#This is from at least 2014 so I don't know why I'm uploading it

[lastweeksshirttonight]

Hey uh remember when I did retrospectives of Last Week Tonight episodes? Let's bring it back to 140.

Last Lee Tonight (wherein I'm definitely showing United Passions at my next bad movie night) Season One, Episode Six

(original air date: 6/8/2014) Major topics covered: FIFA, Bashar al-Assad's incredible iTunes library

"And speaking of Germans losing things, it was the 70th anniversary of D-Day this week."

It's really nice to throw this show back on again, on a note unrelated to the purpose of this project. I don't talk much about myself but it's been a rough few months with work scheduling, my chronic illnesses, and my mental health. For every "I'm taking a very spontaneous and ill-thought-out trip to New York to see John Oliver WOOO!" moment, there's been at least five "why can't I catch a break"s. When I'm not being beaten down by the collective forces of capitalism, I genuinely haven't been watching much John at all, mainly in an effort to play the large backlog of video games and read the large pile of books lying around my house. I've been moderately successful there (hey y'all should give Cassette Beasts a go, it's delightful), but there's nothing like going back home, so to speak. (I hesitate to call LWT a comfort show for me, given that it's basically A Record of the Decline of the United States in Real Time, but it kinda serves that function to some degree. I am a psychopath.)

Where we last left off in... May, Jesus Christ, I'm so bad at scheduling and writing and content creation - when we last left off in May at Episode 5, things were finally starting to coalesce into the modern LWT experience. We had our first viral segment on Net Neutrality, the first time a segment was uploaded in full to the LWT YouTube, and an opening news roundup that was starting to feel more thoughtful and themed. This episode continues that theme and gives us our second big viral topic.

There is a variant on the desk-slapping here, where John doesn't do it to open the show, but does a milder version of it to get the audience to shut up so he can move on with doing the show. One of my favorite things about him is his constant desire to barrel through clapping or any audience praise of anything he's done at a given moment in time and this opener is a pretty good example of that.

We open on John calling the week disappointing because California Chrome, a horse competing for the Triple Crown, did not win the Triple Crown. You can tell this is an early episode of LWT because there is no prerequisite horse-fucking/bestiality joke, just John angrily saying "fuck that horse" about Tonalist, the horse that defeated California Chrome. All of these horses sound like indie bands from my college years. I feel like Tonalist opened when I saw MGMT live.

We then move into German Who Wants to Be a Millionaire. This gives John an opportunity to plumb one of his favorite comedic depths, making fun of the musicality, smoothness, and romanticism of the German language. A German man used his lifeline to call Chancellor Merkle, who, thankfully, did not answer, as she was busy running Germany.

This transitions into China hiding the events of Tiananmen Square from their populace, including by censoring the Internet.

Attempts by protestors to use different trending words - and to put facts about Tiananmen Square in a sex tape - to get around that were also clamped down on, leading to this absolutely glorious screenshot of John's hypothetical romance novel:

I feel like someone on Reddit probably wrote When Spring Turns to Summer recently.

We also learn that Friends is incredibly popular with Chinese youth. I'm not really shocked by this, Friends has a weird international reach. I know multiple Korean idols who learned English partially through watching Friends. The fact that there's a Chinese replica of Central Perk? That's wild. The show edits a Friends clip to include historical facts about the massacre, and then we move to our central story.

I'm a big fan of whenever John talks about FIFA and football in general. Recently in one of her "posts relevant to my interests", @tellthemeerkatsitsfine noted that there's a strain with John and his contemporaries with them being nerds who really wanted to be jocks, and I think that dichotomy really helps John come off credibly when he talks about the deep-rooted corruption in this particular organization. The sport is something that is literally rooted into him, hardwired as something he deeply cares about... but there's the rest of it to consider.

In my opinion, someone who deeply loves something can really be the best at describing everything wrong with it. You don't really find the grime if you're only on the surface of something. I know that critical observation of a fandom while in said fandom is in short supply these days, but I wish it was more common.

Anyways. I think FIFA's corruption and grotesqueries are pretty known in 2023, but at the time, knowledge of their fuckery wasn't as widespread. Socially, we've definitely spoken a lot more about the cost-benefit analysis of the Olympics and taxpayer-funded stadiums, which is comparative to John's opening about the issues with FIFA and claims that World Cups bring money to the areas hosting them. (Not true!) Other items I'd completely forgotten about, like FIFA Court and their boardroom looking like something out of Dr. Strangelove.

