#This truly was my jujutsu kaisen

[littencloud9]

jjk251 spoilers

HELLO???????? itafushi you WOUND me. yuuji asking megumi to wake up. megumi who’s lost all will to live. ARGHHSHSGSHDHD. NOT fucking funny. megumi wake up plsplspls 😞🙏

[shegetsburned]

tw. gore

you never would have guessed that gladiator!toji fushiguro was obsessed with you, until he brandished his blood-covered spear in your direction and dedicated his first-ever victory, not to his emperor, not to your father, but you; the pure and innocent emperor’s daughter.

he has the whole crowd screaming for him, but only you can satisfy his hunger for magnificence. what’s the point if you’re not watching him slaughter pathetic gladiators in the name of your emperor? if you’re not here to witness gladiator!toji rise, drenched in sweat, blood and glory, what is he even fighting for?

gladiator!toji has your name boldly engraved on the handle of his gladius as a reminder. none shall break nor bend the blade that bears your name, but him. he’s not letting any other man carry his sword, nor shall he let any other man live long enough to have a chance. from his cell, he has figured out ways to keep men away and asks his handler for a minute of your time after each victory.

when he wears a helmet, it’s to tease you. he knows you’ll anxiously be watching the scene, searching for him through the messy rumble of muscular and sweaty men tearing each other to shreds. you distinctly recognize gladiator!toji by his physical prowess and herculean body towering over the other combatants. he’s sturdy and magnificently sculpted. the sun reflects on the sweat dripping off his scarred arms while he offers the greatest of performance to the crowd and to you.

gladiator!toji is aware of your mesmerized gaze upon his broad shoulders and back muscles whenever he twirls his sword. his confident and annoying grin follows him everywhere— even more when he has the opportunity to thank you for giving him the strength to fight.

his popularity grows larger with each spectacle as he triumphs over his enemies. men and women are at his feet, but when he exits the arena, it’s your attention gladiator!toji is so desperately searching for which you often grant by visiting him after the fights. he’s still trapped behind bars, but finds ways to stroke your arm with his rough finger or trap you deeper into his enchantment. unfortunately, you had fallen for the criminal as soon as he had opened his prideful mouth to your emperor.

when the public pleads gladiator!toji for mercy, he can only turn to you, awaiting approval with his blade against the poor gladiator’s neck. it’s only when you point your thumb down that he takes the final blow with a nasty and satisfied chuckle.

if only you knew how desperate he was to finally be free and have you all to himself. gladiator!toji wasn’t just a gladiator, he was the emperor’s daughter’s gladiator and he was so dependent on your approval that he would’ve done anything to get you to love him. even defying an emperor.

© shegetsburned 2024 please do not repost/edit/or claim my writing as your own

[hinamie]

domain expansion

[ruporas]

… and it all came flowing to his brain, three years of his youth. (ID in alt)

[zuzu-draws]

Yuuji's ''I'm going to die with him'' from the start of the series to ''Sukuna, Come back and live with me '' at the end is, honestly, very beautiful.

"Let's try again one more time Sukuna, but this time, without cursing anyone. Even if no one else accepts you, I'll live with you" do you understand what's going on here? This is Yuuji attempting to connect with Sukuna, to show a certain compassion that is entirely alien to Sukuna. To the way he delicately lifts Sukuna's remains, with such carefulness, as if holding the remains of a precious loved one, Yuuji tries to show Sukuna "love". The same "love" that has been teased to us this entire series, that who is it that will show it to Sukuna, teach him of it.

This is the same Yuuji, who, at the beginning of the series held absolute disdain towards Sukuna, and always looked at him with much accusatory contempt and mistrust. At that point, He truly did think of Sukuna as nothing more than a "curse". The same "curse" Sukuna calls himself one last time as the last embers of his soul fade in Yuuji's hands.

But this time, Yuuji has a troubled look in his eyes.

As if he disagreed with him.

This is the look of someone, who is looking at the Humanity Sukuna does not believe exists within himself.

Humanity that Sukuna denies himself.

That Sukuna is not a curse, but a human that has been cursed.

[staruie]

three years of his youth

[planetnini]

BE MY BABY

gojo satoru loves you so much and doesn’t want the relationship to be a secret anymore + fem!reader. satoru is annoying but he will forever be the loml.. 🫶🏼 i’mfeeding my brain bc this man is absolutely not subtle at all and just wants to touch and kiss you all the time😵‍💫 anyways i want him so bad u guys don’t understand..

“you look good.” you turned your attention to the voice, feeling your knees almost give in at the playfulness laced in his tone. it was gojo satoru donned in the most beautiful blue button up and black pants, sunglasses hanging loosely from the bridge of his nose.

it was after the baseball game of the annual kyoto sister-school goodwill event and you had some ‘important business’ to attend to.

“you don’t look too bad yourself.” you chuckled tilting your head to the side, flashing him a sly smile. the action almost sending him into a cardiac arrest as he walked towards you.

“oh yeah?” he leaned down so that he is face to face with you, “that’s not what you said last night.”

“satoru.” you stated, but it is more a warning than anything. he knows you’re being cautious but he can’t help but tease you.

“what?” he questioned as you move your hands over to his glasses pushing it over his eyes and forehead to rest on top of his head.

“you should wear blue more often…” you brushed your hands through his hair and stare at him feeling all your stress and worries dissipate, “i couldn’t keep my eyes off you.” you whispered, it’s a sentiment reserved just for satoru.

“are you trying to kill me?” he questioned, heart swelling from hearing you compliment him. he closed his eyes leaning back with a hand over his eyes as he tried to hide the smirk.

“you know i could never.” you smiled at him before removing his sunglasses from the top of his head and putting them over his eyes.

“you know you don’t have to pretend we didn’t just see each other the other night, right?” he questioned as he raised a brow. judging by the tone of his voice, you know exactly where this is headed. he moved up toward you, hand on your waist as your bodies were close to each other.

“that doesn’t mean we still can’t be extra careful.” you replied as he stared at your lips and then back up at your eyes. you didn’t do anything to stop his hands at your waist though.

