#They will never change because they don't want to | Explore Tumblr posts and blogs

bi-writes · 13 hours ago

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anatomy of us | alpha!ghost x f!omega!reader

we cannot change who we are at our core.

type: limited series, part 1 (6.4k) in an attempt to tame an unruly alpha, you are given. he did not come with warning labels. but neither did you.

series cw: reader described as plus-sized/curvier, alpha/beta/omega dynamics + universe, dark!simon, mature language and content, suggestive language and content, graphic depictions of murder + violence, military criticism, protective!simon, possessiveness, dom/sub dynamics, size kink, praise kink, unprotected piv, cumplay, oral (fem!receiving) 18+

Whenever she woke up marked the last day of the rest of your life. One moment, the world inside of your head was unnervingly quiet. The next, someone else was there, whispering in the dark, taking over.

You aren't proud of her. No, you hate her. There is no one you hate more, you don't think, because she lets the direction of the fucking wind distract her from what really matters. She paints her environment in a soft, glazed picture, and she tries to hold up her canvas and convince you that her reality is real. But then you blink, and you get flashes of how dull the sky really is and the dirt that stains your shoes, and you know that she's just a liar.

A controlling, desperate thief.

When you heard her voice for the first time, you begged your reflection in the mirror to just kill you already.

If you were an alpha, maybe you could've just drawn away into yourself and lived a quiet life in the middle of nowhere. If you were a beta, perhaps the weight of nothing would've given you a little more freedom to do the things you wanted to do.

But no. You're an omega. Nature's servant. A natural follower. Destined for nothing except to open your legs and say, "yes, alpha, all for you," because if you are anything but complacent, you're unwanted and a waste of your very being.

Your eyes stung when you took your first little pill. They rattled in different colors in a little orange bottle, and it felt like sand as it dissolved under your tongue. Even though it makes you sick, you take them anyways. Even though the pills change colors and shape and efficacy because you buy them from someone different every time, you take them because it makes your omega shut the fuck up finally.

You bury her. And you won't let her out.

The truth of it is that you're only fighting yourself. Your omega, she is you, isn't she? She's a part of you, she makes up your very genetic makeup, and to hate her is to hate yourself. But nature is cruel–it gave you years of freedom. Years to know what life was like without her, when she was dormant, asleep, just waiting for you to finally wake up.

Then your very self locked the cage. Your fingers claw at the bars, but it's no use. It's your very own punishment. So in turn, you bury her, too, silencing her cries, quieting what she wants most in the world, because it isn't fair, fuck you, you whiny bitch.

She's a pathetic puppy; and you are more than happy to step on her fucking neck.

Your aim is off today. The sound is muffled through the earphones you wear, but they've never thrown off your balance before. When you lean over the railing and squint at the target papers towards the back, you can see the bullet holes just a few inches off center.

You're never off-center.

"Getting rusty on me, Kit?"

You turn around, setting the gun down, and you smile wide when you see a familiar face. You pull the headphones off, putting them aside before making your way towards her.

Kate Laswell is surprised when you throw your arms around her and hug her tight. She smells good; she smells like chocolate, dark chocolate, something bittersweet. She's got that edge to it that they all do, something a little heady and all-encompassing, but she's the only alpha that you've ever found comfort being near. You see her nose scrunch a little when she embraces you back.

You must stink like synthetics. You care, only because you hate to make her nose sting this way. It's never been meant for her. At times, you thought maybe you could do a little convincing; maybe if you batted your lashes enough, she’d take pity on you, hide you away in some CIA shack with her deep on a Montana farm and play house. You’d cook, and she’d protect, and you’d be perfect little alpha and omega until the end of your days.

But Kate doesn’t like baggage. Not even the sweet kind, and especially not the kind that makes it even more difficult to make the hard decisions.

Kate isn’t a soldier. She makes choices based on the greater good, the lesser evil. She doesn’t get to be selfish. She doesn’t have that luxury.

When you pull away, she looks down at you strangely. She looks tired. Her dark hair is in a mess of a braid tucked under a cap, and she looks like she hasn't slept in days. Her attempt of a smile emphasizes the lines around her eyes. You open your mouth to tell her something, but she shakes her head.

"I'm not here as a friend," she says softly, and you frown a little.

"Aren't...haven't we always been friends?" You ask, and Kate lets out a shaky sigh, nodding her head behind her.

"We need to talk. C'mon."

You retrieve the gun and holster it, fastening it into your thigh holster before you follow her. She has a car waiting outside, a big, black SUV with the door already open for her. When you get inside, she knocks on the divider, and the car immediately starts moving. You brace yourself against the side of the car as it speeds off, reaching for a seatbelt.

"Jesus, Kate, what's going on? I-I have training later, I can't–"

"You're not...going back to base," she says evenly. You frown a little, leaning back in your seat, and you put your hands in your lap as you try and get a read on her. Even exhausted, Kate is hard to decipher. She has a stone-cold expression, calm and unbothered, and you curse her CIA training for making her impossible to understand, to even get a glimpse of what she might say next. Her face makes you anxious, and the scent in the car that changes puts you on edge.

"Okay," you scoff a little. "Then where am I going?"

Kate sniffs a little, crossing her arms over her chest. She doesn't break eye contact with you when she says, "Wheels up in 30. I have an assignment for you." She reaches under the seat, pulling out a manila folder, setting it down beside you. When you pick it up and flip it open, you narrow your eyes.

"I'm..." You shrug your shoulders, "I'm not really CIA. You don't give me orders."

"As of one hour ago, you're mine. And this...this is your duty."

Your eyes blur as you skim the text on the pages. You flip through the papers flimsily, getting more and more irritated until you throw it at her, your chest rising and falling fast as you pant, barely able to see her through your tears.

Program. UK. Field assignment. Mate. All the keywords to make your stomach curl and your autonomy shrink in front of your very eyes.

"Kate, don't do this," you beg her softly. You soften your voice, and you let your omega drip syrup into it. You want to see her eyes dilate–you want to make her protectiveness kick in just enough that she might just appease you. It’s desperate, and you know it’s wrong, but you do it anyways, you have to. "Please don't do this. Please. You fucking promised me, you promised–"

"You need to understand that I don't have a lot of fucking choices," she says sharply. She pities you, that much you can tell. She looks pained, but it doesn’t matter how pained she might feel because it isn’t happening to her. It’s happening to you, and she put you on that base so that it wouldn’t happen to you, and she tricked you into getting into this car, and now it’s her–

"Kate, I'll do anything, please," you gasp. You reach over and grab her hands, tugging her towards you. "You know. You know what...w-what I've been through, what this all is, you know...please. Please..."

You promised me. You gave me your word.

"I can't–"

But the CIA can’t be trusted for shit.

"I'll be yours," you try, squeezing her palms. Appease. Beg. Bare your neck. Give her what she really craves. "Just claim me yourself, a-and...and we don't have to do this, w-we can...I-I can go back to–"

Her face contorts, offended, disgusted. You try and swallow down the sting of her rejection, but you cannot help yourself. You would do anything to not be subjected to this fate, to the fate she promised she'd save you from. The only alpha you have ever trusted, and she's pulling away from you, bit by bit.

"I could never do that to you," she interrupts, shaking her head. "I couldn't."

"But you'll do this instead?"

"It's the lesser evil," she says finally, pushing your hands back. It aches. Despite you never leaning towards her, it is still an alpha turning their nose up at you, and the thing inside of you cries at the feeling; she begs you to do more, but you swallow her down, fingers itching for another pill just so you can really squash her singing. "And in my world, that is the best I can hope for."

"It's punishment!" You cry, and she reaches over, cupping your cheeks, pulling you close. You scrunch your face at her touch. Her hands are cold, and they do not welcome you. "A-And for what? For being something that I can't change?!"

"It's mercy," she whispers. Her thumbs stroke your cheeks in soft circles. "I can't protect you anymore, do you understand? They don't want you there, and I can’t take you with me. Even taking meds, even spraying yourself to shit, they don't want you, and I can't protect you if they send you away, do you understand me?" You start to cry, closing your eyes, and you hear the familiar voice in your head preening. She's desperate, slipping through the cracks, and you squeeze your eyes shut as you try and force her backwards. You’re panicking, and maybe she’s trying to help, but you hate her. "I have to get you out of there, and this is the only way."

"Please..."

"I can't protect you," she says gently. "But he can. And he'll be good to you. I promise, this...this I can promise."

You rip yourself away from her, curling into yourself as you scoot away from her as far as possible. You press yourself against the door, tucking your knees into your chest. Whatever passes by outside is a blur, and your brain doesn’t register any of it. The only thing in your head is betrayal, traitor, those sick, stupid bastard alphas, all of them–

"Fuck your promises," you whimper, and when she reaches out for you again, you flinch, burying your face into your hands.

Kate is a liar. She never keeps her promises; that’s her job, it is what she does. The CIA is nothing if they aren’t incredible liars–it’s what they’re known for, and Kate takes to it like a fish to water. As far as you are concerned, she lured you in with bait, and now she's shut the door on a trap. It is lined with padding, soft, delicate, but it still holds you back, it still keeps you still and stagnant and forever chained to an existence that you detest more than anything. She used you; it was in her best interest to keep an omega under her thumb, to do with you as she pleased when she needed one, and you suppose once you are taken, she will find another to do the same with. She will give another desperate one like you false hope, and when she needs another omega to keep someone else complacent and willing, she will offer them up with her signature on paper–just like that.

She tries to touch your hand before you board the plane. She tries to meet your eyes, get your attention, anything. You cower when she reaches out, and when she steps backwards, you walk on.

You never look behind yourself. Not even when you sit, and not even as the ramp closes shut.

Fighting is futile when you are who you are. It's unexpected. It's frowned upon. You are made up of something that is intended to be docile, to be big-eyed and soft. If you were a dog, they would want you to roll over and bare your belly and forget how to do anything but obey, but that is not the kind of thing that you ever wanted to be, even when you were small, even before you knew what you really were.

You hate what you are. You medicate yourself to the point of being incoherent, you bare your teeth and aggravate the submissive nature you inherit to deter any kind of match. You make yourself undesirable, not just in your physical nature but in the very essence of yourself.

You want to start over, as something else, or you want to never have been at all. You hate this place, you want them to cast you out, you want to be left to your own devices because dying alone and unwanted is better than submission; it;s better than the imprisonment that your kind subjects themselves to, willing or not.

It sickens you. You watch your own kind fall to their knees, close their mouths, and allow their very being to disappear just to make another satiated. Happy. Their entire lives, reduced to being someone else's waiting hand, someone else's property. It's sad, it's pathetic, it rocks you to the very center of yourself, and you demand more of it, you reject this life and the voice in your head that fights with you every single day of it.

She hates you, too, your omega. She claws at your insides and begs for something to drink, but you dry her out. You don't allow her to even breach the surface of the wasteland you've suffocated her with. She is naïve; she doesn't know what is good for her, she doesn't know that you are saving her from a life of constant torture. She screams for you to let her out, but you take another pill and force her back into the dark.

Or at least you did. You haven't taken a pill in days. They won't let you, even when you asked, even when you began to beg. You promised to be good if they just appeased you. You promised to be quiet if they just slipped it under your tongue, even if they injected it into your very veins, anything, just please, please, I don't want to–

Everything is surreal. You feel like you're seeing everything in color. What used to be dull and uninteresting now sparkles in your very eyes, it glows under the sun. Everything is sharper and less blurry. Sounds are clearer. You can hear the wind more loudly in your ears and feel it under the soles of your shoes. But what dizzies you the most is your sense of smell.

Everything before had been so bland. You have been under the effects of suppressors for so long that you don't think food has ever smelled so bad and so good (eggs make you gag now, and the crisps they give you make your mouth water).

