#The hypocrisy of some fans though...

[katyspersonal]

Effect I've shown to have on people in this fandom from time to time that I am proud of is making them actually speak their opinions and put them in the TAGS! Like, you guys don't know how it feels, to see someone go from "no I am afraid to say a thing because I don't want to be harassed" to "fuck it we ball tonight *passionately disagrees with the takes of toxic popular people and tags the post with fandom and character* 😎"

Like... guys, this IS the way to go, okay? More of you should finally beat it in your head that bullies draw their power from people that are AFRAID of them! If nobody covered in fear before them, they'd be nothing but stupid clowns in their stupid echo-chambers that just block away from the world and eventually having no one left to torture eat their own! This is NOT the norm when people are scared to post their interpretations in the fandom for videogames that specifically demand interpretations, shamefully resort to lurking in some private Discord servers just to share their art and thoughts, stay away from discussing a character they like because too many toxic fans put their claws on them and so on! I don't understand why many people are okay with this kind of fandom experience? And so many of them are older than me or unlike me have enough reputation to make REAL difference in the fandom, why?? I don't remember who owns a blog for suggesting headcanons for Soulsborne games but iirc they allowed bullies to scare them into making a rule against suggesting headcanons about Gwyndolin's gender because "people are mean to each other so it's a nono now and Gwyndolin is only they/them now 🥺". Like.... congratulations, you've betrayed the very point of your blog, which is to share different headcanons, to do what? To cover in fear before jerks that didn't grasp the concept of "up to interpretation"? Why would you do that, instead of showing people who can't respect different interpretations that they are NOT welcomed?

I don't know, man.. it is normal for autists to care about fandom a bit too much, I suppose. I don't see it as something inherently inferior to The Reeeeeal Life uwu. And so, I just hate to see people just willingly lend the power to bullies? Of course they are going to continue to make the fandom unpleasant, if they see that they can own the place by just leaving disheartening comments, laughing at someone with their mindless sheep mutuals in a reblog or sending a couple of anon hates! But like, when I realized a few other people saw this is unfair and should not be encouraged, and started at least saying something too.. idk, it gives me hope. It is hard to explain but I think 20+ or even 30+ age category is more than enough to move past the dumb high school dynamic! Not in the passive "eh who cares about fandoms anyway, it is not worth it and I am too mature to care" way, but in the "nah I won't stand for Cool Kids and bullies and nor should others" way

[astralleywright]

thinking about laudna saying to elder abbadina "there's a thin line between savior and oppresser." bc like. laudna bestie. i love you. i get that you're going through a Lot at the moment and hardcore projecting your own trauma onto this situation. but dear god what an obnoxious thing to say to someone who just freed their town from the control of a much more powerful, wealthy, and connected group of colonizers

[ssa-dado]

21 - Physics

Aaron Hotchner x fem!bau!reader Genre: fluff, slight angst, whump Summary: Aaron Hotchner navigates the chaos of a teammate’s tragedy, personal struggles, and unresolved emotions toward you, with fate as his only constant. Past and present blur, coincidences and camaraderie intertwining as if tied by a red string. A case hits too close to home for everyone, forcing him to confront buried fears while managing the fallout as Unit Chief. But as events unfold, he realizes that nothing - neither relationships nor outcomes - ends quite the way he had foreseen. Warnings: violence, trauma, mentions of what happens in 3x09 & 3x11, use of alchool, some cuss words here and there, Hotch being a lot in his head, mentions of the fact you and Hotch fucked once, whoops. HOTCH SMITTEN LIKE A FOOOOL Word Count: 20.5k Dado's Corner: Flustered and smitten Hotch are peak Hotch. Also, I’m proud of finally nailing down a phrase that perfectly sums up their dynamic: he overthinks, while you overtalk. Oh, and one more thing: I officially have a new favorite character now, hope you love her as well. This chapter is a bit of a wild ride. A bit of fan service and the fan is me.

masterlist

In Stoic philosophy, physics (physikē) explores the nature of the universe, its structure, and the principles that govern it, providing the foundation for understanding humanity’s place within the cosmos.

For the Stoics, mastery of Physics was essential because it revealed the rational order (logos) underpinning all things, emphasizing the interconnectedness and inevitability of events.

The Stoics believed that fate (heimarmenē), the unbroken chain of cause and effect, binds all events in a web of necessity, with every occurrence unfolding as part of a rational, divine plan.

---

Sometimes, there’s just too much to do.

And honestly, sometimes, that feels like a blessing. A distraction.

