#Their endless iconic drama gives me LIFE | Explore Tumblr posts and blogs

mo79zz · 10 months ago

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Case Study

Transcript:

Slide 2

While researching D&AD award winners, I selected a series of categories that particularly sparked my interest as I felt like my work related to them. These categories included branding and packaging design - which is relevant to this units work, typography, type, design & lettering, book design, and writing for design. From each category, I then selected one pencil winner that had designs drawing me in the most.

Slide 3

To begin with, the branding design award was Time, a Malaysian Internet provider known for delivering fast speeds. New government regulations meant it could no longer distinguishe itself from speed alone. The design agency ‘For The People’ stripped back to the essentials and redesigned the company with new illustrations and a more distinguishable logo, to accentuate the companies cheeky personality, and engage new customers. ‘For The People’ won a wood pencil for this redesign.

Slide 4

I then looked at packaging design for the Hornicultural Society. ‘Ogilvy UK’ released a series of limited edition condom packets in the style of seed packets to help tackle the rise in STD’s among the over 65s. The packets feature typography and cheeky strap lines that are all creative ways to loosely describe sexual body parts. Both graphite pencils and wood pencils were won for this under numerous categories.

Slide 5

Under the category of typography, I selected Gigi‘s Gelato. The design agency ‘Bridge and Partners’ explored how primary colour palettes evoke the ingredients, flavours and hues of endless summers enjoyed with Gigi’s. ‘Bridge and Partners’ won a graphic pencil award for this type design

Slide 6

The fourth award I looked at was type design, where ‘Studio Drama’ created a dualistic headline type face family for Vogue Brazil. They were presented with the challenge to effectively combine sans serif and serif styles encapsulated by two polarising ideas - vernacular and elegance, creating an authentic outcome that embodied Vogues iconic brand with the rich and cultural typographic heritage of Brazil. ‘Studio Drama’ were awarded a graphite pencil for this typeface

Slide 7

Looking into the category of book design, the one that stood out the most to me was “five minutes more” - which is part of the “sport is never done” campaign with Nike. Physical education has only been encouraged in Middle Eastern schools recently, as it was always seen as a distraction. Nike worked with Wieden and Kennedy to bridge the divide by creating an innocent storybook with a deeper meaning. The book is interactive and allows the parent and child to take turns role-playing as Aisha and her mother, and encourages families to take their lessons from the book to the streets.

Slide 8

Finally, I looked at writing for design, where the design agency, ‘Ragged Edge’ crafted a tone of voice that positioned Gaia as the life makers here for all the future families. Gaia was founded by a man called Nader to give people the chance to start and continue IVF with protection if unsuccessful, after him and his wife went through five rounds before conceiving their son, and discovering how much of financial gamble IVF is.

Slide 9

This design agency is the one that struck me the most, so I began to research them further.

Slide 10

I discovered that they have won a few D&AD pencil awards and have been featured on their website a few times, for Gaia, Eager which is a juice company they did a simplistic yet impactful packaging redesign for, and Papier - a stationary company they did a logo redesign for. But who are Ragged Edge??

Slide 11

Ragged Edge are a one studio branding agency based in London, who create designs and redesigns for companies with the conviction to challenge the status quo. They state that “People believe branding has the power to change organisations. Change industries change perceptions and change behaviours” this is what they call a changemaker. Clients and that believe they have the ability to become a changemaker reach out to Ragged Edge directly to give themselves the opportunity to become one. The company started up in 2007, and had ambitions to create a space of work with an abundance of opportunities, rewarding work and a place where talent was nurtured. Ragged Edge are a B-Corp company, which means they meet the highest social, environmental and transparency standards.

Slide 12

The company states they are an open minded, collaborative, ideas driven studio where world class creative comes without primadonnas and where theres as much commitment to personal wellbeing as to career development”. After reading a lot of the reviews on Glassdoor for what the company are like to work with, I could see that the only negative things mentioned were the workloads, that is its a very fast paced studio where new ideas are generated everyday. I don’t personally see this as a downside but i guess the workload may pile up and become overwhelming. Many people who have worked for them exaggerate how they are a super kind team of people and the work environment is very friendly. People are pushed to be their authentic selves and brave thinking and creative ambition is highly encouraged. This is what drew me to them even more as i aspire to work for/ have my own company with the same mindset.

Slide 13

Looking at a majority of the work done by Ragged Edge, a common theme amongst the brand is bold text and solid colours with either photography, illustrations or both. I really like their simplistic quirky style, how they use their colour pallets and how each redesign fits the brand perfectly. I would love to implement these features and style into my own future work as i think they give character to the brand without overwhelming customers.

These are some of the companies that caught my eye on the website. A lot of them have recognisable logos or phrases that really work together in the bold and text heavy adverts alongside pops of animations or photography - Marshmallow, a driving insurance company, First choice, package holidays, monzo banking and go compare.

Slide 14

I delved a bit deeper into some of their projects that interested me the most. Firstly, Marshmallow insurance

Slide 15

Marshmallow was created when it was discovered how unfair insurance prices were for people who move to the UK - even with flawless driving experience. Marshmallow helped to combat this and help hundreds of thousands of UK newcompers get fairer insurance. Ragged edge partnered on a full rebrand with this insurance company and changed things from brand strategy and a new mission, to identity and beyond.

Slide 16

They generated a library of what they called “marshforms” made up of different shapes, that can be stacked and built together to represent the infinite variation and uniqueness of their customers. A bespoke typeface was also created, with a brand new M logo of a little marshmallow who is always looking forward. With the implementation of photography as well, they were able to bring their customer’s personality to life with bright and vibrant lighting.

I really admire the simplicity and clean feel to the brand with it still having its own character and personality. This is the style of work i hope to be able to produce in coming units and projects.

Slide 17

Additionally, I looked into their rebrand of Monzo where they aimed to make Monzo more Monzo with new colours, type and illustration.

Slide 18

With the introduction of these things, the brand feels much more welcoming and friendly in comparison to other banking companies. I think the colour palette used fits really well together. The illustration suits the vibe of the bank and the type with moving image is bold enough that catches your attention yet simple enough to get the message across.

Slide 19

Looking at the interface and how the colours match each other well is very interesting to me. The hot coral represents the warmth from the company, followed by a complementary, navy blue and soft white alongside vibrant secondary colours used when necessary for added eyecatching features. The design is quite simple, but adding these vibrant colours and accents across the UI makes it more unique than what generic banking app/website includes. For example, Lloyds Bank has white black and green as their only featured colours and this can be quite boring. The pops of colour Monzo use along side animated illustrations has makes the banking seem like less of a chore.

Slide 20

A lot of banks, use plain basic and boring photography as features for their brand with corporate colours and low lighting. Monzo wants to stray from the crowd and give more character to the brand and art direction by incorporating warmer hues and sunny bright colours to the photography, keeping to the friendly feel of the company.

Ola Dobrzyńska was hired to do the illustrations for this company. Her work fits the more vibrant world of Monzo. But I feel like the addition of these illustrations gives a whole new dynamic to the brand. If you take them away, Monzo is still a vibrant friendly and welcoming bank however, if you add these quirky little illustrations in, it gives an additional visual to the website/app and gives it more cohesive feel.

Slide 21

I looked further into the work of Ola Dobrzyńska, a full time freelance illustrator based in Warsaw, Poland.

Slide 22

Ola’s work is bold and colourful with a passion for character design.

Two pieces of work she has created with recognisable industries outside Monzo include illustrations to showcase the new Puma Cali - a collection that gives a nod towards sisterhood, the celebration of femininity and girl power. And illustrations to promote the launch of the Facebook dating app across channels in Poland.

Her work can be seen mostly on instagram where she showcases her illustrations frequently, and etsy where she sells her prints.

Ola’s work as an illustrator really inspires me as this is a strong interest of mine and the opportunity to work with big name clients like she has done would be incredible.

However, I would need to expand my illustration skills a lot more if i would like to work to this level - I can’t be a procreate girl forever, I need to step into the adobe illustrator world and learn to draw in vector.

Her illustration style is very different to mine but is all cohesive. While it is nice to have versatility in drawings, it is also nice to have a consistent theme amongst them, and this is something that i would like to improve on, so no matter what piece of artwork you see, you know it was by the same person.

Slide 23

As a whole, looking at both Ragged Edge’s and Ola’s work. I know that this is the path of work that is for me, either working in a design agency for branding, or being a freelance illustrator FOR the design agency.

To be able to achieve this I would need to expand my skills in all softwares and be able to use them easily and glide through without problems to ensure i work quickly and efficiently. I would also need to generate a portfolio of work that relates to the industry I want to work in, showcasing all skills i have in a multitude of ways and over a range of projects. Ragged Edge seem like a really great company to work for with opportunities to work on some amazing things that would be really fulfilling and exciting. The only way to work for them would be to check out the open roles on their website or email them, so this is something i can consider in the future when i have a large enough portfolio

In the next 3 years I aim to refine my design work a bit more and create more professional seeming work, with a variety of brand assets that can be incorporated and a solid recognisable logo through the use of thorough experimentation. I will try to increase my knowledge and use of adobe illustrator for typography and the designing of graphics to make things more seamless and clean.

Bibliography:

#visualcommunication #case study #year 1 #level 4 #unit 2

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asiaquaria · 6 years ago

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Not All Men

Ur right, Tyra Sanchez and Phi Phi O'hara would NEVER do this to me

#Their endless iconic drama gives me LIFE #rupauls drag race #rpdr #Rpdr2 #rpdr4 #rpdras2 #Tyra Sanchez #phi phi o'hara #morgan mcmichaels #Tatianna #Roxxxy Andrews #Katya zamolodchikova #Trixie mattel #shangela laquifa wadley #Rupaul #coco montrese #Sharon needles #Alyssa edwards

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lesyasun · 4 years ago

Photo

A while ago I received an interesting question about game aesthetics. The person in that ask really struggles with downloading stuff and finding their own style. They asked me how I came up with what you see on my screenshots. Have you ever thought that you can recognize whose screenshot this is by just a quick glance? Is editing important in photoshop? How to take beautiful screenshots? Today let’s talk about how different one single game could be for each of us and what really makes this mysterious��“sims aesthetics”.

EDIT: Sorry, it turned out to be huge with lots of random thoughts :D I hope at least one percent of these is useful!

NOTE: English is not my native language, I apologize for possible grammar or spelling mistakes. I tried my best in writing this!

Ok, let’s imagine that you’re a person who just obtained the sims game or just want a nice fresh start and demolished your download folder. (We all need fresh starts sometimes, right?) The struggle is that you have no idea which style you like the best. There are so many sims blogs. Everyone seems to enjoy what they post but you’re a little bit lost in that jungle. Don’t worry! I’ll try to guide you and share my thoughts.

STEP 1 Choose your general style

I roughly divide all sims blogs that I see on my dashboard into a couple of so-called styles. I’ve been doing it in my mind for ages. I like following different people and seeing diferent editing. None of them are better than others. I hope you understand that it’s just a matter of liking. Ok, here we go. Let me put this sorting hat on you :D

1. Realistic

Screenshot by @luchiatores

Perhaps, it’s the most important thing that you should decide for yourself. Wether you should use realistic textures in your game or you’d prefer to stick to more cartoonish maxis match ones. Why is it so important, to my mind? I like things that match. Just imagine game Witcher 3 where characters and surroundings are realistic. And now imagine Minecraft where things are pixelated. Both games are great, both games have certain beautiful styles. And now imagine Geralt hunting for monsters in a pixelated Minecraft swamp. A bit strange, isn’t it? :D The same applies to Sims. If you put a super realistic skintone on your sim and put a Maxis ponytail, that would probably look strange too. If you choose this style, just try to dig for a good quality content, start following simblrs in this style. Unfortunately, I’m not an expert when it comes to realistic content. So, try to drop an ask to someone whose realistic game you like. There are so many helpful people around in the sims community no matter what style they have :)

2. Trully Maxis Match

screenshot by @whattheskell

This is a complete opposite of a realistic style. I’ve always called people who use a lot of original maxis textures “trully maxis” :D If you can decorate a house without any custom content, if you like the way original hairstyles look, if you like Maxis clothes, you should go this way. From what I’ve spot after being so many years in the sims community, “trully” maxis simblr are so creative when it comes to storytelling. The stories that they write about either their sims/or maxis premades are so breathtaking. So much drama, so much fun. The only thing that I write about my screenshots is “Ok, this is my cat! Look, it can eat flowers and puke afterwardst! Yay! Cute”. If you choose this way, I can recommend you to check out @holleyberry, @didilysims or @moocha-muses. Obviously there are a lot more blogs that I follow. These people are just so sweet and helpful and they’re first who came to my mind.

3. Bright Maxis Matchery

screenshot by @muupi

This is where I refer myself to. This style is still Maxis but what stands out is the use of bright colours and saturated photoshopped pictures. Ah, my love for overedited pictures is endless <3 This is what I’m going to talk a lot below since it’s my cup of tea. It’s all about colours and pallete addiction. If you love looking at super bright/silly/cheery screenshots and they boost up your mood, than join the squad!

