#They're going to be living together in fact

[boomstab-papa]

Oh absolutely, giving misogynists captive girlfriends/wives isn't going to fix anything. Being a little more misogynist to try to appease misogynists won't work.

But "giving any credence" is such an interesting phrase to use here, because it's so ambiguous and also accusatory. What does "giving credence" mean? Who has been doing it? What have they been advocating for? Who, for example, has been saying leftists should be more misogynist, and how?

I'm not alone in this confusion, either, there are several comments on the tweet who are equally perplexed.

The fact is that the left DOES NEED a better approach to people who are feeling lost, angry, and scared.

Alt-right "self-help" authors and programs are hugely popular. These predators target lost, scared, and angry people. They're cults, really. And no matter how much the left discusses things like "can we stop parroting bioessentialist bullshit because hey, men aren't destined to be misogynistic assholes"... these alt-right cultists don't ever even have to TALK TO a leftist to repeatedly hear "leftists hate you for being born white/male/rich/etc". I really can't get over how Rush Limbaugh popularized the term "feminiazi" and told an entire generation that feminists were angry man-haters when they literally are not. But that's exactly how the grift works!! I should know, I grew up in exactly this Rush Limbaugh kind of house!!

"Don't blame the hyper-wealthy for ruining the economy, blame women and foreigners for taking all the jobs! Don't blame the ruined economy when nobody wants to have kids anymore, blame the women! Don't blame patriarchy and all the misogyny it taught you when women avoid your misogynist ass, blame the women! Remember, the feminazis hate you!!"

So what to do?

On an interpersonal level, sometimes it can be really easy. This is a comment made to Innuendo Studios's video "How to Radicalize A Normie" on this exact topic (which I highly recommend watching).

"Hey, ex-alt-right member here. First, really like this series. I feel like you’re validating the radicalization that me and my male friends experienced. Putting it into words and showing us how we got tricked, exposing the magician and their tricks. Second, I vot out not through argument and discussion but actually through feelings. I was very edgy and would use the n-word in jokes all the time. My male friends would not call me out on it. But a female friend of mine said it made her uncomfortable and that she didn’t appreciate these jokes when we played fortnite together. That shook me to my core as I cared for my friend and that’s how my deradicaliztion started. Just wanted to add in this personal story, keep up the great work :)"

If this is someone you know, tell them their behavior is not cool.

THIS GOES DOUBLE FOR THE MEN READING THIS. Misogynists are more likely to listen to you than they are to listen to women!! If someone is being a shithead in your vicinity, consider: are you gonna let it slide? Or are you maybe, possibly, going to be the one thing that yanks them out of a hatespiral and prompts them to re-examine their hateful worldview? Tell them "hey not cool".

This might not work the first time. This might not work at all for some people. But if the situation is relatively safe, then it's worth trying.

And this does not mean that you personally are responsible for "centering men in your conversations" or "marginalized people putting in even more emotional labor" or "if a man is misogynist it's because you failed him" what the fuck ever like I've seen in this discourse. Come the fuck on.

It means you can probably try saying something to somebody you know. And if it doesn't work? You can say you tried.

On a policy level, we have more work to do. It shouldn't come as a surprise to any leftist that the current economic and political system in the USA exists to separate and exploit people. I think we all agree it really sucks to live in a system like this. Your average reactionary misogynist also thinks the system sucks, but as explained above, they've been trained to place the blame on some convenient scapegoats instead. Immigrants. Women. Queer people. Muslims. Anybody who's not white. Et cetera. "Government needs to get out of the way of smart people and then Elon Musk will build a utopia for The Faithful (which includes me) on Mars" or some shit.

These people need to hear that their anger is justified, but that their blame is misplaced. They need policies that will hold the responsible parties accountable. They need policies that won't leave them impoverished and isolated and exhausted after working a 40+ hour work week. They need to realize the system isn't sorting people into "the worthy rich" and "the unworthy poor", rather, that it's exploiting everyone except the wealth-owning class. They need to realize it's their politicians' biggest campaign donors that are doing this to them.

The Democratic Party needs to actually talk about this. I'll be dangerously pithy here: the Democratic Party needs to sound more like Bernie Fucking Sanders. Politicians need to oppose health insurance companies and get Medicare For All going. Politicians need to stop voting to give the military two fucking billion dollars every single day and fund free college and trade schools. Politicians need to tell business interests to fuck off and get a livable minimum wage AND a universal basic income passed, which will severely undercut employers' ability to exploit and isolate us.

And we need Citizens United repealed. Badly. I'm not trying to imply the problem is only with Republicans' campaign donors, because Democrats' biggest campaign donors are also often the same people exploiting us. But look at how Democrats did a tiny little bit of pro-union and anti-trust work these past 4 years and they screamed bloody fucking murder. If Democrats are relying on these people's money to get them elected, I think it's going to be really hard to get policies passed that will actually make USAmericans safer and happier (ie. address Republicans' economic fears that they keep blaming on various scapegoats).

Although with Republicans controlling the entire Federal government for the next two years minimum, this feels more distant than ever.

That's what we need to be taking seriously. If you don't give any credence to the fears and insecurities underlying the horrifying reactionary politics, you're not actually addressing anything. If you can't admit that capitalism fucks all of us over and makes all of us miserable and looking for a remedy, are you even a leftist?

[bird-inacage]

The Heart Killers EP1: Kant & Bison's Desire for Agency

I recently wrote a post around Kant being the vehicle for Bison's freedom, but I'm spotting a bigger theme that these two lovebirds share in common. Both feel stripped of their agency, their ability to dictate their lives freely on their own terms and by their own ideals and desires.

For that reason, they're respectively struggling with where they are versus where they want to be, as factors beyond their control currently inhibit that from being attainable.

"I've cleared my name of car theft. My hands are so damn clean now." Kant is keen to put his past behind him, however Captain Chris has him cornered under the threat of re-opening his previous felonies and possible jail time, dangling custody of his brother as a bargaining chip. "If you get this done for me, not only will your criminal record be swept away, I'll wipe it clean." "If you go to jail, who'd take care of your brother?" This leaves Kant with no choice but to begrudgingly concede.

Bison feels similarly trapped by a life he didn't choose, clearly eager at any opportunity to 'clock off'. "I do what I have to do. Now I want to do what I want to. Can't I just live a little?" "If being hitmen makes it so hard to live, shouldn't we just quit?" "I don't want to kill people for a living my whole life... I just want to live my life." He just wants to enjoy a normal life - to have fun, to be frivolous, to embrace being a 24 year old.

TOGETHER WE BREAK FREE

Their relationship serves as temporary relief or escape from the situations they both find themselves in. Bison finds Kant's company a break from routine and monotony, a welcome distraction in between killing and working at the burger bar (neither of which he chose for himself). Dating Kant is an insight into the joys of life he fears missing out on. 'When I'm with you, I'm not a killer, I'm just a boy'.

By some poetic irony, Kant's mission to instrument Bison's capture would grant him access to the freedom he is seeking - allowing him and his brother to truly start afresh. There is absolutely more backstory to come as to why Kant wants this so badly, that he’s willing to throw so much in. Dating Bison may begin as a means to an end, but Kant does find himself falling in love, despite his objective.

Once everything is out in the open, I do think they'll aid one another in acquiring the agency they each so desperately desire. No one can better understand how it feels to be trapped than someone who is also fighting against the bars of their own cage.

OVERCOMING YOUR RESTRAINTS

On their first official date, Kant shares the following with Bison: “Would you believe me if I told you that I'm afraid of the ocean? Something happened when I was a kid. I almost drowned. Now I'm still afraid of it." One could argue that we don't know if Kant's admission is true, but I don't see any reason for him to lie about this specifically.

This promptly takes me back to this moment from the trailer, which has prominently stuck in my mind. I still get the impression that they are working together when Kant jumps in. If Bison was on the offensive, I don't think he'd be as stationary or calm. Maybe he's performing under someone's watchful eye, or his gun is aimed at something out of shot, or they're practicing a specific stunt.

Whatever the context, this scene now has considerably more weight. The fact that Kant jumps in whilst his hands are bound, when he has a fear of drowning is an indication he's putting his complete trust in Bison (who is adept at swimming), to rescue him if needs be. The implication here being that Bison may quite literally, mentally and symbolically free Kant from his restraints, helping him to overcome what he’s most afraid of.

BDSM: THE PLEASURE OF CONTROL

Funnily enough, this duo's exploration of BDSM even aligns with their shared desire for agency. From the few snippets we’ve been shown, Bison likes being the one in control. Your partner consents to be at your mercy, affording you the power to enact pleasure and/or pain. And there’s a heady thrill in being handed that control. (It's worth noting the inherent power play in taking a life, but whether Bison derives any pleasure from this, I'm not 100% sure. Kant also knows Bison is capable of killing, so letting him dominate actually says a tonne). During their one night stand, Bison even quips, "you're not doing this solo, you know," which teases that he's no passive participant.

