LIE. don’t let the 3D trick you into thinking it’s all there is.

⋆  TIP, TIP, TIP. whenever doubt creeps in, remind yourself: “the 3D is just a reflection of my past focus. my dr is already mine in the 4D.”

⋆  LIVE IN THE 4D. spend time in your dr mentally. visualise it, affirm it, FEEL it. the 4D doesn’t care if it’s “real” yet; it only cares about what you believe.

⋆  CREATE NEW ASSUMPTIONS. the 4D operates on the law of assumption: what you assume to be true becomes true. assume your dr is inevitable, and don’t waste time questioning it.

⋆  ANYTIME YOU CATCH YOURSELF DOUBTING, flip it into an assumption: instead of “shifting is so hard,” say, “shifting is natural for me.” instead of “what if i fail?” say, “i’ve already succeeded.”

⋆  SEE TIME AS FLUID. in the 4D, time isn’t a straight line. your dr isn’t in the “future”; it already exists, and you’re aligning with it.

⋆  IGNORE THE HOW. the 3D will scream, “HOW is this possible? HOW will it happen?” Ignore it. The 4D doesn’t need explanations. your job is to focus on the end result—living in your DR. the universe handles the how.

✶ NR FIVE. THE IMPORTANCE OF AFFIRMATIONS.

affirmations are your bread and butter, your foundation, your ride-or-die. why? because they reprogram your subconscious to align with your dr. they're not just “words.” they’re instructions to the universe.

HOW TO AFFIRM EFFECTIVELY. ⋆  speak in the present tense: “i am already in my dr.”⋆  make it emotional. the more you feel it, the stronger your focus. add excitement, joy, or calmness. whatever your dr feels like. ⋆  keep it simple: “shifting is easy for me.” ⋆  sneak them into your day. affirm while brushing your teeth, scrolling your phone, or walking. your dr energy should feel as casual as breathing. ⋆  repeat, repeat, repeat. consistency is queen. say your affirmations in the morning, before bed, or anytime your brain tries to pull a "what if?" moment.

✶ NR SIX. THE BOOSTER PACK OF BELIEF.

here’s the tea: belief is EVERYTHING. you don’t have to be perfect. you don’t have to follow a method like it’s a rigid rulebook. you just have to believe it’s possible for you.

⋆  WRITE A LETTER TO YOUR DR SELF. pour your heart out. about what you're doing. what you're excited to do. it makes the connection feel real.

⋆  TRUST THE TIMING. just because it hasn’t happened YET doesn’t mean it won’t. think of it like baking cookies—just because they’re in the oven doesn’t mean they’re not baking. your dr is already aligning with you.

✶ NR SEVEN. THE PHILOSOPHICAL MINDSET.

now let’s take a step back and look at the big picture. why would shifting even be real? why would the universe allow it?

⋆  WE ARE CONSCIOUSNESS EXPERIENCING ITSELF. at the end of the day, you are not your body. you are not your cr identity. you are a soul, a spark of consciousness, moving through infinite experiences. shifting is just a way to explore that freedom.

⋆  REALITY IS REFLECTION. everything you see around you is a reflection of your inner world. if you shift your beliefs, your reality will shift too.

⋆  YOU ARE INFINITE. the fact that you can imagine your dr means it already exists. the universe doesn’t create limitations; it creates possibilities.

✶ NR EIGHT. IT'S ALREADY YOURS.

this isn’t a question of “can i?” or “will i?” it’s a statement: i AM shifting. your dr already exists. your soul, mind &&& consciousness already knows how to get there. the only thing standing in your way is the belief that you can’t. and guess what? that belief? it’s an illusion.

think of shifting like a cosmic cheat code—it’s not “too good to be true”; it’s your birthright. every doubt, every fear, every tiktok rant in your head about ‘what if it doesn’t work’—yeet them into the void. affirm, affirm, affirm.

you are meant to experience everything you dream of. whether it’s walking into hogwarts as a wizard, sipping lattes in a fame dr apartment, or going full demigod chaos—your reality is yours to claim.

[1ceb3rg]

Titan shifters appearances in AOT is a reflection of who they are.

-

I feel like a common misconception about the titan forms of titan shifters in aot is just that its them but.. titan. I also see a lot of theories on the appearances of the shifters titans and a lot of curiosity. SO I AM HEREE TO GIVE MY PERSONAL OPINION !!! I personally view the shifters appearances as a reflection of not just their humanly appearances but also who they truly are deep down.

I feel the most often misconception i see is about Armin’s colossal titan. Its due to the fact that there is a LOT of questions on why his titan lacks ears, compared to the other 8 shifters titans. The MOST common response i hear to this question is “Armin’s colossal lacks ears due to him not wanting to hear the screams of his many victims!”. I absolutely hate this idea not because its sorta silly but i think it undermines his character. If you pay close attention, you’ll realize that Armin’s titan form bears a huge resemblance to a skeleton, unlike Bertholdt’s colossal titan. The human skeletal structure does NOT have ears. My take is because Armin’s whole relationship with his titan is very much related to the whole concept of death. The whole reason why Armin even inherited the colossal titan in the first place was VERY MUCH related to the decision between either saving him or Erwin from death, as well as Armin bearing the guilt of taking Bertholdt’s life. We all know that the responsibility of bearing the colossal titan always haunted over Armin for both of the dooms of Erwin and Bertholdt. I think this truly shows that Armin surely had a difficult relationship with his titan.

Another proof of this idea is the Beast titan. Its a well known fact that the beast titan takes after the form of whatever animal the current shifter of it has a special bond to. For Zeke, it was a monkey. This is because in a scene in the anime, he is seen playing and attached to a monkey doll during his tumultuous childhood, indicating that the monkey doll was a huge.. maybe even ONLY comfort that young Zeke had growing up under the pressure of Grisha and Dina. As for Mr Xavier, the guy who guided Zeke, we are told that he faked his marleyan identity and when found out by his marleyan wife, she took their son and committed suicide together in their house. In the scene where it shows the two lifeless, a sheep doll can be seen in the back of presumably the son’s nursery. And we all come to know.. that Xavier’s beast titan form was a sheep before he was eaten by Zeke. I think this shows that the deaths of Xavier’s wife and child took a huge toll on him even though he lied to both of them about who he was.