“actually, i wouldn't mind- in my eyes, getting caught isn't too bad.” he admitted, his mouth met yours in a passionate kiss, as he brushed his hand through your hair and back over to your cheeks.

“you’re insufferable.” you muttered against his lips as you lean forward for more, hand moving to the back of his neck.

“you can’t get enough of me.” he chuckled, allowing himself to pull away despite mind telling him to kiss you. he knew things would take a turn so with an all knowing smirk etched across his face, he pecked your cheek once more before taking your hand in his and leading you to another place.

“how’s megumi?” you asked, using your other hand to trace patterns onto his that was currently intertwined with yours.

“he’s good, or as well as teenagers can be.”

“i hope so. i know i haven’t been around often but-”

“but nothing,” he interrupted, not taking anymore of your rambling, “as far as i’m concerned, you’ve done plenty for us. i don’t want to hear any of that.” he stated and continued onto the track down the pavement.

satoru knew you had this habit of overthinking and always found a way to reassure you, despite how much he tells you to, you just can’t help it. you were lucky to have him in your life and as much as you’d like to keep it to yourself, you tell him everyday just how much you wished you could show him love publicly.

“us?” you stopped in your tracks and stared at the back of his head as the trees danced along with the wind.

“not just with megumi and tsumiki, but with me too,” he said, no hesitation behind it and you can’t help but send him a grateful look, “you worry too much you know? it’s really bad for you.” he spoke continuing down the path to the dormitories.

“and you don’t worry about anything.” you rebutted, catching up to him and linking your arms together.

“like that’s a bad thing.” he scoffed, as he pulled you close to him.

from afar nobara, megumi, and itadori were on their way to their dorms when they noticed you.

“who is that that he’s with?” nobara butted in and before megumi can answer her.

“gojo-sensei!” itadori exclaimed and all eyes are on him as you and satoru turned to the voices behind you.

you beamed at the three in front of you, especially at megumi who gives you a small smile as they rush towards you and satoru. you tried to pry your arms from his but he had you trapped, “i never got to properly introduce myself, but i’m the second year teacher here. it’s nice to meet you all.” you smiled at them.

satoru is stood next to you and he can’t help a growing smile as he sees you interact with his students.

“when did you two get together?” nobara asked, curiosity glowing in her eyes as itadori stares at you waiting for your answer.

a nervous feeling flutter in your chest, and you know you have to say something but the words are not forming in your mouth.

“uh, well-”

“we’ve been dating for eleven years.” satoru threw a hand over your shoulder pulling you close to him but before you could push him away.

“that’s so long!” nobara exclaimed as megumi shows no reaction at all.

“congratulations!” itadori shouted with a smile on his face.

despite the fact that you both decided to keep the relationship a secret, you found yourself turning to the man with a smile, “i thought we’d at least talk about it before telling people.” you mentioned giving him a stern stare but it does nothing— he knows you aren’t actually upset with him.

“is it so bad that i want others to know how lucky i am?” he smirked before giving you a kiss on the cheek.

“you’re annoying.” you uttered as you push him away from you and he chuckled, placing his hands into his pockets.

he leaned down face to face with you before saying, “you love me.”

“of course.” you reassured as you give him a kiss on the lips.

“will you two stop acting like a couple already?” megumi butted in and walked past two of you.

satoru scoffed and you laughed before following the black haired boy, throwing your arms over nobara and itadori’s shoulders, “let me treat you guys to some food!”

“c’mon satoru.” you gestured over your shoulder as he resumed walking. satoru is reminded just how lucky he is everyday. he smiled shaking his head, if he couldn’t wait to tell other people that you were his girlfriend, just imagine how he would react when he gets to call you his wife.

tags! @stsgluver

[sheepdotpng]

peepaw jogo ft. baby mahito (they found him in a wet cardboard box all alone)

[thepersonperson]

Sukuna’s Loneliness Part 4 (Sukuna’s Negative Rizz)

Part 1 Part 2 Part 3

Some warnings before we start.

1) This analysis deals with sexual topics.

2) I will be mainly using the TCB scans because of their accessibility. Raws are from mangareader(.)to.

3) This was written as of JJK 262 266. (I'm just going to keep updating this until I stop finding things I should've noticed earlier.)

4) The raws broke me in ways you cannot possibly imagine.

(Click images for captions/citations.)

Fighting as Communication

Baki the Grappler. This is a manga where men destroy each other’s bodies as a test of strength. It’s poorly written but the art is terrifying and I love it so dearly. Between fights of extreme violence and body horror the characters eat. And that’s it. That’s the manga.

I bring Baki up because Gege is a huge fan of Fujimoto Tatsuki, the creator of Chainsawman. Fujimoto is a fan of Gege too, but more importantly, he is a huge fan of Itagaki Keisuke, the creator of Baki. (His daughter made Beastars btw.) In a way, this means Jujutsu Kaisen has been influenced by Baki. But that’s not a surprise, a lot of manga is.

Itagaki’s work is so massively influetial on Japanese media that it’s kind of hard to grasp since it’s not as popular overseas. When listening to interviews from various Japanese creators, Baki will often be cited as a major influence. And the thing is, you can tell when a creative has read Baki. There’s nothing quite like it. If you’ve read Baki and consume Chainsawman, you will see its bones everywhere. I feel the same about Jujutsu Kaisen.

The main antagonist in Baki is Yujiro Hanma. He is the strongest creature alive. So much so that he has no one to call a rival. He’s bored. He causes trouble. He kills his wife to motivate his son, Baki into becoming stronger. His son, Baki, who he grooms into becoming a fighter that might beat him in combat one day. Kind of sounds like Sukuna, right?

But that’s not my point here. My focus is how Baki doubles as a discussion about strength and manhood. It’s aggressively bisexual. Men love each other with their fists. Straight up the main character says having sex with women is the same thing as fighting men.

And it just doesn’t stop there. The homoerotic nature of the fights is never shyed away from. Here’s an example of my favorite.

He grabs his balls and compliments their size. That’s pretty gay, right? Well there’s this reanimated prehistoric caveman called Pickle that fights Baki’s brother Jack. And how do they fight? They kiss.

