#This story doesn't really have a point to it.

[royalarchivist]

Tubbo just did a Q&A for his newly announced Realm SMP!

Here are some key takeaways and highlights from it:

Tubbo emphasized that the "team" behind Realm is just himself and Tangofrags. It's a chill server so friends have a sandbox to tell stories, do lore, and have fun.

Tubbo: "I just wanna have fun with my friends, dude. I'm not trying to be the big 'bringing communities together guy'. I just wanna play with my friends. That's a lot of pressure." (57m 12s into stream)

These are the initial 25 players, but he plans to add more people in the future, and he already has 5 people in mind to add for the next event.

There is NO mod pack! Realm SMP is vanilla, it's just custom texture packs and plugins.

There are no set DND classes, but people can use their skill points to unlock certain things on skill trees and build their own classes. Realm SMP won't be 100% accurate to DND.

Tubbo hopes to have an event every week, but he reminds people to "manage their expectations" because he's only one guy – he can't do events like Purgatory because he doesn't have a massive team like Quackity had for that.

[ Continued ↓ ]

—

He has a 6 month timeframe in mind, but if the server fizzles out in a month, then it fizzles out in a month. Realm SMP will last as long as people play it!

There's no plans for an in-game translator because it's expensive and also Tubbo "doesn't want to step on Quackity's toes" :(

Lore is dependent on what the people on the server do, he likes more freestyle flowing RP.

There IS a life system! Players have 3 lives, but it's only "semi-hardcore" because other players can craft an item to bring people back at 1 life. When a player dies, their stats are set to 0 and they go into spectator-mode. When they're revived, they are brought back at 1 life with all their stats back.

The Nether IS enabled, but the End isn't enabled yet because Tubbo wants to make a cool custom boss fight.

There's no big team behind the server, it's just Tubbo and Tango helping him with some things he might not understand (however, he has a team he wants to use for the New Year Event he has in mind). He may look into getting some admins to help enforce rules.

Tubbo says he's happy to do anything himself, but if people really want to be an admin, it'd be voluntary like a Twitch mod kind of deal. (He already has a team of people he goes to for admin stuff, it wouldn't be random people being admins). However, he says if his merch does well, maybe he can get 1 or 2 people to help.

Tubbo says he's been overwhelmed by the amount of support it's received so far, but he's a bit nervous too.

He says the Realm SMP concept came to him in a dream.

Realm SMP will have proximity chat.

Events won’t be all PVP-based because he wants people to enjoy the events even if they aren’t a huge Minecraft player.

The only two banned items are mending books and elytra, which will be tied to future events (elytra can be won in one event).

An hour before the server launches on December 5, he'll be showing off more features.

Please note that many details will likely change / be clarified / updated by Tubbo at a later date!

Check out this post for the rest of his Q&A and more details.

[ultraericthered]

#i got to screen Wish before it released during a school trip and let me tell you something #even though we noticed the glaring problems with that movie immediately #i also noticed something i dont think many others did at that time #there was so much talent and potential being held back. if you read closely you can pick up on a cry for help from the creatives behind it #i want to elaborate but i think if you know. you know #and if you don't.. this post does a good job of shining a light on a small part of that cry for you #despite its many issues i think i still liked Wish. Not because i think it was a good movie but bc i think it could have been a great one had circumstances been different. #my heart goes out to those who put their souls and everything they had into that movie and others in similar situations #some of the creators had given a small talk before the screening and to me they seemed very emotional about it #i think what many people forget is that nobody can see a project's flaws better than the people who worked on it #but what they also see and you can't is everything more it was meant to be #please remember that the core of many issues in any project is that the people with the talent often do not have power to call the shots

Yes, all of that. And I find it ironic that the gifed scene is the one that got people saying "Hey, King Magnifico's not really much of a villain, he's got a good point! He's just upholding his part of a social contract with his citizenry and doing what he, as king, needs to do to protect their wishes but also protect Rosas by ruling out granting any wishes that might backfire and have dangerous repercussions for the kingdom and the lives of the people! Asha's just an ignorant spoiled brat for demanding anything more of him! Magnifico Did Nothing Wrong!" So when you take that position on what you're being shown by the story and not scratching the surface to look at what Magnifico is doing in-universe by not giving back the wishes he knows he will not grant and knows the people who gave them to him cannot remember and what the out-of-universe subtext of this is, you're siding with the Disney Corporate Executive Overlords. You're siding with Bob Iger's "they're not being realistic with their expectations" argument. You're siding with Chapek and Iger's practices done under excuses like "It doesn't fit the Disney brand", "mass appeal stories over personal ones", "people don't want to go and pay to see movies with girly princess titles", etc. You're siding with their practices of dumping content straight to streaming (or onto Disney+ not too long after they've hit theaters or TV) even when that actually limits profits that the actual creative teams can make from their own work, of tampering with the artists visions and how the finished product turns out and then punishing those artists if it doesn't turn out well, and of ignoring ideas for original creations in favor of contiunally milking their popular (and profitable) existing IPs. You're siding with people who make up an entire entity that say loudly to the faces of all those who put in the work, the skills, the talent, the passion and dedication to create art and content they feel people deserve to enjoy, in the forms they deserve to enjoy them "I decide what everyone deserves!"

Capitalism errodes into a force for human evil when the people at the top prove susceptible to three things in excess beyond mere greed and self-interest: unchecked power, irresponsibility, and indecency. King Magnifico is allegorical for that evil, with a bit of a communist dictator angle to him too since that's the end point of those exact same excesses and extremes for socialism. He's a major problematic fave for all kinds of reasons, but anyone who wants to tell me he's a good guy can kindly GTFO.

Wish (2023) dir. Fawn Veerasunthorn, Chris Buck

hey do you think the overworked creatives about to go on strike are trying to tell us something

article sources under the cut

Mattson, Kelcie. "How Disney Almost Killed 'Nimona.'" Collider, January 2 2024.

Earl, William. "Shelving Batgirl Was the Right Decision, Says New DC Studios Head Peter Safran: 'It Would Have Hurt DC.'" Variety, January 31 2023

Couch, Aaron. "Warner Bros. Reverses Course on 'Coyote vs. Acme' After Filmmakers Rebel." The Hollywood Reporter, November 13 2023.

Ridgely, Charlie. "Scoob! Sequel Director Revealed Film Was 'Very Close' to Completion Before HBO Max Cancellation." comicbook.com, August 2 2022.

Clark, Travis. "Staffers at the animation studio Blue Sky say it's 'heartbreaking' that Disney canceled its final movie, 'Nimona.'" Business Insider, February 18, 2021.

Harrison, Mark. "Why was the Batgirl movie cancelled?" Yahoo! Entertainment, January 31 2024.

Amidi, Amid. "Warner Bros. Shelves Fully-Completed 'Coyote Vs. Acme' For Tax Write-Off." Cartoon Brew, November 9 2023.

Lee, Alex. "Why Netflix keeps cancelling your favourite shows after two seasons." Wired UK, September 28 2020.

Tyrrell, Gary. "We All Knew It Was Coming." fleen.com, February 10 2021.

"Warner Bros. Reverses Course on ‘Coyote vs. Acme’ After Filmmakers Rebel." see: 3.

Bergeson, Samantha. "Warner Bros. Will Let 'Coyote Vs. Acme' Filmmakers Shop Movie to Other Distributors." IndieWire, November 13 2023.

Strapagiel, Lauren. "Disney's First Feature Animated Movie With Queer Leads May Never Be Released." BuzzfeedNews, February 24 2021.

"We All Knew It Was Coming." see: 9

@/scottderrickson. "I think it’s absolute bullshit that a studio can and does shelve the creative work of hundreds of people for a fucking tax break." Twitter, 10 Nov. 2023, 4:52 p.m..

[fictionadventurer]

As great as Ego's speech is at the end of Ratatouille, he's wrong. That whole thing about, "Now I know that when Gusteau said, 'Anyone can cook', he didn't mean anyone can be a great artist, but that a great artist can come from anywhere."

Like, that's true, but it's not really the point he's making. Gusteau's not saying anyone can be a great artist. But he is saying, "Anyone can cook." It says nothing about greatness. It's encouragement to beginners, saying that you don't need to be anyone special or have any special level of talent. You--yes, you--can follow these instructions and in the end, you will have cooked something, and that's a good thing to do.

It's still a great metaphor for the creativity, and cooking is a particularly fitting illustration. Not everyone will be a great chef, but everyone needs food, and you deserve to know how to cook at least something for yourself. In the same lines, not everyone will be a great artist, but everyone can draw some kind of picture. Not everyone is a great musician, but everyone should sing. The fact that you're not the next Shakespeare shouldn't bar you from the joy of writing poetry. You're not going to win any literary awards, but you should still write stories. The act of creation is something that anyone can do, and it's something everyone should do, because it feeds you. Greatness doesn't need to enter into it at all.

[helluvathings]

Satan and the Nature of the Deadly Sins

First note: Viv has confirmed that Satan is lying.

But I do have thoughts on where the lie here is, and what's being said or implied about the Sins. Because even accounting for the falsehood, I actually think this does strongly hint that the Sins aren't angels, and have been part of Hell from the start: presumably created when Eve ate the apple and humans gained free will, leading to sin, implicitly leading to "the Sins."