-

anywaysss that was just an idea i had pent up and sry for the yap but i hope smbdy else can share their opinions on this 😞

[anxious-introvert22]

Thoughts after finishing Arcane

Spoilers ahead, mainly for act 3

first off: IT'S OVER wahhhhhh wish we could have more :(

Maddie's betrayal was so unexpected but also fitting given that she was the first to agree with martial law (also that scene with her and Cait kind of gave me the ick) and because of this post:

Mel Medarda the woman you are

SO. MANY. SACRIFICES!!!!

maybe I'm delusional but maybe Jinx isn't dead because of the crow at the end and Cait looking at the Hexgate blueprints??

seeing Claggor, Mylo, Vander, and Powder grow older in the alternate timeline was so healing and I hoped Vi had led a more peaceful life but nope she's dead

Vander died a total of three times poor guy couldn't catch a damn break

Ekko realizing there's still hope for Jinx and getting through to her after reversing her attempts so many times

simultaneously going "yay lesbians" and feeling my skin crawl as a sex-repulsed asexual while watching Vi and Cait's sex scene

the way Viktor and Jayce's ending parallels their beginning was pure cinema

I kind of figured Jayvik wasn't going to be confirmed canon but it is in my heart

previously seeing the theory of Viktor being the mage who helped Jayce but dismissed it because his hands weren't augmented only for it to be true!!

could not believe when they showed Singed with his daughter that man is indestructible

seeing older Powder was so bittersweet because yeah she lost Vi but she didn't lose herself (also her and Ekko were so cute)

Sevika being a representative for Zaun let's goooo

Ekko and Mel really were the MVPs of the final battle

shoutout to the student pianist who took over Loris' position after he was killed!! An unsung hero

Jayce's monologue to Viktor was beautiful but I didn't like the inclusion of his disease as one of the imperfections he thought he needed to fix but made him who he was only because he wasn't trying to eliminate death like Singed but just trying to give himself more time

Jinx's last words to Vi. I fear I may never recover

Vi humming the song Powder sang at the bridge in the opening scene was a nice touch, also when they played it at the end of Paint the Town Blue

I'm really going to miss this series, it was so beautifully made and written and tackled a lot of issues relevant in society. And even though it wasn't a totally happy ending, I'm glad it wasn't half-baked like other finales (cough cough The Umbrella Academy)

Blisters and bedrocks

[doomandgloomfromthetomb]

Marquee Moons: 50 Ways of Hearing a Tom Verlaine Solo

Film critic/fellow Television fanatic Ty Burr eased his election depression by working on a very special project: "Taking the guitar solos from 50 different bootleg versions of 'Marquee Moon,' the proto-punk rock classic recorded by Tom Verlaine and/or his band Television over the course of 45 years into one monumental six-and-a-half-hour super-mix."

A stunt, yes — but more than a stunt! Sure, it'll take a little commitment to make it all the way through Marquee Moons, but that commitment pays off. As I listened, there were times when I felt like I was losing my mind, the darkness doubling, tripling, quadrupling ... but the experience was primarily pleasurable. Those first four years with Television are fascinating to hear in this fashion, as Verlaine's technique somehow catches up with his imagination — ideas finding form, dreams twisting themselves into reality. And after Television? Well, Tom just lets those dreams run wild.

The whole shebang is on YouTube, but I encourage you to go read Ty's insightful write-up via his e-newsletter (and subscribe!).

"And how about this? – the theory I wanted to test turned out to be true," he writes. "In 45 years of playing this song, in hundreds of venues and dozens of towns, Tom Verlaine never repeated an idea. Not once. You might hear the same notes, but played with radically different energy and attitude, or a riff would transform from concert to concert like a living thing, or sometimes he would reinvent the whole damn song or concept of what a solo even meant from the ground up. It was as though every time he played 'Marquee Moon' he was finding a new old book on the outdoor stands at the Strand, riffling its pages and lighting a smoke and wondering what endless worlds it could possibly contain."

[gingacat]

twisted from: Myth of the Victoria Water Lily

name: Lily V. Maven

birthday: February 12 (Aquarius)

age: 16

height: 155 cm

homeland: Starway River, a river that starts in the Oniric Rainforest and crosses the Golden Cordilleras. (my fan made locations)

grade: Freshman

class: D

club: Film Research club

best subject: Astrology

worst subject: History of magic

dorm: Astromunay (my Yzma fan dorm)

hobbies: Stargazing

pet peeves: Heartless people

favorite food: Avocado with sugar

least favorite food: Meat

talent: Acrobatic diving

nicknames: Mavis (Cater), Seaweed (Floyd), Mademoiselle Clown (Rook), Leaf bug (Miyuu)

quotes:

“What am I doing? Well, I'm counting clouds. It sounds boring but it's lots of fun, I totally recommen— Hey?! Why are you walking away?!”

Personality

At first glance, Lily seems to be innocent and naive, but she is still a fae from the Oniric Rainforest, a place known for its mystical and mischievous creatures. She is a playful person who loves playing tricks on people and talking in ambiguous ways that leave others confused. She also finds it fun to pretend to be dumb, when in fact she's secretly really smart.

It's easy to get along with her, but you have to be careful not to believe 100% in what she says. She likes riddles and puzzles and expresses herself or her thoughts through either weird metaphors or by using sarcasm that sounds genuine. It is hard to know when she is joking and when she's not.

But Lily is not that complex, it's just her nature to act in a more playful way, she just wants to have fun and thinks her way of acting will also bring fun to other people. She likes teasing others, but if she sees that she has hurt someone, she'll immediately stop and apologize.

When she is upset, Lily becomes quiet and distant, seeming to be in an entirely different place inside of her head.

She is obsessed with astronomy and when someone awakens her love for it, she gets extremely excited, rambling about stars, planets, galaxies, the universe, etc. Lily gets really happy when people actually listen or are invested in what she says, loving to share an interest of hers to others.

Background

Her father, Levi, is a water fae and her mother, Rosario, is a wood fae. Lily is their only child.

Her parents were always fighting, always stressed by their own personal lives, and the overall mood of the household was dark, sorrowful. Levi was fond of Space though, and he enjoyed taking Lily to go stargazing. Ever since she was very young, she was enamored with the stars.

Lily's first memory with stargazing was unforgettable. She remembers she was very upset that day and couldn't stop crying because she was the reason her parents had fought. Not wanting his daughter to be sad, Levi took her to see how beautiful the sky looked that night. For the first time in her life, Lily had seen something that wasn't gloomy nor dark, but shining so bright that it had touched her heart. Just as she was looking at the stars, the stars were looking back at her, embracing her with all their warm and beautiful luster.

Lily imagined how it would be like to be there, shining right next to the Moon. She wanted to be like the stars, who make people happier, who brighten people's moods even when everything seems to be horrible, even when the entire world seems to be so dark and so lonely.

Although, because of her mischievous nature, she eventually found a more playful way to shine and bring joy: by making others laugh.

Trivia

Her age is counted in human years because her mother is half-human and half-fae so Lily is not 100% fae. (i had to humanize Lily bc fae years are just so complicated 😭)

Lily mispronounces Diasomnia for Dysnomia, the name of a moon. Sebek keeps correcting her, but she never gets it right. (she's doing it on purpose)

She can breathe underwater.

Lily is very interested in scientific theories and loves debating about them. (ex: wormhole theory, panspermia theory, things like that)

She is the class clown. She keeps asking the most outrageously stupid questions to the teachers and manages to make the entire class laugh. (except for Sebek, lmao)

Lily never met Malleus but she would probably call him her broski.

If anyone is curious, the Victoria Water Lily myth tells the story of a woman who drowned after leaning towards a river to touch the reflection of the Moon, since she was in love with the Moon. The Moon (or Goddess of the Moon) was known for choosing women and turning them into stars, but to honor that woman who drowned, the Moon turned her into a Victoria Regia (water lily), which is known as the "Star of the waters".

