#There are probably ones I've forgotten

[youremyonlyhope]

I love when I see posts like "Share how many crochet WIPs you currently have! I have 5, it's so many!"

Like, girl, I have unfinished projects from over a decade ago that I refuse to frog on the off chance I decide to finish them. I've found years-old projects I forgot I even started and will impulsively just finish it on the spot. I've started three different projects in the last 2 months, including one I started yesterday, that I already know I may or may not finish within the year depending on motivation.

The number of WIPs I have is infinite.

[sysig]

Pretty clothes for you! ✨ (Patreon)

[trainsinanime]

I must once more ask fanfic writers to please stop apologising for your work. No "this may be bad" or "yeah sorry this sucks", especially not in the summary. Otherwise many people will go, "Okay, this seems interesting… but they already start by saying that it's bad, so I'll just scroll on to the next one".

More than that, it just puts me in a bad mood. When I read the title and tags and summary, I'm excited about your work! …until you tell me that you're not and I shouldn't be either. Talk about a let-down. And mind you, this is long before I ever read the first word of your story.

Okay, but what do you do if you really think your story might be bad, but you want to publish it anyway? My suggestion is lying. Just pretend it's a great story, worthy of being published. No apologies, just present it as if you were someone who is proud of what you wrote. You may feel like a fraud, but just give it a try.

The secret trick here is that many (all?) people who publish their works without apologies also feel like their work might not be good enough, and feel like frauds. Certainly if they don't have that many stories and/or are trying something completely new. You're not actually a fraud, you're just a normal beginner.

And the second secret trick here is that you are probably bad at telling whether your story is any good. You are the only one who can compare to the written text to the abstract jumble of ideas in your head. You know all the fun ideas you couldn't include because of three fun options, only one could go in there. You know the parts you didn't write because you didn't find the words. You know the clunky parts you had to write to connect the fun stuff. But nobody else knows any of this stuff. They just see the story as written on its own, and you may be surprised how much they like it. Give them that chance.

If you really absolutely feel like you have to, you can put something like, "first time writing fanfic" or "first time writing bank heist" or similar in the notes, but that's strictly optional. Just don't apologise. Let us be excited.

(Same thing applies to fan artists. But due to the way most sites show you the picture first and the caption second, it's a bit different there. It's actually kind of funny to see an incredibly gorgeous drawing, and then scroll on to see an apology for how bad it is underneath.)

[memoriamp4]

I hate that we never heard Astrid tell Hiccup 'I love you'. I was fully expecting her to tell him she loved him back in rtte 6x06 after he told her he loved her... but she didn't. Like they really made an entire episode about Astrid wanting a more lovely dovey relationship but then she never even said 'I love you' in the episode?? And Astrid has so many inspiring and loving speeches to Hiccup but I wish there was an 'I love you' included in at least one of them

[montanabohemian]

since i spiraled back down stucky again i was so caught up in a post-winter soldier/post-civil war universe that i completely forgot that endgame existed.

[rmbunnie]

Red Hood Characterization

This is really long so I'm putting a cut here, I've been thinking about Jason Todd's character motivations and the question of whether or not his actions are based in a Moral Code (I don't think so, not to say he's without any morality) and I talk about that in more depth here.

I saw someone say on here that Titans: Beast World: Gotham City was some of the best Jason Todd internal writing they'd seen in a while, and I've been a Red Hood fan for 8 years or so now? pretty much since I read comics for the first time, so I went and checked out and I thought it was good! The way the person I saw talking about it as if it was rare and unusual made me wonder though, because as well-written as i thought his stances on crime were, there wasn't really anything in it that went against the way I conceptualize Jason?

This kinda plays into a larger question I've been thinking about for a while with Jason though, which is that, do people think that the killing is part of a fundamental worldview that motivates him a la batman, and that worldview is the reason he does the things he does?? Because 8 years ago i was a middle schooler engaging with fiction on the level that a middle schooler does, so I simply did not put much thought into it beyond "poor guy :(" but ever since I actually started trying to understand consistent characterization, I don't really see Jason as someone who's motivated by a moral code in his actions the way batman or superman is!