Note, Satan talks about an endless dark, "long before" Lucifer fell. He's making himself out to be a primordial entity that preexisted Lucifer and Hell's current system by a substantial margin. As if way, way back when, Satan was "in charge." If the Hazbin creation story is accurate, Hell existed without Lucifer for the duration of time it took him to be banished. We don't know how long this was, but presumably it wasn't that much time.

We also have Ozzie saying he knew Mammon "from the start of Hell." I've seen people theorize that this can fit the fallen angel theory, and he's referring to how they all met when Lucifer rebelled, but there's been so little indication that there was a big rebellion in heaven previously—as opposed to Lucifer getting kicked out for the sole act of the apple/trying to institute change as an individual—that there doesn't seem to be much evidence for additional angels having been punished. (In Hazbin, Sera warns Emily she might end up like Lucifer, citing him as an individual). It'd also be an awkward way to phrase it (something like "from before our Fall" would work better in that case). Ozzie's words in 2x07 imply, I'd argue, a common origin point, and that he and Mammon began at the same time in the same place. Which fits the Hazbin story (Eve -> apple -> free will -> sin/Hell -> Sins). It even matches with Bee saying Satan is like a brother. Common origin, but not technically related.

In which case, there possibly was endless darkness like Satan mentioned. But also, likely not much to rule, or much time for Satan to do so before Lucifer fell, when Lilith took over and structured Hell into what it is today. Given there would've been confusion and a lack of order, it likely would've been chaotic and undeveloped (Lilith being the as-of-now-canonical reason things shaped up). Satan, implied as the strongest, maybe would've scrounged up a semblance of power, but a) not for long, and b) not over anything substantial. Hence, this look from Ozzie and Bee:

But what really stands out to me is the way Satan refers to Lucifer, and the way Lucifer is separated out from the other Sins on the whole. Calling him "the golden angel" and referring to "his fall" as a distinct event separate from Satan himself does make it seem like Lucifer was something foreign that came crashing in. Note how Lucifer still looks like his angelic self. Notably, the very distinctive angel's wings none of the other Sins possess. Being a fallen angel is a massive part of his character, his motivations, his actions and beliefs. It dyes every part of who he is. On the door to the courtroom, Lucifer's angelic wings and nature are dominant in his symbol's design, and he's placed above the other Sins, whose designs revolve around their sin, or prominent physical features.

It could be argued that the others got over the Fall better, or were different classes of angels (so look different after being punished). But it's a factor that's so absent from their backstory or characterization that it'd almost undermine Lucifer's struggle to have something that colors his whole existence be totally irrelevant to the other fallen angels. I get the impression more so that Lucifer's angelic nature actually stands out, and might be one reason he feels so isolated, especially after his divorce. If he had six people who'd gone through the same trauma, he'd have something. If he's instead forced to brush elbows with and work alongside six demons that symbolize his ultimate failure, and who resulted directly from his actions with the apple, that's more complicated. Again, Satan calling him "the golden angel" makes it see like he's separating angels as something other. And "the angel's fall" is another separation. Satan lying about that part doesn't serve much purpose; if anything, if he was a fallen angel too, he could assert himself as the one who stepped up while Lucifer crashed and burned.

Instead, Satan attempts to distinguish himself from Lucifer in this entirely different way, by framing himself as something far, far more deeply rooted in Hell, older and better. It's not just an 'I'm the strongest' bluff, but there's an attempt to establish himself as the one who's always been here. And I'm thinking, when Viv says Lucifer has always been "first," she means in terms of hierarchy. Where it leaves room for the Sins to have been created as part of Hell, but Satan's lie comes from asserting the "a long time" and that he'd ever been in charge. It feels more natural to assume that Satan is doubling down and exaggerating his past authority, but not lying about his origin.

Final note: it is canon that Lucifer inadvertently created Hell, and was thrown into the pit he created. Also, confirmed that Ozzie has known Mammon since the "start of Hell." While there's a chance Ozzie is using hyperbole: it's framed like Hell was, in some form, around at least a short time before Lucifer showed up. And that Ozzie and Mammon were present. Unless there are wordplay shenanigans involved, discounting Satan's words to the extent it butts against that established timeline is probably throwing the baby out with the bathwater.

Summing it up: I've seen a few reactions to Viv's post about Satan implying that it doesn't make sense with previous lore or that things aren't adding up, but I think that view overestimates how much of what Satan is saying is actually false. He's bullshitting being a primordial god-like power for sure, which fits Ozzie and Bee rolling their eyes. I think if he was lying about the whole creation story altogether, they'd have been less 'shut up, wtf,' and more visibly confused. Of course future episodes could disprove all of this, but my impression is that the way Satan referred to Lucifer and his presence in Hell actually solidifies that he (and the others) aren't fallen angels, and his "for a long time before" thing being untrue is actually a mark in favor of the Hazbin creation story being at least mostly canonical (since it wasn't a long time; he probably had like two weeks to try flexing), as opposed to proof against it.

Also maybe sets up Satan having a quiet rivalry with Lucifer or at least pushing his authority? I think it might be very relevant that Satan goes the route of I've always been here when he's trying to set himself above and apart, and that he points out Lucifer falling in as an outsider. That might just be speculation, but that framing feels intentional.

[willbyersabyss]

It's calling you...

El saw Will in the void when she opened the 1983 gate. He was the one calling to her the whole time.

Brenner told El that the demogorgon was calling her, but what if it wasn't the demogorgon at all... what if it was Will.

The lines are constantly blurred between the demogorgon and Will in s1. Will talks through the lights, the demogorgon comes through the wall. They follow the demogorgon's blood trail, they find Will instead. Will calls Joyce, the demogorgon intercepts. We can never really tell whether it's Will or the “demogorgon.” This blur could carry over to the opening of the gate.

Speaking of phone calls, almost every missed phone call in the show is related to Will in some way. When people try to reach him, they fail. Only when Will calls them does it go through.

I can't even give all of the examples because there are too many, but Will is always associated with phone calls. Will called Joyce in s1, Mike has had multiple missed calls to Will, Nancy tried calling Will in s3, etc. Will has to call, he has to reach out.

When Max calls the Byers, it doesn't just go to voicemail, it's busy. Someone is using the phone despite no one being there. That someone is Will. One of the first scenes we see is Will calling the police, but he doesn't call them, he calls... someone else. Whoever it was, they picked up. But there's no sound other than screeching. Who was screeching? We'll get to that in a bit...

El was called to. The "demogorgon" wanted her. So we have Will who is constantly associated with phone calls, but he's also mixed up with the demogorgon. Why? El answered his call.

The phone call Bob tells Joyce to let go is immediately followed by the lab's lights going haywire, then a door to the Upside Down opens for Will. They also cut to a faucet dripping and a clock going unusually fast. El's void is made of water and there's a clock ticking sound just before she opens the gate. These scenes parallel. The 1983 gate was opened for Will. He was calling out to her, just like the phone.

"All I needed was someone to open the door. And you did that for me without even realizing it." Ok Vecna I'm pretty sure El noticed the giant gate in the wall. So what didn't she realize? El didn't know Will was the one calling to her.

When Mike asked if El saw Will, she flipped the DnD board to the back. We assume she means the Upside Down, but what if that's not what she meant. What if she meant she saw him in the void? The back of the board is pitch black just like her void.

She places Will's character right next to the demogorgon. How does El know that Will is where the demogorgon is? She had to have seen him NEXT TO IT. This is the first time in the story where we see El sensing Will, so why would we assume she saw him in the UD before this point? She hasn't used her tracking power since she opened the gate. There's only one time she could have seen him. When she contacted the demogorgon, there might have been someone else there, lurking behind. Will!

When El puts Will over the walkie, Lucas says this. The name Blackburn means "black stream." The void is black and made of water. Could this be hinting at El tapping into the neighbor of the demogorgon in the void? Mike follows this with "Did that sound like a baby to you? That was Will." Hm that's interesting because we can actually hear Will in the void when El sees the demogorgon for the first time.

Yeah, that's right. You can hear him.

I can only add one video to this post so the number in the corner will align with the text accordingly!

I'm going to sound like a broken record because I've talked about this a few times already, but I think I finally put all the pieces together:

1 - When it cuts to the speaker, you can hear a faint voice come through. This sounds just like Will when he tells El to hurry. So we have a real "Did that sound like a demogorgon to you? That was Will!" moment. If you line up the hurry clip with the speaker video (not pictured), Will starts to disappear in Castle Byers at the exact time El breaks out of the void in the other clip. They're connected.

We don't actually see what's making the noises in the void the first round, we only hear it. What would the reason for this omission be?

I think the moment we see Will in the Upside Down Castle Byers is the beginning of everything. That's when the gate opened.

2 - The scream we hear when El opens the gate is the same scream that breaks Castle Byers. While this is just a demogorgon sound, it's interesting that they used the one that sounds the most human. Especially when this is the least common sound it makes. It has the same cadence and length in both clips!

I would also like to note that this sound has played when a demogorgon wasn’t directly seen. When Nancy emerges from the tree gate, we hear this weird scream too even though the demogorgon clearly wasn’t coming through with her. Gate, scream, invisible demogorgon.

The egg the demogorgon is eating when she touches it is about 20 feet away from Castle Byers. It can't be a coincidence that they placed them so close. They could've had Hopper come across that egg anywhere, why Castle Byers?

