#They do not look like 13 and 14 and 15 year olds!

[sillywetkittenincardboardbox]

@mrrosedoodler

My dear lgbt+ kids, 

Since over 400 of you agreed that it’s Nonbinary November, I decided to do something fun for my nonbinary kids and came up with this: 

22 Questions for Nonbinary November! 

1.Which labels do you use?

2.What are your pronouns?

3.How old were you when you came out to yourself as nonbinary?

4.What’s one thing you’d like to tell your younger self?

5.Is there a myth about nonbinary people that annoys you the most?

6.Is there a nonbinary celebrity you look up to?

7.If you’re out, how did you come out?

8.Is there a gender-related pun you like? 

9.Do you have friends who identify as nonbinary, too?

10.Do you have a favorite lgbt+ character?

11. Lgbt, lgbt+, lgbtqa+… which one do you usually use?

12. How do you explain the term “nonbinary” to people who have no idea what it means?

13.Tell us a fun fact about yourself (gender-related or random!) 

14.How did you find your name? 

15.If you’re in a relationship, how did your partner react to your coming-out?

16.Do you prefer partner, datemate, significant other or something else?

17.A piece of advice for questioning kids?

18.Which flag(s) do you use?

19.Any tips for bad days?

20.Do you have a favorite nonbinary blog on tumblr?

21.Feminine, masculine, androgynous - or none of those things?

22. What are your three favorite things about yourself?

If you’re on the nonbinary spectrum, you can copy those and answer them on your blog (and tag me!).You can do all at once or one a day. Feel free to skip any questions you don’t want to answer. 

I hope this will be a fun way for nonbinary people to share their stories and a way for others to learn more about the nonbinary community! <3 

With all my love, 

Your Tumblr Dad 

[moonstruckme]

Thawing Out

summary: You and Sirius are in dire need of a new coach just weeks before the Olympics. Remus is a former figure skating prodigy forced to retire after a career-ending injury. Though it's not smooth skating right away, those stiff Olympic village beds are dying to be broken in.

collab with @ellecdc

part 1 | part 2 | part 3 | part 4 | part 5 | part 6 | part 7 | part 8 | part 9 | part 10 | part 11 | part 12 | part 13 | part 14 | part 15 | part 16

cw: modern au, chronic pain

poly!wolfstar x fem!reader ♡ 1.3k words

Remus still wakes before dark every morning. It’s automatic, an urgency and excitement that thrums through him like an old instinct, born from years of his alarm clock rousing him at this time. The rink is always at its best right now, when they’ve just finished resurfacing the ice and no one else is around. It was Remus’ favorite time to practice. 

Now, he has a new reason to get up. His hip clicks as he does it, so he starts his day with a couple of proactive painkillers. If he really wanted to be proactive he would stretch like he’s supposed to, but there’s no time and Remus doesn’t feel like it. He’ll pay his toll for the negligence later. 

The webpage of his Airbnb boasted a five-minute walk to the rink, but with his hip it takes Remus seven. It’s like an odd sort of muscle memory, an old routine from another life that feels as bitter as it does comfortable. He heads out early to give himself some cushion. The streets are empty but for bakers and baristas, the first hints of dawn tinging the sky a deep blue. When he turns a corner and the rink comes into view, the absence of his bag hanging from his shoulder is a phantom ache. 

The front doors are locked but the side one staff uses isn’t, the Zamboni driver already inside. Remus lets himself in, makes a cup of tea from the hot water dispenser they leave out when concessions are closed, plants himself on a bench, and waits. 

And waits. 

And waits. 

Remus has nearly nodded off when two pairs of shoes come bounding up to him. Well, one pair bounds. The other drags. 

“Hi, sorry we’re late.” You’re breathless and hauling a sullen-looking boy along behind you by the hand, but you manage a smile when Remus looks up at you. “I had to run over and get him out of bed. It’s good to meet you!”

You hold out your untethered hand. Remus might normally stand to take it, but he no longer feels like doing you the courtesy. Your grip is firm and warm. 

“You were supposed to be here at six,” he says. 

You wince. “I know. Sorry, Sirius is really not a morning person.” 

Remus thinks that he might put more stock into your apologies if you looked a tad more contrite. As it is, your countenance is almost cheery, a fizzy eagerness about you as you look between him and the ice like you can’t wait to get out on it. 

In stark contrast, the ill-tempered boy behind you seems not to have a clue where he is. He looks rumpled and disoriented, squinting in the rink’s fluorescent light. 

“Then why didn’t you pick another time?” Remus asks. 

He hadn’t realized he was still looking at Sirius, or that the other boy could talk, so it’s a surprise when he answers. “Wasn’t my bloody idea.” 

By the way you grin, Remus wonders if you’ve even heard the obvious bitterness in your partner’s tone, or whether it’s gone straight over your head. 

“I like the rink better early,” you explain. “No one else ever comes before the hockey practice starts at nine, and they’ll have just finished resurfacing the ice.” 

Begrudgingly, Remus nods. “I always preferred it about now, too.” 

He realizes immediately that his agreement was a mistake, because your smile grows into something far too brilliant for the early hour. Christ, what has he gotten himself into? There’s you, starry-eyed and effervescing all over the place, and your partner, who looks more inclined to fall asleep on your shoulder than put on his skates. 

And this is the pair skating duo Remus is supposed to take to the Olympics. 

─── ⋆⋅☆⋅⋆ ───

“Watch that back foot!” Remus shouts across the ice.

Sirius doesn’t look happy about it, but he corrects the placement of his skate, transitioning smoothly into the next synced turn. 

“Good,” Remus murmurs to himself. 

Once Sirius got out on the ice and woke up a bit, he was good. He skates with the technical proficiency of someone who’s been in the sport since before they started primary school, and the intuitive artistry of someone who loves it. You’re much the same, though your virtuosity and obvious competence are consistently undercut by hesitation, the grace of your movements interrupted when you second-guess yourself. But these—technical prowess paired with devotion—are the basics of what makes a good figure skater. You’ll have to be flawless if you want to do well at the Olympics. 

And Remus has found many flaws. 

“No, no—shit!” Remus stands as you fall out of your jump again, catching yourself on your forearms. “You’re still under-rotating! Come on!” 

Sirius snarls a quick “Hey!” over his shoulder before turning his back on Remus, going to help you up. He speaks to you quietly, checking you over as you stand. Remus seethes. 

He has no clue why he’s been called out here to coach a pair. Remus doesn’t know pairs, has never been a part of one. He was a solo skater. And frankly, it makes him wary that what’s supposed to be the best skating pair in Britain has asked him, a former solo skater who’s been isolated from the figure skating community in general for the past two years, to coach them. But Remus does know figure skating. And he knows when skaters are making stupid mistakes behind their skill level. 

“What aren’t you understanding?” asks Remus as you skate back to the edge of the rink. He really wants to know. “It’s simple. You can do this.” He knows he could have. As easy as breathing, and he would kill to have the chance again. 

“What the fuck is your problem?” 

Sirius’ glare is sharp as knives. He steps off the ice before you can, positioning himself between you and Remus. Your lips purse with a knowing sort of apprehension. 

“Sirius…” 

“No, you don’t talk to her like that,” Sirius spits. “It was a tiny mistake.” 

Remus raises his eyebrows, incredulous. “I’m trying to help her! It was a giant mistake, with a simple fix. You ought to be telling her the same, unless you’re okay with your partner snapping her ankle weeks out from competition.” 

“None of that means you get to fucking yell at her! Who do you think you are?” 

“Okay—” 

“I’m her coach,” says Remus, voice rising, “and—”

“Then coach her! Maybe if you’d give some actual fucking feedback instead of just nitpicking—” 

“Okay!” Your shout cuts through the space, echoing in the empty rink and silencing the other two. “That’s enough.” 

You haul Sirius back by his shoulder. Your grip doesn’t look severe enough to move him, but he goes, stepping back to your side. His eyes never leave Remus’. 

Your own gaze jumps between both boys, that same spark he’d seen in you earlier burning with a different light. 

“Let’s call it for today,” you say firmly. “Okay? We’ll try again tomorrow.” 

Neither boy speaks, though Remus nods. It seems to be taking all of Sirius’ willpower to bite his tongue. He gets the impression it isn’t something he succeeds at often, so Remus isn’t ashamed to say that it brings him a perverse sort of joy to see it now. His tiny bit of smugness fizzles out, though, when your eyes land on him. There’s something desolate in your expression that’s a salient deviation from how you’d looked at him before. Remus has the sinking feeling that he’s disappointed you. It’s more distressing than he can account for. 

“We’ll be here on time tomorrow,” you say in that same steady tone. “And my jump, I’ll work on it.” 

Remus nods again. You return it, and when you turn to leave, you drag Sirius after you by his shirtsleeve, picking up your bags along your way. Remus’ mouth feels dry. His lips are chapped, his fingertips hurt from the cold, and the sight of your skates sinking into the rubbery floor makes his hip ache terribly. 

It’s only once you’re nearly out of earshot that he manages to mumble, “Thank you.”

[bweirdart]

EVENT OVER! THANKS EVERYONE WHO JOINED IN U ALL DID AN AMAZING JOB <3 SEE YOU AGAIN NEXT YEAR IN MARCH FOR #mARTch OR NEXT OCTOBER (2024) FOR A NEW SET OF PROMPTS!!!!!

OC-TOBER 2023 PROMPTS!!

general tag: #oc-tober / my prompts: #bweirdOCtober

F.A.Q:

Do I have to draw EVERY DAY?

NO! I highly encourage skipping as many days as you need to avoid burnout! There are 10 main days in the event (marked with a ⭐ star) that you can focus on if you don't feel up to doing every day, or you can choose your own adventure and just do the prompts you personally like!

Do I have to DRAW?

NO! You can also write fanfiction snippets, repost older art that fits the theme, tweet headcanons/backstory, roleplay in-character as your oc ... genuinely anything that fits the theme is OK!!

Can I start early?

YES! I understand some people work at a slower pace and might need a head start! So long as you wait until October to post it, you can start working as early as you need!

I missed the start of the event .. do I have to catch up?

NO! Please don't stress about days you missed, you're allowed to just skip to the current prompt!

RULES:

1. MAKE FRIENDS! The community is the best part of this event .. please try to follow new people, ask questions about ocs you like, compliment people's styles, ask friends to create with you, etc!

2. TAKE IT EASY! Skip a day if you're tired, busy or just not interested in the prompt. You don't have to catch up on it later. This is supposed to be fun, not work!

3. BE KIND! Please think about the people around you - don't give people unwarranted harsh criticism, content warn for themes/imagery in your work that could trigger someone, don't create anything hateful, etc

MORE:

text version / tips and ideas on bweird.art or below ↓

star = main prompts | no star = optional

INTRO WEEK

1: FAVE OC ⭐

-Which of your characters is your favourite right now?

2: NEW OC

-Who is your newest OC?

-Design a new OC right now

3: OLD OC ⭐

-Do you remember the first OC you ever made?