Basically, Maxis match (I’ll just shorten for MM from now on) players avoid super shiny skins or hair textures and prefer to have content with Simlish letters instead of English ones. This is a very important factor for me when I choose paintings or prints for T-shirts. I don’t know, I feel like it’s so cute that sims can’t understand our languages, talk this funny gibberish simlish language. It’s cute! There are so so many people that I can recommend. @lina-cherie @keoni-chan @kahlenas They are first who came to my mind <3

4. Grungy/cosmic

screenshot by @lilithpleasant

I don’t know if these are suitable words :D But this is how I describe people’s game who like aliens/supernatural sims/grungy textures with or without bright colours as well. Just think would you prefer a bit of a grungy stuff or less-textured but cleaner MM? You always need to think about textures while you download stuff. I can recommend to check out @pooklet or @furbyq-sims

5. Semi

screenshot by @whysim

You might ask me “Why am I not allowed to put a realistic skintone on a maxis sim? What the hell?” Of course, you are! Do it please, if you want. There are no rules, no restrictions. You CAN go semi-realistic, you CAN mix patterns, you CAN mix colours. There’s only one rule: please, enjoy what you do. Don’t be afraid to share your pictures on the Internet. There will always be people who can judje your style and say: “meh, it’s too dull, meh, it’s too bright, meh, too shiny, meh, too plain meh, meh, meh”. Just don’t pay attention and enjoy your game. As for semi-realistic I can recommend such wonderful people as @marvelann @lilith-sims @falkii @knowledgeaspiration

A bit about my style: I’ve always loved cartoonish/bright style. I’ve never ever played with shiny textures. Before Tumblr era I just played either without CC or with a bunch of maxis recolours. How I came up with the idea of cartoonishness? Pretty simple. It’s a part of my personality, I think :) I’ve always loved Disney/Pixar movies. Cartoons just make life a lot funnier! They make me happy. I’m a pre-school teacher after all :D. You can’t imagine how many cartoons I’ve watched throughout my life. I can quote Peppa Pig and will never be tired of that :D Before Tumblr I just played some funny legacies (I’ve never finished any though :D) When I found out about Tumblr, and such great content that can make my game even more Disney looking, it just blew my mind! Every time when I download stuff, I imagine that I’m watching a Disney/Pixar or whatever studio cartoon. When I create sims, I feel like I’m a cartoon designer. Pretty silly, right? :D

Let’s take a look at my screenshots from the past. I tried to find similar ones with a lot of greenery.

2014

2021

I stil like a lot of greenery. Editing has changed, photo angles have changed. But bright colours and Maxis stuff are forever in my heart <3

Risa (2014)

Gage (2021)

As I’m a big cartoon addict, I love recreating game/anime/cartoon characters. No matter, if they’re my favourite or requested ones. I love when my sims have different traits. I love when they’re funny looking/clumsy/absent-minded or when they’re evil/supernatural. When they are pirates/detectives/vampires or witches. This is my way of playing Sims. I love this game as it gives us possibilities to show your creativity, a chance to recreate our favourite characters. A chance to be a writer of storylines or if you’re bad at telling stories, just being “a cartoon designer” like me :)

STEP 2 Colour palettes

If you’ve chosen the path of “bright maxis matchery” than colour palettes are super important! Oh, you can’t imagine how addicted I am to certain colours. I can download GBs because of it.

Here are some of my favourite colour palettes:

1. Anna’s colours

My absolutely favourite palette. I would download absolutely anything in these pretty colours. Just looking at them makes me so cozy *0* There’s a photoshop action for those who want to recolour CC in this palette.

2. Poppet’s colours

I especially like the latest one. So pretty! @poppet-sims is the queen of lovely recolours. She has some more palettes. But “Back to Basics is my favourite”

3. Eversims colours

@eversims has got a lot of pretty colour palettes. But the most iconic one is Ever So Lovely

So, these are the basic colours that I like downloading furniture/clothes with.

There are a couple more pretty palettes that I like:

Huning’s Pony Colours

Back in the days it was my ultimate favourite one. But these days I edit my pictures in Photoshop excessively and prefer calmer colours and add bright layers in photoshop instead.

Nyren’s Kosmic Colours

If you’re more into pastels, than try to download some stuff in this pretty palette.

You might wonder if I use all of these colours. Of course not! I have a selection of colours that I use: apple green, sky blue, yellow, red, pink, orange, purple, teal, mint. I absolutely love combining 2 or 3 of these in my interior shots. I also love choosing my sims’ favourite colours and dressing them/decorating their bedroom in this certain colour(s).

For example, my sim Mia likes apple green/purple and mint.

I think @deedee-sims can relate. While I prefer choosing a favourite colour per sim, she chooses favourite colour for the whole family!

This is a great idea, I think! :)

STEP 4 Bodyshop stuff

Ok, I hope it’s clear that I’m colour palettes addicted, now let’s move onto actual custom content and what I prefer adding to my game. I decided to divide CC by sections. Let’s start with Bodyshop.

4.1 Skintones

Another important thing that you need to choose for yourself. There are tones ofoptions. I’m going to recommend only MM skins as obviously I have no idea which realistic or semi-realistic ones are high quality.

screenshot by @deedee-sims

If you prefer trully maxis skintones, I recommend you to try Leh’s skintones. It’s super close to original ones in terms of shades. Also look at those button noses! These cute noses is the reason why I started using this skin back in 2014. But later I switched to Lilith’s feather as I wanted more variety and those noses there got a lovely shine.

It was my default skin for a lot of years. These days I own every possible skintone by Lilith and various blends by other people.

Lilith’s Alien Flavor

Lilith’s Android Skin Edit

Lilith’s Apple Pie Skinblend v.2

Lilith’s Apple Pie Skinblend

Lilith’s Apple Pie by Kahlena

Lilith’s Feather Skinblend

Lilith’s Feather Skins

Lilith’s Feather by Sim-Strangers

Lilith’s Feathers Colourful by Berrynooboos

Lilith’s Honey Supernatural Custom

Lilith’s Honey with freckles

Lilith’s Honey with no freckles

Lilith’s Honey Unnatural by Berrynooboos

Pixel-danger-sims pastel skins

Here’s a very handy set-up by Vimpse with Lilith’s skins being townified.

Try to choose one set of skins or download all of them by one certain creator. I need a lot of skins because I love creating tones of sims and I want to make them various looking.

4.2 Eyes

♦ Polaroid ♦ - my favourite

♦ Transcendental ♦

♦ Sleeping Lion ♦

♦ Sharp Eyes ♦

♦ Shallowed in the Sea ♦

♦ Hand Outs and Punch Ups ♦

These are just some of my eyes. There are some more by Poppet, by Kahlena. And I have various addons to these sets that I grabbed over and here. I remember having struggles of choosing only one set. But than I thought: why do I have to choose if I like all of them and want my sims to look as different as possible? I just love when they are cartoonish but high-quality with nice white clean sclera. Just look at Disney Rapunzel. You��ll see what I mean ^_^

There’s one little trick that most mm players do for making sims’ eyes bigger and rounder - adding a whiteline eyeliner by jesstheex. I personaly do it for every single sim of mine.

4.3 Makeup

I use tooooons of blushes, lipsticks and eyeshadows. I have everything by Lilith and Jesstheex. And lots of bits and bobs by various creators. I love using both matte or shiny textures. I sometimes add nose shine or use special nosemasks. There are various lovely things in my collection. What I can recommend you is to download a sim that you like by another creator with the help of Sims Clean Installer and just steal makeup from the sim to add to your collection *evil laughter* I recommend to do it because sometimes there are some mouth corners or various eyebags and etc which are difficult to find. It’s easier to grab them together with sims.

For example, I grabbed the shiny nosemasks from one of Lilith’s sims.

Sometimes I like adding a bit of shine on Sims’ noses. Some sims of mine don’t have shine. It really depends on a sim. But what I definitely like is cute button noses! I like using nosemasks to achieve that. I have all the masks by Lilith and these ones by kahlena.

4.4 Hair textures

Another important decision for you is the hair textures. I recommend you to choose one certain retexture. Back in the days, I used to have Remi’s textures

screenshot by @selenaq13

I liked Remi’s ones because they were non-shiny. They had maxis colours and a really cool yellowish blonde!

Receintly I switched to Simgarooped as I’ve always loved that there are 6 naturals. The yellowish blonde is still there! Plus my favourite Deedee-sims keeps updating every week with the retextures of new meshes <3

There are lots of various textures blends. Just search, download, play test. Think, if you’re ready to look at such type of hair hours of simming.

Also try to decide if you’d like to have more natural looking sims or go crazy and have supernatural/aliens. I used to have really bright sims with colourful skins and hairs.

Even my toddlers had unnatural hairs. It’s a lot of fun! But right now I prefer to create more natural looking sims though I like vampires/witches/aliens anyways!

screenshot by @honeylungsims

If you would like to have colourful supernatural sims, check out Honeylung! She has the brightest and most unusual supernatural sims <3

You’ll need a lot of face masks/bright lips/shadows. Check out @berrynooboos for the cutest alien CC.

4.5 Facial hair and Brows

I don’t think they should really match as long as they look great.

For example, I use eyebrows by @suratan-zir which are super cute and high quality but use Poppet’s textures instead of Simgarooped.

As for facial hair, I use some Poppet’s as well.

by Skoogy

by Poppet #1

by Poppet #2

by Simgaroop

4.6 Clothes

As I already mentioned, I love clothes in my favourite palettes. I love Simlish prints. There are so so many creators who share wonderful clothes.

I love @deedee-sims for age conversions, shoeswaps, morphs. I love @mdpthatsme for really cool 4t2 conversions. I love @moocha-muses for colourful T-shirts <3 Don’t be shy to send me a WCIF about a certain item of clothing.

STEP 5 Buy and Build

Tooons of bright recolours, IKEA items, Maxis add-ons, 3t2 and 4t2 conversions - all these things make my heart beat :D

These days I play in a rural-type world. I download a lot of craftsman-style build things, a lot of plants and garden deco.

I love bright wallpapers and greenhouses, I love clutter and kids CC for nurseries. Patterns with polka dots and plumbobs. Sunflowers and tulips. This is what I usually drop into my download folder :)

STEP 6 Taking screenshots

No matter which recolours and textures you prefer, I think high-quality pictures are important. The first thing that you need to playtest for yourself is a camera mod. It’s upo for you, but I can’t live without Gunmod’s Camera Mod. There are some more available, just check out.

Also lighting is important since Maxis original is terrible. I use Dreadpirate’s mod.

I recommend to take screenshots in a camera man mode. Click Tab to enter it. Use W, A,S,D,E buttons to move right/left/up/down etc. And what’s important, use X and Z for zooming in and out. I always use Z for example, when I take close ups of my cats.

Don’t be afraid to experiment with angles. Try some artistic ones.

You can move your camera down and take a screen from below.

Or vice versa from above.

Sometimes I’ll just take a screen of my sims’ hands or feet. It really depends. I love spending hours on just “walking” in a camera mod around my sims houses.

Another useful feature of this mod is to use Ctrl +4,5,6,7,8,9 buttons.

These can fix the angles for you. And after fixing them, when you click on 4,5,6,7,8,9 you camera will go back to those positions. It’s very handy when you want to screen 2 sims who are talking and there’s no need to constatntly move camera from sidde to side. Just fix it and wait for them to perform cute emotions!

As a bonus, you can fic positions in the life mode too. For example, I always choose a proper angle from above where the wgole house can be seen. And wait for something cute/funny/to happen.

Also there’s such a thing as The Rule of Thirds. It’s the rule of photography composition. I always try to follow it :)

STEP 7 Photoshop Editing

I love oversaturated colours. It can be too much for someone’s eyes, but I like the brightness :) I’ll share some good Photoshop resources. Probably, one thing that I can recommend to absolutely everyone no matter how bright you want your screens to be is sharpening! Seems that Tumblr eats our picture quality for breakfast. Sims screenshots seem so blurry to me. I love sharpening them first.

I use sharpening from Kalekaloo’s action.

After sharpening I run the base from Eversims Action and then add some colour layers from Simburgerr’s one (I like gradients and fluffy lights layers especially). It makes the reds colours a little bit too saturated but I think it’s cute!

There are a some more cute actions and PSD files out there:

OhMySims - Action 1

OhMySims - Action 2

Sterina’s Action

Photoshop PSDs by Pleyita

Snapdragoned PSD

Mandragore PSD by Kiinuu

JellyBeanery’s Action

Roguebotanist

Nnilou - 12:51

A generic PSD by Knowledgeaspiration

Colorize IT by Bonnypixels

Colour Crush by Bonnypixels

Just Like Heaven by Pixeldemographics

For more tips/palettes/cute fonts I recommend you to check out @bepixeled

That’s all that came to my mind. I hope at least something was useful!

#ts2 #sims 2 #the sims 2 #sims 2 tutorial #sims tutorial #sims guide #sims 2 guide

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nitrateglow · 3 years ago

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Halloween marathon 2021:11-15

Coraline

I was in my mid-teens when Coraline came out, so I missed the pleasure of being traumatized by it as a child. As far as children’s movies go, Coraline is up there with Pinocchio in the nightmare fuel department: the alternate world of pleasures and hidden consequences had me thinking of Pleasure Island more than once, and the Other Mother has to be among cinema’s most terrifying villains with her forced smiles and arachnid nature.

I wish I had more to say about it, but all I really can say is that the movie is quite enjoyable and would serve as a great introduction for horror to young ones—though not all kids will take to the intensity of the subject matter.

Tokyo Gore Police

In a futuristic Tokyo, a sword-wielding, mini-skirt-wearing policewoman hunts down "engineers," genetically-modified humans whose hacked off limbs and appendages grow back as weapons (this gets wild when one character is castrated). As you can likely guess, many limbs get hacked off in this movie, which is less about narrative or drama and more about bizarre body horror and ultraviolent fight scenes.

The endless parade of carnage is grafted onto a wacky Verhoeven-style dystopia (commercials and propaganda are inserted between normal scenes, reminiscent of Robocop and Starship Troopers). While I'm not big into gore for the sake of gore, I thoroughly enjoyed this movie. It was just so over the top and did not give a damn. However, if you're squeamish, this definitely is not for you.

Willard

I had never heard of this movie until my grandma told me about it. Sold to me as "a weird movie about a reclusive guy with an army of rats," it sounded like the most glorious schlock one could imagine. My assumptions were thoroughly subverted by the actual film, which is less horror than it is character drama.

The story concerns Willard, a shy young man mistreated both by his domineering mother and avaricious boss. He finds his sole comfort in the companionship of the local rat population living in his basement. Soon, this alliance becomes an asset in vengeance against Willard's boss once the old man tries stealing his house from him, but will Willard's wavering loyalty to his rodent friends become his downfall?

