#This episode was painful but also exactly what I wanted

[reflections-in-a-critical-eye]

Are You Sure?! - Episode 8 Observations

10/10 ☆

"If you just watch my trip with Jungkook here, you'll know exactly what I do every day at home."

Jimin - Are You Sure?!, episode 8

Something had shifted that last night in Sapporo. The tongues were looser, the flirting was back in full force, the laughter out of nothing and everything could be heard throughout the house. After two days of activities and always on the move from one place to another, this was now a time to just be. Like they usually are when they hang out together. And it was a peek into how easy it would be for things to escalate. It was like I could finally see how Jungkook could spin Jimin around and then receive a bite/hickey because of it.

A lack of actual objective and purpose cracked the facade that somehow they both tried to maintain and succeded more or less. Especially Jimin. But even in that context, this trip was Jimin and Jungkook stripping away the filters. Add some alcohol in the mix, together with tiredness and soreness and it almost strips them bare. So much so that it leaves enough room to blatantly check the other one up from head to toe while being almost naked. It leaves room to use words like "baby" and "honey" without the other one finding any of it remotely weird.

Going back to that quote from the beginning, despite Jimin referring to how he simply does nothing and lays around the house when he's not out working or on trips around the world, I think it also applies to the cooking session/impromptu show they had that evening. It also takes me back to their second night in Connecticut when Jungkook made pasta and both of them were in sync and knew exactly what to do and how to do it because it was a habit. The difference in Sapporo was that it had the humor twist on top. But even then, it all fell into place immediately. They laugh at the same things and they probably must have put on similar acts in similar situations before. Jungkook is good at making Jimin laugh and how can he not try his best at succeeding that when Jimin is almost falling over because of it?

Which is why the next morning is such a blatant contrast to their good spirits the night before. Reality came crashing down. Impossible to hide. The mood was down, some tears and snifling even before they left the place. Not even shared jokes about puppy Jimin could work anymore. Not even the feast they have each time they go to a resturant. Not even Jungkook opening up all the windows in the car to distract Jimin. And how could it possibly work?

The lack of filter was there that next day, but in very different circumstances. There was no point to put on a brave face and end it with a classic "it was fun, hope we'll do it again, bye". These were the last three days of spending significant time together before 18 months in which most of the closeness probably had to be contained in just being in each other's presence. They didn't hide the sadness. It was not only palpable, but vocalized. Wanting to go back to the first day, feeling down because it's the last one. And ultimately, for someone in his position that has travelled countless times for business and pleasure, the time he spent with Jimin filming this show remains as the most significant for Jungkook. That's a big statetement, but no words were minced.

The memories made during AYS?! will hopefully make their lives easier during their military service. And even though another winter is getting closer and snow is something to be shoveled there, I hope they'll remember running around the streets of Sapporo and only feeling pain in their knees from skiing.

[stuffnonsenseandotherthings]

The Trainee Episodes 1 - 6: And what if we had a little office romance? As a treat 🥺👉👈

The Trainee Episodes 7 onwards (by the looks of it): Don't.

[hauntingblue]

I loved this movie about nami and her ex situationship reconciling and also anti capitalism

[clanoffelidae]

It’s always ‘man I wish I was at home’ until you actually have a reason to stay home because you feel bad and then it’s ‘man I wish I was at work because that would mean I didn’t feel awful’

[featherymainffins]

Binge-reading Dungeon Meshi because it's the only thing standing between me and suicide ngl.

[deoidesign]

How I save time on backgrounds as a full-time webcomic artist

Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.

Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!

This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)

So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.

I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.

I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.

Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.

Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!

This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.

But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)

I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.

My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!

Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!

panels that look like this in scroll format...

can look like this in print!

because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.

Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!

Enjoy!

Also obligatory "my webcomic" if you want to see this in action or check it out!

[understandableparadox]

a comprehensive list of everything wrong with hazbin hotel.

quick note before i lose myself in madness, my standards for helluvaboss are non existent because its a free show on youtube. also i kinda like helluvaboss and i will indulge in any bias i damn well please.

oh and spoilers. i guess.

the greater narrative of the entire season is "White lady civilize inner city hoodlum". ex: The blind side. rich girl, affluent family yadda yadda.

the story is set up to be like amphibia, owl house, svtfoe, steven universe, that being starting as something episodic then transforming into story driven narrative. why? because we know the benefits and drawbacks, episodic starts allows us to wander the world, it allows us to understand the dynamics, we are not forced to reckon with anything because there is no deadline. characters are allowed to bloom and shine and the audience can actually get attached.

the source material is Vary Clearly formed from remnants of something out of a middle school edgelord narrative. the usage of transformation, the big spooky grins, the "and then i smile as my eyes glow and-"-isms which in most cases i don't mind because in some instances but in a vary Particular case its astoundingly annoying and that annoyance is like a mold, shit spreads quick.

the color Red. as a lover of homestuck cherubs and karkat and aradia, as someone who fucking loves the color red, it is so painful to say but holy shit tone it the fuck down, i know its hell but their are so many other colors that you can use, its everywhere, the streets, the air, the windows, the screens, the characters, i know the pride ring is represented with red but change up the palates every so often for backgrounds

the rush, this ties into the second point made but i think the story itself is rushed. we know everything way to early. i know way to much and it makes it hard to care about anything because im still trying to digest the last chunk of info. "oh ok, so they clear out hell once a year. oh hell has a heaven embassy? ok. oh that adam the angel, i though he wou- oh its every 6 months now. wait the exterminators die a lot? then why is everyone sca- people in hell already have weapons that can kill angels? w- oh we are in heaven now, ok ma- no one in heaven except for the elites know the exterminations occur? how do-" and its that, just this incessant rush to explain everything to you. notably that's just the god damn spark notes, we need to know everything about the characters now, every single bit of their story, their insecurities, what charlie needs to fix, how she can fix them, the major bad guys, everything. you are never allowed to dwell on a character because we need to rush towards something else. it almost feels like this should have been like... season three, it would have been a fantastic season three if you dropped the introductions honestly.

the concept of redemption. for a story of redemption to work you need to look at three things. What is there crime, Do they want to change, What is preventing them from changeing? there is only one single character that has a notable path of redemption, angel dust, but if you look through their story it feels off. What Exactly is he guilty of? he has sex, does drugs and drinks. his apparent nymphomania is tied to his sad backstory as someone forced into the sex industry so how is that their fault? then if you think about it you start to spiral and notice "hey why are most of these people in hell?" like sure some of them may deserve punishment but then you see the fucking dichotomy and its like "I was a inventor in england and died of the fucking plague, i may have made evil little contraption hoohoohoo" vs "I was a cannibal, a full on cannibal, i fucking killed people and ate them and then someone shot me". ONE OF THESE THINGS ARE A LITTLE MORE FUCKING EXTREME. i'm going to go fucking nuts, the thing they went to heaven with when presenting a case to angels on the idea that redemption and becoming a better person is actually real was angel dust not drinking at a party and not having sex with consenting adults and i want to go fucking insane. WHAT IS THE CRIME, WHO IS THROWING THE BOOK, WHAT DOES THE BOOK INTEL, ARE WE ON GOOD PLACE RULES?! half the cast dont Need redemption they need fucking help, and the other half of the cast do need redemption but they do not seek it making the point moot. sir pentious acts like he has the brain of a hyper intelligent toddler tossing about toys, its almost like he did his one bad thing of spying and then got caught, sank his little diddy about forgiveness and second chances and become a null point through out the rest of the series, sure their was Some weight to him sacrificing himself, he was a decently funny character and he had good moments but him popping up in heaven felt like a fore gone conclusion, he didn't deserve to be in hell so why do i care that he is suddenly in heaven? because its working on the concept the good place already made. no one actually deserves eternal punishment they just need help processing what makes them a dick, but instead of looking at all the parts of the afterlife that make it bad, inefficient and then creating and trying ideas to see if it work instead over a few seasons, we crash dick first into all the major plot points in regards to that and say "tada, we fixed it.".

having a sub-plot about sexual assault and its victims then having multiple sexual assault related gag ruins your point.

don't make a bunch of stereotypically jewish characters into cannibals, that was a big thing, really shouldn't have to say it.

if you are going to make a character black, make them black, you can say alastor was black but sweet seren-fucking-dippity that's not a black man.

pot meet kettle but yeah the cursing could be a little less liberal. maybe just blue hair or the pronouns, not both.

there is a very distinctive art deco/jazz aesthetic which normally i love but i feel as though it is not used to its full extent and in some cases really hurts the character design in and of itself.

this is a vary obvious bit but the story is a million times more interested in gay men then it is of lesbians, which culminates in this insane thing where the writers clearly have more talent or perhaps it would be more abt to say practice writing male gay pining then they are with lesbian pining. which i personally think is hilarious because i did not know you could min max fujoshi-ism that hard.

this next section is more to do with each character on a fundamental level, for the sake of brevity whatever there is left, i'm just doing ones with speaking roles.

13. Charlie:

(see what i mean about that red thing?)

as originally stated charlie fits rather comfortably into every white saviour narrative, though that seems to be part of her joke. though i'm not entirely sure how much of a joke it can be when its rewarded and expected to advance the plot.

her character design says nothing, it has the motif of old puppets or dolls, she wears something vaguely similar to service suits, her demonic form is just some extra horns.not to say every character needs to have their life on a clothes rack but some more snake and goat imagery would be nice

its not the chol design of charlie with snake hair, not an actual problem but its a problem to me, damn you @cholvoq for ruining my ability to look at any of the characters without wishing i was seeing your designs instead.

character wise aside from the white savoir bit, i'm having a bit of trouble understanding what the arc of the character is. she is shown to be naive, someone who doesn't understand how the world works but everytime she says something its something astoundingly clear like "people can actually get better". and its treated like someone demanded faygo in every water fountain. is the joke that the world around her to cynical or is so to naive? please pick one or the other.

now if you know me, you know i fucking hate overpowered characters with a blinding passion, one that would set alit the god damn abyss but in this one special instance, i feel like its warranted, she's the direct descendant of fucking God, she can swing her weight around a little, i mean god damn. she in so many instances looks like shes cowering so often, why would the daughter of lucifer get backed down by some rando pimp? why wasn't she the one to fight adam? sure you can say she is young but how young? her parents were there since pre-abrahamic times, most of the characters showed up in hell in the 1900s, some of them showed up in the 1600s, how old is charlie??? how long does it take for her to learn how to be strong? The story does not suffer if charlie is strong and knows she is strong. it can easily be a case of "i don't believe in violence to a weird degree". fit it into her apparent naivety about the world to believe that violence is never the answer even when dealing with a being that is unilaterally horrible and abusive and monstrous.

she ga- no im kidding, i do think her romance was waysided a bit, it would have been fine to have more scenes of them togather and in love you know?

14. Vaggie

why did you name the lesbian vaggie...? Don't do that maybe?

I like how her design is almost moth like but again i feel as though you could have amped that up.

she feels as though someone tried to combine undyne and pearl from steven universe, same story beats and design elements. it makes it hard to really distinguish her as a character.

i honestly dont have much to say about her. she is fine.

christ kill me, lets just get the big one out of the way

15. Alastor.

God Damn

where to start.