Something to keep your mind from wandering back to the chaos of the past week. Not the mountain of paperwork waiting. Not the echoes of a case that clung to your thoughts. And especially not the emotional wreckage left behind.

No, you’d had a to-do list long enough to drown out anything else.

First, there had been guest lectures to prepare - because, God forbid, you gave up the career you’d built on your own before coming back to the BAU. That was yours and yours only, and you could never giving it up entirely.

Then, the FBI conference materials. A seminar on terrorism to finalize. Hours of research and fine-tuning to make sure it had been flawless, because that was the standard you’d set for yourself.

And let’s not forget the decade’s worth of solved cases you’d sifted through for examples to present. Because nothing screamed ‘productive’ quite like revisiting every horrifying thing you’d helped stop.

Then there was the apartment.

The apartment you still weren’t sure you wanted to call “home,” even though the rent you’d just paid suggested otherwise. Half of the boxes Aaron had helped you carry inside were still unopened, stacked against the walls.

And, of course, there was the team. The team that wouldn’t stop offering to help.

“We can chip in,” JJ had said.

“It’s no big deal,” Derek had insisted.

“Think of us as your moving dream team,” Penelope had declared, complete with jazz hands.

You had turned them all down. Firmly. Politely. And then less politely.

Aaron didn’t push, though.

He hadn’t insisted since your first no. He understood - probably better than anyone else - that you had to do this alone.

At least now you felt safe. For the first time in a year. And wasn’t that a luxury?

Another luxury? The fact that Hotch let you stay up late in the bullpen without questioning it too much. Not that he could afford to comment on your habits without opening the door to some pointed remarks about his own hypocrisy.

Because he stayed late, too.

Both of you. Night owls. Just like old times. Well, not exactly like old times.

Back then, you stayed late out of pride.

Who could solve the most cases? Who could earn the higher stats by the end of the quarter?

“I’m just saying,” Aaron had said one night in ’99, leaning against your desk with the kind of smugness that made you want to throw your stapler at him, “if I were you, I’d revise page ten of the case file. You clearly missed something.”

You, of course, had bristled. “Missed? I missed something?”

His reply was maddeningly neutral. “I’m just saying.”

You spent the next two hours poring over the file, only to realize, to your horror, that he was right. The unsub’s pattern was buried in the details you’d overlooked.

“Oh, you think you’re so clever,” you’d muttered as you shoved the solved case onto his desk.

“Not clever,” he’d replied with a faint smirk. “Efficient.”

Efficient? Well, now it was war.

What started as a casual rivalry quickly devolved into a full-blown competition. Nights in the office turned into marathons of who could close the most cases, complete with snarky comments and ridiculous one-upmanship.

“Did you just solve two cases in one night?” you’d asked incredulously one evening, staring at his smug face.

“Three, actually,” he’d corrected, leaning back in his chair like some kind of overachieving Greek god of profiling.

“Oh, it’s on,” you’d muttered, dragging another file off the pile and practically slamming it onto your desk.

By the end of the year, the two of you had obliterated every record the short-lived BAU had.

Even Gideon, who was famously difficult to impress, couldn’t believe it. He’d handed you a plastic trophy with the words ‘Most Productive Agents: 1999’ scrawled on it, muttering something about how he’d never seen anything so hideous.

“Let me remind you,” Gideon had said, handing over the trophy, “Rossi left the FBI before the end of the year. So, technically, you broke our streak by default.”

Neither of you cared. You’d still done it.

The trophy? Aaron had it proudly displayed in his office, perched next to his battered copy of Hegel for Dummies with a spine so broken it looked like it had been run over.

Yours? It was buried in one of those unopened boxes in your new apartment, its significance too bittersweet to face just yet.

Now, though, things were different.

The late nights weren’t about pride anymore.

They were about survival.

Aaron, in his office, scribbling away as if Haley’s forgiveness could be found at the bottom of yet another case report. You, in the bullpen, scratching out notes for your lectures with the same relentless drive - but this time, with the weight of a broken soul behind it.

Both of you would go home to spaces that felt more hollow than comforting.

Aaron’s was an empty house, caught in the eternal limbo of Haley’s indecision. Would she forgive him for being, in his words, a terrible husband and father? Or was he bracing for yet another blow in what felt like an endless cycle of disappointment?

Yours wasn’t much better. An apartment that didn’t feel like yours. Foreign surroundings that refused to settle into something familiar. Which was strange. For years, you’d thrived on not knowing where you were.

Changing countries more often than you changed your phone plan, living out of suitcases, hopping between temporary homes without so much as a second thought.