I was surprised that this is billed as horror. If you have a rat phobia, then the very sight of the little critters will probably put you off even in the earlier scenes, but the movie never cultivates a sense of dread or even suspense for most of its runtime. The movie is largely just about how sucky Willard's life is and how his bitterness at his situation pushes him over the edge. In some ways, it reminded me of George Romero's Martin (Martin and Willard could easily coexist as roommates in some alternate universe) with its melancholy, dilapidated vibe and its loner anti-hero. I would recommend it, just know it’s only really a horror film in the last act.

The Creature from the Black Lagoon

Despite my love of Universal Horror, I’d only seen The Creature from the Black Lagoon once and that was probably a decade ago. I prefer the gothic atmosphere of 1930s horror to the more sci-fi oriented atomic age stuff, but Creature is a fantastic movie I’ve come to love on rewatch.

The Creature himself deserves his iconic status. That design is magnificent and the Creature’s underwater movements have this odd combination of uncanniness and grace. I can see why he’s such a cult horror icon.

And this movie always makes me think of my grandma. She saw it on first run as a kid and said it terrified the hell out of everyone in the audience! The crowd even screamed at points. I envy her the experience.

The Bat (1926)

If you're a silent movie fanatic, it's 95% guaranteed you'll have heard of The Bat. The source play was the hottest play on Broadway in the early 1920s. As with any hit property, Hollywood was quick to snap up the rights and get it flashed across screens across the country. An old dark house mystery with healthy heapings of comedy, the film version of The Bat was a huge hit in its day.

Unfortunately, I wasn't so impressed. Maybe I've been spoiled by more stylish old dark house movies, but The Bat feels plain and drawn-out in comparison. With the exception of the wealthy old woman and her skittish maid (played by character actress Emily Fitzroy and comedienne Louise Fazenda respectively), the characters were flat and uninteresting, even with luminaries like Jewel Carmen and Jack Pickford in the cast. By the midpoint, I had lost interest in the central mystery and could not have cared less who the Bat was.

This could a case of my being more familiar with the movies influenced by The Bat than anything. Maybe had I been a moviegoer in 1926, this would be more interesting. Maybe if I could watch a less fuzzy print, the visuals would be more striking. As it was, it was a bit of a chore and that makes me sad.

#halloween marathon 2021 #coraline #tokyo gore police #willard #willard 1971 #thoughts #horror #thriller #the bat #the creature from the black lagoon

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hhjs · 4 years ago

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the art of losing isn't hard to master. (though it may look; like disaster).

pairing. ⤳ bang chan x reader.

genre. ⤳ angst.

alternatively. ⤳ a mystery trope. :3

word count ⤳ 2.07k

note ⤳ sorry for the long title hah. this is inspired by jaurim's song 'twenty five, twenty one.' and the title is a quotation from elizabeth bishop's poem 'one art'.

"I don’t want to see you again."

Chan knows you don't mean it, not even one bit. From the way the sentence comes out all shaky, the way you're pretending to stare off into space in sudden contemplation when really you just didn't want him to see you tear up.

But it still hurts.

It hurts so much that he almost regrets breaking up with you, finds himself wanting to take the words back as swiftly as he'd uttered them in the intimate setting of your favourite café.

Almost. If he says something now, he can taken it all back. Just one word. An explanation. And he can gone back to basking in the warmth of your affection in that selfish manner that he always did.

He doesn't, though, he can't.

Not when he was starting to notice just how absorbed you were becoming with your relationship, minimising your own priorities to make sure the bond lasted, giving up applying to your dream college because it meant you'd be moving away from him.

Sure, it sounded like some heroic bullshit sacrifice in his head, like something infuriating drama protagonists do - but there was not a speck of doubt in him pertaining to the department of seeing you happy.

Even if it had come to this.

Even if losing you was the expense he had to incur to get you to love yourself more than you loved him.

Chan, however, doesn't tell you that. Knowing how stubborn you are, you'll certainly not let go without a fight.

It's easier this way, he thinks, if instead he says he can't do it anymore - and lets you believe it.

"Okay." He says, finally finding his voice and these words, he really means it, "Anything for you."

...

It's the sheer irony that baffles him.

There was a time when Minho used to mock Chan about keeping blind faith in settling down with you, pointing out that, even if it was through harmless banter, it was an absurd thing to want out of a highschool sweetheart.

And the former is also the first one to stop beating about the bush, to tell it as it is, "You're a fucking asshole." Minho says, plopping down beside him. He sounds more disappointed than angry.

A movie plays on before the pair and Minho wastes no time in stuffing his face with popcorn, flaunting that he had no intention of explaining his comment, as if it is just that obvious.

Chan remains silent, baffled by the fact that this the first time he's on the receiving end. He usually acts as the one who dishes out words of wisdom and scoldings when necessary.

When he heard you were going away for college just the next morning, he was both ecstatic and horrified. Ecstatic because things were going according to plan. Horrified because that meant he wouldn't be seeing you at all, even if chancing upon you had grown obviously less frequent than it had been when you were together. It meant he wouldn't find you lounging absently at a local café while your eye brows furrowed, fixated on a particular page, it meant that there would be no accidental brushing of shoulders when you'd end up going to Jisung's parties, it would mean completely falling off of your radar.

However, Minho's outburst acted as a vague consolation, albeit he understood it was wrong, it indicated that you weren't doing well either, it indicated that you missed him like he missed you, it meant that you still loved him.

The idea of forever and always had been embedded in his ideology too deeply to apply reason.

He is always going to love you, you are always going to love him. He knows that much. He believes that much.

That alone is enough. That has always been enough.

...

It's too early in the morning and he is positive that this is an abysmal decision.

But the little care he had for rationality, always in your department was not new.

You push a suit case out of the door, there is an Uber waiting, the sound of rain hitting pavement is at such great volume that he can hardly hear his rapid footsteps.

When you crane your neck his direction, Chan stops walking further, but he is too near to go unnoticed.

"W-What are you doing here?" The question comes from you. He notes that you almost sound...hopeful. Like you would go right back in and snuggle into the comfort of your covers if he asked, like you'd forgive him if he asked, like you'd love him despite the distance that'd keep you apart if he asked.

Chan doesn't ask.

"I just... wanted to see you off." He lies, it's taking a whole lot of self restraint to not go up to you to engulf you in his bone crushing hugs, to uproot you off of the security of your toes. He only seems to stare, feigning nonchalance.

The I'm sorry, the truth, sits atop the tip of his tongue and he inwardly promises that he'll tell you someday.

...

Chan doesn't, of course, anticipate this.

When he finally conjures up the courage to send you a follow request after bashfully asking for your username and twiddling his thumbs over your Instagram icon, the acceptance and follow back request notifications almost reduces him to a giddy child who was allowed to watch cartoons way past their bedtime. The unanticipated pleasure that comes with getting something you had no expectations whatsoever of getting.

What is more shocking, he notes, is just how much your life has changed;

or at least, seems to have changed.

There are endless photos, shots of bright neon tones of a typical college party where you're holding up a solo cup to the air and grinning big enough that your eyes are closed, Chan smiles at this.

His enjoyment is, although, quite transient when another pop up in his notification bar reminds him that you've made your most recent post just a few seconds prior.

Curiously, Chan scrolls upwards, careful not to accidentally like any old photos.

This picture is different, the premise is a concert of some sort, he can tell from the banners, the condensed congregations of people around you, mouths awkwardly paused in uttering lyrics - the disturbing part, is the long, bleached blonde stranger behind you, his gangly arms looped over your chest, your back pressed against his front, while his chin is propped up onto the gap between your neck and shoulder. There is no caption.

You look the happiest here. He knows this. The familiar childish glow of your face whenever he'd crack a dumb pun was etched vividly into his memory.

Uncharacteristically, Chan finds himself putting down the phone on the table so Jisung would notice and elaborate without him asking.

And his endeavour is satisfied, "Oh, that's Hyunjin." Jisung explains, before rolling his eyes when Chan kept looking at him to say more, "They're just friends."

It’s only when Chan lets his breath go, does he realise that he was holding it all along.

...

"Long time, eh?" You smile at him, it's an easy, carefree smile, not the tight lipped ones you'd shoot his way weeks after the breakup. That elicits a weird feeling in Chan, he wants to understand why, know what brought this change.

Were you just that happy to see him? Did you remember that your first date was also on a New Year's Day, just like today? Or was he just lingering in the past, all alone?

Even though Hyunjin's invitation to the party was a nuisance, his delayed presence sparked a hopeful event for Chan, now that you were home for the holidays, he needed a proper chance to finally tell you all that he was holding back and do anything, everything to make up for it.

He imagined all the stories from those photos on your feed, musing over your brief conversations through DMs but back in his room, with a blanket pulled to your chin, while he threw a free leg around your waist.

Chan nods slowly, rummaging through the snack shelves. "Yeah. I can't believe it's been a year already." He prepares a mental conversation in his head as he finally secures a bag of Lays.

You smile slowly, looking down at your chipped nails, "Me neither."

In the living room, a loud pop song is playing, the two of you divorced from everyone, a countdown almost commencing.

From behind the kitchen counter, Chan opens his mouth to ask you about something but can't remember what, the last ten seconds rolling to ten, nine, eight, seven -

"I've been looking everywhere for you." A foreign voice comes but the stranger, on the contrary, is not unrecognisable.

His hair is the same long blonde, he's tall, his eyes are hooded but bright with kiddish excitement, his mouth naturally pouted. And when he says this sentence to you, your face, almost immediately, lights up.

The dramatic exclamation is exaggerated with sets of long flailing arms, Chan wants to roll his eyes at the cheesiness, had it not made you laugh.

You only get to turn your body partially before Hyunjin walks over to your position, he cups your face with one hand and the other traverses to the curve of your waist, pulling you flush against him. It's as if you've completely forgotten about him, as if you're the only two people in the world and Chan, a wistful member of the audience merely permitted to have the luxury to watch.

It is then that Chan realises that Jisung was definitely misinformed. Friends don't do this, friends don't look at each other like this. six, five, four, (But he can't look away, can't look away because he has to face the music, bite the bullet, to accept it for what it is. The spectacle is only but a morbid reminder of how taking people for granted always proves to be fruitless.)

Three, two, one,

"Happy New Year." Hyunjin's mouth moves with brief soundless words, he looks like the happiest man in the world and there's not a doubt he is, with you...

And when he kisses you like that, it's anything but perfect, he keeps grinning against your mouth like he can't believe this is happening.

The lonesome spectator senses himself thinking that you've never looked a fraction of happy with him as you do with Hyunjin.

Every sound falls back into muteness, all but the ringing in Chan's ears. Every planned syllable deems his tongue to a limping, incoherent mess. He bites it down.

All Chan understands is -

there is no going back from this.

..."You know I never told you." You hold up your fingers to his face, there's a giant indent of a wedding ring against the skin. The ornament catches light and glints.

Chan hums, finding that he was just as enamoured with your smile. After all this time. "Told me what?" He asks, eyes flitting behind your head to see Hyunjin picking out your favourite drink in a memorised fashion, a matching accessory banded around his finger as he points to a menu displayed above. It's only a matter of minutes.

You giggle, as though it's the silliest thing in entire the universe, the equivalent of admitting you used to believe you'd grow a tree inside your tummy if you swallowed apple seeds, "This is going to sound stupid."

You look downright embarrassed when you press your palms against your face and gaze at him through the gaps of your fingers, then rest them back on the table, "Don't get me wrong..like, of course it hurt, at first. And I was so angry at you..." you chuckle, embarrassed, " But if we never broke up, I can't imagine where I'd be right now...if it wasn't for you I don't think I'd be the person I am today." You explain lightheartedly, it's time and familiarity that makes bringing this topic up so easy. Like it means nothing at all. "So I guess I just wanted to say...thanks?"

Chan smiles, a genuine smile, even if it has a melancholic quality to it, all he ever wanted...really was for you to be happy. And you are. Most certainly.

So he doesn't tell you more, doesn't tell you about almosts and rain hitting pavements and forever and always.

But he reaches out and pats your knuckles and says - because he means it the same still, "Anything for you."

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ts1989fanatic · 4 years ago

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Taylor Swift, Britney Spears and the media cycle that demands pain from our pop stars

Emma Clifton 08:30, Feb 16 2021

Britney Spears was robbed of her public image during the height of her fame. Taylor Swift was robbed of her music during the height of hers.

Why does our pop culture system seem so intent on punishing the very women who keep it afloat. Emma Clifton looks at a decade in young singers – and the variously terrible ways they get treated while in the public eye.

There was a theory floated on the podcast You’re Wrong About that ‘fame is abuse’ and you’d be hard pressed not to agree if you were one of the many people who saw the recent New York Times documentary Framing Britney Spears, and realised just how badly we as a society treated Britney Spears before, during, and after her rise to fame.

The paparazzi, the media, the comedians – and then the fans and look-i-loos who continued to buy all the magazines that ran headlines about what a train-wreck she was, when really she was just someone in her early twenties, trying to raise two children while being one of the most famous – and hounded – people on the planet.

The documentary discussed at length how we as a pop-culture obsessed society love to build up a talented, attractive young woman and then buy popcorn in preparation of when we can gleefully watch them tumble from grace.

(And it’s not just pop stars, of course; the resplendent rise and then the racist fall of Meghan Markle’s position in public opinion is one of the most recent examples we have of when good headlines go bad.)

When I was working at Creme magazine, between 2009 and 2012, our pages were over-flowing with talented young pop singers: Taylor Swift, Selena Gomez, The Jonas Brothers, Miley Cyrus, Demi Lovato, Rihanna, One Direction, Justin Bieber.

When you look back on the decade that has passed by since, time has not been kind to any of these people.

Either the showbiz demon took something from each of them – or they had to completely disappear from sight for years at a time in order to survive. Sometimes both.

There have been eating disorders, drug overdoses, rehab stints, broken marriages, abusive relationships, chronic illnesses. These kids – and they were kids – were so young when they started, they’re already on their fourth or fifth reinventions.

Most of them haven’t hit 30 yet.

And when you’re a female pop star, so many of these reinventions revolve around your sexuality.

