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erinaeris · 3 months

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Laios Touden and the Responsibility of Power

First off, let me gush just a bit about how fucking STRONK this man is. Olympic weightlifters are dying of sheer envy and lust over this man. He is a FUCKING POWERHOUSE.

My favorite panels ever, and judging by the cropping of the second photo, Tumblr agrees.

AHEM, where was I?

Ah yes. He's not just strong and incredibly hot, my man is literally an invasive species in this dungeon. He knows every single weak spot of every monster Thistle tried to throw at him and when he finds it he just fucking RAMS HIMSELF AT THEM AND TAKES THEM DOWN.

And when he's a dwarf HE LITERALLY BENDS STEEL.

"Beat Namari at arm wrestling"? My boy, she wouldn't let you anywhere near because you'd FUCKING BREAK HER HER HAND ALONG WITH THE TABLE. (It's such a fucking shame we didn't see Senshi at least raising an (perfectly plucked except it just grows that way naturally) eyebrow in the background when he sees this. Alas, he was too distracted by his hair.)

But I mentioned responsibility, didn't I? Strength is power in the dungeon, and we all knows what comes with great power. And Laios is, in fact, very responsible with that power!

(Futther examples under the cut, wee bit spoilers for anime watchers)

This scene lives rent-free in my head forever, because of two things: Thistle suddenly realizing just what the hell he's up against,

And Laios breaking Thistle's arm.

Now, I think Laios didn't mean to actually break his arm here, he's just half-blind and dizzy and knows he has to restrain Thistle or it will all go to shit. So that's what he does. The move you see above is a restraining hold. The point is that the person pinned down can't struggle much because the position of the arm presses the suprascapular nerve, so it hurts a lot, but unless they're held that way for too long they'll be fine.

But Thistle is TINY and elves are generally fine-boned. I think Laios really did just underestimate his strength.

And the moment the dragons aren't an IMMEDIATE THREAT anymore?

Laios heals him. Thistle's a better mage than him by miles, he could have done it himself. But no. Laios does it. He was too rough, too careless with his strength, and he immediately backtracked, fixed what he broke, and continued with more mindfullness.

And these are just the examples that stuck in my mind the most. And it happens often enough that the team isn't even fucking surprised! Laios' strength would 100% scare people who only saw him in a barfight and didn't know anything else about him. Hell, the other adventurers they meet fucking quiver before this guy who just took down a monster they had nightmares about in one blow, up until he opens his mouth and they relax. You put more malevolent software in that sort of hardware and he'd be the next Shadow Governor.

But Laios is Laios. He's a gentle soul at heart (a Great Pyrenese, specifically, the gentlest souls ever unless you're out for their flock) and he is VERY CAREFUL with his strength, ESPECIALLY around his team. Chilchuck, who is literally half his size and underfed to boot, can smack Laios as much as he wants with ZERO fear because Laios is aware he can hurt Chilchuck by literally tripping over him, so he just stays still and lets Chilchuck smack at him. I'd be surprised if he ever managed to leave a bruise. Chilchuck has to aim at Laios' weak spot (back of the knee here) just to get Laios to notice him!

But because I have some experience with marital arts and close combat, I think the fight with Shuro exemplifies my point so fucking well! Laios is HURT here, he's living every autistic person's worst nightmare.

And he HOLDS BACK. His restraint is fucking IMMACULATE.

Shuro is fucking lucky Laios still liked him when he started talking shit, because he would have broken his spine otherwise. Laios doesn't even take the fight seriously! He starts with a fucking SLAP.

Shuro retaliates with an actual punch (that does nothing but piss him off)

Laios wobbles. Shuro HITS THE DIRT.

And this is the part where he realizes just how outside his weight category he is. Shuro definitely has technique on his side, but that means jackshit when you need ten blows to to even bruise your opponent, but one hit from them will leave you drinking through a straw for a week. For a second there, Shuro thought he was in ACTUAL DANGER.

But instead of finishing the job, Laios tries to talk him down, which just sets him off again. Man was at his fucking LIMIT, and it snapped. Self-preservation who?

And the best part is? Shuro is throwing all his strength behind his punches and Laios just takes them, but Laios? He mostly pushed Shuro around!

They're mostly grappling here, precisely because Laios is very conscious his friend is pretty fragile right now.

And when he does have enough?

Shuro is flat on the ground again, and Laios has a black eye and a bloody nose. He sits down and five minutes later he's ready to go! Like yes, Shuro was at a low point here, but he's been mowing through monsters at only a bit slower pace than Laios' party. He's no weakling regardless. And Laios had to HOLD BACK SO HE WOULDN'T HURT HIM. And it's so obvious that Maizuru takes one look at the two of them and leaves them to their toussling.

When I saw her reaction I had to scroll back and take another look, because I was sure she would intervene! But she doesn't! She is aware of Laios' strength, she has to be, and she doesn't lift a finger to help her precious charge. She knows the big dog he's wrestling with knows to watch his strength.

And that's my whole point: my boi is STRONK AF! And he is very aware of his strength, and how he could hurt the people around him is he wasn't careful, so he is ALWAYS CAREFUL. He has deeply internalized the fact that to have strength is to be careful with it, to use it in service of people rather than to hurt them (possibly from his dad). He is going to SUCH a good king! He's not going to like the job but by GOD he will do it really well.

And I will give my right arm to see a fic about the first corrupt lord/governor/courtier who attempts to misuse their authority for their own gain. Kabru's gonna have to talk Laios out of an execution.

#dungeon meshi #laios touden #delicious in dungeon

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felikatze · 10 months

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ISAT and Ludonarrative Harmony: Combat is a Storytelling Tool

Or: How Siffrin is stuck in the endgame grind, forever

Please Note: This is primarily aimed at an audience that already played In Stars and Time, because I am bad at explaining things, and it's good to already know what the fuck I'm talking about. I tend to only bring up game elements as I want to talk about them.

Spoilers for.... all of ISAT! Especially Act 5!

(image to show how i feel posting this and as an attention grabber over my wall of text)

To pull a definition of ludonarrative harmony out of a hat, game writer Lauryn Ash defines it as follows:

Ludonarrative harmony is when gameplay and story work together to create a meaningful and immersive experience. From a design implementation perspective, it is the synchronized interactions between in-game actions (mechanics) and in-world context (story).

It is, generally speaking, how well game mechanics work hand in hand with the story. I, personally, think ISAT is an absolute masterclass of it, so I want to take a look at how ISAT specifically uses its battle system to emphasize Siffrin's character arc and create organic story moments. I want you to keep this in mind when I talk here.

So, skills, right? If you've played any turn-based RPG, you know your Fire spells, your "BACKSLASH! AIRSLASH! BACKSLASH!" and the many ways to style those.

Well, what does casting "Fire" say about your character? Not all that much, does it? Perhaps you'll have typical divisions. The smart one is the mage, the big brawny one is your tank, the petite one's the healer. And that's the barebones of ISAT's main party, but it's much more than that.

Every character's style of combat tells you something about them. Odile, the Researcher, is the most well-travelled and knowledgable of the bunch. She's the one with the expertise to keep a cool head and analyze the enemy, yet also able to use all three of the Rock-Paper-Scissors craft types.

To reflect her analytical view of things, all her skill names are just descriptive, the closest to your most bog-standard RPG. "Slow IV" or "Paper III" serve well to describe their purpose. The high number of the skills gives the impression there were three other Slow skills beforehand - fitting, considering the party starts at level 45, about to head into the final dungeon. She's also the oldest, so she's the slowest of the bunch.

Isabea, the Fighter, has all his skills in exclamation points. "YOUR TURN!!!" "SO WEAK!!!" "SMASH!!!" they're straightforward, but excited. He's a purposefully cheerfull guy, so his skills revolve around cheering on his allies. He's absolutely pumped to be here, and you see that from his skill names alone.

Mirabelle, the Housemaiden, is an interesting case. She's by all means the true protagonist of this tale - She's the one "Chosen by the Change God," the only one who survived the King's first attack, the only one immune to his ability to freeze time, the only dual-craft type of the game - just a lot of things. And her skill names reflect that facade she puts on herself - she can do this, she can win! She has to believe it, or else she starts doubting. This is how you get "Jolly Round Rondo" and "Mega Sparkle Heal" or "Adorable Moving Cure." She's styled every bit a sailor scout shojo heroine, and her moveset replicates the naming conventions of "In the name of the moon, I'll punish you!"

Even Bonnie, the Kid, who can't be controlled in combat, has named craft skills. And they very much reflect that Bonnie is, well, a kid. "Wolf Speed Technique" or "Thousand Blows Technique" are very much the phrasings of a child who learned one complicated word and now wants to use it in everything to seem cooler than they are, which is none, because they're twelve.

Siffrin's skills are all puns.

You have an IMMEDIATE feel for personality here. Between "Knife to Meet You!" and "Too Cleaver by Half," you know Siffrin's the type to always crack a joke no matter the situation, slinging witticisms around to put Sonic the Hedgehog to shame. It's just such a clever way to establish character using a game mechanic as old as the entire history of RPGs.

This is only the baseline of the way the combat system feeds into the story, though.

The timeloop, of course, feeds into it. Siffrin is the only character who retains experience upon looping, whereas all other characters are reset to their base level and skills. And it sucks (affectionate).

You're extremely likely to battle more often the earlier in the game you are - after all, you need the experience (for now.) Every party member contributes, and Siffrin isn't all that strong on their own, since they focus on raw scissor type damage with the addition of one speed buff. (Of course it's a speed buff. They're a speedy fucker. Just look at him).

At first, the difference in level between Siffrin and the rest of the group is rather negligible. Just a level or two. Just a bit more speed and attack. And then Siffrin grows further and further apart. Siffrin keeps learning new skills. He gets a healing skill that doubles as an attack boost, taking away from both Mirabelle's and Isabeau's usefullness. He gets Craft skills of every type that even give you two jackpot points instead of one - thus obliterating Odile's niche. Siffrin turns into a one-person army capable of clearing most encounters all on their own.

Siffrin's combat progression is an exact mirror of story progression - as their experience inside the loops grows, they also grow further and further away from their party. The party seems... weaker, slower, clumsier. Always back at their starting point, just as all of their character arcs are reset each loop. Never advancing, always stagnant. And you have Siffrin as the comparison post right next to them.

I also want to point out here a change from Act 2 to Act 3 - Siffrin's battle portrait. He stops smiling.