[downrightlost]

I have a really hot take (apparently) and don’t come for me when I say this because as a BonKai shipper it hurts me but these two could have had an epic romance. The bittersweet kind that hurts in a good way.

Idk if it’s because I found out they end up together in the books, or the fan theories I’ve come across as of late, or just the fact Ian and Kat supposedly fought for it but I think they could have had something more.

It would have been shocking. Jaw dropping content. Especially since I didn���t know all the things I do now. I also woulda been mad but also 😏 because it’s Damon. It was more than just platonic to me, and idk if it was Ian playing into it or just the aura of it all, but that did not scream we’re purely besties to me. It gives me the same feels I have when Kai looks at Bonnie a certain way and it’s ✨✨✨ something. It’s not nothing.

My teen self would have some fighting words for me right now I know that for sure. I was an avid Delena and BonKai shipper. Had I watched season 7&8 when it first came out I would’ve been rioting in my living room with my friends telling me to chill because it’s not that deep.

It is though. It is that deep. The obsession is in my veins, and I am not satisfied. It’s old news to those who have been in the know but it’s all new to me. I am upset spaghet over what could have been.

I’d love to know what the show would have been without the drama and red tape and the fear of losing the fame. *sigh* (I know none of the details just the speculation)

Anyway, I’m returning to my binge of the originals while I eat my feelings. Cheers

[aventurineswife]

HELLOOOO, i was wondering:

A reader that likes watch anime, and some HSR characters gives them a try. But, what anime would you think they watch with the reader? Based on what they like or just something to start watching.

I LOVE YOUR WRITING STYLE, please don't overwork yourself a lot, have a nice day/night! <3

What Anime Would They Watch With You?

Tags: Aventurine x Reader, Ratio x Reader, Blade x Reader, Kafka x Reader, Silver Wolf x Reader, Anime Watching, Humor, Lighthearted moments, Comfort and Bonding, Can be read Platonically or Romantically.

Warnings: Mentions of psychological trauma, Light spoilers for anime, Philosophical and existential themes, Violence and combat (in anime contexts), Emotional conflict, Mild language (?), Possible mild angst(?).

A/N: I don’t watch much anime, but my sister does, so I based the anime choices on what she’s watched and told me about, as well as clips I’ve seen on yt shorts 🫣😔 ALSO THANK YOU!! 🤭💖 I'LL TRY MY BEST HEHE

Aventurine stands in front of the TV, his eyes glinting with curiosity. His usual confidence is slightly tempered by the unfamiliarity of the moment — an evening of anime watching. He’s dressed in his usual stylish attire, the gold accents catching the light as he adjusts the remote with his gloved fingers. His gaze flickers to you, a mischievous smile playing at the corners of his lips.

"So," he begins, voice smooth like a well-played hand in poker, "what do we watch tonight? I suppose I should try something new. But, I must admit, I prefer shows with a bit of strategy — something that makes you think, perhaps a game of intellect or manipulation."

You suggest Death Note, the classic tale of the battle between genius minds.

Aventurine’s smile widens. “Ah, an excellent choice. A battle of wits, a contest of who can outsmart whom. Much like life itself. I must say, the intrigue here appeals to me. The protagonist, Light Yagami, reminds me of someone who knows how to play the game... and win.”

As the opening credits roll, Aventurine lounges back, his eyes gleaming with the same focus he applies to his work at IPC. The intricate web of psychological tension between Light and L unfolds in a way that mirrors his own thinking — everything calculated, every move deliberate. The darker twists intrigue him, and he often leans over to comment on Light’s strategy, or offer his own hypothetical alternatives. Every so often, he’ll pause to explain a parallel to a strategic investment move, his voice laced with a playfulness only you can appreciate.

The night is filled with insightful discussions, his enjoyment of the show evident not just in his words but in the way his eyes spark with intellectual thrill.

Ratio enters your living room, dressed in his usual academic attire, though he seems slightly more relaxed than usual. His hair is perfectly in place, and he adjusts his glasses, his piercing eyes scanning the shelves. He’s intrigued by the idea of anime, but like everything else, he believes it must meet the highest intellectual standards.

"I assume this will be a pursuit of knowledge, correct?" he asks, his tone indicating that he is less concerned with entertainment and more with what the anime can teach him.

You offer him Steins;Gate, a mind-bending tale of time travel and its implications. Ratio raises an eyebrow, his interest piqued.

"Time travel," he mutters. "The concept is fraught with paradoxes, theoretical inconsistencies... But let's see how this unfolds."

As the show progresses, you can tell Ratio is captivated. His usual dismissiveness towards “mediocre” content fades as he engages with the intricacies of the plot. He is particularly drawn to the scientific explanations of time travel, making insightful comments about the laws of causality. The intellectual depth of Steins;Gate resonates with him, and he begins to see the show as more than just entertainment but as an exploration of the human condition through the lens of scientific theory.

His stern exterior softens slightly as he leans forward, absorbed by the delicate unraveling of fate. At one point, he pauses the show to make an impassioned argument about the ethics of time travel, his eyes alight with the thrill of the debate.

Feixiao, in her usual battle-ready attire, steps into your space with her arms crossed, her eyes narrowing slightly in skepticism. She’s not one for frivolous distractions, but she’s willing to give this anime thing a try — provided it’s something that involves action, strategy, and perhaps a little bit of inner conflict.

"You’d better not have picked something weak," she says with a smirk, her voice unwavering. "I don't have time for anything that isn't worthy of my attention."

You suggest Attack on Titan, with its intense battles and deep emotional conflicts. Feixiao grunts in approval.

"Alright, let’s see if they can deliver on the carnage." she says, as the opening scene plays out.

She’s immediately absorbed by the ferocity of the Titans and the desperation of humanity’s fight for survival. The battles, filled with adrenaline and relentless pursuit, mirror the kinds of conflicts she knows too well. She’s particularly drawn to Eren Yeager’s inner struggles — the deep rage that simmers beneath his resolve.

"That’s what I like to see," Feixiao mutters under her breath, her eyes flashing with approval as the protagonists fight with everything they have. "There’s more to these battles than just the physical; there’s emotion, too. A warrior’s mind is as sharp as their blade."

Throughout the night, she becomes invested in the character dynamics, especially Eren’s moral dilemmas. The show's dark tone and brutal honesty about the human condition resonate with her, and she even offers some commentary on the combat strategies used by the soldiers.

By the end of the night, she’s hooked, her face flushed with the excitement of both the action and the emotional weight of the series.

Blade steps into the room, his eyes burning with a quiet intensity, his demeanor as cold as the blade he wields. His mind constantly in turmoil, he’s not interested in frivolous entertainment. Everything he watches must speak to the darker aspects of his soul, and anything too light-hearted will not hold his attention.

You offer Neon Genesis Evangelion, a psychological and emotional rollercoaster that digs into the deep recesses of human existence. Blade’s expression is unreadable as he nods and sits, his eyes steely.