Kant seems happy to indulge Bison in taking the reins. Having his agency taken away during acts of passion, but on his terms is completely different to feeling forcibly pushed - because you've chosen how and who you forfeit that agency to. This is partly why I suspect Kant actually gives Bison permission to tie him up in that boat scene (above).

You can keep tabs on bird-inacage’s BL meta directory for my other long-form posts around The Heart Killers, which I’ll be updating as the show airs.

[tenebraevesper]

Sonic X Shadow Takeover Analyzer (Part 1)

I was so excited to hear this Takeover since it is only Sonic and Shadow talking to each other and answering question. It is one of those times where you get to see their dynamic without anyone else's input.

Since I feel like I could write an essay about these two, I decided to instead put all my thoughts into bullet points, this being Part 1 of my list:

First of, congratulations to Shadow for hosting the Takeover! Shadow sounds so proud of having managed to take over the channel and having gotten a whole year for himself. At least until Sonic reminds him that he is also there.

Why does Sonic's mind immediately jump to ''marriage'' when he hears the word proposal? Is he still bummed over the fact that he didn't think of proposing to Shadow?

I never thought I'd live the day to hear Shadow saying ''Sonic x Shadow''. I know it's referring to the game, but shippers are going to have a field day with this.

Shadow finally got his #AskShadow. Sonic is not happy to lose to him.

The best way for Sonic to annoy Shadow is to just be around him, with Sonic adding how he'd slowly take his time when they're racing and drag it out, much to Shadow's chagrin. God, I love how Sonic trolls Shadow.

Sonic doesn't know about Doom Wing... and he forgot about Black Doom! X3

I love how Sonic's idea in a body swap scenario with Shadow is to brag about himself, while Shadow's idea is to tell everyone how Sonic is stupid... and more importantly, telling that to Amy. Sonic sounds really flustered, and while I get the Sonamy joke... I'm pretty sure they threw that in because they knew the Sonadow fans will go wild over this.

There you have it folks! Shadow doesn't hate Tails, but he will beat him up if he stands in his way. I also love how Sonic immediately jumps to Tails' defense - big brother gotta protect his little brother.

Sonic loves the journey, while Shadow points out how you need to learn from the experience to not make the same mistakes. I love their philosophy, since they mesh so well together... and it also feels as if Sonic wants to go on a journey with Shadow.

I love the scenario of Sonic and Shadow babysitting Cream and them arguing over their methods (Sonic, the twelve scoop ice-cream cone scenario is really specific).

Did Sonic just invite Shadow on an ice-cream date? As Cream's babysitters, but nonetheless, it is a date. And he also knows what Shadow's favorite ice-cream flavour is.

Okay, start the counter for how many times Sonic attempts to convince Shadow to go out with him.

I love how Sonic knows how to challenge Shadow and Shadow falls for it despite his reservations, even if it's something silly like a thumb war. Sonic knows exactly how to get under his skin and Shadow just goes along with it, much to his chagrin. X3

Sonic, Shadow and Silver have a Big Brother, Little Brother relationship! Love how they're ready to help him at any point of time and how Shadow respects Silver.

So, Sonic forgot about Elise? To note Sonic 06 technically did happen, but the universe did get reset.

I adore that Shadow acts like he doesn't care whether he's Sonic's biggest rival, but the moment Sonic starts trolling him by placing him between Zavok and... Dodon Pa? (What?) - Shadow gets irritated. It's obvious that Shadow wants the recognition of being Sonic's main rival, and knows Sonic is messing with him.

Did Shadow just laugh at the Joe Mama joke?

Shadow correcting Sonic's Macarena bit is hilarious, especially since neither of them know the lyrics. Also, obligatory Macarena singing is obligatory.

I love how Shadow shares Omega's ''enthusiasm for blowing things up''. We saw him enjoying himself blowing up G.U.N. property alongside Omega and Rouge in Sonic X Shadow Generations: Dark Beginnings, so I'm not surprised. Sonic then immediately figures he also needs to hang out more with Omega,... perhaps in hopes to get closer to Shadow?

Shadow pointing out how Tails is the reason why Sonic's always in trouble is not wrong. These two can be a disaster when together as siblings tend to do.

''Shadow, have you ever given Sonic a present on his birthday?'' ''No, my presence is more than enough.'' There are several things to discuss here:

Shadow is willing to buy Amy a present in The Murder of Sonic the Hedgehog, but couldn't bother get anything for Sonic, which is hilarious. Especially since we know that it was Rouge who convinced him to go to Sonic's birthday by promising him a rocket.

Shadow arrived at Sonic's birthday just after he was traumatized by watching Gerald and Maria return to their own timeline, knowing this was the last time he saw them again. I doubt getting a present for Sonic was on his mind at that time.

Shadow claims his presence is enough of a birthday present. I interpret this as him claiming that he is Sonic's birthday present and you can't stop me.

Sonic teasing Shadow about the Hot Honey concert is so hilarious... until Shadow reveals they're going on another concert, and Sonic's mood drops. Honestly, Sonic, if you want to go to a concert with Shadow, ask him out!

Sonic being so intrigued and even saying that he's jealous over Shadow smiling in Big's presence, and then suggests a fishing trip with all three of them. Not only does he want to see Shadow smile again, but he is still persistent about getting his date.

Shadow chooses to save Sonic from danger because he knows Sonic will get himself into trouble, so he needs keep an eye on him. This is completely out of Sonic Prime and I'm loving it! It really shows that Shadow cares about Sonic.

Sonic isn't too enthusiastic about going with Amy on shopping trips. Shadow, on the other hand, just buys what he needs, which is understandable... Sonic then immediately uses this as an opportunity to invite him on a shopping date, even saying how he'll make it fun. Shadow immediately accepts the moment Sonic turns it into a race.

They mention the matching outfits (possible reference to Sonic Speed Simulator)! Sonic believes they have similar tastes, Shadow calls it a coincidence and insists it means nothing, which Sonic doesn't buy at all.

''But if we do ever go to a party, you know I'm picking the outfits.'' Sonic is still desperately trying to get that date and Shadow is not budging. These two sound like a married couple.

I love how Shadow respects Sonic enough to refuse beating him in a swimming competition, even if he reasons that it's because Sonic would drown, so he wouldn't be able to see the look of the defeat on his face.

Sonic immediately mentions a ''plummeting to Earth contest'', which is just... woah! I didn't expect him to go that far. Shadow gets an UNO Reverse on him by teasing him about needing floaties. Go Shadow!

Sonic keeps his chest fur short to stay aerodynamic and run laps around Shadow. You guys do know that hedgehogs circle around each other in order to court?

Frontiers!Sonic voice is back! Shadow sounds baffled. X3

So, Classic Sonic is just chilling in the room. Shadow likes him because he's silent, though. I suppose Modern Sonic is taking notes... or not.

#Sonic X Shadow Takeover Analyzer (Part 2)

#Sonic Cyber Revolution (Masterlist)

[marzipanandminutiae]

I DID IT

I AM CAUGHT UP ON THE HANDMAID'S TALE

EVEN THOUGH ALL OF SEASON 5 WAS A SLOG TO GET THROUGH

my god. I've never done so much Not Caring about a TV show as this past season. the story feels like it's just dragging on and on past a reasonable stopping point- June getting to Canada -especially since they said they're still adapting The Testaments next as of this past February

also the attempts by Lawrence to justify Gilead as "using religious zealots to save humanity" seems like a weird both-sides-ism that I've been worried about since the first mention of Gilead cutting their carbon emissions back in the earlier seasons of the show

for context, book!Gilead is lucky they lasted even the 20-ish years they're implied to have in the afterword of TT. they're climate change deniers, nobody ever has enough of anything- even the children of the Commanders, as the Hannah character of the books grows up, circulate the same clothing and toys amongst themselves and eat synthetic dairy products instead of the real deal -power cuts are frequent, Commanders' houses have guards everywhere because children being "kidnapped" by resistance members trying to get them out of Gilead is common, they're sending missionaries abroad to frantically proselytize because they're running out of fertile young women due to escapes and executions, and frankly everything holds together about as well as you'd expect for a wildly irrational dystopia that doesn't care about facts or logic

the show transforms them into a society with human rights abuses galore, but no other real issues. scarcity is hinted at a few times but never actually appears to impact characters' lives. everyone has beautifully-fitted matching outfits; you never see clothes being passed on to anyone else when someone no longer needs them. no major food groups seem to be lacking. and hey, they fixed climate change so well that Boston now sees Toronto-level snow every winter! (because that's...definitely how that works!)

maybe the showrunners felt that they needed to create a reason why anyone who wasn't a zealot would go along with Gilead, but they took out the main reason from the books: certain anti-porn feminists making a devil's bargain with the religious right, the whole phenomenon of the 1980s that made Atwood write the book to begin with

there aren't supposed to be Aspects In Which Gilead Is Good Actually. it's a dystopia. it's a commentary on negative aspects of our society. it doesn't have to be positive in any capacity

the show is really good at a lot of things- I especially liked the choice to make June decidedly Christian, even though it was probably made more to avoid criticism of the show as anti-Christian than to add character depth

but just like the last time I tried to watch it, I found myself getting less and less invested as the seasons went on

we'll see how the sixth and final season goes for me, I guess

[captain-ashby]

All of this and more. I loved this game a lot, it had many strengths, and for me it stands next to the others in the series, if an inch or two lower. However this IS the heart of most of the problems with this game: the writers refused to allow conflict except with the antaam, the venatori, and the elven gods.