So why now? Why did this emptiness sting in a way it never had before?

“Maybe I’m getting soft,” you muttered under your breath, scribbling a note so aggressively you nearly tore the paper.

“Talking to yourself already?” Hotch’s voice carried down from the mezzanine, his tone calm but laced with just enough amusement to catch your attention. He stood leaning casually against the railing, looking down over your desk, which happened to be situated directly beneath him.

“Wouldn’t have to if you came out of your cave every once in a while” you shot back, not looking up.

There was a long pause before he answered. “Fair enough.”

But even as you bantered, you knew the truth: this wasn’t about the apartment.

It was about everything you’d tried to suppress catching up to you all at once.

It was fear. Fear of what had happened. Of what might still happen. Of being alone.

You sighed, leaning back in your chair and staring at the ceiling. Admitting it to yourself felt like defeat but at least, it was the first step forward, wasn’t it?

“Everything okay?” his voice cut through your thoughts again, quieter this time.

“Fine,” you said, your voice sharper than intended.

There was a pause. Then he said softly “You’re allowed to say you’re not, you know.”

You glanced up toward him, and sighed. “So are you,” you said, the words slipping out before you could stop them.

The silence that followed was deafening.

Then, as if fate had synchronized your thoughts, both of you said it at the same time. “I’m not.”

You blinked, looking at him, unsure whether to laugh or crumble under the sheer awkwardness of it. He seemed just as taken aback, standing there with that signature furrow of his brow, like he couldn’t quite believe he’d said it out loud.

“Well,” he said finally “that’s one way to break the tension.”

It felt strange - refreshing, maybe - to hear it spoken aloud. Even though you’d known, deep down, that neither of you was okay, sometimes you just needed to hear the words.

To have it acknowledged. Somehow, knowing he felt the same made it just a little easier to carry.

You nodded toward the stack of papers on your desk, eager to redirect the moment before it got too raw. “Well, since we’re both in the mood for honesty, I’ve got something for you.”

He tilted his head slightly, now moving down the stairs and crossing the bullpen toward you. “You always know how to make the best gifts,” he said, a touch of dry humor lacing his tone.

“Oh, this one’s a real treat,” you said, sliding the folder toward him.

Aaron opened it, skimming the first page, and raised an eyebrow. “Case summaries. You shouldn’t have.”

“You’re welcome,” you replied with a wink.

He chuckled lightly, closing the folder. “I’ll review them and file them in the system immediately. Truly, a gift worth cherishing.”

“Or,” you countered, leaning back in your chair, “they could wait until tomorrow morning.”

His brow lifted, probably not convinced of your ungodly offer. “And you think I’d waste your hard work like that?!”

“No,” you said, shrugging. “I think they could be the very first thing you file tomorrow morning. None of my efforts wasted, and you get to go home.”

You could tell he considered it for a moment, even if he kept his gaze steady on yours. “You make a compelling argument.” He said in mock formality.

“I know,” you said, smirking slightly.

He glanced back at the folder, then at you, and sighed. “Alright,” he said finally. “Tomorrow morning.”

“Good choice,” you said, your voice softer now, the teasing edge gone.

Hotch leaned slightly against your desk, holding the folder in one hand. “That applies to you too, you know. Whatever you’re working on… it can wait until 8 AM tomorrow.”

You opened your mouth to respond, barely managing to say “Alri-” before the sharp ring of his phone cut through the air.

His expression shifted instantly.

That composed, slightly softer look he’d had moments before hardened into something sharper - focused, intense. You recognized it immediately, the way his jaw tightened and his posture straightened. Something was wrong.

“Hotchner,” he answered, his voice low. The sudden shift in his tone made the hairs on the back of your neck stand on end.

You didn’t need to hear the other side of the conversation to know it was serious. The single word he barked into the phone - “Where?” - told you everything.

You shot out of your chair, your heart already racing, and rushed toward his office. By the time he hung up, you were there, pulling his coat from the rack and holding it out to him. His eyes met yours as he moved toward you, his pace quicker than you ever remembered.

“What happened?” you asked handing him his coat, though you had a sinking feeling you didn’t want to hear the answer.

He didn’t even hesitate.

His eyes locked on yours, and in that split second, you saw everything you needed to know.

“Garcia got shot,” he said.

---

“What do we know?” Rossi asked as he walked into the hospital waiting room, headed straight for him.

“Police think it was a botched robbery,” he replied, his voice clipped, with a tense jaw.

Emily, looked toward you, her eyes wide and disbelieving, the shock still fresh. “Where’s Morgan?” she asked, her tone edged with worry.