Battles keep getting easier. This is true both for the reason that Siffrin keeps growing stronger even when all enemies stay the same, but also for the reason that you, the player, learn more about the battle system and the various encounters, until you've learned perfect boss clear strategies just from repetition. Have you ever watched a speedrunner play Pokemon? They've played this game so many times, they could do it blindfolded and sleeping. Your own knowledge and Siffrin's new strength work in tandem to trivialize the game's entire combat system as the game progresses.

(Is it still fun? Playing it over, and over, and over again? Is it?)

You and Siffrin are in sync, your experience making everything trivial.

As time goes on, Siffrin grows to care less and less about performing right for their party and more and more about going fast. A huge moment in his character is marked by the end of Act 3; because of story events I won't delve too deeply into, Siffrin has grown afraid of trying something new. And his options of escape are closing in. They need an answer, and they need it fast. He doesn't have the time or patience to dumb himself down, so you unlock one new skill.

It doesn't occur with level up, or with a quest, or anything at all. At the start of Act 4, it simply appears in Siffrin's Craft skills.

(Just attack.)

No pun. No joke. Just attack. Once you notice, the effect is immediate - here you have it, a clear sign of how jaded Siffrin has become, right at every encounter. And it's a damn good attack, too! The only available attack in the game that deals "massive" damage against all enemies. Because it doesn't add any jackpot points (at least, it's not supposed to), you set up a combo with everybody else, but Siffrin simply tears away at the enemy with wild abandon. Seperated from the rest of the party by the virtue of no longer needing to contribute to team attacks (most of the time. It's still useful if they do, though).

Once again, an aspect of the battle system enhances the degree of separation between Siffrin and the static characters of his play. You're incentivized to separate him, even.

Additionally, there are two more skills to learn. They're the only skills that replace previous skills. You only get them at extremely high levels, the latter of which I didn't even reach on both of my playthroughs.

The first, somewhere in the level 70 range, Rose Printed Glasses, a paper type craft skill, is replaced by Tear You Apart. It's still a pun about paper, but remarkedly more vicious.

The second is even more on the nose. At level 80, In A While, Rockodile!, a rock type craft skill, is replaced by the more powerful Rock Bottom.

I didn't get to level 80. If you do, you pretty much have to do it on purpose. You have to keep going much longer than necessary, as Siffrin is just done. And the last skill he learns is literally called Rock Bottom.

What do I even need to say, really.

Your party doesn't stay static forever, though.

By doing their hangout quests, side quests throughout the loops that result in Siffrin and the character having a heart to heart, all of them unlock what I'd call an "ultimate" skill. You know the type - the character achieved self-fulfillment, hit rank 10 on their confidant, maxed out their skill tree, and received a reward for their trouble.

These skills are massively useful. My favorite is Odile's - it makes one enemy weak to all Craft types for several turns, which basically allows you to invalidate the first and third boss, as well as just clown on the King, especially once Siffrin starts racking up damage.

But the thing is. In Act 3, when you first get them, yeah, they're useful. But... do you need them? After all, they're such a hassle to get. You need to do the whole character quest again, you can't loop forward in the House or you'll lose them. If you want to take these skills to the King, you need to commit. Go the full nine-yards and be nice to your friends and not die and not skip forward or skip back. Which is annoying, right?

Well, I sure did think so during Act 4. After all, a base level party can still defeat the King, just with a few more tricky pieces involved. Siffrin can oneshot almost all basic enemies by the time of Act 4. It's this exact evalutation that you, the player, go through everytime you return to Dormont. Do I want this skill, still? Would it not be faster to go on without it? I'm repeating myself, but that's the thing! That's what Siffrin is thinking, too!

I also want to take a quick moment to note, here - all skills gained from hangouts have art associated with them, which no other skills do. This feature, the nifty art, hammers home these as "special" skills, besides just how they're unlocked.

Siffrin also has one skill with associated art.

Yeah, you guessed it, it's (Just attack.)

At first, helping the characters is tied to a hefty in-game reward, but that reward loses its value, and in return devalues helping Siffrin's friends every loop. It's too tedious for a skill that'll make a boss go by one turn faster. You, the player, grow jaded with the battle system. Grinding experience isn't worth it, everybody's highest levels are already recorded. Fighting bosses isn't worth it, it's much faster to loop forward.

Isn't this what all endgame in video games looks like? You already beat the final boss, and now... what challenge is left? Is there a point to keep playing? Most games will have some post-game content. A superboss to test your skills against, but ISAT doesn't have any of that. You're forever left chasing to the post-game. That's the whole point - to escape the game.

As most games get more difficult as time passes, ISAT only gets easier. The game becomes disinterested in expanding its own mechanics just as I ran out of new things to fight after 100%-ing Kingdom Hearts 3. Every encounter becomes a simple game of "press button to win."

The final boss just takes that one up a notch.

Spoilers for Act 5 ahead boys!

In Act 5, Siffrin utterly loses it. His last possible hope for escape failed him, told him there's nothing she can do, and Siffrin is trapped for eternity. So of course, they go insane and run up the entire House without their party.

This just proves what you already knew - you dont need the party to proceed. Siffrin alone is strong enough. And here, Siffrin has entirely shed the facade of the jokester they used to be. Every single skill now follows the (Just attack.) naming conventions. Your skills are: (Paper.) (Rock.) (Scissors.) (Breathe.)

To the point. Not a moment wasted, because Siffrin can't take a moment longer of any of this. Additionally, his level is set to 99 and his equipment becomes fixed. You can't even pick up items anymore! Not that you needed them at this point anyway, right? Honestly, I never used any items besides the Salty Broth since Act 2, so I stopped picking items up a long time ago. Now you just literally can't.

Something I've not talked about until now - one of the main equipment types in this game are Memories, gained for completing subquests or specific interactions and events. They all by and large have little effects - make Odile's tonics heal more, or have Mirabelle cast a shield at the start of combat. For the hangout events, you also gain an associated memory that boosts the characters' stats by 30. It lets them keep up with Siffrin again! A fresh wind! Finally, your party members feel on par with you again!

...For a time. And just like that, they're irrelevant again, just as helping them gave Siffrin a brief moment of hope that the power of friendship could fix everything.

In Act 5, your memory is set to "Memory of Emptiness." It allows you to loop back in the middle of combat. You literally can't die anymore. Not that Siffrin could've died by this point in the first place, unless you forgot about the King's instant-kill attack. This one memory takes away the false pretense that combat ever had any stakes. Siffrin's level being set to 99 means even the scant exp you get is completely wasted on them. All stakes and benefits from combat have been removed. It has become utterly pointless.

Frustrating, right? It's an artistic frustration, though. It traps you right here in Siffrin's shoes, because he hates that all these blinding Sadnesses are still walking around just as much. It all inspires just a tiny fraction of that deep rolling anger Siffrin experiences here in the player.

And listen, it was cathartic, that one time Siffrin snapped and stabbed the tutorial Sadness, wasn't it? Because who enjoys sitting through the tutorial that often? Siffrin doesn't. I don't, either.

So, since combat is an useless obstacle now meant to inspire frustration, what do you do for a boss? You can't well make it a gameplay challenge now, no. The bosses of Act 5 are an emotional challenge: a painful wait.

First, Siffrin fights the King, alone. This is already nervewracking because of one factor - in every other run, you need Mirabelle's shield skill, or else you're scripted to die. You're actually forced to fight the King multiple times in Act 3, and have to do it at least once in Act 4, though you'll likely do it more. Point is: you know how this fight works.

You know Siffrin's fight is doomed from the outset, but all you can do is keep slinging attacks. Siffrin is enough of a powerhouse to take the King's HP down, what with the healing and buff skills they have now, not to even mention you can just go all in on damage and then loop back.

(And no matter which way you play it, whether you just loop or use strategically, it reflects on Siffrin, too. Has he grown callous enough not even death will stop their mission? Or does he still avoid pain, as much as he can?)

This fight still allows you the artifice of even that much choice, not that it matters. The other shoe drops eventually - Siffrin becomes slower, and slower. Unsettling, considering this game works on an Action Gauge system. You barely get turns anymore. The screen gets darker, and darker. Until Siffrin is frozen in time, just as you knew he had to be, because you know how this encounter works, know it can't be cleared without Mirabelle.

And, then, a void.

Siffrin awakens to nothingness. The only way to tell you've hit a wall is if Siffrin has no walking animation to match your button inputs. You walk, and walk, until you're approached by.... you. The next enemy encounter of the game, and Siffrin's absolute lowest point: Mal Du Pays.

Or, "Homesickness," in english. If you know the game, you know why it's named this, but that's not the point at the moment.

Thing is, where you could damage the King and are damaged in turn, giving you at least a proper combat experience, even if its doomed to fail, Mal Du Pays has no such thing.

You can attack. You can defend. But it is immune to all attacks. And in return, it does nothing. It's common, at least, for undefeatable enemies to be a "survive" challenge, but nope. The entire fight is "press button and wait." Except, remember the previous fight against the King? The entire time, you were waiting for the big instant death attack to drop. That feeling, at least for me, carried forward. I was incredibly on edge just waiting for the other shoe to drop. And, as is a pattern, Siffrin is, too. As Siffrin's attacks fail to connect, they start talking to Mal Du Pays.

But he gets no response, as you get no attacks to strategize around. The wait for anything to happen is utterly agonizing. You and Siffrin are both waiting for something to happen. This isn't a fight. It just pretends to be. It's an utter rugpull, because Siffrin was so undefeatable for most of Act 4 and all of Act 5 so far. It's kind of terrifying!

and it does. It finally does something. Ma Du Pays speaks, in the voice of Siffrin's friends, listing out their deepest fears. I think it's honestly fantastic. You're forced to just sit here and listen to Siffrin's deepest doubts, things you know the characters could not say because it references the timeloops they're all utterly unaware of. This is all Siffrin, talking to himself. And all you, all Siffrin, can do, is keep wailing away on the enemy to no effect whatsoever.

So of course this ends with Siffrin giving up. What else can you do?

And then Siffrin's friends show up and unfreeze them and it's all very cool yay. The pure narrative scenes aren't really the main focus but I want to point out here:

A) Mirabelle is in the first party slot here, referencing how she's the de facto protagonist, and Bonnie fills in the fourth slot left empty, which shows all characters uniting to save Siffrin

B) this is the only instance of the other party members having act specific battle icons: they're all smiling brightly, further pushed by the upbeat music

C) the reflecting shield Mirabelle uses to freeze the King uses a variation of her hangout skill cut in, marking it as her true "final" skill and giving the whole fight a more climatic feeling.