I didn’t call it a kiss. Itagaki did. I didn’t say they melded together. Itagaki did. This mangaka overtly calls attention to the homoerotic nature of men fighting men, and how men communicate their love for each other through violence. And yes, it’s sexual. Itagaki wants you to read it that way.

But sometimes he doesn’t want you to read it that way. Sometimes the fights are a dialogue, an emotional conversation. Like one between father and son.

Itagaki is a master of narrative framing. When he wants you to feel a certain way, you will feel it. He also tells his readers that there’s more to the fights than just fighting.

Those are the ideas that help me see the bones of Baki in other works. Men loving men with violence. Men communicating with men through violence. I see these ideas in Jujutsu Kaisen too.

Jujutsu Communication

I’ve gone over how Yuji commucates with other people on their own terms. And a lot of it is through fighting. A conversation without words, learning how someone works. Yuji is good at using fights as tool of communication.

But he’s not the one who tells you that there’s more to the fights than just fighting. Maki does in her spar with the sumo guy.

Just like Baki. Fighting is a means of communication. Gege has told you that there can be more to the fights than fighting. It's a tool used to understand the self and others.

With that in mind, I want to reexamine a particular fight under the lens of Baki rather than Umineko.

Sukuna vs Gojo

Baki tells you that homoerotic readings of its fights are intentional. If you ask me, this probably stems from historical stances on masculinity and homosexuality in ancient Japan. Men loved men and women differently, but both were ok. That’s how Baki can have a girlfriend and his gay fights. Peak bisexual optimization.

What does Jujutsu Kaisen have to do with this? Well it has been extremely queer friendly. We have a multidue of canonical trans characters, non-binary characters, and other flavors of queer characters not disparaged for their identities, Gojo Satoru included. It may not be stated outright, but Gojo and Geto do love each other in a gay way. The subtext is so persisent it’s basically text.

In other words, Gege has already told us, yes please have queer readings of this text. It’s the same way Baki tells you, yes this is straight up convoluded gay sex. So that’s what I’m going to do. I’m going to reread the Sukuna and Gojo fight as some ridiculous mating display between two men who are fighting over can miscommunicate their intent the hardest.

Framed as Courtship

Let’s start with the framing. The pre-fight set up. How does text tell you queer readings are allowed?

Kenjaku does. It’s romantic. It’s a date. This reading has been made valid explicitly. And if there’s room for doubt because of the sarcasm? There’s still additional support for it.

We already know how badly in love Gojo is with Geto. The fight is on the 24th of December, the most romantic day in Japan. And in a fun little Geto parallel, who declared the start of war on this day, violence underlines this new romantic venture.

That doesn’t include Sukuna who recalls Yorozu’s words about teaching love in the context of marriage.

Gojo never heard that conversation which is why the next point is absolutely insane.

The outfit Gojo initially is in resembles that of a groom at a Shinto wedding.

Shinto weddings were implemented after the Heian era. Part of the ceremony includes a priest and a shrine maiden who respectively stand to the right and left of the altar. A purification ritual will occur, lead by the priest, to cleanse the shrine before vows are exchanged. Gakuganji is the priest and Utahime is the shrine maiden. To the right and left of Gojo respectively.

The bride at a Shinto wedding wears mainly white. After the 200% Hollow Purple cleanses the area, the dark shawl is removed and Sukuna remains in mostly white.

How interesting that this battle has been framed as one between groom and bride.

The thing is, marriage in the Heian era was far more lax. There were no major ceremonies. If a man was interested in marrying a woman, he would visit her for 3 nights after receiving approval from her father. Upon the passing of their 3rd night together, the family would have an informal celebration of their union in private. Even after marriage, multiple partners were allowed and sometimes encouraged.

Yorozu’s big celebration proposal to Sukuna and banning of concubines was quite improper by Heian standards. Though it is in line with modern marriages. If Sukuna did not consume any Shinto wedding literature, he probably didn’t recognize that Gojo was dressed as a groom.

But did Gojo dress this way for Sukuna intentionally? The Toji fit served an entirely different purpose. It’s the robes and pre-fight ceremony that catch my attention. So I propose the following:

1) Gojo dressed up as a groom to die and be wed with his one and only Geto in death.

2) Gojo dressed up as a groom in part as an offering to Sukuna. And because Sukuna is from the Heian era it went over his head entirely.

3) Gojo intended for both of these things at the same time and left who he would end up with to fate.

Regardless of what Gojo was going for here, it’s a visual cue combined with the knowledge of it being Dec 24th that encourages the reader to perhaps consider the fight as something other than just a fight. A date perhaps? Kenjaku made the connection and neither Gojo or Sukuna really denied it. Gojo gave the weak excuse of a death anniversary confusion. But much weirder, given how hostile he was to Yorozu, Sukuna did not object to the romantic framing in any capacity.

Am I reaching? Is this reading intentional?

When I start getting this confused by how a translated work wants me to read it, I try to refer to the original language text and anyone who knows it for missing context. Sometimes localizations add things that weren’t there or push readers towards one interpretation. So for the rest of this analysis, I’m going to be focusing on the raws.

I’m going to be honest. My Japanese fudging sucks. I can barely read kanji and can’t reliably translate anything. Feel free to correct me if I got something wrong. That being said, with what little I do know, I have discovered something interesting.

In this post I talked about how weird Sukuna’s manner of speech is. I focused on his you pronoun usage of お前 (Omae) for everyone else and 貴様 (Kisama) for Gojo since this is a strong indicator of how a character views their relationship to someone.

Here's a summary of the two points I made in that post:

1) Omae is informal and either a casual thing amongst peers or indicates the speaker's higher status. Since Sukuna is arrogant, we can reasonably assume he's talking down to people.

2) Kisama historically was a formal show of respect, but in modern times it is a hostile insult, much more rude than Omae. Since Sukuna is 1,000 years old and hates Yuji (who he uses Omae with), we can reasonably assume Sukuna was being friendly to Gojo when he used Kisama.

With that pronoun usage in mind, while examining the raws for the infamous “You Cleared My Skies” speech I found this:

Kisama. Sukuna is very happy and lavishing Gojo with praise. The assumption it was formal from the start seems to be correct. It's hard to read this any other way.