All the previous dragon age and mass effect games revolved around the fact that even the world's/galaxy's saviors are people who had one goal: save the world/galaxy, no matter how broken it is and how much you are hated. The HoF fought simultaneously against and for a nation that believed wholeheartedly that they were traitors. Hawke and his family/companions are made up of people that are considered the scum of the world. The Inquistor is wrongly persecuted as a heretic and has to fight against overwhelming religious and political pushback. Shephard CONSTANTLY is treated as little more than nuisance until the galaxy ending threat has already started, despite being one of the most decorated soldiers in the galaxy.

On top of this, their companions are a constant source of conflict. Tali/Legion, Jack/Miranda, Alistair/Morrigain, the entire da2 team, Solas/Sera, Dorian/Bull. Almost all the companions have centuries old prejudice baked into them, and more often than not they are willing to betray you and each other for their own goals. Where all of these games shine is leaning into that, working through the conflicts, and resolving them in ways that are satisfying.

Rook and his team face almost no pushback. Lucanis is a murderer and an abomination. Taash is Qunari, who are by and large considered zealous and violent conquerors. Davrin and Bellara have just had their gods almost destroy the world, and elves are almost always second-class citizens. Necromancy is not just accepted by the rest of the Thedas as just another school of magic.

In fact, mages in general no longer face any of the persecution they used to, despite the fact that Elgar'Nan, Ghilan'Nain and Solas are the most powerful mages to ever live and are responsible for almost all the major ills of the world. All of this isn't because the Veilguard has proven to the world that their prejudices are wrong, it is just... not addressed. Ignored. Rook is respected by everyone bar the comical villains (even then The Butcher respects you with no effort on the players part), with the exception of the people of the city Rook didn't personally go fight a high dragon for because they were busy fighting another one elsewhere.

And there's the crux. Theres no proving that you are the one in the right, or that there's a bigger evil to focus on. No political maneuvering. Theres not even really any conflict resolved outside of killing Venatori, Antaam, and darkspawn, all of whom are outcasts from any real society and as such have no real ramifications to being destroyed. The other BioWare heroes succeeded despite the world they were saving not wanting them, Rook succeeds because everyone puts their entire faith into one person.

Again, I enjoyed this game very much. But it forgets that "fighting against impossible odds" doesnt just mean mortal against deity, but also nation against nation, race against race, and ally against ally. Everyone in Veilguard comes across as a good person in need of a little therapy, when bioware as a whole thrives on stories about inherently flawed and tragic characters rallying together to do what MUST be done to save an ultimately ungrateful people.

TLDR: One line from the Inquisitor in Trespasser perfectly sums up the inherent frustration that permeates all other bioware games to create compelling stories, which I believe is the missing thread from Veilguard: "Dammit! We save Ferelden, and they're angry. We save Orlais, and they're angry. We close the Breach twice, and my own hand wants to kill me. Could one thing in this fucking world just stay fixed?!"

Why Fenris could Never Cameo in Dragon Age: The Veilguard

In the run up to Dragon age: The Veilguard, I was almost certain that Fenris would be our main legacy character from previous games. Not only has he been central in the comics released between DAI and DATV, he is an escaped Tevinter slave who's plot revolved around magisters, magic and the structural prejudices surrounding elves in Thedas. Not only that, but he's canonically in Tevinter killing slavers currently so he's geographically in the right place for us to meet him.

About halfway through the game though, it was clear to me: Fenris could never cameo in The Veilguard. Because he'd break it.

How the Veilguard treats Thedas is...odd to me, to say the least. I will be writing another post about how much I adored the expanded big lore in this game (the titans, ancient elves were spirits, where the blight came from etc.) and yet while these large lore expansions worked for me, the actual culture of modern Thedas is entirely softened, its sharp edges filed down until it's a sanitised fantasy world devoid of what made the franchise so vibrant and compelling in the first place.

So let's start with Fenris and slavery. In all three games, the reality of slavery is pushing at the corners of the world. In DAO Loghain allows Tevinter Magisters to enslave elves in order to raise money for his war effort. In DA2 Fenris is fighting to be free from slavers who will not leave him be, let alone the reminders that the city was built by slaves which are everywhere. In DAI one of the two possible mini-bosses is Calpurnia who was a slave, and characters such as Gatt and Dorian both show us how much slavery is tied into Tevinters culture and success.

But DATV the first game actually set in Tevinter where we get to see the famed Minrathous...it's like the game purposefully wants to avoid the issue. I can feel it tilting the camera away to not allow me to see. Slavery is mentioned, but never talked about in depth or as a specifically ELVEN problem in Tevinter. This might have been done to be less problematic, it feels ignored.

We are in DOCK TOWN. We are at the DOCKS. You would think that slaves from all over Thedas who are being smuggled and bought by various groups would be everywhere. You would think that the injustice in dock town would be partly built on the back of ships we've seen in the comics crammed with elves in chains. This is the world Dragon age set up for us. And yet...nothing. zilch. A tiny easily skippable side quest where we free a couple of venatori slaves, but only one of whom is an elf.

None of our Tevinter characters seem to have been influenced by their culture even a little bit when it comes to how they view elves; there is no moment when Neve fucks up and says something prejudiced, no moment when Bellara or Davrin are distrustful of her for being a Tevinter mage.

The same goes for Zevran; a character who epitomised the issues with the crows. The crows have consistently been characterised as very morally dubious assassins who kill for the highest bidder and who buy children on the slave market and torture them as they grow in order to assure that they reach maturity able to withstand torture without giving away a client's name. Zevran is very explicit about the fact that if you fail a contract your life is forefit.

Nobody responds particularly to you if you're an elf. Nobody trusts rook less for it in Tevinter. Nobody treats Rook any differently. Even DAI had better mechanics for this; with nobles in Orlais less likely to trust you as an elf.

Considering one of the main plot points of this game and what makes Solas sympathetic is the fact that he was fighting against the slavery of ancient elves...you'd think the game might want to mirror that in modern Thedas. It might want to show us how characters fighting to end slavery in Tevinter are similar to Solas and how the society Solas fought against was similar to the one that characters we love such as Fenris have fought against in modern Thedas. Maybe we'd want to explore how in a world of slavery like this, how could the answer NOT be to tear it all down? Maybe we should have that option at the end of the game so it really can chose whether we agree with Solas and his plans or not.

Adding Fenris to this game would entirely break the game because Fenris refuses to allow you to look away from this horror. He is a sympathetic character who had to learn to trust mages again because of course he didn't trust them. Of course he didn't. Fenris wouldn't allow the camera to shift focus because he's literally covered in the lyrium scars that show how slaves are used as experiments in Tevinter. Fenris WOULD question Neve on how she feels about elves and slaves. Fenris WOULD have things to say about Lucanis and the crows (let alone the fact Lucanis is an abomonation). So he could never be in this game; he'd drop a bomb on it's carefully constructed blinders to the very society its supposed to be set in.

And yet, in DATV, the crows are presented as...a found family of misfits and orphans? The politician who opposes the crows having absolute power in Antiva is framed as a comically evil idiot who doesn't understand that the crows are ontologically good. Yet...they're NOT. Crows in this game act more like a secret rebel group than an assassin organisation. We see no crow taking contracts with the VERY RICH venatori magisters despite being hired killers. We see crows just refuse to kill people despite having a contract because 'its crueler to leave them alive'. The crows don't feel like the crows here, they feel like a softened version of a cool assassin group who are cool because they wear black and purple.

Our pirate group are also sanitised; the Lords of Fortune are good pirates who only steal treasure that's not culturally significant. Theyve clearly read the modern critiques of the British Museum and have decided to explicitly stop anyone levelling similar critiques at them. There is no faction of the Lords of Fortune who aren't like this, no internal arguments about it. Everyone just. Agrees. And is able to accurately tell what a cultural artifact is vs. what treasure that you can have yourself is. Rather than showing us why a pirate stealing cultural artifacts might be bad (like in da2 where such a situation literally causes a coup and a war) it just tells us it's bad. But also pirates are cool so we still want them in our world.