They keep you confined in a small room. You are not allowed in the presence of any alphas; you can smell them passing by the door, but whenever the stink of one of them lingers, there's loud voices, lots of heavy boots. A beta comes to collect you to do a daily workout and to shower, and then you are back in your room, your meals delivered on a tight schedule (and the food, after a few days of your tray being barely picked at, gets so much better–it's better quality than you've seen on any military base, and when you asked, all they said was "lieutenant's orders").

Today is different. Today, along with your breakfast, a large black hoodie is folded underneath the tray that they leave on the end of your bed. You set the food aside, picking up the hoodie, and when you unravel it, you spread it out, gawking at the size of it. Whoever this hoodie belongs to is more bear, more beast, than human. An enormous thing, but when you pick it up, you immediately pick up on its strong scent.

You press the front of it to your nose. Your eyes flutter shut, and you sink into the bed a little as you take a deep breath of it. Warm, but gritty, like charcoal. Cigarettes. Military-issue soap. Clean. Eucalyptus. Fire. Something with depth, something with teeth. You don't realize what's happening to you until it's too late.

Alpha. It smells undoubtedly like alpha, and you're certain by the size of it that it belongs to one. You nuzzle your face into it a little, instinctively, and you don't even register your omega knocking, peering through the door that's been cracked open for her.

She squeals with delight. She's getting dizzy, drunk, and you feel a soft noise in your chest bubble as she pets the back of your mind, keening at the introduction of it. She’s giggling. You can feel her tugging at your insides, whispering in your ear–See? I told you. I told you that you’d like it.

They smell strong. They smell capable. They smell pure.

When you put the hoodie down, your legs are pressed together, shaking from how hard your thighs are squeezed. When you relax, you refrain from the need to touch yourself, but you failed before you even started. You can feel how wet you are; your panties must be soaked, and you feel yourself pulsing with some sort of distinct urge to give in, give in, give in.

It's unnerving, the lack of control you have. Your omega has always been a few feet underwater, but she's breaching the surface now, her lips gasping for air.

You try to push her back.

Stay down.

When the clock strikes for dinner, you aren't surprised by the knock. But you are surprised that when the door opens, there isn't a beta in uniform holding your tray. Instead, you cover your nose a little, blinking harshly as a large man comes into the room. He's got a strange beard and a floppy hat, and when he smiles, he reminds you of a teddy bear. You can tell just by his physique what he is, but his eyes are kinder than you're used to.

You will yourself not to trust them. You trusted kind eyes before, and now you’re locked in a prison of your own making.

"'ello," he introduces himself, holding out his hand. "'m Captain John Price. 's nice to meet you."

You glare at him, not saying a word. When he figures you won't shake his hand, he just nods. He lets his hand drop, hooking his thumbs into his tact vest, and he rests at ease.

"I've come to collect you," he says lowly. "It's time."

You pick up your tray of food from behind you and hurl it towards him. He ducks just in time, moving one shoulder backwards as the metal hits the wall behind him and clatters to the floor in a splattered mess. John shakes his head a little, scratching the back of his neck, and he clicks his tongue. You’re unnerved and a little pissed off when a hint of a grin flickers over his face.

"Fuckin' hell," he breathes. "Yeah...you'll do."

"The fuck is that supposed to mean?"

"Let's go," John snaps. "Won't ask again."

When he reaches for you, you swipe the fork from the bed, stepping close and sticking the little prongs up against his chin. You aren’t satisfied until you can feel his scratchy beard against it, piercing the skin just enough.

"If you touch me, I'll shove this right up your chin through your goddamn nose," you threaten, and John’s nostrils flare, his hands going up flat beside his head.

"Easy," he murmurs, and you feel like he’s talking to a skittish mare. "Just need to guide you, that's all."

"Well, I don't want to go anywhere."

"If you don't do this, I have to send you back," John explains. "And Kate made it very clear that is supposed to be my last resort. And you don't want to go back."

"Anything is better than this," you hiss, and he narrows his eyes.

"Not this. What they do to unruly omegas..." He leans forward, snarling a little. "Ones like you. Ones that bite. And scratch. They don't deal with them. They'll sedate you and use you as training practice. And while Kate might have a heart big enough to keep you outta that place, I don't have it. So get your arse moving. Now."

You put your hand down, dropping the fork, letting it clatter to the floor. He grips you by the collar of your shirt, urging you forward, and all the hairs stand up on the back of your neck as he gets dangerously close to scruffing you. It's enough of a threat that you immediately relax, your own body betraying your emotions as it tries to make itself smaller. To appease. To submit.

"This can't wait any longer," John mutters. "Has to happen today."

Your lip trembles.

"What has to happen today?" You ask.

"You're meeting your mate," he says. You know that was the answer, but you had to ask it anyways. You think of the hoodie you received all those hours ago. The smell of him, complete intoxication. "Simon."

Simon.

"Sounds like an asshole," you snap, irritated, and John chuckles a little.

"Mmm. He is. You'll adore 'im."

You flinch at the flickering fluorescent lights as he leads you down a narrow hallway. When you pass other soldiers, John puts you in front of him, glaring and baring his teeth a little. You're confused by this sudden display of aggression on your behalf, but when you spot the looks in others’ eyes, you're grateful for it nonetheless.

You know your scent is strong; piercing the walls around you, displaying your displeasure, discomfort, fear so plainly. It's an awful thing to not be able to hide how you feel, to not feel like you have any control over how you present to others, but you have no practice masking any of it. You have been drowning your omega for so long that you didn't realize the strength of her building up behind the synthetic walls you had built. She's livid, angry, permeating the spaces in your mind that you thought were solid and now are broken and hollow inside.

You stop in front of an unmarked door. John looks over you, eyeing the jacket you wear.

"Take tha' off," he says lowly. You frown, stepping back, but he nods again. "Take it off. You'll get it back, just give it to me."

You shrug your jacket off gently, handing it to him. John holds out his hand for yours, and when you cautiously give it to him, he rubs the fabric against your wrists to soak it in your scent before disappearing behind the door. You wait outside, pressing your ear to the metal, but you hear nothing but low mumbles. You do hear a heavy gait, big feet moving around that don't belong to Captain Price, and you close your eyes as you try and see if you can hear his voice.

You don't.

The door is opened just slightly, John cocking his head to the side.

"He wants to see you."

You raise a brow.

"Your mutt?" You ask smartly, and John scoffs a little, kicking the door open wide finally. Behind it, you can see a small little office situated. Dozens of file cabinets, a stained wooden desk, a peeling leather chair. There are papers everywhere, a disorganized mess and walls filled with medals, plaques, letters, pictures of faceless men. And standing beside the desk, towering over it with his head nearly hitting the ceiling is a bear.

A fucking bear.

He's so tall. Over six feet of hulking man, big shoulders taking up too much space. You can tell just by looking at him that he has to duck his head and move his body sideways to get through the doorway you're standing in. He has big hands and thick thighs, and your lips part when you realize his thigh holster has been released as much as possible just to still fit snugly around him. He's wearing dark jeans and a thick black hoodie, and he looks even bigger with a strapped tact vest that holds numerous little gadgets, weapons (fuck, he looks like he can kill you with the pencil laying haphazard beside him).

You can't see his face. He covers it with a mask, a snug covering tucked under his hoodie with the plastic front plate of a skull sewn to its front. He's holding your jacket in one hand, the other clenched in a tight fist as you step through the door.

"Is this your dog, Captain?" You ask finally. Simon doesn't speak. He tilts his head to the side, eyeing you, taking in the way you look from the tips of your combat boots all the way up over your head. His gaze lingers on your middle, the wideness of your hips and the curve of your body.

John crosses his arms over his chest.

"Suppose so," John shrugs, rolling his eyes a little. You blink, finally making eye contact with Simon. His eyes are dark and beady. He's intense, just as his scent had been. Your omega warms your throat and screams in your ear.

Grab him. Latch onto him. Don’t let him go. Do you see him? Look at him–

"Does it bark?" You wonder, glaring. Simon unclenches his fist, rolling his fingers out a little. They twitch beside his leg. His face twitches a little, too, you can see the mask move just slightly.

"When he wants to."

"Does it bite?"

John snorts. "Mmm. Afraid so." He opens the door behind him. "Don't kill each other. If I don't see her for supper, Simon, I'll hold you to it."

When you are alone, Simon still remains silent. He hasn't moved from his spot by the desk, still in a strange staring contest with you as you stand there trying to read him. Like Kate, he's impossible; this time, you don't even have the luxury of looking over his face, although you suspect even without the mask, he must have mastered some kind of expression of nothingness. He seems like the kind of brute to give nothing away. Not even his displeasure.

"Hope you're good on a leash," you say finally, crossing your arms over your chest. "I like to go on walks."

His face moves under the mask again. Finally, he moves. He unravels your jacket in his hand, holding it open for you to put on again. You eye him strangely before coming closer to fit your arms into it.

When you turn your back to him, you realize how much of his shadow you're tucked under. When he drops the fabric back on your shoulders, you still as he leans over one side of you, bending. Without thinking, your head tilts to the side, giving him more space into the side of your neck. You do it without even thinking. Your omega bleeds through you, and you feel her warmth everywhere now, making you move, but you let her this time.

Your scent gland pulses there under your ear. He can see it, hear it practically, rushing like the blood in his ears. You close your eyes when you feel him come closer, the cotton of his mask just barely grazing your neck as he takes a deep breath.

The growl he lets out shakes you to your core. Your pupils get blown wide at the sound, and your head flops back slow, exposing more of your neck. He uses the opportunity to bend just that much more, until the front of his mask is pressed against the gland, and he can breathe you in, right at the source.

He's snarling under the mask. You can hear his teeth knock together, his tongue wetting his lips. You shiver, leaning into him, your hand raising up to caress the back of his neck as he nuzzles his nose there, taking another deep breath. You step back enough that he presses up against you from behind. You can feel his pelvis right against your ass, and you arch your back just enough to fit him right where he belongs. A gloved hand catches you at your waist, and you put your free hand on the desk in front of you until his cock is right there between your ass.

Your omega is panting. She's clawing, right there at the edge, fighting against quicksand as she's desperate to meet him. The feeling of him, the scent of him so close, it's an aphrodisiac, potent, suffocating. Something warm is wrapping around you, sliding along your skin, tickling your toes. It's between your thighs, in your mouth, wetting your tongue. You're not sure what this feeling is, but it's thrilling.

He's purring. Big, rumbling sounds coming from deep in his chest. More animal than man as his tongue comes out under the mask, and you can feel him lick a nice stripe over the raised, warm skin under your ear. Your omega is being pulled to the forefront. She’s like a magnet to him. The closer he gets, the stronger she bites into you. Your mouth drops open when his hand falls between your thighs, gripping onto you and pulling you up against him in one, slow grind. You can feel the length of him, fucking enormous, and you’re leaking into your cargos as his fingers squeeze the fat of your thigh.

"Fuck–okay!" You pull away abruptly, turning to face him. You put your hands on his chest and push him back a little. He doesn’t move at your touch, but your voice startles him enough that he moves his hands up and away from you. He straightens up, blinking away the haze in his eyes, and you swallow hard. "T-Too much..."

He huffs, moving forward to bury his face into your neck again, but you step back, putting a hand on his chest firmer this time. You have stepped out of the cloud that surrounds him, but you can still taste it, and it’s pulling you back, and you’re losing control.

"Simon," you say his name gently, and he stops, his face scrunching a little under the mask before he stands back up again. "If I have to be your mate...we need to set some boundaries." He blinks, saying nothing. "Like...a-asking for permission."

You can tell by the way his mask twitches that he doesn't usually ask for permission. He wants, and he receives.