Though Japanese can easily be dubious in its interpretation, there are instances where context can cut off all other readings. I truly believe this one of those cases.

Now, to confirm Sukuna is still only treating Gojo this way I started looking at his you pronouns as he got excited post-Gojo death. Maki is the person he seems to admire the most.

He’s still just using Omae. What does that mean? Gojo is in his own fudging category for Sukuna and he has been there since the start of the manga. (For more on why this is significant, refer to this post.)

Wow ok. That’s pretty intense! We’ve got Gojo dressed up as a groom on December 24th and Sukuna treating Gojo different from anyone else. I read their fight again under the lens of explicit courtship and focused in on these specific panels.

Satisfaction. Now that’s a word that can easily carry a sexual connotation. Love as well. The parallel syntax fascinated me in English. So I decided to look at the raws and see how close they are.

Pretty much the same except for "the one who will teach you love" and "the one satisfying him now". Since the one being satisfied is Gojo by Sukuna, it really seems we can assume the one being taught love is Gojo by Sukuna.

Time to learn some Japanese again!

Kanji has multiple readings. Most have at least two. The Onyomi (Chinese) reading typically used for nouns and the Kunyomi (Japanese) reading typically used for verbs. (This is not always the case but it’s the basics.)

That’s probably why 満 is read as まん (man) when Gojo and Geto are talking about “satisfaction” using the On version and み (mi), the Kun version, when the narrator is talking about who “satisfies” who.

However 満 on its own does not mean satisfaction. It means full. To be filled. Or fullness. 足 (zoku) is added as a modifier after 満 to be read as satisfaction 満足 (manzoku). 足 usually means feet, but it can also mean to be sufficient. Manzoku therefore has a direct translation of being sufficiently full. It’s not a surprise a lot of food places in Japan use Manzoku in their names or advertising.

But what’s this? Why is this sentence written as 満たして or Mi(tashite) instead of 満足して or Manzoku(shite)? The addition of Zoku is what transforms Man into "satisfying". Without the Zoku, it’s just "fill". The means this sentence can be read as “The one filling him up now is—”

We’ve already established that the blank is Sukuna. The new problem is that he’s filling Gojo up. And boy, does that sound homoerotic to put it lightly. But perhaps I am reaching.

So I did what any sane person would do in this situation. I read hentai.

Surely if the phrase 満たして (mitashite) can carry a sexual connotation I will find it in hentai.

...

I immediately found a yaoi doujin called Fill me with your Big Love aka おっきな愛で満たして (Okkina Ai de Mitashite). Honestly, I found too many doujins about creampies specifically. (You have internet access verify this yourself.) When you search Manzokushite the results are much more in line with life satisfaction than sexual satisfaction. ...So Gege decided to use the more frisky phrasing.

Manzoku is also the name of an active sex toy manufacturer (I’m not linking them use a search engine.) and a discontinued adult entertainment news company. So the satisfaction Gojo and Geto talk about, along with Geto using 妬 (ya), the jealous kanji often used between lovers, is definitely probably carrying a sexual connotation too.

So, I’m not reaching. What the fudge did Gege mean by this?

Now that we've established that I am NOT reaching. What do we do with this information?

Well, we ruminate on the fight with the knowledge that Sukuna, of his own volition, decided to get Gojo off, probably.

I have forgiven Nanami for calling Gojo a pervert. If I watched someone bust a nut after being cut in half by his sworn enemy instead of saving the country, I too would be like what the fudge.

Anyways, the typical phrase used for an orgasm in Japanese is 行く(iku). It translates as to go. And yes it can mean to die, as in going to the other side. To die and go to heaven if you will. Which is what Gojo did with a big old smile on his face.

There’s also the term 心天 (tokoroten). It refers to a dish were a semi-opaque white substance is pushed through holes to create noodles. Literal translation using the kanji for heart 心 (kokoro) and the kanji for heaven 天 (ten). (Don’t ask me why them being smack together turns the Koroko into Tokoro. I don’t know.) Which in slang refers to prostate orgasms. This has nothing to do with this analysis I wanted to drop this fun fact in here. …And this image of Sukuna clutching his heart while looking at someone he sent to heaven.

(This is a reach but the idea of this being an elaborate gay pun amuses me greatly.)

I have another fun slang term: 賢者タイム (kenjataimu) which directly translates to sage 賢者 (kenja) time タイム (taimu). This refers to post-nut clarity sending someone into a meditative-like state.

Oh that’s a bit familiar. Sukuna was giving sagely advice to Kashimo and reflecting on satisfaction and love.

And what’s this? Mitashite has made a reappearance! Sukuna is saying “I’ve never thought about needing another person to fill me up.” Which 1. further supports the 'The one satisfying/filling him (Gojo) now is—Sukuna.' reading and 2. suggests Sukuna is a top suggests Sukuna really doesn’t have sexual interest in people. (Since the context of this convo is relationships and love.)

By the way. Acts of eating in Japanese can be modified to carry sexual meanings. It’s a bit more suggestive than English, but it carries over pretty well I think? 肉食系 (nikusokukei) refers to someone who aggresively pursues romantic or sexual relationships. Composed of the kanji 肉 (niku) for meat, 食 (ta) for eating, and 系 (kei) class. If you noticed, 食 isn’t usually read as Soku. It becomes Soku when paired with Niku for some reason. (I don’t know why someone please help me.) Side by side the kanji 肉食 (nikusoku) means meat-eater.

食 is still interesting on it’s own. The 食べる (taberu) reading is normal eating. The 食う(kuu) reading is an innuendo. It can mean to devour someone, like a cannibal, or devour someone sexually.

Sukuna has made it very clear that his eating of people is literal. There’s no innuendo. In fact, if you read into it, he’ll kill you (rip Yorozu and Kashimo).

Gojo, however, appears to be his sole exception to this rule. When Sukuna tells Kashimo not to spoil his pleasure he uses the kanji 興 (kyou). This of course can be directly translated as pleasure, but the Chinese reading of it can also indicate intense excitement or sexual arousal.

