#The shapes in the background of the videos and the more realistic say the people are drawn in the photos to the real life of the last two

[lilliancdoodles]

"To Tubbo It's been a while bud! I am- I'm actually working because- really exciting news, me and Pac- actually started dating [crossed out and illegible] I know youll be happy- hope everything is going- well at university, ho- see you soon. Fit Morning Crew 4ever!"

Five this has destroyed me

childhood friends,

[hansoeii]

Hello! Hope you're having a great day/night! I absolutely adore your art, you are one of my favourite artists. I love the way you shade and do backrounds. Also everytime I get into a new show I immediately see your art for it??

I was wondering if you had any advice on drawing more realistically (backrounds, anatomy etc) but still keeping a style?

Hey hey!

Thank you so much!

I have a pretty good understanding of facial structures, because before I got into drawing more semi-realisticly, I heavily focused on realistic portraits. Here are some example, these are from around 2019!

(yes, I was really into danmei and kpop back then, haha)

I just always loved drawing/painting faces and it was all I did. But at some point I realized that I wanted to do more than that because just portraits felt super restricting. So it took me around 2-3 years to somewhat find my style. Thought it would be fun to show a little timeline! Advice will follow afterwards :)

2020

I began working on my OCs in 2020 and since I didn't have an exact reference to work off of, I struggled a lot. My art from this year is super wonky.

2021

Still wonky, but the Lokius obsession was the jumpstart into finding my style! My work from this year is all over the place haha, I was experimenting a lot.

2022

This first ofmd piece is pretty much the first drawing where you can see where my style is gonna go, which I think is pretty cool! This is the year I made the biggest progress cos I was drawing SO much. These two pieces are only six months apart. The one on the right was the first time I gave drawing a background a proper go, too! It was a good year.

2023

And this is where I am now! I'm still constantly learning and improving, but I'd say I have a style you can recognize now!

Now here comes some actual advice, haha:

What I highly recommend you to do is to study your favorite artists as much as you can! I have like 5 A4 sketchbooks all from 2020 that I filled with sooooo many studies, where basically all I did was look at artists I like and copy how they draw stuff, to try and figure out how to stylize certain things. Some of my favorite artists are Ami Thompson, Velinxi and TB Choi. But I also liked to just scroll through pinterest and study all the art I came across that I liked! For example, if I saw a really great drawing of a pair of pants I would copy it many times in my sketchbook and try to learn how they stylized the folds. Doing this for a prolongued period of time will naturally improve your own work! It'll be difficult at first, but you gotta push through, it's gonna be worth it!

I also highly recommend studying unique faces to try and avoid the same-face syndrome. Find some cool looking people and try to draw them as simple as you can! Maybe even draw a little timeline where you first draw them as cartoon-y as you can, and keep going until you end up with a more detailed, realistic drawing. Maybe in the middle of it you find a step that feels the most fun to you, so you can try to build on that! It's a great way to figure out what kind of style might be the best for you.

Here are some cool faces I found on pinterest!

I have a pinterest board with many more!

One REALLY important part of learning how to draw all kinds of things is to understand forms and shapes and how to manipulate them. I have so many pages in my sketchbook filled with just shapes that I drew from all kinds of angles without any references.

This is a great video on it:

6 Ways to Draw Anything by Proko

Learning how to do this is so crucial! Young artists often think they first have to learn all kinds of detailed anatomy before doing anything else, but all that's gonna do is make you tired and hate drawing. Shapes are where it's at! Once you understand how shapes work and which ones to use for certain parts of bodies or objects, drawing is gonna get so much easier! Once you understand them, you can get into details such as muscles and bones!

And honestly the most important point is to just absolutely love what you're doing! I wouldn't be doing this if it wasn't for the fact that I get extreme hyperfixations on certain media that turn me into some kind of beast where I can suddenly draw 10 detailed illustrations a week, haha. Just be passionate about what you do, find something you REALLY love and go crazy!

I really hope this was somewhat helpful! My inbox is always open if there's any more questions :)

[ponchusjbonchus]

i finished hazbin hotel so here is my master collection of all my silly notes

episode 1  

- treat angel dust better and give him actual lines and it’ll be better

- why do the background demons have more variety than the main cast 

- opening number is good 

- when will jesus appear 

- cannibal town is where i wanna live 

- i should keep a swear counter for this 

- charlie is the best character 

- adam shaving down a chicken bone in one bite is really funny 

- i like adam his voice actor is doing really good 

-  all the voice actors are really good. except keith david poor guy

- angel dust sexually harassing husk is not funny

- if adam is a human who sins then why is he in charge of the angel exterminators 

- nifftys commercial bit is funny

- alastors monocle  is on  his mouth in some shots and it’s funny 

- i like the foreshadowing of alastor hating tv 

- lutes design. heart emoji 

- adams song goes hard as fuck. very likeable villain 

- “fuck you i do what i want” contract made me giggle 

- i feel like all the main characters except for charlie and alastor are really one note and it bugs me 

- katie killjoy is still awesome 

- the cliffhanger is really intriguing and i will watch more

final score 8/10 despite the bad dialogue for angel 

episode 2 

intro song is good but the visuals are boring 

what is this cat. who

why is the animation worse in this episode 

paused to read valentino’s texts and the way he sways from calling angel a bitch to calling him babe and being like “don’t be like this” that is like.yeah that’s accurate 

foreshadowing is good 

JESUS APPEARED (sir pentious)

“trust us with your money” 😭

not really resonating with any characters. vox has the best character design so far though 

velvette is really entertaining 

valentino’s voice actor is good and his jokes are somehow better than angels. still a horrible person and i hope he gets exterminated

vox is really interesting and the thing his voice does is cool . i REALLLY wanna like this guy but so far i like adam better 

second time seven years has been mentioned . what happened 

WHILE HE HID IN RADIO WE PIVOTED TO VIDEO NOW HIS MEDIUM IS GETTING BLOODY RARE 🗣️🗣️🗣️🗣️vivienne be damned but the girl can write a song 

alastor fucking with vox after seeing him for seemingly no reason is really funny and in character . though funny it doesn’t really fit into the episode that smoothly 

hell being shaped like a pentagram is creative (side note when i looked up the name for it cuz i couldn’t remember the third result was “what is the star thing called”)

alastors angry demon design looks better than his regular design 

i love sir pentious so much he’s so cute

pentious and charlie are my favorites so far. i know pentious is a double agent but knowing him from the pilot/what we’ve seen in this episode i feel like he’s gonna be dumped by the vees cuz he’s a pathetic wet slop of a man 

the crackhead play joke is really funny 

angel dusts jealousy came out of.Nowhere. like i know charlie was saying like “hey you aren’t really a real resident” and he was mad about the game but it felt more like “ugh i can’t stand these people” not “ugh i wish i could be redeemed and people cared about me.” it was hinted at just not very well 

angel being lovebombed is portrayed.Fine.ly   like it’s realistic but not outstanding . it would mean more if valentino wasn’t making lighthearted jokes about how he kills and manipulates his workers 

pentious’ tail is randomly shrinking and growing 

the camera work in the fight scene is Awful 

pentious :-( 

first time in a while i have heard a show say you should kill yourself NOW 

imagine pentious immediately goes to heaven after the song /silly

final score 8/10 only because of pentious. overall episode is 7/10

episode 3 

pentious still being peak right off the bat. he gets the funniest jokes

alastor still isn’t very funny 

angel dust isn’t funny booooooo boooooooooo

vaggie centric episode? i think? idk i don’t like vaggie she’s kinda boring 

niffty is less funny than she was in previous episodes. she feels more remnant of internet “dark humor” from the time the pilot released 

okay i ended up watching the rest of this one during gym class so i didn’t have my notes. overall this episode was really good except for velvette kinda sucking . 7/10 

episode 4 

this isn’t the poison episode is it.

animation is noticeably worse

vaggies plain ass delivery of the “angel. what the fuck” line made me laugh

i thought the cold open of angel getting r worded would be a way of showing that his life is really fucked up.though it was just a joke bit which i was not expecting

pentious cowering in fear at pornography 

i really like charlie. kk said that she was one note and .i kinda agree but i still love her 

this one demon has a better design then the entire main cast 

angels real name is anthony 😭

okay the dressing room scene . the fear in angels voice through all of it is so jarring and it keeps you invested in the scene and Val being so fuckinh disgusting and evil . how do people like this guy at all. this scene is so creepy not just cuz of val being abusive but because of how horrified Angel is and the moment he asks the bare minimum of val not hurting charlie his life is put on the line. i feel like this was treated with the weight it deserves and it clearly paints val as a villain. unfortunately it’s tainted by the fact that the writers are aroused by this shit but they do a good job of hiding it i guess. maybe this will change 

it bothers me so much that angels head keeps randomly changing in size cuz all the animation is freehand

poison. im gonna be careful and respectful on how i go about talking about this . i actually really like this song and sequence but it’s brought down so bad and made so beyond creepy and horrifying to know that the writers are into this. i like the constant parallel of angel being his porn actor persona who loves sex and his abused reality where he wants to be free. and the scene where he’s dancing in front of a screen with the foxes intercut with his assault is really uncomfortable yeah but i like how it shows that he’s turning his own abuse and exploitation into entertainment . and the line “it’s so hard to resist another gulp!” or however it goes has a nice double meaning . it’s like “ughhh i love sex how could i resist it” but also “i want to resist but im so deep into this that i can’t” . i am not a sexual assault survivor so i don’t feel properly equipped to go into depth about the representation of angels ongoing abuse but from a PURELYcinematic standpoint as someone with a passion for this stuff i feel like this song did well, but again it’s made so much worse and creepier knowing the writers who made this 

the spots under angels eyes are more eyes??.huh

sorry for the lack of notes i am just. genuinely invested in this 

BEST SONG 💥💥💥yeah maybe i knew all the words to this song before i ever watched th show what are you gonna do about it

ohhi don’t really. like the message of that song actually 🙁 it has been established that angel dusts pervertedness and desperation for drugs is not who he really is nor who he likes to be but husk telling him “hey it’s okay to be like that” and angel immediately coming around to it just feels.ehhh…..it feels like he’s taking one step forward and two steps back . i get that the message was supposed to be “embrace the bad parts of yourself! it’s okay to be a loser!” but in the context of the episode it doesn’t fit. good song in a vacuum

iiiidont really know how to feel about this. the episode was great up until loser baby which,is a song that i really like but it kinda does kill the whole episode imo. 5.5/10 unfortunate 

episode 5 

halfway through the series who cheered

adam mention. win (adam and pentious are my favorites )

i hate niffty im sorry 💔 she was better in the pilot

dude. lucifer is so fucking funny right off the bat i love this guy 

is this guy autistic he feels autistic i like him

lucifer is peak character oh my god

why is??? alastor trying to fight lucifer for charlies dad figure??? i don’t understand this guy he just does shit

this is the character norm called out for being a jewish stereotype. and god i can see it jesus 

i love and hate mimzy. she’s ehh

okay nevermind i do kinda get alastors jealousy

i cannot express how good a character lucifer is. he is the funniest part of this show so far by a LOOOONG shot 

pentious does not know what a siege is apparently. honestly fitting 

mimzy served zero purpose dawg i hope this was just an intro and she comes back at some point 

baby charlie ❤️ 

meaning-wise more than anything is the best song we’ve gotten thus far. through the episode i didnt rlly understand lucifer i just thought he was funny but now i get it! and i love it 

this episode was okay. alastor and mimzy take up way too much screen time for barely anything to happen but lucifer was an awesome character and i love him a lot . unfortunately he can’t save this episode though 6/10

episode 5

this yuri tastes like chicken salad but not the good kind 

i despise cherri 

praying that pentious has a role in this one 

white man jumpscare THATS SUPPOSED RO HE SAINY BETER

the seraphims look sick as hell

emmy and charlie have more chemistry than charlie and vaggie im losing it 

why do the angels look exactly like the demons 

saint peter is .Stupid?????