This issue seaps into Thedas and drains it of any of the interesting complexity and ability to SAY anything that this franchise had before this game. It becomes a game about telling and not showing rather than the other way around. The games have ALWAYS asked questions about oppressive structural systems and their interplay with society, religion and culture and how these things can affect even the most well meaning character. Dragon age at its best IS a game about society and how society functions both for and against it's characters and what happens to societies built on cruelty and indifference. The best bad guys dragon age has given us are those who are bad because they embody these systems or have been shaped by them. Our main characters have had to wrestle with questions surrounding how to exist in these systems, fight against them, learn and grow.

Yet every group you come across in DATV is sanitised and cleaned up to the point of being as non problematic as humanly possible. None of our cast of characters have to wrestle with where they came from or the world that shaped them. None of them have to confront their own biases. They start the game perfectly non-problematic and end it that way too.

And this just...isn't what Dragon Age has been in the past. It isn't why I love the franchise. The whole game just felt, in a way, hollow. And this was a CHOICE and it is why the legacy characters are few and far between. Too many dragon age characters are just too...angry and complex for this game. You can feel them pulling their punches on this one. I have to imagine they did this because they didn't want to be criticised or have too much controversy? But I think it honestly goes far too much in the other direction and just makes it bland.

I can't imagine what I say here will be unique, but it is the basis for a LOT of my other thoughts on this game so I wanted to get it out of the way first. The softened Thedas and characters make this game by far the weakest in the franchise.

[planetpedri]

you can write one with cubarsi where the reader is a famous singer and when she releases a song it's obvious that they're together and he's all shy

To be seen — Pau Cubarsí.

Pairing: Pau Cubarsí x Fem!Reader

Summary: In which you release an album so painfully obvious about Pau !

Word count: 590+

Disclaimer/s: Half smau half actually writing! reader is a singer and alll fluff !!

A/N: okay ik u said song (singular) but then i got bored and made graphics so..

Yourusername

Liked by paucubarsi, billieeilish, 802,291 others

yourusername My second album ‘To be seen’ is out now on all platforms <3 Thank you to my support system & all of you guys, I love and appreciate you more than you know!!

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username1 hey! so you were sick for this.

username2 are we going to brush over the fact that these are all love songs and she is literally dating Pau Cubarsí?? (i don’t have a source i just know.)

⤷ username3 RUGHT? i’m going insane. why IS NOBODY TALKING ABOUT THISSS

username4 my pauxy/n agenda has been pushed to the frontlines. nobody can deny them now.

paucubarsi I’m so proud of you mi amor❤️

⤷ yourusername I love you 😭❤️

⤷ username3 hey!! ahahahahahah i’m so normal rn guys im so normal hey hi im sooo normal

⤷ hectorfort Kids down bad😂

⤷ yourusername can you leave lil boy.

⤷ hectorfort I’m older than you?

username5 mi. amor. mi. amor.

billieeilish The most beautiful voice!!😭

⤷ yourusername i cant breath i cant breath i cant

lamineyamal Pau’s blushing like a kid rn congrats ❤️

⤷ paucubarsi Get outtttttttttttt .

username6 hey so “show me how” is actually making me hit my head against a wall. delete it NOW.

⤷ yourusername uhm, you’re welcome..(?)💕

username7 IS THE SECOND PHOTO PAU AND Y/N?

⤷ username8 IT IS?? IT HAS TO BE??

—

Your front door unlocking had you scrambling off the couch. A giddy pep in your step as you scrambled to meet your boyfriend in the entryway. When you see him, Pau has a faint blush across his cheeks, probably left over from his friends teasing.

“Hello.” You hum as Pau wraps his arms around your waist, planting a soft kiss onto your lips.

“Hello.” He repeats the greeting when he pulls away. “You could’ve told me what your album was about.”

Right.

You wanted it to be a surprise. ‘To be seen’ was your one year anniversary gift to Pau, finding the only way you could explain the depth of your love was through your songwriting.

You shrug, “I told you it was a surprise!” You plant another kiss on his lips, “did you like it?”

“I loved it..” He hesitates before speaking again, “the fans also really liked it. Have you read the comments?” He’s blushing again when he brings it up.

“They are under my post about my album. So, yes, my dear, sweet boyfriend, I have.” Wriggling out of his grasp, you pat his cheek. “My parents are on the way home with takeout to celebrate! You are staying right?”

Pau rolls his eyes, “it’s our anniversary, of course I’m staying.” He trails after you into the living room, plopping down beside you on the couch and pulling you into his side. “I love you.”

Grinning up at him, you say a soft, “I love you,” back. Pau leans down for another kiss but you stop him, pressing your pointer finger to his lips and Pau’s eyebrows furrow in confusion. “First, tell me your favorite song.”

“Lovesong.” He grins, “it’s.. cute.”

“Cute?” You laugh, “I’ll take it.”

“So..?” Letting out a dramatic huff, you nod—mid doing so, his lips connect with yours once again. “Also, when did that picture of us even get taken?”

Sighing at the loss of contact, you rest your head on his shoulder. “A few months ago, when we visited my parent’s lake cabin. My sister took it.”

Pau’s cheeks puff up with the smile that took over his face. “Send it to me?” You nod, reaching for your phone.

Likes , comments , and reblog’s are all appreciated. lmk if you’d like to be tagged in future pau posts.

ᝰ.ᐟ tags @halfwayhearted @ar4ujos @sakashq @hrts4havertz @joaoflms @spidybaby @unx100to @n0vazsq

[abominable-space-they]

A OnePiece (LuLaw ZoSan NamVi end game) Au in which the Strawhats all start out on other crews

Zoro is a Buggy Lieutenant, Nami, Vivi, & Usopp have a crew of grifters & pick pockets, Sanji & Law grew up together & are both Donquixote Lieutenants.

Luffy was raised by Crocodile & shares Baroque Works 2nd in command w/ Robin. They're code named the Gemini Twins. No one knows if they're actually twins or even really siblings.

They don't know if they're siblings either, Crocodile gets extremely evasive anytime the subject of who Robin's biological father might have been. She only knows he was a higher up in the revolutionary army.

Luffy grew up believing in both his dads' visions for a 🌈 utopia until Alabasta falls. Finding out Crocodile doesn't want freedom for everyone, but to lead a world he thinks is perfect for him, that Dragon lied about Sabo being dead, that neither of them had really been doing much revolution for all these decades. It was the final straw for Luffy.

By the end of the Alabasta arc he's not mad at his dads exactly, just disappointed.

He was raised to believe in something they're not even really actually living.

Realizing his dad's dreams aren't his own, is a turning point for Luffy. He realizes it's time for him to strike out on his own. So leaves Baroque Works determined to figure out and pursue his own dream.

Robin goes with him bc she's intrigued by his determination before he even knows what he does believe in, what he wants his dream to be. Neither of them were raised to believe in their own dreams, only their parents'.

She thought it would be interesting to see what Luffy would do with his new found freedom & this unrelenting faith he had in himself and the people he chose.

And if it turned out that it was feasible to pursue their own dreams... well she had a few secret wishes of her own. She could be convinced to believe... maybe.

The first place Luffy goes in figuring out what his dream is, is to visit uncles. Mishuggy did a lot of raising him & they're the first ppl that come to mind when he thinks of dreams.

While they visit Shanks gets his dad's hat out of storage and gives it to Luffy. He tells Luffy that that's for dreamers. Luffy swears he'll cherish it, honor it by finding his own dream.

Luffy & Zoro immediately hit it off. Zoro isn't unhappy in Buggy's crew.

Buggy found him when he was lost. Buggy never judged him, taught him about the power of dreams & belonging. But Zoro's never had his own dreams either, only Kuina's, only Buggy's.

Meeting Luffy is life changing. Zoro doesn't really know what his own dream might be yet and he's still determined to become the greatest swordsman in the world, but he's curious about the possibility of his own dreams.

The potential seems important.

Zoro & Luffy make a pact to find their own dreams together. Luffy doesn't know he wants to be Pirate king yet but he believes in himself, he believes in them.

They find Usopp in some no name village on a no account island.

Luffy immediately adores him & his stories, calls him family when he finds out he's Yasopp's son.

He invites Usopp to travel with them for awhile. Usopp accepts.

3 Islands & some hijinks later, Nami confronts them. Luffy was supposed to be their crew's mark but Usopp couldn't go through with it by the time they got where they were going. He'd been dodging her for two Islands, unsure what to do.

Usopp has always been so full of dreams. He wants to believe, he wants to find his own most important dreams too.

Luffy isn't upset they were gonna steal from him. He thinks it's pretty funny actually. He hadn't had anything to steal since he left Baroque Works. He invites their whole crew to travel with them to find their own dreams 2gther

Besides Nami, Usopp, and Vivi, their crew consists of Bepo, Penguin, Shachi, Chopper, Carrot, & Franky.