"alastor is mixed race" mixed with fucking what? concrete? there is not a single black feature on that creature, now im not saying you have to make him a png of louie armstrong but it wouldn't hurt to add a curl to the hair maybe? make it a tiny bit more wavy? Something? a crumb i beg of thee?

his symbolism is all over the god damn place, native american monsters (you know the one), voodoo, radio, puppets, stitches, circuses??? and Tentacles i guess. two of those are from closed religions so if you dumped those you would actually get a more concise character focused on the concept of vox populi as a means of societal control and influence as we see in his first song. but again that gets drowned out repeatedly by all the other random toy box bits shoved into him.

tumblr sexy man bait

he serves no purpose in the story. he does spooky stuff, pretends to do things and then goes back to sitting around looking spooky. i understand that his motif is supposed to be aloof mastermind but maybe have him do more mastermindy things? if you remove most of alastors scenes, bar the songs, it doesn't change all to much. husk and nifity can still be at the hotel, they could be looking for outs in their contracts the same as angel dust. hell it even helps with the one scene where he dose some spooky shit, asking charlie for a favor in exchange for his help in the fight with the angels instead of asking him about angel weapons which should have remained a strictly vaggie scene.

his presence in a way delegitimize the story, as I noted in in the section regarding redemption, the three parts are "what is the crime, do they want to change, what is stopping them?" and alastor kinda just spits in the face of that. he is a serial killer cannibal that has no qualms about how evil he is and apparently must continue being evil due to being under the control under someone legitimately called the Root Of All Evil. show him take a slight interest in the idea that maybe shit for him could be better, make him Want Change at the bare fucking minimum or dont have him at the hotel.

his stupid little fucking horns, big shot the troll liker wants characters to have big fucking horns, make them noticeable or dont have them.

he looks more like a dog boy, which could have been an interesting thing with the collar motif but fuck me i guess.

personal pet peeve but i fucking hate characters that have a million plus powers, stick to a set number, be creative.

im getting more petty as i go on so last point: he could have been in less episodes, he didn't need to be in dad beat dad, that should have been just a lucifer and charlie episode. inverse the red and black and i think he would be fucking great color wise, his body type is the same as ten different characters, he isnt radio enough, aside from the voice and and staff if you told me he was the fucking Cat Demon i would have been just as convinced.

16. Angel Dust

what the fuck, gay spider? its hard to actully articulate all the thoughts i have on angel dust, not in the sense that he is a deeply thought provoking character but in the fact that there is not much meat on the bones.

all around i think angel dust is kinda middling. he has a decent enough romance with husk, he has a decent enough story line that revolves around battling addiction and removing yourself from an abuser (which the story tries to brand as "Redemption???")

I dont like that most of his jokes would qualify as sexual harassment, i don't mind him being sexual as a character but continuing on when clearly someone doesn't like the jokes hurts the character.

not a critique but he is pink, which honestly ill fucking take at point, as long as its not more fucking red.

i think his design is an improvement over some of the old vivzie designs but it feels like it could have done with going a few more rounds of design changes.

same thing with alastor, charlie and vaggie, there is not enough of the animal that they are supposed to be. You could have told me angel dust was a fucking bee or something and i would have had to believe you. nothing about angel dust initially says spider, hell he dosent even have enough limps to be a fucking spider.

17. Carmilla carmine

are... are you supposed to be a rabbit...?

Big Yoai Hands

ballet fighting style, could have been cool, wish she fought more like sanji or chun li.

A single mom that works to hard, who loves her kids and never stops-

her song was decent, not great, decent. it feels as though the actress has experience singing but not in the way they tried to make her sing during her two songs. they have a obvious mexican influence, honestly just let her sing in spanish in the english dub. go listen to the spanish dub, "out for love" sounds great in spanish.

i wish i had more thoughts on them, fucking rip.

18. cherri bomb

that's not a punk aesthetic that's 2010s alt

decent character, they showed up once or twice i guess, no real thoughts.

19. egg boiz

absolutely perfect, i have not notes on them, these are perfect creatures.

20. Emily

im so fucking happy to see a singular blue character

does the naive dreamer bit better then charlie

We really shouldnt have seen her until the end of season two or middle of three.

good contrast with the other angels on screen.

Wait she is supposed to be black??? Where???

21. Husk

keith david you absolute delight, Why on gods green earth did they only give you one singing part?

one of the few charecters where its clear husk is a cat, i do like the kinda... marquee design, he is a magic cat, thats neat. i still think you can toss the wings and eyebrows and still have just as good of a charecter.

has a deeply intresting story of someone who died as a nobody, became the fat cat of hell and then was forced back to the bottom by their own vices, not used at fucking all.

huge potential, little pay off.

22. lillith

I know nothing about her except she ditched her kid and husband to vacation in heaven and i think thats kinda funny.

alot of werid things floating around her, again she shouldnt have been shown in the show at all until next season.

23. lucifer morningstar

no notes, funniest charecter, did a song based on friend like me.

few notes: i do like the idea that the immortal symbol of pride is a constant emotional wreckage constantly seeking approval through grand showmanship and manic energy that threatens to take over anything they touch.

would have liked more snake stuff on him, maybe some more goat things like horns.

that is such a stupid fucking staff lmao.

24. Adam.

alex brightman you absolute fucking delight, you should have had more songs.

I wish his design was more focused on the idea of him being a glam rock wash up

I fucking hate his mask

We shouldn't have met him until the end of the season.

25. Niffty

again she is supposed to be a bug or cockroach but nothing about her points to that.

token straight

keeps rocketing back and fourth between sexulization and infantilization

you had kimiko glenn but didnt give her a single fucking song?

26. Sir Pentious

the secret season one redeemed.

the pilot version of him felt more like someone that could do a season one redemption arc, a megalomaniac constantly attempting territory grabs, there is something you can work with, actual character flaws to work through.

essentially a child after the first episode.

actually a snake which i appreciate.

no where near steampunky enough.

27. the villians of the show dont make much sense, each one feels like they should be season long deals on their own instead of a bunch of team rocket esque idiots that show up on occasion, do a bad thing and then leave.

28. Valentino

gOD THERE IS SO MUCH RED

only a moth some of the time.

sucks as a villain, maybe they need more screen time to show why they suck in a more substantial way aside from being told that he sucks.

it is interesting that angel dust is only under his magical control when in the studio, it shows that angel dust has to make a conscious choice to return, which in turn can be made to show how abusers can draw back their victims. I do not think it was done well in this circumstance as it shows him to be cartoonishly evil, constantly flying back and fourth between sweet and utter psycho, there is no actual reason for angel dust to ever actually go back to the studio, he just does so every so often.

29. Vox

legit who cares? the only thing about him that is in any way substantial is all the dope ass fan art we get.

propaganda machine angle that is not explored at all, just hinted at. no actual barring on the story whatsoever.

why didn't he try to do the same shit as alastor by the way? he knows its bad if alastor gets in good with charlie so shouldn't it be a ass kissing race?

same body shape as literally every other male character.

tumblr sexy man version of pyrocynicals fursona.

30. Valvette

the actual poster child of the shows huge problem of "Show me, don't tell me".

apparently the glue that holds the villains together. never shown.

apparently the one that makes the love potions that valentino is famous for. had to learn about that in the fuckin wiki trivias

we know so much about her from things outside of the show.

was there to call carmilla a coward, that's her plot contribution. she shows up every now and again but its never anything substantial and serves to more around take up run time for people We Don't Need To Know Yet.

im not trying to be mean, animation is animation, we need smaller studios to have success in the industry so that other indie studios can have that success, felling a tree makes it easier for others to follow. showing that its possible to number brain rot exacs helps all animators.

but this show has so much bullshit attached to it, it has so much fucking potential that it fries my brain with unyielding frustration.

this took a bit to write, im tired, thanks for reading.

[rcmclachlan]

On this week's episode of Things I Think About While Driving, I was having myself a grand ol' time thinking about all the different times and ways Buck could've met Tommy earlier, and the one I kept coming back to was S4xE5.

Like, right after Buck walks out of Maddie's apartment having learned about Daniel...

He drives.

He drives and drives and drives with no actual destination in mind, operating completely on autopilot, for hours. No music, no podcasts, just the rush of wind through all the open windows of the Jeep and the echoing refrain in his head of so they made one.

It would've been an allogeneic transplant. He'd looked it up once when he was watching a 60 Minutes special on Myelodysplastic Syndrome. They would've taken the stem cells from his umbilical cord if the timing was right. Unless they tried it a little bit later, maybe waited a few months before they scraped Daniel's homegrown defense system right out of Buck's bones. He would've been too young to remember the pain and discomfort that came after. He wonders if he cried as a baby more than he would've if he'd been wanted for anything other than the hellfire missiles in his marrow.

And then it didn't work. Defective, right out of the gate. No wonder they've always treated him like a massive disappointment—he is one. He had one job and he couldn't even manage to do that much.

So he drives. He drives and he's furious. He drives and he's inconsolable. He drives and he's sorry. With every street he turns down at random, he moves onto another emotion, and by the time the gas gauge is nudging close to empty and the evening is giving way to night, the only thing he's capable of feeling is tired.

And hunger. He'd only had an apple before he went over to Maddie's.

So he circles back to Glendale Boulevard and decides on the place with a red lion on their sign solely because it doesn't look busy for 8:30pm on a Tuesday. There's even a free space in the little lot next to the building. Thanks, COVID.

It's pretty quiet inside, with a substantial bar set against old wood paneling on the walls, making it feel like an old tavern. He takes a seat at the far end of the bar where the lighting's kind of dim.

Turns out it's a German bar, so he orders a glass of Warsteiner, which he's never had before, and it's got a strong, malty backbone for a lager. The bartender tells him there's a Biergarten in the back if he wants to take his drink outside. 

Buck doesn't want to move from his little corner. It feels safe here, even with his mask off. At least two of the one hundred thousand knots in his back muscles have relaxed since he sat down. He quietly declines the offer, but he does order himself the sausage plate and a glass of Augustiner Maximator once he's done with the Warsteiner, which goes down so good he can't believe it's got an ABV of 7.5%. He orders a second.

He's in the middle of robotically eating a smoked bockwurst he can't taste, thinking so they made one, when the door to the biergarten opens up. A guy walks over to the bar and Buck throws him a cursory glance. Then he looks again. 

The guy is exactly who you'd find on the cover of the LAFD charity calendar: big and beefy, with the kind of high cheekbones that belong on a runway in Milan. Effortlessly handsome. Buck wants to tip his beer toward him, because, respect. He also wants to poke his biceps and ask what his regiment is, if he P90X's or something. Buck isn't a small man by any stretch of the imagination, but this guy looks like he could throw Buck around like a grizzly bear. 

Buck lets himself be distracted by watching the guy lightly tap his fingers against the bar to the beat of whatever 80s song is playing softly over the speakers. He's always loved people watching; it's a great way to get out of his head after tough calls. This guy is a particularly fascinating specimen. There's just something magnetic about him. Buck's known people like that: they draw the eye even if they're not doing anything to warrant attention. Without even being called, the bartender wanders over to the guy, no doubt drawn to whatever invisible light is coming off him. Buck can't hear what they're saying, but then the bartender turns and points right at Buck, who freezes, caught. 

The guy flashes Buck a thumbs up and asks just loud enough to be heard through his face mask, "How was the Warsteiner?"

Swallowing, Buck lifts the empty glass and says, "Uh, g-good. Full-bodied." 

With a thoughtful nod, the guy turns back to the bartender and says something too quiet for Buck to hear, but he figures it out when the bartender goes and comes back with a glass of what is clearly Warsteiner. The guy takes a sip, pauses, and then moves toward Buck, stopping before he gets too close. "Thanks for the recommendation. Hey, Jay, put his next one on my tab."