You shook your head. “He’s not answering his phone.”

Hotch could sense the strain beneath your calm exterior, the cracks starting to show despite how hard you were trying to hold it together.

Why were you doing that? He was there for that reason.

Spencer didn’t even pause. He turned away immediately, his usual hesitance replaced only by urgency. “I’ll call him again,” he said over his shoulder, already pulling out his phone as he strode toward the corner of the room.

Out of the corner of his eye, Hotch saw Rossi move closer, when he spoke, his voice was low, only meant for him. “What aren’t you saying?”

He didn’t look at Rossi right away, his eyes fixed on some indeterminate point across the room. Finally, he spoke, his voice quieter than before, almost a whisper. “I spoke to one of the paramedics who brought her in. It doesn’t look good.”

And so, all you could do was wait.

Time moved strangely there, in this place of fluorescent lights and antiseptic smells, where the hum of machinery and the distant shuffle of footsteps filled the silence.

Seven FBI agents in a room.

But the titles didn’t matter there. Because each of you felt completely useless.

There were minutes of restless movements, of silent prayers, of thoughts no one dared to voice aloud. Some paced the hallway, unable to sit still, as if walking could somehow outrun the helplessness threatening to suffocate them. Others fidgeted, their hands twisting and folding into patterns born of nervous energy.

But eventually, you all stilled.

Emily and JJ sat down together. Emily’s hand found JJ’s, gripping it firmly, as if she could siphon away some of her fear, absorb the weight of it into herself.

Across from them, Spencer perched on the edge of a chair, his arms crossed tightly, his right hand rubbing absentmindedly up and down his left side in a motion that felt almost protective, almost desperate.

Rossi stood apart from the rest of you, his back turned, his figure outlined by the stark light of the hallway. He held a gold bracelet in his hands, the same one he always carried, his fingers moving over it in a rhythm that suggested it was as much for grounding as it was for comfort.

And then there was you.

You sat to Spencer’s right, your brow furrowed, your breaths slow but audible. Your eyes moved rapidly, scanning nothing and everything all at once. He could tell you were buried deep in your thoughts, lost in the labyrinth of your mind.

He wanted to know what you were thinking - wanted to reach into the chaos and pull you out.

He couldn’t, that thing he knew.

Probably, you were still sifting through philosophies, trying to find the right citation to cling to, the one that would hold you steady. Something wise and comforting, something that would tell you this wouldn’t end in tragedy.

And him?

He stood still, his arms crossed, his expression unreadable. He knew he had to keep it together - for all of you, for himself.

He stood so close to your left that he could feel your knee brushing the fabric of his pants every so often, a touch so faint it barely registered but still managed to tether him.

He observed his team, each of you unraveling in their own quiet way, while he avoided, at all costs, the thought clawing at the back of his mind.

The thought of living this again - he knew what it felt like, this helplessness. He remembered it too well.

Back when it was you lying on an operating table, under needles and lights, fighting to come back to him. That same sense of uselessness had consumed him then, and now it was here again, circling like a vulture.

But his mind, cruel as it so often was, always found new ways to torture him.

It conjured new voices, fresh what-ifs, flashes of memories he didn’t want, tethering him to the fear that churned relentlessly in his chest. None of it was helpful. None of it worth listening to more than once.

And yet, amidst the noise, it was something small that healed him now.

Your touch.

Your knee pressed fully against the side of his leg, a quiet, grounding gesture that pulled him from the spiral before it could drag him any deeper.

He glanced down at you instinctively, and when your gaze met his, it was steady, knowing, and impossibly calm.

It wasn’t extravagant - there was no dramatic gesture, no soft-spoken reassurance. Just a nod.

A simple acknowledgment, because you knew.

You knew he needed to hold it together. As Unit Chief. As the leader. As the anchor in this storm of uncertainty.

And yet, in that single nod, in the quiet understanding etched into your expression, you told him something else, too: if it were just the two of you, you’d let go.

Together.

If you could, you’d be wrapped in each other’s arms, sinking into one of those uncomfortable chairs, your head resting on his shoulder, his leaning gently against yours.

Just like you had in his living room that one night when everything else had fallen apart.

That memory burned in his mind, as vivid as if it had happened moments ago. The way you had leaned into him, your hand brushing against his chest, anchoring him in a way he hadn’t known he needed.

He’d been thinking about it for weeks, replaying it over and over, striving for it without even realizing.

Your touch had burned itself into his memory. It was solace, it was safety, it was the only thing that made the world make sense when nothing else did.