ADAM!!!!!!!!!!!!!!!!!!!ADAM!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!JOY

charlie should be in heaven. she doesn’t deserve being in hell

vaggie backstory! hooray this is actually sick as hell 

how did charlie not know that vaggie was a fallen angel if she saw her in uniform ?? wouldn’t she recognize that “hey that’s the outfit angels wear” 

adam is a bitch and i love him so much 

karen joke (awful)

websters dictionary joke (not as awful)

adam struggling to think of words so he writes them down,,,,god i love him so much i know he’s a bad guy and a bad person and a bad. he’s just bad all around but i don’t care i love him so dearly he’s my favorite character i think 

niffty is better in this episode 

WATERBOARDINH 😭😭

emily i love 

“fuck yes!!!” oug or character 

i want pentious to get into heaven. please 

angel being a good father 

the delivery of “hey……….i see the club has a sex room…………” is fucking hilarious and i laughed out loud 

i have laughed more at this episode than i have the entire series pentious is so funny 

valentino. gross

angel standing up to valentino is really nice 

why doesn’t emily have a nose 

why are we having a deep song with emily as soon as we meet her???? i mean it’s technically not her song or sera’s but like. we JUST met them it doesn’t rlly make sense for them to have this big number 

yeah it’s really bothering me that emily has this big number. we barely know these people and they’re treating it like we’ve known her forever WHO IS THIS GIRL

if hell is forever then heaven must be a lie 💥💥

I CANT THID RUCKING FACE 

i hate this episode a lot more the writing is worse 

okay. the writing is noticeably worse than the rest of the series in this episode the pacing is completely fucked. at least we get some adam content and vaggie lore but vaggie isn’t rlly a character i enjoy. however the humor is peak in this episode and pentious really carries it with his running bit. he can’t save much of the episode sadly. 4.5/10 

episode 7

the more i watch the intro i really don’t like it . it’s so boring 

pentious petting keykey 

i dont like alastor  bad character bad character whenever he’s on screen i want to kick something 

cannibal town ‼️‼️

awwwwwi love rosie. she’s like mimzy but better and more likeable 

i wanna make a cannibal oc. if i were in this version of hell i would wanna be a cannibal. this whole area makes me happy 

rosie didn’t swear ONCE in her opening scene im so proud of the writers 

i really like carmilla’s design and her stupid nsr hands 

if helluva boss is in the same universe as this one then why don’t they go through extermination ??? or is that like. an au

rosie is so cute i love her so much. 

susan is such an underwhelming name that’s so funny 

this episode is much better 

i know that this show doesn’t have the best writing but it’s honestly just a fun watch

out for love is the best number we’ve had so far 

carmilla walks around in steel ballet shoes all the time i gotta respect the woman 

rosie’s first swear came 2/3rds into the episode. new record 

i relate to charlie 

I LOVE ROSIE.SO MUCH uuhg$hd,s

charlie’s song is really nice 

the cannibals are the best part of the show. easily 

SHE GOT SUSAN 🔥🔥

vaggie getting her wings back . i love 

this is easily the best episode so far. both musical numbers were great and vaggie and charlie being apart and their stories being intercut only for them to come together at the end was amazing. cannibal town is absolutely amazing and perfect and there was a noticeably less amount of swearing. 9/10, praying that  the finale is this good too 

episode 8 (finale)

is this technically just a part 2 to episode 7 

PENTIOUS DRESSED LIKE A GENERAL.AW

i love vox he’s so goofy . i wish he appeared more 

charlie’s message is really nice i love her a lot but it was kinda ruined by niffty

cherri makes everything worse 

angel dust’s development is nice 

pentious being forced into a hetero love with cherri,,,blehh this is the most aroace guy ive ever seen 

mini more than anything reprise with charlie and vaggie is really sweet . 

ADAM 💥💥💥SICK ASS NEW OUTFIT BRO 

adam is still the best character in this show. “chill lute fuck” i adore alex brightman 

the battle outfits are cool 

alastor finally doing something helpful 

gyat DAMN adam. awooga 

vox’s stupid dance 

alastor saying nuh uh to the person trying to murder him is funny

i don’t want to kin adam but i Do. i Do he’s Awesome

while it interrupts the action vox watching and cheering as alastor nearly dies is super funny 

okay Actually dies then

i am enjoying this so much 

SIR PENTIOUS CLUTCH 💥💥

adam is the best character in the whole fuckinh show him oneshotting pentious is hilarious . i know he goes to heaven and doesn’t rlly die i think 

what happened to the angels fighting with reckless abandon??vaggie is getting her shit rocked

GET FUCKED LUTE

ewww adam is a white guy.ew put the mask back on 

lucifer and adam interaction this is just peak

why aren’t the angels going after the rest of hell once they realize that they’re screwed 

adam without the mask is fugly

HE .HE DIES ??WHAY YHE FUCK

the hotel:(

“the ultimate sacrifice” i love pentious a lot but HE DIDNT DO SHIT BRO 😭

i choose to believe that lilith divorced lucifer because lucifer was a gay man and she was a lesbian

why is cherri a main character now i dony. ew

alastor is alive ! boo

bro thinks he’s jack skeleton 

husk being mad when he sees that alastor is alive is funny 

WHAT THE FUCK 

VOX GET A JOB. STAY AWAY FROM HIM

sir pentious gets into heaven :) thaht makes me happy 

season finale! this was a phenomenal episode to end of a good series, though ill be real i don’t know if having a second season is a good idea. most if not all of the conflicts are resolved among the main cast. ending it off with pentious getting into heaven is amazing though. episode is a 9/10 it was funny and engaging and really fun all around.

overall score for the series is a 7.5/10 i really enjoyed it 

[canmom]

How aren't mediums fungible? Any art history class would teach you they very much are.

what, has 'the medium is the message' gone out of fashion now or something?

but to explain what I'm trying to get at, since there's a good chance I misused the word >< - each medium brings its own set of affordances and emphases. if I see a CG animation I pay attention to different things than if I see traditional animation or stop motion or what have you.

for example, we could have a look at the animation of Hiroyuki Okiura - say, the introduction to the Cowboy Bebop movie, or his work in Magnetic Rose. Okiura is one of the most renowned realist animators, someone whose drawing style, camerawork etc. hews very close to live action film. his exceptional sense of perspective and space is remarkable in traditional animation. by contrast, you 'get it for free' in CG and stop motion - you will always have perfect linear perspective unless you go out of your way to break it. however, CG rarely captures the exact qualities of Okiura's animation, which come from the sense of drawing principles - how to simplify shapes, 2D spacing etc. and by making it something constructed, the way characters move through space, the way a drawing can suddenly feel 3D, becomes foregrounded - it's no longer incidental but now a core part of what Okiura's animation is expressing.

so, 'live action into anime' is kinda what the AI style transfer tools are going for. in the technique from the recent paper, you start with a static drawing of a character and some animation data (likely mocap), and the program will generate an animation. that's similar what Corridor Digital attempted a few months ago, using a neural network finetuned on Vampire Hunter D: Bloodlust, and applying 'style transfer' to live action footage they shot. the results were, viewed as rotoscoping, kind of hideous, with shapes constantly flickering and turning into mush. the new paper I linked offers some techniques to improve the temporal consistency of this type of AI rotoscoping which should make it look a lot less bad, though it remains to be seen whether it works in situations other than 'well-lit fullbody shot'.

still, even if Corridor's video was a lot more technically solid (and give AI development a few years to iron out the kinks, I'm sure it will look downright quaint), it doesn't provoke the same response in me as Okiura's animation. the process of drawing something involves a lot of artistic decisions about what to capture, simplify, emphasise; for all that it is 'realist', Okiura's animation likewise has a particular feeling to the way characters move, the way they interact with light, the use of line, etc. which in some large part arises from how it is produced. so much of that is all but impossible to capture in words.

but also - knowing a bit about how it's made, and having my own experiences of animation, gives me an angle to appreciate what Okiura is doing. a drawing of something is a way of drawing attention to the specific details of the subject. two people drawing the same subject will never draw it the exact same way. one of the joys of going to life drawing is seeing how many different ways people can approach the same subject in the same ten minutes - inflected by different media like charcoal or watercolour pencils. one of the great things about anime is the space it gives key animators to bring their own sensibility to a particular shot.

I certainly accept that is inevitable that mediums will evolve with time. anime looks very different today than it did 30 years ago. part of of that is evolving sensibilities, partly the slow-motion collapse of an overstrained industry, but also a lot has do with the fact that every studio has switched to digital compositing and digital background painting. it's possible through painstaking effort to fairly closely imitate the look of cel animation on a computer, but you really have to go out of your way, and it's rare to do that.

and I do feel like something has been lost with the death of cels - qualities of line and colour, the difference between digital bloom and backlight animation. but something has been gained at the same time: maybe we've gradually lost the traditional skills for drawing layouts because the conditions of production made it so that skills weren't passed on to the current generation of animators, which sucks, but we have simultaneously gained the ability to merge 2D and 3D animation with tools like Grease Pencil, to use the camera-like digital compositing effects of directors like Naoko Yamada and Makoto Shinkai. it's not better, just different.

this isn't to make the boring argument that AI art is soulless, or lacks the magic human touch, or whathaveyou. it's just a different medium. nor would it be right to say that there are no connections between media - literally right now I'm modelling an arm, and my experience of drawing arms is directly influencing how I break down the forms and all of that. AI generated images derive in obvious ways from traditional animation and CG and photography and all that, AI engineers study these media in great detail as they develop their programs; our knowledge of those media can inform how we respond to AI.

honestly, CG that aims to replicate the look of traditional animation, such as in the games of ArcSystem Works, or the works of Orange like their Houseki no Kuni, is something I actually find very interesting. not because I think it could or should replace traditional animation; it just reveals fascinating things about both media. the same can be true of AI, I think. like what do you learn from what a neural network is able to capture, and what it isn't? and what does studying neural networks tell us about human brains?

if the development of AI and the accessibility of new tools leads to a flourishing of interesting new animation, I'll be happy. I just don't see it as a replacement for traditional animation and 3DCG. if anything the future of animation will probably look like a hybrid process taking advantage of the best features of all the different media we've invented - insert the usual spiel about Arcane and Spiderverse here. AI is currently very immature, we're still figuring out what it's good for and the hype drowns out everything, but I'm sure it will find a comfortable place, and I'll be interested to see how it all shakes out.

but what I meant with 'not fungible' is that, if you try to replace one medium with another, you will inevitably change the qualities of what you make. nowt wrong with that. like, just because you can adapt books into films (and vice versa) doesn't mean books are obsolete. some things are easier to express in prose, others in film. you can have prose that's informed by film, and film that's informed by prose. everything's talking to everything else, it's great! but the tools you choose are meaningful, and interesting. not just an irrelevant detail to be swapped out when "superior" technology comes along.