Sukuna is pretty good at double-entendre wordplay if his earlier stunts with the kanji for Enchain doubling as Megumi Activities if read a different way is anything to go by. He's a fan of Chinese literature. It's not a stretch to assume there's more going on here.

And if notoriously homophobic Reddit dudebros are posting things like this. Maybe there's a lot more merit to this reading than I can currently grasp.

I’m still pretty convinced Sukuna is aroace. That of course doesn’t bar him from pursuing romantic or sexual relationships. Sometimes there’s the one exception. Sometimes the desire to be with and please an allo partner allows for engagement of activities they aren’t into. Sometimes the actions are pursued without the emotional attachment because they physically feel good. There’s also the gray-scale and demi labels to consider.

With that in mind, I want to emphasize this all points to how important Gojo is to Sukuna regardless of sexuality. He tried to engage with and understand Gojo on terms he won’t for anyone else. And he’s been pursuing this connection relentlessly since the start of manga.

Sukuna’s Negative Rizz

Ok I established that reading the Sukuna vs Gojo fight as unhinged courtship is supported by the text. That doesn’t really say anything about Sukuna sucking at it.

But, my dear reader, that in of itself is proof of his negative rizz. I had to sit down. Learn about Heian era and Shinto wedding rituals, learn more Japanese, splice seemingly unrelated manga panels together, read hentai, and know that Gege is into yaoi to come to this conclusion. I had to rip every little shred of characterization and context apart and rearrange it into something comprehensible.

You know who can’t do that? Gojo.

As far as Gojo is concerned, Sukuna hates him. Kisama is an extremely hostile you pronoun in modern times. And if Gojo can’t tell Shoko (his closest friend after Geto) is stressed over him being used like a meat puppet by her visibly falling back on her addiction, he’s going to default to the assumption Sukuna hates him just as much as everyone else.

And Gojo does just that. He assumes he failed to reach Sukuna. Despite how often they did hand to hand combat and weaponized their knowledge of each other, Gojo believes they never had proper conversation through fighting. He dies not understanding Sukuna, convinced the other was not trying to communicate with him at all.

And if you recall, all of this fight occurred while Sukuna was wearing Megumi’s face. That boy is pretty much Gojo’s adopted child. From my experience, most single parents do not go looking for clones of their kids as partners.

If someone wore the skin of my family member I would assume they were trying to torment me. And torment Gojo Sukuna does. He draws attention to Megumi’s soul being used as collateral and attacks him with the 10 Shadows. We as the audience know this is all for the sake of getting past Infinity using his Shrine. Gojo doesn’t know that. He’s fighting an evil dude who is puppeting the body of his son for god knows what reason.

Seriously, Sukuna sucks at communicating intent.

In Part 3 of my examination of Sukuna’s loneliness, I said Dismantle is a tool Sukuna uses to understand. And that him upgrading it by making Gojo the center of his world was indicative of his desire to reach him. I also said his refusal to use it on Yorozu was him expressing how little interest he had in her.

Yorozu is pissed by this. She sees it as Sukuna rejecting her and I don’t think she’s wrong. Sukuna saved his special Cursed Technique (CT) for Gojo while turning Yorozu down. If we’re considering all the wedding imagery and references that started with Yorozu, I’m certainly allowed to read that as him saving himself for Gojo. (Think of how he lied to Gojo about being the first one he killed.)

There’s also the fact that Yorozu saw their battle as an expression love and lust—that the usage of CT is a type of foreplay under certain circumstances since it is an extension of the self. Combine that with the established premise that fighting is a type of a communication thanks to Maki vs Sumo Guy and you can start to see the courtship logic behind Sukuna’s treatment of Gojo.

If we are to read “The one who will teach you love is…Sukuna” there’s another adorable caveat. Yorozu uses the you pronoun あなた (Anata) for Sukuna.

It’s an informal you pronoun used by people learning Japanese. Native speakers try to avoid using it as it can come across as rude. But in the context of love? This is colloquially called the wife pronoun as its often used by a wife to her husband.

If you wanted to localize its usage in the way Yorozu means it, Anata might become “you, dear”. So here we have Sukuna dressed in white, like a bride to Gojo’s groom, thinking of him as Anata.

The problem is, Gojo doesn’t know that. Sukuna never bothered to open his mouth and say this was an act of love. Sure he told Kashimo in the most roundabout way possible, but Gojo was the one who needed to hear that. If a courtship is going to be this diabolically complicated, there has to be clear hints for the other party. JJK is not Umineko where there’s a witch that can revive the dead over and over until the idiot finally understands this was all for them.

Gojo also doesn’t have access to the kanji Sukuna uses to describe certain techinques or words. He hears the phonetics and runs with whatever best fits the context. This means there’s no way for him to catch the double-meaning unless he’s a certain type of lingust, which he is not. His manner of speech and personal interests don’t line up with the flowery language of the Heian Era. The types of written works Gojo is into are historical war politics from the Sengoku period (known for violence more than the fine arts), Shonen manga, and physics/math.

And what's this? According to CFYOW (the canon light novels): JJK Thorny Road at Dawn, Chapter 3 Asakusabashi Elegy, Gojo doesn't even like ancient poetry. You know, the thing Sukuna enjoys and tries to communicate with.

The Kokin Wakashu Gojo off-handedly disparages is a compilation of Hiean Era poetry known as Waka. This was the primary means of communication amongst the noble class and spiritual leaders at the time. And the thing is, this poetry is supposed to be read into. Down to the quality of stroke and paper, not just the kanji written. Especially for courtship.

It’s not that Gojo is stupid. He just doesn’t specialize in the studies that would give him a more critical ear to Sukuna's words. And Sukuna doesn’t seem to understand that no one in the modern era communicates like this anymore.

If you didn’t know, this is why Japanese characters introduce themselves they often describe what kanji their name is spelled with. Take for example: Satoru. He uses the kanji 悟 meaning enlightenment. This kanji can be read as Go instead of Satoru. Additionally, the name Satoru can be written in kanji as 聡 for smart, 智 for wisdom, 知 for knowledge, 了 for understanding, 哲 for philosophy, 聖 for virtuous, or 暁 for daybreak. That’s 8 different kanji possible if you hear the name Satoru.