The first few episodes grip him, and soon he is fixated on Shinji Ikari’s inner torment — the crippling isolation, the struggle to find meaning in a world that seems bent on destruction. Blade sees pieces of himself in Shinji, his own existential struggle reflected on screen. He finds an unexpected resonance with the show's depiction of personal battles and the search for purpose in and the search for purpose in an uncaring world.

As the show delves into its more abstract and psychological themes, Blade’s face hardens in contemplation. He doesn’t speak much, but his occasional glances at you tell you everything you need to know — Neon Genesis Evangelion is more than just an anime to him; it’s a mirror to his own fractured soul.

By the end of the night, Blade is silent, lost in thought, the weight of the show's philosophical questions lingering in his mind.

Kafka strolls into the room with her usual cool confidence, adjusting her black jacket over her shoulders. Her hair sways slightly as she surveys the situation. While she doesn’t often indulge in entertainment, she’s intrigued by your suggestion to watch anime together. After all, there’s something elegant about the concept of using subtlety and manipulation to achieve one's ends, and Kafka is drawn to that kind of intrigue.

You offer Code Geass, a series filled with strategic battles, hidden motives, and complex characters. Kafka smirks, her interest piqued.

"This might be interesting. Let’s see if it lives up to the hype." she says, her voice smooth and measured.

As the episodes unfold, Kafka finds herself charmed by Lelouch vi Britannia’s calculating nature and his ability to manipulate others for his own purposes. She’s drawn to the layers of deception, the way Lelouch maneuvers through the world with his intelligence and charisma, much like herself.

"Ah, this is the kind of show I can appreciate," Kafka remarks, glancing at you with a knowing smile. "Power lies not in brute strength, but in the subtleties of the mind. Lelouch truly knows how to play the game."

By the end of the night, Kafka is hooked, her mind racing with the complex political strategies and moral questions the show raises. Her admiration for Lelouch’s ability to control events through sheer willpower is clear.

Silver Wolf lounges in her seat, her purple glasses perched on the bridge of her nose. She’s always up for a challenge, and if anime is as much of a game as you say, then she’s ready to dive in. She’s looking for something that’s both fast-paced and unpredictable, a true test of her adaptability.

You suggest Psycho-Pass, a futuristic series that blends action with deep psychological exploration and questions about the nature of justice. Silver Wolf’s eyes light up as the opening credits roll.

"Alright, this looks fun," she remarks, her fingers tapping on her leg like she’s already hacking her way through the plot. "A system that reads people's intentions? Sounds like a game I could win."

As the series progresses, Silver Wolf becomes engrossed in the moral and psychological dilemmas the characters face. She’s particularly drawn to the futuristic technology, intrigued by the interplay between the systems that control society and the human minds that try to outwit them.

"I could hack my way through this world in no time." she chuckles to herself, but she’s also genuinely captivated by the philosophical questions raised. What is justice? Who decides what is right or wrong?

By the end of the night, Silver Wolf is already planning her next anime binge, eager to see what other “games” the world of anime has to offer.

[lemonberry-soda]

This might be one of those "putting too much thought into some basic blue curtains" situations, but I've been thinking about it a lot. Enjoy the following sleep-deprived ramble (and continuing ramble in the tags)

I feel like the line "and if I finally break the rules, I will know of my world, I'm the ruler" means so much. We only ever hear it twice ("cool as I think I am," and "dirty dudes must die"), even though the first part ("If I can finally be cool I will know that I'm not a loser") is played numerous times, and has a LOT of importance placed on it. Dirty Dudes is obvious by explaining how Grace is falling to what she would consider satanism in the name of God, but I personally see the first usage as kind of meta. Peter is singing the song about him and Stephanie, right? Well, in the other two Hatchetfield musicals, there are both couples that slowly fall in love over the course of the runtime. And you know what? They all die at the end. Hatchetfield dies at the end. It's because the Lords didn't know the main characters personally, or else weren't asked, and they were on the bad guy's side.

The Lords in Black are very much the bad guys. They feed from people's wants and their desperation to reach fulfillment (filling the holes), and actively cause destruction to cause more want and desperation. So "breaking the rules" by making them join the good guys side, just for once, causes the nerds to be known and protected so long as they pay the price. And they do. And that's why Nerdy Prudes has a good-ish ending. The second final song "The Best of You," as weird as it is, is entirely focused on Pete and Steph, who broke the rules by not dying, and became the "Rulers," homecoming king and queen, as a result (I know it wasn't explicitly stated they were king and queen but it wasn't a plot point at all so let me pretend lol).

So basically if Grace Chastity weren't there, they would have failed and Hatchetfield would have died again.

EDIT while listening to the music again I found another half-sung form of the lyric in "cool as I think I am (reprise)" that mashes the two verses together ("If I can finally break the rules, I will know that you have to do it"). This still goes with my thought process though since it's literally during the point where the normal rules of the couple dying are broken. They are literally breaking the rule where they had to sacrifice themselves. Thanks Max thanks Grace you saved the world from a disaster you caused <3

[lu-is-not-ok]

Regarding Hong Lu's Lasso EGO. The abno of Rose Hunter in its MD event actually has two 'parts', of the apple and the hunter. Given how he shares this one with Faust of all people, I do think it may be referencing how they are both the one forcing the story to go on and the one being forced to go along with it. This is about Hong Lu I swear its just the more you dig the more he somewhat parallels her. One vs two blue eyes I guess.

For Faust this is via the Gesellschaft. Her as the apple in the way she must bend to the will of the collective Faust as one with a defined role to play. And as the hunter with how she - for the sake of someone else just the abno has its 'client' (there's a few who could fit this description, like Limbus Company as a whole, whomever is financing the whole operation, the Gesellschaft again) - ensures via various methods like keeping certain things from the sinners that things go according to plan.

Her passive is 'sprawling lasso' is possibly a reference to just how many she has, must, encircle for things to keep going. Plus this EGO is Fatal to Wrath and Gloom. This Wrath as her weakness ties into how this is the first time her voiceline, for corrosion, has expressed proper anger and desperation in her voice as far as I remeber. And Gloom I don't quite have a real reason for, perhaps her lament at not doing things of her own will? At being ensared as all others were?

But to loop lasso it back to Hong Lu, for one his awakening voiceline says to 'run along the flow' which has been causing me normal reactions for several weeks now. Regardless, this does tie into a mini theory of mine that the 'flow' followed by Vergillius is in fact one of the subterranean rivers, though I don't have the mythological knowledge to try and pinpoint which one.

And if we do take the stretch of a river = the flow then it connects to what Xichun was doing in Canto 7 and is yet another reference to water, just like in his base ego and in his promo image. This EGO is also weak to Gloom, funnily enough. Sloth too, though I have never had solid thoughts on that sin past it representing acceptance of sorts, typically to a status quo that hurts them. The corrosion line is presumably a reference to him probably just running away from his family the first chance he got, which was probably Faust.