And then, without warning, the moment broke. None of you moved first - you didn’t have to. Derek’s hurried steps into the waiting room shattered the fragile quiet.

“She’s been in surgery a couple hours,” JJ said softly, her voice almost hesitant, as though saying it aloud made it worse.

“I was in church,” Derek responded, his voice tight, his eyes darting to Hotch. “My phone was off.”

Spencer spoke up, his voice quiet but insistent, trying to reassure Derek, but Hotch’s gaze softened as it drifted to him, the tension in his team mate's expression contrasting starkly with the rigid lines of his suit.

He barely noticed your shoulder brushing against his arm - because apparently, personal space was just a suggestion with you - but he didn’t mind.

If anything, the contact softened the edges of his thoughts, kept him tethered to the present.

Then, the door opened, and a doctor stepped in. “Penelope Garcia?” he asked.

Hotch stepped forward immediately. “Yes.”

“The bullet went in her chest and ricocheted into her abdomen. She lost a lot of blood. It was touch and go for a while,” The doctor’s tone was clinical, detached, but the words carried the weight of everything they’d been dreading. “But we were able to repair the injuries.”

Aaron felt his breath hitch.

“So, what are you saying?” JJ asked, her voice strained.

The doctor hesitated for a moment before continuing. “One centimeter over and it would have torn right through her heart. Instead, she could actually walk out of here in a couple of days, and I’d say that’s a minor miracle.”

The words barely registered, muffled under the synchronized exhale of relief from everyone in the room, including him.

His chest rose and fell heavily, the tension still coiling so tightly in his body that he had to bite his lip to stop himself from letting it all spill out.

He couldn’t cry. Not here. Not now.

“She needs her rest. You can see her in the morning,” the doctor said before being immediately thanked and leaving the room.

Hotch straightened, forcing his composure back into place. He had to focus. He had to do what needed to be done.

“David and I will go to the scene,” he said, the words leaving his mouth almost automatically. “I think the rest of you should be here when she wakes up.”

Your brow arched slightly, the corners of your lips twitching upward for just a moment.

“I don’t care about protocol,” he added firmly, his tone leaving no room for argument. “I don’t care whether we’re working this officially or not. We don’t touch any new cases until we find out who did this.”

Because when the family is involved, the law can go to hell.

You gave him another nod, this one filled with something more - pride, maybe.

---

But the consequences of his choices - of that particular decision, of every decision since - were harder to ignore.

It had started as something small, almost imperceptible. The kind of shift you only notice when looking back, piecing together the moments that led to now.

You spoke to him less on the job.

Maybe it had begun after Penelope was shot. Maybe it was even earlier than that - after that argument in the car the day Rossi rejoined the team.

It wasn’t as though he hadn’t noticed. He’d thought about it more times than he cared to admit, replaying conversations and briefings in his head, trying to pinpoint the exact moment it changed.

Still, whatever the catalyst, it was there - distance.

You were more careful now, more reserved.

The way you hesitated before voicing disagreements during case discussions, when you used to challenge him so freely, so instinctively.

The way your once-abstract musings - philosophical detours that most of the times used to drive him to the brink of frustration - were almost entirely gone. He rarely heard them from you anymore.

It was Reid now, who would bring up some concept or theory, his voice filling the space that used to be yours.

And Hotch would sit there, listening, waiting - hoping, even - for your voice to cut in, to weave those extra threads of detail, to challenge or expand the discussion in that way that had always been so uniquely you. But it never came.

Your language had shifted, too.

Gone were the sweeping truths and nuanced arguments that once made every discussion with you feel like a labyrinth. Now you were grounded, concrete.

Practical. Logical... ironic, really.

The very thing that sometimes frustrated him - the way you could lose yourself in abstraction, dissecting every nuance as if it held the key to the universe, even when a case demanded quick action - was the same thing that made you indispensable to his being… to work.

Indispensable to work.

It was why the two of you had been able to crack so many cases together - at work.

The confrontation was what made it work.

Necessary. Vital.

His logic sharpening your abstractions, your ideas loosening the rigidity of his structures. Because both of you wanted to be right.

And in that pursuit, you always found the balance - in the balance, you caught killers. In the balance, you saved lives. Different truths, coexisting.

But now? Now, he found himself paying more attention to the details that had slipped through the cracks.

You’d stopped calling him “Partner”.

It wasn’t the word itself that mattered. It was what it signified. How for a brief amount of time it had even become a running joke, how you’d introduce him to people as “my partner,” and how they’d inevitably misunderstand, assuming you were together.