[melonteee]

i just wanted to say that i love your videos, more specifically your analysis ones. (one piece and the especially the yugioh ones) you’re so well-spoken and every video essay is so articulated, i feel like i just attended a lecture class for the one piece 1101 course taught by dr. melonteee. i love hearing your interpretations of the characters and what you make of different arcs or topics. (i also love how you say “wano” i literally only say it in the way you do now it’s so satisfying and scratches an itch in my brain) i make jewelry and i always put them on in the background to listen to while i work. honestly, if you had a podcast i would 100% listen to it <3

i found you through your boa hancock video. when i watched it, i teared up, because the way you talked about her story was so understanding and emphasized all the parts of her i love. it felt like you fully understood her character. i really connect with boa and she’s my favorite out of all the one piece girls. as a survivor of sexual assault, boa’s internalized guilt over something she couldn’t control and the way she overcompensates in her actions is something i relate to. you described her so well in your video and it was refreshing to see someone else with a different opinion of her. i’ve seen so many times people reducing her character into only the bad parts. that she’s only there to support luffy or that she’s annoying and it hurts. she deserves to experience romance, whether it’s reciprocated or not, and she deserves to be a bit excessive. that’s what i love about her!! she’s dramatic and unapologetic. it’s the best!!!!! it’s important to talk about characters like her and to see survivors as more than just that, but as people, who do or say ridiculous things. i’m sorry to turn this into a boa hancock rant i just love her a lot and your video on her was amazing.

thank you so much for talking about her and handling her story so well. you’ve really inspired me to look deeper into these characters and made me want to understand them a bit more. i love listening to whatever you make and i get so excited when you post. i’m glad that you’re enjoying making these videos. thank you thank you thank you!!!! have a good day/night!! <3

!!! Thank you so much!! This all means a lot to me truly, and I’m so happy I reached so many people with that Boa video. She really touched my heart the way she touched yours, and one of the reasons I made it is because I couldn’t stand how people saw her as this detestable, annoying being for her surface level actions.

I’m also truly sorry for what happened to you anon, and that was another reason Boa being perceived the way she did upset me so much. Because I could see exactly what her story was supposed to portray, and more than anything I wanted people to understand she IS a victim and her stone mask is due to that lack of empathy she never received. While Boa is a comical character, how she processes her trauma and what she feels is so painfully realistic, and I felt there must be a pain some real life people who relate to her would feel in seeing how Boa is hated by a fair chunk of fans.

But of course, anyone is free to dislike Boa! I just want everyone to have more of an understanding of her, and I really am so happy my essay on her spoke to you. We can really learn empathy through what we watch sometimes, and Boa’s story made my heart hurt so much that it truly taught me a lot in terms of how trauma can shape a person.

I hope you’ve found healing and love anon! I know you’re on anonymous, but speaking of your own experiences still takes a lot of strength, and I’m glad this space I’ve catered made you feel comfortable enough to do so.

Also, I’d love to make a podcast! I just don’t have many ideas for one HAHA but!! If I ever have a brain blast, I’ll be sure to start one! Thank you again! 🫶

[shytastemakerthing]

hi id like to request a romantic twst matchup ^_^ i dont label my gender/sexuality and the way i present myself fluctuaes but i could consider myself as androgyne (he/she). im an afro-carib with caramel brown skin, 4a curly hair. im more on the chubby side with a round face (two moles on each side) and apple body shape. i have a bit of a resting bitch face as well.. and my voice is at most monotone amd flat.

im pretty calm and mellow most of the time.. like an observer in the background. im a soft-spoken guy. usually im relaxed and unshaken, though my motivation seems to come on a whim every other day so i may seem out of it at times. its easy to keep my composure for most things and keep my emotions in check.  i have tendencies to be passive-aggressive when provoked and im kinda stubborn but i swear that im chill and friendly.

its easy for me to pick up from setbacks. im naturally intelligent but i dont really study to keep it.. its not like i dont want because, im quite self-aware, its just the lack of motivation. im also quite clever when the time comes and people still seem surprised abt it. im also a realist and i tend to give advice rather than comfort when the time comes. when im around the people i love i seem more chatty that usual, not like super loud or outgoing but im def enjoying myself.

i also laugh at like everything even if its unfunny as hell. my humor is mostly sarcasm and satire tbh. i like trying new things for the sake of trying new things. i also like playing video games, indulging in my interests (drawing, fashion, movies, etc) or whatever seems to catch my eye. ive been wanting to get a bass guitar and grow a garden one day. im also told im quite good with babies but not toddlers. quite the pacifier. my love languages are quality time and parallel play and id like to receive acts of service and words of affirmation (or the ones i give). thanks!! ^_^

A/N: Hello and thank you so much for your request, anon! I do hope that you like your match-up! Enjoy!

Tw: None

I match you with..........

Ruggie Bucchi

Honestly, with how crazy his life is, between doing jobs for Leona, jobs for anyone else, trying to get his schoolwork done, being like an unofficial vice housewarden for Savanaclaw, he needs someone who is as calming as yourself, After such a long day, knowing that he could easily retreat into the safety and comfort of your arms makes his hyena beyond thrilled. It's his favorite part of the day.

Ruggie loved just how real you can be about things. Too many people just beat around the bush or try to sugar coat things when there are times where you just need the brutal honesty of a situation. Seeing how he grew up, it was easy to say that he had a similar mindset. Not everything is all sunshine and rainbows. So the fact that you'll just tell him things as they are, no beating around the bush or trying to make things better, it is something that he greatly admired about you.

Look at the hyena and tell me he isn't sarcastic in some way, shape, or form. Sure, he absolutely loved himself a good laugh, oh, but he just loved your sarcasm. It always brings a snicker out of him. This means he will also get sarcastic with you and at you, or crack some jokes as well, some being better than others.

Seeing how you keep your composure is something that's always impressed him (even more so if your the Ramshackle prefect, because if he was ripped out of his world, put in a brand new one where he knew absolutely nothing, put in a dorm that was falling apart at the very foundation, he didn't think he could keep his cool the way that you do), and he certainly thinks that a lot of the students here could learn a thing or two from you.

Oh, he absolutely loves your hair! He has seen hair like yours before, but not often. Now, he is a very dedicated partner (and also got some experience with a lot of the kids that were in the village he grew up in), meaning he learned everything about your specific style of hair. How to care for it, how to style it, the whole nine yards. If you ever need someone to work with and style your hair, he's the hyena for the job (he will even do it for free....... or maybe at least for a doughnut)

Overall, Ruggie is a very dedicated partner. He may not have much, but he finds anyway that he can be able to show that he can provide for you. Just the fact that you actually looked his way and gave him a chance means more to him than you could ever possibly know.

[hauntedtotem]

Do you have any drawing tips?

•When it comes to digital art, if you struggle making lines clean or sharp enough, using a textured brush erases that struggle because the whole point is not being clean or sharp.

^left is obvious where mistakes were made and had to be erased, looks choppy and needs cleaned up. right does not need cleaned up much. saves time and energy!

•if a drawing looks a little too bland or unfinished, but you don't know what else to do about it, adding a texture overlay does a lot, especially for solid backgrounds

•For both traditional and digital artists, do👏art👏studies👏. No, this doesn't mean sign up for expensive art classes, it means spend a page in a sketchbook just practicing one thing. So instead of drawing say, a character portrait like usual, have a page that's just full of hands in different poses (use references! Very important for studies!)

2016 example, but you can tell which ones had references (hint: only 3 of them did,but they're way better than the rest)

the only recent example I had was an unfinished page of bird skulls :/

Which brings me toooo

Learning to draw realistic skeletons can also really help with anatomy, if your character looks wonky, think "could a skeleton fit in there?"

Thinking abt how their skeleton looks can help notice things like the eyes being too high up or the mouth being too low, or having no room for a brain

*this is not a dig at people with this style! It's okay to have more exaggerated features and you don't need to draw realism! The skeleton rule does not apply to cartoony characters obviously. Just some advice from someone that used to put the mouth too low all the time

•if you get stuck where you feel like you aren't improving, try different art styles out.

•If you have art block and don't know what to draw, try the 'dtiys' or 'draw this in your style' tags and pick something there, or do screenshot redraws from games or shows

•If you usually listen to music when you draw but it's just not doing it atm, switch to something like long YouTube commentary videos or documentaries, and vise versa. Sometimes the brain wants music, sometimes it wants information or gossip. When you get burned out from one go to the other

•this applies to traditional and digital art too! If you have art block on one medium, switch to another! If digital isn't working, grab a pencil or paintbrush, or play with some clay! Sometimes the brain isn't bored of art, it's just bored of the medium.

•If you're trying realism and struggling, break it down to simple rules.

And I don't mean the shape thing everyone suggests, I mean things like "the inner corner of the eye lines up with the mouth, the outer corner of the eyes lines up with the ears, your nose bridge leans into your eyebrows, feet are the same length as your elbow to your wrist, use the collar bone to guide the shoulder position, the armpit curves into the breast, etc.

*this doesn't apply to everyone or every expression! Remember the mouth moves around and comes in all shapes, it's a very loose "rule", and people's eyes aren't always the same distance or angle, just keep the ear around that general eye area

Glasses test: can your character wear glasses?

carlos passes glasses test- a better rule for mouths is to imagine smile lines, even if whoever youre drawing doesnt have wrinkles, theyre a good guide for mouth placement

•doing color palette challenges can help practice composition and shading with abnormal colors, and helps understand color theory

•for digital, you can overlay colors over a drawing to make the palette more uniform. Don't be shy abt messing around with it

•Watch speedpaints! Watch pencil animation clips! It helps

•don't be afraid to use your art supplies. Ik the struggle of "but I don't wanna waste it", but that paint will go bad if you keep it on a shelf for years! Use it already! Doodle in the "fancy" sketchbook! Yolo!!

•use cyan and magenta for mixing paint, not blue and red. The "primary colors" rule doesn't always apply to all mediums.

•keep your old art! Do not tear it up or throw it out just because you're not proud of it, it's cool to reflect or even redraw it years down the line (backup your digital art somewhere, even the ones not posted online because your computer could just die one day for no reason and take everything with it. It sucks)

•IF you sketch on paper and then digitalize it later, you can draw the pieces seperately and photoshop them together. So dont worry if you drew a really good hand but it's at the slightly wrong angle, or too far away from the body. You can put it where it needs to be without having to erase and redraw it

[jennifer-ke]

Week1- task2-watching vedio

reflection:

The sentence that impressed me the most was everyone's surroundings and personal values and ideals affects how they see and feame the world. This sentence highlights the idea that photography is not just about capturing images but also about expressing one's interpretation of the world. A photographer's background, experiences, and values play a crucial role in shaping how they view their surroundings and frame their shots. This understanding underscores the diversity and richness in photographic art, where every photograph offers a glimpse into the photographer's personal world.

In my understanding, The observer effect in photography shows that a photographer's presence and actions can change what they are photographing. By being aware of this effect, photographers can make choices to reduce their impact and aim for authenticity in their photos. Understanding the observer effect is important for photographers who want to capture real and honest images of their subjects and surroundings.

For Misinformation and Disinformation, Misinformation can lead to confusion and the spread of false information. It can cause misunderstandings and perpetuate myths or stereotypes. Unlike disinformation, misinformation is usually spread without malicious intent but can still have serious consequences.

False equivalency is a mistake in thinking that happens when two subjects are shown as if they are equal or similar, even though they are very different in context, value, or importance. In photography, this can happen by how the images are presented, framed, or placed next to each other, making it seem like there's a false comparison.

In my understanding, A staged image in photography refers to a photograph where elements within the scene have been deliberately arranged or manipulated by the photographer. This differs from candid photography, where moments are captured spontaneously without interference.

Confirmation bias in photography emphasizes the importance of critical thinking and self-awareness in the photographic process. By recognizing and addressing these biases, photographers can strive for more truthful and balanced representations, contributing to a more informed and empathetic understanding of the world.

Physical manipulation in photography combines art and science, offering photographers endless possibilities for creativity and self-expression. Using hands-on techniques, photographers can create unique images that showcase their artistic vision and connect them to the photographic process. Despite the challenges and complexities, physical manipulation is a valuable and rewarding approach for those looking to push the boundaries of traditional photography.

Deepfake in photography involves using artificial intelligence (AI) to make very realistic but fake images or videos. This technology can change photos or videos to make it look like people are saying or doing things they didn’t actually do. In photography, this can include altering facial expressions, changing backgrounds, or mixing features to create misleading visuals.

A shallow fake in photography means making simple changes to an image that can be misleading. Unlike deepfakes, which use advanced AI to make very realistic fakes, shallow fakes use basic editing tools like changing colors, cropping, or adding things to a photo. These changes can mislead people but are usually easier to spot than deepfakes.