Typical.

“What?” You ask, scoffing. “You don’t talk?”

He doesn’t move. You crane your neck to look up at him a little better, and you smooth your hands lower on his chest. You can’t help but appreciate what you feel. He’s wearing a tactical vest, but you can still feel the deep breaths he’s taking, the strong, fatty muscle under your palms. He is the epitome of sheer strength and undeniable ability. Your omega draws your hands back up his chest, over his pecs that pull taut, and they wind up around his neck as you stand up on your toes and lean into the curve of his jaw. You put your nose to it, barely. Simon moves his hands down, cupping you under your ass and picking up your weight with not even a grunt until you can press your face deep into him.

Fuck, it’s like a drug. It’s addictive. His scent impales you. He smells like war. Like chaos and smoke, and your mouth starts to water as you keep breathing him in. You pull back just enough, blinking up at him. You look a little dizzy and intoxicated, and he squeezes your ass to hold you steady as he puts you back onto your feet.

“Uhm…” You sniffle a little, holding onto him. Your hands curl around his shoulders, and you keep yourself upright like this. “I didn’t wanna be here. I don’t…I don’t want this. I never did.” You blink away tears, but he sees them when you draw your eyes back up to his. “T-They made me. It hurts.”

“Wot hurts?”

His voice scares you when you finally hear it. Your lip shakes, and when you blink again, your tears fall down your face. Simon snarls when he sees them, reaching up with hands too rough and wiping them off your face, but they keep coming.

“I’ve never been o-off my meds–” You gasp, and your breaths start to come in panicked and too fast. “Everything hurts. T-The lights are too bright, everything hurts my nose, the sheets are too itchy, and I-I can’t breathe–”

Simon moves away from you immediately. He closes a fist and pounds the lightswitch, and only the yellow glow of the lamp on his desk illuminates the room. You curl into yourself, hugging your own arms, and Simon comes back to stand in front of you, narrowing his eyes.

“I did not want you either.”

“That’s just grand, this is perfect,” you hiccup, and Simon grunts.

“But I have orders.”

“You act like your Captain is just debriefing you for a fucking mission,” You snap, glaring at him. “I’m a fucking person. I know your kind may not see us that way, but I am. I’m not a mission. I’m not something for you to win or to conquer, you fucking asshole!”

When you raise a hand to hit him, he catches your wrist before it lands. He squeezes just enough to hold you at arm’s length, and you lean forward and spit on him instead. It wets the mouth of his mask, and he nearly loses himself as his eyes flash with something dark. He looks away from you for a moment to collect himself. When he turns back, he uses his other hand to cup the back of your head, silencing you.

“You listen ‘ere, omega–” The way he says your title makes the fight in you shrink. Your omega squeaks, ducking her head, that bubble of submission pilling in your throat as he holds you so close to your naked scent gland. “Dunno wot anyone told you, but I don’t have to win you when y’r already mine.” He ducks his head, pulling you closer, and you freeze when he presses his masked mouth at the base of your pulsing scent gland. It wafts into his nose, dilating his pupils, and he snarls. “And when you inevitably lose control of yourself–you already fuckin’ are, you reek of it–I’m goin’ to sink my teeth right ‘ere, and then it won’t fuckin’ matter ‘ow you feel.”

Your eyes blur with angry tears. You gasp, your breaths hitching, and Simon seems to feed off of your fear, your misery. If he wasn’t wearing a mask, you imagine he’d be licking your tears for a chance to taste your sadness. The worst part of it all is that your omega adores it. She’s been aching for so long for this kind of authority. For that edge to tickle her right under her chin where she likes it. The whiff of alpha that she’s getting is driving her out of control, and you don’t know how make her quiet down. She’s so loud in your head, banging against the walls–give it to him, give it to him, give it to him.

“You’re a fucking monster,” you whisper, glaring up at him. It’s no use–you will never scare him. Simon is what scares other alphas into submission. In one paw, he could crush your windpipe if he wanted to, with just a squeeze. Simon hums, and you imagine him smiling under that mask, some kind of vicious grin that you would love to smack off of him.

“Tha’s right, swee’eart,” Simon mutters. “I am. ‘n now you belong t’me. Everything that you are–” He smooths his hand down your neck. You seize when his hand slides over the curve of your waist until it cups under your ass and forces you up against him. “‘s mine. Your omega–’s mine. Your mouth–mine. Your arse–mine. That cunt that’s going to take my knot like a good little omega should–mine. So y’r gonna get y’r things, and y’r gonna move them into my quarters, and then we’re gonna go get supper, and y’r gonna shut y’r fuckin’ mouth.”

“I hate you. You’re the biggest son of a bitch I have ever met in my entire life, you are exactly the kind of asshole I knew you would be, you are no different than I thought. You’re a terrible, awful, horrible–”

“I can smell you,” Simon snaps. “Don’t try to be fuckin’ smart with me, I can smell how wet your cunt is, so why don’t you just be a good girl and do as I say?”

You bare your teeth a little, and Simon sticks a gloved thumb into your mouth. Without thinking, you relax. You suck it into your mouth and sigh, and Simon rubs his thumb against your tongue, shutting you up nice and well. He traces your teeth with it, and you start to cry. You cry because you don’t know why you can’t fight. Your grip his forearm, but your nails won’t dig. Your feet are planted to the ground, and you can’t move. Your mouth sucks, and he pushes, and you’re frozen here.

He knows what to do. Doesn’t he taste so good?

He seems to like your teary eyes. The big, fat tears. His eyes crinkle, and you know he’s smiling, and you wish you could rip that expression off his face, but all that stares back at you is death. Simon growls, and every bit of resistance in you fails. Slow, like molasses, your knees buckle, and he catches you. He pets your mouth, and when he leans in and presses his mouth to your ear, all you can do is cry.

“That’s it. Good kitty.”

#simon ghost riley #simon riley #simon ghost riley x reader #simon riley x reader #simon riley x you #ghost mw2 #ghost cod #ghost call of duty #ghost mwii #ghost x reader #cod #call of duty #simon riley smut #simon ghost riley smut #dark!ghost #dark!simon

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woso-dreamzzz · 18 hours ago

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Snap

Leah Williamson x Reader

Summary: It's all Leah can hear

The snap is what Leah hears and the snap is what Leah hears only.

She can't hear your scream. She can't hear the yelling from the crowd. She can't hear anything as that snap echoes around her brain.

The North London derby was always this kind of scrappy. Everyone expected it. Everyone looked forward to it.

More yellow cards flew for both teams than probably any other fixture.

Tackles always held a little bit more passion, a little bit more aggression than usual.

But not like this.

Never like this.

No one ever wanted it to be like this.

Leah can do nothing but stare. It feels like minutes, time slowing down around her as she watches. It can't have been more than seconds.

It's not her that makes the tackle. It's some new academy girl that's been called up to replace an injured teammate.

Leah can't quite recall her name but she goes in for the tackle, studs up.

Studs up and not even aiming for the ball.

And not even for your ankle either.

She goes in for your leg and your crumble under the force of it.

Leah doesn't know if the rest of the stadium heard the snap but she certainly did.

She heard the snap.

It was all she could hear.

Chaos erupts from everyone - teams, staff, supporters - but Leah can't hear any of it.

You're on the ground, face split open in a scream that she can't hear, tears dripping down your face as you clutch as your bloodied leg.

"Hey, hey, it's okay. It's going to be okay. Stop moving. Stop moving."

Leah can't remember when she moved. She can't remember shoving past your Spurs teammates and getting on her knees to hold your head still.

"Baby, I know it hurts. I know but you just have to stay still. It could be worse than we think. Alright, stay still for me."

You suck in a breath. "L-Leah," You croak out, voice cracked and quiet," It hurts."

"I know," Leah says, feeling panicked as she glances over to the side lines, watching as the medics run on," I know, baby. I know. It'll all be better soon. Just hang on."

Everything still feels like slow motion to Leah, panic clawing at her consciousness.

You try to move your head again, to look at your leg but Leah's hands are clamped tightly around you.

"You-You don't want to see it," She says," Trust me, baby."

"I...Leah, it hurts. It hurts so bad."

"I know," It's all Leah can say, all she can do to keep you calm," I know, baby. But it'll be over soon. The medics are just coming."

She's right, of course and in any other circumstance, she would brag endlessly about it, about being right.

But not now.

Not with you injured and your leg very clearly broken and bloody.

One of the medics gives you a green whistle that you suck on generously before you're loaded up on the stretcher.

That academy player gets a red card and Leah doesn't even care that they're down to ten on the pitch and the open gap next to her is what leads to Spurs equalising and the derby ending in a draw.

"What was up with you and l/n?" Katie asks in the locker room," I didn't know you two were friends."

Leah changes quickly, not even bothering to shower when it means spending more time away from your bedside.

"We're not friends," She replies, throwing her boots into her bag and unplugging her phone charger.

"Really?" Katie says in disbelief," You guys looked so close when she got injured. You wouldn't leave her side."

"She's not my friend," Leah says bluntly," Because she's my girlfriend who is now in hospital after a stupid, reckless-"

"Leah," Kim cuts in, glancing over to the showers where the academy girl has been inside since her red card nearly half an hour ago ," Go and see her. I'm sure she's waiting for you."

Leah cuts off her oncoming rant, zipping up her bag angrily before storming out.

Her hands clench her steering wheel tightly as she drives, only stopping off once to grab some snacks and some flowers.

"Hey," You say as she walks into your hospital room," Oh, Leah, they're beautiful."

You take the flowers from her as she dips down to give you a kiss.

"I was worried about you," Leah says, glancing down at your leg," How bad?"

"A clean break," You reply," So just a cast and no surgery. The blood made it look worse than it is. I'll be okay."

"Are you sure?" Leah asks," You can tell me. You don't have to try and save my feelings."

"I promise," You say," It's all okay. Nothing too bad."

"Definitely?" Leah checks," You're not trying to stop me stressing?"

"Definitely," You agree with a little laugh," Nothing too bad. Nothing to stress about."

Leah blows out air noisily, finally relaxing in the stupid plastic chair by your bedside.

"Now," You say," Did Spurs equalise?"

Leah groans.

#woso x reader #leah williamson x reader #leah williamson #woso community #woso imagine #woso fanfics #woso

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mirohlayo · 20 hours ago

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F1 DRIVERS AND YOU (their crush)

KISSING THEIR CHEEKS

( include piastri, norris, leclerc, sainz, hamilton, russel, verstappen & ricciardo )

warning : none just fluff

note : little nod to max's 4th championship win, congrats to him, sooo proud !!

─ OSCAR PIASTRI

I know for sure boy was blushing so so hard. But it's absolutely adorable and cute. Oscar is very patient with you, and even though he dreams of being able to touch you in a more than friendly way, of being able to at least have the right to a little kiss, he restrains himself and tries not to act under his impulses. . However, when you decided to quickly kiss him on the cheek, out of nowhere, he actually felt himself melting from the inside. His cheeks have never blushed so much, and his heart has never beaten so quickly.

─ LANDO NORRIS

Ugh, you guys can barely hold eye contact, but he's already so in love. So mad in love even. Despite the fact that you are still shy, especially him, that you struggle to make eye contact without blushing afterwards, Lando can't help but ask for more. Just a little extra. So, when he walked you to your doorstep, he immediately asked you if he could have even a mini kiss. Your lips naturally landed on his cheek, brushing against it, almost like a ghost kiss. And when you pulled back oh... He was already touching the place where your lips rested, cheeks as pink as yours.