Maybe it was the way you talked about him. Maybe it was the way he looked at you... back then.

Anyways, it was gone. Because now, on the job, you only called him "Unit Chief".

Clinical. Precise. A title that left no room for interpretation. Best friends outside of work; your superior within it.

But he missed the ambiguity.

He missed the way you’d once spoken to him on the job like he wasn’t just your colleague, or your boss. Like he was someone you trusted - completely.

And maybe that was what stung the most. That sense of trust between you, once so natural, now felt… guarded.

He wanted to fix it, but how could he, without crossing some invisible line?

Because pairing himself with you on a case would have been the easiest solution, but he’d never allow himself that.

He never did. He couldn’t. To do so would feel selfish, like he was abusing his authority to serve his own ends… even that thought alone made his stomach churn.

So, instead, he paired you with Reid for geographical profiles or with Rossi in the field, keeping you at a polite, professional distance, telling himself it was better this way.

Telling himself it didn’t matter that you barely spoke to him unless you had to. Telling himself that your sudden carefulness wasn’t personal.

And yet, outside the job, it was a completely different story.

You two had grown closer - seeking each other’s company in ways that felt almost inevitable.

You didn’t plan it, but somehow, you always ended up together. And considering how close you’d already been, it was startling, almost disorienting.

Your shared tragedies should have been the sole reason for it, forging something unshakable, but this… this was different. It was more intimate, more vulnerable.

It felt more… familiar, though with what exactly?

Maybe it was the way you always seemed to gravitate toward each other, how his phone would buzz with a text from you - asking if he had time to grab dinner or if he could help you pick out furniture for your new apartment.

“Don’t worry,” you’d said that morning, flashing him a grin that instantly made him suspicious. “I just need your muscles, not your opinion. Unless you want to tell me I’m wasting money.”

He raised an eyebrow, following you into the store like a man marching to his doom. “You brought me for labor but not to stop you from making bad decisions?”

“Exactly,” you replied, already strolling ahead like you owned the place. “And don’t worry - it’ll take a couple of hours at most.”

He stopped dead in his tracks, letting out a disbelieving laugh. “A couple of hours? Wars have been declared, fought, and peace treaties signed faster than it takes to shop for furniture.”

“What, you think I’m indecisive?” you shot back, turning to face him.

“I know you are,” he replied, his tone flat. “And meticulous, which doesn’t exactly speed things up.”

“Just trust me, Aaron,” you said, your grin widening in a way that felt more like a warning.

Indeed, it didn’t take a couple of hours. It took the entire day.

And by the time you got back to your apartment, he was certain he’d pulled at least three muscles he didn’t even know he had.

“Next time,” Aaron said, panting slightly as he set the box down with a loud thud. “I’m bringing a forklift. Or an entire moving crew.”

“Next time?” you asked innocently, a playful smirk tugging at your lips. “You’re already signing up for next time?! That’s so thoughtful, Aaron. Wow, you’re such a friend.”

“You’re lucky I have patience,” he muttered, glaring at the box like it had personally wronged him.

“Patience?” you laughed, crossing your arms. “You were ready to snap at that poor woman asking about the extended warranties!”

“That’s because she asked me six times,” he snapped, the memory still fresh.

“Well,” you said, grinning as you grabbed a water bottle from the counter and handed it to him, “now that torture is over, I think you deserve your prize. I have some office gossip for you.”

Aaron scoffed, took a sip from the bottle and crouched down to unbox the bookshelf. “I don’t care about your office gossip,” he said, his tone betraying none of the interest that actually was bubbling inside of him.

“...You don’t have to stay and build this, you know,” you offered, watching him carefully slide the first plank out of the box. “I’ve already dragged you into enough.”

“I’m staying,” he replied, glancing at you briefly. “I want to help.” Then, after a beat, he added, “So, what were you saying?”

You raised an eyebrow at him, making him regret what he just said. “Oh, so you do want to know?”

“You were going to tell me anyway,” he replied, pretending to be slightly annoyed.

“Well, now I’m not so sure,” you teased, plopping down next to him.

Then it happened.

Your hand reached for the instruction manual at the exact same moment as his, and your fingers brushed briefly. He froze, just for a second.

It wasn’t anything dramatic. No jolt of electricity, no world-tilting moment. Just… a touch.

Ordinary. Mundane.

And yet his brain, apparently bored of rationality, decided to hit pause.

You didn’t even seem to notice, already flipping open the pages of the manual like it was nothing – because it was. Meanwhile, he forced himself back into motion, his hand retreating too quickly as he muttered, “Sorry.”