It's also a short gameplay sequence with Siffrin utterly uninvolved in the battle. You can't even see them onscreen. But... it feels warm, doesn't it? Everybody coming together. Siffrin doesn't have to fight anymore.

At last, the King is defeated. Siffrin and co. make for the Head Housemaiden, to have her look at Siffrin's sudden illness. Siffrin is utterly exhausted, famished, running a fever. And this isn't unexpected - after all, their skills in Act 5 had no cooldown. For context, instead of featuring any sort of MP system, all skills work on a cooldown basis, where a character can't use it for a certain number of turns. The lowest cooldown is actually Siffrin's Knife to Meet You, which has a cooldown of 1. In universe, this is reasoned as the characters needing a break from spamming craft in order to not exhaust themselves.

Siffrin's skills in Act 5 having no cooldown/being infinitely spammable isn't a sign of their strength - it's a sign that he refuses to let himself rest in order to rush through as fast as possible.

Moving on, Siffrin panics when seeing the Head Housemaiden, because seeing her means one thing: the end. Prior to this in the game, every single time you beat the King, the loop ends when you talk to the Head Housemaiden.

Reality breaks down, the whole shebang. It's here that Siffrin realizes - they don't want the loops to end, because the end of their journey means their family will leave, and he'll be alone again. The happiest time of his life will be over.

Siffrin goes totally ballistic, to say the least.

As it turns out (and was heavily foreshadowed narratively), Siffrin has been using Wish Craft to subconciously cause the timeloop because of their abandonment issues. It's rather predictable if you paid attention to literally anything, but it's extremely notable how heavily Siffrin is paralleled to the King, the antagonist they swore to kill by themself at the start of Act 5. The King wants to freeze Vaugarde in time because it is, in his mind, "perfect," for accepting him after he lost his home - a backstory he shares with Siffrin.

Siffrin has become the exact antagonist he swore to kill, and it's shown by how the next fight utterly flips everything on its head.

Siffrin is the final boss.

In a towering form made of stars, Siffrin looks down at their friends. His face is terrified, because of his internal conflict; he can't hurt his friends, but he can't let them go, either. The combat prompt is simply changed to "END IT!"

This fight is similar to the previous, in that you just need to wait a certain number of turns until its over. However, this time, it's not dreadful suspense. It's... confusion, and hesitance.

You have two options for combat: Attack your friends, or attack yourself.

And... you don't really want to do either, I think. I certainly don't. But what else can you do? It's Siffrin's desires clashing in full force. Attack your friends, and force them to stay? Or attack yourself, and let them go safely without you?

Worth noting, here - when you attack Siffrin's friends, you can't harm them. Isabeau will shield all attacks. And when you attack yourself, Mirabelle will heal you back to full. And the friends don't... do anything, either. How could they? Occasionally, Mirabelle heals you and Isabeau shouts words of motivation, but the main thing is...

(Your friends don't know what to do.)

None of them want to harm Siffrin. Both sides simply stare at each other, resolute in their conviction but unwilling to end it with violence. It's of note that this loop, the last one, is the only loop where the King isn't killed. Just frozen. And now here is Siffrin, clamoring for the same eternity the King was. Of course everything ends in a tearfilled conversation as Siffrin sees their friends won't leave him, even after the journey ends, but I still have to appreciate this moment.

Siffrin is directly put in the position with their friends as his enemies, forced to physically reckon that keeping them in this loop is an act of violence, against both their friends, and against himself.

It's a happy ending. But... what does it mean?

Of course, ISAT is obviously about the fear of change. Siffrin is afraid of the journey ending, and of being alone. However, ISAT is also a game about games. Siffrin is playing the same game, over and over, because it's comforting. It's familiar. It's nice, to know exactly what happens next. These characters might just be predictable lines of dialogue, but... they feel like friends. Have you ever played a game, loved it, put countless hours into it, but you never finished it? Because you just couldn't bear to see it end? For the characters to leave your life, for there to be a void in your heart where the game used to be?

After all, maybe it became part of your routine! You play the game every day, slowly chipping away at it for weeks at a time. For me, I beat ISAT in four days. It utterly consumed me during this time. I had 36 hours of playtime by the end. Yeah, in that week, I did not do much more than play ISAT.

And once i beat it, i beat it, again. I restarted the game to see the few scenes I missed, most specifically the secret boss I won't talk about here. I... couldn't let go of the game yet. I wanted to see every scrap I could. I still do. I'm writing this, in part because I still do. It's scary to let go.

Ever heard the joke term of "Postgame Depression?" It's when you just beat a game, and you're suddenly sad. Maybe because the ending affected you emotionally and you need to process the feelings it invoked, or you search for something that can now fill your time with it gone.

The game ends, for real this time, the last time you talk to the Head Housemaiden. But Siffrin gets... scared. What if everything loops back again? And so, his family offers to hold his hand. They face the end, together.

For all loops, including the ending, you never see what happens after. After they leave the loop for good. Because the loop is the game itself. It's asking you to trust that life goes on for these characters, and it holds your hand as it asks you to let go. There's a reason for Siffrin's theater metaphors. He is the actor, and the director, asking everyone to do it over one more time. He's a character within the game, and its player.

There's a reason I talked about endgame content. This, the way it all repeats, there's nothing new, difficulty and stakes bleed away as you snap the game over your knee - it's my copy of White 2 with two hundred hours in it. It's me playing Fire Emblem Awakening in under 3 hours while skipping every cutscene. Are you playing for the sake of play, for the sake of indulging in your memories, because you're afraid of the hole it'll leave when you stop?

Of note: the narrative never condemns Siffrin for unwittingly causing their own suffering. He's a victim of circumstance. It's seen as endearing, even, that Siffrin loves their friends to the point of rather seeing the world destroyed than them gone. But Siffrin is also told: we'll stay with you for now, but we'll part ways eventually. And one day, you'll have to be okay with it.

Stop draining the things you love of every ounce of enjoyment just because you're afraid of what happens next. I'm not saying to never play your favorite games again. Playing ISAT a second time, I still had a lot of fun! I saw so many new things I didn't before, and I enjoyed myself immensely, reading the same dialogue over and over. But... it makes me look at other games I love and still play, and makes me ask... is this still fun? Do I still need to play this game to enjoy it? Even writing this is an afterimage of my enjoyment, but it's a new way to interact with the game, to analyze it through this lens. Fuck, man, I write fanfiction. Look at me.

All of this, fanart, fanfic, analysis, is a way to prolong that enjoyment without making yourself suffer for it. Without just going through the motions of enjoyment without actually experiencing any. But one day, the thing you love won't be fun to talk and write and draw about. And it's okay. You'll have new things to love. I promise.

In the end.... I'm certain I'll replay ISAT one day. Between great writing, art, puzzles and unresolved mysteries, it's my shoe-in for game of the year.

But I won't replay it for quite some time. I've had enough, for now, so I let my love take other forms.

Siffrin is never condemned, because love is no evil. Be it love for another person, or for a game. And please, if you're overempathetic - it's still a game, at the end of the day. The great thing about games is that you can always boot them up again, no matter how long its been.

A circle within a circle indeed.

To summarize:

The repetitiveness of ISAT's combat, lack of new enemies, and Siffrin's ever increasing strength eventually allows you to snap the combat over your knee, rendering it irrelevant and boring. Though this may seem counterproductive at first, it perfectly mirrors how Siffrin has also grown bored with these repeated encounters and views them only as an obstacle to get past. The reflection of Siffrin's own tiredness with the player's annoyance increases the compassion the player has for Siffrin as a character.

Additionally, the endgame state of the combat system serves as commentary on the state of a favorite game played too often, much like how Siffrin has unwittingly trapped themself in the loop. Despite the game having no more challenge or content left to over, a player might return to their favorite game anyway, solely to try and recreate the early experience of actually having fun with it. This ties into ISAT's metanarrative about the fear of change and refusal to let go of comfort even when the object (here, your favorite video game) offering that comfort has become utterly bereft of any substance to actually engage with. Playing for the sake of playing, with no actual investment to keep going besides your own memories.

Later on, stripping away even the pretense of strategy for a "press button and wait" format of final bosses highlights the lack of options at Siffrin's disposal and truly forces the player into their shoes. Truly, the only way to win is to stop playing.

#feli speaks #in stars and time #isat #isat spoilers #lays down on floor. it's done. it's done #i actually narrowed down in scope to just focus on the combat by the way. and this is like. several thousand words

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beybuniki · 2 months

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hiiii first off i love ur art so much i always look forward to seeing it on my tl or on here!!!! secondly i think ur dabihawks is soo hot and they make a lot of sense from an aesthetic pov for me but they don't compel me much outside of that so if i can ask, what's your interpretation of why u ship them? or like narratively what compels you to like them as a ship?

this is so long i'm so embarrasssed, but i tried to gather my thoughts a bit :)

first things first: a lot of fans say that horikoshi wasted dabihawks' potential but tbh i've appreciated that horikoshi has kept most of it between the lines for us to figure out, i think that mode fits reflects their dynamic (and the endeavor - dabi - hawks triangle) well.

Also I know you asked what I find appealing about the ship, not all of these interpretations are about romance/shipping; some are just about their general dynamic. as I keep saying, the yaoi is only secondary to their overall weirdness, that’s more appealing to me tbh.

the obvious canon dynamic: Dabi and Hawks are (filial) foils: they represent 2 opposing outcomes of what happens when endeavor/enji (we have to differenciate) basically shapes your life. they're two sides of the same coin that symbolizes endeavor's 2 sides: enji, that father who fails vs. endeavor, the hero who succeeds. I don't think I need to elaborate on this, but yeah it's pretty overt in the manga that they’re filial foils, the fact that they’re the same ages makes it even more obvious like they’re equal opposites and I love that sm.

my ship interpretation of their overall dynamic: dabi and Hawks can get under each other’s skin in a way that no one can; there is so much irritation but also uncomfortable intimacy, because how come this guy who barely knows me knows where it hurts the most??