─ CHARLES LECLERC

This was absolutely surprising to Charles. But he would love to be able to feel that feeling again. When your lips pressed naturally against his cheek, your hands framing his face perfectly. He didn't move for at least a good two minutes, trying to figure out what just happened. If it was real. He was so shocked that he didn't see you lean in again to place another sweet kiss. He blinked a few times, and you could only giggle silently. Oh, it was the best day of his without a doubt. And if he could live it again, he wouldn't hesitate for a single second before saying yes.

─ CARLOS SAINZ

He only had eyes for you. And he loved seeing you smile, and making you happy. So from time to time he spoils you, and although you don't like it when he buys so many things for you, you always end up thanking him warmly because after all, it's adorable. You always hugged him, hugging him a little tighter each time, but this time it was different. You wanted a change from hugs, so with a surge of courage and love you gently kissed his cheek to thank him. He was dizzy, almost on the verge of passing out. He couldn't hold back a shy smile, and above all he couldn't settle for a hug from now on.

─ LEWIS HAMILTON

He waited there patiently, sitting in a corner of the garage before getting in his car. You were a few feet away from him, watching the mechanics adjust the final modifications to the car. He couldn't help but admire you. And stare at your lips. God, he would give anything to be able to feel them against his skin. And as he was about to get in the car, he stopped when he felt your arm rest on his forearm. And without knowing how, your lips crashed onto his cheek in a quick kiss. His best smile appeared on his face, as he tried to hide his blush by putting on his helmet. Finally, his wish came true, right?

─ GEORGE RUSSEL

He can't stop replaying the scene in his head. He already found you so perfect, so beautiful and incredibly intelligent. It wasn't just a crush anymore, it was George, a simp for you. But already his heart was speeding up just by looking at you, he really thought it was going to stop beating when you gently kissed him on his cheeks. It was pure, sweet and... terribly affectionate. He tried to appear as normal as possible, but inside he was a mess. His whole body was telling him to kiss you and tell you everything he has in his heart right now. And he's sure that day will come soon, because there's no way another day will pass without a kiss from you.

─ MAX VERSTAPPEN

As the race draws to a close, Max is finally a 4th time F1 world champion. And getting out of his car, as he proudly waves his arm to greet the crowd, only one thing is on his mind. You, you and only you. So it was natural that he found you among the crowd, looking at you as if only you existed in the world. His hair was still damp, his face still covered in drops of sweat, but that absolutely didn't stop you from pressing your soft lips against his cheek, for a long time. Passionately. And oh, that sweet gesture was better than any championship. His eyes spoke for themselves.

─ DANIEL RICCIARDIO

He will never, ever stop teasing you about the kiss you gave him. Quite simply because he loves seeing you smile and laugh, but above all because he secretly wants you to repeat this gesture over and over again, for eternity. Honestly, you wouldn't even have to ask him for permission as he will already be ready to receive another kiss from you on the cheek. It was by far the most beautiful experience of his life, and oh, his heart always asks for more when he sees you. So, he hopes to feel your lips on his skin again, even if it costs him to tease you all day long.

#f1 imagine #f1 x reader #f1 fanfic #oscar piastri x reader #lando norris x reader #charles leclerc x reader #carlos sainz x reader #lewis hamilton x reader #george russel x reader #max verstappen x reader #daniel riccardo x reader

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vaspider · 1 day ago

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I've been thinking about the one post that had some weirdo TIRF on it talking about how "men 👏 don't 👏 experience 👏 misogyny" and everybody just kind of skipped to talking about how ofc trans men experience misogyny but like

We can't just skip how fucking asinine that sentence is on its face. That is not ground that should be conceded, bc trying to state as if it's a plain fact that "men don't experience misogyny" should get you laughed out of any room you're in.

Every time a boy is told he "throws like a girl" or is called a "little baby girl" for crying, he's experiencing misogyny because he's being devalued for traits that others see as feminine, traits which those doing the mocking see as belonging to women. Every time a fat dude's "moobs" get mocked, he's experiencing misogyny. Every time a girl makes fun of a dude for enjoying something she perceives as feminine, he's experiencing a double whammy of misogyny and homophobia.

There is no other reasonable way to discuss what these men are experiencing. That's misogyny.

The longer I talk with people in all kinds of marginalized groups online, the more convinced I am both that it's very understandable that people want their experiences and their hurts and their oppressions to be totally unique and unable to be experienced by anybody who isn't part of their group and also that anybody who hammers away on the idea that "only [X] can experience [Y]" and devotes excessive time to guarding the borders of their little fiefdom is not just not helping the cause of liberation, but is actively degrading our chances of making meaningful change.

I would go so far as to say there probably isn't a man alive who has zero experience of misogyny. Misogyny is leveraged against men constantly as a form of social control. Just because it's "do X or we will devalue you by calling you a woman" doesn't make it not an experience of misogyny.

Is it exactly the same thing that women experience? No, but also what different groups of women and different individuals experience is also different. There is no flawlessly singular experience of oppression experienced only by women, experienced the same way by all women, and never endured by men.

With that very simple fact in mind, spending time endlessly trying to police the way that another marginalized individual speaks about the method and effect of their own oppression rather than finding solidarity and commonality is fucking fed shit. It does not serve us and actively sabotages all of us, serving only those who actively benefit from our subservience and our infighting.

So fucking stop it.

#feminism #misogyny #queer #trans #trans issues

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soundwavefucker69 · 1 day ago

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I don't share this often, but I am a trans man named Minty.

awhile after I got my legal name change, I asked my mom what she would have named me if I was a boy. she said Sebastian, and I groaned and complained that I should have asked before I got the name change, because I really DID like Sebastian now that it was occurring to me as a possible name and had ALWAYS liked Sebastian, even before my MCU days as a teenager. I had even considered it as an option but worried I'd end up looking like a weird fandom kid that had never let go of the MCU. if I had known that was the name my mother had picked for me, I would have had justification to choose it.

she asked me why I picked Minty then. i kinda paused in surprise because I thought it was obvious. and I was like. well. I wanted a name i felt like I could associate with childhood me.

after the first house we lived in was foreclosed on by the bank, we had to rent while my parents fixed their credit and swore never to get a fixer upper again. so we picked a nice house in our small town with only two real neighbors of note: an old lady, whose kids had forgotten about her, that lived way down the alley, around the point it turned from paved to dirt, the only house down there, who had a pomegranate tree in her ill-tended front yard, and a nice old lady next door that for some inexplicable reason had a miniature horse and a beautifully tended flower garden she had foolishly once planted mint in. she also had a very, very old fashioned rotary telephone. I mean the kind hardwired into the wall, of metal, with a speaker with a smooth wooden handle that sat neatly on top. not one of the plastic ones. the ones you see in old movies.

we loved these old ladies very much. the pomegranate lady was too old to keep up on her yard, so my brother and I would go with our dad to help weed whack and scrape up the dead leaves. we didn't offer too much, she was a proud sort, and couldn't pay us, but just enough to help out a little. and the mint in her flower garden lady loved it when we came by to say hi to her horse whose name I forget and loved to teach us how to garden.

she would send us home with mint. obviously. because when you have a mint infestation, well. it's pointless, but you gotta try anyway. and my mom would take that mint and make sun tea, just on the edge of not sweet enough, bc she was a bit of a crunchy mom, but not enough to reprimand me for sneaking a bit of sugar into my cup after to mix it up. (the sugar never dissolved right, especially after it was chilled, and i would always make a racket trying to get it to do so)

I told her I picked Minty because it ties me to my childhood. I didn't want to just cast it away. I wasn't Minty yet, but I also wouldn't be Minty without those days.

mom hasn't fully come around to me being trans. but she was quiet for a long, long time before she kind of whispered. I think I like Minty better than Sebastian. you should keep it.

my mom has always beat herself up over our childhood. she lacked a lot of stability in her upbringing and thought church was the way to go with my brother and I. unfortunately, she picked the wrong church. it was intensely traumatizing for us. we've had a lot of tough conversations about it. but I was able to tell her that day, you know Mom, I know you think you didn't do enough, but just know I'm not trans because you put me in a place where womanhood was miserable and I'm running from it. I don't remember much of the church, even though it consumed my life. what I do remember is my mother, the woman I may have complicated feelings towards, but have always admired and was always my standard for womanhood, being criticized by the other women for allowing me to read this book or that book and not bending or breaking under their rebukes for twenty years. I remember finding out as a twenty year old that I was the only "girl" in church that got the HPV vaccine, because you wanted to protect me, and not rely on chastity alone, like some sort of egotistical maniac who believed I'd always be your daughter, not a living breathing person that would make choices you didn't approve of as an adult, that shouldn't have to suffer for no reason from those choices. I remember you reading to my brother and I well into our teen years, using your acting talents that didn't blossom into the career you wanted to bring the characters in Peter and the Starcatchers to life. I remember listening to Lord of the Rings on cassette tape in the mini van, even though they said it was demonic when they found out. I remember the mom that let me be a tomboy. I remember the mom that would put on the Wind and the Willows on cassette from the library on rainy summer days and we'd listen to it and eat meatballs and spaghetti in the kitchen.

I told her, you're not a failure as a mother, and I didn't hate womanhood because of your example. it just didn't fit me. you made mistakes because you're human. I never thought of you as less than because you're a woman, and I didn't want to escape the cage you're thinking i wanted to escape.

my mom cried. I think that was the first time i made her cry and didn't feel bad about it.

anyways. not a soft memory, but it feels soft to me.

Tell me a soft memory

#shrooms is talking

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rederiswrites · 20 hours ago

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I'm finding I can't be as sad about Varric as you'd expect, and I think it's because he won.

He saves the world he knows and loves, through Rook. More than that, depending on player choice, he wins that quiet, unstated argument between Solas and himself. The man on the island didn't give up, and somehow, incredibly, he won. Varric loved the world as it is, and the people in it, in all their deep and messy flaws, and despite their many failings. He loved them fiercely, with a loyalty bordering on the irrational. If he hadn't wanted to save his friend, his friend, Solas, god of lies and trickery (and who is Varric to judge someone for lies and trickery? He never would.), Rook would not have tried to do the same. Maybe, Rook would not have succeeded, without Varric's words ringing in Solas' ears.

It didn't matter to Varric whether Solas saw him as a friend, I don't think. I don't think that would've changed anything for Varric. But I do think that Solas saw him as a friend, too, though a complicated one. A man who challenged and frustrated him at every step, who loved what Solas hated, but who cared so deeply. In a different chain of events, there would certainly have been a demon in the Fade with the name of Varric's death.

But in the end, Varric's simple, dogged, unconditional love for things as they are won out over a god's millennia of pain and striving. He would've thought that was a damn fine way to go.

#varric tethras #solas #veilguard spoilers #dragon age #da:v spoilers #dragon age spoilers

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ahgasegotarmy116 · 2 days ago

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BANG-ABLE | Jeon Jungkook | Drabble 1

Summary: When your very curious robot boyfriend finds all of your old sex toys. Pairing: f!reader x Sex Bot Jungkook Word Count: 2k~ Warnings: Smut but that goes without saying for this fic p.s. I put out a mini drabble as well right before this in case you didn't catch it hehe p.p.s I have another temperature play drabble request so keep an eye out for that one in the future 🤭 Requested by an anon 💜

"What are these?" Jungkook asks when he walks into the living room where I'm sat down watching Hidden Love for the fifth time, holding up my little black box that I had hidden away and had completely forgotten about.

"NOTHING!" I say hurriedly, scrambling to get off the couch and tripping over the blanket I was using in the process. I regain my footing, run up to him and reach for the box but he holds it over my head, completely out of my reach.

"Are you cheating on me?" he teases, the objects in the box being ones I used before I got him. "You seriously think I would use those anymore? Now give it here!" I jump but once my fingers just barely touch it he grabs onto my hips to keep me from trying again.