tbh my personal read is that he's a very socially-motivated guy, his actions from resurrection to his Joker-Batman ultimatum in utrh always seemed to me like every choice made leading up to his identity reveal was either a. to give him the leverage and skill necessary to pull off his identity reveal successfully, or b. to twist the knife that little bit more when he does let Bruce find out who he is. Like iirc there's a Judd Winick tweet like "yeah tldr he chose Red Hood as his identity because it's the lowest blow he could think of." And I think that's awesome, I think character motivations rooted so deeply in character's relationships and emotions are really fun to read! I also think it's where the stagnation/flatness of his character comes from in certain comics, because if his main motivation is one event in one relationship that passes, and he is not particularly attached to anything in his life or the world by the time that comes to pass, it's a little harder to come up with a direction to go with the character after that, because there isn't much of a direction that aligns with something the character would reasonably want? But I do think solving this by saying "all of the morally-off emotionally driven cruelty he did on his way to spite Batman was actually reflective of his own version of Batman's stance that's exactly the same except he thinks it's GOOD to kill people" isn't ideal. To be fully honest, it seems to me like he never particularly cared one way or the other about killing people to "clean Gotham of crime," he just did everything he could to get the power necessary to pull off his personal plans, and took out any particularly heinous people he encountered along the way (like in Lost Days.) Not to say I think the fact he killed people keeps him up at night anymore than everything else in his life events, I just never really thought he was out there wholeheartedly kneecapping some dude selling weed or random guy robbing a tv store for justice.

Looping wayyy back to my question, Is this (^) contradictory to the way he's written/the overall average perception of the character? Because like I enjoyed his writing in Beast World i have zero significant issue with anything there, I just didn't believe it would be a hot take, like yeah, that is Jason. It's been a while since I've read utrh and lost days, but I don't think my takeaway directly contradicts either of those too bad iirc. Idk all this to say I think Jason killing and being alright with killing is an obvious and objective fact, but i guess i've always seen it as more of a practical tactic than a moral belief, and I think taking the actions made during the lowest points of a character's life where he is obsessively focused on this ONEEEE thing and trying to apply it as a Motivating Stance to everything he's done after that, doesn't really follow logically for me.

[pennyserenade]

there is a plethora of good x-files fanfics out there and i've just started to develop the problem of reading a very good one and not being able to find it again. because of this - and because all of these are genuinely novel worthy and the writers are INSANELY talented - i've decided to compile a list of some of my absolute favorites. some of these are from ao3 & some of them i found on other websites, such as x-libris and the gossamer project. i hope you enjoy these as much as i did and do. they mean the world to my romantic heart.

incrementum by lepusarcticus (explicit) - this was the first x-files fanfic i ever remember reading. i was trying desperately not to spoil the show for myself and i found out that this fic followed along the narrative, which was a godsend. i got the best of both worlds: a delectable, angsty passionate mulder/scully fic (in which they fucked from day 1) and no spoilers. it was so so so so fun reading this alongside watching the show. this writer is brilliant

omens by lepusarcticus (explicit) - i was not lying when i said this writer is brilliant. this entire thing reads like a novel and i could not for the life of me put it down when i stumbled upon it. its angsty and interesting, and could very well be another episode of the x-files because the case mulder and scully are one is so compelling. it is not easy feat to write something this good. chris carter, eat your heart out

triptych by iconicscullyoutfits (not rated but i'd say mature) - THIS WAS SO FUCKING GOOD. i can't speak highly enough about this one. its an au where mulder is married to diana fowley when he meets scully. its so so so so amazing. like i'd very well call this literature because it expanded my mind (i learned a great deal from this, especially from the chapter ice). i think diana was a very interesting character and i feel as though this fic treats her with the interest she deserves. the writing in this one is simply insane too - i'm envious of it and so so so in love with it.

love in all the wrong places by sisterspooky1013 (explicit) - mulder and scully accidentally have cybersex with each other while trying out online dating group chats. what more can i say? (also i applaud this author for making mulder's online handle allshookup61. that's so fucking mulder)

universal invariants (set from 1 to early season 2) and its sequel, laws of motion (set season 5) (both explicit) by syntax6 - these both hold such a special place in my heart. it is an au that takes on the idea that scully's bf (who was cut from the pilot, never to see the light of day) stays in the picture and there when dana starts working with fox. universal invariants makes me want to weep to because dana and fox are both so young and earnest and stupid! and laws of motion is great because they're still stupid but they're wiser about it. this is very dana and fox. i love, love, love the parts of universal invariants that cover dana's abduction arc. god these are GOOD.

arizona highways by fialka (explicit) - if you're one of those girlies who really likes an x-files episode that has a lot of case-file and scully going on, this one is FOR you. it is angsty in the worst of ways, covering more of what we see in the episodes christmas carol and emily. this is another one that i would call a novel, both in length and content. it is great and it is a very good dive into the character of scully and how she handles problems in her life

heart's desire by malibusunset (explicit) - this another really great scully-focused fic, where mulder is being a bit of an ass - as he is prone to - but she makes him come to his senses accidentally. i love a good jealous mulder and i love it even more when scully isn't exactly aware she's making him that way. this is so good that i stayed up an entire night reading it. you should too!