-Is there an OC you haven't drawn in a long time?

4: RE-DESIGN

-An OC who has changed a lot over the years

-Take an old OC and update their design right now

 

BACKSTORY WEEK

5: RELATIONSHIPS ⭐

-Who is important to your OC?

-Do they have a partner?

-Do they have a best friend?

-Are they close to their family?

6: SYMBOL

-What imagery do you associate with your oc?

-Are there any colours, flowers, animals or concepts that symbolize them?

7: PERSONALITY ⭐

-How does your OC behave?

-What are their positive traits?

-What are their negative traits?

-Are they extroverted or introverted?

8: PAST

-What was your OC like as a child?

-Where did they grow up?

-Are there any significant moments from their past that shaped who they are?

9: FUTURE ⭐

-Does your OC have a goal they're working towards?

-What will your OC look like when they get older

-Do you have a planned ending for their story?

PALETTE WEEK

10: pumpkin patch palette

#251604 #1E3807 #5B5E1A #A2A657 #EBA00F #F3ECCC

11: hot cocoa palette

#520B13 #BB382E #E27E6D #88392C #AF5D40 #E1AFA4

12: midnight zone palette

#000007 #000049 #183885 #004D4F #0E8788 #FFF1C0

13: peachy palette

#DE6450 #DB9171 #FFC1AE #FEE1AD #FFF2E0 #D9D8D8

14: haunted house palette

#552506 #6E25AA #ED690B #F925A0 #8F8BA7 #A6C1AA

FUN + GAMES WEEK

15: MEME ⭐

-Post memes that remind you of your OC

-Draw your OC as a meme

-Fill out a character meme (classic deviantart style)

16: FOOD

-What is your OC's favourite food?

-What is their least favourite?

-Can they cook?

17: EYES-CLOSED ⭐

-Draw your OC with your eyes closed! No cheating!

-Write a scene without looking at the keyboard! Keep the typos in!

18: SWAP

-Swap the style or aesthetic of two of your OCs

-Species or gender swap AU

-Invert an OC's colour scheme

19: INSPIRATION ⭐

-Is your OC inspired by any pre-existing characters?

-Are there any particular songs/lyrics that inspired something about one of your OCs

-Do you have a dedicated pinterest moodboard for your character?

20: INVENTORY

-What does your OC carry around with them on a daily basis?

-Are there any objects that have sentimental value for them?

-Loot drop for your DnD OC

 

FRIENDS WEEK

21-25:

There's no specific daily prompts for this week, but here are some ideas you can try ...

-Art trades with friends who are doing the event with you

-Your OC interacting with a friend's OC

-Gift art for someone whose OCs you like

-Work together and collaborate on something with a friend

-Roleplay an OC scene together with someone

 

HALLOWEEN WEEK

26: FEAR ⭐

-What is your OC scared of?

-Draw one of your OCs trying to scare the others

27: MONSTER

-Do you have any monster OCs? (eg: vampires, werewolves, creatures, ghosts...)

-Draw a human OC as a monster

-Design a new monster

28: TRICK

-Play a trick on an OC

-Do you have an OC who would play tricks on people?

29: TREAT

-What is your OC's favourite halloween candy?

-Give an OC a special treat to make up for yesterday's trick

30: MAGIC

-Do any of your characters have magical powers?

-Give an OC a magical or cursed artifact

-Create a magic-using OC like a witch or wizard

27: COSTUME ⭐

-What is your OC dressing as for halloween?

[badgertracksart]

Portfolio advice, from a lead who hires Concept Artists

(This was originally a twitter thread I wrote before the site self imolated, hense it's strange structure.) I wrote this after a weekend of portfolio reviews - 1. Like a maths exam, please please show your working. I want to see thumbs options, mid options and of course a final design.

2. Arrange your portfolio, I don't want to bounce about between subject matter and pipeline. Your portfolio's narrative should be as strong as your work... 3. Please make worlds that excite the viewer, make them want to go in and explore them, explain to them the interesting parts of the town, or the way the character's hat unfolds. How will this draw the viewer in? 4. As I've said before the majority of your project work is explanatory not mood, make sure your portfolio contains explanatory work. Explained here -

5. A lot of beautiful post apocolyptic paintings, , but 80% of realistic games and film, we just give the environment artists photo ref, they are capable artists in their own right. Different work in stylised where you do need to create rules for how things can be translated. 6. Production art contains call out sheets, material references and flat graphics. This doesn't have to be your final image, but it should support it.

7. Design characters on a swatch(es) of the environment they will be viewed in. Not on white. I make swatch backgrounds from screenshots, it avoids assumptions that damage readability. 8. Reverse of this, put people in your environments, show me the scale.

9. It's not a deal breaker for a review, but if you intend to get a job, please show me your work on a screen larger than a smartphone (print outs probably the cheapest option with the best battery life). 10. Please have your contact details clearly visible, and by that I mean email address, I will not pass your social media contact on, I cannot input your form into my tracking system. EMAIL ADDRESS emblazoned and bake it in, sometimes recruiters do funky stuff to pdfs

11. Your portfolio will never feel done, not to you anyway. You will have learnt from your latest pieces and want to apply it to older work. But we know art is a journey. Send your portfolio anyway. I've been in the industry 10+ years and my portfolio is still not 'finished'. 12. If you are applying to an environment centric Concept Art position then please vary your times of day! Golden hour is cool but show me some happy sunny days, looming overcast days, what about at night? Vary your weather too! Sunny snowy day? Rainy Spring day? Stormy night?

13. If you are applying for a character centric Concept Art role then please ensure your portfolio shows a variety of body types and ethnicities. 14. Designing characters for games? Please show back views and feet (!) Many potfolios contain only front views. This is a problem because:

You haven't shown you are considering the design from all angles.

In many games rear view is the main view.

Stop cropping feet.

15. If you are entry / graduating and looking at Portfolios to compare content and standard of yr own work too, look at hired grad/junior artists as opposed to seniors Seniors and leads often have old or personal work in their portfolio which isnt representative of the day job. 16a. Show clearly the intended use case for your Concept Art. Mention the game type in the description. Are these player character designs for a 3rd person adventure game? Then more back views please. Bonus points for diagetic ways of showing health / equipment / role etc.

16b. Are these designs for an FPS? Then really the player view of the gun needs to sell the player style/ choices, in an FPS your weapons are almost your character. Are these world designs? What's the view distance? For an RTS your shapes need to read from above & a distance. 16c. The lack of clarification means I am judging the design in isolation, which both harms the design (you might be considering the backview of a char as the main adventure character.) Or an NPC, their waist up expressions may be important for conveying exposition and mechanics.

16d. Concept art is not separate from gameplay, great concept art serves the game team before it is a good illustration.

17. Play games. A variety of games. Think about them. IMO to be a good concept artist you need to understand the common language & references used by your peers. Also understand the principles and common language your audience are used to. FPS design rules are v.diff from RTS.

18. There are many skills that are needed in concept art, please show them. For example: Graphic design - logos, liveries, typographic use etc. VFX concepts - Abilities, Ambience, motion concepts. Architectural knowledge - How buildings are built! & more but I'm out of space :O

[shiplessoceans]

Moments in House MD that made me absolutely feral as an O.G fan that watched it as it aired back in the naughties, shipping House/Wilson hardcore and not realising I was queer:

1. Wilson loudly reciting a poem to House as he enters the hospital lobby which contains the line: "His manly chest, his stubbled jaw, everything about him leaves me raw.'

2. The look on Wilson's face when a random clinic patient gives House advice about his date with Cameron.

"Do her....or you're gay."

*cue Wilson looking to the side like...wait a minute...*

3. House: "They were not Prada! you wouldn't know Prada if it stepped on your scrotum."

4. Wilson: "House I believe you're a romantic, you didn't just believe him, you believed IN him! Wanna come over tonight, watch old movies and cry?"

5. House (yelling across a crowded lobby to Wilson): "How long can you go without sex?"

6. The look on Wilson's face when he gets a masseuse for House (!) and she massages his hand, causing him to begin moaning orgasmically.

7. Stacey: "What are you hiding?"

House: "I'm gay... Oh that's not what you meant! But it does explain a lot thought. No girlfriend, always with Wilson..."

8. House watching Wilson sleep on the couch in his apartment, then quietly erasing a voicemail from a real estate agent saying Wilson's apartment application for a new place went through.

9. Wilson, explaining his infidelity during his previous marriage, to Cameron when she's feeling awful because she considered cheating on her husband while he was dying:

"Well my wife wasn't dying, she wasn't even sick. But I met someone who made me feel...funny. Good. And I... didn't wanna let that feeling go."

The lack of pronoun haunts me to this day.

10. Gay male patient harassing House and questioning why he won't treat him:

Patient: "Because you're a closet case?" (Eyeing House and Wilson who have just emerged from House's apartment)

Wilson: "Uh...we're not...together..."

House: "He is so self-loathing."

11. House nearly kills himself to attempt to prove there is no afterlife, Wilson waits over his bedside and then calls him an idiot and orders him extra pain medication. House's response is:

"I love you."

12. House: "Big romantic weekend in the Poconos could change everything."

13. Wilson refusing to participate in a board vote to oust House from the hospital and consequently losing him job for House. Wilson's furious with him over being put in that position but forgives House easily.

14. Wilson (speaking to House about dating a woman eerily similar to House): "Why not? Why not date you? It's perfect! We've known each other for years, we put up with all kinds of crap from each other and we keep coming back. We're a couple!"

House: "Are we still speaking metaphorically?"

15. (Less than a minute later when House keeps trying to convince Wilson he and Amber are a bad idea).

Wilson: "Wait a minute, every time I agree with you, you come up with a new argument. What are you trying to avoid?"

House: *Stares at Wilson with the most meaningful eye contact to ever eye contact*

Wilson: "Oh! Well if you'd looked at me with those flashing eyes before I was involved (clicks tongue)."

16. To Wilson's new girlfriend in a threatening, 'stay away from my man' voice:

House: "Give him back his sweatshirt... Pit stains don't become you."

17. House: "This isn't just about the sex! You like her personality! You like that she's conniving. You like that she can humiliate someone if it serves..."

*tense pause*

House: "Oh my god. You're sleeping with me."

*flees restaurant*

18. House: "I have really gotta get you laid. If I have to plough that furrow myself, so be it."

19. Wilson: "I have a headache."

House: "We don't have to have sex, sometimes it's nice just to cuddle and talk."

20. (To a bellboy at a hotel House is staying at, while gesturing to Wilson)

House: "After he and I have sex, I'm gonna slit his throat and disembowel him in the bathtub."

21. House going to interview all of Wilson's ex wives to figure out how best to break him and Cuddy up when they aren't even dating. The look on his face when Bonnie explains how good at sex Wilson is? Priceless.

22. House: "Probably my deep and very unconscious desire to get Wilson into my bedroom."

22. House: "If you're coming back because you're attracted to the shine of my neediness. I'd be fine with that."

23. House borrowing money off Wilson in increasing amounts to test the limits of their friendship. He later admits to Wilson that: "Maybe I don't want to push this til it breaks".