Onto my thoughts on the illustrations, which was meant to be a minor note but we all know how these go. The thorns in Faust’s EGO illust are thinner and look more like rose branches, with one notably going over her leg as she looks up, seemingly about to get on the horse.

Whilst Hong Lu's has much thicker brambles around the edges - though the rose branches do appear near the bottom - striking me as similar to barbed wire, though thicker than in the base EGO illusts (speaking of, in his the wire seems much fuzzier than say, Yi Sang's). He's already saddled the horse and is looking down(?) At something that has already been entangled in thorns, the abno looking over him and who/what has been ensnared in a way that reminds me of judgement.

Ensnared itself, mind, seemingly lacking an arm, having another mangled and literally no legs to speak of, and no rose on its scarf. A drastic departure to how it was in Faust’s EGO, laying traps on the ground with all its limbs freed and intact, with a sunray to its side and a rose placed neatly upon itself, much more alike its MD self. Hong Lu's awakening is not lacking in the scarf rose, though.

Other rapid-fire thoughts: (corrosion) the rose petals on the horses look like it's bleeding as if being slashed from the stomach. (corrosion) Faust still has the reigns and very much uses them which provides her a degree of separation and control over this. Hong Lu does not. Most notable in both of their hurt sprites, Faust’s horse stands on its hind legs on her (or the Gesellschaft's, depending on how you think on it) command, Hong Lu's horse wants to run away and it turning to do so. (corrosion) Hong Lu's noose/lasso arms both have 2 loops each, unlike the one round his neck that has 3. Faust has red laces.

To close this off: I have been switching between their lasso sprites on the wiki and have one question: is Hong Lu smaller on his horse or had my brain made that up, thank you.

Hilarious thing to see before scrolling down and seeing all of this. Anyway. Let's pick this apart a little.

First things - the apple might not actually be a part of the Abnormality itself.

We know from Ebony Queen's Apple's Observation Log that Abnormalities that are conceptually connected through what they represent are in some way able to be aware of each other's existence - Ebony Queen being aware of 'Snow White', aka LobCorp's Snow White's Apple.

Considering that Rose Hunter is seemingly likely connected to the same fable of Snow White as Ebony Queen's Apple and Snow White's Apple are, specifically in that he represents the huntsman sent to kill Snow White on the Queen's orders, and that the way Rose Hunter describes the apple perfectly matches Snow White's Apple ("an apple that will become a princess, not knowing its rightful place"), it's possible that the apple in question *is* just straight up Snow White's Apple, or a representation of it.

I do agree that it's important to keep it in mind when interpreting Lasso, but I believe it's pretty clear that the apple itself might not inherently be a part of Rose Hunter itself.

After all, Lasso isn't the first E.G.O we've seen where the Sinner is shown to be both the victim and the perpetrator. See AEDD and Capote as the major stars of this trend.

I don't have much to comment on regarding your interpretation of Lasso for Faust - I think that works pretty well with what we know. Faust has to follow what the Gesselschaft and Limbus Company tell her to do, and she herself is responsible for keeping the Sinners on track - keeping them ensnared and following the predetermined path of their stories.

I'll touch upon the points you bring up with regards to Sin Weaknesses (and also bring up Sin Resource Costs, which I believe are a bit more important to E.G.O) a bit later.

Because, here's the thing about the Flow Vergilius talks about - we already kinda know what it is. We see it in Leviathan Book 16.

Vergilius's narration describes the Flow as a "shadow hovering over his back". A sort of insight, or pressure that drives him to make specific choices or move in a specific direction.

He also explains how the Flow isn't one singular force - in fact, he explicitly mentions seeing at least two Flows during this chapter. One brightly colored but slow moving Flow that he could see ahead (which he feels would lead him to actually changing the City), and one darker but faster moving Flow that clung to his back. Every time he tries to avoid following the bright Flow, the shadowy Flow always leads him to ruin, to a point where he's inevitably forced to come back to the bright Flow, as all shadows naturally come from light.

It reminds me a lot of "Gravity" from JJBA, in a way. A supernatural force that drives extraordinary people towards each other and towards their inevitable fates, and every attempt to counteract it ends up making things worse for them when it finally catches up to them.

It's also, like, Heavily implied that Carmen is in some way directly involved with what direction the bright Flow takes, as there's an implication that it's trying to direct Vergilius to his inevitable meeting with Carmen that happens in Book 18, considering how much her trying to get Vergilius to distort is telling him how it would give him the ability to change the world to how he sees fit, matching what he believed the bright Flow was leading him towards.

So like. Flow isn't exactly directly related to the Rivers. But it's also not not related, considering the Carmen -> Light -> Cogito -> Rivers chain.

I don't think the "flow" Hong Lu is referring to is the exact same Flow that Vergilius can see and talks about, at least not entirely. I believe it's also meant to be a reflection of the reason why he's initially willing to follow his story, similarly to how Faust's awakening line does for her.

While Faust wholeheartedly believes that following the story laid out before her and the Sinners is the "correct" thing to do, Hong Lu simply follows along because he just Goes Along With Whatever He's Told. He figuratively goes with the flow, just agrees and follows until things turn out okay in the end. To quote one of his Base Identity's voice lines: "When you’re distraught, simply remember that life goes on even if what you’re doing now doesn’t work out. Then, you’ll be free of worries." As long as he just keeps moving forward, things will be fine in the end.

So, if the Awakening lines are a reflection of why Faust and Hong Lu would feel like they should follow along the path their story is taking, then I believe the Corrosion is a reflection of the "punishment" that awaits them if they are to stray from it. To quote Rose Hunter's MD event, "Ah... If, however, the course was derailed by your actions, you will be held accountable."

Hong Lu's Corrosion line here is the easier one to read - it's meant to be a reflection of his Family's reaction when they catch up to him after he runs away. Outright calling out that he ran away, calling him a fugitive, and the very clear threat of punishment.

For Faust it's actually a lot more interesting, because she clearly brings up the apple and the idea that whoever she caught is hiding it, rather than implying that whoever she caught is the one she was looking for. Perhaps because that's a reflection of how Faust will disobey the Gesselschaft. While Hong Lu disobeys his fate by running away from his Family, Faust would disobey her fate by hiding something from the Gesselschaft. A Golden Bough, perhaps? Instead of bringing one back to the Company, she could keep it hidden for herself, effectively disobeying her orders and the path she was put on. And an act like that would Anger Them Severely.

The thing you point out about the differences in how the Rose Hunter itself is depicted is fascinating. The one depicted in Faust's illustration seems like a direct parallel to how Faust has acted towards Sinners - she's been trapping them with Limbus Company, using their own wishes as bait and the contracts they sign as the snares.

But then there's Hong Lu's Rose Hunter, itself trapped by the snares and mangled to the point it seems there's only half of it clearly there. Half destroyed... I don't have an exact thought in my head regarding that, but you could definitely interpret it with a Two in One angle. How whoever is resonating with Rose Hunter is only Half There, and how that half is inherently trapped within themself, as the vines ensnaring it are also its own snares. Hong Lu is, in part, trapping himself, specifically Baoyu and Daiyu are unwillingly keeping each other trapped by the circumstance of their current situation.