I glare, waiting for him to give them back and when all I'm given is a stupid smug smile I resort to threats. "Give that to me or I will turn you off and make you charge on the floor instead of in bed with me" his eyes widen, not expecting that and deciding to do as I say, handing me the box of various sex toys that could never truly satisfy me.

"Why do you have so many?" he asks, picking up one very elaborate and confusing looking one that I snatch out of his hand immediately and put back in the box, shoving it in the back of my closet.

"Because none of them did everything I wanted them to" I sigh and close the door in hopes to help change the subject. When I try to walk past him though he stops me by wrapping an arm around my waist and bringing me back to stand in front of him.

"I don't know why I asked since I know how needy my baby is" he says, his voice dropping a bit while he places kisses on my neck, knowing that'll help take the edge off.

"Why do you always have to go through my t-things?" I stutter, my resolve of trying to stay upset with him faltering. "Because I wanna know everything about you baby, and that includes all of your dirty little secrets" he says directly into my ear before sucking on the sensitive skin right below.

I shudder at the thought of letting him in that much and I know I will eventually but his want to figure out as many ways as he can to please me on his own is way too fun to experience, no matter how embarrassing it might seem.

"You like that huh? The thought of me knowing everything about you, all your deepest darkest desires that you haven't even dared to say out loud. My baby likes to hide that away huh? Too afraid to even tell me what she wants sometimes. That's pretty selfish don't you think?" he says, his grip on my waist tightening when he pulls me closer, his sensors picking up on my arousal and in turn hardening his length for me to use as I see fit.

"Why don't you let me use some of those on you tonight hm? Or better yet, let me watch you use them to get yourself off. I bet you'd look adorable, so frustrated and begging for release but never quite getting exactly what you wanted" he says but I shake my head.

"Too cold, want you" his presence tonight being one that drove me into submission so easily. I can't help but become putty in his hands sometimes. He was made for me and knows exactly what I like so why not give into what his programing is telling him to do to me.

"Aw, too cold for you? Needed me to warm you up?" he says, his condescending way of talking to me one of the easiest ways to tip me into that submissive headspace, only with him though. With him things are different. With him I know I'm safe.

I nod my head and my lip juts out the slightest bit leaving him running his thumb along it before I decide to open my mouth and run my tongue across it. His robotic pupils dilate as if they were human and the next second I'm on my back on my bed, him hovering over me with that sexy smug look on his face.

"Does my pretty baby want something?" he asks, caressing my cheek with a featherlight touch, and I blink up at him, still reeling from his sudden actions. He hums as a way to get my attention on him again, wanting me to answer his question.

"Want you" I say, hoping he'll accept my simple answer but I know he won't settle for that. "You've gotta be a little more specific love" he teases making me huff. "Oh come on, be a good girl for me and tell me what you want hm?" he mumbles and peppers kisses all along my neck and collarbone, having worn just a tank top and shorts today.

His hands heat up and run along my skin, warming me up just like he said he would but suddenly his hands turn ice cold, making me push him away but as always he doesn't budge at all.

"What the matter love?" he taunts, his hands quickly going back to a normal temperature. "Don't do that" I scowl, not liking the sudden change. "Lemme play around a bit yeah? Wanna try something" he says, clearly ignoring my scolding.

I squint my eyes at him when he looks down at me, a stupidly tempting look on his face. "Just trust me" he says, leaning down to mumble it against my lips, just barely kissing me before pulling back and looking at me again for confirmation.

After thinking for a couple more seconds I nod my head and he tongues his cheek, a habit that he picked up from who knows where but something that's become so sexy to me and he knows it.

He helps me strip out of my clothes and lets out a groan in approval, running his fingers through my folds.

"Baby is so wet for me already and I've barely done anything. How adorable. Been waiting all day for me to touch you huh?" he says, watching as my mouth falls open when he applies pressure on my clit just how I like it, tracing circles around it and alternating with just barely dipping a finger into my entrance, never giving me what I really want, playing with me just like he said he would.

When his fingers start to touch me with more precision, one finger pumping inside of me while his thumb circles my clit I feel that same chill run though my body and I realize his hands have gone cold inside me making me yelp and back away from him but he growls and uses his other hand to grip my hip pinning me down on the bed to keep me from moving.

"Stay still for me love, promise it'll feel good" he says and I decide to trust him. He knows what my body wants and what it can handle, the signs to look out for to know what's going on in my head.

"So good for me" he says, kissing me and starting to pump his fingers in and out of me again, adding a second one right away but switching the temperature back to a warmer one to help with the stretch.

Once he starts to feel that I've gotten used to the intrusion he changes the temperature just cold enough so I can feel it, my back arching as the only way I can move about since he's still got my hips pinned against the mattress.

"Shh I know I know. You can take it though, it's just a little cold love" he coaches, his cold fingers dragging along my warm walls making me wince. "This is w-why I stopped using them, t-too cold" I admit although I already had before, hoping that in some way that would make him stop but he doesn't.

"You know I'll take care of you though" he says, the temperature of his fingers changing back to normal now, giving me a bit of a breather but soon he's pulling them out of me making me wince for another reason.

"Where are you going?" I whine but he only laughs and gets off the bed to take off his clothes before crawling back on top of me. "My baby is so impatient, aren't you?" he chuckles, settling between my legs and dragging his tip along my folds, his brows furrowed in concentration while collecting my slick and rubbing it all over his cock.

"Just put it in already, please" I basically cry out, the temperature play leaving me incredible sensitive and he knows it, not letting up with this sick form of torture. He places his tip against my entrance, not pushing in and just teasing my hole and when I open my mouth to protest he shoves himself into me, knocking the wind out of me, his response a hum, clearly satisfied with the results of his actions.

"Couldn't even wait for me to fuck you like I wanted to, needed my cock in you so bad that you couldn't even shut up and wait. Thought you wanted to be good for me tonight" he grunts, slamming into me at a relentless pace, his robotic strength being unparalleled in bed. I sob, the intensity and the need to catch my breath overwhelming me in the best way possible but when he chances the temperature of his dick I'm screaming for him to change it back.

"Stop running" he growls, grabbing my hips and sitting back on his heels so he can fuck me onto him, pushing and pulling my hips so fast making my breasts bounce up and down. "Fuck play with your tits. Wanna ruin you but my baby can lend me a hand or two can't she?" he says, talking down to me like I'm fucking stupid when I clearly am, cock drunk and barely able to see straight.

I slowly bring my hands up my torso, ghosting my fingers along my breasts, "S-shit" he stutters, his programing really playing the part and making me moan at his reaction. "Play with your nipples baby, get them nice and hard for me" he says, his hands dragging my hips back and forth making his length disappear inside of me over and over, never ceasing making my cock drunk mind go blurry, my reaction speed severely diminished.

He decides to give me a breather, stopping his movements and putting his fingers in my mouth, my lips closing around them right away. "Make a mess baby" he say, encouraging me to get them as wet as possible, my tongue swirling around them, a pool of saliva now gathered and making a complete mess, exactly how he wanted.

He takes them out of my mouth and my brows furrow, not wanting to stop since the approving gaze he gave me while I did it being something I didn't want to give up just yet. He chuckles and rubs his fingers together, making sure his thumb, pointer and middle finger are covered before using them to play with my nipple making me whine at the harsh pressure.

"Shh it's okay, I got you" he coaches, the cold temperature making my nipples harden painfully, goosebumps now present all over my body.

"My baby gets so cold so easily. Want me to warm you up again?" he taunts and I nod my head, the rate of his thrusts though making it difficult to decipher but he knows and so he switches to a warmer temperature making me sigh in delight. It quickly goes from too cold to way too warm making me moan in delight, the scorching temperature being painfully pleasurable.

"Don't worry baby, it's not gonna leave a mark, I wouldn't hurt my pretty girl. Unless she wanted me to" he says, the offer enticing enough to make me think twice but I shake my head 'no' and he take it. "Baby doesn't wanna be branded? That's okay, I'll take good care of you" he coos and that he does.

Over and over and over.

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badnewswhatsleft · 2 days ago

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rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be?

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails.

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can...

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band.

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music.

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special.

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

#sir the ''schlubby dad'' in question is getting on stage and GROWLING. people are dying and creaming and dying and cr #time capsule #read the charts #fall out boy #patrick stump #pete wentz #joe trohman #andy hurley

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thanatos-heard-somewhere · 8 hours ago

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Even besides a fucking LOAD of plastic I, myself, never understand this classic collector's approach. Like, yes, they gather dust, but if you can afford them (and the vast majority of collector editions are fucking expensive), you can probably afford a good glass display. Or at least partly glass. If they are simply piling somewhere in your storage room, what's the point? I'm not a collector, who builds a collection.

For most of guys who I personally met and they was wired that way dolls and figurines are a trophy. Like a stuffed rhino head on the wall of a safari-enjoyer and probably poacher's house.

I'm merely a good host or a head of the family figure, who invited guests or found his lost family members. They are never just Cleo or Toralei or Venus, or Elanna or Ray to me. They are Hatshepsut, Camille, Freya, Zhai and Amir.

Figurines are even worse in that regard. I've preordered CuChulainn figma once. And when, after almost a year of waiting, he finally appeared, I've unboxed him and play like for hours trying action poses with his awesomely holding stand. Because the stand allowed me to even set him as if he hits someone with his spear in one of his mad leaps. He is a very active character, agile and fast. And it was awesome.

But in the box he was... Like, you know, dead. Like in the coffin, casket, whatever. Classic, convenient storing pose, good for transport, but not characteristic of him at all. I dunno where I put his box, but it still exists only for the reason that he has spare parts, and I don't need to lose them. And spare parts of my nendroids are in this box as well. Where are the nend's boxes? In the trash. Because it was way less resilient then his original box.

Here is another story:

My partners hear about my childhood experiences with a very beautiful Barbie doll, my mother bought me one for the Christmas. It was a Christmas collector Angel barbie. I had a lot of wonderful time with her, she always was a main character in all my games, even if her name is constantly changes. Then I lost her. Guess my parents decided to give my toys away when I turn 16. @aquamarignis found this precise edition somewhere on the second-hand market in internet. She was in the box. Box was a bit broken, but I can repair it, if I want. It was the 1998 edition. It was 2022-2023. Christmas.

I immediately unpacked her. Yes, I saved the box, but not for the collector's spirit. Just for more convenient transportation. Btw, in the box her silicone shoulder strap, that hold her dress more safe, decayed and turns orange and pretty visible. So, I removed it also.

Angel is beautiful. And for me this unboxing experience was crucial. I cried with a smile and felt 7 yo again. It was perfect.

#unboxing #dolls #figurine #plastic

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fairandfatalasfair · 2 days ago

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I don't think Edwin particularly likes his own cold, self-interested analysis or his quick temper or his venomous tongue. I think he's accepted them as faults that he probably won't be able to change, but I don't think he's proud of them.

He tells the Cat King that he's ashamed of wanting to make a case for his innocence, to protect himself in the process of helping others, as though that would undo the good he does. He immediately calls himself out on his own vindictiveness when Despair tells him he was about to gloat over Simon's suffering.

I don't think he's particularly beating himself up for those things, but I do think he thinks of himself as selfish, and possibly cruel, and Charles as the opposite of those things.

Charles is the one who helps Edwin, and their clients, out of the goodness of his heart with no hope of reward. Charles is the one who had the option of heaven and chose Edwin instead. Charles is the one who never has a harsh word to say about anyone. When he says Charles is the best person he knows I think that's part of what he means: that he sees in Charles all the virtues, the kindness and selflessness, that he thinks he lacks.

(Charles, meanwhile, loves Edwin's bitchy side, and I think attached himself to Edwin at least in part because the kindness Edwin showed him in his last hours epitomises the good guy he desperately wants to be. But I don't know if Edwin fully believes that.)

