#They need something light-hearted

[comfortfood-sydcarm]

Headcannon

After cooking at "the apartment" Syd and Carm binge watch Bob's Burgers on the sofa. It's Syd's favorite because she always wanted to know what it would be like to have siblings. Plus it helps them to relax and have fun.

[ar-mage-ddon]

pursuing the unknown

( EPHEMERWEEK 2: curiosity )

[demigods-posts]

one interesting aspect of percy and rachel's relationship that isn't often highlighted is how empathetic percy must have been toward rachel about seeing through the mist as a small child. because percy was the kid who saw a man with one eye stalking him at the local playground. the kid who saw a horse with wings resting atop the roof of a nearby building. the kid who was nearly killed by a fury disguised as his algebra teacher. and the kid who understood what if felt like to distrust the world around him, to be reprimanded for falling victim to the fear that accompanied it. if it was anything that percy offered rachel. it was the grace of understanding a uniquely mortal experience.

[jesuis-assez]

Tim unconsciously sending/showing signals of his feelings for Lucy

[usertoxicyaoi]

"I'll make a ton of cash, and leave this place."

TAIKAN YOHOU (2023). EPISODE TWO.

[essektheylyss]

One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.

(Buckle in. This is a long one.)

In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.

As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.

Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.

This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.

I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.

But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.

So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.

But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.

But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.

It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.

He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)

So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.

But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.

(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)

[bird-inacage]

The Heart Killers | 'Fast Love’ OST by Dunk Natachai

I KNOW speculations about a wedding were floating around way before the series even aired, but now we have Kant getting down on one knee?? They wouldn't spoil something as big as this would they? Would they?

[smile-files]

a blackhole of happiness, greedy for the light it cannot give back

[jerswayman]

i think we all know it's you who never wants to leave brando

[chaos-and-sparkles]

Okay but can we PLEASE talk about how no hextech au Powder has a lock of her hair dyed pink, Vi's pink, a tribute to her sister to keep her close?? Because it made me physically sick and I haven't been okay since -

[spaciebabie]

this picture isnt real its all happening in twilights head and she's listening ta this as she's having her bi horse fantasies

un blurred below the cut as well as the lineart with flats cuz i want ta show it off sue me

edit: ignore that the images changed slightly i noticed a shading error i missed and it was bothering me 💀

[charmwasjess]

For WIP Wednesday, something completely different, from my probably-never-to-see-the-light draft: The Rael Averross Guide to the Seduction of Women

“I think my underworld alias is a hit with women. You know, what they might call a ladies’ man. A real Lothario.” Sifo-Dyas’s face was full of happy light; he was clearly thrilled with the prospect of creating his undercover persona. 

“A real… what?” Rael repeated. He looked at Dooku, who tended to have a larger vocabulary, and also happened to speak fluent Sifo-Dyas. 

Dooku shrugged, returning to his salad. He had no idea what the seer was off about.  

“A ladies’ man.” Jocasta repeated with deep skepticism. “Aren’t you….?” She hesitated uncharacteristically. 

They all looked at her, including Sifo-Dyas, who seemed more curious than anything. There was a long, long pause. 

“Oh. Gay?” Sifo-Dyas blinked. “Yes, of course, obviously, I’m gay, Jocasta, you’ve known me since I was seven. I mean, stars, do you remember our teenage years?!” He impatiently waved past her at the Master and the Padawan sitting opposite. “That’s why I’m here, of course. I’ve never needed to be anything other than who I am. If I’m going to pull this off, I’ll need tips from the expert.” 

Jocasta’s eyes followed his gesture to land on Dooku, widening with confusion and deepening dismay. “....tips from…ah, from Dooku?” She cleared her throat. “Dear one, are you sure?” 

Dooku began to make offended noises - he was by no means whatever a “lothario” was, but Jocasta did not need to protest his charms with women in such stringent terms - but Sifo-Dyas was already laughing, shaking his head. 

“No, no, no. Oh, that’s hilarious. No, not Dooku, of course not.”