Now. Let's talk Sin Resistances. I'm going to be using the names for the Floor Theme Packs based around the relevant Sin Weaknesses as a base here, since that's the closest thing we have to a canon confirmation of what the Resistances could mean.

The Gloom-weak floor is called Emotional Flood, the Sloth-weak floor is called Emotional Indolence, and the Wrath-weak floor is called Emotional Repression.

Both Lassos being Gloom weak could imply that whatever experiences Hong Lu and Faust have to recall to use it are heavily emotionally charged, making them susceptible to "Flooding" with negative feelings. It could be a reflection of the anxiety it causes both of them to think about - after all a major part of Rose Hunter is the punishment for not following one's path. Having to actively keep those consequences in mind to use the E.G.O would likely leave them shaken up and weak to such negative reminders.

Indolence means the avoidance of exertion or activity, and it's a close synonym to laziness. Hong Lu's Lasso being Sloth weak could reflect how emotionally numb recalling the relevant experiences leaves him. For him, following the path of the story is all about simply letting things happen and not reacting, just trying to reach the end. He's forced to become avoidant of emotional reactions through being too "lazy" to react. It's not like trying to say anything would change things for him, so why even bother trying? He'll reach the end one way or another. And so, being given even more reasons to not care and become more numb hurts all the more, ridding him of whatever little resolve he might have been holding onto.

As such, Faust's Lasso being weak to Wrath is made all the more interesting - it implies there's a level of intense emotion that the experiences bring out within her that she feels the need to repress and hide. This is different to Hong Lu's Sloth weakness, in that while Hong Lu is just straight up numb and passively avoiding feeling anything, Faust is very much feeling some sort of strong frustration that she has to actively silence. Thus it makes it far more painful to her when she's given more reasons to be annoyed - she's already struggling to keep it contained. Something about having to follow her path leaves her deeply frustrated in a way she feels she cannot let herself express, likely due to the consequences of complaining about it.

I also want to make a quick note on the Sin Resources needed to use the E.G.O, specifically the ones that differ between the two.

While both Lassos require Gluttony and Lust, Faust's Lasso requires Envy, while Hong Lu's requires Pride. This, I think, is actually reflected in their Awakening lines and thus the attitudes they have.

Faust sees following the path as something "correct", as something "right". Her own feelings and thoughts don't matter because the opinion of the story she's following is more important than hers. She's expressing Inferiority - aka, Envy.

On the other hand Hong Lu follows the path because it's something he himself believes to be the best option. He doesn't think there are better options, so he just ignores all the shit he has to go through along the way because in the end, he'll be fine. A very Pride thing to believe.

And yes, Hong Lu for whatever reason is notably smaller on the horse in the awakening sprite. No I don't know why either. It honestly might have been an oversight LMAO.

[wildshadowtamer]

Im gonna run through this with what im pretty sure we know from the show, and some theories

King's gylphs actually show up on the bubble he forms to protect the Collector during his beserk rage. the one to the right is his Light glyph, and based off his dad's glyphs, i'd guess the right one is an Ice glyph, and the top one is a plant glyph. that's presuming he has the same elements in his glyphs then his dad.

2. i have no idea why he or Eda enters berserk mode, im just as confused to you, same to question 3

4. Why do harpy eda and titan Luz have similar eyes, probably because Luz or her subconscious designed her titan form around the witches and demons she knows. King's hands and claws, Eda's eyes, etc

5. What did the archivists do to the baby titans. based on the very small skulls in the Titan Trappers base, probably killed them. Especially considering Bill, when under the Collector's puppetry, referred to them as King's 'siblings'

6. How did the archivists defeat the titans. good question, not sure. The mural on King's tower's wall and the Collector's painting both depict titan trappers taking down a Titan, or, based on the shooting star going towards the titan, distracting them for long enough for the Collectors to attack. but, ultimately, we dont know exactly how they managed it, though they are literal gods so who knows.

7. Did the archivists know about the Titans before the collector met the baby titans. according to the Collector themselves, yes, but they sent the Collector down specifically to interact the titans. to quote him; "The Archivists, my siblings. "Oh, let's play a game", they said. "Let's play hide-and-seek." / "You go down there and see if the titans wanna play!" / But the Archivists were scared of their power, so one by one, they disappeared, until there was one Titan left."

8. Why did the archivist entrap the owl beast. im not sure what you mean by this considering they did, by turning it into a curse. but the wiki says "It is not known why the Owl Beast was turned into the scroll, but according to the collectors' motto, they seal living beings to preserve them forever."

9. Why did the titan create Jean-luc and the island. to protect his egg, the Collector says so in Episode 3, "He hid his egg from me and trapped me.", and its said in King's backstory episode, "That thing was defending King from us this whole time". it's shown in King's Tide that the symbol carved into the tower at the island was a protection symbol that hid King from the Collector's sight.

10. What happened to papa titan after king heard his voice. It's implied hearing his dad's voice was the last time the Titan was alive, meaning he died somehow shortly after. his exact cause of death is still unknown

Are titans able to transcend life and death, i dont know what you mean by this question

12. Were the titans able to transfer their powers to other living beings when they were alive, theres no canon that i know of saying one way or the other, but i dont think they could. i think the Titan's ability to do that was purely because his soul was stuck in the inbetween dimension.

13. Was the symbol on King’s collar created by an adult titan to protect its younglings or baby titan to play hide and seek with the collector. as i said previously, likely by his father to hide him from the Collector

14. Did Titans purposely hide their corpses from Belos and his followers to protect their inhabitants. i dont know what you mean by this

15. What is hooty. a demon created by the muck of the rotting corpse, according to himself, though considering theres a mini hooty in Papa Titan's eye in the inbetween, he may be some sort of parasite to the Titan's body. maybe he was a natural part of the Titan, who knows. Dana intended to go into Hooty's backstory if there was a full season 3, but alas.

16. Who is the grand Huntsman. Either the Collector or one of the Archivists, its never really stated

17. What happened with the Titan trappers before for the future. i dont know about before For The Future, but Bill and one of the other Titan Trappers are puppeted by The Collector

18. What kind of powers do Titans possess. Sonic scream, unique glyph magic (presuming the Titan had glyphs when he was alive like King does in the finale), fire breath (based on the Collector's painting), and presumably flight, considering they have wings.

19. Is the owl beast a sort of titan. the Collector states their magic doesnt work on Titans, but the Archivists trapped the Owl Beast, so probably not. Though considering the extensive definitions to 'demons' in the Demon Realm, maybe theres several layers of titans. we don't know.

20. How did the collector know about the draining spell, presumably from his siblings, though we dont know for certain. perhaps its an old Archivist sealing trick.

21. Where did the titan trappers get the titan skulls from. according to the wiki, "At San Diego Comic Con 2023, confirmation was given that the specific young titans whose skulls they wore were King's siblings", so. take that heartbreaking info as you wish.