The "And Now This" is "Chris Matthews Reminds Everyone Who He Used to Work For". (Answer: Tip O'Neill.) My abiding memory of Chris Matthews is Zell Miller accusing him of beating a woman and challenging him to a duel at the 2004 Republican National Convention.

SNL had a pretty great sketch of this where Will Forte played Miller that I can't find right now. PISTOLS AT DAAAAAAAAWN MATTHEWS!!!!

The final segment is on Bashar al-Assad's campaign of terror against Syria, rigged electioneering, and chemical warfare. More importantly, al-Assad's life history and iTunes library are discussed.

This was also the subject of the classic Bugle episode 187, which has a chance to go far more in depth about his favorite music, like "Sexy and I Know It". (Andy Zaltzman describing Lil Wayne and Busta Rhymes as a doubles tennis group is one of my favorite Bugle moments of all time incidentally.)

Right Said Fred coming out to perform an anti-Assad version of "I'm Too Sexy" gives us the first time John has had a celebrity come out basically to troll one single person, and thus almost the cornerstones of modern LWT have been established. Eagerly awaiting the first bestiality joke. Also, really love the changed lyrics, they put a hell of a lot of effort into this one. I wanna see Right Said Fred live now.

Random notes:

Lee will continue sexualizing one (1) older man damn it: light blue and dark blue checked shirt, black tie, and black jacket? I know I've said red is John's color but light blue is a very close second, 10/10

I feel like I made up for not doing these for two months by writing about five year's worth of unnecessary analysis of this damn episode. Hopefully you enjoyed it!

It was amazing seeing an ESPN ad for something not handegg-related. -groan-

LWT YouTube is still a bit confused, as we did get the two major topics as their own videos... and then 1 minute of the FIFA section as its own minisode. I really would love to know the logic behind why there specific jokes were isolated like this in the beginning of the show's airing.

My sausage, if anyone cares, is the Korean idol industry. It's an absolute cataclysmic nightmare and yet there's a lot there personally that changed me and a lot that I love out of it. It's complicated. Fuck SM Entertainment.

A reminder that John's LMFAO fandom has endured for a decade longer than the band itself lasted:

[kaoarika]

You know, I have been considering in giving a shout out to the old Suirei fic that inspired me to write fics based on them... because it was truly good and I craved for more like it.

I back this up and mention this now, because I just re-read it, since ages ago I printed out a saved copy I had in my docs (when ff.net still let you copypaste), and MY GOD. It's STILL SO FREAKING GOOD?!When I remembered the twist and all that, and the way some subtle details MAKE SO MUCH SENSE, AHHHHHH.

The fic was too enticing because the characters feel... so right? Well, at least Kazuyoshi/Switch and Reiko, I mean. I sometimes need to remember that they are supposedly to be too stubborn about their beliefs, and I guess if they do spend too much time together, at some point one of them has to get frustrated at the other for their respective stubborness. For this fic's plot reasons, it's even more frustrating because Switch is as stubborn as Reiko, but for very personal reasons, especially concerning with spoilers for this fic.

(however, I'm still not really too keen in some jokes/gags thrown by the author, although I understand why they did so... but, I dunno... the jokes are easily brushed off, which, is also on the spirit of the series in some way, iirc... but...)

But in general?

😭😭

This fic truly, truly conveys the potential of these two together, and figuring out their feelings together, even if actual canon ends up throwing this romantic potential out of the window.

The sad thing is that... well, actually two sad things. The important here is that Suirei is a rare ship... and compared to other of my rare ships, this is the one I have been craving for new "written content" for years, but no one else seems to have carried the torch to do so. This is the only one fic in English that I can find in ff.net and AO3, only uploaded in the former. Besides them, I have two (which quality aren't really good, admittedly...) in Spanish, and there are other three that are in Indonesian.