Selected editing in photography means changing certain parts of a photo while keeping the rest the same. This technique lets photographers tweak things like brightness, color, or sharpness in specific areas without affecting the whole image. For example, you might brighten just the subject's face but leave the background as it is. Selected editing helps improve or fix specific details and can make the overall photo look better.

[pa0bee]

SketchBook #3

Saint Christina, c.1640

DESCRIBE PHYSICAL QUALITIES

What is it made of?

Oil Canvas.

How big is it?

 33 x 27 3/4 x 3 in.

In this portrait, there is a beautiful woman with soft features and sorrow reflecting in her eyes. She was subjected to various tortures before being murdered with arrows which explains the fact that she has an arrow piercing her neck.

What colors and shapes are used?

The colors seem mostly cold. It gives a renaissance and baroque vibe to this realistic portrait.

What subjects (if any) are represented?

In this portrait, the woman being represented is Saint Christina from Tuscany.

How was the work designed?

This portrait was designed with various shades of muted colors used repeatedly using a realism technique.

Is it balanced?

I can say that this artwork is very balanced all the mute colors and its details make a complete portrait.

What is emphasized? Rhythm? Proportion?

The colors make the rhythm be present and the proportion is there too. Christina is well centered and all of the details put in this portrait bring it all together.

Contrast? Does it have unity and variety?

The colors and tones used for this portrait are repeated and it makes it have unity.

ALL ABOUT ME:

How does the work make you feel?

This portrait makes me feel sort of upset. Knowing the story behind this just makes me feel sad and angry. Christina was murdered with arrows for defacing her father's beliefs. That's why she becomes Tuscany's martir after her death.

How or why does it evoke these feelings?

The balance of colors makes me feel a sort of sadness and remorse.

NOW RESEARCH:

Francesco Fuirini was an Italian painter. He was one of the leading Florentine painters of the first half of the 17th century, famous for the ambiguous sensuality and sfumato effects of his many paintings of female nudes. He first studied with his father, Filippo Furini, nicknamed Pippo Sciamerone and described by Baldinucci as a portrait painter, and he completed his apprenticeship in the studios of Domenico Passignano and of Giovanni Bilivert in Rome. At the Palazzo Pitti, he came in contact with Pietro da Cortona, who had completed the frescoes in the Sala della Stufa, an encounter that encouraged Furini to develop a more Baroque style, which nonetheless retained an emotional, Venetian character. He then visited Rome shortly before his death.

(all this information was searched on the databases of SCF https://doi.org/10.1093/gao/9781884446054.article.T030220 )

THINKING:

What movement is the art work associated with?

It is the Baroque movement. It was a bequest of John Ringling in 1936. The subject in this portrait is Saint Christina.

What does the artwork say about the artist that made it?

This artwork proves Francesco Furini's style and reputation for painting rapturous images of female nudes.

Can you tell what the artist was trying to say?

The artist is trying to portray how Christina became Tuscany's martyr.

How clearly does the artist get their message across?

It is very clear that in the portrait there is an arrow piercing her neck and that was the way she was murdered. He wanted us to see her backstory through this portrait.

THE LAST PART:

This artwork is basically one of the most beautiful portraits I've ever seen with a dark background story. It definitely yelled my name as I was walking by. It immediately caught my eye. Such a nice color palette, the unity, and balance make the perfect portrait. I love this piece. This is such an important portrait. It explains the dangers of defacing people's religions. And it is upsetting to know that to this day it still happens in some countries. In conclusion, the background story of this portrait and the portrait itself bring everything together to make a beautiful masterpiece!

PROOF OF ATTENDANCE

( I forgot to take a picture of myself. I'll leave a picture of my wristband and a video over here)

[gleviachain]

1st Art of 2023, 100 First Artworks and a Look Back (Number 99)

99. Morrston Rally Showdown: Champion Road

That was my attempt at video game box art, particularly rally racing video games. I've been thinking about that for a while, and thought that a fully-fledged game cover with all features and stuff would be an interesting idea, plus I had no cars in my gallery, it was a time to change the status quo. Why did I choose rally games, and not RPGs or adventure games for example? I like the simplicity of racing games box art, how it's just cars and that's it. Another thing, RPGs or other genres would be time-consuming and more difficult, so I stuck with vehicles. Like this piece more than a previous one, it was a fine detour from my other uploads. I had way more fun in this one than I had with the 'Cerberus', thinking of all the names, features, logos and the stuff in those little windows, it was great. I think most of the cars turned out alright, except for light blue one on the front cover, white one on the back a bit (quite plain, but looks fine from the distance), and the purple-yellow jeep on the back because it's not detailed and lacks polish - the, and maybe the green one on the back - for its weird oval shape. Really like the ground on the back cover, looks kinda realistic, also the sand/dust effects on the front, and that 'Metaarch' console logotype might be my favorite thing in this - if not counting the horrible '-ch'. I think this is pretty acceptable or rather fine box art for a fictional game, but it has some problems, like that off Morrston logo on the front, lousy background on the back, plus the empty 'Hundred' space, and the final logo area is poor and lacks other information (contact etc.). It's flawed, yeah, but this bold, colorful design reminiscing of rally/racing video games box art from 90s might appeal to some people and they might find some cool ideas here or find the layout interesting. All I'm saying is, it's not a complete failure, I feel quite proud for making this, it's better than the last upload, things are looking up. Another fact: 'Tolus' from Tolus Supercharger Heat 2 is an anagram of Lotus, another racing video game series.

Two cars, obstructed by the light and a tree.

[jazy3]

Free Guy Review

!!!SPOILERS AHEAD!!!

If you haven’t seen the movie Free Guy (2021) stop reading right now! Drop what you’re doing and go get yourself a ticket! You’ll thank me later!

I loved this movie! I saw it this weekend for the second time because it’s that good! I first saw the trailer on YouTube a while back and then when theatres reopened a few weeks ago I saw the trailer again and my interest was piqued. I had high hopes for this movie based on the fun looking trailer, the premise, the cast, and the sense of fun and escapism that the movie seemed to embody and it did not disappoint. It’s always nice when you have high hopes for something and it meets or exceeds your expectations.

Free Guy is just such a fun and joyous movie. Never taking itself too seriously, packed with lots of heart, cool cameos, full of gaming and pop culture references, and it’s fueled by a unique concept that is well executed. There are just so many things I loved about this movie! It was a ton of fun to watch and the actors clearly had a blast making it. During the movie I kept trying to figure out where I knew most of the actors from but couldn’t place them. When I got home, I googled it and I instantly realized why. The roles are just so different and the actors embody their characters so completely you lose yourself in the film and get completely sucked in. I was honestly so surprised when I figured out what I knew most of the actors from because the roles that they’re known for are so different from their characters in the movie. Their appearances, established ages, and even the accents are so different that I literally did a double take, but that’s what makes the movie so good! Because the main actors obviously didn’t need the paycheque they were just there to have fun and it shows. I think if the situation had been different and the actors involved had been desperate for money or took the role for some other reason it wouldn’t have worked. The film would have come off as cheesy, forced, cringeworthy, or just plain bad. Free Guy is none of those things. The film stars Ryan Reynolds as ‘Guy’ a bank teller in a video game called Free City, Jodie Comer whose best known for playing Villanelle in Killing Eve as programmer Millie Rusk and her avatar Molotov Girl, Joe Keery whose best known for playing Steve Harrington in Stranger Things as programmer Walter ‘Keys’ McKey, and Taika Waititi whose best known for playing Viago in What We Do in the Shadows as the Head of Soonami Studios and the film’s main antagonist and villain Antwan. Rounding out the cast are Utkarsh Ambudka as programmer Mouser and Lil Rel Howery as Guy’s best friend and bank security guard Buddy. In a nutshell, Free Guy is about a bank teller named Guy who finds out he’s a non-playable background character (NPC) in an open-world Grand Theft Auto style video game called Free City. Guy becomes the hero of his own story after meeting Millie, the girl of his dreams, and winning fans all over the world by racking up points by being the good guy and helping others. After leveling up and helping Millie escape a dangerous situation in the game, Guy wins her over and she falls for him thinking that he’s another player. But when the world that Guy knows and all of the people in it are threatened, he teams up with Millie to save his friends before it’s too late. In the real world, Millie enlists the help of her former programming partner and best friend Keys in a race against time to stop their code and all of the sentient characters from Free City from being deleted by Antwan the developer who stole their code when the game’s sequel launches. I love that the movie had a unique premise and didn’t overcomplicate things. There are so many movies that I’ve gone to see over the last few years with such excitement only to be disappointed. For example, I loved Wreck It Ralph, but was so disappointed by its sequel Ralph Breaks the Internet. The trailers made it seem like it would take the premise of the first movie and move things into the online gaming world, and I was excited for that. Instead, the sequel left the premise of the first movie behind entirely and way over complicated the plot and the end result was extremely cheesy and disappointing. Free Guy’s strength is that it’s a self-aware movie made by self-aware people who are excellent at what they do. The movie doesn't take itself too seriously, nor should it, and that allows the story to flow and the characters to feel real and genuine. The movie achieves that perfect balance between being entertaining and telling a cohesive and important story because while the movie never takes itself too seriously the people behind it are serious about what they do. This was very clearly a passion project for all involved, especially Ryan Reynolds, and it shows! As he’s spoken about in interviews and on Twitter, Reynolds called on a lot of his friends to be in Free Guy and help him out and the end result was fantastic! I loved all of the cameos! The Chris Evans cameo was by far the funniest and the Alex Trebek cameo got me right in the feels. When I saw the movie in theatres me and everyone else in the theatre gave a collective “awww” when he appeared on screen. Enlisting real YouTubers to show up as fictional versions of themselves to talk about Blue Shirt Guy’s popularity was a nice touch and you’ve also got blink and you miss it voice cameos by John Krasinski, Dwyane The Rock Johnson, Hugh Jackman, and Tina Fey. Channing Tatum appears as the avatar of player Revenjamin Buttons which for the most part was hilarious. One of my few criticisms of the film is that they went a bit overboard the avatar’s antics as Guy and Buddy are attempting to leave and it got bit a cringeworthy. But I know other people found it hilarious so to each their own. I love all of the little details and references in the movie. Just listing them all would be a post in itself. If you’re someone that loves pop culture references and Easter Eggs this is the movie for you. The characters are fun and believable, and you get attached to them quickly. The actors commit completely to their roles which is makes the humour, romance, and heartfelt emotion of the film work. You buy it. 100%. Something that I absolutely loved was that the characters felt realistic and that the dialogue, attire, and settings for each character really felt authentic. I can’t tell you how many times I’ve watched a movie or TV show and walked away thinking, “The person who wrote that clearly never meet a kid, teenager, or twenty something in their life! That was so unrealistic.” The slang’s all wrong. The dialogue is so eloquent everyone sounds like they did Shakespeare in the Park last summer. You walk away thinking, “What the hell was that? No one talks that way!” What I loved about the characters in Free Guy is that they felt like real people you could actually run into or walk past on the street. I’ve read in interviews that in addition to the written dialogue the cast did a lot of ad-libbing and improvisation and the end result is both hilarious and relatable. The dialogue feels real because it is. The big exception to this of course is Antwan who is altogether off the wall and ridiculous. Antwan is such an outrageous, absurd, vulgar, and cartoonish character. He’s so fun to watch and the actors clearly had a lot of fun with his scenes! I’ve read that a lot of his lines with Keys and Mouser were improvised and I believe it. When he goes all Jack Nicholson on the servers? Lord. He’s such a great villain to watch. The characters that are established to be in their twenties like Millie, Keys, Mouser, and the other employees at Soonami Studios talk, act, and dress like they’re in their twenties. The actors that are in their forties are styled to look like they’re in their thirties and honestly, they’re in such great shape it works! I mean I was honestly shocked to find out Taika Waititi’s real age. I love how the costuming really fits each character and allows you to learn more about them. Keys’ clothing is your typical gamer chic which makes because as we learn from his interview with Millie coding is his life and what gets him up in the morning. From Mouser’s clothing we learn that he’s a sports fan, but also isn’t afraid to take risks like with that blazer ensemble he wears in his final scene at Millie’s apartment.