This is why Sukuna’s wordplay for everything else can be easily missed by other characters. They hear the words and cannot read the kanji like us. Context decides what Sukuna means for them. And since Sukuna’s context for most is violence and insults, it’s very hard for them to think about his words in any other way.

And boy howdy does Gojo miss it. Sukuna straight up calls him his husband and it took me several rereads to catch it. While mocking Gojo for being unable to open his domain, Sukuna calls him "painfully ordinary". This is localized from the word 凡夫 (bonpu) which can also be translated as unenlightened. (A layered insult! Sukuna is pretty much saying Gojo's sorcery is so boring he shouldn't even call himself the Honored One.)

The thing is...Bonpu is comprised of the 2 kanji 凡 for mediocre, and 夫 for husband. (Please note that there are many other ways to call Gojo a ditz without using the kanji for husband.) And an update from the Replies: Turns out there's layers to the gayness too.

It's come full fudging circle. Gojo came dressed as a groom for a wedding and Sukuna thinks they're already married. The miscommunication is off the rails.

But wait! There's more...

Earlier I mentioned that the kanji for Enchain doubles as Megumi Activities. Let's break that down more. (Unfortunately the Twitter account of the person I referenced may or may not be nuked so here's this screenshot I've doctored.)

So we have the translation of Enchain from 契闊 (Keikatsu), which might be better localized as Separation.

This term comes from a Chinese poem about lovers who are husband and wife in The Book of Odes, Section I (Lessons from the States), Chapter 3 (The Odes of Bei), Poem 31 (Banging the Drum). (Here's a link to the full poem and context of it.)

In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Hey that sounds just like what Sukuna did to Yuji!)

Keikatsu specifically comes from this passage:

“Our vow is beyond death and life”, I and you are together I always remembered. I will hold your hand, And together we grow old.

Too pitiful we are faraway apart, The distance separates us to meet again! Too miserable this takes forever, And it does not let us fulfill our vow!

Keikatsu is used to exemplify how the physical distance between the husband and wife prevents them from fulfilling their wedding vows. And that's just what Keikatsu/Enchain does to Yuji and Megumi, it causes painful separation neither of them wanted.

Keikatsu also tells Yuji exactly how Sukuna plans to do it. 契(kei)闊(katsu) can be written as 恵(kei)活(katsu). The kanji 恵 can be read as Kei or...Megumi. (It's the literal kanji used for his name.) The kanji 活 (katsu) can mean "activities", which is how we get Enchain=Megumi Activities.

A two for one special! Sukuna mocks Yuji for being so close with Megumi while telling him exactly how he's going to destroy their relationship.

It seems this has nothing to do with Gojo until you consider the 3rd possible reading from wordplay with 契闊 (Keikatsu). The kanji 契 when read as Kei refers to a promise, pledge or vow. When 契 read as Chigi? It can refer to sexual intercourse, especially between husband and wife.

So we have 契闊(keikatsu, separation), 恵(kei Megumi)活(katsu, activities), and 契(kei chigi, spousal sex)活(katsu, activities). It's no wonder he erased Yuji's memory of it.

Keep in mind, that when Sukuna uses Keikatsu, the only vow that he has made at this point is his promise to kill Gojo. He eventually does that using Megumi's body during a fight framed between groom and bride. And for reasons beyond their control, Sukuna and Gojo have been unable to fulfill that vow through lengthy separation.

Notes from poem "Banging the Drum" Sukuna references include the following:

"And during the operation, he lost his horse, which was a desperate situation (horses in ancient time carried soldier supply and weapons, are life companion for soldiers in advance or retreat), he lost his horse, his supply, maybe his armor and weapons, and the road he was facing that we may lose his life so he may never go back. In all these mess, he started searching, and somehow at this hopeless moment he started to revisit his happiest moment, when he together vowed in marriage ceremony with his wife, and he was even afraid that he might never see his love again."

"And His last statement for his true value is his home, his love, his fulfillment of his vow is his true duty. Hero's duty is to pursue love."

In Buddhism, which JJK is heavily influenced by, horses are a pretty big deal. Horses can represent the path to enlightenment, especially since The Buddha's horse is what takes him on this journey away from his wife and children. They separate in the end though, the horse dying of a broken heart.

Remember how Sukuna called Gojo unenlightened? He sort of guided Gojo to enlightenment using Mahoraga, whose Eight-Handed title is a reference to the Eightfold Path to be followed for enlightenment. Buddhist enlightenment is centered around liberation from suffering. (Just check the wiki entry to verify this.) Infinity was the source of Gojo's suffering and Sukuna cut right through it.

Sukuna has been running around with a broken heart for a good chunk of the post-Gojo fight. And if you take that into consideration with this poem and all the other symbolism, he's somehow a Buddha, a Bodhisattva, the dying husband, the widowed wife, and the heartbroken horse all at the same time. Not unlike his wordplay taking on every possible meaning at once.

But my point here is that Sukuna might’ve seen his fight with Gojo as consummation of their marriage. (There's probably a joke in here about the husband reaching climax while leaving his wife unsatisfied.) Remember in the wise words of Itagaki Keisuke, "Fighting and sex are exactly the same!"

In Conclusion?

This is possibly one of the most bizarre and elaborate expressions of love I have lost my mind over. Sukuna gave everything Gojo ever wanted from Jujutsu violently. He did it in such an unpleasant and cruel way that the target of his affection thought there was nothing between them. Sukuna also hid his intent under social norms that no longer exist. Unless Gojo happened to be into ancient literature, there was never a scenario where he would catch onto this. Sukuna's failure is critical on multiple levels.

It’s impressive. It really is. No one knows how Sukuna’s strange little brain works so he’s stuck being loner without anyone that fully understands him. (I’m still thinking about how Uraume didn’t know Sukuna was a twin for over 1,000 years.) He’d have to let people in and tell him outright, but he’s just like Gojo so I guess that’s never happening.