Dustin used an egg to test if the deprivation bath was ready. El then found Will in UD Castle Byers using this bath. Eggs are associated with the gate opening, they used an egg just before she finds Will, and THE egg is outside Castle Byers. Will being in Castle Byers is related to the gate opening.

So what if the scream Will hears was the same scream from the gate opening? We don't see a creature on the other side of the blast, just white fog, so can we be sure it was the monster opening the door? Maybe the force of El opening the gate is what broke it. When people disappear from the void, they leave behind the fog we see outside of Castle Byers after the blast. This fog doesn't usually appear in the UD.

Most people don't sense El when she reaches out to them in the void, but Will did. He was reaching out to her. When El opens the gate, Will was already in Castle Byers in the UD. There's time shenanigans here. Time doesn't really flow how it should in the void. El was able to see a pregnant Terry in there before she was swept into her memory loop. Time also is weird in the UD. It wouldn't be crazy for El to be able to open the mother gate after Will got kidnapped in a weird paradox way.

3 - Coming back to phone call weirdness for a second, Will hears screeching over the phone. This may be a stretch, but it kind of sounds like a distorted version of El's screams when she opens the gate? Then Will's phone call was interrupted by the creature unlatching the door. So when Will's call goes through, a door opens. And he's met with the answer to his most fateful call. He hears El screeching as she opens the gate because that was the result of him reaching out.

In their respective universes, both Will and the demogorgon destroy Castle Byers. So that's another mix up between the two. If Will really was the one calling out to El before she opened the gate, his destruction of Castle Byers is not only a physical representation of how he inadvertently destroyed it, but also an emotional representation. Will accidentally created his own kidnapping by asking El to open the gate. He created the trauma that led to his childhood destruction. The rod imagery at the end of this scene proves that.

Another possible reach, but we know that it was raining the night Castle Byers was built and the night Will destroyed it. If El's journey through the watery void also indirectly caused the destruction and creation of the UD Castle Byers, there's more water connections there. The UD isn't just mirroring visuals, but scenarios too.

When Hopper inspects the remains of Castle Byers, he finds a lion plushie. El was cuddling a lion plushie when Brenner told her she was going to make contact with whatever was calling her. The lion causes Hopper to flashback to Sara and El was in a flashback when we see her with her lion. So what if UD Castle Byers is a "flashback" to when the gate opened?

Just before UD Castle Byers was destroyed, Will was singing Should I Stay or Should I Go. While these were not the lines he was singing, the song makes references to time weirdness. "I'll be here till the end of time" implies that Will is stuck in a time loop when he's in the UD. This song being sung during this scene may hint at its significance in the time loop.

Then there's lines alluding to kneeling in a black void with something on your back. Interesting how the demogorgon was crouched down in the void when El touched its back.

Speaking of kneeling, El approaches Billy in the void the exact same way she does the demogorgon. Billy, who is literally named William. I'm telling you the Will demogorgon mix up never ends. Billy makes himself disappear the same way Will does in the void scene. Oh and when El is looking for the source in Billy's mindscape, the song "William" plays. Very subtle (sarcasm). Will is the source.

Ok but how did the gate open?

Will died.

In s4, we find out that gates can be created by killing people. We also find out that music can open gates in the mind. Interesting how both of those things happen to Will around the UD Castle Byers scene. Will was singing to himself, then he got taken to the library where he died.

The big boy gates all meet at that library where there's a giant clock. Will was the fifth and final sacrifice. But wait! The original gate opened at the lab, not the library. Perhaps Will died twice... once at Castle Byers for a split second, then again at the library. The Castle Byers death opened mother gate, but the library death had delayed effects.

Or Will didn't die twice and it was just a joint effort between El and Will.

El and Will have opened a gate together before. Every time El contacted Will up to this point, it didn't open a gate. Only when Will reached out himself did a gate open. We're right back to Will being the one calling out. He had to try for it to work.

Will was on the brink of death in Castle Byers. Maybe he wanted a gate to open right then and there so he could be saved. But time had different plans. So when Will called out to El in the void, she answered, and they opened the gate together, not knowing that this actually causes his suffering rather than heal it.

In s2 when they figure out that Will spelled out "close gate," the phone rings. They rip the phone off the wall. Another missed call associated with the gate. But this time, it was Will telling them to close it. He had to tell them to ignore the call. They destroy the call, they close the gate.

It's also possible that Will's call for help was manipulated by Vecna. Maybe Vecna showed El the demogorgon to hide his true intentions. Will has something Vecna needs to open the gate. Not to make everything about Will's mind theory, but if the UD is Will's mindscape, it could explain why Will’s call for help resulted in a gate. Max's call for help through music opened a gate to her mind. So is it really that far off to say that Will's did the same?

Alright lets get a run down of the timeline:

El reaches out to Will in Castle Byers, Will tells El to hurry. This aligns with the first call El hears in the void.

A bit later, El revisits the call, assuming it was the demogorgon. In a startled scramble, she accidentally makes contact with Will who was on the brink of death about 20 feet away. Their joint energy opens the gate and destroys Castle Byers.

This energy attracts whatever took Will to the library. Will is kidnapped once more and dies. This joins the gates in 1986?

We know that the scene of Will getting taken from Castle Byers to the library is the opening scene of s5. Both s3 and s4 begin with a gate opening. Wouldn't it be fitting for the s5 opener to be the gate that started it all?

[grendil5]

History is completely fabricated. None of those things happened and none of their opposite stories happened either. It's all made up. Opposite stories meaning history was designed with stories that mirror eachother. The opposite stories for your examples are:

-The african slave trade didn't happen.

-The link between the words slave and slav doesn't exist. (not really an opposite but still) (I admit I don't know this one for sure but it would be extremely funny and cruel to do this to Christians and thus right up their alley)

-The european opium sales to china (to addict and enslave them) didn't happen.

-The uh hmm well i'm sure you can figure out the polar opposite of this one. It didn't happen.

-The other three don't really have an opposite, to my knowledge, perhaps the story of the holy roman empire being secretly run and exclusively kinged by Dutch/Germans? More insane impossible fantasy bullshit. But rest assured not one truth has been told to us or today's Russians about Soviet Russia.

But there are many, many more examples. You probably have some too. You'll notice that in all of history, there's a team good-guy and team-bad guy example for everything. Some "thousands of years" (lol) apart. All of it the west vs the world. Or white people vs the world. Christians vs the world. That's because it's all made up, it's designed to completely ensnare your brain. The full spectrum of good and bad behavior is taken care of. Every race and religion is written to be a victim in one story and a perpetrator in another.

The reason history is designed that way is neutralize your moral compass. To drive you away from Christ, and to make you easy to control. To make you disbelieve in a "true good", which is what Christ has always been.

There's no "morally grey" mankind that "has been kind of bad, but always tries to do good." or some slop. There is only one good and it's our Father. Anyone acting against our father is evil. There has never been anything else. This world operates on one single principle: If you love God, everything works out for you. Period. No countries, no nations, no history. It's all fake. Completely made up. Our textbooks were written by drunk Skeksis in some lodges somewhere and mass-produced after WWII to feed to children whose great-grandchildren, us, now accept their dumb stories as law. And they've been constantly adding to it. "This sounds plausible, put this in" becomes a "new fact recently discovered by the university of _____" Coincidentally, all scienceslop (and subsequent NASAslop) also works this way.

Ask yourself, what would be better? For the goyim to know some truths and some lies, or for them to live in a complete fantasy world? If you tell them some truths, they use those truths as a jumping off point and will discover the lies and awaken. Truth sticks out like a sore thumb. I have no decent historical example for this because they've never told us a truth. That's how fucked it is.

Hang on, how about the world trade thingy. They told you that a plane crashed into it, which it didn't, the entire thing was CGI, so that's a lie. But what if they told you a truth? What if they told you there were bombs on every part of the tower, and that it was a controlled demolition. What the fuck would their excuse be? Now that this truth is revealed to you, how could they ever explain it away? Their narrative is fried. The same goes for all of history. You think even a little bit about one inconsistency, and the whole case is blown apart. That’s why they’ve never, ever told us anything. Nothing.

If you hear even one truth about our history, you'll come to the realization that most of the shit they sell you is logistically impossible. Plus if you "get got" too many times, and realize it too many times, you'll start to look at everything as potentially bullshit. And then you'll start to see that actually it's all bullshit. And then you'll begin to seek Jesus Christ and find the truth in God. And to the people who invent our history to deceive us from God, that's a fucking disaster.

Just about every war doesn't add up. Food and water supplies when marching across continents don’t make sense. Whole populations lived in and around the most beautiful, mathematically perfect buildings but we’re told they were all dumb stinky peasants who threw sewage into the streets.

One way you know it’s fake is that in all their stories human beings are fucking stupid. The holodomor was obviously supposed to mirror the other one, but both stories have to treat the supposed victims like dumb cattle. So it barely even works! Picture yourself as a Kulak watching your children starve to death on some farm and saying "We're not leaving, this is our home." Yeah fucking right!

If you care about the truth you must look at the history books they write for us as a lie. The real truth is that absolutely nothing can be trusted before the end of "WWII" which itself may have been a lie.