Millie’s clothing shows the contrast between her and her avatar Molotov Girl, and Antwan’s ridiculous coat enhances the overall wackiness of his character. Guy’s clothing tells us something too. He wears the same thing every day until he meets Millie in the game at which point, he starts deviated from his Free City programming and chooses a different blue shirt. I also really love that they put thought into why Keys needs to wear glasses. Something I noticed on rewatch is that Keys is far sighted which is why he has his glasses on when he’s looking at his laptop or computer and sometimes when’s talking to other people, but not when he goes to see Millie at her apartment or when he goes to get them coffee at the end of the movie. Another interesting aspect of Keys’ character that I noticed on rewatch is self-confidence is really something he struggles with in contrast to Millie and Mouser who are very confident. Millie is a genius programmer and Mouser is excellent at what he does, and they are both very confident in their coding abilities, but Keys isn’t despite being every bit the genius that Millie is. At the beginning of the movie when they first notice the issue with Guy Mouser jokes that Keys needs to be better at his job. In response Keys meekly says he thinks he’s pretty good at his job and trails off at the end. Mouser is just joking around, but because Keys lacks self-confidence comments like that hit him hard. Mouser is moving towards his own desk as he talks so he doesn’t notice how self-deprecating and uneasy Keys’ response is. In the interview from the indie games conference that Millie plays for Keys at his apartment, he brushes off the interviewers comment that he’s a genius and says Millie is the real genius because she created the AI engine and he just wrote the code to make it work. Later on, when Keys helps Millie get into the stash house, she calls him a genius and he tells her that as he’s currently sitting on a toilet stealing user code he doesn’t exactly feel like one. Millie responds offhandedly that he never does, but luckily, she knows better. When Keys realizes that Millie was right, and that Antwan did steal their code and their game worked he tells Millie they need to celebrate because once everyone sees their build she’ll be celebrated and she could win a noble prize. Both Millie and Keys are geniuses in their own right. The game wouldn’t have worked without both of their skills and Guy wouldn’t have come to life without both of them working together. Millie’s AI engine made his sentience possible, but Keys is the one who gave him hopes and dreams so that when he met Millie in the game, he came alive. When done right the settings we see tell the story just as much as the characters do and I love how realistic the settings in Free Guy look. The floor at Soonami Studios where Keys and Mouser work looks like a real office and I love that the desks have clutter and personal effects on them like real cubicles do and that they show Keys taking a box of his stuff with him as he leaves. The lobby with the moving water videos and Antwan’s massive but largely empty office fits perfectly with the obnoxious, zany, and over the top character that he is. I also love the contrast between Keys and Millie’s apartments and how those settings tell us a lot about each character and where they are in their lives when the film starts. When Keys comes home from work to find that Millie has broken in, we see that he lives in a stylish one bedroom apartment with an open concept kitchen full of stainless steel appliances, a large living room centred around an expensive wall mounted TV and entertainment system, with his computer and gaming station set up in the corner. On the walls we see artful clusters of black picture frames, through a partially open door we see a bedroom off to the side, the apartment is full of black and white furniture including a plush couch and nice lamps, and features a textured silver accent wall. All of which makes the fact that Millie managed to break in even more impressive because it is clearly an expensive apartment in a nice building. Keys’ style is minimalist and upper scale and based on what we learn about the events that took place before the start of the movie this indicates that Keys got the apartment and all of the nice stuff in it using the money he received when Antwan bought his and Millie’s game. In contrast, Millie lives in a bachelor apartment and spends her time in coffee shops ordering one single black coffee over four hours. This tells us that she kept her original apartment that she had from before the game was sold and is living off the money she got from the sale while she spends all of her time trying to find the proof she needs to win her lawsuit. When we see Millie’s place, we find that it’s cozy, full of plants, throw rugs, quilts, and comfy furniture. She’s got a bike in the corner, you can see her bed from the centre of the room where she’s got her computer and gaming station set up adjacent to the coffee table and the rest of the living room furniture. Her kitchen is smaller and full of wooden cabinets and her bathroom door has DIY multicoloured square panels on it. Keys and Millie’s apartments are very different and through these settings we see the contrast between where these characters are in their lives, their wealth, and their personal style. The song ‘Fantasy’ by Mariah Carey is featured heavily in the film and is guaranteed to get stuck in your head in the best way! Jodie Comer’s cover of it is amazing! It fits the moment where Guy makes it to the island that is Millie and Keys’ original build and shows it to the world perfectly. This movie made me appreciate Mariah Carey’s music in a whole new way and I can’t be the only way. After watching the movie, I went looking for the song on Apple Music, wound up listening to the Mariah Carey Essentials Playlist, and I’ve become obsessed. I knew some of her hits, but after listening to her music more I get why people love her so much. Her five octave vocal range is amazing, and her music is just so fun to listen to. The film has a really great soundtrack overall and I’ve had many of its song on repeat since I saw it. Something I really loved about this movie and the reveal at the end that Keys is in love with Millie and is desperate for her to notice, but she’s been oblivious the whole time is that they don’t do the supposedly nice nerdy guy whose really a jerk trope. So many movies do this where you have a nerdy male character whose unluckily love, looked over, or his love is unrequited, and we’re supposed to root for him because he’s a quote “nice guy”. But really, he’s not. He’s a jerk who feels slighted because a woman in his life doesn’t love him back or notice him and he feels as if she owes him something. The scene at Millie’s place where Millie tells Keys he looks cute when he brags, and Mouser encourages him to tell Millie how he feels is super frustrating to watch but it’s so important to Keys’ character. He asks Millie out for coffee and when she turns him down to jump back into the game, he doesn’t make a big deal about it even though Mouser wants him to. Instead he gets up and goes and gets her a coffee anyway. She goes to tell him her order, oblivious to the fact that he’s memorized it, he tells her he remembers, and goes to get the coffee anyway much to Mouser’s and the audience’s dismay. This is big because Keys clearly doesn’t want to be walking down the street by himself to get coffee. He wants to be getting coffee with Millie so that he can tell her how he feels to see if she might feel the same way, but when she turns him down he goes and gets the coffee anyway because he truly loves and cares about her and he values their friendship enough to put his own feelings aside and suffer in silence rather than lose her and what they’ve built. So, he takes the opportunity to get some air rather than continue to sit there in disappointment. Which is why he’s so confused when Millie runs after him and calls out to him from across the street. He doesn’t understand what she’s doing there. She turned down his offer to get a coffee and he already knows her order so why is she there? I love that they chose to make that scene non-verbal. I think if Millie had come out and made some big declaration of love it would have felt cheesy and overdone. But her running after him and silently communicating through her smile and body language that she understood and that she felt the same way was perfect. It was subtle and beautiful and perfectly acted. It also felt realistic to the characters because in real life when you’ve known someone a really long time and you’ve spent a lot of time with them you don’t always need words to convey what you mean. What Millie wanted to express in that scene was so big and so all-encompassing she couldn’t find the words to say everything that she wanted to say so she didn’t. She just stood there and smiled knowing that being the genius that he is he would understand. It’s like Keys says in their interview, words will fail you, but code never does. His coding worked and now she understands so rather than try and say it all and fail she just looks at him and smiles to show him that she finally gets it. She finally understands what he’s been trying to say to her all this time. And you can see the exact moment Keys realizes why she’s there. The moment where he goes from being confused as to what she wants to realizing that she saw the video and she knows how he feels and that she wouldn’t be standing there smiling at him like that if she didn’t feel the same way. When I watched the scene the first time around, I was anxiously clutching my nachos the entire time because when Keys ran towards her my immediate thought was, “Oh my god he’s gonna get hit by a car and they’re never gonna get to be together! Oh my god!” But then he didn’t get hit by a car and Millie ran out to meet him and for the first time in their relationship she met him halfway and they kissed and it was beautiful! I think because Free City had so much violence in it that’s where my mind went and I’m very glad they didn’t go that route. One of my only criticisms about the movie is that I wish they had stayed on Millie and Keys just a little bit longer. They kiss and embrace and then very quickly they cut to black. I wish they’d linger on that moment just a little bit longer because I love those characters so much and in the scene that follows where Guy and Buddy are reunited we see them hug and then walk away together to start their new lives and I wish we’d gotten just a bit more time with Millie and Keys. I also really loved the parallel between the different kinds of relationships within the movie and how platonic relationships are just as important as romantic ones. The reveal at the end about Guy being Keys’ creation and a love letter to Millie and her realizing she’s been loving Keys vicariously through Guy and them finally coming together and being on the same page is beautiful because from the very beginning the movie is full of clues, hints, and foreshadowing that all comes together at the end. Meanwhile, we see the friendship between Guy and Buddy and how important that friendship is to him because it’s something that he created on his own. His love for Millie is born out of the programming that Keys gave him, but his friendship with Buddy is something that Guy created all on his own of his own volition. Which is part of what makes Buddy’s death on the bridge so tragic. I cried when Buddy disappeared. Reynolds and Howery play their characters with such sincerity that his death pacts an emotional punch you don’t expect. I love that the security guards at Soonami are so moved by Buddy’s heroism and are so captivated by what’s happening with the live stream that Millie is able to sneak past them into the server room and stop Antwan from destroying what’s left of the game. Something else I noticed on rewatch is that during the final battle after Millie gets booted from the game and Guy has to fight Dude on his own the glasses he’s wearing are very similar to the ones Keys wears in the movie which I thought was a cool nod to Guy being Keys’ creation. This really is a movie in which you find something new every time you watch it. For instance, the second time around I noticed that the foreshadowing that Keys is in love with Millie, but she’s oblivious to it because she’s so focused on the game was really well done. In the video from the indie game conference that Millie plays for Keys at his apartment when asked by the interviewer about their chemistry Millie responds first and says that their friends, their relationship is completely platonic, and laughs off the idea that they have chemistry. In contrast Keys falters and is silent and then eventually says meekly that they’re just friends. Millie is looking ahead at the interviewer and to the side away from Keys as she’s laughing and so she doesn’t see Keys’ reaction. At the end of the apartment scene after Millie breaks in to ask Keys for his help, he tells Millie he cares about her and he almost says something else. It feels like he’s about to say, ‘I love you’ but then he catches himself and instead tells her that she needs to leave. When Keys visits Millie’s apartment to tell her that she was right and they’re sitting on the couch he reaches out and puts his hand on her knee and then snatches it back when he realizes he’s gotten too close. He wants so desperately to be closer to her and in his excitement, he gets closer than he normally would before realizing that putting his hand on her knee in that close proximity is not a platonic gesture. Millie is so caught up in the realization that Guy, the person she’s fallen in love with, is an AI and not a real person that she doesn’t notice. My heart broke for Keys in that scene as he realized that Millie had fallen for Guy and kissed him and was so upset about it and meanwhile, he was right in front of her desperate for her to see how much he cares. It must have just wrecked him to go home that night and realize that Guy was based on the lovelorn character he created and that Millie had fallen in love with his creation while at the same time being so oblivious to his real world affection for her. In the scene at Millie’s apartment after they’ve gotten the server from Antwan and Mouser encourages Keys to say something, I noticed on rewatch just how weak and meager Keys’ attempt to ask Millie out is. He stumbles his way through asking her to get a coffee and trails off at the end so it’s no wonder Millie doesn’t clue in that he’s trying to ask her out. And in Keys’ defence he sent her a whole video confessing his feelings for her and all of the little things he loves about her and then told her to watch it and he has no idea if she did or not. We the audience know that Millie only saw half of it, but Keys has no idea if she saw none of it, part of it, or all of it. He knows she got Guy to remember, but she’s also sending him mixed messages. One minute she’s saying he’s cute when he brags and the next, she’s turning him down for coffee to talk to Guy. From the outside it’s so obvious that Keys is in love with Millie, but she doesn’t see it because she’s always looking the other way, not paying attention, so caught up in the game, and too focused on their work to see what’s right in front of her. On rewatch one of the big things I noticed is that Keys is always on the edge of telling Millie how he really feels but he always stops himself because she brushes him or the idea off and because he’s scared of what will become of their work and their friendship if she doesn’t feel the same way. It’s a huge leap. If Millie doesn’t feel the same way it’s going to make their relationship incredibly awkward and could potentially destroy their partnership so Keys decides it’s better not to say anything or only hint at how he feels rather than run the risk of ruining everything. Something else I noticed on rewatch is that in the interview they give Keys says he thinks of himself as an author and that code is what gets him up in the morning and that he loves the ones and zeros of binary because words can fail you and let you down but code never does. At the end of the movie when Millie goes to talk to Guy in Free Life he tells her that he loves her and while he knows that’s his programming he’s realized that he’s a love letter to her and that somewhere out there in the real world is the author. Such a great callback. All in all, I can definitely say that Free Guy has been my favourite movie so far this year! Definitely my favourite movie of the summer. I went to see it twice in theatres and I’ve never done that for any other movie before. I’ll rewatch them at home sure, but I’ve never actually paid money to see something twice on my own. I’m very excited to see the sequel and my hope is that it will be just as good as the first.  Until next time.