24. House being convinced the male CIA agent who approaches him in season 4 is a stripper and sitting on a bench saying:

House: "You wanna close that door?"

CIA agent: "Why?"

House: "Well I assume you're gonna drop trou at some point during the dance, I don't see why I should share."

25. Wilson: "I want a threesome"

House: "Shouldn't we try a twosome first?"

26. All of that episode where House is talking to Dr Nolan and says Wilson is not a consolation prize. Legit became convinced halfway through that this was going to be House realising he's in love with Wilson and wants to keep living with him.

27. House hiring a P.I. to stalk Wilson after they've had a falling out to see if he misses him. The P.I. clocks this immediately and treats the case like that of a scorned lover needing to know if the other party is pining and if theres anything that can make him come back.

28. Wilson proposing to House in a restaurant to throw a wrench in his plans to date their neighbour.

29. Wilson got mad that Cuddy hurt House. So he bought her dream apartment out from under her in sheer spite and moved into said apartment with House.

30. Wilson being indecisive and unable to buy furniture for himself because of a flimsy sense of self and an inability to figure out who he is and what he wants. House teases him about this and challenges him to buy one peice of furniture that says something about who Wilson is.

The peice of furniture Wilson buys?

A piano organ for House.

31. House: "You were thinking about Wilson while were were having sex? That's cool so was I."

32. Wilson: "If things go wrong, I just want you to know..."

House: "If you're gonna say that you've always been secretly gay for me? Everyone just kind of assumed it."

33. Cameron: "Where do you put the cane?"

House: (referring to Wilson) "If he buys me dinner he can find out."

34. That gay as fuck ending, fuck I'll never be over it.

[lamentationsofalonelypotato]

You Call It Madness But I Call It Love

Pairing: Pairing: Soldier Boy x f!reader, Reader POV

Tropes: Friends to Lovers, Slow Burn

Song Inspiration For The Series: You Call It Madness But I Call It Love By Russ Columbo

Series Playlist (Spotify)🥀

Summary: When the reader left Payback 40 years ago after a falling out with her childhood best friend she never looked back, but when two men show up to her apartment and start asking her questions about the past, the reader begins to think those things can’t stay hidden and starts to question what’s real and what’s fantasy.  This is a re-telling of The Boys Season 3, where the reader is a supe who's known Soldier Boy since 1927. The chapters fluctuate between past and present, beginning in 1934. SPOILERS FOR THE BOYS S3

Chapter 1: You Shouldn't Have Answered the Door

Chapter 2: Late Night Visitor

Chapter 3: Summer Has to End Someday

Chapter 4: It's My Party and I'll Eat Cake If I Want To

Chapter 5: The Man, The Myth, The Legend

Chapter 6: Batter Up

Chapter 7: Are We Old Friends Or Old Enemies?

Chapter 8: Jealousy Doesn't Look Good On Anybody Except...

Chapter 9: Wedding Bells or Gong of Destruction?

Chapter 10: How Did It End Up Like This?

Chapter 11: I Can't Think With You Yelling At Me!

Chapter 12: My Heart Is Beating For You Constantly

Chapter 13: You Made A Plaything Out of Romance

Chapter 14: You're All I'm Dreaming Of

Chapter 15: What Do You Know About Love?

Chapter 16: Please Come Back To Me

Chapter 17: How Could I Ever Forget?

Chapter 18: First Impressions Are Often Correct

Chapter 19: I Know Who You Are

Chapter 20: You Were There

Chapter 21: Try To Understand

Chapter 22: I May Be Right Or I May Be Crazy

Chapter 23: Extreme Makeover Backyard Edition

Chapter 24: What The Past Held

Chapter 25: Are Family Reunions Always This Awkward?

Chapter 26: I Hate You, I Love You

Chapter 27: Take Me Back To The Beginning

Epilogue: True Love Is Hard To Find

Last Updated: 10/08/2024 (Series Complete)

One Shots:

Guess Who's Coming To Dinner?: All you wanted was for Ben to have a nice Thanksgiving, but when your daughter brings her new boyfriend over, all hell brakes loose!

[Extras]

Chapter 7.5: The Only Escape (Unused)

Happy Halloween! (Takes Place After Main Series)

If you'd like to be added to the taglist for this series let me know :)

Taglist:

@roseblue373 @anundyingfidelity @cheynovak @cassiecasluciluce @muhahaha303

@deans-spinster-witch @kayleighmeister @demodemo909 @fruitfacess @bobbobbobinogs

@bughill126 @simplyfixated  @tiredstrangerr @freefallthoughts @onlyangel-444

@lov3vivian @mxltifxnd0m @mayafatimakhan @marvel-mistress @my-obsession-spn

@lifeonawhim  @liuope @brynanna @carpenterswife

@xxannyxx

 @babyinatrench-coat1 @the-gentle-spirit @valryomen @cassieriddle713 @shaggzthatsnottheworm

 @lil-soup @ej13928 @topstory21 @boywivlove

@mrsjenniferwinchester

@vivre-dans-la-nuit @megara0224 @daisy-the-quake @thesilmarillionblog @samanddeaninatrenchcoat

@livya99 @peachhiz @tinydancer40 @tinystarfishgalaxy

@jvanilly

@lunaticgurly @i-am-typing @52ndstreeet

@anna6307

@pixviee @soldiergrimes @ladysparkles78 @ahoytothestorm

@octoazzy @modiddys-blog @marmie-noir @practicallylivesonline @impala67stellawinchester

@everlove @dangerousgardenchild

(Photos on mood board from Pinterest)

[duskdog]

Ohhh @a-bad-case-of-the-stephs -- DC was dumb about this and I've got receipts for you that justify why you probably thought she was 17! In short, 16 doesn't make any sense with the timeline. Let's analyze!

When Steph tells Tim that she's pregnant, she estimates that she's about two months along. It's implied that a couple of days pass, at least (as she and Crystal visit with a counselor and adoption agency while exploring options, and Steph meets with Tim again on the roof on a different night), but not long -- because the very next issue, Steph talks with Crystal, and Crystal mentions that Steph is 15 years old.

So we know for a fact that Steph is 15, when she's roughly 2 months into her pregnancy. We don't know if she's newly-15, or has been 15 for a while, though.

Steph gives birth in Robin (1993) #65, with a publication date of April 28th, 1999 (remember this date, it'll be important later). We aren't given any indication that this is anything other than a full-term or close-to-full-term pregnancy. The baby's vitals are strong. Steph does, however, have some serious complications during the birth of her child, and had a C-section, which is typically about 6 weeks to fully recover from. (Maybe longer, depending on the nature of her complications other than just the baby's positioning.)

Remember, Steph spends a lot of time running around on rooftops and getting into fights later, which shouldn't have happened until after this recovery period. Steph is definitely back in costume again by Robin #74, with a publication date of January 19th, 2000. So at least 6 weeks have passed between Robin #65 and Robin #74.

So that's roughly 7 months since we learned that Steph was 15, and then another month and a half-ish before she can go running around punching people again. By the time she's in action again, she had to have been at least 15 years and 8.5 months -- but likely older, because her mom doesn't mention it being her birthday (or anywhere close to it) when she says she's 15. Even with the most conservative reading possible, she has to be getting quite close to her 16th birthday.

But here's some interesting stuff that doesn't seem immediately Steph-related, but which I think is relevant, given Steph's later presence in the Batgirl (2000) book.

Cass makes her deal with Lady Shiva in Batgirl (2000) #9, with a publication date of October 2000. That an entire year and a half of real time after Robin #65 -- though of course real time doesn't even remotely equal comic book time. The important take-away is that a year and a half of real time is plenty of time for us to deduce that Batgirl #9 wasn't occurring concurrently with Robin #65, and has to happen at some indeterminate amount of time after Steph gives birth.

Cass's deal with Shiva is that, in one year's time, they'll meet back up and fight to the death. That death-match happens in Batgirl (2000) #25 (publication date February 2002). And this happens directly after Joker's Last Laugh and directly before Bruce Wayne: Murderer/Fugitive -- which places it definitively before War Games even if we ignore everything else (which we can't).

So we know, canonically, that an entire year has passed, at the very least between the time Steph gives birth and recovers, and the other events we're about to discuss.

Batgirl #38 takes place before Steph becomes Robin (specifically, right after Batman unceremoniously dumps her as Spoiler). It also contains the infamous "never been kissed" conversation, during which Steph says she gave up her baby "last year". Now, "last year" probably means "last calendar year", but it also implies that this was a fair amount of time ago... otherwise, wouldn't she say something like "a couple of months ago" instead of "last year"? I know that when it's February and I'm telling someone about something I did in December, I don't describe it as "last year".

Steph breaks her leg in Robin #123 when she and Tim fight Johnny Warlock. The very next issue, #124, Bruce states that it's been 3 months since Tim "killed" Johnny and has been acting depressed about it. Tim goes to visit Steph, who is still in her cast, and she says she has 3 more weeks before she can get it off. (Nasty broken femur.) This is part of the storyline that leads to Tim being unmasked as Robin, and Steph debuts as Robin two issues later, in #126.

And then Steph is Robin for a total of 71 days (as stated in several places, most recently in Robins: Being Robin #1), including the time she was suspended, which still counts for our purposes because it's part of the time that passes before she's fired, and before War Games and her subsequent death.

So what do we have here?

Steph is 15 at an (estimated) 2 months into her pregnancy.

7 more months until she gives birth.

One and a half months before she's back in action, which

Takes place before Cass makes her deal with Shiva. 12 months passes.

After this, the baby's birth is referred to as being "last year".

Steph breaks her leg. 3 months+ 3 weeks and some days (we'll estimate 4 months).

Steph becomes Robin. Is Robin for 71 days (we'll round that down to 2 months just to be very conservative) 7 months + 1.5 months + 12 months + 4 months + 2 months = 26.5 months, y'all, at bare minimum.

Meaning that, even giving the most possible leeway and declaring that Crystal Brown said that Steph was fifteen literally on her fifteenth birthday, and making the near-impossible allowance that absolutely zero other time passed in between any of these stated events, and going exclusively by canonical sources where actual time/dates are stated, there is no possible way that Stephanie could have died at age 16.

It's canon, though, so to make it work we'd have to accept some compromises. Maybe if she really had only just turned 15 when she and her mom talked, and she was actually farther along in her pregnancy than she thought, and her C-section recovery was shorter, and she got pregnant when she was just 14. (Edited from the original version because my math was off and I went off on a tangent about her actually being 18, which wasn't correct if we read as conservatively as possible, but could have been correct if Steph had been upper-15 when she got pregnant.)

I sorta assumed Steph was 17 during Robin —> War Games, given she’s normally a year older than Tim and we see him turn 16. However I just reread the 2005 Secret Files and Origins and she was 16. Reread war crimes and yeah… I don’t know how I missed that in my other readings. Steph was absolutely 16.. I feel like a fake Steph fan.