Besides that? the other sad thing is that this fic's author seems to have abandoned their ff.net account since 2014, and like I said, this fic isn't in AO3 however, and I don't trust ff.net that much these days, if I'm honest with you (just yesterday it was buggy, and I have read plenty of things that... understandable! they are not AO3! but it's plagued with ads on site, and unless you don't have a good ad blocker OR their app??? it's annoying! BUT, if you have older fandoms, your public is there! and NOT in AO3 and it bothers me, lmao pls do more crossposting I beg you).

I had to step up in writing fics about Suirei because I was inspired by this particular fic, because if no one else did, I should have had! because, "it's me! I'm the audience! but what do you mean I should write them though??? 🫠🫠" (the painful and sad reality of a rare shipper - you have to draw/write/do things yourself)

But as I pointed out! MY things from back then weren't really good. I thiiink the one that was complete is a mess that MAYBE should have stayed in the stove a little more to let it marinate, because it didn't taste good (I think this was one of my first "spite" fics). HOWEVER... the ficlets collection is something that I should remaster in some way or other (not much in a similar way as I did with FVCR on AO3? but I will think about it) And, ofc, I'm still editing a new (the one I started to write in early 2023) unpublished one because, MAN I miss them a lot.

I really mean it to say that this fic inspired me to write about them. I remember leaving a review comment on the fic as well, thanking them for the existence of the fic, as well, at the time. I just wish they have written more because the potential was there for many more stories about them, and I wished they would have explored it, as well.

[gissyfanime]

A lot to unpack (An update to tell in the time and place.)

So, it's been a while since my last update but I have been wanting to talk about some stuff for a bit.

Firstly, I want to thank you all who follow me who has been very patient with me. Sometimes I'm not even patient with myself, truth be told. Secondly, in the past couple of weeks, I have been in a sorta rut when it comes creative works in general, Not to say I haven't been productive, the Fanime Realm website (despite some down periods) has been going very well. Just when it comes to my own projects, I'm just stuck on the floor at least until recently.

Carrot Fluffs Remake

I won't lie, I had been down creatively with due to things piling up from the period where the VA for Hirtemio and Soepekia couldn't do his lines due to computer issues to factors that made me want to get a new voice cast for everyone except those two characters to the idea of all of this under the time frame for the 10th anniversary for original fanime. I just feel a lil' burnt out with this specifically that I kinda wanna save it for the 11th anniversary. It's a shame since the #10 is the magic number but really, I do think it is for the best.

which leads me to something that I something that I kinda wanna bring up

Xariko's Tetris Mayhem

Okay… sooo, this fucking fanime. If you couldn't already tell, yes, the YT Channel hosting Xariko's Tetris Mayhem (Moeblob Crapshoot) is being run by me. So, for this fanime specifically just kinda went out of fucking no where and there are reasons for that. Aside from what I am about to get into for the next section, I wanted to make a fanime that started with the letter "X" (the fact there was none of that in the FR website was bothering the shit outta me for the longest while, SABEDGBEFKDBJOWEJWQO) Initially, I was hoping someone else would've done that but given everyone else has lives, I've decided to be the change I wanted to be. This is a more casual series, it's gonna be part me venting about certain this via "metaphors", part my obsession with Tetris, and part sudo-Yumejoshi stuff. Now, why start up new YT channel for this fanime?

Well…

General Stuff + Decentralization

You see, I have been feeling a bit of pressure (that I have kinda put upon myself, just to be clear.) when it comes to being able to complete a fanime. For those not in the now, I am one of the very few people within the fanime community that has a crap ton of finished series. Now granted, a lot of them are in the format I like to come back to since 2014 (The Visual Novel Style Format) but a lot of folks (at least in some fanime discords) do look up to me for having that many finished projects. And while I am happy that I am able to keep that reputation….. another part of me is like "….Oh shit… I have a reputation to keep…. oh dear lord". Soooo, that's why the main reason why I made Moeblob Crapshoot; it's a more relaxed channel for me to not having to worry about finishing a fanime. And don't worry, I will still upload to Eva Charat Staff as it is a channel for finished fanime (as well as wanting to get better with my animation skills, as slow as that is.); it's just Moeblob Crapshoot is will before fanime not in either of that ballpark.