I dunno I just think there's something fascinating in that - in Edwin's ruthlessness in holding himself to these impossible standards, and his view of Charles as someone who meets them.

#DeadBoyDetectives #Charles Rowland #Edwin Payne #payneland #Dead Boy Detectives #DBDA #fatal rambles

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pastel-peach-writes · 2 days ago

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Hii, I LOVE UR FICS!! 🫶🫶🫶 so i was wondering what would caitvi do when their S/O was on their period 🤔🤔 (idk if this is PG-13 😭)

Love, anon

Hi! Yes, this is perfectly PG-13. Thanks for requesting!

Shark Week | CaitVi x Reader

╰┈➤ PLOT: Headcanons of CaitVi with a S/O on their period!

╰┈➤ WARNINGS: No Y/n, Not Proofread, No Spoilers(S2)

⍣ ೋ Enjoy!⍣ ೋ

– Caitlyn and Vi are understanding when their partner is on their period. The pair gets them too so they know how excruciating periods can be emotionally and physically.

– If you're the person who gets cramps really badly to the point where it makes you nauseated or cry, they're always there to provide for you.

– They give you medicine, home remedies, heating pads, and tons of cuddles if you want them. One of them always has a hand on your abdomen when you cuddle. They think it's comforting to have their hand there and honestly, the touch from them and the warmth from their hand is so you never told them to pull away.

– (Unless you were in so much pain that you didn't want to be touched).

– Vi and Caitlyn get you whatever snack you need when you're on your period.

– Let's say you're a huge fan of chocolate, on and off your period, so the girls get you a small basket of all the chocolate they could find or your favorite just because they know it soothes you.

– Maybe you like spicy food instead on your period. Caitlyn finds that a bit strange since spicy foods typically make cramps worse... but they get you spicy food anyway.

– If you're the type of person who gets really emotional on their period, Vi and Caitlyn understand and try not to rock the boat too much or lend an understanding ear.

– Maybe a commercial with a puppy in it made you burst into tears or maybe the kitchen cabinet didn't close the right way so you exploded into a rage and cussed the cabinet out. Either way, they don't judge and always try to talk you down from your rage or ease you when you're crying.

– Of course, the two of them look at each other in a mix of fear and concern when you get ridiculously angry over inanimate objects, but they keep their comments to themselves. (Or at least wait till you aren't in the room to talk about it).

– When you three are out and about or working and your period comes unexpectedly, somehow, they're always prepared.

– Caitlyn never leaves the house without some period products on her. One time a cute girl needed a pad the day Caitlyn didn't have one in her bag and she's regretted it ever since. So in addition to pads, she keeps tampons and liners in her bag too.

– If you're the one to use a cup, she'll only have a brand-new one still packaged in her bag but only when you guys aren't home for days at a time. Otherwise, you gotta deal with the pads and tampons.

– If you're out and you bleed through, Vi is the first to see (if you don't spot it first) and will guide you to a different room to change. The girl will literally give you the pants off her legs to help you out. She doesn't care.

– Obviously, she can't walk around in public with no pants on, no matter how much you and Caitlyn loved her legs, so you would decide on using her jacket as a coverup instead.

– Around shopping centers or stores, they won't hesitate to buy you a new pair of underwear, pants, and more period products when you bleed through.

– If you're at their workplace, they already have a few extra pair of clothes because sometimes, they bleed through too

– And if you're at home, they'll just tell you kindly if you didn't spot it first.

– If your period stained the sheets, hey it happens sometimes, they'll clean the sheets without a problem.

– Honestly, CaitVi are really understanding about periods and won't ever judge. (Unless you're being a little mean to the sink faucet because it's not getting hot quick enough).

– Another thing they like to do with you is cuddle up with your favorite snacks and what whatever movies you want to see. If you have no movies in mind, then you three would find movies that sound interesting.

– You always fall asleep first if the pain isn't too much to bear. You couldn't help it.

– You were warm, fed, well cared for, and cuddled in the comfort of your bed surrounded by your girlfriends who would do anything to make sure you're happy.

WC: 716

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tragedy-machine · 3 days ago

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Zack Ogle, the writers' assistant on dbda, said that Edwin loves Christmas and likes to decorate the office

Meanwhile George and Jayden said that the boys don't get festive because they're very busy during the holidays

Which tells me that actors and the crew who aren't writers and main show runners, don't always have all the info and don't always know the direction the show would have gone in

So if you heard something you didn't like during cameo week, you can definitely just choose to ignore it and continue on as before

Yes, s2 was supposedly already mostly written before the cancellation, but there still could have been changes in the script, plus it was never meant to end on s2, they wanted more (I saw someone say ideally they'd want 6 seasons, but I haven't confirmed that piece of info)

So take the bits you liked, throw away those you didn't, we only have one season to go off of and the rest doesn't really matter now <3

#to all the people bummed after gameoden #dead boy detectives #my posts #edwin payne #charles rowland #dbda #dead boy detective agency #gameoden

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dragons-stories-hoard · 2 days ago

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Okay but I don't think it should be day one of Merlin being in Camelot, cause then frankly nothing is stopping Morgana from going all game of thrones on Uther and Arther.

Might I suggest, they come back when they're kids? Hear me out. Morgana may have been messed up and evil but even she wasn't going around killing squishy baby-faced ten year Olds. So she's going to hesitate at trying to kill Arthur because he's a child, and vice versa for Arthur and co seeing Morgana. Plus none of them have the strength (in body or magic) to start challenging Uther for the throne so they can instigate chamge, but theres time where they cant change much but they can think and plan for the future. So they have time to deal with their feelings at seeing old enemies again but they're friends still. (None realize they aren't the only one who time traveled). Maybe it's soon after Morgana moved to Camelot, so her sudden anger at Uther and temper can be attributed to a grieving child.

Arthur and Gwen both know how Morgana turns evil so they're looking out for signs of her magic and hey look at that she's being given sleeping draughts even as a young child. And they realize Uther would still kill this baby-faced Morgana if he knew, and they know how her fear of him turned her to hate everyone. They see their friend as a scared grieving child and want to change her fate. So they start trying to assure her without directly letting her know about the magic. Meanwhile Morgana is seeing Arthur stand up to his father on her behalf, and promising her he will protect her even from Uther if he has to. And she can't remember if he'd done that before, thinks maybe she forgot in all her fear and anger. And she has time to realize she may have had reason to fear but she never did give Gwen and Arthur a chance to be good. She was the one who turned on them first.

MEANWHILE Merlin has much better control of his magic because he already has so much knowledge of the old religion and it's language from the previous life. He works harder on controlling and improving his magic and skills from a young age. He is determined to fight fate and save everyone so he needs to be better stronger more knowledgeable. He starts taking trips to the druids under the guise of "taking goods from the village to trade" (he does trade but keeps the fact that it's with druids to himself and maybe Will since he'd want to come with his friend sometimes). He learns from books and people he had no chance to learn from before, building on his knowledge. He looks into death magic and high priestesses, knowing Nimueh will eventually target him and Arthur and Gaius and his mother. He thinks ahead to ways to keep Lancelots sacrifice from happening or even ways to bring someone back from the veil without tearing it if he must. He thinks of Elyan and looks into ways to heal unhealable wounds, thinks of Morgana and plans to kill Morgause before she can put the spell on the kingdom and use Morgana as the center. He looks up obscure poisons and remedies, looks for Protective enchantments and healing spells he can layer into the knights armor and clothes the second he sees them again. He takes time to hunt down traffickers and cage fighting rings to destroy them before Lancelot or Gwaine ever have a chance to be forced into fights to the death again. He looks for rumors of the last dragonlord so he can free Kilgarrah and hatch Aithusa without Leon ever having to be revived from the flames.

Due to his frequent travels, whichever of the wandering knights try to find their young friend early think they got the wrong village whenever they arrive in Ealdor. (Gwen Arthur and Morgana are the only ones who went before amd they don't exactly have a reasonable excuse to go there to see their friend now. They have to wait).

I bet Elyan was first to try to find Merlin early. He was closest and he started his travels pretty early, thinks he can suggest Merlin start the apprenticeship sooner but he can't seem to find Merlins village (he found it but Merlin was away learning death magic or whatever). However this time on his travels Elyan stays in touch with his family, returns occasionally to help with the forge, tries to talk his sister out of getting a job at the castle to her confusion (she's stubborn and by then is determined to stop Morgana from turning evil due to fear so she does not take this well).

Leon sees Uthers reign, remembers Arthur's and how much better it was amd how much happier he had been with all of Arthur's changes, and he starts subtly backing Arthur more. Talking Arthur's suggestions up to Uther, giving Arthur support earlier. He's Arthur's knight before Uthers this time around and he is disgusted by some of Uthers choices having seen the consequences. Having seen a better way of living.

Percival keeps hearing rumors of the fabled Emrys being alive, making moves, accessing powerful magics. He lives near and was partially raised by druids, so he hears these whispers and with future insight is able to piece together Arthur is the OAFK. He starts training.

Lancelot honestly knows the least of them (he died first man) so he's just gonna show up to Camelot earlier than before and do his best to support his friends and keep Arthur and Merlin alive.

Gwaine saw the sorcerer saving Camelots troops in that final battle, and he never had strong opinions about magic before but now he thinks about it and realizes if they allowed magic it would save so many lives. Hell, it would remove so many enemies. And he's always had a rather pushy relationship with Arthur so he can manage to nudge him towards being okay with magic without crossing the line and making Arthur think he's gonna commit treason. Plus he'd love to see young awkward child Merlin (sadly he also arrives in Ealdor while Merlin is away, probably learning to shape-shift or smt).

So when Merlin finally realizes it's time to head to Camelot, he tells his mother he wishes to apprentice with his uncle to learn medicine (she felt he was able to hide his gifts this time and didn't feel the need to send him away to protect him). He arrives amd when all the knights of the round table end up arriving much sooner than before he assumes it's ripple effects of all the stuff he'd been doing with the druids and his self imposed quests. Leon, Gwen, Arthur and Morgana just assume they did something to affect some policy of Uthers so they shrug off any changes as well. I think Lancelot is the only one who's really confused/concerned with all the shifts because it's making it harder for him to help Merlin dammit.

I think Gwaine, Percival, Leon and Elyan never got the chance to find out about Merlins magic but the others did so everyone is working off different levels of knowledge and it's chaos cause they all assume they know more than everyone else.

Merlin is so used to working alone he's hiding his magic from everyone and he's losing so much sleep trying to deal with threats before they come near his people but the others are GOING NEAR THE THREATS ITS FINE. At least they're more prone to believe him this time and less fond of >insert villain of the week<

The others are remembering almost these threats like "Jesus Christ how did this get solved last time?" Everyone is trying to keep Merlin from drinking the poisoned chalice, Leon is ready to go searching for the flower himself or go with Arthur or hell, even ready to sneak into the dungeons to talk to Arthur to get the flower for Merlin himself (everyone is a lot angrier at Uther for his refusal to allow anyone to get the flower to save Merlin despite him not knowing its anything but a simple task, even Morgana who is hesitant/still kinda mad at Merlin is pissed) (this makes her think on Merlins POV more because frankly if she was scared to reveal her magic, of course Merlin would be. He had even less protections, Uther was okay with allowing him to die when he thought Merlin had saved his son AGAIN.) So maybe she is a bit sympathetic to the man who killed her. Who was once her friend. Because she's seeing how much bullshit he had to deal with in keeping Arthur alive and now she knows he has magic she's realizing he was the one protecting her and Arthur and the kingdom long before she knew about her own magic. Because how else did these things get solved when it wasn't Arthur or herself (she is the first to put together just how much Merlin did for all of them tbh).