I think dabi is easily irritated by hawks because – as mentioned above – hawks is the complete opposite of dabi, I just know hawks’ charming (& sleazy) hero persona would piss him offff, but that’s only surface level annoyance, once dabi starts digging, connects the dots, and realizes that hawks is weirdly attached to his colleague aka dabi’s dad? And that his dad basically saved hawks from his abusive dad?? and that endeavor set off hawks’s career as the youngest hero to enter to top 3??? That hawks basically has everything that was promised to dabi??? CUTE THE CAMERAS!!!!! the irony is NOT lost on dabi!!!!!!!!!!!! One thing I love about dabi is his resentment towards those who make him painfully aware of his failures in life, I think resentment, jealousy, grief for what could have been are so interesting to explore, especially for a 23yo character like you rlly lose your mind at that age.

But as easily as hawks irritates dabi, dabi can get on hawks’ nerves and hit him where it hurts like no one else, precisely because they’re inextricably tied to each other through endeavor. So dabi is ver intimate with hawks’ flaws & issues and likes to probe and poke……. I made a whole post about this, but I think the todorokis’ closure would’ve been less disappointing if dabihawks got to face each other one last time; this time with everyone present. Dabi could have reminded hawks that -- while he’s the one withering away in an oxygen chamber & hawks climbed up the career ladder and gets to work with endeavor – hawks is caged in a far more constricting way; he didn’t learn shit from twice’s death and that’s gonna haunt him, dabi would also say out loud what hawks is ignoring, namely that endeavor hasn’t chosen hawks once over his son (much to be said here let’s not digress oaughh). So hawks can have fun running after his father forever and secretly yearning paternal attention & validation. Dabi might be on the verge of death, but he got to reflect, let go, and change at least; Hawks’ character is SO stuck & and I think dabi should remind him of that <3 hawks should have nightmares sometimes <3 this is yaoi to me <3

This one isn’t about romance, but dabihawks are also so interesting to me because I think their relationship is kind of similar to dabi’s relationship with shoto: imo, hawks parallels dabi in a way that is analogous to the parallelism between dabi and shoto. As I said before, hawks and shoto both represent a life that was supposed to be dabi’s, but another parallel I see is that hawks and dabi are so similar and had the potential to connect (both as normal kids but also as damaged adults), but life is unfair and they never and on the other.

There’s a real tragedy in dabi’s isolation (endeavor forcibly isolating his children from each other is repeatedly mentioned), and I think that this can be extended to hawks as well, which is why there’s a LOT of fan work of them befriending each other as children 😊 but I think that in a more radical approach to the story, dabihawks could’ve also connected as damaged adults but let’s not get into that.

Tl;dr: they’re parallel lines that cannot reach each other or cross paths but there are enough hints to make you feel like they could find each other in a kinder universe…………… KILL ME!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Ok now my yaoi interpretation of that: I think the dynamic that I’ve described in the point above lends itself really well to a vast array of outcomes they’re such a dynamic duo. I love the cute aus that are just about dbhx falling in love, but I also LOVE the doomed yaoi, there’s something beautiful about dabihawks doing their thing despite all the odds and the pride and the repulsion (let’s not get into that,,,,,,,,,,,). I love when their intimacy is permeated by an anticipation of betrayal like the quirks stay ON during sex, the breakup text is DRAFTED in their notes app, the IP address is always READY to get leaked, they have each other’s moms on SPEED dial to snitch on the other………………………… they’re not meant to be but they WILL fuck nasty ( and have surprisingly intimate moments) yup

attachment styles /yaoiimplied: I think dabi is an avoidant and hawks an anxiously attached partner. Which means that dabi is hyper independent and scared of emotional intimacy to the point of self-sabotage (he WILL create problems out of thin air and lash out at hawks when their weird situationship starts getting too comfortable). Which means that hawks is terrified of rejection (his parents left him & his clings so much to endeavor & he forces himself into the Todoroki family) and fears that he could lose whatever he and dabi have so he clings, which is so so scary to dabi. I see a lot of headcanons about dabi being possessive but I don’t agree at all; I think the second dabi feels like hawks might fall for sb else (they do cheat on each other I thin), he’s just gonna give lmaooo, dabi is NOT a fighter!!!!!!!!!!! His obsession is exclusive to his beef with his father!! He will NOT beg and fight for hawks’ love!!! Idk I like how their trauma gave them very different attachment patterns <3

names as another layer of intimacy (cute): this is in the manga so I don’t feel the need to elaborate on this, but there’s sth SO intimate about dabi and hawks both letting go of their birth names and those being such a big mystery for such a long time, both to the readership & characters. The fact that dabi finds out hawks’ name and CALLS him by his name during a fight ugh I love the juxtaposition of intimacy and violence. They probably use their 1st names during nice moments also keigo and touya are really cute names but I digress…..

names as another layer of intimacy (bad): while the paragraph above present this as rather cute and intimate, I think there’s also violence and a hierarchy at play when you use somebody’s deadname (I think we can call it that idk). Not only is there the juxtaposition of violence and intimacy when dabi uses hawks’ name, I think there’s also sth. deeply disrespectful about hawks using dabi’s given name like WHO are you to call him toya!!!!!!!!!!!! And the answer to that is that hawks uses it because endeavor uses it, which is so insane but whatever let’s not go there………….

also hotwings is such a good ship name sorry i was sold on that alone..............

sorry this whole page is yaoi to me, this fight is sexual in general well whatever let's move ON!!!!

Abjection: the aforementioned mutual irritation with each other that results from their uncomfortable & unwanted proximity feels so abject to meeeeeeeee

idk they have perfect yaoi equilibrium to me

the color symbolism :)

#SORRYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY #beybunaski #and we didn't even get to endeavor.................................................#dabihawks

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woso-dreamzzz · 2 months

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Bike

Magdalena Eriksson x Child!Reader

Part of The Big Adventures Universe

Summary: Your first riding lesson with Magda

After that day on the ice with Sam and the others, Magda decides that if anyone is going to teach you to ride a bike, it's going to be her.

The first thing she does is make sure the stabilisers are attached properly, sitting down in the middle of the park with a screwdriver to make sure they're secure.

Then, she tightens your elbow and knee pads.

Next, she makes sure your helmet fits you properly.

Then and only then, are you allowed on your bike.

"I know how to ride, Morsa," You tell her as she shows you where the peddles are," Sam and Erin and Guro and Millie taught me."

Magda scoffs. "They didn't teach you. They took advantage of a hill. Riding a bike is all about power in your legs."

You rolls your eyes. "This is boring."

"I'm trying to teach you here!"

You move your handlebars, a disgruntled look on your face as Magda waffles on about random things that you don't really care about.

It's quite early in the morning, on a random day off where you'd rather crawl into the Big Bed and have cuddles with Momma. You think Momma must miss your cuddles because she was still asleep when Morsa got you up and out of the house.

It wasn't a long walk to the park but Morsa didn't say anything until you got there.

"Can I got yet?"

Magda sighs, breaking off mid sentence. "Yeah, alright. Let me give you a little push."

She holds the back of your bike, lightly pushing you so you can start pedalling.

You've got a lot of power in your little legs, despite having only been out on your bike once before and Magda still holds it, if only to give herself some peace of mind.

"Morsa! I'm doing it!"

"Yes, you are!"

Magda doesn't really want to let go but she can remember being a bit older than you, at her own local park in Sweden. Her father had taught her to ride.

It was an old bike, bought second-hand at a car boot sale. The chain was half broken and the pedals stuck a bit but Magda had loved that bike.

Her father had taught her, standing behind her and giving a little push. He held her bike for a bit before finally letting her go.

At the time, the lack of stabilisers hadn't bothered Magda. It had made her feel grown up but, now, as a parent herself, she can't imagine your bike not having stabilisers.

She also can't believe that her father had ever let her go.

Especially now as she rocks your body as you sob.

The first little crash had been expected, your front wheel getting caught on a bump in the road. Magda had managed to grab you by the back of the shirt before you went head over handlebars.

If anything, you thought that crash was a little funny, consumed by a round of giggles as Magda tried to calm her beating heart.

The second crash was bigger, where you'd gotten too much speed and you went through that same pit in the path and gone skittering across the path.

It was a mistake, in hindsight, to let you go out riding in your Sweden shorts because the impact of your slide has horrifically grazed your leg like some horrific version of road rash.

"Morsa, my leg!" You sob and Magda adjusts you.

There's no chance of you walking right now so Magda switches you onto her back, letting you link your hands together around her neck. Magda wheels your bike back home.

"It's okay," She says," It's alright. We're nearly home. We'll clean it off and get you some plasters."

"My bike's mean," You tell her," Don't let go next time, Morsa."

"You still want to practice?"

"Yes, Morsa," You say and Magda can imagine the eye roll going on behind her back," Because I have to learn at some point and Momma will get annoyed with having me on the back of hers forever."

Whenever you, Magda and Pernille go out for a bike ride, you get put into a little seat that's attached to the end of Pernille's. It's fun but what you really want is to be on your own bike next to them.

You sniffle though, a flare of pain going down your leg as Morsa moves.

Magda places you on the sofa as soon as you get home, grabbing the first aid kit so she can clean off your graze.

"We will wait though, right?" You ask, wincing as Magda wipes off all the dirt," Until I'm better?"

"Of course," Magda says," I think we should stay at home for a bit and we can remember where the brakes are."

You purse your lips. "I know where the brakes are, Morsa."

Magda smiles at you. "Do you? Because you really should learn to use them."

You stick your tongue out at her. "I'm telling Momma you're teasing me again!"

#woso x reader #hardersson x reader #magdalena eriksson x reader #magdalena eriksson #woso community #woso imagine #woso fanfics #woso #the big adventures universe

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bellsmess · 4 months

Text

Whenever someone calls Charles Rowland straight, an angel dies.

What straight guy tells his best friend who just confessed to him that there's no one else – no one – he would go to Hell for. And that they have forever to figure out what that means. You don’t get his repressed bisexuality like I do!

Even modern bisexuals (I may or may not be speaking from personal experience) are oblivious to the fact they're bi because heteronormative roles are so engraved in our minds. When you're attracted to other genders, it's easy to miss a same-sex crush, only then to realise that oh, it wasn’t just admiration, it was attraction.

Charles, having grown up at the height of the AIDS crisis, with an abusive and probably homophobic father, killed by racist bullies? That would make anyone repress any gay feelings. Especially if you experience crushes on people with a different sex to you.

Charles sees Crystal and takes his chance. He's enamoured with this smart, strong-willed, pretty girl who can see him not only in a physical sense, but pays attention to him. He longs to be loved. Then he says the infamous "That sounds alot like you, doesn't it? Maybe that's why I like her so much" line. What an icon. And he compares himself and his best friend to the greatest love story of all time, Orpheus and Euridyce's.