The bartender—Jay—gives him a thumbs up and goes to the register. Buck, mortified at the thought of being a charity case, of this guy pitying him enough to buy him a beer, opens his mouth to tell Jay he can pay for his own beers, thanks, when the guy holds up a hand to forestall the protest.

"German beer's not usually my thing. I'm more of a craft beer kind of guy, so really, I appreciate the assist. If it makes you feel better, pay it forward." His cheeks curve up, and in the bar lighting Buck can see there are long legs attached to the guy's crow's feet. He clearly has spent his life smiling. Buck would bet this man has never once curled up in the dark on his birthday knowing for a fact his parents weren't going to even text him and was still disappointed when the clock ticked past midnight and he had nothing to show for it. This guy's parents probably had a golden statue of him erected in their front yard.

Buck musters up a smile that feels like one of the little, weak waves that just sort of roll over the shoreline without any fanfare before dissolving back into the sea, and the guy tilts his head.

"Rough day?"

"Rough life," Buck says, utterly pathetic, and feels like he's betrayed all his friends for even saying it. "No, that's—that was incredibly ungrateful. My life isn't—I-I have a good life. I just learned something today about my parents that, uh, clarified a few things for me about our relationship. It... wasn't great."

The guy taps his finger against the bottle of Warsteiner in his hand, staring at Buck with deep consideration, flaying Buck from head to toe without a word. Then he gives a nod that smacks of commiseration and walks around the bar until he's only two chairs away. When the guy opens his mouth and inhales, Buck can already hear what's coming: surely it's not that bad. You should talk it out with them. You're being too hard on them. C'mon, they're your parents, they love you. 

"That sucks," the guy says, simple as anything.

Out of nowhere, heat starts prickling in Buck's nose and the corners of his eyes, and he looks at this guy and the calm, earnest expression on his face, and... yeah. Yeah. It does suck. It sucks so hard and it has for so long, and all his life he's wanted someone to tell him that, to hear him list every injustice and offer a crumb of support without any pretense or judgment. Buck gasps a laugh that sounds more like he's been stabbed, and he opens his mouth to thank the guy for telling him exactly what he needed to hear, but instead what comes out is... everything. The whole story comes out of him like an unraveling firehose, pulling longer and longer the more he talks, stretching from the day he crashed his bike—"But it wasn't my bike, it was his."—to sitting in Maddie's living room and finally learning the truth: that he hadn't been crazy, that something had been wrong his entire life and the something was him.

"They'd made a box for her—full of all these memories and little trinkets and pictures—and I bet you he had one with baseball cards and his first, like, pacifier, and Skittles, and whatever, but when I asked them where mine was, they looked at me like I had three heads, because human junkyards full of scrap metal and defective blood cells don't get baby boxes," he finishes on a shout. Panting like he just sprinted to Santa Monica and back, he finds himself deflating into his folded arms on top of the bar now that he isn't filled to the brim with 29 years worth of bottled-up grievances. This must be what bulldozed graveyards feel like: scraped clean and ready to be filled up again. Buck is surrounded by five empty glasses, a little mountain of twisted-up napkins, and a complete stranger who hasn't said a word since Buck began, and it's as a good place to start again as any.

Buck closes his eyes and stews in embarrassment for about thirty seconds, then turns his head to look at his audience of one. At some point, the guy had gravitated into the chair right next to him and took his mask off, revealing a stupidly handsome face, and his wide-eyed, slack-jawed stare makes Buck want to throw up a little. It may have been the cleansing Buck'd needed, but the poor guy didn't ask to be part of any of it. Buck doesn't know why he told him in the first place. This is the kind of thing he'd hesitate to blurt out to Eddie, never mind a complete stranger, but there had been something so oddly steady and compassionate in the guy's gaze that Buck had felt like he could trust him with anything. It had been so easy to just... talk. And to his credit, the guy had listened to Buck's entire rant—stopping Buck only twice to ask a quiet, clarifying question—without making a face, snorting, rolling his eyes, or getting up and just leaving.

Face warm, Buck shifts in his seat to try and get feeling back into his left ass cheek, then he opens his mouth to apologize for dumping all that on the him instead of at his next session with his fucking therapist.

But the guy just blinks out of his stupor and flags down Jay, who wanders over sedately. He taps the bar counter twice and says, "Yeah, can you just put the rest of his bill on my tab?"

When Buck sits up with an outraged squawk, the world spins a little, and the guy places a gentle but firm hand on his shoulder to steady him. He doesn't take it back right away and Buck doesn't shrug it off. The weight feels good.

"N-No, that wasn't—you can't do that, man," Buck mumbles, face hot. His mouth feels a bit gummy.

"I can and I did," the guy says. "Someone should treat you to dinner for putting up with all that shit for all this time. I don't know your parents from a hole in the ground, but I would happily drop 3,000 pounds of water on their house. Jesus Christ, and I thought my issues with my parents were bad."

"I never should've—"

But the guy shakes his head and tightens his hand on Buck's shoulder. "You absolutely should've, actually. If that had built up any longer, I probably would've seen you literally explode on the 6 o'clock news."

Buck snorts a laugh, rubbing his disbelieving smile against his sleeve. "Believe me, it wouldn't be the first time you saw me on the 6 o'clock news."

The guy gives Buck a curious tilt of his head, so Buck clarifies, "Do you remember a few years back when that kid was mailing bombs to people and he rigged that fire engine to explode? And it fell on that firefighter?" At the guy's slow, wary nod, he continues, "I was the, uh, firefighter."

At that, the guy sits up and his gaze goes so sharp that Buck wants to call Jay over and have him slice up some bratwurst on it. "You're with the 118."

Buck blinks, and then the guy introduces himself... as LAFD firefighter pilot Tommy Kinard, who'd gotten his start at Buck's own damn station. Who knew both Chimney and Hen when they were probies, and who watched Bobby walk in and turn the place into a house Tommy could be proud to be part of. Who had been their air support during the Doheny Park gas leak incident.

"That was you?" Buck glances down at the bar counter to make sure it hadn't cracked when his jaw hit it. "Chimney told us afterwards he'd called in a favor from an old friend."

Tommy grins and jauntily points to himself with his glass. "Except Howie was cashing in on a favor I owed him, which means I only owe him like 973 more now."

Over a round of drinks—another Maximator for Buck and a seltzer with lime for Tommy—Buck tells Tommy about who's at the 118 now and confirms which of "the most batshit insane stories I've heard about you guys" are true. He tells Tommy about the rollercoaster ride that was his recovery from the explosion, and then follows that up with being caught in the tsunami and being struck by lightning. In return, Tommy regales him with army stories, including the time he landed a burning helicopter under enemy fire, and his favorite calls from his time with the 118—the fucking rooster has Buck practically crying laughing into his arms. He also tells Buck about Hen's fearlessness in standing up to their asshole captain who was voted the LAFD's Most Likely To Have Been At The White House On January 6th, and how Chimney saved Tommy's literal life. He tells Buck that without Bobby showing up and making them into a family of sorts, without him being in their corner even when they didn't trust him not to abandon them like all their other captains, Tommy never would've found his way back to the sky.

Then Tommy gleefully drops a pipe bomb into the scant space between them with, "And you never would've joined the 118."

Buck squeezes his eyes shut to try and make his brain stop feeling so swimmy. "W-What? What does that mean?" His tongue is too big for his mouth. His words taste a bit funny, like they're mushy. He hopes Tommy hasn't noticed.

"You said you joined in 2017. That's when I left," Tommy says, the corners of his eyes crinkling. "I'm pretty sure you were the one who took my spot."

Buck untucks one of his arms so he can reach up to touch the hills and valleys running down Tommy's cheeks, then realizes that probably would be rude and tries to play it off like he was going to scratch the back of his own head. All he does is knock over one of his empty glasses. It takes a few clumsy tries before he successfully stands it back up.

"We missed each other," Buck mumbles. He thinks of what it might have been like walking into the station that day, seeing Tommy sitting between Hen and Chimney, smiling wide as he dished up more spaghetti. Maybe he would've turned that warm light on Buck as he passed him the tongs. Maybe Tommy would've shown him the ropes, got him through his first shifts, and even stopped him from stealing the engine for a booty call. Maybe they'd have met up for drinks just like this after their shifts were over, or as a way to distract themselves from bad calls the way Tommy's distracted Buck all night. Maybe they'd have been a two-man unit, and then when Eddie showed up they'd be a tri...something. Buck can't remember what it's called, but it means 'three'. Maybe Tommy would've been every bit as important to Buck as Eddie, Hen, and Chim.

He's hit with the realization that if he doesn't tell Tommy this, he might die, so he garbles out, "You're important. W-Wait, no. I mean, you could've... you were important... I—y'get the gist."

And Tommy must, because Tommy's smart and quick witted and a good listener, and he's looking at Buck fondly, like he might've done if he'd stayed at the 118 and they'd come through fire together, but he's also rolling his lips inward and his cheeks are trembling.

Buck whines, aggravated, because, "Y-You're laughing at me."

Tommy ducks his head and does, in fact, start laughing.

"'s so rude. Don't laugh at me, 's not my fault I'm defective." Buck buries his face in his arms in embarrassment. The cradle of it is so warm and comfortable he just stays there.

"You're not defective, Evan." Even though it sounds like Tommy's suddenly on the other side of the room, Buck can hear the matter-of-factness in the words. He says it like he'd said that sucks. "But you are drunk."

He's not. He's just really tired and his arms make for a great pillow. He also feels heavy and tight, which isn't good for a firefighter. What if he's called onto a massive scene? What if City Hall's on fire and he can't pull the mayor out because he's slow and weirdly full? What if his career as a firefighter is over?

"That's just bloat from all the beer and sausage," Tommy says from even farther away than he'd been a second ago. "Jay, can I settle up? I'm so sorry we kept you this late. You're getting a helluva tip, I promise."

His name's not Jay. It's Buck. But he'd introduced himself as Evan and... forgot to tell Tommy he goes by something else. But he likes that Tommy doesn't know that, because when Tommy says 'Evan' it sounds like how 'Buck' feels. He wants Tommy to keep 'Evan' in the warmth of his mouth, like how some alligators carry their young. For them, it's the safest place to be.

Buck wants to tell Tommy about the alligators, because they are super cool and only exist in two places in the whole world. He blinks his eyes open and finds his face pressed to something hard and cool. The bar stool feels a lot softer than it did a second ago. And it's vibrating.

There's a weight on his knee, shaking it gently.

He must've fallen asleep while watching Celebrity Death Match in the TV room again. Mom's going to kill him when she finds out. "Mads, five m're min's."

"Evan, you need to give me a building number."

"Hmmm...?"

"Your apartment building. I've been driving up and down South Spring for ten minutes. You gotta help me out here. What's your building number?"

"Mmm..." Buck rolls his forehead to chase the coolness. It feels so nice against his skin. He could just sink right into it.

"Evan, c'mon. You can do it. Tell me where you live."

"27 P'plar Road," he mumbles. He blinks his eyes open and catches sight of the rush of lights and road ahead, which blend together like they're about to jump into hyperspace. He's not in Hershey. He knows this road. Sighing, he closes his eyes again. "Oh. 's rowing. 409 at th' rowing."

He blinks awake when he suddenly trips over nothing, and he tries to stop himself from falling but there's nothing except the gaping maw of open space. But he doesn't actually go anywhere. Someone's got an arm around his waist. There's a name for that kind of rude awakening. He can't remember it.