Now, I know some folks are going to have their eyebrows raised with this decision, especially for those that want to keep their works more centralized but really, I'm not exactly the only person within the fanime community who make a separate channel for specific type of fanimes that is not on their main fanime channels. And plus, you wanna hear a not-secret? Before Moeblob Crapshoot was even a thing in my mind and sometime last year, I wanted to make two separate YT Channels for animations and other stuff I wouldn't want centralized on Eva Charat Staff. This was way before I came up with an actually good solution to my personal dilemma by planning on having those projects be exclusive to sites like WeVidi and Newgrounds respectively.

Anyways, sorry for this long read but I hope ya'll understand where I'm coming from. Hope you have a good one at take care.

[megamanrequests]

Very tiny robot boys, because you can’t go wrong with tiny robot boys.

EDIT: I also came across these two losers.

[myonmukyuu]

Art Summary: 2022

It's that time of year again! This makes my 9th year of art summaries... Kind of insane to think about.

It's been a very eventful year and I have a lot to say. Extended art performance review under the cut 👌 (3k words lmao)

Previous: 2014 | 2015 | 2016 | 2017 | 2018 | 2019 | 2020 | 2021

ABOUT THE COMIC:

So! What happened this year? Well, my book happened. I'm not sure if anything else happened ahfhasjkdkasf

See, I actually cheated this art summary a tiny bit. Usually I use the upload date of the art to place it in the summary. But if I did that for this year, there would be at least 4 blank spots. That's why February, April and May all feature different pages of the same comic (CH 9).

I really did spend the first half of the year finishing my comic. I only released 2 chapters too (the finale and the epilogue). In March I took a week and a half off to work on a short for Ayumu's birthday, but otherwise slaved all the way until June for the webcomic.

Then I spent July and August doing all of the redrawing and edits required for a physical release. Those who have a copy of my book might already know but the first two chapters have been redrawn. I also had to go through the entire comic, fixing it so that it could actually be printed (because the webcomic version definitely can't be printed as it is.) It was super time-consuming. Like, I can't even begin to describe. Moving forward I'll try to draw every comic so that it's printable from the beginning so I don't have to deal with reformatting ever again...

I'm pretty sure it was in August that I had the first copy of the book done. Then the preordering period opened in Septemeber... and now we're here! People are just now starting to receive their books. Sorry it took so long guys ;w;

I'm very happy though... Depending on who you ask, 100 sales might not be a lot, but it's a lot to me. To think that so many people would spend the money to buy this kind of product is just so surprising to me... It's expensive and all of the content is already available to read for free!!! So it's really surprising and I'm so incredibly grateful. That's why I went through the trouble of creating that golden special print for everyone! It was quite a bit of money out of my pocket, but I really wanted to show my appreciation.

As a side note, the 100 sales were really exhausting to pack. My body was sore in November because of it LMAO

So I'd say this year was great for my comic! Both its webcomic finale and its physical release. But this summary isn't meant to be about my comic, it's supposed to be about my art and me as an artist.

ABOUT MY ART:

So how did my art go this year?

Looking back I feel nothing but exhaustion. I know I'm happy to have my comic released but, my body and mind is still very very tired. I feel like I took at least 2-3 weeks off or more from work throughout the year to keep the comic on track. It's just a huge undertaking.

What I'm getting at is I feel a tired and... a little disappointed. But don't get me wrong, I don't feel regret! It's just that... well every artist draws for their own reasons. For me, I love getting my ideas and stories out there. So I guess I felt creatively-starved spending about half a year polishing and releasing an already-complete product. Also technically starved - you don't really see much improvement if all you're doing is cleaning up art. I didn't really have a lot of time to draw because of the physical release so I often felt like I wasn't doing enough.

And honestly that's my main sentiment. While I feel happy and satisfied with releasing the book, another part of me feels like she didn't do enough.

In terms of technical skill, I definitely saw improvement this year. It's like something clicked in me and I had a better understanding of atmospheric lighting. CH 9 and the epilogue are probably some of my favourite bits of colouring I've ever done. I just love how it turned out. In CH 9, the gradual setting of the sun to create this orange/pink/purple colour palette was so fun to implement. And in the Epilogue, this blue/green/yellow rainy day came out perfectly. It was a rainy day, but unlike CH 7, it wasn't a dreary downpour but something more hopeful instead. I have a love for creating atmosphere and especially through colour. And I think I did well there.