Heck, when I was at Creme, Demi, Selena and Miley were part of the ‘purity ring’ club, where they all gushed about staying away from sex until marriage while their stylists dressed them in the tightest clothes possible.

The message from the marketing teams behind each of them was very clear: Sell sex, but don’t ever enjoy it.

This is the same battle Britney faced a decade previously – look like a Lolita, but make sure you never have sex with your long-term boyfriend because then you’ll be expected to cry about the shame of it on national television.

This was also the time of paparazzi trying to take up-skirt photos (exactly what it sounds like) of female actresses as soon as they turned 18; 18 – the age where you can legally have sex in America – was a big deal in pop culture.

There was a countdown for when the Olsen Twins turned 18. When Lindsay Lohan turned 18, Rolling Stone ran a breast-focused cover shoot with the headline: ‘Hot, ready and LEGAL’. And it was just fine! Totally accepted. These girls, they were always up for it, right?

And then we get to Taylor Swift.

Taylor is re-releasing Love Story, the song that made her famous, the song that I first heard in the shower (yes, I had a shower radio) when I was 20 and immediately started crying, because it hit me square in the middle of my pop culture diagram: love songs and references to Romeo and Juliet.

It’s from her second album, Fearless, which she wrote when she was aged 16-18 and which won her four Grammys, including Album of the Year. It’s also an album that no longer belongs to her and she can no longer perform, due to some millionaire f...wittery committed by her former manager. But we’ll get to that.

From 2008 onwards, Taylor became a big deal for her music and then, like it always does for women, her love life became the centre drama.

She never talked about a purity ring (thank God) and she sung pretty openly about sex from her third album onwards (Sparks Fly, an iconic song), plus she had the audacity to date a bunch of boys and look happy while doing so. Naturally, her punishment awaited.

To this day, she is still ridiculed about lyrics she wrote in her first couple of albums… songs she wrote herself when she was literally a teenager.

If I had had written an album when I was a teenager, it would have been about my crush who caught the bus, Kevin from The Backstreet Boys, worrying about my thighs, and, I don’t know, my cystic acne.

I’m just saying – we let powerful men get away with s... they pulled when they were young with the old line ‘boys will be boys! They were just kids!’; it just never seems that generosity is never extended to young women and their far more harmless explorations of teenage sexuality.

Because she had yet to have a public mental health crisis or rehab stint, it was clear that Taylor was never going to be the architect of her own media downfall.

Luckily, one was invented for her. After a long-lasting stoush with Kim Kardashian and Kanye West, where absolutely no-one (including Taylor) came out looking good, Taylor suddenly because persona non grata in pop culture and the long-awaited comeuppance began.

And so, she disappeared – in a way that celebrities can do these days. (As a side note, can you imagine how different Britney Spears’ life might have been if she had been allowed to disappear for a couple of years?)

It was only when she released her documentary Miss Americana on Netflix that the public got what it had been craving the whole time – the dark side of Taylor Swift’s fame.

An eating disorder, a sexual assault that she ended up being sued for and, then, the poisoned cherry on top, losing the rights to all her past music thanks to her old manager.

Finally, our hunger for bad news had been satisfied. We had seen her scars and so we could allow her back into the spotlight again.

It’s been interesting watching the roll-out of new music from so many of these female artists during a pandemic: Selena, Demi, Miley, Ariana Grande are among the singers who have eschewed the normal long roll-out of publicity in order to release their own music, without much of the media fanfare that typically accompanies it.

Taylor herself released two albums, without any of the (slightly inane) games she normally includes in the lead-up. You can’t help but wonder that – stripped of their endless touring, performances and appearances, these female artists have found some freedom in being able to just get back to the actual work.

If a pop star releases an album in the middle of a pandemic and no-one is around to give a shit about any of the outfits she’s wearing, does it still count? Turns out, yes.

Following the betrayal of Britney, Taylor, Miley et al by the media, you can see the slow change to have total ownership of their voice these artists have taken.

Social media can be a devil for many reasons but it has overtaken journalists and publicists as the middle man when it comes to how these women get portrayed to the public. Beyoncé has been instrumental in this – it was she who first released an album overnight back in 2013; a move that came without warning and changed the entire industry forever.

She who stopped giving interviews almost entirely, choosing to use her own platforms to get her message and music across. As a result, she’s never been more powerful and she’s never been more private.

As an explicit ‘F... you’ to the powers-that-be who bought her music from under her, Taylor has announced she will be re-recording all of her old albums.

Stories about millionaires against millionaires rarely draw sympathy from a reader but it does highlight how little actually belongs to the artist at the end of the day.

They can have limited control over their image, their public appearances, their private life, their work and their songs. And these are the success stories – these are the people whose names we know.

You have to hope that anyone young and female entering the music business has their eyes very wide open as to just what can go wrong – and what can go wrong even when everything goes right.

The first album Taylor is re-releasing is Fearless, the album that is the most chock-a-block with fairy-tale imagery and glittery optimism.

She’s promised that the songs will be new interpretations on the old originals and that seems only fair.

You can’t help but think that those fairy-tale songs are going to sound a whole lot different being sung by a 31-year-old who’s been through the public wringer then they were as a wide-eyed 16-year-old, on the cusp of making her dreams come true.

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partywithponies · 4 years ago

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hi! i've only ever seen the bbc version of father brown and i've never read the books (i know, i'm so sorry), but i'm super curious about the different versions of father brown and you seem like an expert on each adaptation, so i was wondering if you'd be willing to give me a rundown of sorts on each version/series? i know it's a lot to ask and i may be opening the floodgates here, but there's not a ton of info online elsewhere and i'd love to learn more! thanks either way. ciao!

OH BOY YOU’VE COME TO THE RIGHT PLACE ANON

OKAY SO

As briefly as possible:

The books:

Proof people who complain about the BBC show being “too political” don’t actually know the books at all

Father Brown straight up calls capitalism “evil” and “heresy”

Chesterton says that millionaires dying isn’t a tragedy

Inspector Valentin betrayed us and broke my heart, ACAB I guess

Since every police officer he befriends lets him down in some way, Father Brown’s only real friend is Flambeau, who he goes absolutely everywhere with. They only go on holiday with each other. They’ve been all over the world with each other. I love they

Book Father Brown pretty much never does his goddamn job. We literally never in all the books see him giving mass or taking confession. The closest we get is when he gives an impromptu sermon after seemingly coming back from the dead, where he literally only says "You silly, silly people. God bless you all and give you more sense." then runs away to send a telegram. Useless priest. I love him.

Book Flambeau is. Incredible. Amazing. Iconic. None of the adaptations have been able to fully capture book Flambeau’s true energy, for he is a walking contradiction who contains multitudes. If all the onscreen Flambeaus fused into one being, THEN you’d have something vaguely resembling book Flambeau.

Book Flambeau is MASSIVE. He’s at least 6′4, he’s broad shouldered, has huge hands, and his super buff. He can just. Pick people up and throw them. He can knock people unconscious with one punch. He fills doorways when he stands in them. He terrifies most people just by drawing himself up to his full height. He also has a very short temper and a very short patience.

He’s very agile and athletic and can move silently, despite his size. He’s also a master of disguise, somehow. (Explain, Chesterton. Explain. Is everyone in this universe apart from Father Brown, Flambeau, and arguably Valentin massively stupid? Actually don’t answer that I’ve read these books)

Book Flambeau has a habit of flinging people full-bodily down flights of stairs when they anger him or threaten him or Father Brown. Book Flambeau also carries a walking cane with him literally everywhere that has a sword concealed in the handle, plus book Flambeau insists on taking pistols on holiday with him, even when he was just going for a peaceful fishing holiday in the Norfolk Broads. King.

(Which all makes it so iconic that Father Brown, described as tiny and meek and sensitive, saw this man when he was still a hardened criminal on top of all this and said “THIS ONE I LIKE THIS ONE. I JUST THINK HE’S NEAT” and went off on a jolly through London with him.)

Flambeau’s past is extremely mysterious. We no nothing about his family or his childhood or where he’s from or why he turned to crime. We know he used to be a soldier, and a part of him misses it. We know he used to fight duels semi-regularly, and liked them to be fought the very next morning after they were organised. We know he always used to make sure to visit the dentist on time, even when he was a hardened criminal. (King of good teeth.) We know he was in a gang at some point. We know he was a student at some point. We don’t know what he studied, but we know he knew Leonard Quinton in “wild student days in Paris” ( ͡° ͜ʖ ͡°). This is literally all we know about his past before he met Father Brown. The man is a riddle wrapped in an enigma. (That’s why Flambeau is so big. He’s full of secrets)

(Fun fact: in the book universe Flambeau is famous and popular in America, so you could say that in universe Flambeau is America’s Favourite Fighting Frenchman.)

Flambeau also loves cats and children, believes in fairies, likes pointing out rocks that look like dragons, and likes giggling and mucking about on the beach with Father Brown. A baby.

One time Father Brown called Flambeau “full of good and pure thoughts”, but I don’t think that’s quite true, Father. I think Father Brown just has endless faith in Flambeau.

Another thing I think is really neat is that it would’ve been so easy to have Father Brown be the genius and Flambeau his dumb muscle sidekick but that’s not the case at all! They’re both geniuses and they’re both each other’s sidekick, and in fact it’s Flambeau who’s the famous professional private detective, Father Brown is just an amateur. Father Brown is often defined by his connection to Flambeau rather than vice versa, both in the text (the text will frequently refer to them as something along the lines of “Flambeau and his friend the priest”, and on two separate occasions a long list of Flambeau’s possessions is ended with “and a priest”), and in universe (Father Brown himself is massively famous in America in universe largely because of “his long connection to Flambeau). I don’t know I just think it’s neat.

One time a man threatened Father Brown with a gun and Flambeau just beat him unconscious and then Father Brown and Flambeau just drove away and left him unconscious on the path. It was awesome.

(I’m sorry I rambled about Flambeau for so many words I just. Really really like Flambeau you guys. Father Brown and Flambeau are like two separate crime drama character tropes, the hard boiled cynical P.I. and the cosy eccentric amateur detective, but together as a double act, and I just think that’s really cool.)

Father Brown himself is if anything even more mysterious. He’s just “Father J. Brown, formerly of Cobhole in Essex, currently London”, and he’s “Flambeau’s friend”, and that’s all. That’s all he needs to be.

I also really really love Father Brown himself. I love that he’s allowed to be cheerful and optimistic and childish without any of this making him less clever, and in fact he’s shown time and time again to be cleverer than grumpy cynics who are scornful of childish things. Like, the whole giggling childlike thing isn’t even some kind of act, he’s a genius who understands true human nature, and he also really really likes puppet shows and building sandcastles who telling fairy stories, he really does get a “childish pleasure” from seeing Flambeau swing his sword-stick, and he really does have “strong personal interest in tomfoolery”. I love him.

I must share my favourite book quote about Father Brown himself: “But neither of them is very like the real Father Brown, who is not broken at all; but goes stumping with his stout umbrella through life, liking most of the people in it; accepting the world as his companion, but never as his judge.” uwu uwu uwu I’m cry.

Chesterton just subverts all the expectations character wise, the cheerful bumbling priest is a genius, the violent criminal is a true hero, the noble police officer is a corrupt self-serving murderer. It’s great. We stan. 10000000/10

(I’m not very good at being brief, am I?)

Father Brown, Detective (1934):

The first movie! It’s completely ridiculous. I love it a lot.

It was released just at the start of Hays Code, which, among other things, stated that crime and immorality should not be glorified or glamourised, and all crime and immorality must be seen to be punished by the end of the film. In practice in the case of this film, this means two things:

Paul Lukas!Flambeau is the only Flambeau to actually go to prison (and stay there).

He’s by far the Flambeau who deserves it the least. Lukas!Flambeau never hurt a soul. He just wanted to be loved. #FreeMyBoyHercule

Okay but in all seriousness. There’s a reason I call Paul Lukas!Flambeau “Himbo Flambeau”. Where other Flambeaus are violent or dangerous or geniuses, Lukas!Flambeau is just a big dumb idiot who respects women and has a great sense of humour and writes all his letters in the third person like Elmo for some reason. I would die for him.

At one point Flambeau in disguise is talking to the police, and when the police criticise Flambeau, disguised Flambeau says “Oh but I assure! I have read many things about this Flambeau! He is a fearless, handsome fellow!” The absolute idiot. I adore him with my whole heart.

The film is set in London, like the books, but an idealised Hollywood version of London, i.e., almost entirely unlike London.

Walter Connolly!Father Brown is also entirely lacking in braincells. Look at these two idiot men:

I love them.

Oh oh! And the most important thing, the thing that carries over into most other adaptations? NEW ORIGINAL CHARACTERS!!

This movie invents a few characters that weren’t in the books, but the most important ones are Mrs Boggs:

She doesn’t really add much to the plot but she’s funny and I love her so I’ll forgive it.

She’s Father Brown’s housekeeper, she’s basically just the fussing maternal female character archetype who fusses around in the background, but she does it well and plays it with charm so I’ll allow it.

(Honestly this whole film is just. Not *technically* good or original, but just so charming and with so much heart that I unironically adore it.)

She tries to make Father Brown drink his milk because it’s good for him even though he doesn’t like it, and keeps checking back in on him to make sure he’s drunk it, it’s literally like a mother and her small child.

She objects to policemen in the presbytery because of their “big muddy boots on the carpet” but is fine with just letting Flambeau in whenever despite the prevailing rumour in London being that Flambeau killed a man. We stan a queen of having priorities.

When Inspector Valentine summons Father Brown to the station, Mrs Boggs pops up in the background, assumes Father Brown’s being arrested, and says “Oh dear, I knew it!” and it makes me giggle like an idiot every time.

The other, more important original character invented for this movie is my girl Evelyn Fischer:

I love her, I would die for her, she’s flawless.

She’s basically your typical bored and rebellious young aristocrat, but she has a chaotic streak that I adore.