"Two more stairs," the person with him mutters in his ear. "I'm begging you, lift up your feet before we both end up in the ER."

That's fine. He has his own bed there.

"Yeah, let's try to get you into the bed you have here first."

Strong hands lower him onto something soft, and he buries his face in sheets that are cool and smell familiar, his entire body smoothing out like the surface of a lake. Something tugs at his foot, and he rolls onto his back and tries to lift his leg to help, but he's comfy and cocooned in the dark. His sneakers get taken off anyway.

"Evan." Tommy's voice hangs in the air, soft and warm and invisible, and his name sounds like it's precious where it sits in Tommy's mouth. He read somewhere that alligators do that. "I'm going to get you some water and then head out. Do you need anything else?"

In the dark, he somehow lost his body, and he can barely see the outline of Tommy, but he can hear him step closer when Buck reaches out for him. When Buck's hand is caught, he's suddenly so aware of himself, of his blood and bones and every nerve trapped under his skin, and arches a little into the feeling with a quiet moan of relief.

Tommy knows about him. He knows Buck's cells are defective and he still bought Buck dinner and spent the night making him feel like he was made correctly from the start.

"D'nt go," he whispers. He's starting to float away, and he tugs on the hand holding his, trying to bring that steadfast presence on top of him, use it to keep him here. "Stay."

"I absolutely can't do that," Tommy murmurs. His thumb strokes over Buck's palm and it feels like he's dragging his tongue along the length of a nerve. Buck gasps. Something pulls tight and sweet between his legs, and he tilts his head back on the pillow, lips parting so he can suck in air desperately. So he's ready.

"Kiss me," he breathes.

He wants it so bad he almost gags. He wants all that weight and strength to hang over him like a bough, keeping him together, feeding his body what it's screaming for. He inhales deeply and the smell of indelible man fills his nose and the back of his throat, along with the faint hint of smoke and something sharp like snow. He wants a mouth on his. He wants strong, sure hands to run over his ribs. He wants to say I'm full of broken cells and I need you to fill me up with something better, but he's breathing too hard and the words keep blowing out of order. His legs slide open and the sound of them moving on the sheets is deafening. He's so hot, and so hungry. He thinks he's hard. He thinks he's dying.

The hand in his squeezes gently, but then it lets go.

Without it, Buck's going to dissolve. He's going to disappear. He squeezes his burning, wet eyes shut and pulls in a breath that is all wheeze, every part of him a live wire, unsteady and shivering and thwarted. So they made one.

"No. No," Buck sobs. "Y're just like them. You don't want me—no one... why. 's not fair."

The bed suddenly dips right next to Buck's thigh, right on the edge, and the hot press of a thumb against his chin stops him from howling his sorrow and disappointment. When it slides up and just barely brushes against his bottom lip, his mouth falls open. Yes. Yes.

"I'll tell you what." It's whispered so closely that Buck thinks he can feel the wash of breath over his tongue. "You remember any of this tomorrow? Call me, and I'll kiss you as much as you want. I'll kiss the idea you're unwanted right out of you."

Buck exhales in utter relief and sinks into the comfort of the bed as the weight next to him lifts away. He's going to do that. He's going to call and then let Tommy kiss him until he forgets he was ever unloved. But persistence pays off, so he tries one more time, even though he's suddenly so tired he can barely get the word out. "Stay."

"Sleep well, Evan."

+

When Buck wakes up, he immediately wants to crawl into a hole and die. His mouth tastes like there's roadkill in it and there's an egg beater trying to escape his skull by way of his left eye. Whimpering, he tries to bury his face into the pillow but half of it is wet with drool, so he reaches up and throws the stupid thing on the floor. His mattress is comfy. He can just plant his face there and suffocate, no problem.

He has no idea how he got home last night, which is terrifying. Everything after the third Augustiner is a bit hazy. He was talking to some guy who made him laugh, he knows that much. His mind conjures bits and pieces of his mysterious drinking companion: a wide, white grin; large hands; a voice he can hear the cadence and depth of but can't remember a single word it said. After that, he's got nothing.

It takes a few tries to unstick his tongue from the roof of his mouth and he rolls onto his side to put his back to where the sun is starting to filter through the curtains. The move puts the nightstand right in his line of sight, and when his vision focuses, he pauses.

There's a glass with water on top of it, but it's not the cup he usually chooses. It's one of the textured acrylic ones he picked out when he moved in that he absolutely hates using. Even though they're impossible to break, he feels like he's ten years old when he's forced to drink out of one. All that's missing is a sippy-cup lid.

Although he has to hand it to himself: the acrylic cup was a pretty solid idea, considering he might've knocked a real glass onto the floor sometime in the night and then cut himself when it shattered. Chimney forced Buck to watch Die Hard last year and it was a fun movie, but Buck has no desire to recreate the "shoot the glass" scene.

He slides his face a little closer to the edge of the bed so he can find his phone. It's sitting on the top of the nightstand, plugged in, which is almost as surprising as the acrylic cup. He never remembers to plug his phone in when he's sober, but there it is, charging away. His wallet and keys are also laying next to it. It's such a neat and tidy tableau that, for a second, he thinks he's still asleep and this is one of those dreams where only one or two things is out of place and he spends the entire dream wondering if he's dreaming.

If he were dreaming, though, he wouldn't feel like hard-boiled ass, so someone else had been here and got him squared away. Maybe he called Eddie for a ride home? Buck reaches for his phone and his fingers brush up against the edge of a piece of paper. A receipt? Maybe he took a taxi instead.

Buck squints at it, and he has every intention of grabbing it to look for clues, but he ends up dozing for almost two hours. By the time he wakes up, the sun has invaded every part of the loft, but he doesn't feel so much like he's about to slip this mortal coil. He'll take the wins where he can.

It only takes a minute or two of psyching himself up before he's able to roll into something resembling sitting, and after that he gives himself five minutes to drop his head into his hands and regret his life choices. Once he promises God, the Devil, Zeus, and the purple laser ghost of Prince that he will never drink to such excess again as long as he lives, he finally looks over at the nightstand where his phone is.

It's been set to Do Not Disturb, which is nice. It's not something he ever does, because he's afraid he'll miss something important, and when he turns it off the screen fills with dozens of missed calls and texts from Maddie and Chimney. He takes great pleasure in dismissing all of them. Nothing from his parents, of course. There's also one from Eddie asking if everything's okay because "Chim called me asking if I'd heard from you and he sounds like he's about to start climbing the walls using only his teeth."

It's followed by a text that reads "Bobby says to take your time coming in. What happened?"

He taps open the message to reply when he glances up and sees the receipt on the nightstand. Abandoning his phone in favor of learning just how much he spent on a DD, he learns it wasn't a taxi at all. It's a note written in an unfamiliar hand on a small piece of drafting paper.

Your car is parked at the Red Lion. Jay said it was OK to leave it there because you weren't in any shape to drive.

Underneath that is a phone number, and underneath that is a single line: Remember—as much as you want. But only if you want.

It's signed "TK".

Baffled, Buck brings a fist to his mouth, because he's not sure what else to do, and when his thumbnail presses against his bottom lip, something hot and shivery pops low in his belly. It's how he realizes he's got to pee so bad he's going to wet the bed if he waits any longer.

After he pisses for what feels like an eternity, downs four Advil, showers the sweat and shame off, he stumbles back up the stairs feeling wrung out but definitely more human. Once he's in a pair of clean boxers, he surveys the room.

There was a stranger here last night, but it doesn't look like anything's missing. He checks his wallet, but all his cards and cash are still there. His sneakers were neatly placed against the wall, out of the way where he wouldn't trip on them if he got up during the night. And there's of course his phone, fully charged for once, and the note.

He sits on the edge of his bed and reads the note four more times. Then he looks up the Red Lion's operating hours, but it doesn't open for two more hours.

Which leaves him with the number and As much as you want. But only if you want.

His mind immediately takes a swan dive into the gutter. It's probably not meant to be as sexual as it reads, but... he's not sure how else he's supposed to take it. TK's blocky penmanship reveals nothing.

Maybe after he was done talking to the guy at the bar he met some woman? Maybe she was the one to take him home, although considering how drunk he must've been, it couldn't have been an easy feat. That she didn't help herself to his money and was thoughtful enough to plug his phone in and get him a glass of water really warrants a thank you.

He looks down at the phone number.

He grabs his phone—100%, what an absolutely wild concept—and taps in the number, double checking it like four times while his finger hovers over the CALL button like an anvil.

What the hell. He's got nothing left to lose.

He taps CALL and brings the phone to his ear. It takes two rings before someone picks up.

"Hello?"

Not a woman. Buck sits up so straight they could use his spine as an I-beam level.

"Uh, h-hey," he stutters, looking around his room, trying to divine any lingering atoms this person might've left behind. "Um, I think you—I have a note with this number on it and—"

Thankfully, the mysterious "TK" stops Buck before he gets a good ramble going, his voice friendly as he breaks in with, "Evan! Hey. Glad to hear the Maximator couldn't keep you down for long. How're you feeling this morning?"

Buck's entire body goes warm as it relaxes from its ramrod-straight pose. "I, uh, a little confused. I don't remember getting home, but I guess I have you to thank for that." Buck pauses. "So, thank you."

"Well, you didn't make it easy." TK laughs, and it shivers down the line right into Buck's ear canal. "It took me a lot longer to figure out you were saying 'Rowan' and not 'rowing' than I care to admit, but we got there in the end. Your place is insane. Did you get a signing bonus when you joined the 118 or something?"

Buck blinks. An image of Bobby winning a fight against a rooster comes winging out of the back of his mind. "That—that's right. You're a firefighter. Uh, do you really fly with Harbor One or am I making that up?"

"You made me promise four times to give you lessons," TK says warmly. "I had to stop you from slicing your palm open so we could shake on it."

Ducking his head with a helpless chuckle, Buck nods, even though TK can't see him. "Yeah, that, uh, sounds like something I'd do. Sorry."

"Don't be sorry. I'd love to take you up."

He doesn't know how he got lucky enough that the person he made a fool out of himself in front of was one of the chosen few who are able to handle The Full Buck without too much of a fuss, but he's so grateful for it. They're a rare breed.

"Anytime you want, just tell me when."

Buck's gaze immediately shoots to the piece of paper he's still clutching in his other hand, and for no reason he can think of his heart rate picks up. His cheeks start tingling with blossoming warmth.

He curls a little into himself, cupping the phone closer to his mouth. "I-Is that what you meant in your note?"

There's a little pause on the line, and then when TK's voice comes back, it's softer. "No. That's not what I meant."

Buck swallows a mouthful of saliva and asks, just as softly, "What does 'TK' stand for?"

"Tommy Kinard."

Exhaling a shaky breath, Buck's eyes fall closed. He thinks of cool sheets under him, and feeling heavy and safe in the dark. His belly clenches with something like hunger. He bites his bottom lip and then licks it.

"... Evan? You still there?"

He doesn't know why his body feels like it's being pulled in a million different directions, or why the first thing he thought of when Tommy said "Evan" was baby alligators, but he does know this: on the worst day of Buck's life, Tommy Kinard made it easier to bear. He kept Buck company, kept him distracted, and then kept him safe.

I told you not to go, he thinks out of nowhere.

"Look, Evan, it's completely fine, and I promise I won't be offended if you don't want—"

Evan Buckley was born to fix someone else. He has defective cells and has never once been enough for anyone, and that sucks. But he's still here and this life is his whether it was meant to be or not, and he does want.