When Edwin confesses to him, he doesn't rule out the possibility of returning these feelings. He knows they're already devoted to each other. They've already had 30 years of companionship and solving cases together.

"As long as I have my best mate and a case to solve, I'm good."

Being with Edwin is simple. They solve cases, help others, run away from Death. It's a simple existance. Charles gave up eternity to be with Edwin, because he was kind to him when he was dying. Charles finds him fun, wants to protect him, knows that Edwin is a kind and good person. One that Charles wants to be.

"Bad guys don't worry about being bad guys. And you, Charles Rowland, are the best person I know."

Crystal's role is very important in changing the dynamic between Edwin and Charles. Not only because Charles falls for her, but because she opens them up. She digs out their repressed feelings and trauma. Charles finally deals with his dad's abuse, his happy-go-lucky mask falls. She points it out to Edwin. Charles kept it up so well because Edwin didn't press it, but Crystal does. And Charles finally lets himself process what happened to him, and how that affects his relationships.

Charles never saw genuine love between his parents, and that affects how he views relationships. It impacts how he forms them, too. But he's a loverboy, he longs to be loved, he falls easily. Why wouldn’t he fall for someone who stuck to his side for 30 years?

Crystal and Monty's roles mirror each other – they help the boys figure out their feelings and desires. Crystal makes Edwin jealous that there's someone else Charles cares about in the same sense he cares for Edwin. The Cat King helps Edwin discover desire, Monty – genuine love. As Charles' and Crystal's relationship kickstarts (albeit ends as quickly) and Monty persues Edwin, he discovers the depth of his feelings.

"These complicated feelings that you have? They're for Charles."

I would love to see their wants explored more in the future season(s, hopefully multiple). Charles giving into desire with Desire of the Endless' guidance? Yes please.

I simply cannot believe that anyone would doubt Painland/Payneland endgame. They're everything to each other. They're a constant presence, reassurance, and love. Platonic, romantic, it doesn't matter. Their bond is so deep and genuine that immortal beings see it and leave them be, in the afterlife they chose for each other. Their love is so deep it transcends planes: from mortal plane to Hell, it leads Charles to Edwin. Charles is not Orpheus, when he turns around to hear Edwin out on the staircase from Hell, he manages to get him out. And they have literally forever for each other.

#dead boy detectives #edwin payne #charles rowland #painland #payneland #my fav posts #i love overanalyzing charles

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miniimight · 11 months

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Gotta admit the way you write midoriya is just so... Literally can't find the words to describe it. I had this scenario I wished to request of you it's okay if you don't want to do it. Midoriya with an significant other that hears people taking about them, not deserving of him and how they are using him for his fame and all, then he teaches them a lesson?

DEFENDING YOU the gossip around the office gets on his nerves a lil bit

with izukuuuuu :heart: + gn!reader

notes absolutely in love with this request ! thanks for reading my stuffs <3

a while after you were revealed as his girlfriend, izuku was faced with many backhanded comments about his relationship. sure, they were few and far between, but when they did happen he felt his self-control diminishing way faster than usual. especially if that person had the balls to say it to his face.

to be completely honest, he thought that everyone else should mind their own fucking business. he doesn't kid around when it comes to the people he cares about. the fact that he wants and needs you is enough.

but, nonetheless. people will still run their mouths.

it was another casual day in the office. you had the day off work and he was stuck at the agency headquarters, flipping through paperwork.

you were excited to see him. izuku had been holed up in work for what seemed like forever, and you were so happy to get the chance to spend time with each other during the coming weekend.

as you walked through the halls, you noticed the eyes following you. they were hard to miss, but they were part of the routine at this point. you soon found yourself in the elevator, head ducked as you pulled out your phone.

izu: you coming up soon baby?

you: yeah, i'm like 5 mins away

you: okay im in the lobby, heading up rn

izu: yayyy can't wait to see you, love :3

you smiled softly to yourself. when you looked up, the elevator was packed; all you could see were the backs of the seven or so individuals in front of you, pushing you into the corner. your stomach felt a little uneasy, thinking about how you'd have to tell these people to move to let you through, but you remembered izuku was on the top floor. there was no way they were all heading there.

the hushed voices of a few employees made your heart pound.

"you're talking about deku's s/o?"

"yeah! aren't they... i dunno. a little out of his league?"

"i'm saying! like i'd get it if they were maybe a model or something. but they're literally just a civilian. how disappointing is that? like uravity is right there."

"i'm sure they're just using him for his fame. he's in the field so much with other badass heroes, they probably barely get to see him. if deku wasn't deku, they'd dip in a heartbeat."

they all laughed.

you wanted to stop listening. flood your mind with meaningless thoughts to distract you. but you couldn't resist tuning in, feeding your insecurities and doubt.

the ding of the elevator saved you. they filed out of the elevator, leaving you with the cheerful jingle of the lift.

you were quiet as you walked down the long halls of the top floor, their words echoing in your mind. you knew they weren't true—and god, would izuku reassure the fuck out of you—but negativity was negativity. and negativity had a way of finding cracks and slipping through.

the giant glass doors slid over the tiled floor soundlessly, yet izuku's head popped up from behind all the papers and files at your arrival.

a huge grin bloomed on his face as he sped over to you, paperwork forgotten. "hello, honey. did you get up here okay?"

"yeah," you smiled and held up a takeout bag. "i got some snacks for us."

izuku's calculating gaze bore into you as he gingerly accepted the bag. "you alright?"

"hmm?" you tilted your head in confusion. of course he noticed. "yeah, i'm good." the last thing you wanted to do was stress him out even more.

his brows furrowed. he stepped closer to you, his hands resting on your waist. "don't lie to me, sweetheart." his tone was scolding but his eyes were gentle. "what's bothering you?"

you pursed your lips, sighing. "just a couple people talking about us, 'n how i don't deserve you—"

you felt him stiffen, his expression going cold.

"how i'm using you for the fame, blah, blah, blah." you forced a smile, trying to play it off in an amusing light. "you know, the usual."

izuku was tightlipped, responding only with a "hmm."

he was staring at the wall behind you, eyes narrowed as if he'd seen a villain or something. you knew that expression well.

you cupped his face, guiding him to look at you. "hey. it's okay, izu, i'm used to it. don't mind them, alright?"

izuku's gaze softened and he leaned into one of your palms, the other lifted off his face by his own hand. he pressed a little kiss to your wrist, rubbing his hand up and down your arm soothingly as you both walked out his office.

he decided to drop it, and just love the shit out of you as an apology for experiencing such disrespect. even if he did everything in his power to make sure everyone knew he belonged to you just as much as you belonged to him, he still felt guilty when people attacked you.

he still had many questions: who were they, what floor did they get off, and how can i discipline them? he usually felt sympathy for when employees messed up, but suddenly... he wasn't against firing them all.

the ride down to the lobby was filled with many adoring employees who giggled at the sight of the pro-hero, a phenomenon you were also very familiar with.

soon, you were gliding through the lobby, so close to freedom when he picks up on the idle chatter he hates so much.

"i think that's them!"

"it is. woah, his s/o is way more dull when you see 'em next to each other."

izuku grit his teeth. his eyes glanced down to you, seeing the way you blinked and pursed your lips. he suddenly paused. you walked forward a couple steps before you were tugged back by his stationary hand.

you looked at him curiously. "izu..?" your eyes darted around, lingering on the three that said those things about you.

he smiled, bending over you as he kissed your lips gently, pecking your forehead as well. "why don't you go to the car, love? i'll catch up in a second."

you gave him a warning look, noticing how he was drifting to where the three sat. "izu... really, let's just go."

he kissed you again and your head was swimming. "i'll only be a minute, angel. go on." he pat your back and watched as you left the lobby. when he turned around his expression was completely different.

he walked over to the three people, who instantly straightened at his approach. they shared glances with each other, both a little scared and confused.

"hello." izuku smiled, but there was no indication that he was happy. "i'm deku, and you all are..?"

they meekly listed their names, to which izuku took mental notes and nodded.

"great. uhm, i overheard you talking about my s/o?" he cocked his head to the side. "please, i'd love to hear your thoughts." he chuckles. "i'm kinda obsessed with them, or whatever."

"o-oh..." they stutter and avoid his gaze, cheeks flushed with embarrassment. "no, it was nothing, really."

"hmm? nothing?" izuku and his months of public appearance training only made him more intimidating when angry; the joyless smile he wore as annoyance bubbled through him was ten times worse then any outright show of anger. "are you sure?"

"yes! promise." one nods eagerly.

he laughs mirthlessly and the three weakly chuckled along, thinking they were out of trouble. leaning close to them, his voice dropped into a low hum. "i'd like to keep it that way, yeah? let's not make them sad just so you could feel like you have an opinion about something that does not concern you whatsoever."

the three held onto each other, eyes rounded with shock as they listened to the pro-hero before them.

izuku's head tilted ever-so-slightly. "well?"

they began to trip over each other with their agreement, yes, of course! we wouldn't dream of it. consider it done! whatever you say!

izuku flashed his famous smile. "glad we got that sorted out. and just so that we're crystal clear, if i—or anyone for that matter—catch you talking down on my s/o again..." he pursed his lips, his eyes narrowing in thought. "i'd hate to have to terminate your contracts... it's a lot of paperwork, you know?"

they shook their heads, bowing deeply to the pro-hero. "never again, sir!"

"great!" izuku chirped. "bye!"

[]

your leg bobbed nervously in the car, wondering what izuku was doing and if you should go in there and see for yourself. just as you were about to act, you saw his green hair bob over the cars beside you, eventually coming into view.

you exhaled in relief as he slipped into the driver's seat, sighing happily. he turned to stare at you, leaning dreamily over the steering wheel. you smiled, though your eyebrows furrowed in confusion.

"you're so pretty." he sighed.

"i—" you blinked, laughing. "thank you, baby."

"i'm so lucky to have you..." he continued, leaning over the compartment separating your seats.

you giggled, matching his energy. "mhmm."

he gave you a lopsided smile. "you deserve everything i have and more."

your face felt warm as you shy away from him, knowing why he was spouting all these affirmations. his fingers hooked under your chin, tilting your face. his hair brushed against your forehead as he captured your lips. he grinned at you when he pulled away, staring at you with such adoration.

"so..." you ignore your racing heart and try to regulate your breathing. "are you gonna tell me what happened?"

he squished your cheeks before turning back in his seat, starting the car. "nope!"

you smiled and rolled your eyes, uncertainties gone and doubt erased. in the end, you weren't ever bothered. and strangely, you never saw those three faces again.