In the realm of black/white, I also feel lots of improvement! I'm becoming more confident with monochrome and am starting to push it further. I'm not satisfied with my skill level, but I think it's promising. I may be more confident with creating tone through colour, but I'm sure I can do the same without it!

This year I also did quite a bit of painting. I really love how the October and November artworks came out. Honestly it was around this point in the year, I had the most time to output works as the only comic work I had to do was purely admin (until I started packaging things in November). I could go into technical depth, but this post is long enough. Just know that I'm happy with the little leaps my colouring skills made.

GOALS FOR 2022:

For my art summaries, I've been doing a performance review styled thing where I create goals for the upcoming year. Let's take a look at what goals I wrote for 2022 and how I went with them.

“I want to finish my comic series”

Passed with flying colours! I think the comic release was a success. This goal is a little cheap of a goal though, since I don't think I'd let myself live it down if I gave up.

“I also want to continue to try things that are outside of my comfort zone. I want to see myself try things like different angles/perspectives and more complex backgrounds.”

Now this goal... I think I made progress here. I'm not sure if people noticed but I did definitely try to slip in different angles here and there. I'm particularly good at them... but I'm trying! And I think that's the least I can do. You won't get good at something if you don't try after all. That being said, I should push backgrounds more... I rarely do them 😅

"I want to do more illustrations/quick drawings on top of my comic work."

My comic work was suffocating a lot of the time. But I did try to draw on top of it. I haven't really talked about it, nor shown anyone, but I started learning copic markers this year (borrowed my friend's set!). So in the background I've been doing 30-60 minute traditional art exercises. I'm not terribly diligent, but diligent enough that I already think it's made an impact on my art. See, I'm only doing monochrome copic markers (I'm not confident enough to do colour just yet). I'm pretty sure doing monochrome markers has helped me with my manga skills 😂. I have a better understanding of tones and values because of it! Isn't that kind of amazing? Come to think of it, it's linked to the next goals.

"I want to learn to paint."

"I want to learn to draw faster."

While I still have a long way to go, somehow my marker exercises have helped me with these too. The understanding of tones/values has made an impact on coloured work and painting as well. And because I'm doing shorter pieces, my speed has increased a tiny bit. I'm sure if I keep at it, I can continue to develop better habits!

"I want to draft more quickly and be smarter about it."

Now this goal is something I have just been trying to mentally direct myself to. It's working... a little bit. I still need to try harder.

See, I think my drafting process is really slow and inefficient. This results in me spending too much time drawing a comic because I've drafted like 5 extraneous pages. If I wanna increase my output and lower my workload, I have to learn to be more clever with how I compose each page. I think I got a tiny bit better. Need to work harder on that for sure (it's quite hard to just "learn" though...)

MOVING FORWARD:

With the past year in mind, how do I want 2023 to go? To be honest, I still feel so exhausted because of 2022, I definitely need some time to recover, so let's not go too crazy next year.

But before I create my next goals, I wanted to talk about where I want to go in general - the grand scheme of things. Like I mentioned, I feel a lot of disappointment, like I wasn't doing enough. Which is contradictory because I also feel like I did too much with how exhausted I am... But the source of that disappointment is really tied in with how I feel about my art skill on a technical level.

I'm nearing a whole decade of hobby artist experience. And I don't feel like my art shows it. While there are things that I am better at, there's so much that I struggle with.

I want to become better. I want to improve.

It's hard to explain but I feel like I'm not doing the best I can for the stories I want to tell if I don't keep pushing and learning. And I love what I make, so I want to do those stories justice.

So it's really important to me that I keep trying to improve.

In the long term, I think my dream is to be like a pro-manga artist. Please don't make fun of me LMFAO. But there's more to it. See, I don't actually want to be a pro artist. I never want to compromise my creative vision for the sake of pandering to an audience. I sincerely think I wouldn't be able to succeed without doing that so I'm content with drawing as a hobby. A programmer as my day job and a manga artist by night...

I want to be as skilled as a pro some day though.

To be honest, I think the distance is so great that it's basically impossible. So my true goal is a little lower than that.

My true long-term goal is to be... a little comparable to a pro.

And I don't think I'm at that point. And I don't want to use "being a hobbyist" as an excuse to allow myself to remain like this.

I think it's terrifying actually. Where I'm at with my art.