[getoutofmyjaneway]

Beta Cannon: the Pre Voyager Era of Kathryn Janeway | Mosaic v The Autobiography of Kathryn Janeway

This weekend, I got a copy of the Autobiography of Kathryn Janeway from a local book store. For how frequently we speak about Mosaic in the community (despite having some flaws) I was shocked that I had not heard a lot about this book and assumed it was a bad thing. And yeah in some regards it was (see @mia-cooper’s post on the subject). I have a lot of feelings (I’ll post a proper review at a later point) but one thing that did stick out to me is the divergence from what we have considered Beta Canon, aka, the extended universe of Star Treks told through novels, short stories, video games, etc. After completing the novel, I jumped right into my old standby copy of Mosaic, which has dictated a lot of Janeway’s back story since 96. Both of these novels cover the beginnings of Janeway’s life and how she was shaped into the woman we know. 

TLDR The Autobiography of Kathryn Janeway changes a lot of things for no reason. Some of these are for the good. Some for the bad. And some, for like no good reason at all, like it was fine as it was, and was accepted cannon for like 25 years, but sure fine whatever.

I will mention that, as Mosaic has been a book in my library and I have read it too many times, so of course, I do have a bias toward it. Additionally, I feel like it is fair to mention here that authors of Fanfiction have leaned on this as their bibles since 1996 as Mosaic is written by Jeri Taylor, one of the show-runners for Voyager. Because of its connection with a showrunner, Mosaic is also integrated into the canon of the show. It seems that most points that are taken from Mosaic in the Autobiography are only included because of their existence in cannon material.

Anyway, this review is going to focus on the characters that shape Kathryn and I will end with my final thoughts. This is long so to respect your dash, you are going to have to click keep reading. You’re welcome.

Obligatory Spoiler Warning for ALL of Mosaic, chapter 13 of Pathways, and chapters 1-7 of The Autobiography of Kathryn Janeway

Edward Janeway

In all media, I feel like we can safely say that Kathryn Janeway is in fact a daddy’s girl. Her relationship with her father is very important to her, so it is interesting to see how it is portrayed very differently in both novels. In Mosaic, a lot of the highlights of Janeway’s earlier years revolve around time spent with him. From giving her special attention after ‘Your Sister’ was born, to consoling her after her losing tennis match and subsequent walk home in the rain, and trips to Mars, Kathryn mentions great fondness of quality time spent. In the Autobiography of Kathryn Janeway he is more described as an absent father, one that she always wanted to see and please. When he was home, she wanted all of his attention and to impress him greatly. She wished to follow in his footsteps after gaining a love of flight and the stars with a plane ride and a telescope he gave her. He tried to prepare her by detaining the events of the current conflict with Cardassia and inviting Starfleet brass over for dinner. Overall, in her early childhood, it makes more sense for Edward to not be around often. There is not a lot of conflict between the sources, other than the details of the aforementioned tennis match and different childhood nicknames.  

Edward is in a crash aboard an experimental ship on Tau Ceti Prime which leads to his death. This is where the big differences begin. In Mosaic, Kathryn and her fiancé are also on board. In  Autobiography of Kathryn Janeway, Kathryn is still on the Al-Batani. The fall out of this event has a great effect on Kathryn of course in both novels. As this is a missive shaping event of Kathryn’s life, I felt it very jarring to be changed. This moment shaped Janeway and gives us good context for why she handles situations the way she does. I see this trauma and I understand her character better, for dealing with the loss of two of the most important people in her life all at once.

Gretchen Janeway

The Autobiography of Kathryn Janeway was good to Gretchen Janeway as her character is basically a blank slate. We know little about her from Mosaic as it mostly focuses on Kathryn’s relationship with her father (and other male influences in her life). It is nice to learn more things about Grechen as with Edward’s job, it is likely that Kathryn was mainly raised by her. Other than being an artist, she also wrote some of the Flotter holos and wrote a number of children’s stories about the people of Bajor during the occupation. She does a lot of humanitarian work with the refugees from Bajor during the occupation. She loves to garden and get her daughters involved. She has a close bond with Phoebe due to their overlapping interests, but you can tell that she strives to support her in what she does. Overall, I like getting know Gretchen to be someone of than Kathryn’s mother.

Phoebe Janeway

 I was shocked when researching Memory Alpha for this review, Phoebe is never named in any Cannon media up to this point (Star Trek Prodigy could very well change this). We know Janeway has a sister and she is an artist, but that is it. Both novels keep her very similar personality-wise. In both stories, Kathryn is not looking forward to being a big sister. They also both mourn the loss of their father together. In Mosaic, she is not mentioned much. Kathryn tells her she is not old enough on an off planet trip and Phoebe plays pranks on her. The Autobiography of Kathryn Janeway goes much more into depth. They don’t get along when they are younger. They fight a lot. I feel this is a very realistic portrayal of real siblings, vying for attention and approval, snapping when they don’t get their way.  They both excel at what they do, Kathryn in her studies and Phoebe through her art. They seem to need to one-up each other at every turn.  As they grow up, they grow closer together, as many siblings do. Points added for giving Phoebe a wife, something which has been included in a lot of fanfiction. Overall, there are no big conflicting points.

Mark Johnson

Kathryn’s fiance at the time of the Voyager’s disappearance, Mark is a very different part of Kathryn’s life in both novels. In Mosaic, he is a childhood friend and went by his middle name Hobbs. Seemingly always two steps behind Kathryn, he did a lot of the same activities that she did, tennis and swimming in the underground cave systems. He did these poorly, and this makes Kathryn always look down upon him. They reconnected after her father’s death and she fell head-over-heels for him. Personally, I always felt this was a little uncharacteristic of Kathryn, to run away from her responsibilities to be with a man. It just seems very out of character and has always bothered me. The  Autobiography of Kathryn Janeway takes a completely different approach. She meets Mark as a friend of Pheobe and her wife as a widower. They hit it off and they fall hard. You can see the conflict in Kathryn as she debates how to move forward with a relationship as they have different outlooks on life. She has a drive to explore but does not want to be an absent parent. She debates quitting, which I don’t think is something Janeway would have ever done. Overall she decides to accept Mark’s proposal just before taking command of Voyager. This makes the Dear John situation a lot more believable as it makes sense that he would want to move on with his life much quicker. Overall, I have to just ask, why? I know Mark doesn’t have a lot of character, but why change basically their whole relationship dynamic? 

Justin Tighe

Justin is a character I actually like for selfish reasons. This explains why I was very miffed that he was nowhere to be seen in the Autobiography of Kathryn Janeway. Justin is Kathryn’s first love, they were coworkers, engaged and in love, and dies in the same accident that takes her father. As a person who always wanted Chakotay and Janeway to get together, this incident perfectly gives the reason. She is afraid to get romantically involved with a crew member because of the nature of the job. This dynamic is seen between Picard and Nella Daren in TNG very well. Kathryn has learned the hard way that she can lose a person under her command and how it feels when you are in love with that person. In early Voyager, you can see she isolates herself from the crew and it takes time for her to get comfortable. And during Night she relapses to her old ways. This is the way I have always justified Janeway’s reluctance to have a romantic relationship during their time in the Delta Quadrant. By understanding her background, I have a lot of respect for that choice. Her relationship with Justin really shaped how she handles relationships and without the impact he had on her life, it actually makes her character weaker.

Owen Paris

Owen is Kathryn’s mentor. In Mosaic, they meet as he is reviewing her junior honors thesis advisor on massive compact halo objects. From here they gained a relationship built on respect and learning. It makes sense that, as he was her personal mentor, that she would be close with his family, and why she would seek out Tom as a person to bring with her to the Badlands mission. In the Autobiography of Kathryn Janeway, she does not meet him until she is on the Al-Batani. This doesn’t only weaken her relationship with Admiral Paris, but moreover weakens her relationship with Tom. If he was her superior officer, why would she develop such a ‘big sister’ mentality to Tom if she didn’t have as many opportunities to meet him?

Tuvok

Mosaic does not go too much in depth with Tuvok and Janeway’s relationship, but its sister novel Pathways does. In Pathways, Tuvok meets Janeway when he is an ensign under her command of the USS Bonestell. The Bonestell and the Billings, two ships that Janeway served on, tend to get confused a lot. Most sources have Janeway’s first command as the Voyager, Including Voyager itself -  “It doesn't seem like my first command is shaping up the way I expected,” Janeway Shattered. The Autobiography of Kathryn Janeway has her and Tuvok meet on the Al-Batani. I actually really like the dynamic between them, as they grow to respect each other over a much longer period of time. I also like that, though Janeway climbs through the ranks, it does not change their relationship dynamic as she still relies on him and asks him advice as if they were equals. I think giving them a longer time to build their relationship. Also would like to note that Janeway and Tuvok also had a friendship with the original CMO of Voyager, Dr. Fitzgerald. I always wanted to know more about the Pre-Caretaker crew and I would have loved to see this dynamic and how the grief of losing a close personal friend in the Caretaker incident would impact them both.

Also I feel obligated to shout out the Janeway and Tuvok story in Star Trek Waypoint One-Shot. I need to get around to doing a series retrospective, but this short story I have not seen anyone talk about and I love it so much. Please read Waypoint. Okay next.

Other characters

Cheb - Janeway’s boyfriend in Mosaic. He was kind of an asshole and got her into trouble. He is not in the Autobiography of Kathryn Janeway and I see no problem with this.

Boothby - “[he is the] head groundskeeper at Starfleet Academy. When I was a cadet, he used to give me fresh roses for my quarters,” Janeway Revulsion. Boothby is not in Mosaic. In the Autobiography of Kathryn Janeway, it is explained that her mother loved to garden and this was something that Boothby did as a gradian figure to make her feel at home and destress. Makes sense.

Aisha - A childhood friend of Katheryn’s. Only in the Autobiography of Kathryn Janeway. Mosaic has this weird thing about highlighting the relationships with only the men in her life, so it is nice to see her have some other female friends.

Nexa - Katheryn’s roommate at the Academy.  Only in the Autobiography of Kathryn Janeway. Nexa helps broaden Kathryn’s horizons by helping to learn about Exoliguisticts, first contact, and the Betazoid culture. Again nice to see her have other female friends.