 Dooku’s eyes narrowed further. 

Sifo-Dyas nodded toward the senior Padawan. “Tips from Rael.”

[astracora]

A Mandated Holiday Break - Chapter 7

Characters: Sylus x gn!mc (poly lads)

Warnings: None

Word Count: 1554

Written: 22nd December 2024

Notes: Post-relationship Sylus/MC-centric but poly LADs, with my personal pov of the game and lil headcanons littered in.

Chapters: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10

Masterlist

He's been relegated to picking up supplies. You'd thrust a list at him that morning, and he'd almost seen a tail behind you, flicking and curling like a question mark.

It isn't the first time you've had him wrapped around your finger, requesting his assistance. Normally you only ask when you're sick, desperate for supplies and he's available. (He'll always be available.)

Still, this time you've handed him a list for crafts, shoved him from his own base, and you peppered his face in kisses before he can even respond or argue. 

Not that he would, but he wishes you would at least come shopping with him. He's found himself enjoying the domesticity of you puttering around aisles while he pushes a trolley. If he takes his eyes off you, you'll steal the trolley and go skidding down an empty aisle.

Which is how he stands now, in the living room of his base, hands full of arts and crafts supplies, while he stares at a tree he doesn't remember buying.

It's twinkling with lights half done, but otherwise it bears no decoration. The twins are balancing on each other's shoulders trying to throw the multicoloured flashing lights up towards the top of it. You're there underneath, ready to catch them if them.

He's pretty sure someone's going to end up with a broken bone. (Which he does not want to explain to the doctor.)

With a flick of his finger, black and red swirling mist quickly remove lights from hands and twist them around the top of the tree. Gently, and carefully.

He's only slightly smug, smirk in full, when you turn to him in surprise. He's even more smug when your face instantly warms, eyes twinkling at him.

If he were really a crow, his feathers would poof up and he'd preen. Instead he wipes his hand on his shirt collar and extends the bags he's holding, "For you, kitten."

Your whirlwind of activity rushes over, the twins wobbling before they manage to detangle themselves, grabbing at the bag and pulling them to the floor. Separating things out.

He watches absently, but you're focused and tapping on your chin as you think, so he abandons you to your considerations to make himself useful. Warm drinks in hand before he returns to you.

Sylus finds you showing the twins how to fold and make ornaments with coloured paper. He hesitates at the door, if you had wanted ornaments, why did you not just ask for them? He could have ordered any number. Any colour. Anything you wanted.

He's again unsettled by a strange uncomfortable dissatisfaction, you do not make it easy to provide for you. To satisfy every desire. He wonders how you became someone who holds them so close to the chest, scared to want, all over again. He offers hot chocolate to the twins, and frothed coffee to you, (the smell never gets better), before sitting next to you on the floor, cross legged and curious.

You look over and grin, and for a second he sees ears tilting forwards in mischief, pupils blown and ready to pounce. "We didn't have a lot growing up, so me and Caleb would make ornaments for the tree with Gran. The twins wanted to try..." there's a question there that you want to ask but you can't quite... get the words out.

He can read you well enough to know the hesitation, and he leans in, voice low, fingers brushing your cheek, "Show me."

Sylus prides himself on learning, he's good at picking up skills, but he cannot be said to be creative. He is, however, good at following steps. He does, however, enjoy trying.

It's not a new skill that will be useful for anything other than moments like this, but truthfully if he only ever learned skills for moments like this, he'd be a happier fiend than he has any right to.

The twins decide to get pens and decorate the shapes he folds, while you sit nearby fretting over a new challenge. He finds himself looking over and peering but you catch him and point at his hands in an unspoken order. Focus.

He chuckles, only you would dare to order him about, and only you would gain his obedience as he follows your orders.

As they end up with a pile of... he's not sure he'd call anything he and the twins have made art, the fish would surely have something to say if he tried, he already dreads the upcoming conversation, but you're thrilled and excited as you come over to look. Picking up paper baubles and stars that the twins have drawn silly faces on.