Buck opens his eyes.

"Hey, so, what are you doing Saturday?"

[seasons-of-death]

bsf!rafe taking care of sick reader

warnings: none! fluff hi lovelies! i just got this idea while i was sleep-deprived and really just felt like writing fluff since it seems i haven't been writing it much lately ,,, and also because what i have planned next for bsf!rafe is ... well, let's just say he's gonna be in the trenches.

you were certain this was the worst you'd ever felt. you should've known it'd happen - of course, taking care of your little sister while she was sick would have some kind of consequences.

the tv in your bedroom was playing old episodes of buffy the vampire slayer, something you always watched when you were hungover or otherwise having a bad day, and apparently now whenever you were sick.

you had no appetite, and your entire body felt like it was on fire while also being ice cold, your trash can filled with used tissues, your second box of them now on your nightstand next to a cup of tea that had gone cold.

a soft knock was on your door, and you sighed, you knew that your sister felt guilty for getting you sick, but you also didn't want her to get sick all over again. "i told you, don't come in!"

but the door still creaked open, and you let out a soft sigh, the heels of your palms now pressing against your eyes. "i told you not to feel guilty that you got me sick, i don't blame you."

"i wasn't aware that i did that."

you furrowed your brows when the voice that came from the door wasn't your little sister's soft, warm voice, but instead a rough, deep voice, one you were intimately familiar with. you didn't even need to take your hands away from your eyes to know who it belonged to.

but once you did, you were confronted with your best friend's tall figure standing at your doorway, a smile on his face and a grocery bag and a bouquet of flowers in hand as he stepped into the room, closing the door behind him. you pulled your blanket up to your nose, aware that you definitely didn't look the best right now, only making the boy chuckle.

"why are you here, rafe?" you asked in a soft voice that was muffled by the blanket, "i texted you to tell you i'm sick."

"i know." rafe said as he slowly walked over to your bed, sitting at the edge of it. "you do know that you don't need to hide, right? i've seen you sick a million times when we were kids." the boy chuckled, slowly pulling the blanket down, revealing your face.

"then why are you here?"

"i'm here to take care of you." he said with a small smile. it was odd, you were sure you hadn't seen rafe act this gentle since you were both children, the boy now pulling things out of the grocery bag. "i brought you some crackers, and some of your favorite snacks. and, chicken noodle soup. your sister said you haven't really been eating."

"rafe, you do know that you could get sick too, right?" you asked as rafe started emptying the contents of the grocery bag, revealing an array of some of your favorite snacks, your eyes widening.

"well, if i do, i expect the same treatment from you."

you narrowed your eyes as you looked at him, "you do know that no funny business is gonna go down, right?" and the blonde simply burst into laughter. "i mean, this isn't exactly an attractive sight."

"just let me take care of you."

and even though you kept trying to tell rafe to leave, that he'd probably get sick if he stayed, but your attempts were futile, and after a while, there was a fresh bouquet of flowers on your nightstand along with a new cup of tea, you had downed the chicken noodle soup, the warmth of it calming down some of the pain in your throat, and you were both now settled in your queen-sized bed, a cold towel on your forehead that rafe had insisted you needed.

"i can't believe you're watching this again." rafe grinned, his arm lazily thrown around your shoulder as he bit into one of the twizzlers he had brought, buffy still playing on tv.

"what do you mean? it's a great show."

"mmhm. and you're sure it has nothing to do with your crush on that emo bleach-blonde vampire?"

you softly smacked rafe's chest before taking the cold towel off your forehead, now having turned lukewarm. "you know, he kind of reminds me of you."

that statement made rafe grin, turning to look at you with lifted brows, "oh, yeah? is that why you have a crush on him?"

you simply rolled your eyes, letting out a small scoff.

rafe hadn't even noticed the moment you had gone slack in his arms, still focused on the tv, only realizing that you were asleep when you let out a small, adorable whine in your sleep. he looked down at your face, so serene and beautiful, it made something in his chest ache. he'd never tell you, but the moments he loved the most were the ones like this. ones when he could just admire you without having to hide it.

he brushed a strand of hair away from your face, tugging it behind your ear before pressing a soft, feather-like kiss on your forehead, looking down at you, an aching feeling stabbing in his chest, one that was more intimate than any of the sexual aching he felt for you. and that was the moment that he really realized he was in trouble.

and in a soft whisper, he said, "i love you." hoping that the girl it was meant for wouldn't be able to hear it.

[beetlejuicyy]

based on Hashira Training Arc ep. 5; I can't get this week's episode off my mind

w/c: 1.1k

find me on AO3 | masterlist

divider @enanet

summary: As Sanemi's wife, you try not to intervene in his relationship with his little brother. However, he had crossed the line this time.

Sanemi's favorite moment of the day was exactly now, during these two short hours at sunset, right after dinner. His day was full of training the demon slayer corps while his night was dedicated to his own training, fighting fellow hashira. That left exactly two hours in between for you, his wife. You were gone for most of the day lately, since training so many people was turning his yard into a battlefield, loud and dirty. You also knew he was rather harsh in his teachings, so it was best to give him space to do his duty while minding your own business.

"What's wrong with you?" Sanemi finally asked when you refused to let him lay his head on your lap.

It was the usual unwinding ritual of his day, eat your delicious food and relax under your touch, his features softened, his voice gentle, his touch careful and loving. But today you seemed cold. He tried to ignore all the signs until you put a book in your lap, just as he was sitting down next to you on the porch. This was Sanemi's last straw.

"What is wrong with you?!" You've never been this angry with him, at least you've never showed it so far. After the terrible day he had this was the last thing he needed, a moody wife.

"You're the one barely talking." Sanemi pointed out. He picked the book from your lap and put it away, annoyed. "You're the one choosing a stupid book instead of your husband."

"How was training today, Sanemi?" You asked, at last. It was the first question you asked him everyday, although the tone was different now. Accusing, angry and patronizing.

"Thanks for asking." He inssisted on expressing his bitterness before answering. "It was great."

"Was the part where you almost blinded your little brother for life great?"

Shock took over your husband's appearance, as his eyes widened, his hand frozen in the air, not daring to touch you anymore. You never got into their fights. Fight was a word not so suited for their relationship anyway. You tried to understand that Sanemi's behaviour was rooted in his own trauma while still trying to console and protect Genya as much as you could. But today, when Tanjiro of all people approached you on your way back home to tell you, you couldn't withstand it any longer.

"So the brat finally started snitching on me?"

The weight of your palm would have left a large red spot on his cheek if Sanemi wouldn't have swiftly caught your wrist when you almost slapped him. Tears were blurring your vision but you didn't want to let them fall. So you yanked your hand away from his grip, sniffing and trying to hold them back. Your husband had no idea how he was supposed to act, so he stood there, guilt and pity intertwined in his eyes as looked at you.

"Genya admires you the most, you idiot!" You wiped your tears away as you spoke. "He would never tell me anything bad about you, no matter how poorly you treat him." Sanemi's eyes could only dart towards the floor, his hands clenched in tight fists. "He only has you, how can you tell him you have no little brother? How can you seriously attack him? You know you're much stronger. How can you tell him to quit? All he wants is to be like you!" Accusations flew out of your mouth like daggers, stabbing him one after the other, forcing him to remember and see his actions from another point of view. "Have you..." Your voice broke off halfway as you voiced your  last thought, and your pain made him look up at you, worried. "Have you no heart?" You couldn't contain your tears anymore. Not when your mind was full of the contradiction between the man that was your husband and the man that was an older brother. How could he be so patient, so loving, so considerate with you yet be such a monster towards his own little brother?

A loud voice inside Sanemi's head was screaming to comfort you, to reassure you that he had a heart indeed and it all of it belonged to you. But, as small and helpless as you looked compared to his bigger, stronger build, he didn't dare to get closer to you. He didn't dare to move one finger. The time that was supposed to be the happiest of his day turned into painful silence, as you wiped your tears away and he was left to reflect on his actions. The sun was almost gone from the sky. The darker it got you remembered that Obanai was probably already waiting for your husband for their usual night training. 

"Don't you have anything to say?" You asked, afraid that Sanemi might actually leave without a word, making it even harder to reach him later when he would return. He wasn't good with expressing his feelings and towards you he would refrain from saying anything, scared that his poor choice of words would do more harm. But silence was even more harming.

"He needs to get stronger. I can't babysit him on the battlefield."

"You're not babysitting him at all." You sneered at him. However, his low voice and his effort to contain himself in front of you made your heart melt. He could be better, only if he tried.

"He can't weild a sword properly. He said he even ate demons."

"Don't you think it takes so much courage and strenght to do these things?"

Sanemi looked at you bewildered, his entire concept of strength crushing down inside his mind as you pointed out the obvious, the truth that was right in front of him but he was too blind, too caught up in his own world to see. He only sighed in defeat. His wife outsmarted him once again.

It was getting late and you still had to clean the table and tidy around before going to sleep. As you sat up and passed by him on your way, Sanemi caught you by the wrist. His gesture reminded you immediately of the previous moment when you almost slapped him, regret washing over you.

"Can I hold you for a moment?" He mumbled like a scolded child, not sure if he deserved it anymore. You pulled him in and his toned arms wrapped around your legs, his cheek pressed against your belly. You ran your hand through his hair as you felt the strong, almost desprate grip he had on you, like he was afraid you would leave. You didn't forgive him yet. But that could wait a few more moments. As his face nuzzled against the soft fabric of your clothes you realized he was still a big child in a man's body, unsure how to handle anything other than fighting.

"Sanemi." Contrary to the gentle touch of your fingers in his hair, your voice was stern. "Promise me you'll fix this when you come back."

He only nodded against your body before pulling away completely. Only after he was long gone you noticed the tears that left wet spots on your clothes.

next》》 Yearning | Shinazugawa Sanemi x Reader

[starkeyisthelastname]

Hi! Could you do Rafe x virgin!reader where she wants to do it but she’s scared bc all her friends said it hurts and also bc rafe is big. He talks her through it (smut please🫶🏽)

(I picture Rafe in this as at the party in season 3 episode 7 🥵)

You sat on the edge of the king bed in what you assumed to be the master bedroom. The music from the party outside, could still be heard as you waited patiently for the man who told you to go upstairs. You couldn’t deny the fact you were nervous as you didn’t know exactly what was about to happen. All you knew was that you and the party host had been flirting with each other from the moment you arrived.

You had met Rafe working as a cart girl at the Island Club. The attraction there from the moment your eyes locked. He was gorgeous but intimidating. Your friends telling you to stay away from the troubled boy. His sex was rough and was painful as he showed no mercy to any of his partners in the bedroom. His size also part of that. You had never talked to him much, only occasional flirty glances and a hello. But the day he came in with his hair buzzed, sporting a whole new look, had you wanting him more than ever.

Which is how you found yourself in the master bedroom of Tannyhill at the party he had invited you to. Small talk, and red solo cups full of alcohol, had him asking you if you wanted to go upstairs. With a little bit of liquid courage, you nodded, ignoring the fear in the back of your mind. You were still a virgin and Rafe Cameron was most likely about to take it.

The bedroom door opened, making you looked up to see Rafe walking in, the lock clicking behind him. You swallowed the lump that was in your throat, the funny feeling in your tummy coming back as you looked up at him. “Is uh.. everything okay?” You asked, watching him stand in front of you. His light eyes, raked over your body which was barely covered by the tiny pink bikini.