She sneaks out of her family’s mansion to go to a seedy underground club/illegal gambling ring in Soho (I mean I assume it’s Soho, a seedy part of London in that general vicinity, at least. I’m not about to get bogged down trying to understand the geography of London according to Hollywood), flirts with a bunch of strangers for fun, then when the police raid the place and everyone else is panicking she stands stock still, cheerfully says “Oh goody, I shall probably get my name in the papers!” and has to be physically dragged out of the building by Flambeau.

Later on Flambeau breaks into her bedroom in the middle of the night and she’s just very calmly like “What are you doing?”, and even when she finds out it’s Flambeau, a man widely believed to be dangerous and violent, instead of being scared, she calls him an idiot right to his face.

She forms the third part of the main trio of the movie with Father Brown and Flambeau (RIP to Valentine, demoted to tertiary character in a loose adaptation of the one (1) story where he was the main character lol) and together the three of them share a single braincell and have to take turns with it, while Mrs Boggs fusses in the background at the trio’s increasingly bonkers decisions.

The movie ends with Father Brown and Evelyn sharing an emotional farewell with Flambeau through the window of a police car and promising to look after each other until Flambeau’s released, wow poly rights.

The Adventures of Father Brown (1945):

The adaptation there’s the least amount of information about, but I’ve done my best to find everything I can find on it.

An American radio show made towards the end of wartime, it’s a bit of an odd one, and believe me Father Brown adaptations have gone some odd places.

Only two episodes survive, or at least if more do survive then whoever has them is being very selfish and hoarding them to themselves because only two episodes are publicly available anywhere, and the audio quality of those is a bit dodge. (Though that is to be expected, they do appear to be home recordings, from 1945. Honestly we should be grateful to even have two full episodes.)

If the actors I’ve found are the right people, this show featured by far the youngest Father Brown and Flambeau, at the start of the show the actor playing Father Brown was only 36 and the actor playing Flambeau was only 27. They’re BABIES. (Honestly I’d like to see more age variation in Father Brown adaptations, as I have extensively rambled about before, the characters have literally no canon ages in the books, I think people ought to be a little more imaginative instead of always building on the adaptations that came before, even if it is really cool to see traces of all the previous adaptations in each new one that comes along. It’s something I haven’t noticed as much in adaptations of other golden age detective novels, but the Father Brown adaptations do seem to be stuck in some kind of game of “yes, AND” with each other. I would REALLY like to see an adaptation where Flambeau is older than Father Brown though, it's just something we've never had before despite there being literally nothing in the books to suggest this can't be the case, and I just think it'd be neat.)

This show is really really painfully American, in a real old fashioned "golly gee whizz mister" kind of way, to the point it almost feels like a parody, and I honestly find it kind of endearing.

Even Flambeau frequently slips into a very American accent to the point that my affectionate nickname for him is "The All-American Flambeau", and it's great. He's great.

Honestly I could accept the accents and the slang, for some reason the only thing that really threw me was Father Brown referring to money in cents and nickels.

Needless to say, this adaptation is not set in London. It is instead set in Generic Unspecified Smalltown USA. It's fine. This is fine. I already have so many films and shows set in London, I can swallow my London pride and let America have this.

It's hard to get a real grasp on characters from just two episodes, but I like this Father Brown and Flambeau, even if they are a little overly serious, and even if Flambeau doesn't really do much. He may be a bit serious and a bit useless but All-American Flambeau stays up late anxiously waiting for Father Brown to get home safely and it's very sweet. What a good boy.

All-American Flambeau also carries handcuffs around with him for some reason? But no weapons? Why is All-American Flambeau one of the few Flambeaus not to have a gun? Oh well, he's still sweet.

The 1945 radio show also gives us some original characters, but they're very much side characters and not part of the main plot and it's very hard to get a good grasp on a character from just a few minutes of audio from just two episodes but here's what I could gather:

Nora is another fussing housekeeper! She seems younger and less maternal than Mrs Boggs, but I don't know if that's just because the whole cast was on the younger side. (Could the radio station not find anyone over the age of 40? Were they in short supply in 1945 or something? Ah well.) She seems dedicated to helping Father Brown get some peace and quiet that he never goddamn gets because someone always goes and gets themselves murdered. In both surviving episodes a knock at the door disturbs Father Brown’s rest, Nora opens it professionally, sees it's Flambeau, and immediately drops the professionalism and is immediately like "oh it's only you", so I can only assume every episode started this way. I do hope so.

Father Peter is a junior priest who answers to Father Brown and takes over his duties on his days off. He's implied by the dialogue to be considerably younger than Father Brown, Nora, and Flambeau, but if their actors are anything to go by then they're not that old themselves, and though Father Brown seems to talk to Father Peter like he's a literal child, he is still a priest so I very much doubt that's the case. He seems sweet and harmless, but he's only in one of the surviving episodes and only in that towards the end and mentioned briefly at the start, so it's hard to judge completely. It's highly unlikely that the reason he's not even mentioned in the later surviving episode is because he turned out to secretly be an evil murderer, but, this being a Father Brown adaptation, not entirely unfounded. (But no, he's probably just a sweet boy who exists to have exposition delivered to him.)

Father Brown/The Detective (1954):

The Alec Guinness movie! The one haters of any of the other adaptations complain that adaptation isn't more like, but in my humble opinion, actually the worst adaptation.

Like, I don't hate it! The cast is mostly stellar actors and if I just saw it as a movie on its own, it'd probably be fine. But as a Father Brown adaptation watched in context of the books and the other adaptations, it has a few issues imo.

Most glaringly it has Tone Issues. This film cannot decide if it's a comedy or not. The original posters certainly marketed it as one (see above) and half the cast are noted comic actors who were famous at the time for comedy, goddamn SID JAMES is in it, but the entire third act is played painfully straight, half the cast is mugging for the camera and trying way too hard to be funny while the other cast is giving extremely serious and subtle performances, like. I have no problem with a Father Brown adaptation being played for laughs, and I have no problem with a Father Brown adaptation being played for drama, both can work beautifully, but just PICK ONE, PLEASE

All of my other gripes with the film are very petty and nitpicky, this film calls Father Brown and Flambeau "Ignatius Brown" and "Gustav Flambeau" even though Father Brown has the canon first initial "J" and Flambeau has the canon first name "Hercule", and I hate it a lot. "Ignatius and Gustav" is the second worst thing any Father Brown adaptation has ever done to me.

My other petty nitpick with the movie is that it makes Flambeau literal nobility. The man is a duke. In my opinion Flambeau should always either have a completely mysterious past or be a nobody who came from nothing, someone who grew up with land and title and many servants and a family coat of arms, living in a whole entire castle with his family name and coat of arms engraved into the side of it, growing up and stealing from people, is a whole lot less sympathetic in my opinion. Like to be fair his parents are dead which is sad I guess and his castle has seen better days, but dude. You still own a castle. People who live in castles do not get to lecture other people about materialism.

THAT SAID, Peter Finch is still the best thing about the movie. I love all Flambeaus dearly, even the ones that are little bitches. He’s a bit of an emo “oh woe is me” sadboy, but he’s very charming, and actually good at disguises and being undercover, get dunked on Lukas!Flambeau.

Guinness!Brown likes to feed ducks and Flambeau calls him “the angel with the flaming umbrella”, which makes my inner Good Omens fan who loves finding parallels between Aziraphale & Crowley and Father Brown & Flambeau go 👀

There is one really good scene, in the Paris Catacombs. And by “good” I mean “really really bafflingly gay”:

I truly, truly do not understand how this scene was written, directed, acted, filmed, and edited without ANYONE saying “hey lads does this seem a bit gay to you?”

Father Brown, literally lying on top of Flambeau and pinning him to the ground, whispering: “I would like to set you free.” Flambeau, softly, gently smiling while his face is literal inches away from Father Brown, who is still pinning him to the ground: “Ah, now I begin to understand what you are.”

What the fuck, you guys. What the entire fuck. This scene keeps me up at night.

ANYWAY

This film is also not set in London. It is instead mostly set in a rural English village, and partially in Paris and partially in rural France. Paris is fun but I miss London.

This film also has some original characters. I should probably talk about them.

This is Lady Warren:

She’s Father Brown’s friend, and she’s a Lady, and that’s all I can really tell you.

She’s very well-mannered and dignified and sophisticated.

She gives me the vibe that she exists solely because the writers decided they needed a female character but then remembered at the last minute they had no idea how to write women, so as a result she is almost entirely irrelevant to the plot. I don’t want to say I don’t like her, because she’s done nothing wrong and it’s not her fault, but like. Why is she here? Poor thing, she deserved to be plot-relevant, really.

She lives in a big mansion and owns some very nice things, and she gets annoyed when she invites Father Brown to lunch but he just stares blankly into space thinking about Flambeau the whole time. (Mood honestly FB. Me too.)

She flirts a bit with Flambeau in one very pointless scene that came the hell out of nowhere, went nowhere, and was never mentioned again. It was like the writers realised how gay the previous Flambeau scene was and suddenly tried to convince me this man is a hetero. Nice try, writers. You can’t fool me that easily.

The other main original character is Bert:

Alright, own up, whose bright idea was it to put Sid James in a Father Brown movie?

Bert is a smalltime criminal who’s a friend of Father Brown, who Father Brown protects from the police, but tries to convince to get on the straight and narrow by getting him as a job as Lady Warren’s chauffer.

This is would be fine, were it not for the fact he’s played by Sid James, who only knows how to play Sid James, and is just Sid Jamesing it up in every scene. I don’t have anything against Sid James. I like my fair share of Carry On films. But Sid James does not belong in Father Brown and I want to fight whoever decided he did.

Father Brown (1974):

LADS LADS LADS! It’s time for the first TV show, and it’s time for my favourite boys:

Oh! OH! How I love Kenneth More!Brown and Dennis Burgess!Flambeau. They’re just. So cute. My two special boys.

Not only that, but LADS! We’re finally back in London!

A gritty, dirty, London in the 1930s no less, with cool London buses and political unrest and grimy pubs and the constant threat of world war. Alexa this is so cool play London Calling.

In one episode Flambeau gets verbally abused by an anti-immigration right-wing zealot. :( My poor boy. :(

(But it’s okay, shortly after Father Brown witnesses this, the racist shows up dead in exactly the place Father Brown earlier said would be a good place to commit a murder. Now I’m not accusing Father Brown of murder, BUT)

This show made the bold but valid decision to skip Flambeau’s redemption arc and start the show when Flambeau is already a seasoned and respected private detective who’s lived in London and been Father Brown’s closest friend for many years. As a result this Father Brown and Flambeau are ridiculously domestic with each other. Look at this peak Old Married Couple energy:

Oh! I just love them.

I would love to know how Burgess!Flambeau’s redemption went down though, because Burgess!Flambeau is BY FAR the least repentant of all the reformed Flambeaus. He proudly boasts about his crimes, he still believes he “deserved to succeed”, he still proudly talks about how “daring and outrageous” he was, which begs the question of why did he stop at all? Literally the only explanation I can think of is that he’s literally only doing this for Father Brown’s sake, which. uwu

Oh GOD I love Burgess!Flambeau. Obviously I love all Flambeaus a lot, and choosing a favourite feels like choosing a favourite child, but let’s just say: if the Flambeaus WERE my children, Burgess!Flambeau would be quite spoilt. My ~ Daring And Outrageous ~ boy.

More!Brown and Burgess!Flambeau are both really really socially awkward, uncomfortable in crowds, and nervously say “oh dear” a lot. They really are ridiculously cute.

They also only giggle and joke and act silly when they’re together, when they’re apart they’re both sort of sad and quiet and withdrawn. (This makes episodes Flambeau isn’t in a bit harder to watch because Father Brown is just kind of lost and lonely without his emotional support Frenchman, with three notable exceptions: that time Father Brown infodumped about the mating habits of whales at the Father Superior for a solid minute, that time Father Brown met a dog and reacted with unrestrained delight, and that time someone mentioned former criminals in passing and Father Brown’s whole face lit up and he started gushing about how Flambeau was living in London now and doing very well as a private detective, completely unprompted.)

This show also brought back book!Brown and Flambeau’s habit of always going on holiday together! Wonderful! We love to see it!

This show is also the first time in the entire Father Brown franchise where gay people are overtly acknowledged to exist! And Father Brown is non-judgemental! A roman catholic priest written in the 1970s and living in the 1930s who canonically isn’t homophobic! I have no choice but to stan forever!

You remember what I said about liking to point out Good Omens parallels? WELL

Kenneth More!Father Brown and Dennis Burgess!Flambeau both live in London

Burgess!Flambeau lives in a brightly lit, pale walled, airy and spacious, modern (for the time) London apartment, while More!Brown prefers gothic architecture and lives in an old, grey, cramped, stone building absolutely full floor to ceiling with books

They go out for intimate candlelit dinners for two at very fancy London restaurants

Desperate people come to Flambeau because he “knows the game on both sides of the fence”

Father Brown responds with a quiet and miserable “oh dear” when asked to actually do his job instead of just watching plays and drinking wine

Father Brown calls Flambeau “my dear” at times and it personally kills me

I mean. I’m just saying. 👀

Now, isn’t there a third important character in the books?

Oh yes of course:

HIM! THE BASTARD MAN! INSPECTOR VALENTIN HIMSELF!

(Nobody understands him! IT’S NOT! EVIL!)

This show is the literally only adaptation to include the Valentin betrayal and I’m not gonna lie. It’s a very difficult episode to sit through, it’s far darker and grimmer and more depressing than you would ever expect from Father Brown, but my god it’s done so well. Especially considering the teeny tiny budget they clearly had, only four sets are used the entire episode and the whole thing takes place inside Valentin’s house, but even that adds a certain claustrophobic atmosphere and just. It’s done so well.

I think the entire budget went on gore effects because the decapitated heads in this episode are disturbingly realistic for the time the show was made and genuinely grim to look at. Not to mention the intense downer ending. Not to mention this was THE FINAL EPISODE OF THE SHOW

THE INTENSE DOWNER ENDING OF THIS EPISODE IS HOW THE WHOLE SHOW ENDED

God it hurts so much but I lowkey love it.

Father Brown Stories (1984):

The second radio series, and the first BBC adaptation!