How did the Titan trappers know what Titans look like, they have the skeleton of one hanging in one of their rooms, and they have contact with the Collector or another Archivist, who has seen them. Not to mention they likely have murals of their own depicting titans.

23. What are Galdor stones, a highly powerful magical stone that boosts a witch's (or demon's, presumably) powers. According to Dana Terrace, there were further story plans for the galdorstones which were not realized in the series due to the shortening of the third season. Personally, i think their crystalizations of some part of the Titan's corpse, like a diamond-izing of pure magic or blood.

24. What was the moon mirror that communicated with the collector. if you mean the thing he was trapped in, i have no idea. i presume Dana had plans to explain it, but for now, we only know its a prison for the Collector.

25. Was everything in the owl house from papa Titan’s point of view. thats a very funny thought and im choosing to believe its true.

26. Was eda’s curse destroyed in the fight with Belos, no, why would it be? there's nothing saying either way if it did, but i dont know why it would be, considering that doesnt match anything we've seen of the Curse.

27. Is King able to peek into the in between or was it because of the connection that the Titan trappers set between him and the collector. likely just the connection the Titan Trappers caused, the same way Belos could only see in with the weird tablet thing

28. Are the titans able to Shapeshift. no? again, not sure why they would be able to?

29. Why did eda curse react to the collector but not Lilith’s. I think its because Eda's curse was the one to be captured, and Lillith's is just sort of an offshoot, though its never explained in canon. so, Eda's beast has the memories of the Collector's siblings trapping them, and Lillith's doesn't.

30. Can the realm in between see the past and future. based on what we see, only the present and past, unless the Titan's heightened powers makes him exclusively capable of seeing the past through the cubes. we dont know about any future sight, though that'd make for a cool fanfiction.

Questions i still have for the owl house that will never be answered

Mainly for the collector species and titans

1. What do king’s glyphs look like

2. Why did king grow more fur and seem to grow bigger when he went berserk in watching and dreaming

3. Why did the owl beast grow bigger and have similar eyes to king’s when eda transformed

4. Why do harpy eda and titan Luz have similar eyes

5. What did the archivists do to the baby titans

6. How did the archivists defeat the titans

7. Did the archivists know about the Titans before the collector met the baby titans

8. Why did the archivist entrap the owl beast

9. Why did the titan create Jean-luc and the island

10. What happened to papa titan after king heard his voice

11. Are titans able to transcend life and death

12. Were the titans able to transfer their powers to other living beings when they were alive

13. Was the symbol on King’s collar created by an adult titan to protect its younglings or baby titan to play hide and seek with the collector

14. Did Titans purposely hide their corpses from Belos and his followers to protect their inhabitants

15. What is hooty

16. Who is the grand Huntsman

17. What happened with the Titan trappers before for the future

18. What kind of powers do Titans possess

19. Is the owl beast a sort of titan

20. How did the collector know about the draining spell

21. Where did the titan trappers get the titan skulls from

22. How did the Titan trappers know what Titans look like

23. What are Galdor stones

24. What was the moon mirror that communicated with the collector

25. Was everything in the owl house from papa Titan’s point of view

26. Was eda’s curse destroyed in the fight with Belos

27. Is King able to peek into the in between or was it because of the connection that the Titan trappers set between him and the collector

28. Are the titans able to Shapeshift

29. Why did eda curse react to the collector but not Lilith’s

30. Can the realm in between see the past and future

[egophiliac]

the lovers, reversed

(aka I'm still freaking out about Jou)

[fumifooms]

There’s something so viscerally sad about Thistle devoting his whole life body and soul to the family who bought him and put him in a clown costume

[calista-222]

ok brb gonna play Splatoon 1's story mode for the first time <- has the game but barely played it

[jullbnt]

I really enjoy all of this too :D

Aonuma's comment about nostalgia was also because he genuinely seems to think more freedom = better games, so he doesn't understand why some fans like me prefer the old Zelda formula when it was more "restrictive" in his opinion.

I still prefer to keep the timelines separated but what you're saying makes sense, I better understand how it could work! I like the idea that the merging would be the result of very careful planning by the gods/goddesses that would take millenia, it's kind of fascinating (you're right "just" was a bit of a stretch). Don't worry my take is probably very confusing too, it has time travel and a whole crazy fourth timeline ^^

It's definitely been a while since SS, though I always found the time scale in BotW a bit ridiculous (10 000 years since the first Calamity just sounded like an alternate way of saying "a very long time ago" to me). Oh you didn't like the dragons in BotW? I love seeing them flying over Hyrule, I always stop to watch them. At least they're way better than the ones in SS, I still think they looked kind of terrible 😆

Yes Faron is the Water Dragon in SS and Lanayru is the Thunder Dragon, which never made sense to me (especially with Farore's Flame still being green and Nayru's being blue). The opposite would have been better in my opinion. It's a real pain in my side because the dragons play a big role in my story and I want them to be the same ones from SS (with an explanation for the way they changed), so until I find something not too convoluted to explain the swap I just ignore the inconsistencies… Anyway even with their elements swapped I think it's hard not to see the link with SS, especially with the sacred springs being on the map (sure SS only had two, but still). And if the dragons don't talk it's simply because they play no role in BotW ^^

I don't mind when things are a bit vague because it allows us to theorize, but I still think something as big as Rauru claiming to be the first king when he is not should be explained, that's way too confusing. What you said could be the case, but then I would have loved an explanation from Rauru himself. It didn’t need too be very detailed, just that he founded this new version of Hyrule on the ruins of an ancient kingdom with the same name.

(Also the new timeline we got in TotK Master Works is very confusing, it really makes TotK look like some kind of reboot. The events of Skyward Sword are never mentioned, the Secret Stones replace the Triforce, and Rauru is confirmed to be the first king of Hyrule. But maybe it could work with your theory, the gods/goddesses could merge the three timelines and then start all over again in this way. But I really wish they wouldn't kind of erase previous lore this way).

I think it's a bit different for the Oocca and the Minish, since both TP and MC had the excuse of being released before Skyward Sword and the official timeline (and they weren't sequels to other games). I won't argue about MC though, I think it never really fit in the timeline because it's too different from the rest.

In TP the entire story wasn't about the Oocca and they weren't the ones to seal Ganon, to name the Sages, to be the first rulers of Hyrule… Shad only theorized that they were the real creators of Hyrule, and since no one travels through time to see it happen there's a possibility that he just got them mixed with the Skyloftians.

Hyrule in game is the size of Kyoto, but I think we can assume in reality it would be a lot bigger, maybe even like a continent. I mean I can't imagine having a desert, a jungle, a volcano, and a few snowy montain chains cramped up together in such a small area ^^ Hebra alone could be the size of the Alps or something like that. But I agree, it would definitely be nice to know what's happening outside of Hyrule!