Secret Files and Origins (2005) & Detective #810

Posting this despite my immense shame on the off chance anyone else was too delirious with sadness and rage while reading War Games/Crimes to read clearly and also missed this info somehow.

(Also unrelated but I know we’re meant to disagree w Arturo but fuck that noise he’s right for the wrong reasons, yes Steph was lowkey manipulated and lied to by Batman into becoming Robin and also yes we should absolutely blame Batman for her death.)

[chaoticace2005]

Why Vox needs to GET THE FUCK OVER THE RADIO DEMON:

(By Velvette, the only competent of the Vees)

(Her list for Valentino here)

1. He’s just not into you

2. We have better things to do than allocate company time to this.

3. He makes you look stupid

4a. He makes US look stupid (and Valentino already does that enough)

4b. Seriously how are we supposed to stop your boy toy from chasing whore around town when you can’t do the same with your ex? We need to set a (gag) good example for him.

5. What do you even see in him? Tacky coat. And that voice is so old-school.

6. You have two people who (reluctantly) want to work with you. Why spend energy on a guy who doesn’t?

7. This was seven years ago babe. Give it up.

8. I’m tired of finding your Alastor Body Pillow around the penthouse

9. Speaking of the body pillow, did you really have to spend 5k on it?

10. Company money should be used for COMPANY things. The fact we even have an “Alastor” budget is stupid. HE DOESNT EVEN GO HERE. ( @onesidedradiostatic )

11. He fucked off once, he probably will again.

12. Do you really want to fuck with someone who has the princess and king of Hell on his side?

13. It makes Valentino insecure about his sexual prowess, which is not good for anyone.

14. I have to LISTEN to him complain about it.

15. No matter how hard you try, nobody will ever beat “Susan” for #1 rival in that man’s heart. (Which is valid cause Susan SUCKS.)

16. Also you’re wasting company time by having Val put together shitty-Alastor look alike porns? Angel Dust does NOT look like Radio Demon ffs, I though Val was the blind one not you.

17. Your screens keep crapping out whenever you think about him, and we’re running out of ones in storage.

18a. I don’t want to keep having to go to overlord meetings for you because you’re having a breakdown over of he’ll be there or not.

18b. Speaking of breakdowns, STOP MAKING THE WHOLE CITY LOSE POWER.

19. You’ve taken over the entire office space with your Alastor-shrine. It’s not really an inconvenience, just creepy.

20a. Not to kinkshame but I walked in on you and Val fucking with Alastor-wigs on, REALLY?!

20b. Also I think you’re making Val insecure about his lack of hair.

21. STOP asking me to design Alastor-cosplay clothes for you. I don’t want anything to do with this.

22. I already have to deal with one pissbaby

23. Seriously, he isn’t into you. Maybe it’s cause you’re a mess. Maybe it’s cause he’s AROACE. Who knows.

24. You keep interrupting channels to brainwash people into hating the Radio Demon, when we should be brainwashing them into other things.

25. We can all hear you talking to yourself in the shower when trying to come up with shitty comebacks.

26. You display your dreams when you sleep, and while it was funny at first at this point it’s so boring. Val and I want to watch something actually interesting for once rather than the same shit.

27. You keep glitching out in bisexual whenever he comes up and it’s annoying waiting for you to put your shit back together again.

28. I’m sick of movie nights where we just watch your self-made compilations of “Alastor’s Epic Fails” or just watch security footage of him at the hotel.

29. Why do you even try and film him? Your shitty cameras can pick hardly anything up.

30. Honestly this whole thing is just pathetic.

31. Like it used to be cute but now?

[visenyaism]

ASOIAF POV characters ranked by how good of a guest judge they would be on drag race (definitive ranking)

24. Arys oakheart. spectacularly bad in a way that would also be bad TV because he simply would not know what to do. and would be icky about it.

23. Ned stark. canonically gets suspicious of people just because they are gender nonconforming.

22. Aeron greyjoy. people are going to wonder why i put him as Victarion on this list. this is because I think victarion has a better personality for reality TV.

21. Victarion greyjoy. good TV, would win reverse GLAAD award for most homophobic event on television.

20. Areo hotah. too stoic.

19. Quentyn. little nerd in over his head. if Barristan Selmy is telling you that you are not serving hard enough it’s already over.

18. Barristan selmy. a #ally for revealing that egg legalized gay marriage for his kid daeron and being happy about it, but does not have a lot else going for him. would probably say everyone looks nice

17. Bran. seven.

16. Joncon. IS gay, but does not seem like he’s super into all that.

15. Jon. Would probably awaken something in him.

14. Jaime. does not serve cunt, is one.

13. Brienne. Listen she’s trying her best okay.

12. Samwell Tarly. Would DEFINITELY awaken something in him. too busy blushing and telling everyone they look great to be an actual judge.

11. Arya. One thing about her is she WILL be finding people and she WILL be talking to ALL of them which makes her a great TV personality, but i think she would get bored.

10. Davos. Can’t explain this one i just think he would be down.

9. Cat. Serves, afraid to FULLY serve. Ally.

8. Asha. gets off on being mean to pretty boys so you know she is having a great time.

7. Dany. what can i say she’s a star.

6. Tyrion. definitely has the personality for it.

5. Cersei. is a fascist but showing up in full rhaegar eleganza to her husband who she murdered’s funeral. cuntress. You KNOW she would kill it.

4. Arianne. Definitely the first person you would think to ask to guest judge and for good reason.

3. Sansa. 13 year old fashion icon who loves gay people so much. Is so into it the whole time. meticulous notes.

2. Theon. could be the greatest to do it if he could ever get over himself but as it stands simultaneously knocks it out of the park and is a total train wreck. extremely fun to watch.

1. Melisandre. Serves like her life depends on it which she thinks it literally does. Obsessed with appearances and performances. off putting antagonistic cryptic and weird. fantastic TV.

[colleendoran]

A Few Answers to a Lot of Questions

1: The art you see here is not the cover art.

2: I am adapting the book, not the show.

3: No, the characters will not look the way they look in the show.

4: The characters in the book generally don't look like the characters in the show.

5: I can't use the likenesses of real people. Who do not look like the characters in the book, anyway.

6: Crowley does not have red hair in the book. So he doesn't have red hair in the graphic novel.

7: Crowley in the book is only supposed to look about 24 years old. Aziraphale is only supposed to look about 30.

8: Everything I do goes through Neil and the Pratchett Estate.

9: I love the show as much as you do, but it's not the book.

10: I love the book as much as you do, but it's not the show.

11: Yes, I wrote the script and am doing all the art. I am as faithful to the source material as possible.

12: Yes, it's a lot of work.

13: Signing up at this link gives you notice when the Kickstarter goes live.

14: Publishing via Kickstarter enables the creators to maintain complete control of the work.

15: I hope you enjoy the graphic novel. I'm not going to talk about it too much because I need my energy for work.

Have a great day.

[lace4forest]

The Chains Ages in Linked Universe.

I saw people talking about the Chains age in Linked Universe, and I have my thoughts on them.

I've done a LOT of research on the Links and how old they were, I even tried to figure out how long Legend was in Koholint for. (We go with old Canon because new Canon doesn't make since,(Footnote 1) but basically that's the last time we see Legend in normal Zelda Canon)

Anyways-

This is from Jojo's QnA doc on the Linked Universe Discord- ^^^

And this is my thoughts on their ages. Side note, I'm not going off of looking up their ages through google, I'm going off info you can find in game and cross referencing it with other games and the Hyrule Historia and Encyclopedia. Time was 9 in his game and that's about 20 years later so he would be 29. (Unless if we counting Majora's Mask, then he could be 30-32)

Twilight was a "Late Teen" (Also it does state hold old he is) so 17 making him 21 to 22.

Warriors is also "Late Teen" (He was a trainee at the beginning of the war) making him 22 to 26

Sky is also stated to be around 17 making him 18 to 19

Wild is 117 and this would make him either almost 118 or just turned 118.

Legend just became "Of age" in ALBW and that's 16 in his era making 17.

Hyrule we know is 16 making him 18.

Four is 15 or 16 in Four Sword, but he isn't "Of age" so probably 15. making him 17.

And we know Wind is 13 almost 14. (He said it himself)

I just find it very funny the Toons are the youngests. Age explanation and footnotes below cut.

Time - He is 9 at the beginning of his game and becomes an "Adult" 7 years later at 16. This is one of the times it proves that 16 is "Of age" in the Zelda series. We aren't sure how much time has passed between Oot and MM, so we can guess he's 29 to 32 (Making Link in MM 10 to 12 as a good guess.)

Twilight - It's stated in a guide that he is 17. His game also was originally supposed to be a continuation of Oot and MM in the Wind Waker style, with Time all grown up and living on his own. But they changed it to what it is now. So it's just 17+4 or 5 making him 21 to 22.

Warriors - There is no official age and you do NOT need to be 17 to wield the master sword. All we know is that he's "Late Teens" making him between 16 to 19. Making his age in LU between 22 to 26.

Sky - He is stated to be around 17. Making him 18 or 19 (Even if we say he's 16, then he would be 17 to 19.)

Wild - he is 117 years old. We know this. it's been "Less than a year" so he could be almost 118 or already be 118, he probably doesn't remember his Birthday, so there is no saying exactly. (His Zelda should know though. Maybe.)

Legend - SO. I feel like people are gonna fight me on this, but I got the math and hours of research to back it. At the beginning of ALTTP, some guards say that Link shouldn't be out here or that he's too young to wield a sword (Or even start learning to) In BOTW Wild got the Master Sword at 12-13. And people said he was still very young and a prodigy, which means he was already learning the sword by that time. and we also know that in BOTW they think of "Of Age" as 17 instead of 16, meaning they probably make them learn stuff when they are a little older. There's also the connection to Oot, In Wind Waker its stated that Wind is the same age as Time when he Defeated Ganon (Making Wind Canonically 16) And Twilight is the age of what Time should have been when he decided to settle down, making him 17, which leaves us with Legend's age. Most likely taking Times age from the beginning of his game. LONG STORY SHORT- In ALTTP Link is between 9 to 10. NOW. The Oracle games, Link is still a CHILD, so before "Of Age" (Aka less than 16) A LOT of people call him a CHILD and wonder why he has a sword! making him most likely around 11 or 12. Same things with Link's Awakening. (FOOTNOTE 1). Then we have ALBW. Link has a job now and is learning to become a smith. so most likely after his return home, as well as he needs to learn this stuff before becoming a full adult, but then again he lives alone, so we could accurately say 15 to 16. SO LONGER STORY SHORT. We can say 16 and be GENEROUS. Making Legend 17 in LU (but probably closer to 16).

Hyrule - It's literally a plot in his game he is 16, making him 18 in LU.

Four - He is a Child in Minish Cap (So less than 16) and same with Four Swords. He has to be older than 12 because he was given a sword willingly. So between 13 to 15, but we can be nice and say 15 in Four Swords, making him 17 in LU.