I'm really happy people enjoy it, and don't get me wrong - I love my own work. I love drawing. But I think it's important to be critical of it - if I want to be able to reach my goals.

I think if people read this far, they might be thinking something like "but you're already so good!" or something to that effect. But I don't think it's true.

I think it's terrifying because there's so much I'm not good at. Comics are scary because they're an amalgamation of so many different skillsets. I possess some of these skills but there's just so many different ways that I feel that I'm lacking.

For instance, my art itself has such stiff lines. I'm not great at perspective. My art isn't dynamic. And this is just a few examples of stuff related to my illustration skills.

But comics are more than that.

There's the individual panel compositions that come together to create a unifying page composition. The visual flow - controlling how the reader scans the page. The storytelling skills - pacing, dialogue, story beats. The dialogue writing skills. The typesetting.

I think there's so many places I'm weak with and it's scary because it's difficult to just pick something to improve at when it feels like everything is wrong at once. It's so easy for me to pick up some manga from a shelf, flick through and think "this artist does x better than me, how can I learn from them?" but learning is hard and I'm not good at it so I'm just stuck with this awareness that I could be better.

But at the end of the day, I just have to pick a direction and go, right? I think that's all I can do and that's okay. It's just hard to shake the feeling of drowning in my own mediocrity.

Sorry I didn't mean to bring down the mood of this art summary.

I promise that at the end of the day that I love drawing. This is just my overly-critical side shining through. I don't have too much natural talent, just a very stubborn mind. I kind of need to be critical so I can push myself in the right direction. And I'm fairly happy with the way I've been pushing myself through these past years.

I'm not particularly fussed if my works receive a lot of traction or not because what's most important to me is the way I see my own work. My personal satisfaction.

And that's just tied with doing the best I can!

So with that in mind...

GOALS FOR 2023:

"Improve at atmospheric lighting"

This isn't particularly ambitious because it's something I'm already working on, but I know I can push lighting even further. So expect to see me experimenting more and more!

"Participate in a paid online course"

Now this is linked to my wall of text just now. I feel very overwhelmed so I think having an unbiased and experienced teacher's guidance could be valuable. I'm eyeing ones that include personalised feedback. The only concern is that it's hard to find the time for things like this when I work full-time.

Also it's a bit scary having a professional roast me, but I think it'd be good for me.

"Continue to practise traditionally"

This is linked to all of my technical art gripes. I think continuing to do traditional art exercises will help me with a lot of my weak points.

"Continue to be ambitious with art"

I don't mean ambition on a work-load level, but I want to continue to push out of my comfort-zone. Keep trying those weird angles and backgrounds, be more experimental!

"Start planning that next story"

I always have a billion different story ideas in my back pocket that I am itching to tell. I also don't wanna die of overwork though. So lets keep the bar low.

I have many great ideas, so I want to start outlining the next one! This is just a vague goal to remind myself to keep thinking ahead.

"Rest up."

I think this is the most important goal. Like I said I feel completely and utterly exhausted this year.

So I want Myon in 2023 to have more time for herself. Improve her health, catch up with her relationships, spend more time watching movies and playing video games.

Don't work too hard next year.

EXTRA REFLECTION:

I seriously don't know if anyone actually reads these reflections. I wonder what kind of person I come off across... (probably a try-hard 😂)

I wanted to talk about one more thing. It's not really linked to goals, just the future in general.

So I've been drawing for Nijigasaki for 2 years now. I think a lot of people are moving on from it though.

To be honest, I think that's okay. I'm kind of used to the people around me shifting into new interests. I think I'll still be with Niji for a long time to come. I just have a lot of large scale ideas and will probably stick with them unless something sweeps me off my feet.

I mean, even if my ideas take too long to actualise while I'm interested in Niji, I'm also open to converting things into original content. There are just so many stories to tell...

It makes me wonder why my readers enjoy my work and how they interact with it? Are people a fan of me? The ship/characters/fandom? Or the stories?

Probably some mix of the above. It's not terribly important why though.

I'm sorry that I'm not very good at keeping up with everyone's interests. I think the world moves too quickly and I draw too slow and I can barely keep up. But I'm a bit too stubborn with my own desires so I keep working on my own things without another thought. So maybe that apology is a bit empty eheh

But I hope people will continue to enjoy the stories that I make.