#deku x reader #izuku x reader #midoriya izuku #bnha x reader #deku fluff #izuku midoriya x reader #mha x reader #bnha #mha #izuku midoriya #deku #izuku midoria x reader #izuku fluff #izuku imagines

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mystic-writings · 5 months

Text

just a twisted ankle | newt

PAIRING – newt x fem!reader

REQUEST – @heliads - hi monty!! saw you wanted some newt requests so i simply could not hold back. could i please request a newt x reader fic in which newt and reader are both track-hoes and obviously in love with each other but pining in silence? alby and minho are doing their best to get them together but they're both excruciatingly oblivious lmao. thank you so much!!

SUMMARY – you and an overly protective newt are in love. the only problem seems to be that everyone but you and him are aware of it.

WARNINGS – weird behavior, obliviousness, fluff, semi-crack?, friends to lovers, minor injury

WORD COUNT – 3,031

NOTES – AAAA this has been in my requests for forever and i’m just now writing it?? i absolutely loved writing this and a big big thanks to @shmaptainwrites for being my lovely beta reader!

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There were very few downsides to being a Track-hoe. You enjoyed being outdoors all day, breathing in the fresh air and the amazing smell of fresh plants, chatting with your fellow track-hoes and generally enjoying yourself.

The main issue you had was the dirt.

Sure, it was essential to your job, but it was the worst possible thing about it. You didn’t even mind the sweat and aching muscles most of the time, because that just meant a job well done. But the dirt? If you could plant and grow things without it, you would. The way it stuck to your clothes, your skin. How it buried itself into your pores and underneath your fingernails and took forever to scrub off your skin.

The biggest upside, however, was Newt.

You’d been here almost 2 years, and he was quite possibly your favorite person in the Glade. He was the first person besides Alby to reach out and connect with you, not really caring or fearing the fact that you were, and still are, the only girl. Minho was the second person to do the same.

Newt, over time, had become your biggest confidant about almost everything. You spent pretty much all of your spare time with him, and he with you. After long days, you’d take the time after dinner to walk around the Glade. Sometimes you’d talk, and sometimes you’d just enjoy one another’s presence. Everyone knew not to mess with you, and the Greenies that didn’t usually learned their lesson pretty quickly.

You liked to call him your protector with a smile, mostly because he’d always flush bright red at the compliment.

It’d been a few days since the box came up, and the newest Greenie, Jason, was still getting his bearings around the Glade. He’d only learned his name yesterday, and that was after he threw up watching Winston show him how the slicers do their jobs. Today, he was with you and the other Track-hoes.

He’d been mostly hovering near Zart and Newt, who were showing him the ropes. You, however, caught him glancing over at you a few too many times. It was normal for a Greenie, and for you, since you were the only girl. But it didn’t stop you from feeling slightly uncomfortable.

Jason had been staring at you — as Zart was showing him how to de-weed the vegetables — until Newt clapped him on the shoulder. Faintly, you could hear them talking.

“Stop staring, mate. Focus on the job.” Newt said, his tone laced with that all-too-familiar protectiveness. It made you smile, the way his eyes pierced into Jason’s and struck him with a fear he seemed to make all the Greenies feel when it came to you.

After a while, you felt Jason resume his staring, even after Newt’s ‘warning’. You knew that he’d learn sooner or later, you just hoped it was the latter. While you were digging up some carrots, knowing it would take you forever to clean under your fingernails before dinner, Newt’s shadow blocked your view of the sun, forcing you to look up at him.

“Come on,” he nodded to the deadheads. “Zart said we need more fertilizer.”

Extending a hand upward, Newt pulled you to your feet before handing you the second bucket. As you departed from the gardens, you swung the empty bucket and sighed. “I don’t know why he never just sends one of us. There’s no way this is a two person job.”

“I’ve stopped questioning Zart,” Newt shrugged. “He’s the Keeper, what he says, goes. That’s all.”

Contemplating Newt’s words, you looked up at the leaves for a moment and tripped on a root. Newt barely caught you as you lurched forward, both buckets landing on the forest floor. “Besides, I think if you tried to do this yourself, you’d trip and break your neck.”

“Well,” you exaggerated a sigh, “can’t have that, can we?”

Newt shook his head, grabbing the buckets. “No, we can’t.”

After making it to the fertilizer pile and back with no further injury, the day carried on as normal. Newt and Zart continued training and carefully watching the Greenie to see if he was exactly up for the job of Track-hoe.

By the time the dinner bell rang, you were exhausted. You felt like this most days, but today you had to devote more energy than usual on making sure the Greenie wasn’t staring at you as if you’d solve all of his problems just by talking to him.

You and Newt took off at the same time, chatting about the Greenie and whether he was good for the Track-hoes or not. “I hope not,” you groaned. “He keeps staring at me. He’d spend more time looking at me than doing his actual job if he got put with us.”

“I know,” Newt chuckled. “I spent the day with the poor shank. You have no idea how many times I had to divert his attention back to his work, it was unbelievable.”

You shook your head. “Trust me, I know. I could feel him staring at me all damn day.”

The dining hall was already pretty full of Gladers, milling about or grabbing food or sitting down. Quickly, you could smell Frypan’s beef stew wafting from the pots on the table. Your stomach suddenly felt empty, and you couldn’t wait to pour yourself a bowl. You and Newt moved in tandem, pouring out soups into your own bowls from ladles hooked on the edge of the metal pots and grabbing cups of water from the table beside you.

Minho was already sitting at your usual table, peacefully eating his soup amid the usual chaos. Joining him, you and Newt sat across from him, digging into your food. Minho usually ate in silence, with the exception of joking around when the others got to the table, so you didn’t mind listening to the din of the conversations happening around you for a little while.

Soon, Frypan joined Minho’s side of the table, already boasting about how well received the stew was. Just as he was about to ask how everyone liked it, and as you were spooning more into your mouth, Jason approached your and Minho’s end of the table.

“Hi.” He said, entire body stiff, as if unclenching his muscles would make him disappear.

“...Hello?” You replied. “Is there something you need, Greenie?”

Jason laughed, but it sounded more like he was choking. “No, no. I just— I, um, I was wondering—”

“Cool it, slinthead,” Minho interrupted. “You’re not going to get anywhere with Y/n, here. She and Newt are practically married, even if they don’t know they are.”

With a disgruntled air around him, Jason admitted defeat and left the table to go find somewhere to eat his dinner.

You furrowed your brows at Minho. “Me and Newt aren’t married, what the shuck was that all about?”

As if things couldn’t get worse, Gally stepped up to the table on Newt’s other side. “Are we talking about you and Newt? Have you finally gotten your clunk together and started dating? Because I’ve been waiting for this for almost two years.”

“Nah,” Frypan said. “They’re too scared to admit something like that, Gally. You know that.”

“Yeah, and it’s getting on all of our nerves.” Minho said. “It irritates me more than the Newbies do.”

“Could you stop talking about us like we’re not here?” Newt snapped. “It’s really annoying.”

The group exchanged looks and you couldn’t help but smile. The rest of the dinner passed, and soon Alby joined you at Frypan’s side. The conversation flowed, as per usual, and you were able to let go of the pain your joints carried as you went back for a second helping and relaxed with your friends until sundown.

It was no surprise that Newt left when you did in order to walk you back to your room in the Homestead, where he bid you goodnight and headed to his own just down the hall. Just as he reached the door, though, he turned back and walked over to you.

“Just letting you know,” he began, “The Greenie’s staying on as a track-hoe tomorrow. Alby doesn’t want him doing a trial as a Medjack just yet. But I won’t be there either. Me and Gally have to be in the council hall tomorrow to talk with some of the other Keepers about scheduling. Stay safe, please.”

You giggled. “Don’t worry, Newt, I’ll be just fine. The most that Greenie’s gonna do is stare at me, and I can’t die from something like that. Plus, I’ll have Zart and the other Track-hoes with me for the day.”

He sighed, almost reluctant to go most of the day without you. “I’ll see you at breakfast then?”

“Yes, you will.” You nodded. “And dinner. Now go to sleep, Newt.”

With another goodnight, you and Newt headed into your respective rooms to settle in and go to bed, an unusual day ahead of you.

Despite waking up and starting your day with Newt as you usually would, it felt odd to split from him after Frypan served breakfast. It felt odd to not turn to him for casual conversation as you de-weeded the tomatoes and harvested carrots for tonight’s dinner — some sort of fried rice, you remember Frypan telling you at dinner last night.

Your day passed in relative silence aside from occasional chatter with the track-hoes or receiving orders from Zart. You avoided Jason as best as you could, and it seemed his embarrassment from last night still lingered as he was determined to stay on the opposite side of the field, despite still staring at you when he got the chance.

Sometime near the end of the day, you’d run out of fertilizer, and as usual Zart had sent you with both buckets to refill them. The trek was definitely boring without Newt to talk to, but you managed to fill both buckets and head most of the way back without incident, injury, or going crazy in the silence of the deadheads.

However, your luck was bound to run out at some point.

Just as the rays of sunshine were poking out from the field ahead, you tripped on a particularly large tree root sticking out of the ground. Both buckets flung from your hands as you stuck them out, attempting to break your own fall. Pain radiated from your ankle, palms, and wrists as you landed harshly on the ground, staining your clothes and skin with dirt.

After you processed what happened and pulled yourself up, you first inspected your palms. Wiping away the dirt, several scrapes and cuts revealed themselves, accompanied by irritated and angry skin surrounding them. Taking a moment to catch your breath, you tried your best to stand, but crumbled when you put weight on your right foot.

Hissing, you pulled up your pant leg and tried to touch around the area, only bringing yourself more pain as you did so. Figuring out how to get out of here was going to be difficult, especially without abandoning the buckets of fertilizer. After some time, you managed to find a particularly large stick to support the weight you would’ve put on your injured foot, hooked one bucket handle on the crook of your elbow, and took the other in your free hand.

As best as you could manage, you brought the fertilizer to Zart, who quickly took notice of your condition.

“What the shuck happened to you?!” He exclaimed as you shifted your weight.

Looking down at your foot, you sighed. “A large tree root got the jump on me, Zart. Now will you please help me to the Medjacks so I don’t have to use this shucking stick anymore?”

Almost jumping into action, Zart wrapped an arm around your torso and pulled your right one around his neck, helping you along to the other side of the Glade. You were beginning to see now why he usually sent Newt with you.