Riker - Yes they go on a date in Mosaic. He is not mentioned in the  Autobiography of Kathryn Janeway. I know he is a gag character but I still liked it.

-----------------------

Final Thoughts

A lot of characters were changed between these two novels. There is a lot to like and a lot to hate. I really like what the Autobiography of Kathryn Janeway did with characters like Tuvok and Gretchen Janeway. Other characters were not so lucky (Justin, sweetie I’m so sorry that they would erase you like that, oh my god). It’s a mixed bag, but one thing I need say is... why?

We have had a good thing going here with the established canon as is. Mosaic (and Pathways) is the foundation of which the last 25 years of fanworks and the relaunch novels are based on. Why change history when it is already written?

Always, would love to hear your thoughts and thank you for reading my novel of a post. I will see you in the full review.

[steve0discusses]

Yugioh S5 Ep 20: Yugi’s Senshi Outfit

So I’ve been doing a lot of work, and I haven’t looked at the blog for a hot minute and when I finally checked back in to do these posts I noticed something on my tumblr was just blowing up. I got all excited thinking “oh shoot, Did I draw something right??” and instead, it was a random post I made about the bootspants from season 1. Three years later, resurrected from the grave and covered in...thousands of notes? I don’t understand how this website works.

Anyways, the comments are mostly good, but a little bit wild. A lot of people seem to think I would know what Jojo’s Bizarre Adventure is, when I’m an adult who is still watching the first 5 seasons of Yugioh. (I will never have time to watch Jojo,) and then some other people started talking about Actual Card Mechanics that went...completely beyond my comprehension. But then there was one person. One person who said one thing, and brought it all together.

Poots.

The boots that are pants.

Poots.

I can’t believe I looked at all the different combinations, but a Poots never crossed my brain.

It is so perfect, so cathartic, although it took 3 years to get there.

Poots.

Anyways, we’re in S5 and unfortunately not in poots anymore, Yugi is now dressed in a tupperware container from hell and they have wandered into a desert. On cue, Grandpa has an injury, but at least this time it’s not his ass.

You know how there’s artists who do hyper-realistic versions of pokemon monsters with detailed bone structure and muscle anatomy? I dare them to look at this orb and tell me how the hell it has wings. Like go ahead and try and pin a spine down on that thing. I’ll wait.

(read more under the cut)

So Joey decides to sprint down this endless desert with just boundless positivity.

Over the edge of this sand dune is a whole bunch of huts,just random civilization out in the middle of no where.

One girl walks over and it’s a look.

She’s really the only one here who can talk, and she just seems...so incredibly bored to be here. A whole lot of Wednesday Addams energy. She leads them into a hut where an old guy pulls a scroll out of blue fire. As you do.

Again, this arc should have been a video game, because while it’s something to get the player interested if there’s some riddle they have to solve to progress, when you’re watching a TV show, it’s not like I’m the one solving the riddle. The format is honestly one of the downers of this arc, tbh.

It has strong “I played a D+D sesh and made a webcomic out of it vibe” and I know I just called out like half of you, but listen, I will not take it back.

This episode, our gimmick is some asshole is going to be yelling at us from the other end of the map, just shouting in the background for the entirety of the episode like that tangible human skull meme.

Then Wednesday Addams hands over yet another MacGuffin because why not?

Tea can twin it up with Yugi now. Her necklace doesn’t seem haunted, but it’s only a matter of time. (also her necklace looks so freakin terrible, we’ll see it later and I’ll have a lot more to say because wtf it looks like some sort of polly pocket.)

I’m not 100% that the voice that shouts at us from the end of the hall this episode is Mokuba’s voice actress. But I’m 99% positive it is, or Mokuba’s voice is just really that type of vibe.

Stuff happens, and it felt like card duel stuff, so I’m gonna skip over the part where they pulled out their duel monsters one by one, since the fight was pointless anyway because the worms can turn you into stone. So Yugi and Pharaoh decide to have a chat about it because their plan is clearly not working.

This is when Pharaoh has a vivid lucid daydream, which seems like something that would have been more convenient before he ended up turning into stone on the floor of some desert. But, hallucinations never come when they’re convenient on this show. They usually come during card games, tbh.

Imagine with me that you’re dreaming of like...an old ass greek guy who is 99% Alexander the Great. Imagine he tells you to fuse with a sentient paper card that you already carry around in a weird capsule.

Please

For the love of all that is holy

Do not think about what it means to fuse with the Dark Magician.

Dark Magician is...he “exists” but he’s like not even a person. There seem to be whole fleets of dark Magicians, which are all the same guy, just cloned, right? Or maybe they’re a family? Or like...I don’t freakin know. Like they’re all hanging out together in some card dimension so it’d be more like fusing with the guy who dresses like Barney the dinosaur instead of actually Barney. Like he’s more of like a concept than a dude, but apparently you can just introduce him to your...whatever this armor is supposed to be, and Dark Magician turns into a Super Suit.

I want to express my thanks to the Yugioh team for not putting Yami in his underoos. Hell, they didn’t even take off his jacket. I do not know what art directer ok’d this for animation and said “yeah, this won’t kills us if we animate it.” but that is a hell ton of lines and design right there. Yeah they have 3d, and probably had to 3d that staff...but that doesn’t mean you don’t end up drawing it, in the end--you still have to draw over your 3d. You still have to draw literally everything.

Anyway, when we get to the eye of the storm. The secret to getting there was that you have to fly, which again--3/5 of these guys already have a monster that can fly. We can finally tell the voice at the end of the hall to stop yelling because it’s really bothering all the townspeople, and then move on with the quest.

Everyone else was stone during this. So when they un-petrified they kinda looked over at Yugi and were like “how freakin long was I out???”

But youknow, Yugi’s 2 people, so it’s fine. So long as you don’t get down to the third bastard still sitting around in there.

After this, our NPCs vanish, and the show pushes us directly forward. No time for them to piss off a land turtle or set a bunch of wolves on fire. Just get out of the desert and freakin go.

I’m just so bothered by this random ass huge chunky necklace.

It’s like the size of your freakin fist. And it’s just...a pentagon. Congrats Tea, you have a fake ass plastic necklace. I guess it’s so that when we’re far away we can still see it on her chest but like...This show loves huge ass necklaces, and they’re all basic ass shapes. We got a pyramid, the Kaiba’s wear squares, Bakura wears a circle with kind of phallic bits hanging off of it and this is just...it’s literally just a pentagon.

I guess Ishizu wore a wadjet and Duke has an indecipherable clown as his necklace. But man...the Yugioh necklace game is just a lot of shapes.

And so we continue on with this filler arc, which is also a pokemon arc, and even secretly has a Sailor Moon arc just stuffed in there for funsies. This arc is weird.

Also, I brought up the human skull so I legally have to post this.

Anyway, here’s a link to read these in chrono order, in case you just got here: https://steve0discusses.tumblr.com/tagged/yugioh/chrono

And I’m off to drink a bin of ice water because it is 5 billion degrees right now in this house.

[pauvre-lola]

do you have any tips on how to get better at drawing backgrounds and coming up with better color palettes?

Hmmmm I think it really depends on your art style and what you're trying to convey with your piece ! Observing and practice obviously make perfect, but sometimes you gotta step back and ask yourself where the fuck you want to go lol, like don't be ashamed to let go of stuff you don't like or won't be useful to you !!!! Also, if you have a realistic art style, I'm not sure what I'm about to say will really be helpful !

For colors, it's always good to know one or two things about color theory, when I feel stuck on a piece I often read some stuff about it and/or observe what some of my favorite illustrators did/do. You got plenty of guides out there for free, way much more articulated than me, and applicable for various art style ! You don't have to be a master ( I know I'm not lol ), but it makes the process of picking colors easier ! I don't like complicated color palettes for exemple, so I tend to pick two or three colors ( either complimentary or analogous my beloved ), that I feel reflect the mood I'm going for, and build my drawing around them. You can add a little accent colors, I love blue palette and use red or fuschia as an accent color !

You can play with color layer or gradients to unify your painting !

The color's distribution can help you with the composition ( think of the 80/20 rule ! ), especially to highlight certain elements, so you can build a thoughtful background :D

For the backgrounds, try to think about what story it tells, what link does it have with the character(s) in the drawing, what's the atmosphere, the mood of your drawing, what do you want to show. Pay attention to the shapes and where you put them, and if they have a meaning ( round, sharp etc, it is supposed to be a happy scene or a violent one etc ), if you only work with flats and very little shadows ( like me ! ), it can quickly become messy and confusing !

You can play with perspective too ! Who is looking at the scene, from what point of view "the photo" is taken. Since I try to do something close to the "old" illustrators ( gustave doré, arthur rackham and all that jazz ), I often go with a two-points perspective, and something very frontal/direct, it fits what I want to do, and I hope with my style lol. There are a lot of videos on YT that explain how perspective works ( I personally assimilate the info better when I see people doing it ! ). You can also look at some photographies/paintings and try to guess where is/are the vanishing point(s) for training.

But yeah, for background try to think of it in terms of storytelling !

That's all I can think of for general tips, but if you have any other questions, feel free to ask me, I'll try my best to answer ! :D

[sage-nebula]

So, the good news: Ghetsis was not redeemed, he isn’t going to have a relationship with N moving forward, and although N was shown to wish things could be different between them, ultimately the whole situation was treated with the seriousness and gravitas that it deserved and N never once forgot the abuse that Ghetsis put him through, nor was he at any point willing to just brush it aside. In that regard, I’m very glad for how Masters handled the situation. 

With that said, though, the writing in Masters made me realize something else about how child abuse stories are handled in Pokémon, and that something else is . . . not good. Namely, I’ve realized there is a significant difference between how child abuse stories in Pokémon are handled depending on whether the abusive parent is blood related to the child or not.

First and foremost, let’s get this out of the way: There is a social stigma in Japan against adoption. This isn’t to say that children never get adopted, but that culturally adoption is looked down upon in comparison to having biological children, and as a result there are only a few hundred adoptions each year in comparison to the thousands of kids living in orphanages. (Although this isn’t purely stigma, since in Japan the biological parents can still retain legal guardianship over their children in the orphanages and can therefore prevent them from being adopted by families as well. They don’t do this maliciously, but instead might think, “I will be able to care for my child later” even if that never comes to pass.) Additionally, I’ve read before that the stigma is why adopted children often don’t refer to their adopted parents as “mother” or “father” but I can’t find that source now, so take that with a grain of salt.

Anyway, the point of me saying all of that is: Japan has a stigma against adoption and Pokémon is a video game series created by Japanese people. Therefore, it stands to reason that Japanese cultural beliefs (such as the importance of blood family over adopted family) can make its way into the series, even if the series itself is a worldwide phenomenon that they know will absolutely stretch beyond Japan’s borders . . . and I think that’s what has happened here, intentionally or otherwise. Basically, whether an abusive parent in Pokémon is redeemed or not seems to have very little to do with the severity of the abuse (including that which is shown to the audience), but instead everything to do with whether their children are biologically related to them or not.