All war is fake, that's something you come to understand. Go look at old war photos and ask yourself what these kids were doing when the photo was taken? What were they thinking according to the official story? Why are they standing there like that? Why are they all fucking smiling? How did that vehicle get into that hole in such a way? Why does everything look so fucking ridiculous? It's NASA-tier fakery. All fake soldiers playing dress up and having fun coming up with rediculous "oh so sad" war photos. You can see it on their faces. Their Skeksis director behind the camera was having fun with them. Fooling Christians unites them. Same thing with the civil war. With all wars. With all tragedies. All Hollywood.

It's all just dumb shit for you to get mad at. It's all designed to tear you from God. Don't buy a word. History isn't real.

[glitteringdust]

Rookanis request: Something where they actually talk about Spite and set boundaries or whatever for their relationship? I *really* wish the game had mentioned that at some point (also I’m just interested in seeing how folks handle it in their stories).

All Spite wants is Rook’s touch.

Ever since she’d started thanking the demon directly for his help, he’d been head over heels at every interaction.

She sees us. She talked to me! Let me talk to her.

It was hard enough for Lucanis to separate his own wants from Spite’s, when they aligned this close. Rook was always giving praise honestly where it was due yet Spite had such a craving for it, it was hard to contain. On top of that, the demon began to crave the usual high fives, the handshakes—any brief moment they were close Spite almost buzzed along the crow's nerves with interest.

Lucanis however…found the thought of her touch much more complicated than that.

The very thought of her touch stoked a desire within, one he could not indulge in while there was a job to do. Entanglements such as this were detrimental to an assassin. Even more so with an overeager demon tugging at the chains.

Then they'd almost kissed.

Exchanged heated glances, after that. Thanks to Spite, he knew the exact number of footsteps it took for Rook to get to his room from the eluvian. He knew what those footsteps sounded like, light against the stone floor. A distinct rhythm, not unlike a heart beat at rest.

It doesn't surprise him, when she knocks twice and enters the room. The last ten steps have her standing before his seated spot on the bed.

It does surprise him, when she runs a finger under his chin, pulling his gaze to hers.

“Stop me, if this is not what you want.”

As she moves forward, he moves back until she is straddling him, his back inches from the wall. Her weight is welcome against him, anticipation tingling along his skin as her breath ghosts over his face.

Rook was so close. So close.

She was going to kiss him, a fact he was only just becoming aware of when her lips meet his.

Mierda.

Lucanis kisses her in a calculated way, slow and specific and bleeding a kind of desire he’d never afford himself usually. He wanted to get each one right, savoring this moment as long as he could. He rests one hand along the small of her back, and cradles her head with the other as he tastes her lips again and again. He can't help the pleased sound that escapes as she runs her fingers along his temples, and then through his hair.

Everything is abuzz, every nerve and inch of him consumed by her. He can barely feel the shift in the air, the scent of blackberry and ozone dancing along his tongue. The fingers in his hair grip him tighter, Rook's breath quickening as his lips travel from her mouth down her jaw, along her neck, teeth grazing her throat and the junction between shoulder and neck…

“Lucanis.”

She's pushing him away, albeit so, so gently. He grunts out what he hopes is acknowledgement, untangling the haze over his mind. Brown eyes meet her blue, and as he regains a sense of reality he releases the grip his one hand had on her hair.

They both catch their breath.

“That was not only you, kissing me just now.”

He goes still. Rook makes no move to leave his lap, arms still draped around his neck and gaze nothing but soft.

“Spite has always been intrigued by you, but he knows what I feel, too. It's… hard to explain.”

“Does it bother you, what Spite thinks of me?”

He doesn't answer for a moment.

“Sometimes, it's hard to know where he ends and I begin. Especially when we agree on something.”

Rook tastes good. Feels good.

“Sharing a body must only make that worse.”

“It amplifies it. Makes what I feel more real than anything.” He looks away briefly, “What he and I feel for you… cannot be separated anymore. Are you okay with that?”

She doesn’t even hesitate, “I am. Are you?”

Most of his life had been decided for him by Caterina. Lucanis had very little say in most of the things he’d faced, and he’d faced betrayal and possession by a demon. If it hadn’t been for Rook’s understanding and kindness, where would he even be?

For the first time in his life, this choice was up to him.

"I want you, Khalia, with all that I am."

He'd ask the demon what he thought, but the only decisions Spite wanted to make were new places to kiss Rook. The buttons of her shirt had almost succumbed to Spite's clumsy fingers, but demons lacked dexterity.

Next time, we tear it open.

“Spite, can you not? Mierda.”

Rook laughs, “What's he saying?”

“Thinking of new places to kiss you. He's mad you have so many buttons.”

A cheeky grin, one that sets his insides fluttering, “Well, I can't say I don't like where that's going.”

She leans in, capturing his mouth in hers again. Nimble fingers slowly work their way along those buttons.

He could do this all day.

[reignpage]

hihi social media anon here!! sorry for not clarifying but yohr thoughts on their socials!!! :))

I see I see

Gojo

Public thousands of followers because everyone knows Gojo Spam posts Not very organised Half pics of his parties but like crazy angles and blurry shots of people jumping into pools, riding bikes naked or something wild And the other half are just stupid selfies or unflattering pics of his friends Nanami totally does NOT stalk Gojo's account for any pics of his reader 👀

Geto

He has two His public professional one of highly curated pics of his studio, his motorbike, and tattoos and piercings thousands of followers Very aesthetic Black and white Chase Atlantic vibes fr fr His other one is his personal account Which is private like 50 followers He doesn't use it often Doesn't really feel like posting anything other than his works But he mostly uses it to message other people

Choso

He has a public one Doesn't really understand the point of social media Doesn't understand the distinction between public and private He posts once in a while He doesn't understand aesthetics but ends up having one anyways lol It's very grunge Usually of his art works (official ones not....👀) Once him and his reader starts dating though, suddenly its pics of her and works of his inspired by her Lots of followers surprisingly People like his work

Toji

Public Thousands of followers too He's like the second biggest name on campus because of his hotness and popularity and athleticism Posts mostly about basketball His stories are always updates about the NBA He posts bare thirst traps too Gym pics Shirtless pics One time, on his story, he did the pushups with audio thing in an effort to get higher on the List and people went CRAZY Gojo replied to it with: Cheat 😾

Nanami

Didn't have one until he developed a crush on reader He uses LinkedIn more lol It's private A throwaway account really Uses it to stalk Gojo and reader's accounts But once he starts dating reader, then reader forces him to be more active He gets a profile pic, a bio etc And most of his posts are made by reader So it's always silly little things like him in a lab coat and goggles Him sleeping Him reading charts and drinking coffee With the WILDEST captions There's one of him playing with a stray kitten, and the combination is the cutest thing ever But reader captioned it: wish he was playing with my kitty 😫

Sukuna

Thinks social media's stupid If he wants to know about other people's social lives, then he'll just ask or find out for himself But Gojo or Toji might set one up for him and then posts on his behalf Lots of thirst traps too Sukuna has no idea It's pics of him taking off his shirt in the locker room Or shrugging on his varsity jacket There's even a pic Toji snuck where Sukuna's showering and his eyes are closed and he's brushing his hair, head tilted back, Adam's apple so prominent, with neck veins and water droplets... And the girls go wild especially when they catch sight of his tattoos

[di-42]

Unfortunately once again I've only had time and mental energy for very short fictions that could fit in a commute or two this month. But, as it's always the case, there are a few wonderful gems among these! 

Please don't be fooled by the number of Kudos! Ao3 is not Amazon! 

As always I'll tag the writers whose tumblr usernames I know. If you're a writer and you want your story removed from this list please let me know.

And now, without further ado, let me tell you about the wonderful stories I've read this month, and the things I loved about them! ♥️

November’s Notable Fictions

WIPs:

Wavelengths & Frequencies, by @shadesofecclescakes and imposterssyndrome @maaikeatthefullmoon Rated E, chapters 15/?

This story is such a warm, cozy, comfort blanket. Enemies-to-lovers human AU where Aziraphale and Crowley work as DJ for the same media corporation. They have a history, but we don't know what it is at the beginning. Great story, great humour, great characterisation, great fuzzies, absolutely great banter! I look forward to every update and do a little joyful dance every time I get an update notification. This fiction is becoming one of my all time favourites.

You're The Bad Guys, by Nebz_AlphaCentauri @alphacentaurinebula Rated E, chapters 20/?

Cold war human AU in which Aziraphale is an MI6 agent and Crowley is a KGB agent. Each of them is assigned to a mission in Berlin, from opposite sides of course. Great characterisation, suspense and references to canon.

My own WIP, And I Did, rated E, chapters 14/15 (nearly there!)

In my not-a-summary I say that this is a story about faith, about love, and about choices. Which is true. But I have come to think of it also as my apology dance to Crowley. My headcanon about Aziraphale has always been clear, but at first I wasn't sure about what Crowley would do after the final 15. I didn't see Crowley drinking himself oblivious or taking a road of self destruction. But I didn't know what he would do. Then it hit me, and that was when I started writing And I Did. I knew what Crowley would do. Crowley would do what Crowley does. And what does Crowley do best? This is a story about faith, about love, and about choices. Aziraphale is Supreme Archangel, Crowley is Grand Duke Of Hell, and they have to bring about the Second Coming. And of course they're not talking.