the guts / the incision / cauterize by wtfmulder (not all of the chapters are explicit but i would call this explicit in general) - this one is so fucking angsty it made me ache incredibly. it is a sucker punch to the gut that only the lovers (or rather, dedicated haters) of the diana/fox/dana situationship can truly appreciate. also, if you like your mulder a bit of an ass (i do! i think he really can be! i think its good to talk about!) this author is for you!!!

doorway to gods by wtfmulder (explicit) - a fic where mulder & scully go investigate a supposed portal to other dimensions shortly after scully recovers from cancer, and they both find themselves in separate hellish alternative universes where other mulder & scullys aren't doing so well. this is angsty, TOP TIER angsty. some of the scenes from this i think about often still and i read this a month ago. also this is hot. i can't not mention that small fact

the tiger complex by longgunguy (i'd say r for graphic violence but no sex or anything) - i'll be real, there isn't a whole lot of mulder/scully romance in this thing, aside from the a hand hold and a lot of quiet affection but this IS the x-files. in another world, this fic is an episode and it is brutal. you'll be biting your nails as you make your way through this one. its got a great cast of original characters and an incredible case-file, up there with an episode like ice.

[leifygreeens]

what's the fandom etiquette for finding a beta reader or an editor? What's the difference between the two?

[miodiodavinci]

head in hands like "maybe i should have realized this about myself sooner" as i am surrounded by neon flashing signs that Very Clearly Indicate the thing i should have realized about myself sooner

[notyoinara]

alice yabusame art marathon 2024 has ended early.........it's okay there's always next year

[nex-kyit]

I can't stop thinking about Mell. She's so interesting and theres still so much we don't know about her and her history with Starhammer.

Like we know she was grown in a lab. Its implied she was raised alongside others but what happened to them? What happened if they failed to become Aether technicians? After Mell stopped the Stellar Synthesis labs? Presumably they were given an education, but was that only for stuff relevant for becoming a technician? To keep her dependent on the corporation, I wonder if Mell wasn't taught life skills like basic financial literacy, cooking, world politics, etc etc. Considering how she had to be transferred in and out of labs in an ENCLOSED container and had to break out, it seems like she wasn't even allowed to leave the lab or see the outside world, at least not without permission. She probably wasn't paid, girl was basically kept captive and used for free (+ highly skilled and expensive) labor and she still says it wasnt that bad???

When she dismantled Stellar Synthesis labs, what then? Where did she go? Did she immediantly begin work on Starhammer? Mfhfm theres so much between her and Starhammer and we really only got to see the very end of their relationship. What made Mell hate the Advocates? WHEN did she begin to hate the Advocates, before or after Starhammer joined them? Did she go to them for help, to report Stellar Synthesis labs crimes, only for the report to go nowwhere, and she to realized that the Advocates had been bought off? Was Starhammer her attempt to repair the Advocates, or was it only after he joined and rose in the Advocates where she began to realise that the Advocates were corrupt?

“So you haven’t killed anyone else?” (The Engineer Ch.12) <- Maybe I'm looking to deep into it, but what does this line mean?? It implies that Mell saw/heard about Starhammer killed someone, and that was when she began to suspect something was wrong with him. Theres also how Mell is very anti-murder, which I'm sure could probably tie into it as well. And their whole conversation in this chapter feels like a continuation of a past one, probably the one that made Mell leave Starhammer for good.

On that thought, how did Mell and Starhammer seperate ways? Mell abandoning Starhammer seems a bit hypocritical since her main thing for making him was to not be forgotten, and I doubt Mell would turn around and try to forget about him. And she clearly still cares about him.

mmh theres still so much I could cover, I've spent countless hours thinking about her.

[forcedhesitation]

that one bozo who made the gender swapped dame aylin mod: it's unrealistic for minorities to exist in this game because it's supposed to take place in medieval europe!!!!

aasimar, vampires, devils, and dragons aside....

bg3:

[brittlebutch]

it's actually so fascinating to me that Brennan has created a character that maintains a pretty relaxed and mild-mannered demeanor and has said multiple times that the absolute Core of her is "FEAR" and how often we see this Fear manifest specifically in Avoidance; it really nails a relationship to that mentality where your brain fully Stops recognizing the emotion properly out of like, sheer self-defense from the stress of having to carry it all the time

I think this is also perfectly showcased in the way we tend to see Tula swing so suddenly from 'level and steady' to 'snarling Panic' and then back again - Just because your brain has detached itself from the Conscious Recognition of the emotion doesn't mean it can Actually stop itself from experiencing it. So the Fear is always there and always acting as a stressor, but because of that inability to Identify it there's no way to recognize or address it before that final straw hits and your bodymind jumps Straight into Full Meltdown Mode; but then once again, once you drop even a Little bit below that Peak Terror your brain ceases to process the emotion; it's like the most exhausting form of Poor Object Permanence in the world