“For what? Existing?” you quipped, glancing at him with a smirk that teetered on the edge of infuriating. “It’s fine, Aaron. Don’t worry, no need to be so polite.”

Polite. Yes, that’s what he was. Polite.

Not distracted. Not caught off guard. Certainly not anything else.

“It’s not a habit I plan to break,” he replied, his tone as steady as he could manage, focusing intently on pulling out the next piece of wood.

He just needed his personal space. You were close, physically, and his brain had momentarily overreacted. That’s all it was. It wasn’t significant. It wasn’t anything.

“I always forget I’m friends with the Queen of England,” you said, deadpan.

He shot you a flat look, holding up a piece that vaguely resembled part of a shelf. “So - are you actually reading those instructions, or are you just turning pages for fun?”

You squinted at the manual. “I mean… how hard can it be to put a rectangle on top of some other rectangles?”

He gave you a long, unimpressed stare. “…I’ll take that as a no” As usual, you got lost in your thoughts, your half-finished sentences going nowhere - resulting in still no gossip for him.

Thankfully, Aaron was used to that by now.

“So,” he said pointedly, cutting through your ramble, “the gossip you were so desperate to tell me?”

“Right,” you began, leaning in slightly, “I think Garcia and Kevin Lynch are dating.”

Aaron glanced at you, his brow furrowing. “Based on what?”

“Oh, come on, you were the one who planted the seed in my brain!” you said, pointing an accusing finger at him. “You met him first and said they’d be perfect together.”

“I told you they’d get along,” he corrected, his voice calm. “Not that they’d date, it was an observation.”

“Right,” you teased, leaning toward him. “Because Mr. Rulebook doesn’t meddle in office relationships.”

“I don’t,” he replied flatly, though the precision with which he was aligning the screws suggested otherwise.

“But you’re not denying it,” you teased, as you handed him the missing screw to complete his geometrical composition.

He sighed, already regretting the conversation. “Fine. I might have… noticed some things.”

Your eyes widened dramatically. “You’ve been paying attention? To gossip?”

He shot you a look so dry it could’ve absorbed a flood. “Not gossip. I noticed she’s been flirting with Derek over the phone less often in the past couple of weeks.”

You stared at him, probably trying to decide whether to be impressed or amused. “Oh so you do keep track of Penelope’s flirting habits?!”

“It’s hard not to notice, when all of this happens less than five feet away from me” he replied, focusing a little too intently on tightening a bolt. “She used to call him ‘chocolate thunder’ at least twice a day. Now it’s barely once.”

You snorted, clapping a hand over your mouth.

“What? If you’re going to accuse me of gossip, I might as well be thorough.” He frowned, though the faintest smirk tugged at the corner of his mouth.

You burst out laughing, sitting back on your heels. “Oh my God, I knew it. You secretly love this.”

“I don’t love this,” he said firmly, though his tone lacked conviction.

“Sure you don’t,” You smirked, glancing at the instructions and pretending to read them, just enough to give the illusion that you were actually contributing in some meaningful way. “So, what’s your theory? Think they’re dating?”

He shook his head, clearly weighing his words. “If they’re not already, they’re on the verge. Kevin’s nervous around her, and she’s not exactly subtle.”

You grinned, leaning closer. “I knew it! Now admit it, Aaron. You like the drama.”

Aaron sighed, picking up a screwdriver and turning his attention back to the pile of screws, as if sheer focus might absolve him of this entire conversation. “I don’t like the drama,” he said flatly. “I like efficiency. And indulging you in this nonsense means I won’t have to hear about it in bits and pieces over the next week.” 

You gasped, clutching your chest with exaggerated offense. “Nonsense? This is workplace anthropology, Aaron. This is about human behavior, relationships, and the intricate web of connec-” 

“Gossip,” he interrupted dryly, cutting you off mid-monologue. 

You rolled your eyes, but your grin was unrelenting. “You are so reductive. This is about understanding the human condition! Philosophers have been debating the nuances of human relationships for centuries. Aristotle, Plato” 

He glanced up, giving you a look that bordered on skeptical. “If this is about Aristotle and Plato, I’m out of here.” 

“Oh, come on,” you said, nudging his arm. “You’ve read Hegel. You know this stuff!” 

Aaron straightened the piece of wood he was working on, his voice impossibly dry. “I’ve read ‘Hegel for Dummies.’ The most philosophical thing I got from that book was the idea that contradictions eventually balance out.” 