[hiragis]

APT. Nanami's version

[satoruxx]

okay if you want something done you have to do it yourself. RHEYAAAA

help i’m imagining the first time you scratch wolf toji’s ears. I think it’d take some time to get there, easing gently into being in each other’s personal space and then even more time to be comfortable with being comfortable with casual, constant physical touch, like sitting next one another on the couch.

but somehow, some day, your hand is resting near or on his head during a movie or show. and almost instinctually, without realizing it, you’re gently drawing your fingers back and forth, lazily playing with the furry lil ears atop his head. would he freeze? melt? the internal confusion and conflicting feelings of being touched in a place that’s vulnerable to him, but wanting more— he’s just going nuts beneath your petting and you don’t even have a clue bc you’re so comfortable in is presence!!

sigh. please talk to me about this im going bananas

SAGEEEE ARE YOU INSANE??????? YOUR BRAIN MWAH MWAH !! i have a few scenes with ears scratches written out in future chapters too hehe :33

BUT YES YOU'RE ONE HUNDRED PERCENT CORRECT???????

wolf!toji is very reserved already. like i said in the other ask, i don't think he enjoys physical touch as much, and it takes a lot of time for him to get used to the idea that you don't have any bad intentions. even though he trusts you completely, letting you touch him in places that are so vulnerable is difficult. but casually, slowly, he starts opening up to it.

he also finds it very easy to let himself touch you??? like the very simple hand on your back as he squeezes behind you to reach the fridge. or the occasional ruffle of your hair in between his claws. as he starts becoming more comfortable with that i think he'll simultaneously open up to you touching him too.

he realizes how much he enjoys the feeling, but refuses to comment on it. even just the simple act of you almost dozing off against his shoulder has his head spinning.

so the day your fingers do accidentally wander, he swears he feels his brain short-circuit. it's so casual too—he doubts you even know you're doing it. he has gotten used to your hands in his hair by now, but this is new. you're so deeply engrossed in the movie you're watching, fingers absentmindedly tracing over the softer fur lining his ears.

your touch is so gentle, so caring—it takes him a second to realize that it feels good.

he just sits there, claws digging into the rug as he stares straight ahead with his teeth grit. the movie is playing but he doesn't know what's happening in it, too busy practically preening under your light touches.

his shoulders relax, his eyes feel heavier. it feels so natural it scares him a little bit.

he wants you to stop.

(he never wants you to stop.)

he hates the feeling.

(he has never felt something so pleasant in his life.)

he briefly wonders why you're touching him in the first place. he who is so dangerous, so scary, so utterly animalistic. but when he glances at you from the corner of his eyes, you look like you've never been more content.

(as usual, you are disgustingly sweet.)

normally the idea of being pet is gross to him, almost demeaning in a way. but this is different. this is so inherently innocent, such a blatant display of comfort and affection.

(he feels stupid as he leans into the touch, but makes no effort to stop himself.)

you brush over a particularly sensitive spot, and he cannot control the twitch of the muscle, ears flicking uncontrollably. as soon as the movement occurs, you're broken out of your focus, turning to look down at him.

"oh! sorry!" you flash him a sheepish smile and retract your hand, before your eyes settle back on the screen.

(and once again all he can do is internally curse his stupid instincts for getting in the way.)

[shegetsburned]

being in a relationship w. ryomen sukuna ⋆.ೃ࿔*:･

so first of all, you’re stuck with him wether you like it or not.

you are his princess and his only. nobody will ever dare to approach you or even attempt to charm you when they know what the king of Curses can do to them.

sukuna is so goddamn protective. even when he’s far away, you can feel his presence, watching over you and knowing every single one of your moves.

he’d definitely kill for you if you asked, and he takes pleasure in it, so it wouldn’t even slightly bother him.

sukuna prefers it when you wear as less clothes as possible, wandering around in a simple drape or a very thin dress for him to be able to eat you out with his gaze.

would demolish anyone on sight that’d harm/hurt or insult you in the slightest way. you can try and beg him not to, but it’s pretty much useless considering it’s probably already been done.

sukuna will praise the shit out of you, and expect to be absolutely spoiled for hundreds of years;

because yeah, you are stuck with him for a very long time. he’ll find a way to keep you all for himself for eternity.

he marks you. there are scratches on your body and bite marks. he wants everyone to know you belong to him.

sukuna’s actions speak louder than his words. he would dominate the world for you, and can’t even properly tell you how he feels.

when he’s in his thoughts, he likes to have you around, sitting on his lap, running a hand through your hair, covering you with his four arms.

no matter what plans for the future he has, sukuna will always include you in those, you don’t even have to ask for a place in his life.

loves calling you by your first name. it’s the only name he lingers on, making sure he pronounces every letter right. probably the only name he cares about remembering.

sukuna isn’t concerned about anybody’s well-being but yours, making sure you are always safe and protected, trust me, nothing will ever happen to you.

let’s be honest, he has already offered you his heart. it’s there, pumping in blood, bleeding in his hand while he hands it to you. it’s either very romantic or very disgusting.

one thing sukuna has said that will always stick with you is when he promised to always be with you. he’ll track you in every lifetime, making you fall for him once more, and his love for you will never fade.

© shegetsburned 2023. Please do not repost/edit/or claim my writing as your own.

[paymechildsupport]

I should have really been in bed five hours ago, but these leaks make me wanna commit heinous acts and I just gotta do something about this Sukuna pic cuz erm… just :3

He’s just so….. <3

EHEHEHHEHEHEHEH I don’t know what it is but the idea of having such a powerful, destructive man just down at my feet is so intoxicating jsjshdbdbdb

Just imagine his humongous form in your sheets in the latest hours of midnight— just an amalgamation of limbs on your bedspread

Drowsy and drunk off sleepiness, fighting off exhaustion in that soft cushiony state between consciousness with his big arms swallowing your much tinier body up, head on your chest

You’d absentmindedly run your fingers through his wolf hair, nails scraping his scalp in such a way to elicit tiny sounds of contentment

He in no way would be silent: bro will be sighing and huffing and even just purring occasionally,- exactly like an old cat or dog. You’d feel every noise vibrate, bouncing around in his large chest, pressed against your torso

The second you fall asleep and cease to shower him in affection he’d immediately get incredibly offended

He’d take it personally, and man’s can hold a NASTY GRUDGE (look what he’s doing to poor Yuji 😭)

He’d let out a rather audible, “hmph”, and make a show of pulling himself off of you, making sure he woke you up

“How dare you, pathetic mortal”

HE’D SULK

He’d be both very bluntly aggressive but also passive aggressive in every. Single. Thing.