Complete stories:

The Small Ad by ladydragona and SylWritesStuff, rated E, 32k.

To overcome boredom, Crowley offers his services as a hired partner. Aziraphale is need of someone to pretend to be his partner. The rest is history. This is a lovely, hot, and sweet fake relationship fiction. Very interestingly, the POV changes at every paragraph, and because the story has two authors it left me wondering whether one wrote Crowley and one wrote Aziraphale, but kind of in real time.

The Angel’s Gambit, by Augenblickglotte, @dragonfire42 , rated T, 9k.

Aziraphale has been playing chess with the angel of Death for over 1500 years. You'll have to read it to find out why. I loved the banter between Aziraphale and Azrael. 

Percy, by Jackie Thomas (Jakie_Thomas), not rated, 10k.

This is the story that touched me the most this month. It's set 100 years in the future. Aziraphale leads a quiet existence in a cottage. When Adam Young dies of very old age, Crowley picks up Aziraphale to go to his funeral. He doesn't stay after that, and you'll have to read it to find out why. The story does have a (kind of) happy ending. Or a hopeful one, at least. But it digs deep in some of my very real, very human fears. Fear for the planet, fear of growing old, fear of growing apart, fear of everything ending without us ever getting a second chance of fixing things. I really loved this story and will go back to it again. It also gets extra points for reversing the roles of how the fandom usually see Aziraphale and Crowley! Top marks! 

Caramel Delight, by AJ_Constantine, rated E, 16k.

Lovely neighbours to lovers human AU. Crowley is instantly attracted to the new neighbour and his -oh, lord- forearms (and, I mean, who wouldn't?). But he's determined not to make things awkward, they are just friendly neighbours. That's why Aziraphale keeps knocking on his door for more of that caramel sauce Crowley makes so well. One of the tags in this fiction is: Aziraphale is bad at flirting. I very much beg to differ.

One shots and short stories: 

Can I Have Your Number? by AppleSeeds, rated G, 1.8k.

Aaawww. Aziraphale goes to order drinks for him and Tracy, and writes down his number for bartender Crowley. Crowley asked for it, right? RIGHT?? All well that ends well, this story is brief and sweet. 

Angels Don't Blow Their Own Trumpets, by shaggydogstail, rated E, 8k.

This story had me cackle! Crowley poisons himself by accident (well, by trying to be cool, point is he didn't mean to) and there's only an antidote that can save him. Please DO READ the tags for this one. 

Anthony J. Crowley, Retired Demon And Airbnb Superhost, by TheOldAquarian, rated G, 3k.

A selection of reviews by guests who rented Crowley's flat on Airbnb. Very funny! 

Proving One’s Loyalty, by @indigovigilance , rated E, 4k.

Set towards the end of season 1, Aziraphale goes to heaven to speak with a higher authority only to find that Gabriel has taken Crowley prisoner. Aziraphale has to torture him in order to prove himself to heaven. Smut ensues. 

You Can't Un-See A Dog, by Dannye Chase (HolyCatsAndRabbits), HolyCatsAndRabbits @holycatsandrabbits rated T, 4k

This was one of the highlights of my month, fiction-wise! Crowley is summoned by two humans to be offered in sacrifice. Aziraphale knocks on their door within, like, 3 minutes. I just loved this story: The light banter and the interactions between Crowley and Aziraphale are chef's kiss; the adorable domesticity of their relationship shines through in a situation that really is not domestic at all; Aziraphale is being his incredibly brilliant self; AND there's a little mystery-solving thrown in for good measure! Top marks! 

Hold The Phone, by theRavenMuse, rated E, 1k.

Crowley listens in on Aziraphale having intimate moments by himself. But phones work two ways. Lovely and hot! 

Plausible Deniability, by GayDemonDisaster (scrapheapchallenge), rated E, 5k. 

This story was so, so lovely! Set before and after the first failed Armageddon and not season 2 complaint, but to me it really feels like it goes very well with my personal headcanon regarding season 2 in general and the final fifteen in particular: they do communicate and they don't need words. The story itself is about Aziraphale denying to himself that things are happening by pretending it's all a dream. The writer illustrates their deep connection and mutual understanding beautifully. 

The Co-Pilot, by beardo @e-rated-beardo rated E, 4k.

Incredibly hot human AU. Eh, I say human AU… incredibly hot AU. Tony is attracted to Az, but is afraid of acting on it because of what the author describes as an ‘overfamiliar demon’ who sometimes took the wheel for a minute. So he's content to just chat to Az at the pub. Yeah, like Az is ever going to shy away from an encounter with Crowley's inner demon.

Presque Vu, by NaroMoreau, rated E, 9k

Human AU. College student Aziraphale sees his ex Gabriel at a party he didn't want to go to to begin with, so of course he hides in the kitchen. Until his (and everybody's) impossible crush offers to pose as his boyfriend. This story is incredibly lovely and heartwarming!

Masturbation (Doesn't Count As Sex, Surely?), by Hellsgardener @hellsgardener01 (I think it's you?) rated E, 1.3k.

Very few fictions manage to convey such intense feelings of sweetness and hotness alike in such a short tale as this one! Aziraphale asks Crowley if he's ever had sex and reminisces about his own solo experiences.

To Bind Them, by LCwrites, rated E, 5k

Human AU with a lovely enchanted/supernatural/faerie element. Aziraphale is tipsy at Anathema’s Halloween party and when he overhears Crowley talking on the phone he wants to find out what he's up to. But that's not even the half of it.

Our Homeward Steps Were Just As Light, by On1OccasionFork, rated T, 7k.

I've seen this little gem recommended a lot recently, and with very good reason! Human AU where Pepper works in a nursing home. Anthony is a beloved guest prone to causing trouble, Aziraphale is a new guest. It's tender, deep, funny and original. Stirs things in you, a fiction like that. I loved it. Extra points for being in Pepper’s POV.

Hot Blood, Hot Thoughts, Hot Deeds, by Supergeek21, rated E, 3k.

This story was really up my street! Crowley is a vampire in search of a bride. Aziraphale should be scared, but he's too busy being aroused instead. Sweet, funny, and sexy.

A Newsworthy Affair, by @waitingtobebroken rated T, 1k.

A funny, adorable, fluffy fiction told through newspaper ads that the editors of the newspaper never authorised publishing. If you're in need of something to put a big smile on your face, this is it!

Merry Christmas, Hellspawn, by Libbyfay, rated G, 4k.

Beautiful Warlock’s POV fiction. It's the first Christmas since nanny and brother Francis left without a word, and Warlock feels lonely. He goes to what used to be brother Francis’ shed, goes through the box of Christmas decorations and reminisces about the past, until someone knocks on the door. I am quite partial to the few, precious Warlock’s POV stories, and the author does an excellent job at depicting the pain of an 11 year old and that casual, matter of fact way 11 year olds deal with great pain. This story is delicate, and beautiful and deeper than it might seem.

Series:

Wrong Number AU, by GaryOldman, rated T.

This was the loveliest, sweetest, fluffiest series. Best to read  the stories in order to fully enjoy it. In Text From An Unknown Number (12k) Aziraphale text Crowley’s number by mistake. They hit it off straight away, but of course things are never that simple. Most of the story is told via the texts they exchange (between themselves and with others) and it’s amazing how the author manages to convey excitement, feelings and a little angst in that way. I loved this fic, but I feel I have to give a little warning that the Harry Potter series is heavily used and referred to in this story. Sorry, Right Number (2.5k) is the super fluffy Christmassy continuation of TFAUN. Aaaaww, lovely! He's My Wrong Number, (1.6k) is possibly the fluffiest of the three and it's a real treat to read! A very happy ending to the series!

Poems:

DEATH Grinned-HE Didn't Have Much Choice, by @isiaiowin rated T.

Very evocative and powerful poem about Death.

Thinking Of Nanny, by @the-ineffable-dance

Another incredibly beautiful Warlock's POV fanwork to end this list. Warlock is all grown up and goes for a walk in St. James’s Park, where he sees someone familiar. The only complaint I have about this poem is that it was so difficult to read through the tears, really.

[issela-santina]

did you really think the “pick me vibes” aren't the root of the body horror, jackhawksmoor?

first and foremost my reblog is about cinematic pieces of fiction where we vent about desirability and patriarchy/paedophilia shaping the culture of body modification so why tf are you hurling the above argument about real-life body modification that doesn't require constantly worrying about your youthful looks into my reblog?

pick-me isn't recent!!! it's thousands of years of being reactionary because people actively force-feed each other propaganda about everything being better in the past

why do you think people hate being old? why do we put up with people who think 25 is too old? why do we have traditions that leave the old for dead in the woods or send them off a cliff to end their lives faster? (we even have another horror movie, Midsommar, that depicted the last one)

pick-me is all about the false hope of being safe inside a hierarchy by enforcing that hierarchy thinking you will rise above it as a reward

this is mainstream until every interconnecting hierarchy is broken down and left behind and people stop forcing the youth to mature faster and forcing the mature to be young again

in alternative cultures where you get piercings and elf ears, you don't worry about age, no wonder you're so comfortable barging in

OP was venting here about how people have always wanted to look young, I present related stories that concern obsession with youth and immortality, and here you are, jackhawksmoor, deliberately missing the fucking point

honestly more media should portray the anti aging industry as horrific and decidedly unhuman. it IS body horror it IS grotesque it DOES go against nature. it WILL kill you. yes.