First, let’s take a look at the abusive parent that was redeemed, Lusamine. In Sun & Moon specifically Lusamine is not once shown being anything but abusive to her children. Lillie tells a story of how Lusamine was kind to her a couple times in the past (dancing in the rain, co-sleeping when Lillie was sick), but that falls in line for abusive parents. Abusive parents generally aren’t abusive 24/7; there’s a well-known cycle of abuse which contains a “honeymoon period” stage in which, typically after an apology and a promise to do better, the abuser treats the victim kindly, which usually results in the victim believing that the abuser really does love them and that whatever abuse comes later (and it always does come later) is in fact the victim’s fault on some level, for failing to keep things stable. Regardless, we know that not only did Lusamine abuse both Gladion and Lillie terribly in the past (to the point where Lillie has trauma surrounding even the clothes she wears and has trouble getting new ones), but we also see her verbally and emotionally abuse them on-screen, and then we see her attempt to murder Lillie during the climax. While Lusamine was retooled into being a well-intentioned extremist in Ultra Sun & Ultra Moon, we again see her verbally abuse her children on-screen, to the point where when Hau says that Lusamine really isn’t a bad person after all, we see Gladion grimacing in the background. All told, we see Lusamine emotionally, verbally, and (with her attempted murder in SM) physically abuse her children on-screen, and yet she is still forgiven by them pretty much immediately, redeemed, and treated as if they’re a happy family with just a few unfortunate bumps in their history. I’ll note here, for anyone who isn’t already aware, that Lusamine is Gladion and Lillie’s biological mother, and this is obvious by how similar they all look even if you weren’t told repeatedly.

Now let’s look at the abusive parent that is not redeemed, Ghetsis. In the first set of Unova games, Black & White, most of Ghetsis’ abuse of N happens off-screen and isn’t revealed until the climax. Ghetsis had N raised in a castle underground where he was cut off from society. He was brought pokémon that had been abused so that he could be manipulated into thinking that all humans abused pokémon and that pokémon needed to be liberated therefore. Because Ghetsis needed N to act as King of Team Plasma and control the legendary dragon, Ghetsis didn’t directly abuse N during this time. Instead, he neglected him (N was primarily raised by his sisters, Concordia and Anthea), and psychologically abused him via manipulative lies about what the rest of the world was like. It isn’t until the climax when N has decided to disband Team Plasma and listen to what the player has to say that Ghetsis brings out the verbal abuse, calling N “a freak without a human heart” and revealing that he was only ever using N all along. In the sequel games, Ghetsis is similarly openly hostile to N again, showing that he has no intentions whatsoever of being a good father to him. He’s pretty terrible to him, even if we didn’t see very much of it (particularly in comparison to what we saw with the Aether family, whose abuse was also much more realistic than N’s situation), and pretty much no one would want him to be redeemed. But also it’s important to note that N and Ghetsis, despite having the same hair color, are for whatever reason NOT biologically related. 

And this is hammered home time . . . and time . . . and time again, particularly in this Masters event.

Now, I think most of us would agree that it would be hard to find a woman who would want to procreate with Ghetsis. Granted, Ghetsis isn’t the type of person who would care about consent, but I do think it’s reasonable to assume that Game Freak probably wanted to avoid those thoughts, even though it could have been very easily solved by having a female Sage who was also Ghetsis’ baby mama / wife (similar to how Ariana, one of Giovanni’s executives, is very obviously Silver’s mother). So I mean, from a taste standpoint, I can see why they wanted to go the adoption route with Ghetsis, even though they still made him and N have green hair despite not being biologically related for some reason.

But.

I still think it’s noticeable that they have the irredeemable abusive parent be the one who both had the least amount of on-screen abuse (and also the least realistic abuse) and also be the adopted parent, versus the one they bent themselves into pretzel shapes to redeem be the one with the most on-screen abuse (and most realistic abuse) who also happened to be the biological parent. The message that sends, to me, is that it doesn’t matter how badly you abuse your children in this world so long as you are their biological parent. In the end, you will be forgiven and they are beholden to you as family. Versus if you’re an adoptive parent . . . well, you were never as important anyway, so. I mean, why else would Lillie leave her loving adoptive parents of Kukui and Burnet to go back to her abusive mother in Sun & Moon? Clearly the blood ties were just that much more important. (Granted, Kukui and Burnet hadn’t officially adopted her, but they as good as. I’ll never stop being infuriated by that ending.)

 This is, to a lesser extent, even shown with Giovanni and Silver’s situation. Giovanni was, to our knowledge, never actually abusive toward Silver; in the one conversation we see them have in HeartGold & SoulSilver, Silver’s main issue is that he doesn’t understand why Giovanni is disbanding Team Rocket after losing to Red, and also he doesn’t get why Giovanni needs so many underlings to begin with. He thinks Giovanni is weak, and Giovanni just tells him that he’s wrong without really bothering to explain things. At most, Giovanni is aloof and distant with Silver, which makes Silver angry, but Silver’s bigger issue is with Team Rocket as a whole. Giovanni’s definitely not a good father, but he’s not an abusive parent on par with Lusamine or Ghetsis from what we’ve been shown, and the implication is there that they could potentially repair their relationship in the future. Even in this event, the tension between them wasn’t bad, just complicated.

But . . . they’re also biologically related. Silver is Giovanni’s son, we’ve been told this a million times, and it’s very obvious that Ariana is his mother. They’re biologically related. And so, even though Giovanni is routinely touted as one of Pokémon’s most fearsome villains, Silver will never actually cut him off completely / be able to do that because Giovanni is his biological father. The fact that Team Rocket is based on yakuza probably complicates things even further there, but all the same. If Silver had been adopted by Giovanni, I’m pretty positive that Giovanni wouldn’t care / Silver would cut him off entirely. It wouldn’t be seen as a “real” family.

And this all bothers me, because not only was my biological mother abusive, but my stepmother was the only one who treated me as a mother should treat her child. Similarly, my biological sister was complicit and even participated in the abuse I suffered as a child, but my stepbrother whom I’ve known practically my whole life is the sibling I’d ride or die with. To me, biological ties mean jack shit. Family doesn’t begin or end with blood; to treat non-blood relations as lesser is something that will never fail to raise my hackles. So to see it handled this way in one of my favorite franchises of all time . . . yeah, it’s more than a little upsetting. I understand why it’s happening, I’m fully aware of the cultural context that this series is being written in, but that doesn’t mean that I have to like it, because I don’t.

And before anyone gets it twisted:

Both Lusamine and Ghetsis can rot in hell, NEITHER should have been redeemed. This is NOT me complaining about Ghetsis being treated as the piece of shit he is, but rather my anger at the fact that Lusamine got a pass because she birthed the children she abused, and Masters making that abundantly clear by having N and Ghetsis state in every single chapter of this event that they weren’t blood related. 

But anyway, it’s nearly 4am, and I need sleep. I can continue being angry about Pokémon’s handling of abusive parents at a later date.

[butchbarneygumble]

Got tagged by @lucky-lacmac ! I always grasp the chance to talk about my comfort characters so HERE GO They vary depending on hyperfixations so I'm going with what comes to mind rn and thus they're not numbered wheeeeeee Prohyas Warrior (Mighty Magiswords)

I just. I was just smitten by this guy from day one. I was in Florida, caught the first episode on TV. Wasn't too enticed by the show yet, but soon found myself dreaming of the characters. Gave it more of a chance when I was back home, and eventually got way too into it and it moved from Background Noise to Hell Yeah I Love You!!!! The show in general brings me so much joy but something about Accordion Man just... speaks to me. He insist he's manly and has a killer bod, but he's also openly fond of cute things like dolphins and lil bugs and is super motherly. I just love when characters defy gender expectations. And I love his design, his attitude, his voice, the sense of humour he brings, and that hair, man. That hair Sends Me. He's probably one of the reasons I dyed my hair blue.... not to mention both he and Vambre are just unapologetic manchildren who just try to have fun with their job and adult life. I really relate to that and wish CN would do more cartoons about that. I'm tired of children protags jhckgfgs

honestly every character in this show gets comfort character vibes from me (just please give vambre a break with the hornyposting she deserves so much more) and the fact it has like no fandom at all is criminal

Conker (Conker's Bad Fur Day)

Imagine if you will, I was 6 years old or so when Bad Fur Day released. I had no knowledge of it until my dad bought it for himself from the bargain bin in a local Intertoys that is now gone. Playing it through a bit (sneakily) my mom caught me JUST at the moment he threw up during the opening cutscene. I cried out of secondhand embarrassed, mom consoled me and it went into storage until I was 13 Then I found footage of the Great Mighty Poo on Youtube and snuck in that damn game again. Now, I had actual knowledge of English and as a teenager, the concept of an adult game was just very exciting. I fell in love with Conker, but in a different way a lot of people do. I see him as a normal guy who's just having a really weird day and his greed ruins his life. It's poetic, and I want to hug him a lot. But also slap him for being a little shit. He was there for me in my strange teenhood, when I was exploring adult subjects when I probably shouldn't, but it's been good all the way through. Probably my gateway into the furry fandom as well. As an adult I find myself enjoying the non-edgy stuff more - and it reflects in the fan material I produce of Conker. He is still very important to me and I love him a lot.

Barley Lightfoot (Onward)

Rarely was there ever a character I could point at and be like "me." Girls in animation were always just... There, or very girly to a point I couldn't see myself in there. Surprise, surprise, Renée, you're not even a girl!!! Barley is one of those characters that I saw myself in. I do not have a sibling, but sometimes do wish I had one - and live vigorously throughout media portrayals of them. He is me as my best self - supportive, loud, clumsy, outwardly scary but otherwise just trying to do the right thing. He's one of those "Do I want to date you or do I want your gender" types. Ian is a good boy too ofc, but Barley to me is especially personal. His choice of fashion and body shape, right down to his big jawline, I feel mirrors myself. However, where both Lightfoot bros shine is that I share the experience of having "half a dad".

When Barley and Ian were going through the underground river and he was talking about the last memory of his dad, I saw me. I cried buckets. My dad was diagnosed with ALS somewhere around when I first read about Onward's development, and when I saw it with him he was already paralyzed and wheelchair-bound. He was smiling all the way through. Fergy Fudgehog (Viva Piñata)

Lilshit. Absolute trash animal. Why do I love you so much? I dunno. He's kind of awful. Whereas originally characterized as a scaredy-cat who hated the idea of parties, he eventually got flanderized into a nasty little so-and-so who would sell his own adoptive brother if it meant he could get a snack out of it. When he's not that, he's a whiny manchild. Yet he entices me. His colour pattern, and my fondness for hedgehogs... him making weird noises a lot. I like him enough to have had a role play account for him for a while that's still around!! Sometimes you don't know why you like a character and that's okay.

Luigi (Super Mario Bros) Mario (Super Mario Bros)

When I was 12 I first got into Mario. And I don't mean playing the games and enjoying them, but actively into the characters, lore, and stories... for as much as you can say Mario has story. Mario and Luigi are just such pleasant looking characters. They shouldn't be cute but they are. They were my first crushes and recently I've gotten back into it and I'm just here for it. Mario and Luigi are cute and I should say it!!!!!I legit find them attractive, physically and mentally. Also shipping Luigi with Peasley gives me happiness and I hate teenage me for having bad taste and hating it.

Donkey Kong Diddy Kong Dixie Kong

Donkey Kong is the Absolute, the Eternal. He has always been there in my life, and so have his games. Something about that ape makes me feel comfortable and happy and I just want to hug him. I love the lore of the games, the aesthetics - toony-yet-realistic, and it influenced the HELL out of my own art style. Donkey Kong is just a Cool Soft Gorilla who WILL kick ass. Diddy and Dixie were also super influentual to me. DKC2 is one of my most favourite video games, starring two of my most favourite characters, and my favourite aesthetic... though, in a fun case of chicken-and-egg situation, I dunno if my love for pirates came from DKC2 or other way around. Lars Barriga (Steven Universe)

Babby's First Gender Envy When Lars' entire arc happened, I was in college, constantly trying to discover myself. I enjoyed the character before the arc but the arc just elevated my love for him to the stars. He's just a fella, so nervous about what other people think about him... later in the show you get an insight on why he's like that. Then, he's dragged to space, forced to confront his emotional constipation, Fuckin Dies trying to save his new friends, and is brought back to life as a badass pink space zombie. Something about that just vibed with me super strongly. And how Steven always saw the good in him even if he bullied him. I love him so much. I love them both. That's the main ones! I tag whomever wants to do this I'm bad at tagging jdkfghjd