Yes the stones are blank power modifiers, I just find it a bit… lame. But my major issue with them is that I don't see how owning one makes anyone a Sage. As I said in previous games Sages had important roles and had a more spiritual aspect to them than just being warriors with magicial abilities (that's more like being a Champion from BotW). Usually the Sages all need to be awaken by Link for their shared power to be effective, which is something I like a lot. In TotK you can go straight to Ganondorf and fight all the bosses without the help of the Sages or with only half of them if you're good enough, and since I've seen people do it with only one heart we know that Link is canonically perfectly able to do so. That makes the Sages useless (the same could be said of the Divine Beasts in BotW, but it's less lore breaking. Though the fact that you can beat Ganon without the Master Sword is another story).

It's as if OoT Link didn't need the Sages to seal Ganondorf in the Sacred Realm and could confront him any moment after fighting all the bosses in a row. That would basically ruin Ocarina of Time.

I know about On'nen, I've actually read a bit about it to better understand Zelda lore and Demise's curse (though I may not have gone as deep as you). I'll definitely check QuestWithAaron, that sounds very interesting (thanks!). I didn't know gloom was Shoki though, I didn't understand why it was not malice anymore in TotK so that's a good point. But I think it confuses things even more between TotK Ganondorf and BotW Ganon for people who don't know Shintoism, which isn't ideal.

I still don't think Ganondorf with a secret stone would be more powerful than Ganondorf with the Triforce of Power. TP Ganondorf has just as many reasons for his resentment to grow after being exiled to the Twilight Realm, but he still can't break the Master Sword and he has a piece of the Triforce. I was really expecting an explanation for that later in the game, especially after Ganondorf recognizes Link and Zelda at the beginning and mentions Rauru (I was so excited about this, it felt big). That's one thing I hope I can better explain in my story.

Btw in French malice is indeed called "rancœur" (rancor) and gloom is "miasmes" (miasma). I'm not sure the official reason for weapon durability in BotW was malice, but it could be a good way to explain it!

Haha the Zonai being evolved Remlits is a fun idea ^^

__

You're welcome! Yes something like Croifluances could work, though I prefer Confluances. It sounds closer to Crossflows so it could be a good idea! For Mipha it would be Cour Sainte Mipha (saint is masculine). Cour might not be the right word though, in French a "cour" is an open space enclosed/surrounded by buildings (more like a courtyard actually!). The French translation went with Parc Mipha, and I could also see something like Promenade.

Yes games centered around the non-Hylian races would be interesting. Though I think what I would love to see most in a future game is a Gerudo King that is not Ganondorf and is portrayed in a positive light.

OoT and MM are my favorites so I completely agree, I want to see something like that again. The subtext and depth of these games were unlike anything they did since, I really miss it ^^

Hi, sorry if this is a bit rude. 😅 I guess that I was just wondering. How would Jabul Waters, Zora Cove, & Crossflows Plaza be named in French?

I'm trying to give Jabul Waters an interesting name that works to go with my hc & I came up with "Jabuleaux." And Google Translate tells me that Crossflows Plaza would be Place des Flux Croisés. And, I'm seeing that Anse is the term to refer to a cove &, if that's true, then would Zora Cove be Zoranse? At the same time, somewhere else, it said that Anse actually means beach.

And, I believe that a town by a swamp would have cher, quier, bren, brin, or Hor- in it?

I'm sorry if this is weird... 😅

Hi! Don't worry it's not rude or weird at all! I offered to help and I'm happy to do so :D

Did you check the official French translations? I had a surprisingly hard time finding the French version of the map online so here's a screenshot I took myself:

Jabul Waters = Eaux de Jabule (this one only appears when I zoom out)

Zora Cove = Baie Zora

Crossflows Plaza = Place de l'Estuaire

In case you didn't know the Zelda Wiki often lists names for places or characters in various languages in the "Nomenclature" section of its pages. It's very helpful especially if you're searching for the original Japanese names. If we look at at the different names for Crossflows Plaza we can see that a literal translation from Japanese would be something like "Exchanging Place". I checked the Jisho dictionary and it seems to be an accurate translation, though "Place for Cultural Exchanges" would be more meaningful.

It's not exactly a good name in English so it makes sense that the localization team would come up with something like Crossflows Plaza instead, which in my opinion does a very good job of stating that this is both the place where the river meets the sea and where the two Zora tribes traditionally meet each other.

Other European languages all settled for variations of "Estuary Plaza" ("Place de l'Estuaire" in French), which is fine but looses the "cultural exchanges" aspect of both the original name and the English translation.

I've been trying to come up with a French translation of "Crossflows Plaza" but it's not that easy. To me "Place des Flots Croisés" or "Place Flots-Croisés" would sound better than "Place des Flux Croisés", but I still find it a bit weird ("flot" meaning flow, tide or stream). "La Croisée des Flots" is another option if you agree to get rid of Plaza/Place (it means "the intersection/junction of streams"), but I don't think it works very well as a name.

You could also mix words to create a name the same way it was done in English, something like "Place Croiseaux" (croiser/cross + eau/waters). If any of my French speaking followers is feeling inspired, please share your ideas! :)

(I just thought of "Place Cruciflot" and found it too funny not to mention 😆 maybe it sounds too much like crucifix)

In French we also have the word "confluence" that has the exact same meaning as it does in English: either the meeting of two rivers or a gathering of some kind. So to me the most obvious translation would be something like "Place des Confluences" or maybe "Place Confluence", as it would preserve the dual meaning, but it's not very fancy or creative. Maybe we could simply change the spelling to something like Place Konfluans, the same way "Village Côtier" (Seaside Village) is spelled "Village Kothié" (Seesyde Village). But it doesn't look like a French word anymore so I'm not sure that's something you'd like.

As for Jabuleaux, it can work but I prefer the official translation "Eaux de Jabule". Same thing for Zoranse, we would say "Anse Zora" or "Anse des Zora". The official French translation is "Baie Zora" (Zora Bay), which I think is more appropriate given the size of the sea inlet (in my understanding an anse/cove is a small baie/bay and isn't very deep). I think maybe it should have been bay in English as well instead of cove, but I might be wrong! Also I believe "anse" isn't used as often as "baie" and might be confusing for most people, so I would go with "Baie Zora".

I'm not sure where you found this information about swamps and town names? I didn't find anything to confirm it but I might not have looked in the right places.

French towns are often ancient and their names can derive from other languages such as Celtic, Occitan, Flemish, or regional dialects, so that's a very difficult question and I'm not sure I can give you a satisfying answer ^^

I still did a little search and found an Old French word for swamp, "palud" or "palu", that still appears in some town names such as La Palud-sur-Verdon, Saint-Pierre-la-Palud, Lapalud, etc. (today we say "marais" or "marécage"). You might be right about "bren", it could be something like muddy in Gallic.

There's also "vign" or "mign" (from Celtic), as in Mignéville or Lévignac, or l'Île de Migneaux on the Seine river (this one's in my city!).

Near where I grew up is a town named Hazebrouck, it literally means "hare swamp" (brouck/broek = swamp in Flemish). For a bit more French flavor you could maybe use -broucq or -breucq instead of -brouck.

I think the vast majority of French people have no clue about all of that (I didn't except for the last one and it's more Flemish than French), so I'd say don't oversweat it ;)

And that's all! I hope you'll find this helpful ^^