Thrilling times for fans of actors being the right nationality for their characters, because after previously being played by a Hungarian, an American, an Englishman, and a Welshman, Flambeau is finally being played by a Frenchman, Olivier Pierre!

Father Brown himself is played by Andrew Sachs, Manuel himself.

Not gonna lie. It’s kind of hard to figure out how to explain the radio show.

We’re? Maybe back in London? Honestly it’s really unclear.

Pierre!Flambeau is kind of adorable. He’s described as looking like book!Flambeau physically, huge and buff and terrifying, but he has literally none of the temper or predisposition to violence.

Pierre!Flambeau doesn’t speak very good English at all, and oftentimes will react with “...What?” when he hears a strange English idiom or turn of phrase.

One time he says “Perhaps we should.. push on? SEE HOW I AM MASTERING YOUR ENGLISH IDIOMS” and it’s the cutest thing that’s ever happened.

To try and get better at understanding both the English language and the English people, Flambeau starts obsessively reading Alice in Wonderland and Through The Looking Glass, massive giant adorable boy.

One time Father Brown gets complimented of being academically minded and well read, and then asked if Flambeau is also a keen reader, and when Flambeau tries to say no, Father Brown interrupts and proudly and earnestly says “Oh yes! Monsieur Flambeau is one of our top Lewis Carroll scholars!”, it’s honestly adorable.

This adaptation finally uses “John” as Father Brown’s first name, as it should always have been! I love it!

This series said FUCK Father Brown having a mysterious past and no former friends or relatives! Now he has siblings, and friends who knew him before he was a priest who still call him “John”!

Father Brown himself speaks in a very sweet and soft and wavering way that makes my heart melt.

Sadly and unfortunately, I have to acknowledge the final episode of the show, which is the top worst thing any Father Brown adaptation has ever done to me.

It’s. It’s a crossover. With Sherlock Holmes. Actual goddamn Sherlock Holmes is in it. I hate it. I hate it so much. “Elementary, my dear Flambeau” shut the hell up, if this Flambeau won’t fling you down a flight of stairs then I will.

I deliberately avoided all Holmes-related media for THREE YEARS only for the awful man to spring up on me in Father Brown?? How could you do this to me???

I’m going to yeet myself into the sun, bye everyone.

(On the plus side, the Sherlock Holmes episode does have one of Father Brown’s parishioners recognise Flambeau as “a close friend of Father Brown and a frequent visitor to his room” ( ͡° ͜ʖ ͡°), so that’s nice I suppose. I’ll still never forgive the writers of this show for putting me through this.)

Father Brown (2013):

YOU ARE HERE.

I kind of see the current TV series as a culmination of all the adaptations that’ve come before? I can definitely see echoes of all of them in it.

And it’s great! I really really love it. I love it a lot.

I think about it daily.

My one and only complaint I would have is that Flambeau isn’t in it enough. Not just because he’s my favourite, though I’d obviously not be fooling anyone who’s read all this if I said he isn’t.

And it’s not that I don’t love the show as it is, and find the one Flambeau episode a series always something really special, so I don’t know what I’d have the writers do, exactly.

But it’s just. In literally every other version of Father Brown, Flambeau is the second most important character and the second main protagonist, and to have him in this show so little that some fans or reviewers call him a “minor character” and others call him a “recurring villain”, though I myself don’t see him either of those ways of course because he’s still Flambeau, it’s just kinda sad and painful, y’know?

I don’t know. Maybe I’m just being silly.

Hopefully he’s a regular in at least the final season of the show. If I don’t get my favourite partners in crime solving I’m rioting.

Anyway that’s my “””brief””” rundown on all the main versions of Father Brown!! I hope you liked it!!

#Anonymous #father brown #hercule flambeau #flambrown

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vlogsquadssquad · 4 years ago

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secure

summary: Charlie puth invites David to a get together where David meets y/n and they hit it off.

a/n: a teensy weensy bit angst but im 100% making a part 2 of this with a happy ending so no worries!!!!!!!!!

warnings: language

mood board:

-- 3RD PERSON DD & CP

“hey what are your plans for Saturday?” Charlie asked David as they finished up a bit for the vlog.

“umm, nothing really. im kind of in a fog right now. why?” David took a bite of his apple.

“well im throwing a small little kickback at my house. a few of my music friends are coming and it might get you some good connections, if you'd like.”

“dude, that's fucking sick! name drop! is Selena Gomez gonna be there?” David asked excitedly.

“no, no, Selena doesn't really do too many social events anymore. she's going through a lot...” David raised his eyebrow as Charlie looked to the ground. “but you know who will be there? y/f/n!”

“shut the fuck up dude are you serious?” Davids heart dropped at the thought of y/n at the party. he's been crushing on her for a bit, and has been dying to meet her.

“yeah, I mean she texted me she would, why are you all giddy?” Charlie punched David on the shoulder playfully, but secretly didn't want David to say he had a crush on her because truth was, so did Charlie. what's not to like? she's humble, kind, funny, easy-going, and down for anything.

“oh, uhh... no reason, just she's a pretty popular singer right now. good clickbait.” David said with nervousness in his voice. he didn't want to admit that he had a crush when he hasn't even met her.

“alright, well ill see you at the kickback then. bring some friends!” Charlie tried not to sound worried or suspicious. he’d have to keep an eye on the two.

-- YOUR POV

I really hate going to parties. but Charlie promised it would be chill and just a way to destress. ive been in a fog with my album im writing. I have great songs but I need two more and im stuck on what to write about. maybe the party will be a good thing.

-texts w - Charles 🤪 -

< should I wear something casual or ?? are we dressing nicer lol

you look great in everything! >

maybe party casual if that's a thing? >

< thought it was a kickback you ass! lol but thanks for the heads up. see you there, Charles! 😉

-end texts-

he hated when i called him Charles but i love messing with him. after careful examining of the clothes i had, i decided to go as I was. it was an easy going outfit but I still looked put together. I had no one to impress anyways.

-- 1st PERSON DD

“dude, im so nervous.” i whispered to Ilya, who knew of my crush.

“its fine man, don't be a pussy.” i took a drink of my water and grabbed my camera to film with Benny Blanco a little he always had something funny or interesting to say.

“Charles!” I heard from the living room. i didn't think anything of it and kept filming with Benny and Jeff. a little while goes by and then Benny looks over my shoulder.

“hey, y/n/n! so good to see you!” i froze. y/n went and gave benny an inviting hug and then turned to me. her eyes were easy to melt into.

“hi, good to see you, im y/n” she went in for a hug. she smelled beautiful.

“oh, hi. im David. big fan.”

“and im Jeff, wow you look so great, can I get you a drink?”

i rolled my eyes at Jeff trying to make a move. of course he's into the same girl I am.

“oh, im ok, I actually don't really like to drink.” she's so kind and gentle as she speaks.

“so how is the album coming?” benny asks her.

“its... not.” she laughs lightly but I can tell she's stressed. is it too early to tell her I already know her inside and out? am I crazy for watching all her interviews, tiktoks, and instagram stories?

“im in a fog,” she looks to the ground. how are we already so compatible? “I want two more songs but im having trouble finding a conclusion to the story im telling. maybe there isn't one, I don't know.”

“what's the story you're trying to tell?” I ask feeling very brave and comfortable already.

“basically my current dating life.” she slightly blushes. “its so hard dating and every time I start to like a guy or I know of him and I already have a crush on him, it doesn't end well. and I have these little romances I write about but they all end in either piggy behavior or ghosting.” we laughed along with her. her smile was radiating.

“maybe I can help, do you wanna go to Charlie’s studio?” Benny asks her.

“you're an angel! yes! ill repay you in food.” she laughs. as they walk out, Im watching her. she moves so flawlessly. “hey, you can come too. might get something good for the vlog.” she smiles to me. my heart is beating out of my chest. she watches my videos or at least knows of me. “cool, thank you.” I say trying to remain calm. she also pulls Charlie in and he drapes his arm around her shoulder. they're just friends.

as we get seated in the room, Benny starts asking her questions. “so, we know what message you're giving but how are you delivering it for the album? what's the feeling? want to play us a song that captures the vibe?”

“well I only have the instrumentals for the songs but I can play one live?”

“great, lets do it.” Charlie smiled to her as he handed her a mic.

“don't post this anywhere, David” she warned.

she brought warmth to my cheeks. “nope, ill only use it as blackmail.”

her laugh was such a gift. I could tell jokes all day just to hear her laugh again.

she played a beautiful song that was slow and powerful and all about heartbreak. it hurt to hear her go through that. then benny asked for another song. this one was more pop. like id hear it on the radio, but still deep.

the rest of the night was them composing songs and some stupid jokes here and there. safe to say she's the most down to earth and funny person in the room. the fans will go crazy that im here with her. im going crazy that im here with her.

-- YOUR POV

I spent the whole night in the studio with some amazing people. I found myself taking it all in and being so thankful for my life. ive known of David and watched his vlogs pretty frequently too, but being with him was a whole different experience. he gave great advice and genuinely helped me through some of my block. he gave a listeners point of view and had fresh ears. it was nice. he even offered to walk me to my car.

“I figured you'd have like a limo waiting for you outside or something.” he joked as we walked toward the street.

“nope, that's just youtubers.” I joked back.

he laughed, “ouch.”

“thank you for your input tonight.” he chuckled. “no, I really mean it. I think I know exactly how I want to end the album.” I look into his eyes as my back is pushed against my car.

“where's your mind at?” he looks back to me.

“loving myself. I know it sounds cliche, but isn't the greatest romance of all, the love you have for yourself? tonight was the most fun ive had, and it was just hanging out with friends talking about endless things.”

he nods as he takes my words in. “you're really secure with yourself. I like that. its going to be a great album.”

he leans in and for a moment I think he's going to kiss me which I don't need right now. then I see his hands go low to the handle of my car door and he opens it for me.

“oh, I can't take a hint, huh?” I joke with him.

“no, not at all. I just know you're excited to go home and write your new hit.” he says almost seriously.

“thank you” I whisper. “and also, can I get your number? id love to do something fun for the vlogs.”

-- DAVIDS POV, NEXT DAY

“il, it couldn't have gone better! she asked for my number, bro!”

“that's fucking sick. imagine you dating one of americas sweetheart, music icons.” Ilya pokes at David.

“its not a fucking joke, I really think there was something there but id really like to get to know her better.”

“who are we talking about?” Charlie asks as he enters the room. David had texted him to meet up for a bit they were doing.

“uh, no one.” im quick to reply knowing they're` great friends and I don't want any drama.

“oh ok... so what'd you think of y/n?” he asks me.

“oh she's great, yeah, I was editing some last night and I think I'll keep some parts in.”

“yeah, she's so easy to be around. I think im gonna ask her out, she's kind of the girl of my dreams, and im like 99% sure she's in love with me too.” he says almost marking his territory.

I look to Ilya and he just half smiles. “oh, that's great man. yeah you should ask her out if you're in love with her. she's a great catch.” my chest falls as I say it aloud. I really thought she liked me.

part 2

#davids vlogs #david dobrik #david dobrik fanfiction #david dobrik imagine #david dobrik x reader #David dobrik fanfic #David dobrik imagines #vlog squad #vlog squad imagines #vlog squad fan fiction #Charlie puth #Charlie puth fanfic #Charlie puth imagine #Charlie puth fan fiction

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doomonfilm · 3 years ago

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Review : The Courier (2021)

Watching the way that Marvel Studios has engulfed the world of cinema has been interesting to say the least, with the strangest aspect of all being the seeming endless reach the studio has in terms of casting. The fraternity of award-winning blockbuster actors and actresses that have joined the fold is stunning, and as the property list expands, the list of holdouts gets shorter and shorter. With Doctor Strange standing as one of my favorite characters, for example, my viewing of Benedict Cumberbatch has become skewed... I know that he had a very successful career prior to the Doctor Strange film, including being cast as the iconic Sherlock Holmes, but I was largely unaware of him, which makes my experience of his post-Marvel career flipped from the norm. Maybe that’s why I jumped at the opportunity to check out The Courier, as it would give me a chance to see a different side of Cumberbatch as an actor.

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In the wake of World War II, the nuclear threat was a very real thing, and The Courier (in my estimation) manages to capture the spirit of the tension that existed between the U.S.S.R. and the United States of America during the pre-Cold War era to a tee. Via news footage, recreations of key events and press conferences, we are drawn a clear timeline of where were are in the midst of the Cuban Missile Crisis, but not to a point that we lose focus on the specific drama surrounding Greville Wynne and Oleg Penkovsky. As an American, I am used to seeing these events through the lens of John F. Kennedy and the American perspective, so having this view shifted to that of a Russian whistleblower aided by a British businessman makes the harrowing story instantly much more refreshing, with our connection to this set of events being similar to that of Emily Donovan’s CIA presence. Most important of all, the film does a great job of making sure the audience is clearly aware of just how high the stakes are, and how serious the punishment would be for those caught taking part in the actions presented.

As important as the historical aspect of this film is, where it really comes to life is in the realm of espionage. It is nearly impossible to not feel the same weight of secrecy that Greville Wynne is burdened with, especially in light of the fact that the repercussions for error ring on a world-threatening level. Even the most hardened agents find jobs like these difficult, and without being heavy-handed, the film shows how devastating the impact is on the psyche for an amateur involved in such drastic operations. The ripple effect that fans out and impacts his relationship with his wife, his family dynamic and his personal disposition is also handled with great care, further tightening the screws on our emotional connection to Wynne. When the pressure gets extremely high, the film appropriately manages to communicate the extreme levels of paranoia that Wynne and Penkovsky existed within, while also showing how monumental a task it was to act normal in the face of such paranoia. When everything comes to a head via the third act prison scenes, one must question their humanity if they don’t feel these sequences in their gut.