Wind -

I do want to say, it's literally stated in his game he is the same age as Time when he KILLED Ganon as an ADULT. It's just the art style of the game.... He JUST turned 16, so people are still calling him a child. (Like how people call 18 year olds children in rl) But also he does look 12 in game... ART STYLE WHYYYYYY (also thats what Twi was supposed to look like lmaoooo)

---

FOOTNOTE 1 - The Encylapedia has wrong information that's easy to disprove and I want to throw it out a window. It also switched the order of the Oracle games and Link's Awakening, even though Oracle of Ages LITERALLY ENDS With Link taking the boat out to sea to head home, and LITERALLY Transitions to Link's Awakenings Opening. ITS THE SAME BOAT. I'm Gonna Cry- NINTENDO WHYYYYY.

[persevereforahappyending]

A Legacies Secret |12|

Pairing: Tara Carpenter x Reader

Summary: You just wanted a happy life with your girlfriend but then Ghostface attacks, revealing long thought to be buried family secrets.

Warnings: Language, Crime Scene, Talks of Murder

Word Count: 2.9k+

Main Masterlist | Series Masterlist

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | Part 12 | Part 13 | Part 14 | Part 15

Sam sighed, running a hand through her hair as she stepped back into the hall. She understood where her sister was coming from, hell, she couldn’t even blame Tara. Sam would probably tell herself she was a danger and to stay away as well. She knew it wasn’t completely rational, but there was an officer right outside Tara’s room, another down the hall, and another in the lobby. There was no reason to think Tara would be in danger unless she was with Sam herself or with you.

Ghostface attacked Tara to draw Sam back to town and it worked. He then attacked you when he knew you’d be away from everyone else. So far, Ghostface’s plan has worked perfectly. This Ghostface knew who Sam’s father was, it took her reading her mom’s old diary to learn that and yet, this monster somehow found out. Then there was you, you were the daughter of Gale Weathers and Dewey Riley, Ghostface learned that before even you did. Ghostface somehow learned Gale had a child, and that child grew up to be you.

Sam knew every previous Ghostface was a part of the friend group, and the killings always went back to the very beginning. This all seemed like a lot for one of Tara's friends to plan though. Whoever did this would have had to do their research; they would have had to have connections. Gale did everything in secret with you, she even left you outside the hospital to remain anonymous, Sam couldn’t even begin to imagine how Ghostface learned that information, if they specifically went searching for some reason or they got lucky and dug from there.

You might not believe it, considering you were at the top of everyone’s suspect list, but you weren’t even on Sam’s list, not anymore. After watching you and Tara together she saw how much you loved her sister, you would literally die before you let anything happen to her, there was no way you’d ever hurt her. What really sold her was your reaction to hearing the truth, like she told Tara, you’d have to be one hell of an actor to sell that. You looked exactly how Sam felt all those years ago, your world shattering before your eyes.

Sam felt for you, she truly did. Learning her dad wasn’t her dad and her real dad was in fact a serial killer definitely sucked, it was something she’d be dealing with in therapy probably for the rest of her life. Despite all that though for the first half of her life she had a loving family, everything was perfect. You never had any of that though, you grew up knowing your family didn’t want you, you grew up alone. The only person you seemed to truly have in your life was Tara. Sam sighed; she asked you to stay away from Tara.

“You, okay?” Richie asked. Sam didn’t have time to stew in her guilt for long as she came back to reality, seeing Richie in front of her, watching her with concern all over his face.

Sam nodded, she looked around, the same officer was still outside Tara’s room, typing away on his phone. Judy was down the hall talking to another officer and pointing to your room. All of Tara’s friends had left though, just as she asked. Part of Sam wondered if she should do the same and just come back in the morning, so far, every time she visited Tara, she seemed to be making things worse.

“Want to go back to the motel?” Richie asked, giving her an awkward smile. “You need to rest, today was a lot,” he reached up and gave her arm a comforting rub.

Sam gave him a sad smile and nodded. “Yeah,” she whispered. Maybe she just needed a break, she just needed to go and sleep in an actual bed, her mind might be more at ease staying at the hospital, but she didn’t think she’d get much sleep in the waiting room chairs.

She followed Richie out of the hospital. “I’ll grab the car,” he whispered before running off across the parking lot.

Sam bounced up and down on her feet outside the hospital. She tried to ignore the fact that Dewey and Gale were clearly arguing a few feet away from her.

“You kept our daughter from me!” Dewey tried to shout but his voice ended up cracking. “Our daughter.”

“I know, I know,” Gale said. She reached out for Dewey, but he stepped away. Sam really was trying not to eavesdrop; she just couldn’t help it. “I’m sorry, I know that’s not enough. I don’t know what else to say.”

“There’s nothing to say!” Dewey gestured widely. “I knew your career was important to you but why didn’t you say something? Out of all the ways…” he shook his head. “Why didn’t you just leave her with me?”

Gale opened and closed her mouth a few times. “I was scared.” Dewey shook his head, clearly not wanting to hear this excuse. “We had just broken up; I was in New York.”

“But you came back to town, you left her here, you-you-,” he gripped at his hair. “We could have figured something out.”

“Let me make this right,” Gale whispered, stepping closer.

Dewey looked at Gale long and hard for a moment before slowly shaking his head. “I’m not sure you can.” With that he walked off, leaving Gale to stand there crying alone.

Sam let out a relieved breath when she saw Richie pull up. She ran to the car as quickly as she could. She had enough going on at the moment, the last thing she wanted was to get caught up in your apparent family drama. She couldn’t blame you or Dewey though, Sam couldn’t even forgive her own mother for keeping her birth father a secret, she didn’t see how you or Dewey could ever forgive Gale.

Sam rested her arm on the door and her head in her hand, she stared out the window as Richie drove them to the motel. Sam had picked out the motel, it was one of the only ones in town, and she had yet to even enter the room.

“And we’ve arrived,” Richie said, breaking Sam out of her trance.

She got out of the car and followed Richie to the door. Richie opened the door, doing a little wave with his hand as he gestured inside the room. Sam smiled at his theatrics but as soon as she got to the doorway she stopped. “What’s wrong?” Richie asked.

“You know, I think I need to clear my head,” Sam said, stepping back. “I’m going to go for a drive.”

“Want me to come?”

Sam shook her head. “I think I just need some time alone.”

“You sure?”

“Yeah,” Sam nodded. “I won’t be too long.” She leaned forward, giving Richie a quick kiss before plucking the keys from his hands.

“Okay,” Richie said before entering the room.

Sam got in the driver’s seat of the car. She stared at the motel building in front of her, her body was absolutely exhausted, the only thing calling her name was the crappy bed she knew was inside. Her mind was going a mile a minute though, she knew she’d never be able to rest like this, she just needed to clear her head. She started the car and slowly began to back out of the parking space and turn back onto the main road.

Sam drove around aimlessly, despite growing up in the town she didn’t have a destination in mind, she just kept turning at a stop sign. She furrowed her brow when she saw blue lights flashing up ahead. She looked around, her heart picking up slightly when she realized what street she was on exactly. She pulled over on the side of the road, away from the emergency vehicles. She rushed across the street, her eyes frantically searching for a familiar face, specifically one she was desperate to see safe and sound.

There were already several police cruisers and an ambulance at the house, officers had even already taped up the scene. It hadn’t been too long since everyone left the hospital, when Sam left Judy was still there. Whatever happened had to have just occurred, the quick response of the authorities did nothing to ease Sam’s anxieties.

Sam began to go under the police tape when an officer appeared in front of her. “Sorry ma’am, this is an active crime scene,” he said, holding up his hand.

“What happened?” Sam asked, trying to see around the officer.

Sam’s eyes landed on a yellow tarp being placed over a body on the front porch. “The sheriff.”

Sam’s eyed widened, she had just been with the sheriff, Mindy said the sequel characters, as she liked to call them, didn’t matter, there was no reason for anyone to think Judy would be attacked, besides, she was the sheriff, that wasn’t an easy person to go after.

“What about her son? Sam asked, her eyes instantly scanning for him. “Wes, please, I’m a friend.” Wes only had his mom; she couldn’t imagine him witnessing this or discovering her body.

When Sam looked up, meeting the cops' eyes for the first time, she saw it on his face, she knew what his next words would be. “I’m sorry,” he whispered. He turned to walk back across the lawn, back to the crime scene.

Sam ran a hand through her hair. She was just with Wes, he wasn’t supposed to be a target, there was no reason for him to be a target. Mindy was naïve enough to believe this Ghostface was only going after those connected to the first set of killings and Sam was stupid enough to believe it. Judy might not have liked Sam but without her around, the investigation would slow down even more, everyone would be more concerned with the sheriff's death than actually stopping Ghostface.

“I can’t believe you,” Sam heard a man say. She turned to see Gale Weathers walking across the sidewalk, speedily in her heels away from a news van. Dewey was trailing after her, clearly unhappy with whatever Gale was doing or about to do.

“This was the only way to come,” Gale snapped, spinning around to glare at Dewey.

“Oh, was our secret daughter being in danger not enough for you?” Dewey whispered harshly.

“I didn’t report at the hospital. I would never do that to her,” her voice cracked.

Dewey let out a humorless chuckle. “Gale Weathers putting someone else before her career? Guess that makes you mother of the year.” Dewey brushed past her, not waiting for her to say anything.

While Dewey began to talk to one of the officers close by, Sam watched as Gale ran her hands down her blazer, smoothing out any wrinkles. When Gale turned around Sam couldn’t even tell Dewey’s words had affected her, she kept her face completely neutral as she walked to a spot in front of the police tape. The only indication that Dewey’s words hit her was the way she gripped the microphone in her hands. When her camera man popped up, propping the camera on his shoulder as he pointed at her to begin, she fell right into reporter mode. She smiled at the camera and began to recount the recent Ghostface killings, effortlessly leading into the latest attack on Judy and Wes.

“Hey!” Sam shouted when she caught sight of a familiar officer. “Hey, what are you doing here?” She shouted again, finally getting officer Vincent to look at her.

“I heard the call about the sheriff,” he said, as if that explained everything.

“Who’s guarding my sister?”

“All hands-on deck,” he shrugged and made his way over to the sheriff's body and the other officers.

Sam let out a frustrated groan, she knew the murder of the sheriff was top priority, but she couldn’t believe that cop left his position. Deputy Vincent had orders to protect Tara, he clearly wasn’t doing that, Sam highly doubted he could bring something new to the table that the other officers couldn’t. Sam’s eyes widened when she realized the cop who had been guarding her sister’s door was now standing across the lawn, nowhere near the hospital.

Sam didn’t hesitate to take off back towards her car. “Where are you going?” Dewey shouted after her.

“My sister is in danger!” Sam shouted back; she didn’t have time to waste. She told you to stay away from Tara, she herself left the hospital, now the one person ordered to protect Tara was also gone, there was literally no one standing between Tara and Ghostface coming after her.