They'd been targeting Robin & Luffy, for Vivi, because they thought they were still Baroque Works. The fact that they'd both left... specifically because of what Baroque Works, what Crocodile did to Alabasta, changed things... though Nami and Vivi weren't sure exactly how yet

Nami scofffs at the idea of traveling with two ex Baroque Works agents and some grumpy green haired freak from the clown crew. She didn't believe in anything... definitely not redemption... well she hadn't before she met Vivi anyway.

Usopp knows Nami though , they've been best friends since she accidentally helped him trick The Black Cat Pirate Captain into exposing himself to the whole of Syrup village and leaving in disgrace.

It turned out there was power in the right story told at the the right time.

So Usopp knows Nami, maybe better then he knows himself. Though contradicting her makes him cringe, he can't help himself.

"Nami!!! You're just scared he'll convince you too! It's not that easy to betrayLuffy !!"

Nami scofffs at that too but ultimately let's her pride convince her to agree

Just to prove Usopp wrong of course

... and to make sure Luffy and Robin really are reformed (and broke)

Sanji is the Donquixote warlord style ambassador to Iva's Revolutionary Queens, so he's kinda dual enrolled.

He's a Donquixote Lieutenant but he spends half his time working with Iva & the Queens. His knowledge of statecraft, the celestial dragons, & world royal families, make Mr Princess almost indispensable to them.

Sanji is enthralled by Luffy's determination to find his own dream... & maybe maybe Zoro a little too. He knows there's always been someone else he's supposed to be besides a apy. When Luffy finds out Sanji cooks, loves to cook, misses cooking, he loses his mind with excitement, asks if Sanji would cook for him. Sanji's shy about it at first, he hasn't cooked for anyone but Law & Cora for years & those two... well getting them to eat anything was a chore. Much less anything new or experimental.

But Sanji's a master chef & Luffy loves to eat. He needn't have worried.

Iva encourages him to go find himself & his own dream. Iva promises to handle Doflamingo so he wouldn't have The Donquixote Brothers outraged over his leaving.

Sanji joins them on their travels. Luffy is delighted to have a chef on staff... and Zoro... well Zoro would never admit it out loud but he thinks he might have met his match in Sanji. Sparring with him is one of the most exciting things he's experienced since the first time he picked up a sword, since the first time he put Wado between his teeth.

All he ever wants to do is fight with Sanji, Sanji is more then happy to oblige him.

They argue constantly, neither of them have ever been happier.

The Strawhats meet Law later, they're getting notorious in their own right by nos. While they're not out for blood, Law was sent to collect his wayward blood brother and bring him back home.

Doffy doesn't like feeling left behind. It makes him extra twitchy.

Of course Luffy convinces Law to travel with them too, while he's finding his own dream.

Law swears he's doing it against his will... at first, just to convince Sanji to come back home so he doesn't have to listen to Doffy's theatrics for months.

As they travel looking for their own dreams, Luffy gets increasingly frustrated with how many of their new friends aren't free to pursue their dreams either. Frustrated that children aren't allowed to grow into the people they want to be, that so many people in the world are to busy trying to survive, to have the luxury of really living.

Law cynically tells Luffy that no one's free to pursue their own dreams. His whole pursuit is naive. He should give up

(secretly Law hopes he never does)

Law, frowning: The only person who's completely free in this world is the king of the pirates. So unless you're planning on becoming the king of the pirates, you're out of luck.

Luffy, smiling so wide, he looks like he could eat the world in one satisfied bite: That's it Torao. I'M GONNA BE THE KING OF THE PIRATES!

Law isn't used to believing in things, but being around Luffy these last months has been changing him. Amazingly enough he believes Luffy... he believes in him.

Under his fluffy hat Trafalgar Law smiles a small secret smile. The pirate king, what a ridiculous dream. If it was anyone else he would laugh... But Luffy might actually be able to pull it off.

Law: pirate king huh? Well show me what you're made of Strawhat ya, make me a believer.

And oh yes, Luffy would. He made everyone a believer eventually. He could convince Trafalgar Law to believe in him.

That was just who Luffy was...

The future king of the pirates

[fangssss2006]

Crack ships ramble time because fuck canon idc if it makes sense or not it's a crack ship for shits and giggles ask for more If you'd like. There are NSFW mentions but I don't go into details (btw if you ask about any ships and you want NSFW or not clarify)

I might be a writer but I don't feel like actually writing good pieces i just want to ramble so please don't expect master pieces 😭

In a world where regulus is with bary and Evan but also James and Lily but separately and the adjustment of going from the Gryffindors that baby him when things get tough to the crazy ass Slytherins that would kill for him if things get tough and probably have but he hasn't decided if he wants to find out or not

They live in a house that has two apartments so it's literally him just going upstairs and then downstairs every other night

They all eventually get together and kiss

They all have different kinds of relationships with each other btw like Evan and James they make out and grab some ass but they aren't in love they care of each other and like to kiss

Barty and James have tension all the time it's giving enemies to lovers energy even though they have been way past not liking each other for years. They'll glare at each other even though they do care for each other. It's a I hate that you're hot and I care about you so let's go in this closet and aggressively make out and have a quicky

Evan and Lily love to cuddle and watch movies they aren't sure what they are but whatever it is it's nice

Barty, regulus, and Evan love each other kiss and sometimes do a bit more

Evan and Barty themselves are crazy in love and can't keep their hands to themselves and if they go crazy they go crazy together

Evan and regulus kiss and regulus lays on Evan while Evan rubs his back and tells regulus the most fucked up facts while regulus is like aw so sweet imma nap now

Barty and Lily love each other and Lily babies him and he lovingly picks on her and then immediately kisses her on the forehead

James, regulus, and Lily are in love and pamper each other all the time and have cuddle piles

James and regulus are in love and love to kiss and lay in the grass it's jegulus

James and Lily are so in love kiss and go on dates all the time comes on it's jily we know they're so in love. They do everything together and they honestly keep everyone together well. Reg might have brought them all together but if it weren't for them they would probably go insane

Lily and regulus love each other so much it's not that they love each other more than the others but they just go very well together. They like the same things but just in a different font and they like that about each other because they can talk about the same things and get the same things but it's still their own individual things. They go on bookshop dates and lay in bed facing each other and Lily can't stop kissing him all over the face. They just really understand each other

[thefirst3chapters]

There's something about the Danes men recognizing the Gilmores' happiness in their final OS episodes. ("You look happier than when I saw you last." / "I just like to see you happy.") Maybe the S6 writers weren't sure that this was going to be Jess's last appearance, but this was Luke's definitive end for the series; in either case, at the time these episodes were written, they were the show's final statements on who these characters are.

It's established over and over how well Luke and Jess know the Gilmores and vice versa. Luke knows exactly what Lorelai brought to Bid-a-Basket day and has her wardrobe memorized and steadfastly believes that she can start her own inn even when she's convinced that she's failing. Jess knows that Rory isn't herself when she's in Hartford and remembers her birthday even though he's barely seen her in years (and ASP directly confirmed that the intention was to portray them as seeing each other for who they are). This mutual sense of knowing is baked into the first times both couples meet. The first time Lorelai met Luke, she pestered him during a lunch rush for coffee and for him to tell her his birthday until he relented. The first time Jess met Rory, he stole her book and wrote all over it. Both of these actions could've been horrible first impressions for anyone else, and on paper could've been horrible first impressions for Luke and Rory specifically, but they were charmed and intrigued, and they treasured the written keepsakes they were left with.

Even with this intrinsic knowledge, the Danes' failures as partners often boil down to the same problem: they retreat when they're in crisis. With their biggest, relationship-ending conflicts (Luke keeping April from Lorelai and the fallout of Jess not graduating), they spend months thinking that they have everything under control when they really don't and fail to tell the Gilmores anything. This is perhaps Jess's core flaw in S3 even more so than the fact that he left; he didn't have anywhere to stay, and finding out who his father was probably ended up being an important catalyst for the person he became, but he wasn't able to share any of that with Rory. She directly brings up her hurt over Jess not telling her anything when she's in the car with Lorelai and when she's on the phone with him, and her unhappiness here is so similar to Lorelai expressing her unhappiness about her relationship with Luke when she's in the car with the therapist. ("I don't like how I feel and I don't like what I do." / "I'm not happy, and I feel crappy all the time and I just think I've had it.") They've both been left behind.