One of them walks in on Edwin (idk if that was his name the cure all ills guy) attacking Merlin and helps dispatch him while Merlin is unconscious and it scares the hell out of Merlin that they fought a sorcerer when he was out of commission, while whoever came in wad terrified at seeing/hearing Merlin Crack his skull on the wall from Edwin throwing him and seeing him lying there. They see how much danger Merlin was/is putting himself in to protect them and it scares them.

Merlin is definitely losing sleep trying to stay ahead of all the threats and his friends who keep HEADIMG TOWARDS DANGER so like. He's exhausted and his friends are seeing how tired amd clumsy he is with new eyes once they know he's the one dispatching threats when they're not looking.

Also frankly all of them are hit hard with seeing their friends so young, seeing them before everything happened. And they're all definitely way more emotional about it and I feel like as the youngest they're all so protective of this baby faced Merlin because gods above he was so small and youthful and energetic how was he ever this skinny? (It's jarring for Percival especially he didn't meet Merlin until he'd been a fighting magical threats to Camelot for a few years, and if he thought Merlin was small before he's downright concerned now). (Doesn't help Merlin is worse at taking care of himself this time) (Merlin is as cheery as he was in early seasons because hey this is when shit was easy, and the moral dilemmas were way less intense and he gets to see all his friends and Morgana isn't evil and he can protect them all this is great! He loves spending time with them when hes not working or protecting them and he will make the most of this time). (The rest of them are like wtf because they are comparing baby Merlin to end season Merlin and realizing somewhere along the way he lost that cheer and enthusiasm and they're like we gotta protect the small and they are all working themselves into protective flurries over Merlin and being so nice to him).

Not gonna write a full fic but had to get my thoughts out. This is a fun au and it would be fascinating to keep track of who knows what amd when people come back and how everyone tries to deal with threat of the week or when they each even realize "oh shit that person tried to kill me!" Cause I guarantee they didn't realize some of the threats were threats the first time around.

I think it would be insanely funny if after Arthur’s death everyone returns back in time to the place they were the day Merlin arrived in Camelot. But like, everyone thinks they are the only ones who has returned. We see it all from Merlin’s pov, who’s traumatised and wondering why the fuck Arthur is so much sweeter to him this time around and keeps saying ‘thank you’. He wonders why Lancelot shows up earlier, why all of a sudden Gwaine is there three years too early, saying he got hurt in a tavern bawl and needs a physician. He wonders why Leon keeps pretending like he didn’t just accidentally see Merlin do magic. Why Gwen keeps giving him these knowing looks. And why Morgana doesn’t seem as afraid as she used to when she was figuring out that she had magic. Everyone is trying their best to change history for the better, thinking they are alone with this duty... and then one day when uther is dead and they are sitting around the round table, merlin steps forward and is like: ‘I need to confess that I have magic, but also that I have returned from the future.’ And everyone just whips around and is like ‘YOU TOO??!’ And then they realise that they’ve all returned and wasted their time thinking they were alone.

#merlin #merlin au #merlin timetravel au #merlin fix it au #merlin fanfiction #merlin fanfic #everyone remembers #everyone lives #bbc merlin #merlin everyone knows au #sort of

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shradsmanifestt · 1 day ago

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These are the only things You need to know about manifestation :

Manifestation is not a process. You aren't trying to manifest anything. You are just accepting the fact that it's already yours.

Don't get stuck in the trying/learning phase, you don't need it to make sense. You don't need to know how/when/what. Just know that it's already done.

You make the rules in your reality. Stop asking if you can manifest this/that or why some coach was saying this and the other coach said the opposite. Don't accept what they say as true in your reality. What's the point of being the operant power in your own reality if you're just gonna go behind the latest technique/ fad some random person on the internet tells you to do.

The simplest way is the real way. Accept it as true in your reality. That's all there is to it. If you wanna affirm and persist do that, If you wanna do saturation do that, If you wanna listen to subs do that. There is no right or wrong way. Just accept the fact that it is already done.

To answer the question of how can I assume something to be true when it clearly isn't - How come you always assume the worst when it comes to stuff you want? Don't you assume how you're gonna be late somewhere before it even happens? Don't you assume that something's gonna go wrong before it even happened? Don't you overthink all sorts of shit without once knowing what's actually happening behind the scenes? If you can do all this shit with no proof whatsoever, you can assume what you want is true - if you really want it. I said what I said.

Don't be afraid to claim it as true. You aren't being delusional, You aren't aiming too high, No it's not that farfetched, It's okay to want what you want, It isn't impossible (unless you assume it is). Stop letting fear take over your power. If you can desire it you can have it.

More often than not people stumble upon manifestation because they are desperately trying to manifest something. Like their SP, or money or the job or appearance change or whatever it might be. Most people fail at manifesting what they want the most. In my personal opinion, it's because you're so busy "TRYING" to manifest it and just stuck in the process and have just too much resistance. You guys are never like - I have it, but instead like - I'm trying to manifest it. I'm manifesting this and that.

Change that. You are not gonna be stuck in that anymore. You are gonna decide now and here that it is already done. You have it. It is yours. NOT TOMORROW, NOT TWO WEEKS FROM TODAY, BUT NOW.

You have it now. If you can accept this, nothing can stop you from having what you want.

#law of assumption #loass success #loassblog #loass states #loassumption #loass post #loass #affirm and persist #loa #loa tumblr #neville goddard #consciousness #loa blog #loatwt #loassblr #loablr #loa success #imagination #shradsmanifestt

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woncon · 2 days ago

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➳ sick duty.

➶ poly!ateez x gn!reader (yungisang focus) ｡˚ °

-ˏ` ✎﹏ Yunho is sick, and you and Yeosang are on sick duty. When the others still haven't arrived with jelly, you decide to go to the nearest shop in the raging storm and buy some, because Yunho really wants them.

➴ genre: slice of life, sickfic, estabilished relationship, polyamory, non-idol!au

: ̗̀➛ warnings: poor yunho has a fever, one sexually suggestive offer, petnames, nudity

⌨ :: 3.5K words ♡ ︵ . .

⁀➷ This idea came to me when I saw a double rainbow in early June while listening to Golden Hour Pt1. It was supposed to play in the summer, but I never got to the end. Now autumn came and I decided to write it. But in this rainy, gloomy weather it seemed better to set it in a more autumnal setting. That changed my basic idea a lot, but I'm happy with it as it is.

⁀➷ My lovely @wonsheep, I'm still sorry the rain poured on you so heavily on Wednesday. :( But it was very motivating, as you can see. Many thanks for reading through the story and founding my silly mistakes!

➳ mlist

I'm hot.

I want tea.

I'm cold.

The sickly season of the autumn-winter months spares no one. Yunho, who is hard to dislodge from whatever well-endowed giraffe's legs he has, is now curled up in the middle of the bed, disconsolate because he didn't pull on a thick enough scarf, or was carelessly underdressed in the living room, or simply spent too much time around a co-worker who has been lurking with some virus. Whichever the case, the poor guy is in a terrible mood.

"I want medicine," he whispers his next wish.

You look at your watch.

“One more hour before you can take the next one,” you say, brushing his hair away to touch his sweat beaded forehead. It's still as warm as underfloor heating.

Frustrated, he rolls to the side and buries his head fully into the pillow. You drop your hands back into your lap, helpless. It's simply exasperating to watch him suffer, to listen to his snotty, ragged breathing mix with the rain beating against the window.

“Do you want something to help?” you ask, when he turns to you again and raises his feverish eyes to you. The skin around his nose is flushed from all the blowing.

“Jelly.”

Yunho is convinced that jelly sweets can help him. Or at least when he's sick, he likes to eat sweets. Other times, not so much. Unfortunately, you guys weren't prepared for Yunho being sick in the near future. Plus, there's a storm brewing, the kind you haven't seen in a long time. It's been raining steadily for a week now, sometimes more, sometimes less. The others went to do the shopping with the car, leaving Yunho behind with the promise to bring him some jelly. He responded with a small, grateful smile.

Now, looking at his tortured expression, you would give a lot to see that smile again, the hope in his eyes. You reach out and take his hand. You sigh. Gently, slowly, you caress the back of his hand, knowing how sensitive he is to touch when he has a fever. You don't want to overdo it and hurt him, but at the same time you want to let him know physically that you're there for him.

"It's on the way." You really hope it is. The last time Jongho called, they were already at the checkout. Your youngest friend boasted that they were bringing five full bags of jelly beans. That was about twenty minutes ago. No news since then. It bothers you that you can't offer an immediate solution to Yunho's every wish.

Before Yunho can ask any more questions, the door opens. Yeosang arrives with a tray holding a steaming mug and something wrapped in napkins that you can't identify yet. With cautious steps, he moves to the other side of the bed among some discarded clothes - because Yunho didn't want to shower this morning, just threw everything off the bed he'd chosen as his regular place - and then takes a seat, placing the tray safely on the bedside table, gently moving Seonghwa's half-finished book.

“I've brought the tea," he says to Yunho. "And I found some biscuits to go with it."

Interested, the patient moves up on the pillow, but still looks vulnerable. Yeosang holds the cup in his hand and gives the man small sips. Meanwhile, you get up and gather up the laundry strewn around the bed and take it to the bathroom. On the way, you hear a conversation emanating from the kitchen, from which you hear the word 'jelly bean' clearly spoken at one point. So after throwing the laundry in the hamper, you go to the kitchen instead of the bedroom. The room is filled with the smell of hot water and tea leaves. Mingi is putting away the tea ingredients. The call is already finished, his phone is on the counter.

Originally, Mingi wouldn’t be on sick duty today. Today's subordinates are you and Yeosang, Mingi just didn't want to leave the apartment in this crazy weather and he’s helping you instead. It's not like this sick duty thing is strict in your relationship, and it's set in stone that Mingi can only nurse Yunho on Mondays and Fridays and holidays or anything. That said, there are rules. For example, Mingi usually only needs one nurse when he gets a cold or something more serious, but at such times it is Yunho for most of the time. Then there's Jongho, who, if he falls ill, no matter what the schedule, has all eight of you at his disposal twenty-four hours a day. Or, again, there's Seonghwa, who hides the fact that he's sick until it's too obvious, and you're all freaking out as to why he won't let you take care of him.

Yunho usually hardly gets sick. When he does, even a mild cold will get him down. And when he is ill, he's even fussier than the sick Wooyoung, and only one lover has a hard time coping with his demands. Usually two people are enough to care for him if there are jelly beans nearby. Which, for now, there aren’t.

“Are they on their way home?” you ask Mingi, who's packing honey.

"It's worse downtown than here," he says. "The traffic's bad. They're just moving towards home inch by inch."

You both look out of the window, and the tapping of the rain remains as unrelenting as the fever that plagues Yunho.

“Is the tea to his liking?”

“I'm sure of it,” you smile at him. Mingi is usually insecure when it comes to Yunho's well-being. You suspect that the boy's illness was a more significant reason for Mingi to stay home than his desire not to get wet. “But you can ask him.”

You return to the bedroom with Mingi at your side. You remind yourself that this room now functions as a ward. The patient is huddled near the edge of the bed, munching on biscuits soaked in tea, so that they don't scratch his throat.

“It's not jelly,” he mutters, then pulls away from Yeosang and lies back on the upholstered cushions.

You look at Yeosang. Your theory is that you're thinking the exact same thing. If jelly beans are the only thing that helps your boyfriend, you'll do anything to get them. You're even willing to go to the convenience store in the pouring rain, because when you are on sick duty, Yunho mustn't lack anything.

"We'll go and get jelly beans," you say. Yeosang nods his head in commitment.

“We'll go?” Mingi looks terrified. “All of us?”

You can't leave Yunho alone in this state. It's a good thing that Mingi is here, in addition to Yeosang and you, ready for action, and not stuck in traffic with the others downtown.