Upon reaching the Medjack hut, Clint and Jeff took over for Zart, ushering him away to get back to work. You were grateful for the Medjacks and the care they seemed to take with you. They made sure it was relatively painless for you as Clint examined your ankle and Jeff cleaned the cuts on your palms, keeping casual conversation with you as they did so.

It was only as Clint was wrapping your ankle — Jeff already having done so with the heels of your palms — that Newt came barrelling into the room.

“We were wondering where you were,” Jeff quipped as he put away the roll of gauze he’d just used.

Newt ignored the other two people in the room and came to sit on the edge of your bed. “What the bloody hell happened to you?”

“It’s not like I almost died, Newt.” You told him, but let him take your hands into his to look at. “I was getting the fertilizer from the deadheads and tripped on a root. It’s nothing more than a twisted ankle, I promise.”

“You promised you’d be fine today without me.” Newt corrected you, and you couldn’t help but chuckle.

“And I was. I just lost my footing to a root. I’ll be back up and running in a few days. Right, Clint?”

The boy at the end of the bed nodded, taping the tensor bandages into place. “Exactly. After three days of no work and constant elevation, you’ll be just fine.”

Newt looked back at the boy. “Are you sure?”

“Yes, I am.” Clint said. “I’ll even have Jeff come check up on her twice a day to make sure her foot heals. Okay?”

Newt considered Clint’s words for a moment before nodding. “Alright.”

Soon enough, the Medjack’s left you and Newt alone in the treatment room. It was silent, and Newt still held your bandaged hands in his, not daring to say a word.

“Are you okay?” You asked eventually, feeling that you’d studied the boy’s face enough to gather that he was still deeply upset and in thought.

Newt’s eyes snapped from your hands to make eye contact with you, and you could see the emotion pooling in his dark irises. “I dunno. I know it’s stupid, you’ll be fine, but… you were hurt. On the one day I wasn’t there with you.”

Turning your hands over in his, you grabbed his palms and squeezed. “But I’ll be fine, Newt. Look, I’m still healthy, aren’t I? Breathing, talking. That’s what matters. And it’s not your fault, it was just a silly accident.”

“I know, I just… the thought of you getting hurt makes me want to go crazy.” Newt admitted. “You being safe is all I care about.”

Your heart stuttered in your chest as your face warmed. “I… I didn’t know it meant that much to you.”

“You do.” Newt stated. “You mean that much to me.”

“Newt…” you whispered. “I think those slintheads were right.”

His face scrunched up. “What d’you mean?”

“I think… I think I like you. A lot more than I realized.” You gathered more courage with every word you spoke. “Newt… I think I’m in love with you.”

You watched his eyes widen as you spoke, hands still interlocked. Newt seemed to be stunned by your impromptu confession, and even you were surprised by it. Up until ten seconds ago, you were unaware of how big your feelings for Newt were, but now that they were out in the open, it was easy to see as you looked back on things. Your thoughts ran at a hundred miles a second, flashing with the memories you made with Newt and how close you’d gotten over the past few years.

It took you a second to pull away from the memories and realize that Newt had yet to respond.

“Newt?” You called out, trying to get his attention. “I shouldn’t have said anything. Look, we don’t have to do anything about it, we can forget it ever happened—”

“No.” Newt interrupted. “I don’t want to do that.” He adjusted his grip on your hands, stroking your knuckles with his thumbs. “I… I love you, too. I think I have from the moment I met you.”

Your lips stretched into a wide, blissful smile, and Newt’s expression soon matched yours. Slowly, he leaned in closer to you, shortening the distance until his lips were inches from yours.

“Can I kiss you?” He whispered.

“I’d like nothing more,” you told him, and in seconds, his lips were on yours and your hand was touching the back of his neck and you were both in a state of bliss you could only dream of until now.

You spent the next few hours with Newt, who sat next to you on the bed with an arm around your shoulders, talking mostly about how you both failed to notice your feelings toward each other for so long, occasionally disrupted by mini-makeouts. When the dinner bell rang, Newt promised to explain your injury to your friends and bring dinner for you both to eat in the Medjack hut.

When Newt came back, two steaming bowls of chicken rice in hand, the blush on his face was unmistakable.

“What happened?” You laughed as he passed you the bowl and sat on the bed. “What did they say to you?”’

“They didn’t say anything.” Newt corrected you. “They heard about my hauling ass across the Glade to get here from the council hall, that’s what. And they basically figured us out.”

“Really?” You fake gasped. “It’s like they’ve been trying to tell us about this for the past two years or something.”

“Ha, ha,” Newt rolled his eyes. “Eat your rice. After you’re finished, I’ve got to take you to the Homestead.”

“My hero,” you smiled, and Newt couldn’t help but to kiss you once more before you both dug into your meals.

Once your ankle was healed, it was no surprise the uproar your friends caused when you were finally able to walk to breakfast hand in hand with Newt. After all, they had been waiting years for this.

forever taglist: @mazerunnerrose @theboldandthebootyful @miraclesoflove @heliads

newt taglist: @superduperswitchbitch @jessimay89 @newtsmyhusbend @hehehehannahthings @fr-ogii @ghostofscarley @badbatch-simp24 @xhenix @letosart13 @erospecies @pariahsparadise @imabee-oralizard @ella33 @ellablossom @bluesongbird @1-800-isabellapotter @ajordan2020 @alexxavicry @uncontainedsmiles @thethreeeyed-raven

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#newt #newt tmr #newt x reader #newt tmr x reader #newt x you #newt x y/n #newt imagine #newt tmr imagine #newt fluff #the maze runner fanfiction #the maze runner x reader

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nawoken · 4 months

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Yes, because I got bullied by both of the games I played so... I'm here to rambling some stuff that has been stuck inside my head since forever.

How about... Reader with cute aggression, especially for those small, fluffy creatures, like... cats! (Ơ w Ơ).

You can't help squeezing, kissing, and biting (lightly) those cuties. Yes, you have Grim, but he won't let you pet him since you're too much, his words.

And TWST boys that by some accident, maybe from alchemy class or their clumsiness. They, unfortunately, have turned into those mischievous creatures.

You don't know that. You just walking around, minding your own business or headmage supposed to be business. Then, you saw it, a cat with the fluffiest fur and cutest eyes you've ever seen run by. And you know, you've fallen in love :)))

TWST boys, now in cat body don't know that they're in danger, roaming around freely with the hope that someone they know will realize and help them.

Oh, is that our calm and kind prefect? Surely, they can help our poor boy, right? No! They're deadly WRONG!!!

The next thing our boy knows after approaching prefect is that he's trapped in your embrace, being kissed, squeezed, and petted while you compliment him on how smooth and healthy his fur looks.

Damn it, prefect! He is not an actual cat, can’t you see it?! The answer is… No, you can’t. You’re busy admiring his cuteness.

He is struggling, embarrassed by your doing. Some of them might feel ashamed since it feels like he is taking advantage of you… or the other way around, some just aren’t used to being pampered. But, the worst thing is… prefect, please don’t rub your face on his stomach! Mmraooo!!! :’)))))

After a while, you finally stop, he sighs out of relief, … but why do you look at him like that? D..do you finally realize that he is not a cat?

You stared at the poor creature in your hand, thinking. And, this made him concerned, what are you planning to do?

Before he can do anything, you chomp on his face, more specifically, his muzzle … Yes, you do it without your teeth. But... YOU BITE HIM!!! ON HIS FACE!!! C...CAN THIS COUNT AS A KISS?!

He is panicked and stunned while you're in heaven. This might be the sweetest cat you've ever seen, he doesn't even bite or scratch you when you do all this to him.

Suddenly, pink smoke emitted from the cat, and with a "pop" sound, it turned into a human. Not to mention, you know him. Is it a good or bad thing? You don't know, the only thing you know is... you're DOOM!

You should know that this is a magical world, so you can't just hug any stray cat on the street, it can be anyone, not to say this is your crush. But you got tricked! By those sparkling eyes! And those fluffy ears! And now you can die from embarrassment.

Now, you're the one who panics while he just stands there, not knowing what to do or to say. The cure for this potion, it's a true love kiss. (Another version of the "The Princess and the Frog" potion but instead of a kiss from the princess, it's a true love kiss, why not? :))))

You two end up looking at each other for a whole minute before he decides to speak up but are cut off by you. "Please, just forget everything, this is so messed up of me, I promise I will try to make it up to you somehow, but please just erase that shameful thing I have done from your mind!" (QAQ)