This isn't the end, though. Luke and Jess spend their time apart from the Gilmores still loving them while also building/rebuilding their professional lives, coming to terms with their pasts, and showing up for their families. This is what I think separates Jess leaving from Christopher leaving. Christopher had options and resources to be in Rory's life but chose not to be a consistent presence, and Lorelai accepted that. Rory points this out to Lorelai in S5 E9: "You're just always waiting for him to get himself together." Rory can tell that dynamic isn't healthy from the years she's watched it play out. She doesn't let Jess back into her life when she knows he isn't ready, and he grows up without her out of his own determination. His circumstances were never really like Christopher's, and Rory was left in the dark about that at the time, but when he returns in S6, I think she recognizes the difference. There's a reason why Rory shares her deepest insecurities with Jess in AYITL and sprints out of her house because she can't wait to share her happiness with him but has such an emotionally distant relationship with Christopher. As for Luke and Lorelai, they gradually get closer in S7 as they learn to trust each other again. Luke turns to Lorelai when April is sick and he needs a character reference, and Lorelai's letter helps him win partial custody and reveals where her heart truly lies, which is a catalyst for her relationship with Christopher ending once and for all. Lorelai asks for Luke's help when she's looking for a new car, and even though it doesn't make sense to him, he finds a way for her to have the exact same model again because he knows it's important to her.

Then we get to those final scenes. At Truncheon, Jess can tell just by looking at Rory that she's happier now that she's back at Yale and is editing the newspaper. She breaks his heart, but he makes sure she'll get back to her car safely and offers himself as an alibi because he still wants the best for her. In "Bon Voyage," Luke stays up all night helping the town set up Rory's party and sewing a tarp together but doesn't even want Lorelai to know. Luke and Jess have hurt the Gilmores and been hurt by them, but for both of them, their final act in the OS is quietly, selflessly wanting Lorelai and Rory to be happy. I just can't fathom a Luke who doesn't love Lorelai or a Jess who doesn't love Rory; that love is imperfect and doesn't solely define either of them, but it's an inextricable part of who they are.

[whinlatter]

sorry if you've discussed this before, but do you think ginny's quidditch talent came out of nowhere? it's a common criticism I see about her but I feel like that kind of overstates how much of a quidditch "star" she was at the beginning, like she was consistently described as good but not great until partway into hbp and I also think it makes sense she'd keep it a secret from her teasing brothers. but maybe they're right and I'm just biased towards defending ginny

thank you for the question, anon!

the short answer is - no, i think it's (just about) plausibly rendered in the books. i think the series gets away with it because:

the story is told from the perspective of a teenage boy aka peak obliviousness in corporeal form, so we see what harry sees (and harry notices big fat nothing)

there is an entirely adequate narrative explanation for ginny's sporting skills that most readers not operating in bad faith* can put together, as you suggest: ginny comes from a sporty family who are all good at quidditch; she is of middling-to-good seeking ability when she first joins the team in ootp; she then has a good few months flying several times a week where she would necessarily grow in confidence and experience, leaving her perfectly able to blossom in hbp in a high school sport where she is competing against other children. fine and dandy in my book.

also quidditch is a broadly dumb and pointless plot so ginny being good at it is just a fun extra that we don't need to deep too much because - let's be real - quidditch is a waste of page space.

*i say this because, most of the time, these takes come from those who don't like hinny as a pairing. which is entirely their right and prerogative! it personally doesn't float my boat to spend my days doing worst faith readings of the text in order to make the case against canon ships i don't like, but as this is a race to the bottom - we are all adults dissecting children's books written by a nasty spiteful woman rotting in her mouldy castle spouting slurs, after all - who am i to judge.

(i also suspect the 'ginny is good at quidditch out of nowhere' takes have enjoyed such a long shelf-life on eg. reddit because the films are still most people's primary reference for HP takes so complaints about them then get cast back on the books - and, in the films, ginny does in fact rock up in film 6 like she's mbappé, if mbappé had the charisma of an extraordinarily soggy bath mat.)

with that said... could it have done with a bit more foreshadowing? yes, probably. people who don't like hinny as a pairing and prefer another are never going to be convinced - that's fine! but here i am, a paid-up hinny supporter, and even i think ginny's character development is sometimes wanting, to a frustrating and problematic extent. good writing (usually) means showing not telling, and it's weird and lazy of jkr to be so slapdash about revealing this and other character details about ginny and other (often female) characters. i think it's particularly striking that jkr underserves characters (again, usually women) who exist to serve the emotional development of characters (usually men), rather than the mystery plot(s) that drive hp as a series. (wanted! tonks' personality! last seen making fake pig noses and being the only auror mad eye moody mentored as his successor, for no plot reason!)

while i'm not a die-hard adherent to the chekhov's gun principle, i think one of the strengths of many novels du jour - especially the nothing really happens postmodern novel that crowds the bookshop shelves these days - is that their conventions allow authors to add colour to characters without each tiny detail being pregnant with meaning and in service of a driving plot that must be marched forward at all times. that can be really nice! as readers, we like to get a sense of characters as well-rounded living breathing people who go for a wee and take the bins out and stick on an album because it slaps every now and then; in these novels, we're also happier with the idea that things can happen to characters beyond the protagonist that don't directly impact the plot or demand the protagonist knows more than their own very limited vantage point. you have more room to play with character as a result.

jkr, ofc, isn't that kind of author. jkr is in fact an author for whom everything about her characters serves the plot. this, after all, is the brain that brought you 'remus lupin' the werewolf, and named the bad-guy-turned-good-guy in a book using a big black dog as a red herring omen of death 'sirius black'. jkr wants her audience to notice clues and remember little details about characters because they might be significant later on. this is entirely her wont and - lupin and sirius aside - she's often very good at it. the hp books are all standalone mysteries, and, when they land, those mysteries slap. ginny being the culprit in CoS is a genuinely satisfying resolution to the whodunit plot: this was reflected in critical reception at the time and was part of the reason why hp was able to be marketed as a children's book adults would also enjoy thereafter. there are also very satisfying foreshadowing and mystery plots that straddle the entire series and that reward the reader with reasonably good pay-off at the series end. (my favourite is the foreshadow within the foreshadow - e.g. regulus black barrelling back from ootp in DH, but then regulus' plot turning out to ultimately exist to foreshadow snape's own double agent status... delicious).

for my part, it's also what i want out of the fiction i read and the stories i try to write. i want everything to mean something. i want the weather, clothing, setting, body language etc to all do heavy lifting. i want character work to do work. it makes it fun for me to write and (i hope) it can it a bit more fun for the reader.

the problem is that while jkr is good setting up some mysteries, she is bad at others, and the romantic plot is one she falls down (a bit) on. she sets herself up for this: she wants to be a plot-centred mystery writer, so she does have an obligation to do better in how she deploys character details. jkr does to try to write the harry/ginny romance like a mystery, with little hints throughout the series up to the reveal of harry's feelings for ginny in HBP. (even ginny's full name is nominative determinism, finally revealed in DH once the reader has been told her place in the plot - ginevra, so guinnevre, the hero's queen). and while i will never not tire of pointing out to all of reddit that harry/ginny didn't come out of nowhere, and there is some satisfying foreshadowing knocking about here and there, i think it's fair to say that the harry/ginny build-up is not as satisfying as it could have been because jkr is basically lazier about the clues that ginny is the character harry will ultimately fall for, while she is much better at dropping clues for the series' central plot. that ginny ends the series with no real resolution of the primary tensions that motivate her other than her love of harry is probably the most acute example of this. but there's lots about her character where jkr phones it in a bit in fleshing her out or taking it to any logical conclusions or interesting plot directions. a smattering of examples:

ginny is the character who spends the entire series demanding to be included and not underestimated ends the series... with no real major role in the battle other than causing harry panic, while all other central characters receive a satisfying narrative arc that speaks to their central motivators across the series as a whole. (for an interesting discussion of what should have happened with ginny and the horcruxes, see here. i didn't even pay @saintsenara to write this!)

there are lots of shades of colour to ginny's character that are introduced pointlessly. i have previously talked about my beef with arnold the pygmy puff. we know ginny is popular but we know nothing of her friends who are all faceless plotless nobodies. we know ginny supports the all-womens quidditch team in a way that implies a nascent feminist politics after a childhood being excluded from playing a sport she loves by her brothers - yet we know nothing of it. we know ginny loves the one wizarding band that seems to exist because she has a poster of them on her wall and it just.... is something we just get told about her. now, all of these suggest ginny is a good time gal and a right laugh at the pub. and that's nice! i too am fun at the pub! but why does it matter? it wouldn't, in another series. but in a series where Everything Matters, it really stands out.

now..... i don't think all of this is an unsolveable problem for those of us writing fanfiction about ginny or harry and ginny as a couple. i don't think this makes ginny an inherently bad character. i hope the amount of life i have wasted thinking about this character is testament to this (...) and i personally find trying to cook up some fleshed-out characterisation and a satisfying arc for ginny, and for female characters more generally, from the crumbs of the original source material to be a very rewarding way to pass the time and a fuck you to a woman who thinks she can gatekeep womanhood while writing some astonishingly antifeminist fiction. i think harry and ginny are a deeply compelling and eminently plausible couple, and i think i return to writing about them as much as i do because i think they have a ton of potential as narrative mirrors and as characters with a rich well of tension but also devotion between them. as i say a lot, i think one of the things the harry/ginny pairing does refreshingly well compared to other romantic lead couples in YA fiction is show a couple that, at heart, genuinely get on very well, have a laugh together and enjoy each other's company in completely mundane lovely day-to-day ways (laundry and taxes u know). i think that's a striking and refreshing dynamic that i like to spend time fleshing out and playing with and writing about. but i can also see that there is an inconsistency in jkr's character work here, particularly her character work writing female characters, of which ginny is among the most acute examples.