Nodding, he stepped closer. “Yeah.. yeah.. everything is good.” He scratched the back of his head as if he was hesitant. “Mind if I tell you something?” He asked, glancing at you as to wait for your reaction. “What is it?” You asked, your voice barely audible as you felt his presence close in on you.

Your eyes focused on his, the magical looking blue now turning a dark color. “I absolutely want to ruin you.” He said lowly, smirk on his face.

Your fears came alive the moment he stripped of his swim trunks, the monster everyone had warned you about was now right in front of your eyes. He had taken his time with his thick digits and amazing tongue before telling him that you were ready. You were certainly wet enough after cumming for him, the bikini you wore, across the room as you laid naked. The man before you now completely nude, standing between your legs.

He helped you bend your legs back, knees resting against your chest so that he could see the pretty view. He ran the tip along your soaking folds, watching your body tense up immediately in nerves. “Hey, relax. Yeah? Look at me.” He told you, your eyes falling on his. Pushing in, the burning stretch had you wincing in pain as you felt just how huge he was. He let out a groan, eyes rolling back as he pushed through your tight cunt.

“You.. are so big.” You whimpered, gripping the sheets, the pain slowly subsiding to turn into pure pleasure. You looked down to watch his length disappear inside of you, your mouth falling open in a silent moan. His thrusts sped up, toned abs flexing and mouth open as he began to pound into you. You were soaking his cock, your cream at the base of his dick when he pulled back.

“I’m stretching this virgin pussy open, aren’t I?” His breath shallow as he hit something that was making you feel funny. “Such a good girl. Prettiest fucking thing I’ve ever seen.”

You gasped, your cunt clenching the more he spoke. The way this man was making you feel like you were on cloud nine just with his dick had you on the verge of exploding. “Ruining you for anybody else. Got that? Making you fucking mine.” He told you, his face nothing but serious as he made sure you looked directly at him. All you could do was nod lazily completely hypnotized by him and his dick, coming undone as you did something you had only ever seen in a porn video which was squirt like a geyser all over him.

[littlewriters-posts]

Hey darling! Can I request the Damon Salvatore x Fem!Reader? So maybe where the reader is the reincarnation or rebirth of Damon's old love, and Damon meets the reader's reincarnation like Elena in season 3, episode 22?

I love this idea so much!!

I spent hours writing this last night only for it not to save, so here is another attempt.

Plot: Damon thought his first love was dead and buried, so imagine his surprise when someone turns up in Beacon Hills wearing her exact face

1864

Katherine Peirce loved her boys - more importantly she loved how she had them wrapped around her little finger. Which meant of course, she could get whatever she wanted.

The three of them were sat outside in the gardens, enjoying the sunshine in the summer weather. Kathrine, Damon and Stefan all laughing amongst themselves like old friends.

"Your friend is coming today is she not?" Stefan asked.

Kathrine nodded, looking towards the road as if expecting a carriage to pull up at any minute.

"We're grateful you could offer us both shelter," she replied simply.

"Well if she's anything like you, how could we refuse?" Damon asked, a grin forming on his face.

Kathrine smiled up at him "She's exactly like me,"

This was a lie. Although Kathrine would never admit it, she often mimicked her friend's personality to get people to like her. Y/N was softer than Kathrine was, her heart not frozen from the years of pain they had both endured.

"What did you say her name was again?" Stefan asked.

"Y/N," Kathrine responded, "And it looks like she's here,"

A black carriage was pulling up, and a footman appeared to open the door. Kathrine was quick to race towards her friend, whilst the brothers hung back to watch the scene play out.

They watched as Y/N stepped out of the carriage, adorned in a soft green dress. She embraced her friend, a wide smile on her face as she chatted excitedly. Katherine drew her to where the Salvatore brothers stood, and Y/N shrunk slightly, stepping behind Katherine ever so slightly.

"Salvatore's, this is Y/N L/N, you'll forgive her if she's a little shy," Katherine smiled down at her friend.

Damon was the first to respond, taking her hand and pulling it up to his lips. "Damon Salvatore," he said, pressing a quick kiss to her hand.

Y/N curtseyed in response "A pleasure to meet you Mr Salvatore,"

Stefan was next, offering her a small bow "Stefan Salvatore, we hope you enjoy your stay here,"

Y/N smiled, looking between the two bothers "Thank you for having me, Kathrine tells me you have been most generous hosts,"

Kathrine clicked her tongue "Forgive me Salvatore's, but I believe I will be showing her around her new home,"

The brothers gave a small wave towards the girl in green, who gave a shy smile in response.

"What do you think?" Stefan asked his brother. Damon eyed the retreating figures of the two girls with curiosity.

"Well Kathrine says she's like her, but I don't think I've ever met someone so different,"

Neither Stefan nor Damon saw much of Y/N from that moment on, she would never be teasing them the way Katherine did, nor would she seek them out. They'd catch glimpses of her reading, or writing beneath one of the trees in the garden occasionally, but neither of them even thought of saying something.

They were too captivated by Katherine.

But then came the day of the Founder's ball. Damon was in a foul mood, since Katherine had decided to attend the ball with Stefan, and found himself wandering he halls of his own home, unable to escape the nagging feeling in his chest.

So he went to where he always went too when his thoughts became too much; the library.

It was a large place, with books lining the walls like leaves on the trees. But it was cosy also, with three large chairs huddled round the grand fireplace.

To his surprise however, there was already somebody there.

"Miss Y/N," he remarked, a surprised frown on his face "I thought you'd be at the party,"

It was true, as she was adorned in a beautiful purple dress, that looked to be one of Katherine's. Her hair was done in an elegant updo, but still she sat on the chair, a heavy book in her lap.

She blinked up at him, her fingers fiddling with the pages.

"I've never been one for crowds, that was always more of Katherine's thing," she said softly.

Katherine. The name felt bitter on Damon's tongue. He wondered though, if Y/N was like Katherine in other ways, in ways that had to be kept a secret from the rest of the family.

"Mind if I join you?" Damon asked, and Y/N shook her head.

"Not at all,"

There was a brief silence between them as Damon stared at the girl. She paid him little attention, her eyes darting across the pages of the book as if feasting off the words it gave her.

"You like to read," he observed, and Y/N jumped, forgetting he was there.

"I like to write," she corrected "But reading is the next best thing if I have nothing to write in,"

There was another silence, and Damon debated saying something else, but she didn't seem like the type to want to talk much, and he felt he should be careful where he tread. But to his surprise it was her who started the next conversation.

"What brings you out of the party?" Y/N asked, closing her book and setting it to the side.

Damon sighed, he couldn't tell her the real reason, for Katherine was her friend and he was not. But similarly he couldn't think of a lie, something about her made him feel guilty for even thinking about lying to her.

Y/N grimaced slightly, taking pity on the fallen expression of the man. "I see she chose your heart to break," she said softly.

"What?" Damon asked, taken by surprise.

Y/N sighed "You think you're the first two men that Katherine has set against each other? I love her dearly, but she does like her games,"

Damon shrugged "The price I pay for falling for the act in the first place,"

"If I may," Y/N said cautiously "If you want to win her affection's you needn't show it to her so much. Katherine likes to chase,"

Damon's eyes flickered slightly 2What are you suggesting?" he asked.

"Take someone else to the next founders ball," Y/N suggested, picking up another book from the table. "You're a handsome man Mr Salvatore I'm sure you'll have little trouble finding somebody who takes an interest,"

Damon sat back a little, before glancing at the time. The founders ball still had a couple of hours before it was over.

"Why wait?" he asked, a mischievous smile on his face. "I could get a date right now,"

"That's the spirit," Y/N said, not looking up from her book.

"So Y/N, would you do me the honour of attending the founders ball with me?"

Y/N's mouth dropped open as she looked up at Damon, who was now standing with his arm outstretched towards ger.

"I - I can't!" she said with wide eyes "I'm terrible with crowds, and I don't know anybody, and god forbid they try and talk with me-"

Damon cocked his head slightly as she spoke, sensing the panic in her voice.

"I'll stay with you, and if anyone speaks to us, I will be the one to answer, if that is what you wish. So what do you say - one dance?"

Y/N hesitated, before slowing accepting his hand and letting him pull her up. "Don't make me regret this Mr Salvatore," she warned.

He laughed, guiding her hand to he crook of his arm. "Please call me Damon,"

Y/N sighed, trying desperately to swallow the nerves about walking into a room full of people she didn't know.

In the hall, Katherine and Stefan were dancing gracefully, successfully ignoring the stares of the room.

"I do hope your brother isn't too offended by my choice of Salvatore," Katherine mused, earning a chuckle from Stefan.

"I do believe he'll get over it - or he already has,"

"What?" asked Katherine, but Stefan just nodded towards the other side of the room, where Damon had just entered, Y/N on his arm.

Katherine's eyes narrowed as Damon shot a smirk her way, before leaning down to whisper in Y/N's ear.

"Just follow my lead, you'll be fine,"

Y/N tried not to shiver as his breath hit her ear, and allowed herself to be led across the dancefloor.

"I never thought you'd be the dancing type," she admitted, looking up into his blue eyes.

"And why is that?" Damon asked a slight smirk playing on his face.

"I don't know," Y/N bit her lip slightly to stop herself from smiling "You seemed much too arrogant to bore yourself with something as frivolous as a party,"

Damon's eyebrows raised as he realised her teasing tone "I never thought you'd be so cheeky, I thought that was something that belonged to Katherine,"

Y/N shook her head slightly, a laugh falling from her lips "Katherine was always so serious, even when we were children. I suppose you Salvatore's have shown her a thing or two,"

Children, they knew each other when they were children, so Y/N must at least know what Katherine was, if she wasn't one herself.

"She's staring at us," Damon commented, realising that Katherine had stopped dancing with his brother, and was shooting curious looks to the other pair.

"Told you," Y/N shrugged, her voice lowering to a whisper "Nobody Knows Katherine like I do - perhaps now would be a good time to talk to her?"

Damon hesitated, he knew that part of him wanted to but the other part -

"We're having far too much fun dancing, don't you think?"

And it was true, Damon did enjoy Y/N's company. With her shyness beginning to ease, he enjoyed the small jests she'd make at him, and thoughts of Katherine began fading away.

The pair danced, and chatted until the early hours of the morning when the founders ball finally came to an end, and the last of the guests were leaving.

Y/N let out a yawn, and Damon caught her as she stumbled slightly.

"I think it's time I retire," she said sleepily "It's been a pleasure dancing with you Mr Salv - Damon,"

Damon brought her hand up to his lips, pressing a firm kiss on the back of it. "The pleasure was all mine, goodnight Y/N,"

He watched as she left, a slight smile playing on his lips.

"Careful, she'll fall in love with you," came a sly voice to the right of him. He didn't need to look to know it was Katherine. "her heart is far too soft to survive a Salvatore brother,"

"You were wrong before, she is nothing like you," Damon commented "Enjoy my brother,"

And with that he walked off, feeling triumphant that he had been able resist the urge to fall right back into Katherine's arms, but he couldn't shake the Y/N from his mind either.

The next morning, Damon found himself outside the door of Y/N's bedroom, his hand ready to knock when she opened to door herself.

She jumped slightly "Oh - Damon?" she asked her eyes wide.

His lips parted in shock slightly, the encounter catching him off guard and all the rehearsed words in his head disappearing.

"Are you alright, you look like you've seen a ghost?" she asked, frowning slightly.

Damon cleared his throat, presenting a small brown parcel with his other hand.

"A thankyou gift, for coming with me to the dance last night," he said.