Sam didn’t know shit about the movies, she didn’t know how any of this was actually supposed to work. What she did know though was that whoever was doing this was trying to hurt Sam for some reason and now that her sister was defenseless the easiest way to hurt Sam would be to go after Tara again. Ghostface let Tara live the first time, that was just to draw Sam back to town though, there was no way he’d let her live the second time.

“What are you doing?” Sam asked when she saw Dewey running after her.

“Figured you could use backup,” Dewey sighed, though he didn’t seem thrilled about most likely running straight into the line of fire.

“You don’t need to stay?” Sam flicked a glance across the way where Gale stood, talking to her camera man as she gestured behind her, talking about the crime scene.

“This isn’t where I’m needed,” is all Dewey said.

Sam didn’t waste anymore time before she jumped in the car, quickly starting it, she barely checked her mirrors as she whipped back out onto the road. She ignored the way Dewey groaned, his hands flailing to grasp the handle on the door as he was flung back against the seat.

With one hand Sam whipped out her phone, quickly tapping on Richie’s contact. “Hey,” Richie greeted after a few rings.

“Get to the hospital,” Sam said quickly.

“What? Why? What’s going on?”

“I think Tara’s in danger.”

There was a long pause, Sam wondered if she somehow had lost him. “You want me to go to the hospital where a psycho killer might be?” She could hear the hesitation in his voice.

“Richie, please,” Sam begged.

“Okay, okay, I’m going.”

“We’ll meet you there.” Sam made an abrupt right turn, letting her phone fly out of her hand and into Dewey’s lap.

Dewey let out a groan and held out the phone to Sam. “Sorry,” she whispered. She quickly took the phone back, scrolling through the contacts until she found the one she wanted.

“Now, who are you calling?” Dewey asked.

“Y/N,” Sam answered instantly. Dewey furrowed his brow; he opened his mouth to say something else but before he could Sam heard the little click indicating someone had picked up. “Y/N,” she practically screamed into the phone.

“Too what do I owe the displeasure Samantha?” you asked, clearly still pissed at her.

Sam couldn’t blame you; she couldn’t even be bothered to care you called her Samantha, there were more important matters at hand. “Ghostface is going after Tara.”

“What?” You instantly got serious. “How do you know?” It sounded like you were shuffling around.

“Judy’s dead.” There was silence on the other end, Sam couldn’t even hear you moving around anymore. “Wes too.”

“Fuck,” you whispered.

“He’s going after Tara.” Sam let out a shaky breath, she knew how hypocritical she was, she told you to stay away from Tara because you were going to put her in danger and now, she was calling you, her only hope at protecting Tara. “Look I’m-”

“He’s not laying a fucking hand on her,” you cut her off. Sam couldn’t help but glance at her phone, your voice had gotten much darker, she really wouldn’t want to be Ghostface at the moment.

“Thank you,” she whispered.

“Whatever,” with that you hung up.

Sam blinked away a few tears, you were there, Tara would be fine. She didn’t miss the way Dewey was glancing at her. “I told her to stay away from Tara,” Sam whispered.

“And yet she was the one you called,” he said.

“I knew she’d ignore me,” Sam let out a humorless chuckle.

“She really loves her,” Dewey whispered more to himself.

Sam spared a quick glance at Dewey. He was slumped in the seat, staring out the windshield but at nothing in particular. Sam couldn’t imagine what he must be going through, his wife, ex-wife, love of his life, never told him they had a daughter together. Sam might not have known Dewey all too well, but she knew he was a good man. He and you were robbed of getting to be a family. He was robbed of getting to be a father and you were robbed of getting a loving father.

Sam nodded. “She’s very protective,” Sam said quietly. “She won’t let anyone, no matter who they are,” She smiled to herself, remembering how you got with her when it came to Tara, you didn’t care she was Tara’s older sister, your only priority was making sure Tara was okay, “hurt someone she loves.”

Sam caught the small, yet sad, smile on Dewey’s face. Sam whipped the wheel, making another sharp turn. Everything was going to be fine, you were with Tara, you would protect her, and she and Dewey were on the way, no one else was going to die today.

[moonstruckme]

hiiiiiiiii mae <3 i have an idea for thawing out series. what about if reader has a 'moment' w one of them and the other boy gets slightly cranky bc of it but then is also confused bc he doesn't know if he wants r or the other boy.........and then EPIPHANY 😈

Thanks for your request! The mood of it got altered some but I hope you like it :)

collab with @ellecdc

part 1 | part 2 | part 3 | part 4 | part 5 | part 6 | part 7 | part 8 | part 9 | part 10 | part 11 | part 12 | part 13 | part 14 | part 15 | part 16

cw: modern au, chronic pain, some hurt w/o comfort but dw we'll fix it down the line

poly!wolfstar x fem!reader ♡ 2.6k words

“Pads!” Remus shouts across the ice. “Focus!”

Sirius’ cheeks pinken slightly as he tears his stare away from the Russian soloist practicing her quads. You laugh and say something to him that makes him pinch your waist meanly, as if you’ve been acting any better. 

You and Sirius are completely starstruck. Remus wants to be irritated at your distractibility, but it’s sort of adorable. You nearly fall on your bum watching the Austrian team run drills, Sirius is too busy eye-flirting with a Swedish skater to remember he’s supposed to be going into a turn, and you both stop your routine entirely when the Canadian duo steps out onto the ice. 

You and Sirius draw plenty of stares yourselves, though naturally only Sirius appears to notice. He shoots a wink at a skater admiring him and a glare at another looking too closely at you, his hand possessively on your lower back anytime you’re not running your routine. 

Altogether it means you have to spend a couple of extra hours learning to work through this specific brand of stage fright and running your drills again after you all get your heads turned multiple times, but Remus lets it slide. He remembers being just as dazzled during his first Olympics, seventeen years old and feeling like he’d somehow snuck into the hall of fame, an imposter among legends. 

Part of him hopes that the embarrassment of having to do a half-ass death spiral in front of so many professionals will make Sirius finally go all the way, but no such luck. He keeps you firmly above where you ought to be, expression impassive even as Remus can see you pleading with him with your eyes. Still, the rest of the routine goes well, and Remus tries not to let it get under his skin. He hopes you’re right and Sirius really will pull through in the final hour; your faith in your partner is absolute, and Remus finds it easy to put his faith in you. 

He lets you loose to spend the afternoon as you’d like, but it comes as no surprise when he sees you both on the ice again. Remus knows you’ve likely got plenty of nerves to work off. It’s one thing to compete in your home country, another entirely to represent your home country while competing amongst the best figure skaters in the world. He calls you off the ice before one of you can overexert yourselves and pull something. Sirius swears up and down that his ankle hasn’t bothered him since the day after he hurt it, and Remus hasn’t seen anything to make him suspect differently, but he knows better than to take risks with a healing injury. You spend the rest of the afternoon playing cards and gambling for candies in Sirius’ room. 

Eventually you disperse to go to bed. Remus’ hip has been bothering him since the flight the previous day, so he goes on a walk to stretch it out. It’s odd, he thinks, how easy things have come to feel between the three of you. When he first arrived, Remus had every intention of setting up strict professional boundaries, of knowing you only as your coach and seeing you only during practice times. And then you started practicing together, and it seemed like his boundaries wouldn’t even be necessary. Sirius hated him, and besides that the two of you existed in a bubble no one could penetrate, intimate and trusting only each other. Now, after learning about what your former coach did to you, Remus understands why that was necessary. You were protecting each other, safeguarding your partnership and your careers. It would have made sense for you to keep Remus at more than an arm’s length, taking his coaching with grains of salt and keeping him well away from your private lives. 

But then there have been days like today. Still bickering with Sirius, still watching the two of you interact with a familiarity only years of history can grant, but feeling warm and welcome despite it all. It feels easy, to tease Sirius and let him snipe back. To let you lean your shoulder into his and not move away. It feels good. 

Remus’ hip is feeling fairly good too by the time he gets back, sore from the exercise but not so stiff. As he makes his way to his room, passing Sirius’ and then yours on the way, he sees light sneaking through the crack underneath your door. 

He frowns. It’s late, and you’re meant to practice again early tomorrow morning, your last day of practice before you compete. You should be well rested. As he approaches your door, he hears sound coming from inside. Low, crackling voices, and a song that tugs at the fringes of his memory. Then a sound he knows too well, the shushing of skates on ice.

Remus knocks. The door is thin enough that he hears your little gasp and a quiet snap, and when you say “come in,” it sounds like a question. 

He suppresses a smile, opening your door cautiously in case you didn’t really mean it. 

You’re sitting on your bed, one hand atop your shut laptop. “Hi.” 

“Hi,” he says, leaning against the doorway. “It’s late.” 

“I know.” You look almost shy. Between that and the pajamas you have on, plaid little shorts and a bulky sweatshirt, Remus has the urge to pinch your chin between his fingers. “Sorry, I was just watching some, um…”

“Figure skating videos.” Your lips part, and he says, “I could hear them from outside.” 

“Oh.” You laugh. It’s a nice sound, one Remus can happily say he’s come to know well, but this one is woven through with nerves. “That’s embarrassing.” 

“Why is it embarrassing?” he asks honestly. “It’s normal to want to study your competition. And they’re fun, I still watch them all of the time.” 

“It’s not…” You give him a tentative look, then scoot over on your bed. “Do you want to see?” 

Remus can’t imagine you’re watching anything he hasn’t seen a million times, but he is curious which are your favorites. He’s careful to sit on top of your covers, a few inches between your leg and his. The bed doesn’t allow for anything more. 

“Fuck, did they really have to go back to making them out of cardboard?” 

That gets another nervous laugh out of you as you open your laptop screen, playing the video. And Remus knows then where he’s heard the music before. It’s his music. You’re watching his old routine, a niche one from a small competition back in Wales. Remus was fourteen when this was filmed. 

He glances at you, and you’re watching the video with your bottom lip trapped between your teeth, the colors of the screen dancing across your eyes. 

“I’ve always admired how tight your form was,” you say. “You were so young, but it was obvious you were putting the work in.” 

“I practiced a lot,” Remus agrees. “Too much, really.” 

The nostalgia he feels for figure skating is bittersweet when he watches videos like this. He remembers spending all his time in the rink, every hour he wasn’t in school or at home, nothing spared for friends or hobbies. He did love it, but in loving it he forgot to build a life outside of it. Life was constant motion, training and competitions and awards whirling around him like the rink during a spin; by the time he had his accident anyone that might have been his friend had their own friends, and Remus realized he may have been lonely for years. 

“I’m really glad you agreed to coach us.” You’re still watching the video, young Remus doing a camel spin. “You’ve made us a lot better, both of us. I know Sirius is going to end up fixing the spiral, and I’m going to try my best, and…I really hope we can make you proud.” 

“You will,” Remus says, instead of you already do. It feels wrong to take any credit for how incredible you are, either one of you, but that is what he feels when he sees you out on the ice. Proud. He looks at you carefully. “You’ve seemed wound pretty tightly lately.” 