The dark and shadowy world of espionage is brought to life by way of a masterful mixture of high contrast, low light photography that infuses a deeply unsettling mood into the film. The majority of the film is a mostly straight-forward affair in terms of cinematography, with framing of key events and characters sitting in the position of importance, but when the film does choose to exude showmanship in this realm, the crane moves, long lenses, variable focus depth and expressionist chiaroscuro employed pop with great force. The editing has a purposeful thrust that is implemented in a very subdued manner in spite of its brilliance and confident strength. The period costuming is all incredibly believable across the board, be it businessman, state employees, military figures or even civilians. The mostly traditional symphonic score is boosted by touches of Soviet-influenced portions that heighten the overall experience of the film.

I may be jumping out on a limb here, but I’d be willing to predict that Benedict Cumberbatch may be receiving some nominations this upcoming award season for digging deep into his dramatic bag, showing very believable versions of fear, deceptive belief, paranoia and despair with equal measure. Merab Ninidze also digs deep into the paranoia as a man burdened by world-breaking secrets, and he offsets it with a pure unconditional love for his family that makes his third act extremely powerful. Rachel Bronsnahan brings an interesting G-Man energy to her role while also realizing that her role requires her to have a large presence in measured appearances, resulting in dignified stances supported by genuine empathy. Jessie Buckley gives a seemingly reserved performance that plays as understated in the wake of events presented, but when the infidelity her character faced in the past is put on the table, it shifts her tone to one of a cautious woman questioning her capacity to love in the face of secrecy. Kirill Pirogov is wonderfully menacing in his coiled snakelike approach to being a high ranking KGB officer who gleefully brandishes his ability to capture, torture and kill like a poorly concealed weapon. Performances by Angus Wright, Željko Ivanek, Anton Lesser, Maria Mironova and Vladimir Chprikov also stand out.

Of all the films I’ve seen so far from 2021, this is the first that I could see garnering some awards season buzz for its technical aspects, and perhaps even a nomination for Benedict Cumberbatch for Best Actor. Regardless of whether or not this film is adorned with awards, it is a top tier historical drama, and certainly one worth seeking out. At some point in the future, I hope to see this on the big screen, as I am sure it will only enhance the experience.

#ChiefDoomsday #DOOMonFILM #DominicCooke #TheCourier #BenedictCumberbatch #MerabNinidze #RachelBronsnahan #JessieBuckley #AngusWright #ŽeljkoIvanek #KirillPirogov #AntonLesser #MariaMironova #VladimirChuprikov

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sinagrace · 4 years ago

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Iceman’s been back on my mind lately. It started with the internet rumor that Shia Labeouf was being considered to play the role of Bobby Drake in a Marvel Cinematic Universe version of the X-Men. My DMs and @Mentions on social media were a mixture of intense reaction and then asking my take on who would make a great Bobby Drake (for the record: in my head I always saw him as a younger Antoni Porowski with a theater background, ‘cuz playing the funny guy with a vulnerable streak requires serious acting shops). My mind went back to the time of BC, when I was doing a lot of touring, and answering this very question because of my work on the Iceman book at Marvel. One thing led to another, and I decided to take a trip further down memory lane to look at my favorite volume of the series: Amazing Friends. Now, I know I’ve spent equal amounts of time publicly stating what a gift working on Iceman was, while also calling out the challenges that came with the experience, but the third volume really was a pure blessing. I was able to take every valuable lesson I learned as a writer, and apply it to telling a story that would be interesting to one person: Me. I’ve been a lifelong X-Men fan, I live and breathe comics, so my own expectations for a return to the series seemed like the only ones to really worry about meeting/ surpassing. The first two volumes had been so bogged down by rotating editors, complex continuity, company-wide events, multiple artists… The third volume was my chance to focus on what an Iceman series was outside of so much context. All that mattered was challenging myself to do an X-Men story that focused on the aspects of the franchise I felt were valuable and relevant, meaning: excuses to have Emma Frost be an asshole and finding an opportunity to make fun of Kitty Pryde’s haircut. Before moving on from Marvel, Axel Alonso made time to call me for a pep talk about the series. I wanted to get the series extended, and he wanted to help me succeed with the ten issues he could commit to. First, he offered an eleventh issue to give me more time on the stands. He took a look at everything I had planned, and basically told me to restructure with an eye for ramping up the pace. My writing background comes from prose and essays/ think pieces… both of which are methodical and provide some allowance from the reader to really take your time and set up the world before diving into the meat. That’s not the case with comics. You gotta work fast. Especially in today’s market, there is less and less room for a retailer to say, “give it two volumes, because shit starts really coming together by the third trade.” That was literally my speech for hooking people on such iconic series as Invincible, Fables, and Strangers in Paradise. Nowadays, every single issue is not a brick to be laid down as foundation so much as a bullet in your gun. Conflicting imagery, but that’s the point. Axel told me to think about the Big Moments in my life and sort out how to inject the mutant metaphor into it and make the most compelling comic book story I could. This was epic advice that I took with me into the new arc, but I struggled a bit with what could be bigger than the “coming out” storyline in volume one. Love was off the table because I wanted to keep Bobby single and ready to mingle. Death was off the table too, because my editor felt like we’d done enough with Bobby’s parents in the first two volumes. Upon looking at my own life, and considering the stuff me and my friends were dealing with, I landed on something a bit more reflective than LIFE or DEATH. I wanted to focus on that moment when a gay guy looks outside of himself and realizes the folks around him may not have it so easy. After everything we’ve been dealing with this summer, Iceman’s “big issue” of the arc feels oddly prescient. Bobby Drake had to reconcile his accidental complicit role in keeping the Morlocks down, and he has to investigate new approaches to being a better ally to those who don’t want to or can’t live under the protection of the X-Men. I used the Morlocks to allegorically speak to the issues that the trans/ NB community face today. Considering that trans folks are facing higher rates of homelessness and murder than other members of the LGBTQIA+ community, all I needed to do was find a perfect villain to treat the Morlocks as “lesser-than.” Cue Mister Sinister, who I wrote as particularly Darwinist with a major flair for interactive theater. While Amazing Friends definitely is the most fun I’ve had working on the book, it was also full of the heaviest shit I’ve written about. I’m so grateful that my editor let me use Emma Frost for a story about the trauma of gay conversion therapy with her brother Christian, but I’m still annoyed he wouldn’t let me put her in a sickening Givenchy outfit for her reveal. Similarly, creating the Madin character required that I chat with several mental healthcare professionals and members of the NB community to respectfully portray them as a resilient and fleshed out hero. I included personal lessons that I learned from years of the therapy (the sandcastle / sea image, a Jay Edidin fave moment). My editor and I weren’t always aligned, but we definitely were on each other’s side. He understood what I was trying to do and asked questions when something flew over his head, and he even had the good instincts to stop me from going too heavy handed with the ending. My original idea for the arc’s finale was to have Bobby become permanently scarred in his fight with Sinister, where he’d have a cool ice gash running across his face or something, a la Squall from Final Fantasy 8. The goal was to show Iceman stripping himself of his ability to pass as non-mutant to save the Morlocks, but the Mutant Pride fight scene being a stand-in for the Stonewall Riots kind of already made enough of a statement. Plus, no one in editorial wanted to deal with remembering to track his scar in other books. At first I tried to balk at his point of view, but when I looked over my original notes for the series, the point was to focus on optimism and hope. Giving Bobby a permanent scar and emphasizing the notion of sacrifice was too bleak a message for a series wherein the hero carbo-loads hoagies while riding an ice scooter and mutant drag queens emcee local festivals. Of course, the crowning achievement of the series… my mutant drag queen :) I’ve witnessed a lot when it comes to the world of pop culture and myth-making, and I 100% believe that you can’t plan the success of something. I’ve seen bands forced into breaking up because labels spend six figures failing at making listeners connect with an album. I witnessed firsthand how The Walking Dead was built from relatively humble beginnings as a buzzy cable drama into a literal international phenomenon over the course of its first three seasons. Everyone hopes for the best, but you never know how something will land with audiences. When the Shade character took off, I was truly astounded. Things I posted on Instagram while half-asleep became official quotes on major news sites. Queens and cosplayers were interpreting her like Margot Robbie had unveiled a new Harley Quinn lewk. The impact was so legit and immediate that we had to jump in and give Shade a proper Marvel hero alias, to truly welcome her into the X-Men canon. Hence the name change to Darkveil. (Funny story: I tried to fight hard for Madame X as an alias, but CB didn’t want another Agent X / “X-Name” character. Three months later, Madonna announced the Madame X album. Phew!) There was a time where I felt uncertain that the folks in charge at Marvel would bring Darkveil into any stories outside of the ones I wrote. My understanding was that Hickman was like the Cylons and had A Plan-- one that didn’t include her character. I made peace with my contribution to the Marvel Universe being contained, but then someone on social media pointed out that Darkveil showed up in an issue of Marvel Voices. After breaking down and reading Hickman’s House of X, I saw that his Plan was one of endless possibilities, and that he was moving EVERY character into new and dynamic places. I have hope now that he sees the possibilities with Darkveil, and takes advantage of her and all of her many body pouches. Amazing Friends really is my favorite thing I’ve done for the Big Two. I made a lifelong friend out of artist Nate Stockman (DC, please hire us for a Plasticman book), and I got to run a victory lap with the most encouraging and supportive readers out there. It was worth every dreadful conversation, every shitty thing a person said to me online, and all of the fun nonsense that goes into being creative for a living. Being stuck at home in quarantine has given me a lot of time to reflect on the gift that my career to date has been, and I feel so grateful to be where I am today. Other people may groan when they have to talk about something they’ve moved on from, but not me. I made people happier, I got to work with my favorite characters at Marvel, and and I'll say it again: it’s a frickin’ gift to make people move from your work. So, I will engage every tweet or message asking me my thoughts about who should play Bobby Drake in the Marvel Cinematic Universe… I’ll just never have a good answer.

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jadelotusflower · 4 years ago

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March 2021 Roundup

Reading

Benevolence by Julie Janson - One of those books that caught my eye at the library (I’m a sucker for the “top picks” shelf) and I’m glad I picked up. The story of Muraging, given over in 1813 to the Parramatta Native School, but always trying to find a way back to her family and culture in the brutal early days of colonisation - resilient in the face of so much hardship. Janson is a Burruberongal woman of the Durag Aboriginal Nation, and Muraging is based on her great-great grandmother and Durag oral histories. An engrossing but often difficult read, about a period of history not often told from this perspective.

One Day by David Nicholls - A book that has been sitting on my bookshelf for so long I don’t even remember buying it. I vaguely recall seeing the movie adaptation on a plane once so must have enjoyed it, but can’t say I would recommend this book. Depicting St Swithin’s Day every year in the lives of two absolute character cliches, from one night stand, to friendship, romance and marriage. The concept is neat and the writing has wit, but I just couldn’t bring myself to care about Dex (insufferable twat) and Emma (not like other girls) or their love story. Okay, it’s not that bad. It kind of grew on me by the end.

Watching

Superman and Lois (episodes 1-5) - I’ve had reservations about this show because of this but am giving it a shot. I have not followed the Arrowverse/Crisis but a friend did her best to explain it to me, although honestly I found it this show works just as well as a standalone. The premise is simple - Lois and Clark return to Smallville with their twin sons for teen superhero angst part two. To be honest, it feels so much like a Smallville revival that...I kind of wish it was?

Tyler Hoechlin makes a good Clark, but that padded Superman suit is an embarrassment - get rid of those fake muscles and show us some super collarbones! Elizabeth Tulloch is growing on me as Lois - she’s very...subdued, but imo lacking that spark Kidder, Hatcher, and Durance had. Honestly, subdued it how I would describe the show overall. Also the colour palette is sooo drab because gritty realism I guess.

I enjoy the family drama aspect of it, although I wish one of the kids was a girl. I mean, I understand why they’re twin boys - the son becomes the father and the father the son and all that - complete with both sons being named after both of Clark’s fathers (is there a name for the trope of the hero’s kids being named after his dead family/mentors as if the mother had no input??). The Captain Luthor/Morgan Edge plots are still in the setup stage so hard to comment on them.

I sound harsh, I don’t dislike the show overall (and there’s some really good elements there). We’ll see, I guess.

Man of Steel/Batman v Superman/Zack Snyder’s Justice League - I’ve never really been a huge fan of the Snyderverse, and have been trying my best to avoid the Discourse about the Snyder cut over the past few years (from both sides). I have however been following what Ray Fisher has had to say, and can’t deny my interest was piqued by the idea that there was an entirely different film out there that did right by its characters. So I went back and revisited MoS/BvS before embarking on JL to give the franchise another shot.

While I still don’t really vibe with Snyder’s aesthetic (it’s just a bit bleak and muddy for me) I think these films are actually better when viewed together as one long story. I can appreciate that he made an effort to step away from the Donner nostalgia, and tell this epic modern myth of gods among men, and can enjoy it for what it is. The Snyder cut was entertaining enough, and I quite enjoyed aspects of it - Cyborg is indeed the heart of the film (but I honestly wish it had been explored in his own movie), and Wonder Woman, Aquaman, and the Flash break up the dreary tone.

It was nice to see the Amazons again (and I loved “Amazon’s, show your fear”/“we have no fear”). I like this take on Clark and Lois, even if most of the relationship happens offscreen, and there’s certainly more in the Snyder cut - even if I wish there was greater depth to Clark’s arc in particular, less of the god and more of the man.

I did however notice a pattern in these films in that I was interested/compelled by the first world building/character half, and having my eyes glaze over in the endless action cgi-fest of the second half (I have this issue with Marvel too). And the Snyder cut is indeed endless - it rivals Return of the King for number of endings but is much less cohesive, like Snyder was throwing everything at the wall since this might be his last chance. There’s a nice montage at the end with a bit of hope, and I was thinking well this is a nice uplifting note to end on, thank you! But nope, twenty more minutes of grimdark prophecising (in isolation, an interesting scene, but felt so out of place to show the team torn apart again immediately after we’ve just seen them come back together).

I also lol’d at David Thewlis getting a front credit for what amounted to his cgi face behind a massive helmet. Collect that paycheck, my man!