[thesand-snakes]

I can't get over how fucking awful Mythal actually was.

Don't read below this if you haven't finished Veilguard, lmao.

The fact that Solas wore her vallaslin, and somehow still saw her as a friend, and trusted and loved her enough to do everything she asked of him makes me so angry/sad. Friends don't make their friends wear slave markings on their faces. Him being called her lapdog by Elgar'nan makes so much more sense.

And then Solas goes and accepts the blame for decisions that she made, and then manipulated him into agreeing to, and she fucking accepts no fault! If you confront her about the Blight when you meet her in the Crossroads, she basically just says, "not my problem."

And he blames himself for her death because he couldn't convince her to walk away from the Evanuris! But really, sorry Mythal, that's her own fucking fault?! She saw herself as above Solas, so she refused to heed his warnings, and then Elgar'nan killed her because Elgar'nan's a bitch.

And then if you pick the good ending, and Solas sees her again, you cannot tell me that his reaction to her is not one of someone who has been abused being confronted by their abuser. The way he curls around the dagger...Mythal, when I get my hands on you, Mythal...And then she says, "I release you from my service." Bitch. I wanted my Lavellan to punch her ghost with her prosthetic hand so fucking bad, lmao.

Solas was a spirit of wisdom! And she corrupted him from his purpose. If he had stayed a spirit, he would have become a pride demon because of her manipulations.

Cole has a couple of lines in DAI that I can't stop fucking thinking about.

"He didn't want a body, but she asked him to come. He left a scar when he burned her off his face."

And, "He wants to give wisdom, not orders."

Solas gets to be himself in Inquisition. He gets to return to giving wisdom. Regardless of whether or not you're romancing him, if you're not a dick to him, he offers these beautiful stories about the Fade, and GDL does a fucking incredible job of making each of them sound poetic as fuck. And he's so kind to all the companions. Even Vivienne who has so much contempt for him, and he tries to offer her advice when he notices things about her magic that he finds...unsettling, lmao. Like their interaction about her staff's aura and him being like, "Are you sure that's the aura you want your staff to have, I can cleanse it for you?" And she's just like, "Yup." And he just lets it go.

When he leaves the Inquisition, Solas forces himself to be what Mythal made him. Which makes the line, "You are Mythal's creature now!" so distressingly ironic.

People talk about how he hates the Dalish elves, and Qunari, but that's just factually inaccurate. He's frustrated by the Dalish because he spent how many years fighting to free the elves from the influence of the Evanuris, only to wake from uthenera to find that he is the villain in all their tales, and the Evanuris are regarded as gods. And when he tried to tell a clan the truth, they tried to kill him! And he doesn't hate the Qunari, he hates the Qun. He hates that under the Qun, people do not get to make their own decisions.

Iron Bull's biggest fear is becoming a rabid Tal'Vashoth, and he expresses as much to Solas. And if you play as a Qunari, Solas points out in party banter that Inky isn't rabid.

If you have Iron Bull side with the Chargers, Solas checks in on Bull several times in party banter, assuring Bull he won't become like the Tal'Vashoth that he fought in Seheron. Because Bull has the Inquisition, and his friends, and Solas. And then they play mental chess, and if that's not friendship, idk what is.

And his interactions with Sera, who doesn't think she's elfy enough, so she makes fun of elfy things as a defence mechanism, are fucking hilarious. The way he gets her to talk about the Fade by asking her about the Breach, and what she sees when she looks at it, and you kinda see that Sera is a lot more elfy than she realizes. And then when she realizes it and gets mad, he basically tells her it's payback for her filling his bedroll with lizards. And she just fucking giggles and is like, "yeah, fair." (These two are my absolute favorite characters in DAI and I would die for either of them, lmao) But he kinda makes her connect with her heritage even though she doesn't want to, and I think that's good for her.

Solas also gets angry with Blackwall, not for lying about actually being Thom Rainier, but because Blackwall led his men into fights, and to their deaths in many instances, for nothing more than his greed. And then he APOLOGIZES for that interaction. And Blackwall tells him it's fine, that Solas was right, and he deserved it. And then Solas commends him for taking the first step towards redemption by owning his past and his mistakes.

And then there's him and Varric constantly joking about having to clean up messes made by humans, and "Why are an elven apostate and a dwarf here, again?" They're interactions are some of my favorites, and it's why I firmly believe that if there had been one more wolf statuette to find, it would have been his regret over Varric's death.

Solas deserved better than having Mythal as a "friend." She manipulated and corrupted him. And then let him take the fall for things that she did. She regrets NOTHING about what they did to the Titans. Meanwhile, it's one of his biggest regrets.

Anyway, I love the Egg, and I hate Mythal. That is all. I hope Solas and my Lavellan Inky get to have plenty of Fade-ordered therapy. They both fucking need it.

[bueckersbitch]

Grace and Grit

chapter one: faltering control

𐙚 characters: hopkins!paige x oc

𐙚 warnings: none

𐙚 authors note: it’s me again! this chapter really feels like a filler…. but i promise the buildup will be worth it once the story picks up. pls have faith in me! this is all fiction, enjoy!!!!

Blaire found herself in a clean routine the last few weeks in preparation for company showcase, wake up, work out, get ready, scheduled three hour pointe private, five hour practice, repeat. Sure, it’s exhausting, but she found it hard to even imagine a world where she doesn't dance, considering she's been doing it her whole life. She knows that she didn’t need distractions at this time, her dad’s voice echoing in her head about needing to put her main focus on dance and school to ensure a remarkable future, words from a phone call, always away on work trips. But she couldn’t help it when a certain blonde waltzed into her life. Running into her at her dance studio, her second home? It almost felt like she was supposed to be in her life, a sign from the universe.

So Blaire sits, breaking her perfect routine, a quiet lunch at panera before heading back to her studio. She should be reviewing videos from her instructor, improving her technique. Instead, she feels her fingers drawn to her contact, hitting the facetime button, ringing twice before she’s greeted with a sweaty Paige, surely from training. “Hey, you on lunch break?” Blaire feels a smile creep up onto her face, Paige already knowing her curated routine, “You know it, how’s training going?” Staring at the mac and cheese bowl that sat in front of her, she decides to prop her phone up on her water cup. Paige shuffles around on the other side before propping her phone up on the bench, dribbling the basketball between her legs, “Yeah just the same boring stuff, been working on shooting threes, how’s practice treating you?” Blaire’s gaze softens, having been only talking to Paige for about a week now, but feeling the sense of genuinity, always checking up on those around her. They talk for a little before they both have to go back to the reality of rigorous training. Blaire’s top of her car down as Gracie Abrams blares through the car speakers, the warm sun beating down on her tanned skin, ballet bun pulling her thoughts together, she had her whole life planned out in front of her, get an offer from Juilliard, move to New York, chase her dreams that she has had for the last seventeen years of her life. She pulls into her studio parking lot, grabbing her dance bag, locking her car door, walking up a few stairs before opening the door to her studio, greeting the girls while tying up her pointe shoes, tired, but ready for the last three hours of practice.

Sighing, she comes down from the pointed arabesque, a long practice finally over. Creaking open the double doors to the dancers den. There she sits, all six feet of her, on her phone, waiting. Blaires throat clears, the sound capturing Paige's attention, her eyes reaching Blaire's, that same infectious smile spreading across her face from when the two first met. “Paige? Why are you here?” Sure, it was a nice surprise, but why was she here? Paige stands up, before pulling her in for a hug, hands around her waist, grabbing onto her sides, as her head lays on top of Blaire’s dark hair, Blaire falters, the action of Paige hugging her surprising, but not unwelcome. “Wanted to see my favorite girl, is that okay?” Paige unwraps her arms from Blaire’s waist, Blaire unwrapping hers from around Paige’s neck, smiling, “Don’t know, I think your three pointers could use some work” Blaire responds. Paige’s eyes go wide, “Oh you did not!” Shoving Blaire’s shoulder, the two laugh, earning looks from those around them. “Soooo ice cream? On me?” This time it’s Blaire’s eyes that go wide, dragging Paige out of the dance studio.

Blaire slips into the passenger side of Paige’s red Cadillac, the door being closed by Paige after. Swinging around to the other side, she gets into the driver's seat, ducking her head as she does so. Starting the car and turning the air on, she takes Blaire’s hand and looks at her nails, a simple long almond french that accentuates her delicate hands, before holding their hands together on the middle console. Blaire feels a rush of excitement fuel her body, her heart pounding at her chest, she feels out of control, something that is foreign to her, consistently knowing the feeling of commanding attention of those in her studio, and at school. Her busy schedule left no time for her to pour her time into someone else. She feels heat rush to her cheeks, the action making her feel embarrassed, as she felt inexperienced in this department. Paige, ever the noticer, softly says, “I can actually see the wheels turning in your head, whatcha thinking about?” Blaire feels herself take a breath, one she didn't know she was shielding herself from, “Nothing, just not used to this kind of stuff” observing the shocked look on Paige’s face. If she felt embarrassed before, that was nothing compared to what she was feeling right now. “Say something? Please?” Blaire uncomfortably says, Paige’s eyes flutter, before realizing Blaire was awaiting her response, words registering in her brain. “No it's nothing, just, really? A pretty girl like you? Not used to this stuff?” Eyes widened with uncertainty, challenging Blaire’s soft gaze, the dark haired girl simply nods, the nickname clearing her mind. Paige smiles, cocking her head to the side, responding with a simple “okay” before pulling out of the parking lot, hands still interlocked.