Your eyes drop, no longer looking at young Remus but not at the older one either. 

“It’s alright to be nervous,” he says gently, “so long as you know that you deserve to be here. You’re going to do great.” 

You rub your lips together. “Were you nervous during your Olympics? Is it okay for you to talk about?” 

“Yeah,” Remus says, a bit surprised, “it’s fine. I was nervous. I was…” he chuckles “I was freaking out, honestly. But when I got out there, it was really just like any rink. The music and the routine were the same, so I just let myself get lost in it. I almost forgot where I was until it was over, and people were waving flags at me and all that from the stands.” He feels his lips curve with the memory. Bumps your shoulder lightly with his. “It’s not so bad. Anyway, I think it’s got to be better to go through it with someone else. I was on my own, but you’ll have Sirius with you.” 

You give him a little sideways smile. “And you, right?” 

A fond warmth blooms in Remus’ chest. “And me.” 

“Has it been difficult for you to coach us?” you ask him tentatively. “I mean, to come back?” 

Remus takes a deep breath. “Yeah,” he says after a minute. “At first, it really was. I’m not proud of it, and I don’t think I really knew it at the time, but I was jealous of both of you. Anytime you did something differently than I would have, I got so frustrated that you were throwing away these opportunities I would kill to have again. It was easy to look at either one of you and wish I was in your place.” 

You’re nodding, not a trace of hurt or offense in your expression. You look at him like you understand. 

“But that stopped a long time ago,” he says. “After I worked with you for longer, it became clear you’re both very different skaters than I was.” You huff a laugh, and Remus nudges your shoulder admonishingly. “That’s not necessarily a bad thing. I think early on I wasn’t a very good coach to you because I couldn’t see your individual strengths. But now I think I can, and it’s really a privilege to watch you skate together. It’s lovely. And I’ve loved getting to know you and Sirius, too. So, yeah, it was difficult at first, but I’m really glad I came on. And I’m glad you were patient enough to let me stay.” 

That got a bit more earnest than he intended. Remus feels heat rise to his face, but you’re still nodding, thoughtful, like you’re trying to wrap your head around it. He sees you rub your lips together again. 

“I really want to do well,” you say softly, “but I’m not the skater Sirius is. I don’t have his natural talent, and I don’t flourish under pressure the way he does. I—that’s usually when I mess up.” Remus’ chest aches at the vulnerability in your voice, his hand moving unconsciously to cover yours on the bed. Some of the tension goes out of you at the touch. “I’ve tried my whole life to keep up with him, but I’m never quite there, and you guys, you’ve both been these incredible, talented skaters…” Your eyes meet his, timid and ashamed. “I’m afraid I’m going to let you both down.” 

“Are you kidding?” You drop your gaze, and a surprised little laugh trips off Remus’ tongue as he ducks his head to follow, holding your hand more securely. “I’m sorry, that was rash, but really. How can you think that? You’re one of the most talented skaters I’ve ever seen.” 

You’re still avoiding his gaze. He takes your chin in his hand, gentle, an encouragement more than anything, but you let him turn you towards him. 

“I don’t care how much of it comes from natural aptitude,” he says firmly. “You’re an incredible skater. Even when I didn’t know you at all, it was obvious that you care about this more than Sirius or I likely ever have. That’s important. You can see it in how hard you train, and in how you move on the ice.” Remus shakes his head, expelling a breath. “It’s mesmerizing. You’re beautiful to watch.” 

You’re not shying away from him now, but Remus doesn’t let go of you. Your expression is wide open, diffident but curious. He goes on.

“The way you skate, it’s not just about the motions or the art of it, it’s joyous. Anyone can see how happy you are out there. That’s what makes you so good. You really love it.” 

“You did, too,” you murmur. 

His voice softens in kind. “I did. But not the way you do.” 

Your eyes lower, but this time he allows you it. Remus is suddenly acutely aware of your leg where it's pressed up against his, of his own heartbeat. He’s still holding your hand. 

You wet your lips. “Do you really mean all that?” 

“Why would I give you a whole speech I didn’t believe?” 

You crack a smile. “Some coaches call it a pep talk.” 

“You’re beautiful to watch,” he says again, voice dropping to a murmur as he realizes you’re staring at his lips. He breathes in, and the distance between you lessens. “You’re beautiful.” 

Remus knows he’s judged you rightly when your hand comes around his waist, pressing into the softness of his jumper to glean an impression of the skin underneath. You kiss like you skate, with a sweet eagerness, ready to explore and wanting to learn. Your lips part, inspiring a similar parting in Remus, and you let out a breath with a soft humming sound. 

Remus' nerves are alight underneath your hand on his side. He angles his torso to get you closer, free hand coasting up your thigh. Your fingers bunch in his jumper, kisses picking up heat as he lets his hand settle at the small of your back, an echo of how Sirius touched you this morning when—

Sirius. 

Remus draws away from you so suddenly he hears you gasp. He still has your face in his hand, can feel the flustered warmth of it before he removes that too, putting distance between you. 

“Sorry.” His voice is hoarse. Guilt burns in the back of his throat. “Sorry, it’s not you. I just, I—”

Sirius. Sirius. Sirius. 

“I didn’t think that through.” He can feel his heartbeat in his mouth. Sirius is in love with you. Remus is only just starting to feel like a part of your team, but this could send you all back in time. Kissing one of his skaters, who the other is in love with? His stomach hurts. “I’m your coach, and you—we have a big competition coming up. I shouldn’t have done that.” 

He edges off your bed, looking at you while he does. Your lips are still parted, eyes wide. 

“It was a really shit idea,” he says, “and I’m so sorry. It’s my fault.” 

You rub your lips together. Remus feels it like you’re still moving them against his own. “It’s fine,” you say on a breath. “We can forget it.” 

“I’m so sorry,” he says again. 

“It’s okay.” You’re shaking your head, and he’s backing away, both of you like deer caught in headlights. “You’re right, it was silly. We’re professionals, we can get past it.” 

Remus feels himself nodding, feels the handle of your door in his hand. 

“Practice in the morning?” you ask weakly. 

He pushes out a breath as he opens the door. “Yeah. Six thirty.”

[bweirdart]

#mARTch 2024

text version (with more info!) under the readmore! please check it out if you're confused about anything <3

F.A.Q

do i have to draw every day? no!!!! there are skippable days built into the event, please use them whenever you need them! i really don't want anyone getting a wrist injury!

can you share my art? yep! i try to share entries to @bweirdevents daily during the event!! the tags can get busy tho so i might miss some posts OTL sorry

what are the tags? #mARTch is the main tag, but this year you might find posts in #mARTch2024 too!

wait, i'm confused about a prompt... full breakdown of all the prompts below ↓ with helpful hints if you're stuck!

_____

INTRO WEEK

this week is all about your artistic identity ... technically, you don't have to draw anything new this week if you have some art that already fits. the starter days are:

1 ⭐ self portrait who are you? it doesn't have to be you IRL .. if you feel more comfortable drawing a fursona or mascot, that's fine too! if you don't wanna draw, you can also just share old self portraits today and talk about why you drew yourself that way!

2 🤍 inspirations see how this day doesn't have a star? that means it's optional and you don't have to do it at all! but if you really wanna- tell us all about what inspires you to create art! this could be anything from the people that inspire you, the shows you like, the pins on your big messy pinterest board, or concepts that you're drawn to! you can draw something about it, talk about it, or just post your inspirations! anything is fine

3 ⭐ fav thing to draw what do you like drawing most? backgrounds? animals? one specific animal? bust of your oc facing left? cars? the same anime boy over and over and over? no judgement!! show us :)

_____

STUDY WEEK

this is the week we actually start drawing from reference! polished art is not required at all, quick sketch studies are fine! please don't burn yourself out

4 🤍 plant

5 🤍 body

6 ⭐ animal

7 🤍 object

8 🤍 food

9 🤍 face

10 ⭐ hand

these ones are pretty self explanatory! you can do them as realistic studies, or adapt them into your own art style, it's all fine! you can reference from your own photos or from resources on the web.. have fun!

_____

COLOUR WEEK

this is the week for playing with palettes and working on your colour theory skills! if you're really struggling with these ones, don't worry about drawing scenes or characters, you can just have fun splashing colours around on an abstract canvas!

11 🤍 RGB a set or primary colours typically used in digital/screen art - red, green and blue!

12 🤍 CMYK a set of primary colours typically used in traditional/print art - cyan, magenta, yellow ... and key (black!)

for both of these days ↑ you can add in black and white. and feel free to combine the two days into one, if you're struggling with a three-colour palette! use all six!

13 ⭐ WARM COLOURS the warm side of the colour wheel, reds oranges and yellows!

14 🤍 MONOCHROME monochrome doesn't mean black and white ... it means one colour! that can be any colour at all- shades of red, shades of purple, shades of green .. or yeah, grey if you really want!

15 🤍 COMPLIMENTARY complimentary colours are the ones opposite each other on the colour wheel! they're kinda married

16 🤍 YOUR FAV COLOURS pick any palette that works for you! where's your comfort zone? what looks nice to you? what colour combos do you always go back to?

17 ⭐ COOL COLOURS the cool side of the colour wheel, purples, blues and greens!

_____

CREATIVITY WEEK

this week is all about vibes! try to create something that matches the mood of the prompt .. they're vague on purpose! don't overthink it, just draw from the heart!

18 🤍 SMALL you could draw something that's really small, like an ant .. or draw on a canvas that's really small .. or use a really small brush .. get creative with it!

19 🤍 DANGER try to capture the adrenaline .. the rush .. the fear that you associate with the word danger!

20 ⭐ SOFT soft colours, soft textures, soft vibes ... whatever makes you comfy!

21 🤍 MIDNIGHT darkness and secrecy .. spooky witchy vibes .. the tranquility of a forest at night .. the fun of a late-night party .. there's lots of ways you can take this!

22 🤍 POWER what does this word make you think about? superpowers? control and oppression? literal electrical power? something else?

23 🤍 CHILL chill as in calm? or chill as in cold? who knows .. it's up to YOU!

24 ⭐ LOUD try to draw something that feels LOUD! BRASH! IN YOUR FACE! how can you convey sound through art?

_____

FUN + GAMES WEEK

this week is just for enjoying yourself! take it easy and have fun! also .. another reminder! there are skippable prompts! if you're tired and struggling to get to the finish line, please don't hesitate to skip a day!!! or multiple days!! as many as you need!!!

25 🤍 TRY A NEW ART STYLE copy the art style of a show you like, ask a friend if you can try their style, draw the eyes a new way, develop a totally new style on the spot... whatever you want!

26 🤍 DRAW WITH YOUR NON-DOMINANT HAND righties, draw with your left! lefties, draw with your right! ambidextrous nation ... our time to show off!

27 ⭐ DRAW WITH YOUR EYES CLOSED don't peek! try to draw something without looking! if you really want, you can colour it with your eyes open after you draw the lines/sketch with your eyes closed... but please try not to cheat with the actual drawing part!