There's a happy flush to Luke and Kieran's face as you wholeheartedly approve, and he swallows a lump in his throat that he doesn't really understand. Yet he wants to cry, he thinks, and he's not really sure why. Or what caused it.

He doesn't linger, doesn't have time, as you're pushing him towards the tree, "You get the top, Luke, middle, Kieran, bottom." Then you're running off.

He's starting to think the holidays are a little too much trouble... (Warm, vibrant, comforting.) That lilting voice that sounds like yours again.

Your soul is always so noisy, he muses, warmed and placated.

They're almost done when you come back, this time you're not as energetic. There's waves coming off you, nerves and anxiety rippling under skin. He pauses, where he's about to hang a star, and looks down  at you. As soon as he does you swallow, shoving a cardboard box into his arms.

Not a box? It has numbers on it?

"We-" you swallow past the nerves and push on. Ever ready to fight a monster. Even if the monster is yourself, "also used to make calendars for each other. It's late, so it's only twelve days." He catches your hand before it scratches at your arm, smoothing his thumb over your fingers and then rubbing circles into your palm. He blinks down at the thing, and sees today. He drops the star he's holding unceremoniously and presses the little cardboard flap open.

The calendar is decorated with a picture of a crow surrounded by presents. He remembers the fish encouraging your artistic pursuits, and while he's not sure if it's good, he never seems to be sure if it's good... he knows he likes it.

Inside is a hand wrapped chocolate and a small note.

Day one - A reminder that I love you, and appreciate you always, thank you Sylus.

You're still fidgeting, and at this point the twins have peeked their heads over to stare at his bounty. The longer he stares, the more he realises he has to speak, has to respond but his throat feels closed and his chest is so tight. It hurts. It hurts.

"If it's stupid you don't have to-"

He drops his calendar and he presses you into his chest. He's sure if he were better practiced in his emotions he'd cry. Instead he just encompasses you in his body, squeezing and holding and drowning in you. He nips at your cheek, hand squeezing your face, he wants to bite and chew and claw and scratch.

He can't understand and he doesn't want to hurt, but he breathes you in. Relieved he has no tail to betray him, wagging furiously. You're giggling at his reaction, trying to pull away from his rough handling, calling his name out like knives in his heart, and he finally kisses you. Over and over and over. Tasting his name on your lips and your love in his heart.

Then he startles, pulling away quickly to see that thankfully the twins had caught his gift, the note and the chocolate. Placing it on the side. They're giving him a look like he's a fool, he might be, because he has an evol that can move things for him. Instead his foolish body betrayed him.

"Hunter! Do we get one?" Luke calls, pouting, and you keep a hold on Sylus' hand. Grounding him as he looks at your note over and over, pressing your thumb into his wrist, and smoothing his rapid uneven heartbeat there.

Still you extend a makeshift calendar to the twins, one each, identical except for the names. He can tell that you'd been careful to match every line. "Of course."

He absently notes that you've left four more on the side. The fish, the doctor, the prince and an untouched one for your family. The note is finally placed in his pocket, right over his heart, where he knows he'll keep it until it's worn and unreadable. Not that it matters, because he'll remember it always.

As you watch him smooth his fingers over it, you laugh, "You know there's eleven more days of those right?" Your nerves are still simmering, he can tell, but you're thrilled for his reaction and eased with his earnestness and joy. He lets your words settle and then darts to the calendar on the side, he hears the twins opening theirs but barely cares.

You panic when you realise he's going to just tear the thing open for more of your feelings recorded in pretty stationary paper, before you throw yourself at his back, "Sylus! No! They're for other days!"

[go-see-a-starwar]

Vivien Lyra Blair & Hayden Christensen A Look Back at 'Obi-Wan Kenobi' Panel | SWCE 2023

[sualne]

wish me luck as i attempt to rewrite the modern au from the ground up for the third time.

[avocado62524]

Inspired by this fanfic

I really like this story 👍👍👍🥰 I love Senti angst and this made my heart happy.