Y/N blinked slightly, gingerly taking the package from his hands, and carefully untying the string.

"You didn't have to -" she began, before trailing off as she revealed the leather bound notebook he had bought for her.

"You mentioned you loved writing, I figured this would help you out a bit," he said slightly nervously "Do you like it?"

Y/N looked up at him, her eyes wide and shining with unshed tears. "Thankyou so much Damon, this - it means the world," she said sincerely, clutching the book to her chest as if it may run away.

Damon's worried expression broke into a grin. Another difference between Y/N and Katherine, Y/N was sincere, was genuine.

He didn't even see Katherine glaring at the two from behind the pillar.

Katherine watched with resentment over the next couple of weeks, watching as Damon started pining after Y/N instead of her. Of course, anyone else she would have gotten rid of immediately, but Y/N was her friend, and she didn't have many of those.

Even Stefan noticed her change in behaviour towards the other girl, but decided it was not in his best interest to question it.

But Damon was oblivious, too wrapped up in wanting the attention of the shy girl he had met, yet seemingly unable to show his affections towards her.

Y/N carried on with her life, desperately trying to ignore the flutters in her stomach whenever the older brother entered the room, concealing her blushing cheeks with her hair whenever he spoke. Nobody noticed, besides Katherine, as the girl often hid herself behind her hair when people spoke to her, but not quite in the same way.

"I see you fell in love with him too," Katherine commented, walking in unannounced to her friends bedroom.

Y/N sighed nervously, she knew that Katherine got whatever she wanted, and mostly she allowed it which is why the pair were such good friends.

Katherine stepped closer. "What do you think he'll think of you when you tell him what you are?" she asked, eyebrows raised.

Y/N shook her head "I don't need to tell him," she said hoarsely, "I'm not like you Katherine,"

Katherine chuckled "You may not be a vampire, but you can't go around pretending to be human,"

Y/N glared at her friend through the reflection of the mirror, but didn't say anything to protest and Katherine smiled.

"I'm just saving you the pain of losing him," she said, before turning on her heal and waltzing out the door, no doubt to find the Salvatore brother herself.

Y/N sighed, her had laying on the book that Damon had gotten her, piled on top of all the other books she had written in over the years. Even if she didn't like it, Katherine was correct. Though her curse wasn't quite as visible as the older girl's, it was a curse nevertheless, and all curses had consequences.

"What did she mean?"

Y/N froze, the sound of the man's voice like ice in her heart. She spun round and came face to face with Damon, who was standing in front of the door he had just closed.

He took a step closer, his eyes searching her stricken and panicked face. Another way she was different to Katherine, she wore her heard and emotions on her sleeve, there was no having to interpret or guess with her, she was an open book whether she liked it or not.

"You don't have to be scared, I didn't tell Katherine's secret and I won't tell yours," he reassured her, stepping closer to take her hand.

"I'm not a vampire," Y/N said defiantly.

Damon shook his head "You don't have to lie to me," he promised, his blue eyes searching her nervous ones.

"I'm not!" she stressed, before breaking away from Damon's grasp and sitting on the bed "It's more complicated than that,"

Damon sank to his knees before her, looking up at her with wide and trusting eyes "Then let me help you,"

"I'm cursed," Y/N said quietly after a beat. "They call it the Phoenix curse. Every time I die, I get reborn from my ashes as my old body burns, forgetting everything from my previous life."

Damon frowned "But if you forget everything, how do you know you've died before?"

Y/N smiled slightly, raising her hand to brush the hair from his eyes. "I didn't at first. But I am always reborn at the age of sixteen, and people tend to notice when you're almost an adult and have no memories to show it. Katherine found me, and she had this made for me,"

Y/N drew out a necklace that was tucked away in her bodice. It was golden, and dainty, with a red gemstone in the middle of it.

"It allows me to keep the memories even after I have been reborn,"

Damon let out a breath he didn't even know he was holding.

"Well that's certainly a raw deal on your behalf, at least Vampires get the added speed and strength,"

Y/N laughed, shaking her head slightly as she stood up.

"The books in your father's library say that I have wings, and that I can fly, but that remains a mystery to me, and I am immune to compulsion" she said with a smile.

Damon hesitated, a question on the tip of his tongue but unsure whether or not to ask it.

"Well it seems to me, that as long as I don't let anyone kill you, there doesn't seem to be much of a curse," he commented with a quick smile.

Y/N raised her eyebrows "Surely it is Katherine you would want to be around, speaking of which, how are you and her?" she asked

Damon shrugged "I found someone else that seemed far more appealing,"

Y/N turned to face him, her breath catching in her throat slightly as she realised just how close they actually were.

"Who?" she asked, unable to hide her blushing cheeks with her hair this time.

"You,"

Y/N's eyes widened, her brows drawing up slightly as she looked at him. Her lips parted as if wanting to say something, but no words came out, her heart pounding against her chest, the tightness of her corset making it difficult to breathe.

"Damon - Katherine," was all she could let out, but he shook his head.

"I don't want her, not since I met you. I no longer want to be chasing after a game, but I would chase after you for the rest of my life if that is what it took. I would tell a hundred jokes just to hear you laugh, and run a thousand miles to catch up to you,"

Y/N let him grab her hands in his own, but tugged away slightly "Damon you don't understand, Katherine wants you. And Katherine always gets what she wants,"

But Damon didn't relent "But I don't want Katherine, I want you," he said, the desperation leaking into his voice "But if you truly do not want me, then that is fine, but I need to hear you say it. I need to hear your say you do not want me if I am to go,"

Y/N shook her head, her gaze downwards "I can not lie to you Damon," she said quietly "I can not say I do not want you, when you are all I want,"

Damon breathed a sigh of relief, a slight laugh falling from his lips as he embraced her in a tight hug, pulling away only to cup her face in his hands, his blue eyes memorising every detail of it as if would disappear if he looked away.

"Meet me outside, near the village. You go out of the left gate at the gardens then follow the road until you meet the village square, I'll meet you there - I've got a surprise for you," he said, the smile never leaving his face.

"I will try, but I'm terrible with directions," Y/N teased "You may have to find me if I get lost."

Damon kissed her cheek, tucking her stray hair behind her ear "I will always find you," he promised.

Behind the door, Katherine watched the two lovers, a dark expression on her face. As much as she adored her, Y/N would have to go.

So as Damon waited at the village square, and the minutes ticked by, it occurred to him only too late that something terrible had happened to his new love.

That Y/N had disappeared without a trace.

2009

Y/N sighed with a heavy heart, as she lugged her suitcase behind her. She was grateful to have a suitcase, many of the children she was with in the foster home before had their stuff in plastic bin bags as they moved from house to house.

But Y/N had been adopted.

She found it odd that somebody wanted to adopt her, especially since she was three weeks away from turning eighteen, but it meant she no longer had to fend for herself once she aged out of the system, so she had to be grateful.

Rudy Hopkins

Y/N hadn't even met him, yet here he was willing to adopt the strange girl without a second thought.

That's if Y/N could find the damn house.

Mystic falls was a mystery to her, especially since she had never been there before - or so she thought.

"Y/N?" came a voice.

She spun round, and came face to face with a man she could only describe as beautiful. His eyes were wide, and blue, looking at her with a mixture of shock and disbelief.

"Er, I'm sorry do I know you?" she asked with a frown, stepping backwards nervously as the man stepped closer to her.

He froze, his eyes glinting downwards to her neck, where not one bit of jewellery rested.

"Sorry, I thought you were someone I knew - Damon Salvatore," he introduced himself, but his blue eyes were still piercing her own, scanning her as if she were an odd puzzle piece he couldn't quite place.

"Y/N L/N," she responded, a slight frown evident on her face "Are you alright, you look like you've seen a ghost,"

Damon hesitated, her words echoing in his head, the same words she had spoken to him all those years before, yet she truly had no recollection of him.

He nodded "Sorry for bothering you," he said quickly, turning to walk away.

"Wait!" she called out, grabbing her suitcase "You don't know where Rudy Hopkins lives do you? He's my adoptive parent, but he didn't show up to the meeting point, he just text that I'll meet him at home,"

Damon's eyes widened, Rudy Hopkins was the father of Bonnie Bennet, there was no way this was a coincidence.

"Follow the road back down until you - " he paused, looking at her confused and slightly panicked expression, and he felt his heart tug slightly as he remembered her all those years ago wearing exactly the same face as she was now.

"I'll take you," he reassured "Something tells me that you're not very good with directions,"

Y/N breathed a sigh of relief "You aren't going to turn out to be some serial killer are you?"

Damon snorted "Bit late to ask that isn't it? But no, I can promise I am not a serial killer,"

Y/N smiled up at him as he walked next to her, and he found himself having to concentrate on not looking at her. She was exactly the same as she was all those years before, but with no memory of him whatsoever.

He was almost sorry as he left her on her doorstep, wanting to spend every moment with her, to see if it really was her, or just some cruel trick the world was trying to play on him.

She turned to thank him, but he was was already gone.

Damon had darted back to the Salvatore household, his head and heart both reeling from the encounter.

He burst into the living room, where both Stefan and Elena was sat cozied up in-front of the fire,

"Stefan," he said urgently, causing the two others to look up sharply. Stefan frowned at his brothers expression, Damon had many emotions, anger, hatred you name them, but never vulnrable.

Not until now.

"Stefan she's here - Y/N's here,"

Part two here:

[disregardandfelicity]

i was lucky enough to attend the premiere on tuesday (as the +1 of a contest winner); in case this is of interest (and, indulgently, to preserve it for my own memory), here are some tidbits from my night:

for the screening, the cast had assigned seats (jacob and delainey in the same row, sam behind jacob, eric behind sam, assad on the other side of the aisle, the same side as rolin, hannah, and mark johnson). sam and jacob were off to the side chatting during intros and never sat in theirs

delainey got applause from the audience upon her first on screen appearance, the only cast member to get one

daniel had a fair few interview beats which got laughs from the audience

afterwards, an actor from the venue came up and gave a little speech as though he was from a sister coven to the TdV in paris. then we were dismissed to the party, which was upstairs

initially post party, assad and luke were in the front larger room of the reception - sam and jacob were, i believe, already gathered in a far back corner in the second room, along with some other people. eric didn't stay for the party

the venue had a couple little 'shows' - at one point the whole cast and some other guests went up several flights of stairs to a room (delainey commented on how many flights there were as we climbed) where a version of the no pain scene from the books was reenacted by venue actors

kalyne coleman was there, i saw her chatting with jacob. i let her cut in front of me for drinks as an excuse to talk to her. there's a nod to grace in the episode and it sounded like that was a surprise to her (a pleasant one!)

my conversations with the cast were deeply unsubstantive, i was too pleased to be there to come up with anything too clever or probing to say tbh

when i spoke to jacob, i started by saying "sorry" (just reflexively) and he immediately, very warmly, was like what are you apologizing for! when i said how excited i was for the season and he said something like 'i hope it doesn't disappoint' (which i did think was surprisingly pessimistic for a premiere party lol but having seen the quote about hoping ppl still like louis by the end, maybe he is actually a tad concerned! i did obviously say i didn't think it would)

sam was the best at these meetings because he very naturally asks questions back. i told him i loved him in the newsreader as well, and he asked whether i was pirating it (i'm not exactly, i had a vpn). then we all walked off to do that no pain scene experience

after the no pain scene, we exited down some stairs which opened to the second smaller room. assad was behind me so i asked him who did it better (these actors or the show), and we joked about that. he then introduced himself to me, and when i couldn't help noting that i did in fact know who he was, he said he would never want to assume. sam came up to us and assad introduced him to me, and i got the joy of saying we'd met!