28 🤍 RE-DRAW SOMETHING OLD find some old artwork you like, or something you feel like you can do better on now, and give it another go!

29 🤍 RE-DRAW A MEME find a silly picture on the internet to redraw .. do you have any in-jokes with your besties?

30 🤍 DRAW A GIFT FOR A FRIEND create something for someone you love <3

31 ⭐ FREE CHOICE final day! you can draw anything you want today! show off your skills! draw something you've been meaning to draw! whatever!

_____

please refrain from reblogging this post after march ends - next year's prompts will be different, thank you! if you have any additional questions, don't hesitate to shoot me an ask!

[thegreenthepeacetheorange]

Do you ever think about

Peeta being 5 years old on his first day of school and noticing this girl in a red plaid dress with her hair in two braids that his father points out to him. And then he sees this girl stand up on a stool and sing in front of the whole class and he notices that the birds stop to listen, just like his dad had told him they did for her father.

Peeta being 6 or 7 years old, practicing his cake icing behind the counter of the bakery. And then the father of the girl who wore the red dress comes into the bakery singing a song and Peeta raises his head to see if the birds stop to listen. And they do.

Peeta being 11 years old, standing behind his mother as she yells at that very same girl, looking hunger-stricken and so weak, for looking through their rubbish bins. Watching her as moves just a little bit away until she's behind their pigpen, leaning on their apple tree for support. Hurrying back inside and burning two loaves of good hearty bread, filled with raisins and nuts. Checking over his shoulder as he wills the crusts to blacken faster. Feeling his mother deliver a blow to his cheek with a burning hot tool, falling to the floor. Being told to go out and give the blackened bread to the pigs but waiting until his mother has gone back inside to throw the bread to the girl. Going back inside and watching as she takes it and hurries away. Seeing the girl at school the next day and wanting to catch her eye, waiting and waiting for her to meet his eyes. But the one time she does, she looks away quickly, towards a dandelion, smiles and plucks it from the ground.

Peeta being 12, 13, 14, 15 years old, finding himself constantly sneaking glances at the girl. Wanting desperately to go over to her, talk to her, see if he could make her smile. He sees her watching him back. But then he shakes his head and tells himself to knock it off. Plus she seems to be with that older boy a lot.

Peeta being 16 years old. Staring at the floor until he hears her sister's name. Feels the air go out of him when he sees her push through the crowd and volunteer. Fixing his eyes on her, watching her stand up there, heading far far away from him. Oh, how he wishes he would have talked to her when they had had time. So lost in his thoughts of her that he almost misses his own name being called out. Feels the eyes on him, a pair that must belong to her too, following him as he makes his way to join her on the stage. Shaking her hand and hoping she knows he chooses her.

Peeta being 16 years old, in the games. Deciding that she can win, she can survive, she must live. Letting the whole of Panem know his feelings for her. Choosing to join the Careers to lead them away from her. Choosing to save her even if it means getting his leg slashed by Cato. Finding a place to conceal himself, hoping death comes sooner rather than later. Hoping she's okay, that she's made it. Listening out for cannons and watching the sky, hoping she doesn't appear, as he bleed outs. Hears the rule change one evening and cries, because it's too late now for him.

Peeta being 16 years old and she's found him. She's called out his name and she's found him. And she's helping him. He's struggling and dying and weak, a hindrance more than a help, but she stays by him constantly, watching him closely like she's done for years but now it's up close. And soon she's kissing him and though he's tired and draining all the time, this sets off a spark in him that makes him feel alive. Joking with her, teasing her, sleeping with her curled up against him, hearing her laugh at his jokes, feeling her touch and reaching out to mirror her touches, kissing her. And soon his crush, this care he's felt for this girl, develops into feelings that are stronger, feelings that feel a lot like love. And they talk and they talk. She risks her life trying to get the medicine that will save him and he realises he completely underestimated her.

Peeta being 16 years old and a victor. But he's not the only one. She's right there beside him and he can't believe his luck. Hope. Love. The future lies out ahead of them. But then something is wrong. Haymitch tells them to keep it up until they're back but he doesn't realise there's anything to keep up. Finding out that there was something a bit too shiny and sparkling about these last few weeks. Something not completely real. Feeling something horrible twist inside him. Letting go of this girl and taking a step back, because something hurts deep in his chest.

Peeta being 17 years old, going about his days back in Twelve. Painting, fending off nightmares with a paintbrush, walking by her house everyday, noticing when the lights are on or off in her bedroom. Then they're going on a victory tour and the feelings he's tried to cover up with bakery bread and painted canvases and set alight again because there she is, holding his hand on stage, kissing him at times where he even doesn't anticipate it, smiling up at him in a way that ties his stomach into a million different knots. At night he hears her screaming and runs into her room. Whispers to her til she's conscious, holds her until she's calm in his arms and slips into her bed to hold her until they fall asleep. His own nightmares stay away, their interwoven limbs creating a barrier against them.

Peeta being 17 years old, spending every day in her glow. They're friends now. She might not have chosen him but he can't make himself stay away now, not now that she needs him. Listening to her ideas, wanting to run away with her. Talking to her on the phone. Baking her cheese buns and carrying her up and down stairs. Still holding her while she sleeps. Painting pictures for her family book. Sitting with her in the quiet, feeling her breath close to him. Looking up and smiling at her furrowed brows. Catching her look at him all the time.

Peeta being 17 years old, going back into the games. Making her train, choosing her again. Withdrawing because she has to win. She has to. But seeing her, weary and tired, a mirror of himself, he can't help but open his arms to her, feel her warmth beneath him. And it only furthers his resolve. Fighting, fighting, fighting. Always to make sure she makes it out alive. Feels her mirror his love, his kisses, his touches. And one night, he loses her. He can hear her but he can't see her. And then everything changes.

Peeta being 17 years old, living in a world where shiny images fight their way against other images that are matte in his memory. She's far away now, he's not sure where. But he knows she's alive. Why else would they torture him and the people around him. And he always says he doesn't know, knowing what it will mean. But he'd still suffer those same consequences even if he knew what they needed. Still needing to protect her.

Peeta being 17 years old and here she is in front of him. But his head roars at the sight of her and he doesn't know why. She's anxious and weak and damaged, but the alarms are going off in his head. The shininess takes over in this new setting. And he doesn't know why, but he knows something is very wrong. They take him away then. Try to undo something that needs to be undone.

Peeta being 17 years old, not sure which way is up and which way is down. But he sees her, watches her. And then he's sent off on a mission with her. This girl that consumes his every thought, on both sides of the war that's going on in his head and he doesn't know what to do. The shiny and his memory are still fighting, and it leaves him so tired. Seeing her, hearing her speak brings memories out of the recesses of his mind. He starts to piece together a puzzle that's been scattered in his mind. Feeling feelings that he once felt in his chest. Real or not real? Green. Orange. The colour of her dress. Cheese buns. Lamb stew in their den. Because that's what you and I do. Protect each other. Knowing it's true and knowing he must.

Peeta being 18 years old, coming back to Twelve after the war. For her. Seeing primroses growing and digging them up, bringing them to her house. Planting them for her. Seeing her again, weary and tired and broken. But she's here. And so is that feeling in his chest that was buried under shiny images that he has since ripped up and discarded. Walking with her through town. Having meals with her, making sure she has cheese buns. Seeing her start to smile again. Climbing into bed with her so that they can create that barrier again, the one that holds off their nightmares. Tentatively kissing her and feeling that fire rage again.

Peeta in his late 30s, watching Katniss lay out a picnic basket in the meadow. Seeing the sunlight fall against her hair and skin, making them shine in a way he knows is real. See the dancing girl weave around the items Katniss lays out. Laughs as the boy with the chubby legs tries to keep up. Walks over to them with the freshly baked cheese buns and sets them down in the space she's left vacant. Feels her smile trained on him before he turns his head to see it. Kisses her softly and breaks away laughing as the dark-haired girl covers her eyes and the blonde boy looks between them. Sits down as Katniss lays her head in his lap. While their children eat cheese buns and make up games in the grass, they sit there in the sunshine, taking it all in. Katniss makes a flower crown using the dandelions growing around her while Peeta runs runs his hand through her hair. He looks down into her eyes just as she tilts her head back to look at him. Knowing that they don't need to freeze this moment.

[fanficsdumpomg]

Hi! I really liked your NSFW headcanons for the brozone bros. I was wondering if I could request something for Clay and/or Floyd with a reader who's a lot younger than they thought. Like they're in their 30's at least and reader is 23/24. Reader is very mature and put together, so they thought reader was their age, if not older. Really how they would react, if they would tease about it, anything like that. Can be sfw and/or nsfw both are great. And if you're uncomfortable writing this, maybe just boyfriend headcanons for either of them too would be just fine. Thank you <3

Clay:

*(I headcanon Clay was around 16 when Brozone broke up and present time is 15+ years later so i would imagine he would be 36 during the time of Band Together; i headcanon there's an age difference of 10 years between the two of you)

*Clay and you had been dating for a while after meeting each other at Putt-Putt village. You both had met each other while working for Viva; you as an inventor of defense items and clay working administrative duties.

*Clay is already a strict dom in bed; loves to control your orgasms, tie you up, punish you, etc. Basically he loves having any ounce of sexual control over you.

*So, when Clay overhears some Putt-Putt Trolls talk about how someone so young as you could be so talented, his brain first goes into shock; how could he not know this about his partner? But then his brain goes into overdrive and he starts to feel hot thinking of all the ways he could use this against you in bed; so he plans.

*Clay plans a romantic evening for the two of you that ends in passionate kisses, fangs marking each other’s neck and chests and you tied against the bed you share.

*Clay spends the night teasing you in the most deliciously way possible, edging you with a vibrator until you begged to come, gagging you with a ball gag when you get too loud, and breeding you.

*”Dirty Baby…Look at how wet you get for an old man…..god you’re such a slut”.

_____________________________________________________________

Floyd:

(I head canon clay was 13/14 when Brozone broke up and in Band Together i imagine he would be around 33/34 with a 10 year age gap between you too.)

*Floyd and you had been dating for awhile after the two of you met while you opened for one of his solo shows.

*Floyd is a big, big crybaby switch in bed. Loves to get bitten, teased and manhandled by you; (please throw him around he is begging you). 

*He usually doesn’t like to be degraded or degrade you but that all changes after he hears an advertisement for your band; advertising you as the hottest young talent to come to the stage. He feels a  rush of emotions after learning you're younger than him, first embarrassment because how could he not know  this about his partner, then shame… is he a dirty old pervert?!

*Then the shame in a weird way turns him on and you very quickly pick up on it during heated moments between the two of you. After some planning on your part you plan a special intimate evening for the two of you.

*You tie him up during the session, pull his hair, bite him and tease him; but what really surprises him is when you start with the degradation; your refuse to touch him unless he admits that he is a dirty perverted old man. The humiliation/Shame of your degradation immediately turns him rock-hard.

“Fuuuck…yes…I am a dirty old man… please fuck me..do anything!”.