I should be less harsh on myself though. 9 years of art isn't something to just shrug off.

Anyways, before I keep rambling. Happy new year everyone. Let's keep working hard in 2023!

[yourtoradorasextendedwarranty]

The Problem with MSM

So I honestly don't have many followers. I'm also prone to going on tangents. And most of my posts are rooted in politics. Not by choice mind you. I was not the one that decided literally everything in existence is political. I'm also not the one that created the view points that want everything to be political. TL;DR At the bottom.

To start off however, I need you to understand the process of radicalization.

Find someone who feels discontent with how a situation is, or how their life is

Tell this person that what's happening to them is not their fault

Place the blame for this person's problems on a certain group (political group, racial group, religious group, etc.)

Talk to the person like you know how they feel, "drop your guard" and tell them "problems you've had that were not your fault" blaming that same group

Show them that they are either a victim or oppressed in some way, shape, or form.

Slowly start swaying their views further to the extreme, by showing them other instances of "others who are being attacked or are victims" of said group.

Promptly but softly oppose any "differing views" with warped information or flat out lies

Get them to start going to events and taking to others that have already been radicalized

Have you and another radicalized individual, keep track of this person and say you support them and their issues

Sit back and watch

Now this is a rough lost but more or less the bare bones basics of radicalizing other people. Though in some cases it takes more steps and in some others it takes less. So what does this have to do with MSM (Mainstream Media)? Quite a few things in modern day actually.

The job of MSM is to get you information, as fast as humanly possible. This however was not the first goal priority in the past. In the past, the first priority was to cover a story as factually as the could, and look for more information keeping people constantly updated. Here we get to our first real problem for Media today. Technology. The Advent of modern technology has been both a blessing and a curse in this regard. And of course I'm talking about the internet in its current form. The internet being the very center of information distribution in 2019. And it has been for almost 12 years now.

So what did this change? Basically everything we know today. "Old wives tales" are now a Google search away. Feeling sick? WebMD says you have Cancer. Looking for the next hour story? Check CNN's Twitter account. The Internet brought us a great, many things. But it has taken away just as many. MSM has had to slowly move operations into social media in order to try and stay relevant. This because many people have unplugged, and have gone full digital. The only real exceptions being places of business. And with the world at your finger tips at the clock of a button, being factual has lost its relevance. Not to mention that as far back as 2013-2014 activists started working for MSM companies. Most notably progressive activists. This causes many problems we currently see today. Below is an example of what a headline used to look like, and what most headlines look like now:

Normal headline: Shooting in Birmingham leaves 3 dead and several injured during city wide festival.

Headline now: White, Trump supporter, Nazi, KKK, skin head, punches 2 people in hate crime.

See the difference? The first headline shows the basic facts and dives into known details during the article. Often they'd avoid opinions all together. The second one one the other hand, blatantly discloses anything that could generate clicks. Why? Because true or not, outrage sells. So over the past several years, MSM has been slowly radicalizing us. But they do this on a bipartisan level.

Are you black? The cops will kill you, and the white man is evil. Can't find a job? Racism. Are you a woman? Then you're unhappy because "rape culture". Do you regret having sex with that guy? Well guess what? He actually raped you without you realizing. Are you white? You're evil. Are you strait? You're a monster and should give all your money to gay people. Are you a man? You are responsible for every rape ever committed. You're also a pedophile and violent. Are you a strait white man? Oh boy you won the jackpot because you're basically Hitler.

See my point here? MSM spends most of it's time trying to rage bait you into clicking their articles. And in doing so we've gotten so lazy as a country that half the time, we don't even read past the headlines. And MSM knows this. They don't care if you read what they write. They are just radicalizing you so they can keep feeding you outrage. Because the more often they do it, the more often you will click it, skim all of 3 lines and then hop on Twitter and talk about how outraged you are. Sure, we are just as to blame for letting it happen to us, but most of us used to have at least some trust in the media. But after SEVERAL severely awfully false hit pieces that were headline news for almost months, many of us have started staying away from MSM.

What incidents might I be talking about?