[sugawhaaa]

🕯Felix One-shot🕯

☁️The eighth sin☁️

Warnings:: MENTIONS OF RELIGION If you are faithful I highly recommend not reading this and if you do I do not take religious criticism

Pairing:: Demon!Felix x angel!fem!reader

Genre:: fantasy, AU, slow burn

A/N:: so I've had this story in my mind for a while where the reader is a fallen angel and skz find her in hell and give her a home and long story short they all fall for her and you get to decide how you want to end the story. It's almost like a video game, it's hard to explain. Anyway this is just a little snippet from Felix's story line which leads into Minho's. If yall like this and it does decently I might continue making them

🎧::

Recently you found yourself wound up in hell, the lowest point in the universe to make sure you feel like the lowest being in the scale of the world. However you only sinned once, but that's when it counted.

You were an angel, living among courageous and beautiful beings. However, a singular sin opened the door for you to fall to your demise and you wound up in Hell. Long story short you were taken in by the eight lords of Hell or as many know the seven deadly sins, but there were eight of them. This confused you at first because your whole life you've been preached about the seven sins so to see an eighth lord was simply off-putting.

After a few days, you learned all of the men's sins, including the eighth. He was the lord of faith. But how could something like faith be a sin? You decided to speak with Felix, lord of faith, himself. His room was the most pure sight you had laid eyes upon. Pure white with candles and paintings with minimal furniture, only what he thought was necessary. There were also statues spread around his room.

As you searched for Felix you found him sitting by a statue, gazing up at it, in a silk-white outfit, a little Greek headpiece around his forehead. He turned to look at you and smiled. "My angel," he smiled and you blushed softly.

"That would be me," you nod and Felix tilts his head.

"Something is weighing on your mind, right?" He asks softly and you nod again. You approach him slowly and he offers you to sit next to him. "What's troubling you?" He lights an incense with his fingertip and places it in a holder.

"Well, I'm just confused. How is faith a sin?" You cut straight to the chase and Felix laughs softly.

"Well you see faith is a thin line and all faith isn't directly related to a God or some higher being. Sometimes faith comes from human to human," he explains. "When a person has too much faith they become dependent on that source and lose their originality and sense of being. Some really faithful people try to even bend God's plans in order to somehow appeal more to him," Felix explains in depth of how one might consider faith a sin.

"How so?" You question and Felix sighs.

"Some believe that they can somewhat test God. They have so much faith in his abilities that they will throw their life on the line to test God's strength," he explains and a realization dawns upon you.

"And...does God always..." you look up at him and Felix looks away.

"They say God's a busy man after all..." he swallows hard before clearing his throat. "Do you...have any more questions?" He puts on a smile and you think for a moment.

"Yes actually, if you don't mind," you look up at him and he nods, allowing you to continue. "You said sometimes people have too much faith in each other or like not higher beings. How does that work exactly?"

"Well, like I said faith is a thin line. Some people have too much faith in another and will let that person handle everything. You see this doesn't work out in anyone's favor," Felix explains and the dots instantly connect in your head.

"I think I understand..." you think deeply. This information is changing the perspective you have on life and the life you have lived.

"I believe that not all faith is bad...but I guess I am the lord of faith so," he laughs softly and you smile slightly, still deep in thought. As he looked at you his eyes held a certain...alertness. Like he was hunting or waiting for something and it somewhat off put you. You looked up at him, quickly glancing him up and down.

"So if you think Faith is such a sin then why...Does your room look more religious than any humans I've ever seen," You ask out of genuine misunderstanding.

"All of the eight lords have an uncontrollable desire for whatever their sin is. Some have grown to handle it better, like Chan and Minho, but others still struggle, like me and Hyunjin," Felix gestures to his room as he mentions himself.

"So you must feel...interesting now that I'm here right?"

"I must admit I am overwhelmed with emotions now that you are here. An angel. Living among devils like us. I am infatuated with the way you have lived but I'm trying to refrain from...doing something I'll regret," he smiles shyly as he expresses his passion.

"Like what?" You lean forward, curious of what's on his mind.

"I don't think you'll wanna hear," he smiles. "I'm still a demon after all," he puts a finger to his lips and tilts his head. The smile on his lips sends a chill down your spine. "Alright, anymore questions?"

"No, I'm good thanks," you smile and stand up, fixing your dress softly. "I'll let you continue," you head over to the door, Felix following behind.

"Alright, stay safe," he puts a hand on your shoulder and opens the door for you. "Oh and Y/N, a little piece of advice," his words intrigue you and you turn to look at him. "Stay weary of Minho, don't approach him when by yourself. Make sure someone is with you," Felix smiles but his words make your heart race.

"Thanks," you nod with a smile and Felix closes the door. As you walk back to your room you bump into someone, their sturdiness catching you off guard and stumbling back. A rough hand grabs your wrist to help catch your balance. As you look up you see Minho and glance around nervously.

《Felix ending》

As Felix closes the door his fake smile dwindles as he watches Y/N leave through the stained glass window. Felix glances back at where you were sitting and sighs. He was fascinated by this angel but...something else lingered in his mind. "God's a busy man," he mutters under his breath before scoffing. "Load of shit. He's always watching, aren't you?"

[autisticexpression2]

Making this post was like leaving my bedroom window open on a hot summer night in the everglades.

@swordandscytheandpen

My response was to both of you.

@iusedtousemyrealname

You do NOT get to make those "tumblr reading level" quips if any of this shit is your takeaway from what I said. I countered the notion that metaphorical readings are a modern cope with actual PRIMARY SOURCES to the contrary, including the FUCKING BIBLE, and you clowns are still doubling down and moving the goal posts from "religious metaphor is a modern cope" to "religious metaphor has always existed but it doesn't matter because of something about my Roman peasant OC and the crusades."

The thing you people need to understand is that this literalist mindset you insist on projecting backwards onto history is itself a distinctly modern concept that would be alien to pre-modern societies. Religion was metaphor and symbolism because EVERYTHING was metaphor and symbolism. Everything they thought, said or did was entrenched in layers of symbolism and metaphor because it had to be. They didn't have any of the means of proof that we take for granted today. No photographs, no sound recordings, no videos, no DNA tests. Everything was abstract, and the hard line between fact and fiction we perceive today simply wasn't a concept. A story could be fantasy and history at the same time. Geoffrey of Monmouth just made up a guy called Brutus of Troy as the ancestor of the Britons in his Historia Regum Britanniae. He just wrote that in there. He didn't have to falsify archaeological evidence for a Bronze Age Hittite settlement in Britain, and no one expected him to. They all just went along with it and accepted Brutus of Troy as their ancestor because it was a good story, and they based their entire cultural identity on stories. So yes, the crusades were fought over literature (among other things). Their worlds were small, and they had to fill in the gaps with imagination.

The poorest person with internet access has an unfathomably bigger world than even the wealthiest and most educated Israelite priest or medieval king. You could spend your entire life in one small town on a remote island in the Pacific and know exactly what the pyramids of Giza look like. A medieval king of Iceland or Norway would merely read about the pyramids of Giza in the same book that says there are elephant-eating dragons in India, and they'd both be equally real to him. The wild beasts of India would be as far away as the angels in heaven.

I'm honestly so personally removed from the fundie brainrot at this point that I can't even process how this the-curtains-are-just-blue approach to mythology even works. Do you really think Athena, goddess of intellect, was born out of her father's head just because??? You think the Egyptians depicted their gods with animal features merely as an ancient exercise in furry art??? Is it just a happy coincidence that fertility gods always have massive cocks???

About what, @official-kircheis ??? About the woman who spoke up about sexual harassment at one of his events? About the Muslim kid falsely accused of bringing a bomb to school? About Imane Khelif? About eugenics? I know none of those things are immediately relevant to this discussion, but I suspect there's a quiet part you aren't saying outloud given how much you're gassing him up. He's not a good guy.

We need the obnoxious atheists back. I know they engineered their own destruction by being annoying and pretentious, but it has become apparent how essential to the ecosystem they were. The religious fanatics have become too bold without their natural predators. Jesus wojaks would have been torn to shreds in 2011.

[corvidaequeer]

There's not really a point to this. I'm not saying Arcane is bad or you shouldn't watch it or you shouldn't like Jayce or jayvik... I'm just feeling annoyed at the way they took Jayce's character in the second season for a lot of reasons & I want to rant about it.

Starting with the whole scene of Jayce & Mel talking by comatose Viktor. Jayce says "never again" to making hextech weapons & Mel promises to protect his & Victor's dream. Then, 30 seconds later, Jayce makes Caitlyn more hextech weapons anyway! His wishy-washy promise wasn't surprising, just annoying that he'd make the same mistake AGAIN (Then a third time to defend Piltover from Ambessa's attack).

-

Later, in seeing the whole story, we know that Viktor sent Jayce back to teach himself some life lesson. So why was Jayce's first reaction to kill Salo & blow a hole in Viktor's chest?? Shouldn't he have tried to reach Viktor in a less murdery way first? Try to reason with him & teach him said life lesson? It just doesn't make sense.