Then you ran off, left him there with bewildered expression.

~~~~♡♡♡~~~

That's longer than I expected :'D

But, yeah, this has been stuck inside my head for too long, finally it can appear under the sunlight...

You know, I want to make a request for that idea. I've followed so many good TWST writers. But, well I'm shy and don't really sure how to, so I just keep it in.

The idea for this post is... I have a cat, she's been suffering from my cute aggression. Ehe, poor her, but she never bites me when I'm chomping on her muzzle. So sweet of her.

But yeah, I can't stop laughing when I think about TWST boy turning into a cat and being chomped on. That must be terrifying for him, but they still tried their best to not scratch you, their dear prefect. Except: Riddle, it's just his reflection, and he feels regret right after. And maybe Leona? Or, he just shows his claw to threaten you but doesn't actually do it.

Nom nom :3

MY ANGEL!!!

#twisted wonderland #twst #twst wonderland #twisted wonderland x reader #twst x reader #twst x you #twst x yuu

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caemidraws · 9 months

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i recently found your art via pinterest and just found your tumble through it and i just wanted to say how blown away by how amazing your compositions are, they’re so complex and detailed at the same time!! I truly aspire to have the same level of greatness in my own art.

if you don’t mind me asking are there any specific techniques you use to create your compositions?

Hi!! Thank you!!!!

So, composition...

I don't have a specific technique, as a self taught artist I usually make lots of experiments to see which shape I like better.

(It's a true pain when it comes to anatomy, (i did follow an anatomy class but I keep forgetting the basics) and I'm quite sure I'm still making mistakes,,,,)

I cannot do a proper tutorial on how I think my composition, but I can show you some examples, hoping they can help a little:

Lately I'm experimenting composition through color contrast!! Cold vs Warm, for example. (And to think I used to say I'd be stuck with gold forever,,,)

So..........hope I didn't bring you more questions than answers! Maybe one day I'll make a better teacher than 'look at these shapes...they're...shapes.'

But yes this is how I think things usually -- doesn't mean I'm 100% right (o´▽`o)

#ask #text #artists on tumblr #tutorial #NOT really #but I finished ideas for the tags #i also forgot to post my scheduled art for today but our dnd session went wild with divorce drama gdkgjd

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ichore · 2 months

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HEAVEN AND BACK | SUKUNA RYOMEN

synopsis: by the time your mother decided to marry sukuna ryomen's father, you have already noticed some weird things about your stepbrother. one, he has a thing for masks. two, he has a thing for drugs. three, he has a thing for you. and now you're stuck with him forever.

tags, warnings: MINORS DNI, modern au, stepcest, noncon at some parts, afab!reader x sukuna ryomen, usage of marijuana, usage of ecstasy, reader usually takes birth control, mask kink, fingering, cunnilingus, p -> v, damn this boy is nasty, happy ending??, not proofread

"What? You scared?" And there he is, with his shameless chuckle and shit eating grin as he holds up a small, white pill in between his fingers in front of you.

"I'm not fucking scared, Sukuna. I just don't feel like taking it." You spit, your intertwined arms tightening against your chest as your gaze is fixated on the TV.

You curse the day your mother said yes to marriage that brought Sukuna Ryomen into your life; everything was so always carnal about him, so evil and beckoning like a hurricane. Drugs and hookers are all that interest him, and now that your parents kicked him out, this embodiment of chaos wormed and settled his way into your apartment. The anxious knot in the pit of your stomach barely lets you sleep, dark circles growing under your exhausted eyes and the soft insides of your cheeks were bitten bloody and raw.

"Fine," he says finally, before putting the pill away into a small plastic bag - then he pulls out another. You pinch the bridge of your nose in annoyance before you could even see what the bag contained, and you stay in the position while Sukuna's weight falls onto the couch next to you. The distinctive smell of weed begins to tickle your nose as he starts to grind the drug.

"Maybe you should slow down a little," you say, earning only a scoffing huff of air escaping through his grin.

"I'm making this for you. You look like shit. You should ease up a lil. " The wrinkles of malevolence fade at the corners of his dry lips and they're replaced with a slight pout of focus as Sukuna expertly rolls you a joint. At first you wish he had this type of patience for anything else in life, but soon you feel the inviting heat coming from his body, your gaze takes in the muscles that still show themselves across his hoodie. When your eyes travel back to his face, the red of his eyes and dilated pupils are already on you with the usual, knowing smirk tugging at his lips. "What are you looking at?"

"Did you take a fucking molly?"

"Of course I did. I wouldn't have offered the other one to my dear sis if I didn't try it first. Why? Did you change your mind?"

"No... I can literally feel your body is burning from here. This can't be good for you." He carefully adjusts the joint one more time before he licks the edge of the paper and seals it for good before handing it to you. Your fingers graze against his hand as you hesitantly take the cigarette. "This is the last time." you whisper, and he scoffs again; you said the same the other time and the time before that, and now you lit the tip again, inhale another doze of mary jane and a familiar numbness webs your mind.

There's one thing about weed that makes you both love and hate it; horniness. Desire begins to swell in between your legs, your liquid warmth rolling down onto your fingers as you lay on your stomach with porn on your screen right next to your head. You wish the big, muscular man on your screen was creeping up on you and fucking you behind instead of the actress as you lazily tease your clit, your soft moans and sighs escaping through your door that you only closed half way. Except in the peak of your high, you don't hold back your voice, each of your wishes and curses travel to the living room where Sukuna is still sitting on the couch, his pants feeling tighter with each second as he's looking at the black ski mask in his hands.

He wonders which one of you liked masks first. Did he start wearing it because he saw your browser history one time? Or did you search it up because you thought he looked nice in it? Or was it both? Perhaps you both like it because you don't have to actually face him, your stepbrother who knows exactly what type of porn you're watching now and what position you're in without him having to look at you. He knows exactly what you want and how you like it - ironically, part of this information came from your ex as Sukuna beat him up for playing with your feelings.

"Your bitch sister and her fucking masks." Your ex spat, Sukuna remembers, before his knuckles met the bridge of that fool's nose. Sukuna feels his cock twitching in response, silently humming as he finds the answer to his own version of the chicken or the egg question. His hand dives into his sweatpants to find the angry red, pre-cum soaked head of his dick before he begins to stroke it. Your lazy moans tickle his ear from the distance as he tries to match their rhythm, he hitches his breath to focus on you and his building orgasm. His mouth forms a silent O as he feels himself finishing, but then a frustrated whine comes from you.

You can't cum, he realizes. His grips on his cock and his mask weaken as he opens his eyes, his head feeling heavy against the headboard of your couch while he's staring at the ceiling. He should help you. He's the only one who can, after all.

With his mask finally on, he finds you still on your stomach, your legs half dangling off the bed, your panties on the floor, your cheek squished against your bed with one hand still playing with your wetness. He can't remember the last time he hesitated in his life, but this time, as he approaches you slowly, he's scared. Yet, with one hand holding his cock, his feet bring him closer to you. Right next to your bed. His heart pounds vigorously against his ribcage when his free hand touches your ass, his fingers digging into your flesh as you jolt away. He lets go of his member to cover your mouth, his body weighs you down as he presses his nose against your temple.

"Be a good girl, and stay still." He groans, ignoring your sorry attempts of hitting him before you give up. It amazes him how high you could get from a little pot; you don't even recognize his voice, nor his tattoos even though you're looking right at his arm as his fingers enter your pussy. His mouth drops ajar, his fingertips massage your sweetest spot from inside as his maroon eyes are staring at the back of your head. Flushed, disheveled, you look so adorable to him as your walls clench around his fingers strong enough that it even takes him some strength to pull them out of you after you came. "Do you want more, baby?"

"Ah, yes, please, don't stop, don't go" you cry eagerly, your own body betraying you as you push yourself against him, his hard abs sweaty against your back as you both lay on your sides. Despite your whines, his hand leaves your pussy to hold your leg. He coats the head of his dick with your liquid desire before he enters, earning a deep, long moan from each of you as his thickness continues to dive into you until his balls meet your clit. His eyes roll back, he pants as his masked forehead rests against the soft crook of your neck and he's holding onto your thigh for dear life to not cum right at this instant.

"Never had a pussy this good, huh?" you giggle, and you almost turn around to look him in the eye, but he quickly grabs a fistful of your hair to keep your face away from his before he nearly pulls his cock all the way out of you and meanly shoves it back inside. Sweat begins to bead on his body as he continues to roughly grind his hips against yours, the tip of his dick hitting your spot each time. He feels you riding through orgasm after orgasm, your walls sometimes painfully tightening around him as if your screams and moans aren't enough to make him cum alone.

"Fuck, ease up a lil or you'll break my dick," he laughs under his breath. Before he knows it, you're both holding still as you look into each other's widened eyes in shock.

"Ryo... Ryomen?" His heart nearly breaks in two. You've never seen Sukuna Ryomen's eyes filled with regret, but now that your voice shakes with betrayal, his brows furrow as if he's about to weep. He forgets the weight of your drunken state, and your many orgasm lull your panic.

"You always tell me to ease up. A little." You murmur, gingerly pulling yourself away from him to be able to turn around in your bed. To his surprise, you lift his mask up to free his lips; myriad sweat drops roll down the width of his neck. His jawline sits rigid with anxiety as you cup each side of his face, and your lips meet his. His eyelashes flutter, and a held back tear escapes his eye and gets soaked up by the mask as he pulls you on top of him, kissing you back with the hunger of years worth of yearning. Your hands explore his chest, his back, your fingernails leaving maroon trails next to his spine that makes his cock twitch against your ass. You laugh a little before breaking your kiss, both of your chests rising and falling rapidly. "I'd say I'm pretty relaxed now."

"Good," he laughs with you, his fingers wrap around your thighs before he throws you on top of his face. "I wish you could see how fucking gorgeous you are."

"Describe it to me with your tongue right there then, Ryo." A sudden, powerful smack on your ass is his response before his upper lip begins to tease your clit, the length of his tongue teases more sap out of you as it massages your walls. You slip the mask off of him entirely as he continues to eat you out, his pink hair so disheveled from all the sweat that your fingers nearly get stuck as you run through it. You feel yourself get lost in the red of his gaze while his hands encourage you from behind to ride his face faster, earning yourself another orgasm. "Fuuuck, you make me cum so fast. I love it."

"Oh, really? " He asks. He gently lifts you up again to lay you on your back, his thighs forcing your legs wide open as he enters you without hesitation.

"Oh, fuck yes." You moan before he kisses you once more, his tongue forcing its way deep into your mouth. The movement of his hips slam against you with such speed and vigor, you're certain he's going to break you while his lips pepper kisses at every inch of your pretty face. As his own orgasm edges closer, his sharp teeth sink into your shoulder and for a second, he almost paints your walls white.

His warmth leaves your body all too sudden, your pussy trembles at the loss of his cock while you still ride through your last orgasm and he's jerking himself above you, his opalescent liquid dirtying your tummy.

"Let me clean you up," Sukuna makes his way to grab a papertowel before he sits next to you. You watch him as he gently takes his cum off of your skin, the corner of his mouth slightly twitching in disgust at the sight of his own juices, yet he presses a slight peck onto the cleaned area before he stands up to throw the tissues away.

"How do you feel?" he asks, the red of his eyes appearing darker than usual as he's lies down next to you, your noses almost touching as he faces your way.

"I feel... great." You laugh, throwing your head back that he can see the angry red of the back of your throat. When you place your flushed cheek against his chest, he welcomes it with caresses across your back before he begins to play with a strand of your hair.

"Are you still high?" he asks, you hear his worry speading up his heart as he studies the ends of your hair and how gorgeous they look in the sunlight peering through your curtains.

"I doubt it, and judging by the fact you didn't cum inside me, I also highly doubt you're still high either."

"You forgot to take your birth control this morning," he says, and silence follows. For a moment, he thinks you've figured out how obsessed he really is with you and fear will take over the relationship between you, you will kick him out, blacklist his number, block him on every socials... his mind races.

"I don't care what our parents are gonna say. I love you, too" you say finally, and although you can't see or feel it, his mouth widen into a smile as he presses the lock of your hair against his lips.

#header painted by denis sarazhin #tw: stepcest #sukuna ryomen x reader #sukuna ryomen x you #jjk x you #jjk smut #jjk imagines #jjk x reader #jjk #modern au #shikari writes #ryomen sukuna x reader #smut

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