(SKIP this bullet if you don't want newsreader vibes-based spoilers) sam asked me what i liked better, iwtv or the newsreader. i said iwtv but that newsreader was great and season 2 was so sad! he said season 3 is the last of the series, and told me it's dark and bleak, worse than season 2, maybe only a second of peace/happiness at the end. so. there's that to look forward to....

he also told me about the crossover staffing between shows (emma and the DOP). i tried to ask if he was responsible for any of that but dont think i articulated it well but he said 'you want to work with the people you like'

my delainey convo was brief, i turned while we were walking up to the no pain thing and realized she was next to me, so just took the opportunity to let her know i was excited about her in next season

around 10-ish, sam and jacob left to (i believe?) go to levan's friends bar, along with hannah and others i didn't recognize. assad and luke were around for another 30-40 minutes after that, then the whole thing ended at 11. i didn't notice when or with who delainey left

delainey, as far as i noticed, did the least mingling; assad and luke did the most. generally speaking (and as expected) sam and jacob hung around together or in the same spaces. also perhaps as expected, assad and luke were hanging around together for lots of the night. at the end of the night, when it felt less burdensome to ask, i got a pic with those two. they were very cool about it, luke was sweet, we'd spoken earlier, he stuck out his tongue for one of the shots and he found me again later to chat

that photocall video i took (above) was after the 'no pain' experience.

[cassafrasscr]

Because I'm having a bad fucking chronic pain day, and feeling some type of way about it, I'm gonna rant more about Ashton.

Can we talk about how Ashton talks about their pain? Or rather, how he doesn't?

I think Ashton's actually mentioned actively being in pain, like... 3 times in the 86 episodes they've filmed so far? The first time that I can remember is during/immediately after Imogen and FCG delved into their mind and actually experienced what it's like to live in their body.

The second time was in the second episode of the Issylra arc, when the group is packing up to move towards Hearthdell, and Ashton mentions off-hand that he was in pain the night before.

And then the third time was e86. When Ashton collapses after dropping his Titan form, and Orym asks if they're okay, Ashton’s response is along the lines of "I'm fine, it just hurts."

You know what Ashton says a lot more often?

I'm so tired. I'm exhausted. We should really take a rest first. Can we please take a fucking rest now?

It seems subtle at first, but as someone who has chronic pain it hits hard. 'Cause most of the time that's exactly what I say.

Because when you're in pain all the time, the healthy/abled/non-chronic-pain-havers around you don't want to hear about it. It makes them uncomfortable.

Being in constant pain and giving voice to it makes you a whiner. A complainer. A wuss. A flake.

Have you tried yoga? Or drinking more water? Or the current fad diet?

So instead, you learn to allude to it in ways that won’t make the ableds uncomfortable. For me, a lot of the time, that takes the form of:

"I'm just really tired."

So, seeing Ashton pushing themself well past their limits to keep up with their friends and doing what the other Hells want - only to end up completely nerfing themself with 2 points of exhaustion... hits very close to home. Especially seeing most of their friends completely disregard their pain until they couldn't anymore.

Orym is really the only one who consistently shows any consideration for their chronic pain - and the boundaries and limitations that go with it. I only had a handful of friends like that when I was younger, and I treasured every single one of them.

As the kid who always got left behind to walk with a chaperone on field trips because I couldn't keep up with the other kids... it brings back a lot of that frustration and hurt to see it playing out like this for Ashton, but also validates it in a way I'm profoundly grateful for.

Anyway. That's all I have to say about that at the moment. I'll climb down off my soapbox now.

(Really slowly though, 'cause my knees are fucking killing me.)

[zukosdualdao]

just… the absolute trust between zutara in the finale is unreal. after zuko’s impromptu training attack session, yes, katara is surprised and even somewhat angry as she confronts him, but when she says “you could have hurt aang!” all it reminds me of is the fact that just a few episodes ago, she literally threatened to kill him if he ever gave her a reason to think he might so something to hurt aang. but here, now, even as she’s confronting him, she just… waits for him to explain, and she actually sees and agrees with his point once zuko tells the gaang about ozai’s plan.

there is also the absolutely, 100% synchronized way they fight during the simulated training session, something that calls back to their synchronization and teamwork in the southern raiders, and that inherently shows a lot of trust and understanding between them.

katara is the one who initially asks zuko what they should do after aang disappears. everyone else agrees, but it's katara who trusts him enough to position him, not just to herself but to everyone else, as someone they should listen to because of his history, skill, and experience, especially noteworthy because the reason she gives—“you are sort of the expert at tracking the avatar”—is what used to make him untrustworthy in their eyes. they’ve come such a long way.

then katara notices zuko freeze and sit in front of iroh’s tent, and when she asks if he’s okay, he just… completely trusts her with exactly what he’s feeling, and if he’s even a little worried that what he’s saying might cause her to act derisively, because what he’s referencing here is also what katara was angry and hurt about, he doesn’t show it. he just so completely trusts her with it, and her insistence that iroh will forgive him is born from her own trust of zuko, and she's able to tell him what he needs to hear because she was once in iroh's position and zuko proved his genuine remorse and care to her.

then, of course, we've got zuko not missing a beat as he asks katara to be the one to come with him to confront azula, and her ready acceptance. they make a good team, and they know it.

but when they get there and azula challenges zuko to an agni kai - though she initially has misgivings, katara ultimately trusts zuko when he says he can handle it and understands that he doesn't want her to get hurt if she doesn't have to. (an aspect of zuko's "i can't explain it, but she's slipping" line that i think gets underexamined, btw, is that that's not an inherently good thing for them. yes, maybe that means zuko will be able to take her, particularly because he knows azula and her fighting style well. but someone who is "slipping" is also, in this case, desperate, and more prone to being reckless with people's lives. zuko tries to mitigate that by fighting her alone, but it doesn't work because azula can't follow the terms she sets when she realizes she's losing.)

the lightning scene is a really interesting example of trust as it relates to zuko and katara, because to me, the emphasis there isn't quite so much on zuko and katara trusting each other. there's barely time for katara to think through what will happen to as azula aims for her or wonder what zuko will do, after all, and zuko is probably in too much pain and too out of it to think about katara coming to try to heal him. (though if they did have the time and mental faculties to think it through, i think they would both 120 percent trust the other to help them.)

instead, the emphasis is on the audience trusting the characters. from the moment zuko sees where azula's aiming, he doesn't hesitate, doesn't even think about, just. immediately jumps in front of the lightning before it can reach katara. i've said this before, but as soon as he understood what was happening, there was just no chance of that lightning ever getting to katara and that's the point. we've seen what zuko looks like when he's hesitating or conflicted, and the difference is stark. the show never wants you to question exactly what zuko will do, that he refuses to let katara get heart, that he'll save her.

and for her part, katara immediately runs to try and save zuko despite azula still being around and attacking, and tries again before realizing she needs to defeat azula in order to do so. but the entire scene of katara's defeating her, while obviously heroic and emblematic of katara's power and the culmination of her arc as a girl whose culture and identity was nearly stripped away from her to being a master waterbender, is also framed as katara defeating azula so she can get to zuko. she would have done it anyways, yes, but in this context, right now, she is fighting azula so she can get to zuko to heal him.

here, in the narrative culmination of their arcs together, it shows not just that they trust each other, but asks the audience to not doubt the development of the dynamic that’s been built, to trust that they will take care of each other. and they do.

[uglypastels]

Hiya! I was wondering if you could do a fic Logan being all stubborn and caring with an introverted/loner type reader? I’d love if if she were sort of like him in terms of aging and had been used as a sort of weapon in her past, now she’s afraid to be with him, thinking she’d hurt him or something? And he just reassures her that even if she did, he wouldn’t leave her alone. If not that’s completely fine but thanks for reading! Loved your last fic btw!! 💚

i did my best with this and i really hope you enjoy it. also it might not be super clear from how i wrote it, but i wasn't too sure on how else to include it, but the reader's mutation is meant to be that she has spikes pull and retract from all over her body, kind of like a porcupine... ? idk i wanted it to be similar to logan's but different.

warnings: trauma/severe ptsd. angst. nightmares. crying. aggression.

~ X-Men requests Open ~ Masterlist ~

‘Sweetheart, wait,’ Logan called after you.

‘Don’t call me that, Logan!’ You exclaimed as you shut the door, tears ready to burst. You let the weight of your body fall against the door, your arm reaching for the bolt to lock it. You didn’t know what had come over you. Nothing out of the ordinary had occurred. But perhaps that was exactly it. Just one too many times, had Logan come too close. At first, you hadn’t minded it all too much. Actually, you kind of enjoyed it. It was safe when you knew to keep him at a distance. But each time he persisted, you felt your walls tremble beneath his strength, and you wouldn’t be able to keep it up much longer. And then that happened… people would get hurt. As they always did.

‘Please, I just want to talk.’ His voice was muffled through the door. But you could feel him as if he was right next to you. The heat of his body radiating right through everything and onto you. 

‘Just leave.’ You shouted back at him. Eventually, he would have to give up and go. If not for rest, then nutrition; if not food, then he would certainly need a drink. 

‘I’m not leaving you. Not like this.’ He tried the handle, but it just rattled uselessly next to you. ‘C’mon, let me in.’

The tears finally broke through the dam and flooded your cheeks as years of emotions and memories overwhelmed you. It all suddenly flashed before your eyes. Both the things you remembered and those that felt like images from a movie you had never seen before. Puzzle pieces of a life you did not remember and only made your head spin more.

‘It’s happening again, isn’t it?’ He always knew. You weren’t sure how, but Logan could always tell when you were having an episode. Possibly because he was the only other person on earth who understood. Who knew exactly what you had gone through. Perhaps you had known each other before the experiment, but neither of you remembered. All you knew was that you had found eachother, both lost, confused and afraid. You fought for and with eachother, but there would always be one thing that kept you at a distance, no matter how hard Logan would try to get closer to you.

Some minds just weren’t as strong as others, and after everything that had happened, it started to take a toll on you and your powers. The nights where you woke up screaming, bedsheets soaked in cold sweat, had been in the hundreds. And Logan would always be the first one at your side, ignoring the searing pain of the thousand needles that perforated his skin as he held you. 

You couldn’t always control your powers. Not when you were in such a state. You were working on it, but the weekly sessions you had with the professor could only do so much. There was only so much Logan could take, and seeing him get hurt because of you only added to the fuel of the nightmares. You had never told him how the lost dozen times you awoke in terror was because of the image of his dying frame at your mercy. 

But that’s all that it was. Nightmares. And you would never let it become reality. That was a promise you had made yourself a long time ago.

You were pulled back to reality by a loud, hollow thud coming from the other side of the door. Logan punched the wall, nearly cracking the layers, as he called out to you with no response. Your name echoed through the building, the simple word getting filled with more and more worry with each repetition.

‘Why do you care, anyway, Logan?’  

‘Because I love you, damn it!’ He burst out, and it was like the oxygen had been taken from your lungs. Time stood still. You couldn’t move, breathe, speak. Even clear thoughts couldn’t form in your mind. You had no response. None that wouldn’t bring any less hurt than you already had. But the warmth radiating through that door never left your side. For what you didn’t know was that Logan had also made a promise a long time ago, and you’d have to kill him before he’d break it. That much was sure.

the end.

thank you for reading 💗

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