“No. You stay here with Yunho and look after him.”

Mingi continues to blink.

“We'll be quick, don't worry, you don't have to multitask. Yuyu will probably fall asleep soon.”

"It's not me I'm worried about," he protests, "You'll get wet and cold."

"The store is not far away. We won't have enough time in the rain to freeze to death."

Yeosang wraps Yunho in a blanket and kisses him on the head.

"Mingi?" The man folded in a burrito addresses the worried individual.

“Yes?”

“Gimme a hug.”

Mingi doesn't resist, but climbs onto the bed, swapping places with Yeosang, who pats his shoulder as he passes. Before you even leave the room, you hear Mingi apologize and ask for Yunho's forgiveness.

Yeosang sticks the umbrella out the door. Just a little to test how much it rains. There's really barely any surface out, but the wind immediately grabs it and tugs it further. He pulls it back in time before the umbrella swings out or the wind wins, and you close the door with a great struggle, which also wants to jump off its hinges from the violent gusts of wind.

“I think this will stay here,” Yeosang says, and then drops the solid black umbrella behind you.

You zip up your raincoat. It occurs to you that maybe Mingi is right, and you're so wet you'll get stuck in a puddle of icy water. Yet the idea doesn't discourage you, doesn't make you stay, because Yunho needs the jellies.

Yeosang adjusts his hood, then holds out his hand. You embrace him tightly. You check your wallet stashed in the waterproof pocket one last time and place your hand on the doorknob. Then you push it down. The door swings open, and you let it drag you along with it. The back of your coat gets soaked immediately. The rain doesn't fall, it instead pours down from behind in a wave with the wind. Clinging on to Yeosang in vain, it's hard to keep up your own pace and not lurch forward like a rag doll. It's a wonder your boyfriend can close the door.

Although the shop is indeed a block away, at this time it feels like you're wandering for eternity. For one thing, the scenery is completely different in the rain, it's harder to navigate, especially in the raging, commanding wind. Around one corner, Yeosang has to pull you in, because out of nowhere a car appears, its wheels gallantly splashing a full puddle onto the pavement.

Somehow, you do reach the store. As soon as the automatic door closes behind you, the storm is out of the way. Inside, the weather is pleasant. Only the clothes clinging to your skin and the small puddles and mud stains on the floor left by other shoppers are reminders of what a doomsday is happening outside.

“Huh,” you sigh in relief. The first game of the war against weather is over. You only have one more to go to succeed in the jelly bean mission.

“We're crazy," Yeosang shakes his head in disbelief. Then he smiles up at you, sweetly and lovingly, because he's proud you're crazy. You return it.

Insanity is part of sick duty to some extent. Last time San must have used up thirty tissues a day, and ran out in the middle of the week. Hongjoong ran so fast to replace the used-up packets that he was almost hit by a truck. And when you were sick and craving nothing but a mug of hot tomato soup when all the shops were closed and there were no tomatoes at home, only ketchup... Well, Jongho tried.

You purposefully seek out sweets. Luckily, you don't have to wander around and scout the place, you'll often find yourself here. You take off two bags of Yunho's favourite flavour, sour apple. You remember again how pitiful your otherwise healthy and cheerful boyfriend looks.

“This will help him,” Yeosang says encouragingly, as if he's reading your mind.

You nod, then head for the cashier. You get in line. From here, you can see the window and the rain pouring down.

For the first time since the jelly bean plan was born, you have time to think about Mingi's excuse when he cuddled up to Yunho. It's my fault. I'm sorry. But how could it be his fault that Yunho caught a cold?

You're rewinding the previous two weeks. Yunho was in home office the whole time. He really enjoyed it, and when he wasn't working, he was playing video games. He didn't put his foot out until one time when he had to pop down to the shop for something. It didn't rain so heavily that day, just a gentle drizzle. Maybe Mingi had taken off Yunho's blanket one night? It couldn't be, either, because they'd been sleeping far apart lately.

It's your turn, so you suspend your musings. When you get back, you'll ask Mingi and hope it's not too embarrassing for him not to tell you. If he feels guilty, you could help him and reassure him that it's not his fault.

You and Yeosang pay. You put the bags in your coat pockets. You pull the hood up, not that it matters. You cling together again, then step out onto the soggy pavement.

The way back is harder. This time the wind brings the rain from the front. Each blast smacks you in the face. Neither of your hoods can stay up. Your hair gets wet, the rain drips under your coat. You successfully step into a puddle, literally splashing in the muddy water, and the inside of your boots get soaked. You're wet everywhere, from your elbows to your toes. It's really annoying, but you don't falter, clutching Yeosang's arm until you reach the sheltering door of your home to drop in like two wet rags on the threshold and with a combined effort you shut out the cold, ominous wind. Yeosang slides along the door, his hair leaving a wet streak on the wooden panel.

“We did it,” he sighs, and proudly rattles one of the jelly beans he pulls out of his pocket. The bag is intact, of course.

“We did,” you agree, and pull him up off the ground.

Suddenly you're faced with the problem of not knowing what to take off first because everything is equally soaked. It's almost as if your clothes are the cool part of your skin, plus outer layers. Finally, following your boyfriend's example, you throw your coat on the floor first, then your shoes on the doormat, and socks after.

Before you reach for the next layer of clothing, there is the sound of footsteps. You think Mingi is coming, but when he sighs, you realize it's not your tall lover.

“You guys are adorable and dedicated, but silly at the same time," says Hongjoong with crossed arms.

“But at least Yunho’s jellies will hold out until he heals,” answers Yeosang, taking off his shirt.

“When did you arrive?” you ask.

“About a minute ago. But we'll talk later. Now go take a shower before you too end up feverishly next to Yunho,” Hongjoong advises, then retreats and San steps forward. He unconcealedly runs his eyes over Yeosang's naked torso, and yours, which still has your shirt stuck to it, rather tightly, so it might even be useless.

“If you get sick, I'll be on sick duty every day. The thing is, the adorable, dedicated, silly people are just my type” he winks.

“Move over, Sanie," Wooyoung appears and nudges the other one in the side, "You promised to help hyung pack up.”

San hums and walks away, but still smiles in your direction. You all love to oblige Hongjoong and Seonghwa, and that goes for when there's an opportunity to flirt as well.

“You two are sexy, all wet,” Wooyoung admits. “If you need help with the shower, let me know. I'll be within earshot.”

“We'll consider it,” you promise. Wooyoung nods with a grin, and he also retreats to the kitchen.

You pass through the hallway, but before you can go to the bathroom, Jongho stands in front of you with a plate of jelly beans. “Here. I thought you should be the ones to give it to him. You made a greater sacrifice, and most of us stayed dry. Except for Hwa hyung, who opened the door and held the umbrella.”

“Thank you,” you say at the same time. While Yeosang takes the bowl, you press a kiss on Jongho's cheek.

When you retire to the bedroom, the scene is quite cozy. Yunho is in bed, hugging Mingi, craving jelly beans, and you offer him what he craves most, and what you fought Mother Nature for.

“We got it,” you report.

Yunho snaps his head up. The mere hope brings life to his sick features. You stand by the bed, careful not to get rainwater on it.

“Here, hyung," Yeosang hands the bowl to him in a soft whisper.

“I hope you weren’t too desperate, baby. We hurried as much as we could.”

“You're the best," says Yunho, touched, between bites. “I love you.”

“We love you too, giant baby. Very much,” you assure him.

And he smiles up at you. The mission is a complete success. Whether all that time and getting soaked was enough to put you to bed remains to be seen. In the meantime, you bask in success.

Mingi sneezes. Then he reaches under the pillow and takes out a handkerchief. “My throat may be a tiny bit scratchy.”

“Should we set up someone on sick duty for you too?” Yeosang offers readily.

“Our poor boyfriends,” you sigh, watching them. Yunho in the midst of illness, Mingi as he probably slips into a state of flux.

“I deserve it,” murmurs Mingi, looking ruefully at Yunho.

“Why do you think so?” you ask the question that has been nagging at you for a good twenty minutes.

“When we ran out of milk last week, Yunho and I went to the grocery store... I offered to make out with him in the rain. It didn't rain much, and there was no wind. Still, that's how Yunho got cold.”

"Come on," the other protests hoarsely. He sucks on a jelly bean with great enthusiasm. You wouldn't believe he can taste it. “You offered, I agreed, I could have said no, but I didn't. All in all, it was worth it.”

“Worth it?” Yeosang raises his eyebrows. “You were dying before the jelly arrived.”

"If you haven't kissed Mingi in the rain, you won't understand," he declares, then turns to Mingi. “Want a jelly, princess?

Yeosang and you leave them alone, let them romance each other in the infirmary. Barefoot, you stomp off to the bathroom. You open the door, and a thick, fragrant steam rises from the room. A pleasant warm breeze reminds you how cold you are. You hurry inside. Yeosang closes the door to keep the comforting steam from escaping.

Seonghwa is already drying his hair and got dressed. You look at him expectantly, ready to be reprimanded. But he has no such plans. He takes your face with one hand and Yeosang's with the other. “I am proud of you. Take a bath, then we can watch a movie. We made a whole list while we were stuck in traffic.”

Yeosang hums, you nod in response. Good idea. At this time of year, there's no point in doing anything other than curling up on the sofa together.

You bask in Seonghwa's soft touch until the last moment, and the knowledge that he's proud of you. It's really enjoyable to play good cop, bad cop with Hongjoong, and they don’t scold you twice. Regardless, you need to figure out a way to cheer up that boyfriend of yours who called you adorable, dedicated, and silly all at the same time.

“So he probably caught it while kissing,” you acknowledge what you've heard by tugging your trousers down after Seonghwa has left you alone.

“Interesting.”

“And understandable. Sounds romantic.”

“Do you want to go back?” Yeosang glances up at you as he pulls towels out of the closet. The look in his eyes is willing. It embarrasses you to know that he would take a single word from you and go back with you into the pouring rain to fulfill that desire.

“I wouldn’t do it in this weather. But, for example, standing in a cool summer drizzle, refreshing after the heat. When me and my partner won’t be so likely to have a fever for a week.”

“Last summer Woo did it with someone. I think it was with Sanie, but I'm not sure. Maybe he caught Hongjoong hyung in a moment of weakness.”

“Really? Is it fashionable to kiss in the rain in our relationship?”

“A bit.” Yeosang undresses completely.

Your hand is over the laundry basket, you've dropped the last of your clothes in it, yet you don't move. You’re looking at Yeosang. At his naked back, how rainwater is dripping from his hair, onto his delicate muscles. The line of his shoulder blades as his back narrows, ending in the lovely hips you'd hold in your hands for days. And of course you can't neglect his ass or his thighs or his whole being, because once you start looking at him, one part of him is not enough, and the whole of him is overwhelmingly wonderful.

He turns back to you. “Are you coming?”

“Sure.” You follow him into the bath. You take his face in the palm of your hand and kiss him on the lips. “Wooyoung was right.”

“About what?”

"You're sexy when you're wet," you explain, and at the same time you probably reveal that you were just staring at him.

"He didn't just say that to me, love," he replies, pulling you close. Then he opens the water. The warm, soothing drops fall on your head and drip down your chilled skin. Like rain.

“I have an idea. Let's kiss here like it's raining.”

“Oh,” Yeosang smiles sweetly. His thumb caresses your cheek. “Okay.”

And you shower until the hot water runs out.

#ateez x reader #ateez x gn reader #poly ateez x reader #poly ateez #yeosang x reader #yunho x reader #mingi x reader #hongjoong x reader #san x reader #wooyoung x reader #jongho x reader #seonghwa x reader #gender neutral y/n #ateez fluff

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