Coming 2 America - I watched the original as a teenager more times than I can count, truly iconic. Look, I dislike the sequel/reboot/remake merry go round when it dominates the scene, but to be honest I am a sucker for a sequel that’s lovingly made and really just an excuse to get the band back together and have fun. Worth it for the costumes and dance sequences alone (especially the En Vogue/Salt n Pepper/Gladys Knight mashup), but I really enjoyed this overall. There’s nothing groundbreaking and it doesn’t try to be. Was it necessary? No. But did I enjoy it? Absolutely.

Actually, scratch that. The costumes and hair are absolutely necessary.

The Prom (dir. Ryan Murphy) - Now I love a movie musical and this was...fine. It’s sweet and I enjoyed Meryl Streep doing her best Patti Lupone, and Nicole Kidman clearly having fun (even if she can’t Fosse to save her life) although I can’t say I found any of the songs memorable. James Corden, however, is pure cringe for reasons outlined here. But overall it’s light and fluffy, and not a terrible way to spend two hours of your life.

Superstore (seasons 1-6) - I’ve been binging on this for a while, and it’s a fun little show about the employees of a big box store - it’s nice to see America Ferrera back on screen (with producer credit). A great, diverse cast, but MVPs for me are Lauren Ash as Dina (you may recognise her voice as Scorpia from She-Ra), and Kaliko Kauahi as Sandra. While it did touch on some real-world issues - corporation malfeasance, unionisation, etc - ultimately it’s lighthearted and pleasant, especially the series finale that just goes full happy ending with a nice break from grim reality.

Allen v Farrow (dir. Kirby Dick and Amy Ziering) - I’ve never watched a Woody Allen film, and the clips I’ve seen of Woody Allen films haven’t changed my mind on this point. But what struck me seeing the clips of Manhattan in this documentary is just how young Muriel Hemingway was - this is not the Hollywood standard 22 year old playing 17 (which is problematic in other ways) but an actual teenager with a baby face and childlike voice, in bed with a 40+ year old man and I am baffled that this film is so highly regarded - if nothing else it’s right up there on the screen.

But of course there is so much else, which makes this documentary hard to watch at times. To those who have followed these events there’s not much new here, but it does an excellent job of compiling the sources together and giving a timeline of events, as well as refuting many of the pro-Allen arguments, and giving Dylan a chance to speak for herself. There’s also a companion podcast which is worth a listen for added perspective.

Writing

I actually finished something, finally! Posted Debrief, a Smallville one-shot (3920 words). 1670 words done on my other Smallville wip.

Posted chapter 41 of Turn Your Face to the Sun (1865 words). Now that the Obi-Wan show is actually happening, I need to get this finished before it all becomes moot.

Total: 7455 words this month, making 23,962 for the year.

#monthly roundup #reading watching writing #long post

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odanurr87 · 4 years ago

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My thoughts on... Scripting Your Destiny

Release date: March 16, 2021

Episodes: 10

Available on: Viki

Summary: Every human is born with a book that records each moment of their life and that we call destiny. Shin Ho Yoon is one of the many deities in charge of writing those books, known among the gods for his meticulous approach to his work. For his latest project, the destiny of the mortal Jeong Ba Reum, he intends to write a masterpiece, a perfect destiny, pairing him with his first love, Go Che Gyeong, a scriptwriter for successful, if over-the-top, makjangs like Marriage Pact and Sky Cash. However, when Che Gyeong doesn't fall for the fateful encounter that he wrote, he decides to take matters into his own hands and bluntly approaches her to find out how to get her to fall in love. As the two begin to develop feelings for each other, the perfect destiny envisioned for Ba Reum threatens to disappear and a new destiny between a god and a mortal begins to emerge. But can a god of destiny write his own fate?

Rewatch meter: Medium

WARNING: Spoilers beyond this point.

Characters

From left to right: Park Sang Nam as Shin Myeong; Ki Do Hoon as Shin Ho Yoon; Jeon So Nee as Go Che Gyeong; Kim Woo Seok as Jeong Ba Reum; and Gal So Won as Samshin.

Overall, I liked the leads and most of the supporting characters. As far as the leads are concerned, I think Ki Do Hoon was able to deliver a good performance of what a god of destiny might, or perhaps should, be like: standoffish, emotionless, uninterested in the mortal realm beyond the scope of his duties. As such, Shin Ho Yoon feels the more godly of the different deities in the show, what is curious considering he's probably one of the youngest gods of destiny, what is explained through his cycle of rebirth. I wish the writer and the actor had made full use of this cycle by having the character of Shin Ho Yoon grow more emotionless as a result, what would explain why he's different from other gods. Perhaps this was intended, but if so, the results are mixed. You can see he was more impulsive in the beginning of his cycle as a god of destiny than he was, say, at the beginning of the show. However, the last incarnation we're shown of Ho Yoon, in Episode 10, appears to be more upbeat than any of his previous ones, a fact that could've been used to feed into the notion that something has changed (more on that later) and that's why he's having fun at the expense of the "newbies."

Jeon So Nee as Go Che Gyeong was very good throughout, standing out from her male counterpart, perhaps due to the nature of her character that allowed her to show more range. I never found her to be over-the-top, and she was able to pull off the comedic and emotional scenes very well. She also passed off as a high-schooler better than Ki Do Hoon, despite the fact that she's five years his senior, but I guess that's the power of female hairstyles! My only complaint about her character is that I wish she had been a little more creative writing her own fate. I mean, she is a talented scriptwriter that even a god stole from.

Park Sang Nam's Shin Myeong had good chemistry with Ki Do Hoon's Shin Ho Yoon, echoing the Goblin-Reaper duo from Goblin, what should come as no surprise as writer Kim Eun Sook is a producer for this show. They even paid homage to that iconic walking scene in the first episode. Unlike Ho Yoon, Myeong comes across as less devoted to his duties and more lazy. He himself admits to a disapproving Samshin that he copy-pastes destinies, but also makes an interesting point about only writing main events so that humans can fill in the gaps themselves. I'll let you decide whether this is really his intention or just an attempt to placate Samshin's anger. Consequently, his transition from a somewhat lazy god to a more serious one towards the end of the show was unexpected, but I guess it stands to reason given his worries about Ho Yoon, plus one shouldn't forget he's actually the older god. I do believe the show wasted an incredible opportunity to have Shin Myeong be the linchpin of our story.

Ho Yoon shields precious Samshin from Myeong's words on how to passionately express love.

As for the characters of Jeong Ba Reum and Samshin, I can say the former was functional to the plot and gets immediately sidelined once that function is completed, while the latter definitely stole every scene she was in (and she's 14!). I would've loved to have seen more of her, even though I feel her arc was a little disconnected from the overall storyline and could've been tied better if the last episode had gone in a different direction.

Execution

What if that something are meteorites?

The show has a lot of fun making fun of kdrama tropes, either through Che Gyeong's job as a scriptwriter or through the gods of destiny themselves, who take turns between being writers and viewers when coming up with the destinies of mortals. When Ho Yoon is having trouble understanding "the depth within humans which is beyond divine comprehension" (aka love), Myeong steps in to give him some advice on how "For love to happen you need to isolate them," stranding the pair in an island somewhere and having them stay in an inn with only one room available. Other gems from Shin Myeong include, "They got rained on, they're cold, their clothes are soaked. If they start a fire, we're 90% there." and "A woman always falls for a man who takes care of her when she's sick. Under one condition. He has to be good-looking." If you ask me, I think Myeong has been watching too many kdramas. Unfortunately for him, so has Che Gyeong, who makes her living writing them.

Are they gods or kdrama fans?

As you can see, there's a lot of comedy to be found in the gods' numerous, and failed, attempts to get Ba Reum and Che Gyeong together. However, as I mentioned before, the character of Ba Reum is mostly functional. We learn little to nothing of who he is, how his life has been, what his dreams are, what is a bit off considering he's supposed to be Ho Yoon's "masterpiece." With Ho Yoon and Che Gyeong slowly starting to get closer, as the former tries his best to understand the nebulous concept of love, Ba Reum falls into the background, what isn't really much of a shame as he doesn't contribute a whole lot in the second half of the show, to the point he could've been taken out completely with slight rewrites here and there.

The writing is similarly flimsy when it comes to the rules of the universe. For instance, early on it is stated that whatever gets written on a fate book cannot be erased, and yet when a character accidentally spills coffee on his fate book the ink on the page vanishes as if it were Voldemort's diary (there is also another instance of writing mysteriously vanishing that isn't explained). In another case, it is stated that anyone who knew a certain character got their memories of that character erased, yet one (very secondary) character still seems to be able to recall everything. These sort of plot contrivances are odd in that they are unnecessary and could've been worked around with relative ease.

It means we have a problem, that's what it means.

Another, more important, mystery that doesn't get explained is how Ho Yoon is able to "resurrect" multiple times. One of the rules of the universe states that any god who interferes with mortals, beyond the scope of their duties, and develops feelings for them, gets the Thanos treatment. However, it is eventually revealed that Shin Ho Yoon got the boot several times for this and yet was able to return every single time, with his memories erased. No explanation is provided for this and, instead, the show suggests, in the last scene of the last episode, that this is the case for all gods, as we see a couple of them return from extinction.

Personally, I feel there was a lot of potential left untapped here and this relates directly to my comment on how Shin Myeong should've been the linchpin of the entire story. If you'll recall the web drama One More Time, the reason why the male lead was stuck in a time loop was because of a contradiction that arose in the terms of the contract made between the female lead and the Grim Reaper. In a similar vein, I think the show could've suggested that Myeong first met Ho Yoon as a human kid and maybe wrote for him a fate that implied him falling in love or something similar. However, the human Ho Yoon died before that fate could occur and so became the god of destiny Shin Ho Yoon, destined to continuously "resurrect" until he could embrace his fate. A loophole such as this one could've neatly explained Ho Yoon's rebirth cycle.

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The ending itself was a little underwhelming and it's easy to understand why, as it it suggested that Ho Yoon and Che Gyeong are stuck in an endless loop of the former falling in love with the latter and vanishing, with Che Gyeong being the only one able to remember all of their interactions. As fates go, it's rather depressing so it doesn't really jibe well when the show's upbeat main theme starts playing at the end. When I did my episode recaps for the show I suggested that, with some rewrites, we could've made Episode 9 the series finale and the show would've been better for it. How?

Imagine at some point in the show both characters remember everything, perhaps at that wind/lamb farm where Che Gyeong desperately calls out for Ho Yoon who, instead of running to her, walks away out of fear of vanishing for good this time. I would've planted seeds throughout the show suggesting Ho Yoon is developing emotions yet isn't vanishing from some inexplicable reason, and there are already some seeds of this in place. Perhaps he has a talk with Myeong about how strange that is and decides to see how far he can take it. The show would end as Episode 9 did, with Ho Yoon returning to Che Gyeong and asking for a caramel macchiato, the most expensive item. They both smile at the reference to their past encounter and we cut to credits with the main theme playing in the background. Ho Yoon's actions could serve to inspire other gods of destiny to try and write their own fates, like how Samshin (even though she's not a god of destiny) follows in his footsteps and decides to attend school.

Music

If you've read any of my reviews, you know that, usually, all of my recommended shows are accompanied by a soundtrack that not only has good music in it but that is used at the right time. This show has some very good tracks that stand out from their more atmospheric counterparts, such as Lee So Jung's "Skyline" (the show's main theme), Jeong Sewoon's "Time Machine," and Yongmin Ryu's "Chaotic." As far as instrumentals tracks are concerned, the obvious standout bar none is "The Deity of Fate." Other instrumental tracks aren't bad but they just can't hold a candle to this magical piece by Yongmin Ryu that has traces of Hotel del Luna's excellent soundtrack.

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A couple of examples that prove how these tracks are expertly used include the end of Episode 7, that shows us how Ho Yoon and Che Gyeong first met through a flashback, with "The Deity of Fate" followed by "Skyline," and another scene in Episode 9, where Ho Yoon recalls his past and we see a quick transition between different days at Che Gyeong's coffee shop as she serves him a caramel macchiato, with "Time Machine" playing in the background. However, in the same way Ho Yoon conjures up a magenta pink moon to distract Che Gyeong, I do believe the show sometimes relies on such scenes to divert your attention from some of its plot holes or inconsistencies, hoping their beauty and poetic nature will thwart any deeper analysis that it might not withstand. It's up to you to decide whether you can let it slide or not.

Conclusions

In short, Scripting your Destiny is a fun show that doesn't take itself too seriously and that successfully creates a universe and characters I'd love to see more of, while trying to convey a timeless love story that has elements of One More Time, Goblin, and Angel's Last Mission: Love. I don't believe it succeeds in this respect, certainly nowhere close to the OTPs in any of those shows, in no small part because Shin Ho Yoon never makes that transition from deity to boyfriend that is present in shows like Goblin and Angel's Last Mission: Love. The romance between Shin Ho Yoon and Go Che Gyeong is one that looks good on paper and should've translated better to the screen. Having said that, their interactions are quite fun to watch and one could certainly envision a future where the two become a couple, provided Ho Yoon somehow manages to stop getting lobotomized. It's a shame but the series finale makes it lose several points as it doesn't make the most of the show's premise or message.

Would I recommend it? If you've watched and enjoyed the other shows I mentioned, yes, absolutely. Despite its flaws, which can be considered relatively minor to an extent (this is a web drama after all), Scripting your Destiny is still a much better investment than many kdramas and at a fraction of their time, and the comedy value of seeing how it makes fun of kdrama tropes again and again cannot be discounted. You're bound to have a good laugh for sure. Additionally, it features some gorgeous and creative (look at that last picture!) VFX-enhanced sets that rival fantasy dramas like Tale of the Nine-Tailed, which definitely had a larger budget and tried to recapture some of that Goblin magic but couldn't. And if you haven't watched the shows I mentioned watch this one anyway so we can have more good web or mini dramas (Handmade Love is an excellent one that runs the length of a movie) that give kdramas a run for their money. Until the next one!

#kdrama #scripting your destiny #kim eun sook #ki do hoon #jeon so nee #eun sun soo #park sang nam #gal so won #kim woo seok #review #kdramas

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