He is entitled to your time, your attention, your affection, your every waking thought should be dedicated to him and him alone. He should be first priority over everything

JAJSJDBBDBS Y’know how in like superhero movies the villain sometimes has this really adorable cliché where they are this absolutely brutal, horrible monster whose committed numerous misdeeds but have a wife / spouse they treasure above all else? Like, they’ll be in the middle of explaining their plans of world domination when their wife all of a sudden calls out that dinner’s ready, — and then all of a sudden the villain is this esteemed gentleman who’s just really really excited to have some lasagna his darling wife made for dinner?? They really just wanna keep their spouse outta all the crime and such cuz they know they hate it and always get scolded for it.

yeah, that’s the only way I’ve been coping for these past leaks 🥶

Sukuna would be in the middle of nuking the map when all of a sudden you pull up

He’d be talking all high and mighty, saying how he’d obliterate and kill all of Yuji’s loved ones when suddenly he hears his name get called out and he’d just FREEZE.

“Quick, act like I didn’t just murder your closest kin like three minutes ago.”

”what? Why??”

“Because my spouse is here and they’ll actually skin me alive if they see me like this 😡—- hey honey ☺️ how’s it going..?”

Like tensing up, eyes bulging, lip quivering, sweating BULLETS, the most scared anyone’s ever seen him. Immediately dropping everything, disregarding the accumulating mass of cursed energy he’d been saving up for the past twenty minutes, to turn around and give you his best, most charming smile

You’d just walk up to him and like, grab him by the ear, yanking him down to your level to curse the ever living daylights outta him

“Stop going out and bullying teenagers 🤬 you miserable old man I swear—“

And he’d just stand there and TAKE IT. You’d scold him exactly like a disappointed mother, personally escorting him off the battlefield and profusely apologizing to Yuji for your husband’s actions

He’d just be all sad, walking away and dragging his feet, moping, back hunched, hand holding yours 😭🤏 and leaving an incredibly confused Yuji

And then you adopt Yuji and Sukuna stops being a grumpy old man and my boy gets his happily ever after and we all hug it out :3

[satorena]

no gojo mention this chapter . . . so basically what i’m hearing is gojo comeback next week 🙂‍↕️🙂‍↕️🙂‍↕️🙂‍↕️ ON YALL SOULSSS HE BACK NEXT WEEK 🧘‍♀️

[m3ntal-hiatus]

gojo has one printed photo of geto, just one.

not two, because where’s the incentive to take care of them both? if the other is tarnished, he has a backup. there’s nothing that could make him cherish two or three, and love them equally.

no, he has one.

sure, he could have more. it wouldn’t be the same.

just. one.

sometimes it’s framed, sitting pretty on his desk or bedside table. sometimes it’s tucked carefully into his wallet.

sometimes, arguably most of the time, it’s in his hands.

it’s an ugly photo of him, really. he wasn’t ready for it and didn’t even know there was a camera pointed at him. candid — his head thrown back in a genuine hearty laugh, teeth and all.

gojo had managed to bug (beg) shoko enough to let him rifle through her old flip phone since he, of course, hadn’t bothered to take any photos of his own other than the odd selfie or two. he eventually scrolled far enough in shoko’s gallery that he found it, the date reading back to their earliest days at Jujutsu Tech. he almost hated himself for smiling with the photo.

he never gave shoko her phone back and she hadn’t asked for it. he had that photo printed, but only once.

he had to prove to himself that he could keep one good thing in his life.

[justrustandstardust]

in the face of all the homophobic anons flooding my inbox, there’s one thing i want to make abundantly clear:

gojo and geto are queer-coded regardless of whether or not you understand their relationship to be romantic. all it takes is one (1) critical thought to understand that romance is a dimension of queerness; it does not constitute it. yes, people understand their connection in a romantic context because that is a facet of their queerness. even if you don’t recognize the romantic dimension of their relationship, that does not negate the fact that gojo and geto’s characters & connection are indisputably and intentionally queered already.

i’m not saying they’re not romantically involved— on the contrary, anyone with half a fucking braincell and the ability to conduct surface-level textual analysis would clock that facet of their dynamic. what i’m saying is that the romantic dimension of their relationship does not singlehandedly make them queer simply because it happens to align with popular understandings and depictions of queerness. romance is there, yes, but romance alone does not constitute their queerness: they are queer alongside and independently of the axis of romance.

you can think of romance as a conduit— it’s one expression of their queerness, like a branch extending from a tree. when we say they are queered, we are beseeching you to stop pointing to the branch and insisting it is the entire tree. to be queer is to be insurgent, vibrant, subversive, effervescent— the branches extend endlessly from the infinitely faceted treetrunk. romance is merely one amongst many; it alone does not bear the insignia of queerity.

queerness is not an imposition upon them, it constitutes every aspect of their characters. it’s in geto’s monstrous femininity, it’s in gojo’s mournfully joyous disposition, it’s in both of their roles as guardians of children and protectors of chosen groups. it’s in the intimacy of their connection, it’s in their joy and their grief, it’s in their devotion and their tragedy. it quite literally is who they are, with or without the dimension of romance.

when these pseudo-intellectuals defend them from being deemed queer, they’re defending them from THEIR limited conception of what it means to be queer. in accusing everyone of Turning Them Gay, they don’t realize the call is coming from inside the house and that everything they love about gojo and geto was queer to begin with— just not in the one-dimensional way they understand queerness to operate.

if they stopped guzzling the heteropatriarchal kool-aid, it would become apparent to anyone with basic critical thinking skills that the ones who are ruining their characters are not the people who recognize gojo and geto for who they are, but those who break off the branch to beat the tree.