Covington Catholic controversy (Almost every media outlet took a 7 second clip and ran with it. Turns out, there was a full 2hr video out there, and the Native American man, whom CNN interviewed, lied his ass off. Most media also chose to ignore the VERY beginning of the video which showcased a group called The Black Hebrew Israelites. These individuals, called Trump a homosexual, called the Native Americans there "Uncle Tomahawk", and said Gay people should not have rights. THESE CATHOLIC STUDENTS, were appalled by this statement. But what did we see in the media? "Racist Maga hat kid threatens and blocks the path of a Poor innocent Native American man."

Duke Lacrosse. Years after these kids were crucified by the Media and many others, the girl actually came out saying it never happened. You know who reported on this? Next to no one.

Ferguson. Now as controversial as this one is, the media took and RAN with it. What followed after the skewed coverage was a cult like gathering that led to phrases like, "hands up don't shoot" and "oink oink, bang bang". But Obama had the issue federally investigated. Both witnesses and the coroner report said basically the same thing. That he was aggressively wrestling with the cop trying to take his gun. But, it's too late. Now all cops are evil, and Democrat politicians are quoting it like it happened yesterday, and claiming the cop guilty. Why? Because MSM already got what they needed. They radicalized the individuals they wanted, people who will come back to them for, "facts".

And what does all of this boil down to? A video that made me write this out.

2 things need to be said here. 1. The "manifesto" as it were, was actually debunked to have been uploaded by the shooter, by the site admin himself. As well as several other sources. 2. If, by some chance the manifesto was real, and he had someone upload it for him, he mentions several liberal talking points, like universal basic income, saving the environment, among other left policies.

But this brings me back to both the beginning and to this story. Assuming for a moment, the manifesto was his. How did this happen? Most of you might just jump and say, "RACIST NAZIS", or something slightly more colorful. But here is the thing. MSM is partly responsible for all of this. Assuming the conspiracy that the CIA or FBI is responsible is false, I agree with the YouTuber in the picture. I believe that if you belittle and berate someone enough over time, you can cause them to do extreme things. I mean look at this site. Look at Twitter. Look at MSM. "White people bad", "white people are evil" "K*LL all whites" "white privilege", "fuck men", "male tears", "man spreading", "mansplaining", "Yes all men". All of this. This is popular. This is a trend. And it's unacceptable. Because frankly, it's basically bullying someone into a corner. Personally? I've been told by a few companies that are scared of social justice warriors and the online hate mob, that their company is actively not hiring white individuals. And I wish, REALLY WISH, I was making that up.

Is it any wonder, that people who go to the internet as an escape end up in a low point in their lives and then decide to do something awful? And it's the same with school shootings too. The news puts out, the name, ethnicity, how tall they are, and their entire life story, for weeks at a time. And now for much longer, because they support the desire to ban guns. So they need these things to happen more often. So the glorify the shooter, and keep talking about him/them for months. But here is where the story gets fun.

Columbine's shooting, was actually supposed to be a bombing. The kids who did it? Not the "school losers" the media talked about. The trench coat club? They were not even apart of it. More info on that here. As well as other places on Google.

More or less This video covers what the media got wrong in their rush to cover everything. What they did not intend on, was making these two boys heros to those bullied in school. Mostly boys, who are torn down and told they aren't enough, that they don't matter, they are isolated, bullied, harassed. So they look for someone who stood up to their bullies. What they were given, was a sociopath who manipulated a suicidal boy into helping him commit mass murder. Almost all of MSM were quick to say they were bullied into it. What's worse however, is Parkland. The Parkland 5, (the students whom MSM propped up for months) one of them came out admitting, that she bullied the guy who shot up the school. Said he was weird and that she needed to do it. This is one of the teens the media has PROPPED UP, saying we should listen to their infinite wisdom. A girl who is probably half responsible for the shooting.

Start paying attention. Start doing research. And for the love of all that is holy, STOP BULLYING PEOPLE! I don't care what your narrative is, or what it means. IE:

White people are human

Black people are human

Hispanic people are human

Gay people are human

Strait people are human

Women are human

Men are human

Stop normalizing anything to the contrary. Because when you do, you become part of the problem.

TL;DR The media only cares about themselves and clicks. They don't care who they radicalize, so long as you keep giving them traffic. Which for them is money. Do your research, look into things, and don't bully people. I'm looking at you progressives.