-

After Jayce gets back to Piltover, he has this sudden resentment & distrust towards Mel. Where did that come from? Why does Jayce suddenly think Mel is an enemy?

Jayce starts accusing Mel of selecting who she protected. What would she have to gain from that? Even if Mel DID know she had powers, why would Jayce think she would willfully let the council & Viktor die? Why would he think her so cruel?

Then there's the "investments" line. Firstly, it was Alora that called Jayce an investment. Mel just said, "Indeed." Secondly, Who the fuck told him that happened anyway??

Then Jayce claims Mel was "using" them? Yes, she wanted Jayce & Viktor as allies & directed them in her favor, but thats really not "using" them. She saw a good opportunity to make some change & took it like anyone else would. The rest of the council used him for their own benefit far more than Mel did. But more importantly, Mel CARED about Jayce & Viktor. She cared about their dreams & helped them to achieve it! She was the one who supported them from the start. She was trying to get the council NOT to make hextech weapons. She wanted to protect their dream, but she's still somehow "using" Jayce & Viktor to get hextech?! Jayce is the one who keeps making hextech weapons without anyone pressuring him to do so! So what was the narrative point of having Jayce take his regrets out on Mel? What function did it serve?

That whole scene was just-

Mel: Hey, I need some emotional support from this traumatic thing that just happened to me

Jayce: Fuck you, Mel! You should have saved everyone. Also, how dare you have unconditionally supported Viktor & I & our research!!

The anger towards her just comes out of nowhere & has no evidence to back it up & it annoys me. Also, it just feels out of character, even with the more edgy way they portrayed Jayce in act 2 & 3. So, just, why?

-

Then there's "my partner died in this room." Jayce saw Viktor in the future, as himself, not the machine herald. He spoke with him & promised to fix things. So clearly, Viktor's humanity wasn't dead, so why even say that? What was the point?

-

Then there's Jayce's little speech. There are so many things with this.

Jayce, who had up to this point, chose violence, is suddenly all soft again & just NOW trying to reach Victor. Where was that in the last few days?? Would he not have done this first instead of blasting a hole in him?

"You always wanted to cure what you thought were weaknesses" No, bitch, he wanted to help people in poverty & didn't want to fucking die!! What are you even talking about!? Viktor was insecure ONE TIME about being up on stage, so why is Jayce diminishing Viktor's ENTIRE MOTIVATION to him being insecure about being disabled??

Then, in the same line of thinking, there's Jayce saying Viktor's disability & illness (his "imperfections") make him beautiful & he admires Viktor for that??! Cut the inspiration porn trope! Are we not passed that?!

Lastly, Jayce is supposed to show Viktor some life lesson of all that being left is "dreamless solitude" & "there is no prize to perfection" but Jayce doesn't even say any of that?? He just shows Viktor saying it. How is that something only Jayce can do?

Sure, I love the idea of Cosmic Destiny Partners. It's a great idea & a somewhat happy ending for these two. I get it, I do. But the whole path leading up to it & its execution was poor, confusing, & frankly ableist.

-

In general, Jayce just felt inconsistent.

Yeah, in season 1, Jayce has a track record for flip-flopping on his morals & ideals. His character arc is that of someone being easily swayed. He makes a lot of mistakes & then corrects himself by swinging in the complete opposite direction, only to make more mistakes. It's his character flaw.

Then season 2, he becomes more resolute in the promise he mentions. You think, oh, this makes sense. He finally grew a backbone & is standing his ground. Apparently, choosing violence as his footing, but still. He keeps this aggressive demeanor up for the rest of season 2. But then suddenly, right at the last second, he turns around & says the softest & sappiest shit in the whole show?? The fluffy confession of adoration & partnership just comes out of nowhere! If you're taking Jayce in an aggressive direction, then do so. Don't come in swinging with this totally different person.

Overall, it just feels like Jayce is there for shock value & relationship drama instead of being an actual character with solid motivations & and a steady narrative.

[vampireghostlawyer]

daan's contradictions

One of the aspects of Daan's character that I find the most interesting is how often he contradicts himself throughout the game. Even in some party talks where he doesn't contradict himself, he will act entirely different about a situation depending on who else is present. To a certain extent, all of the characters act slightly differently based on your party makeup, but I think Daan is particularly intriguing because of how much he does this.

Also, he is the catalyst for a lot of the other characters to act differently, such as Karin becoming more obstinate when he's in the party, and both O'saa and Olivia becoming more talkative with him compared to other contestants.

I've seen some people who mistake this for Miro having a lot of different opinions on how Daan should act, or even poor writing, but I think this is definitely more indicative of the strength of Miro's writing. I really feel like this is a conscious choice on the part of Daan's character and I want to try and explain my thoughts about why he acts how he does, as well as provide some examples.

Examples:

1.) In one of Daan's earliest conversations in the game (if Karin is in the party), he will lament his shoes getting ruined and Karin will accuse him of being too prissy to spend time outdoors. She'll point out how he's a city slicker with soft hands and doubts that he'd have the skills to survive on his own. He'll refute her but he'll dodge her questions about being a "city slicker" and his explanations of how he'd survive are either sarcastically bad, or he's genuinely pretending not to know.

In a later party talk, we learn that Daan actually spent the majority of his childhood living in nature before he was taken in by Eihner (or started selling Sylvian services, depending on his backstory).

This makes his answers to Karin, as well as his constant comments throughout the game about how poorly he's handling the Prehevil weather and nature, very strange. If he really did grow up in nature, he should know better than to eat random mushrooms and shouldn't be bothered by things like the smell of lake water or mud, but he still makes a point of acting like he's not used to encountering them.

Additionally, if Olivia is in the party, Daan will actually backtrack on some of his comments about nature and express an interest in it, seemingly just to be nice to her.

2. When standing in the rafters of the church, if Karin is in the party, she'll express a fear of heights, Daan will point it out (in what seems to be a teasing way), and they'll bicker a bit.

Despite this interaction, if you do a party talk in the same area and Karin isn't in your party, it becomes clear that Daan is also afraid of the rafters lmao.

3. When O'saa comments on the bookstore, Daan will act offended and argue with him about the value of books and reading.

When visiting the same store without O'saa, Daan will not express a fondness for reading or share the story about A Tree Grows in Rondon, and will even say he finds books boring.

Despite this, he will once again seem to like books during his party talks in the Mayor's House.

3.) When not playing as Daan, he will tell the player (in a few different interactions) that he either plans to stay on the train, or thinks it's the best option.

He says variations of the above lines with every player character and in a few different dialogue branches. Ironically, he actually doesn't wait around by the train. In fact, Daan is one of three characters who doesn't spawn at all during the morning of Day 1. While some characters (like Olivia) will actually wait by the train, despite Daan's comments, he only ever spawns by the train during that initial interaction (and immediately after), and then doesn't return until he can be found in the shack later that day.

4.) Daan says in one party talk that he prefers being out in open areas because they seem safer, yet when Karin says the same thing, he makes fun of her for it.

5.) In some party talks, Daan will talk openly about sex, however when Abella is present, he becomes much more prudish. One example is in the department store, Daan will make a comment about how the torture victims seem to be screaming in pleasure, and if Levi is present, will agree with him that the torture is consensual.

When Abella is in the group, however, he will instead act disgusted by what he sees. Similarly, when O'saa makes a joke about sex in front of him at the PRHVL Bop, or when Marcoh and him joke about joining an orgy at the museum, Daan will go along with it, but when Abella does the same about the Sylvian statue in town, Daan will stop her.

These are just a few examples, I remember seeing a few more in my first few playthroughs, but these are just the ones that stuck out to me the most.

Analysis:

I think it makes a lot of sense that with Daan's background, he would have to have a lot of skill at appeasing others. In any version of his backstory, he would have had to rely on getting other people to trust or like him, so it's probably something he's developed a skill at. I think that can explain a lot of his random contradictions when interacting with others.

Daan's blank soul also plays a part in this, I believe. In the narrative, both with the Dutches and with Pocketcat, Daan serves as an empty vessel meant to fulfill the whims of someone else, be it Eihner's ritual or the Pocketcat's need for a body. In gameplay, most of his abilities help others at the cost of hurting himself in some way. Daan's life and story revolve around the people he's surrounded by, so it makes sense that his interactions with others would mirror that on a more minor scale.

I also think that a lot of Daan's calmness is a facade meant to trick the player (and other contestants). When we see Daan in a lot of extreme and horrifying scenarios in the game, he is hardly bothered. Attempting to kill Daan, having him inspect his fiancee's body, having him in the party for the fight with stitches or needles, or even amputating all his limbs, still only end with Daan acting almost comically calm for the situation. In contrast, when he undergoes minor annoyances like ruining his shoes or entering the sewers, he reacts very strongly. I think his apathetic personality is a coping mechanism to deal with his past trauma, as well as the trauma of Prehevil, and that his true emotions slip through the cracks of his less important interactions. That's why, when he's talking to Karin or O'saa for example, he is much more emotive and mocking.

Finally, I also think Daan is a bit of a liar. Likely due to the same reasons as needing to please others for safety and survival, he also developed a talent for lying. Throughout the game he is either incredibly secretive, or even sometimes outright lies to the player and other characters whenever he is questioned about his actions, motives, or past.