[thatonegreyghost]

Neuvillette has the perfect day picked out.

Breakfast at the cafè, a day of shopping and strolling on the beach, and finally, dinner and a play at the Hotel DeBord. A masterful idea. It could not be more perfect.

Except.

Wriothesley wakes up that morning and just... leaves. Puts on a casual outfit and walks out the door without even stopping to look at the card Neuvillette put on the table. He barely even looks at the kitchen.

"Where are you going?" Neuvillette calls after him.

"Just wanted to run some errands before we hang out all day. We're out of milk. And sugar. And eggs, I think."

And he leaves before Neuvillette can explain that they are supposed to go to breakfast. Wriothesley knows that Neuvillette intended to surprise him, but apparently, he isn't thinking much about that right now.

Alright, that's fine. Wriothesley can do as he likes. It is his day, after all. They'll still be able to do some shopping and that beach stroll together. And when Wriothesley comes back, they can talk about what they'll do first.

So, when Wriothesley does come back, Neuvillette is shocked that the first thing he asks for is to lounge around all day.

"You don't want to go out?" Neuvillette stammers.

"Not if I can help it. It's a warm day, though. If we had the supplies, I'd suggest a picnic." Wriothesley laughs. "Oh, we should plan one! I haven't been on a picnic in ages."

A picnic. That is certainly sonething achievable. Neuvillette sets his mind to it, and immediately rushes to the kitchen to prepare some food.

Two sandwiches– roast chicken for Wriothesley, tuna salad for himself– and some fruits, as well fresh water and Fonta for the both of them. All packaged in a fun little basket he had intended to use for some tea he bought Wriothesley.

At the last second, he also slips in a box of homemade macarons from Navia. Peppermint, Wriothesley's favorite flavor. He'd nearly forgotten she got them for him.

He returns to the living room, basket in hand, and declares the plan to Wriothesley. Wriothesley answers him with a smile, and within minutes, they are out the door.

Of course, by the time they make it to the secluded beach outside the Court, Neuvillette realizes they have no blanket to sit on, no games to play, and no cups to drink with. Wriothesley doesn't mind– in fact, he laughs, calling it a "good first attempt".

"Seriously, Neuv, don't sweat it." He insists as he devours his sandwich. "It's more than enough that you went through to trouble to surprise me with this."

"I wanted it to be more special." Neuvillette pouts, plucking a Rainbow Rose from the grass and twirling it in his hands.

"It is special." Wriothesley assures him.

Neuvillette does not feel very assured. In fact, he feels like he's messed up everything. But, there's no space for doubt in this moment. He must believe that it will work out for the best.

"Navia made some macarons for you." Neuvillette mentions as he lays down in the grass.

"Really?" Wriothesley perks up, sitting up quickly and rummaging through the basket. "Well, look at that! We'll have to repay the favor."

"No favor necessary, Wriothesley." Neuvillette sighs with fondness. "They're a gift."

"Huh. What's the occasion?"

There's a genuine curiosity to his question, and it's at that moment Neuvillette realizes– Wriothesley never asked about his gift. Didn't ask for special treatment. Hasn't even mentioned a list of wishes all month.

"Wriothesley, they're your gift." Neuvillette emphasizes.

"Well, yeah, you mentioned that. I'm just wondering what the occasion is." Wriothesley rolls his eyes, like Neuvillette is being silly. "You still haven't answered my question, by the way."

Wriothesley is leaned over him, smiling and acting coy, but Neuvillette can't bring himself to reciprocate. Does Wriothesley not remember? Did something happen to make him forget? Surely he can't be serious right now. Who in their right mind forgets their own birthday?

"It's your birthday." Neuvillette answers quietly. "I wanted your day to be special."

Wriothesley startles, his face going very pale. He glances away from Neuvillette– he's upset now, and Neuvillette doesn't know how to fix it.

"Wow. Is it the 23rd already?" Wriothesley laughs wryly. "Time really flies, huh?"

A soft rain begins to trickle down as Neuvillette gently caresses Wriothesley's cheek. He's gone and cocked it all up, hasn't he? Wriothesley's all upset now. Was the picnic not good enough? Should he have done more? Something is wrong, but he doesn't know what.

"Did I do something wrong? Is the picnic not to your liking?" Neuvillette asks softly.

"What? No, the picnic is fine!" Wriothesley assures him, his voice urgent yet soothing. "I just... I haven't celebrated my birthday in years. I honestly forgot it was today. I mean... it's not like I had a reason to celebrate."

Neuvillette's heart breaks for Wriothesley. Ever since they began dating– since the prophecy was averted– Neuvillette has become more and more aware of just how harshly Wriothesley was treated when he was young, and is more and more in awe of how gentle he turned out regardless. But this... it's too much. To know that even at his best, Wriothesley has not seen reason to celebrate his birthday, hasn't given it any sort of consideration.

Neuvillette embraces his lover, and the sky weeps for Wriothesley. Wriothesley holds him close, his voice unsteady and his embrace unyielding.

"Are you ok?" Wriothesley asks.

"I... I'm sorry." Neuvillette gasps. "I'm sorry no one has celebrated you. I'm sorry you got used to it. I'm sorry you never saw a reason to ask for that attention."

He doesn't say "I'm sorry you never got to feel special". He doesn't have to.

"Oh, Neuv, it's ok. Really, I haven't thought about it at all, much." Wriothesley insists. "I love the picnic. I love that you went to all this trouble, just for me."

"It isn't perfect." Neuvillette protests. "I forgot the blanket."

"The grass is plenty soft." Wriothesley shrugs.

"I forgot the games."

"We can play "I spy" and cloud-watch."

"We haven't any cups for the drinks."

"It always tastes better straight from the bottle." Wriothesley laughs. "You tried. That's the important part."

"Oh, Wriothesley." Neuvillette sighs. "I'm sorry, I'm making a scene with my crying."

But the rain has stopped, and the clouds are dispersing, and Wriothesley smiles down at him, amd everything is right with the world.

"You know, they say there's nothing new under the sun," Wriothesley says slowly, "but somehow, a picnic in the warm sunshine never gets old."

"Indeed." Neuvillette smiles back. "Happy birthday, Wriothesley."

Somehow, a picnic in the warm sunshine never gets old...~

(Happy Birthday, Your Grace!!)

[earanie]

Me souvenir de quoi ? De mon mari, de mes filles ? Je me souviens pas Sandra, c’est pas ça qui me revient… ce qui me revient c’est… c’est l’autre, l’autre Catherine, celle que personne n’a envie de retrouver.

SANDRA WINCKLER & CATHERINE KEEMER in LES TÉMOINS 2.08

[thelilylav]

We only see each other at funerals

(On Jason, Thalia, Nico, Bianca, and their parallels/connections)

The Titan's Curse (Rick Riordan), @/anxiousmaya_, Right Now (Gracie Abrams), The Battle of the Labyrinth (Rick Riordan), Joan of Arc (Mary Gordon), The Lost Hero (Rick Riordan), Episodes Toward and Elegy for Halley's Comet (Lindsey Drager), Jason Grace (Riordan Wiki), The Gods Show Up (Michael Kinnucan), The House of Hades (Rick Riordan), What the Living Do (Marie Howe), The House of Hades (Rick Riordan), Planet of Love (Richard Siken), The Blood of Olympus (Rick Riordan), Tangerine (Nolune), The Blood of Olympus (Rick Riordan), The Blood of Olympus (Rick Riordan), I Bet On Losing Dogs (Mitski), The Burning Maze (Rick Riordan), @/abhorarchive (Twitter), The Burning Maze (Rick Riordan), Seventeen (MARINA), The Burning Maze (Rick Riordan), @/rollercoasterwords, The Tyrant's Tomb (Rick Riordan), @/the-overanalyst, Where Things Come Back (John Corey Whaley), Grit (Silas Denver Martin), Softcore (The Neighbourhood), The Tower of Nero (Rick Riordan), Frost (Mitski), @/moonbends, I'm Your Man (Mitski), Sun Bleached Flies (Ethel Cain), The Tower of Nero (Rick Riordan), Three (Sleeping At Last), My Art

[spockcock]

Actively disturbed by the fact Dan and Phil are t'hy'la (Vulcan word used to indicate people with a close bond; essentially translates to a combination friend, brother, and lover. Used most often to reference the characters Kirk and Spock as something like soulmates or spouses)

[bnhaobservation]

Thank you a lot for contributing to the discussion!