And even if Tula is aware of this happening to her, that doesn't really make it any easier to deal with / address. Even if you're able to spot the symptoms Around the emotion -- chest pain, irritation, nausea, whatever -- because the Emotion Itself is basically impossible to find, you can't really Successfully Pin Down what the problem is OR a way to cope with it. If you can't figure out That You Are Anxious, then figuring out What Is Making You Anxious is impossible, which makes Find A Way To Make Peace With That incomprehensible. That's where the Avoidance comes in: you can no longer identify what might be a Dangerous Situation, which means that Anything New has a big potential to be Really Bad in a variety of ways (ranging "I don't Feel Good" to "Fully Lashing Out bc you've entered Fight/Flight and can't get out of it" to "Actual Outside Danger This Time") and that means the Only Way you know how to be Safe is to just Avoid Doing Anything New and Only stick to Familiar Situations, because anything unfamiliar is a monster of a gamble you don't know how to prepare for or cope with

[star-ar512]

the dichotomy of the emotions signalis can make you feel: katsup blast and the memory ending

[astranauticus]

not sure if this counts as an AU but.. thinking about the Per Aspera crew as horror game bosses like.. you are wandering through a forested mountain range and you know somethings wrong because the forest shouldn't be this eerily silent, this devoid of life, and then you hear the crash of falling trees and there is a hand that is half your size glowing golden in the night and it is grabbing you and its claws are digging into your flesh and you see the spines running down the golden arm that is far too long as it lifts you over a crater in mountain, over a coiled, serpentine thing with a visage that is not of this world, and if you look closely you can see the shape of a child curled at the centre of the thing, golden hair reflecting the glow of the creature and if you listen closely you can hear her sobbing, 'Don't hurt me, I don't want to do this'. you are sailing through the astral sea when you see an ephemeral, resplendent spelljammer cutting through the starry waters and you rejoice because you have been lost on the seas for so so long, so you board the ship looking for help, supplies, anything, and you are greeted by a blue fire genasi (you wonder, do those even exist? but you can't get off the ship now because where else will you go?) and she tells you she is the captain of this ship but as far as you can tell there is no crew on board, and if she is not appearing right behind you from a trapdoor you've never noticed she is always in the engine room 'fixing the ship' even though the ship seems to be sailing perfectly fine ('Where are we going?' you ask her once and she doesn't even turn to look at you, 'Don't worry about it') and if you are ever so unlucky as to damage the ship in any way, you begin to catch flashes of red and orange out of the corner of your eye, a fire genasi wearing the woman's face who whispers at you with hollow, angry eyes 'Don't you fucking dare hurt my ship'. you are sailing through the astral sea when you see a rotting, decaying spelljammer, so badly damaged it's barely moving although you have to wonder how it's even staying afloat at all, and out of some morbid curiosity you climb on board and the deck of the ship is in no better shape than the hull, the marks of hard-fought battle - scars in the wood from sharp blades and arcane energies, stains of blood and oil splattered about - still fresh but you know time doesn't pass on the astral sea so who knows how long ago this all took place, and as you climb below decks you start to notice the writings on the walls, pieces of parchment nailed to every surface and connected with fraying, rotting threads, or words etched directly into the wood, the deep gouges barely readable, and you start to hear the creaking and clanking of rusted machinery slowly moving about and you turn a corner to see a figure standing in a room facing the wall, slowly scratching yet more of that unintelligible writing into the bones of the ship, and it turns as the rusted dented mechanite stares at you with eyes ablaze and he asks 'Who are you? Where is my crew?' as sparks of arcane lightning begins to arc through the room. you are running through a feywild forest and you know, even without the figure chasing you, that you have made a horrible mistake, you should have known better, should have been more careful, should have kept your impulses in check, and now you are being chased through an unfamiliar forest and the figure, the Hunter pursuing you knows this realm like the back of his hand, knows every tree and shrub and vine that is slithering up to grasp at your ankles, and you glance back desperately to catch any glimpse of your pursuer but there is no pursuer, he has hidden himself with some arcane trick or some innate power or just the knowledge that this realm is his home, and you hear his voice even though you cannot see him as he cries out 'You should not have hurt my family. Prepare to face the Hunter of Hundkiln'

sorry no Vhas yet maybe I'll update with one for him once we get more of his whole deal

[mariocki]

Shadows of Fear: Did You Lock Up? (1.1, Thames, 1970)

"And they didn't make much mess?"

"No, not really. They forced that door. Smashed the cabinet, slashed a sofa. And kicked a hole in the bedroom door."

"Ah. Big mistake."

"What is?"

"Never lock inside doors. Anything you can to keep them out - but when they're in, let 'em get on with it."

"I'll remember."