And yes, undoubtedly Quirk counseling is very likely based on the idea of teaching children to show the expected Tatemae, because, according to Japanese people, ‘Deru kui ha utareru’ (出る杭は打たれる “The nail that sticks out must be hammered down”) but in the whole fallout of Quirk counseling there's more than Himiko just behaving in an 'inappropriate way' and needing to learn which is the correct way to act, in fact it ends up being judged a curse by Heteromorphs as well, so I'll say it's also based on racistic pregiudices and the idea of 'impure blood'.

We see that Joki Joki doesn't manage to do something inappropriate with his Quirk, his 'sin' which lead him to being imprisoned is his Quirk was different than the one of his family.

Quirk discrimination started, after all when Quirk owner were accused of being a subbranch of humanity and the 'Meta' people ended up being considered freaks.

My guess is that the Quirk counseling of pre-AFO defeat is still tied to this, to the fact that not only it has to push people to drop 'undesirable' behaviours, but that he pressures who's different by using the idea if they don't conform they're subhumans, freaks, and where it's just impossible to conform (Shouji can't really cut his extra arms for example, nor Shuuichi can not look reptilian) they place in them the idea they are to blame.

Uraraka's new Quirk counseling might be expanded to include also children who instead 'fit the norm', so as to teach them to be more accepting, that the 'tatemae' they've to show toward who's different isn't one that pushes them to run away in disgust but one that accepts the differences.

Also Ochako's words previously implied that Himiko's Quirk wasn't a freak one because since she could share blood with people, she could help with transfusions, like how Eri's Quirk isn't a freak one (even though her mother thought so) because she could heal people, so it can be that the idea is that now Quirk counseling would focus on the positivity of different Quirks as well, not just tell kids they've to hide what's different because it doesn't conform but that their Quirk can do something good if used in this and this way so as to help them find a way to conform not by suppressing themselves but by using their differences positively (it's Himiko's speech at the end, how she could have lived better if she had known she could take and give blood, instead than being told solely she couldn't take it and being left unaware she could give it).

However all of the above are just speculations.

The truth is the series don't explain how exactly Quirk counseling was administered (if to all the class together or to each child in private), if children who had problems with their Quirk could have a level of privacy or if said problems were tossed in the open with a negative judgement attached (completely possible as in Japanese schools teachers often saw bullying as a way to force kids to correct their behaviour) and so on... nor it explains which exactly is the reform Uraraka brought beyond 'expanding' it.

So yes, the fact that western readers might not know about honne and tatemae or how the counseling work in Japan, nor be familiar with ideas of outcasts like eta and hinin makes undoubtedly harder to figure out how Quirk counseling work... but the fact remains that the whole thing with Quirk counseling was pretty vague, as it got mentioned a total of 6 times in the manga (Chap 22, 165, 226, 370, 392 and 460) often without going in deep with it, the last time just praising its expansion without really explaining how this would suddently make it work.

As I said in my post having more cultural knowledge can surely help, but I still think the story would have benefitted of more expansion/development on this side since it's apparently one of the important improvements... but like the whole Heteromorph situation instead it ended up being mostly sidelined so it ended up feeling less impactful... though, of course, that's just me. Again thank you for the contribute!

There something I don’t really get: Uraraka said to have expanded quirk counseling along with her group, but wasn’t that one of the factors that sent Toga spiraling: counseling only be used to push people with certain quirks to be “normal”? I agree on the surface level it’s a noble cause and the closest we got to specific actions being taken by the characters helping to fix society, but if it’s just expanded on and not reformed wouldn’t it just push people like toga feel excluded again since nothing is actually changed in the system? I don’t remember, but did Toga tell Uraraka her time in quirk counseling?

Let's start in reverse.

No, Himiko didn't tell Uraraka about her time with Quirk counseling. If Uraraka figured it out that it was the people in Quirk counseling that tolkd Himiko to stop grinning, kudos to her.

There's to say Curious knew Himiko went to Quirk counseling, so Uraraka might have also discovered about it later. It would be nice if Uraraka tried to learn more about Himiko even after her death.

Now... what's Quirkc counseling and what's wrong with it?

According to Curious:

CURIOUS '“Kosei” COUNSELING', jita rikai no yugami o kyōseishi shakaisei no suri awase o hodokosu jōsō kyōiku (read: PROGRAM). Mochiron, kanpekina PROGRAM de wa naishi, kojinsa o yori tsuyoku kanjite shimau to iu mondai o kakaete imasu. Chi o nomi henshin suru, umaretsuki motsu sono inō ni yotte anata wa “chi” ni tsuyoi kyōmi o hikareru yō ni natta. Shikashi shin no fukō wa “akogare” to iu dareshimo ga daku futsū no kanjō. Chi to akogare kamiatte shimatta nitsu no yōso wa tōtei shakai ni ukeire rareru MONO de wa nakatta. Dakara, anata wa FUTA o shita. Jishin o yokuatsu shi kamen o tsukutta.' キュリオス「『〝個性〟カウンセリング』、自他理解の歪みを矯正し社会性の擦り合わせを施す情操教育（プログラム）。もちろん、完璧なプログラムでは無いし、個人差をより強く感じてしまうという問題を抱えています。血を飲み変身する、生まれつき持つその異能によってあなたは〝血〟に強い興味を引かれるようになった。しかし真の不幸は〝憧れ〟という誰しもが抱く普通の感情。血と憧れ噛み合ってしまった２つの要素は到底社会に受け入れられるモノではなかった。だから、あなたはフタをした。自信を抑圧し仮面を作った。」 Curious "Quirk counseling, it's an emotional education (read: program) to correct distortions in self-understanding and others, and to adjust for socialization. Of course, it's not a perfect program, and it has the problem of making individual differences even more apparent. Your innate ability to transform by drinking blood has made you very interested in "blood". However, your true misfortune is "admiration", a normal emotion that anyone can have. The two elements that go together, blood and admiration, were never going to be accepted by society. So you put a lid on it. You suppressed your confidence and made a mask."

Basically the purpose of Quirk counseling is to help people harmoniously cope with their Quirk and society... but the downside of Quirk counseling is it doesn't really work toward having people accept themselves and be accepted by society, but just tries to remove whatever undesirable trait by suppressing it.

In Himiko's case they told her to stop acting 'abnormal'. I don't know how they handle Heteromorphs but the Heteromorphs have a bone to pick with Quirk counseling as they can't really hide/suppress their appearance.

Now... how expanding it might help something that doesn't work?

It can be that the whole expanding was a typing mistake, early on in chap 22 it was implied all the kids in elementary school receive Quirk counseling, so what does it mean to expand it if all the kids have access to it when they turn 6?

Or it can be that 'expanding' refers to expanding the resources put into Quirk counseling. If more people work at it with more time they might figure out which problems it has and help the children better.

In fact if few resources are put in the program, of course the program will rush to a quick and easy fix that will often not work in the long run. However, if more resources are put in it, people might put more efforts in helping the kids.

Said all this, Quirk counseling was really not well expanded or explained in the story, and mostly tossed in.

It might make sense for Japanese readers as Japanese schools have a counseling program (it seems schools in USA also have it but their own is different) and it turned out this Japanese counseling program needs reform so Japanese readers might see the Quirk counseling program as based on the counseling program of their schools, think it work the same and guess it also have the same problems.

For who's not Japanese, especially if they don't come with a school with a counseling program, the whole thing feels like something Horikoshi tossed in, left it mostly unexplained and generally showed it was bad/poorly working.

We don't see value in it because the story hardly showed us it had value (with Himiko it ruined her, with the Masegaki kids it didn't work, with the Heteromorphs it made them feel worse) so an ending that says 'yay, let's expand it' feels like they want to expand something that makes more harm that good out of nowhere... but again, this might be because we miss the cultural context in which said program is meant to be read.

Still, I really wish Horikoshi had developed it more because while it had potential, it mostly went untapped so it lost it's potential when it got mentioned again at the end of the story.

Thank you for your ask! I love to talk about BNHA! I hope my reply was somewhat of some help!

[p4nishers]

oh god i just thought about the fact that they're now textually in love like it's been said out loud as much as their repression allowed them they fucking KISSED they literally broke up like im insane over that now there's no denying they're in love not only to us but to themselves too like david and michael are gonna play them KNOWING about the other's love and i'm just sick over it being made ON SCREEN loud and clear that they're in love and s3 is gonna be acted as two characters after a break up BC THAT'S WHAT THEY ARE and i aahhhuuhghh