“Exactly!” you said, pointing at him. “Which is why gossip is just the dialectic in action - thesis, antithesis, synthesis. We’re observing interpersonal contradictions and resolving them through discourse. Hegel would be proud.”

“Hegel would ask for his name to be removed from this conversation,” he replied, his tone bone-dry.  

“That’s not true!” you said, laughing. “This is exactly his philosophy. I know him.”

“He’s dead,” Aaron replied.

You froze, your hand hovering over a plank as your face morphed into an expression of exaggerated shock.

“Don’t tell me you’re going to cry because I reminded you he’s been dead for 200 years,” he added, the corners of his lips twitching despite his best efforts to stay serious.

“You’re heartless,” you said, glaring at him dramatically. “I’m grieving, and you’re mocking me.”

“You’re grieving a man you never met,” he pointed out, turning the screwdriver.

“Well, I’m sure we would have been friends,” you said, tilting your chin defiantly. “He would see me for who I truly am. A philosopher. A visionary.”

Aaron snorted quietly, shaking his head. “He’d last five minutes before walking out of the room.”

“Wrong,” you shot back. “He’d last five minutes before asking me to co-author his next book.”

He glanced at you, his expression unreadable. “It’s a shame you weren’t born two centuries earlier. You’d have spared him from obscurity.”

“Yes!” you exclaimed, pointing at him. “Thank you. See, this is why you’re my best friend.”

Aaron stilled, glancing at you briefly before returning his focus to the plank in his hand. “Because I humor your philosophical ramblings?”

“Because your dry humor is just a cover for the fact that you secretly love my ramblings. And I’d say you also agree with some of them.” You corrected, leaning in slightly.

He tightened a bolt, refusing to look up. “You’ve cracked the code. My life’s work of masking my enthusiasm has been undone by your unshakable confidence.”

“You’re so sarcastic,” you replied, grinning. “But seriously, Aaron. You’re the best.”

Before he could respond, you slid your arm around his shoulders in a quick side hug, leaning your head briefly against the curve of his neck.

It was nothing, really, again, just a fleeting gesture, casual. And that’s exactly why it felt so strange. So different.

He stilled, not visibly - at least he hoped not.

It wasn’t like those rare hugs of yours, the ones that seemed to stretch on for hours. This was just a fraction of a second, over before it even began, and yet it lingered, leaving behind a sour taste of wanting.

Maybe that was why it unsettled him. Your relationship didn’t rely on physical contact, it never had. Mostly because he wasn’t the type to invite it. Not intentionally. It just always felt too… intimate. Too exposing. It wasn’t that he didn’t like it - it was just… too much.

Too raw. Too close.

But you didn’t seem to mind. You always knew how to adjust, to make things work between you without pushing too hard or pulling too far.

And still, now once again you pulled back like it was nothing, grinning as though the moment hadn’t shifted anything at all.

That’s what got to him, he realized. The ease with which you could offer something like that and let it go, as though it didn’t mean anything. He envied it.

Jealousy, he thought, was too strong a word. Or maybe it wasn’t.

“But I’ll never be Hegel,” he said finally, his tone dry, laced with irony as he reached for the next piece of wood.

You blinked at him, tilting your head like he’d just said something utterly ridiculous. “Aaron Hotchner,” you began, your tone a mix of exasperation and fondness, “you’re better than Hegel.”

He glanced at you briefly, his expression somewhere between skeptical and resigned. “Oh please don’t you start.”

“I mean it,” you insisted, sitting up straighter, your grin turning softer. “He might’ve been a genius, but you’re… well, you’re you. Thoughtful. Smart. Kind. You’re my best friend, and I wouldn’t trade you for any dead philosopher.”

As much as he tried to act like he was above it, like he didn’t need the reassurance, he couldn’t deny how heartwarming it was to hear those kinds of words. Cheesy as they were. Deep down, he was a sentimental man, after all.

And so he sighed, but the small smile tugging at his lips probably betrayed him. “Could you please just hand me the next piece before this takes another century?”

“Anything for you, Queen of England,” you teased, passing him the next piece with an exaggerated flourish.

He gave you a look, the kind that said he was both exasperated and quietly amused. “Thank you,” he said, his voice dry but undeniably softer.

“Anytime, Your Majesty,” you replied, grinning as you reached back for the instruction manual. “Now, what’s next? Philosophical insights on brackets?”

“Just read the instructions.” He had just aligned another plank and was reaching for a screw when the sharp knock at the door interrupted the quiet rhythm of assembling furniture.

He froze, mid-motion, and then glanced at you. “That’s Mrs. Lee,” he muttered, already resigned.

Of course, it was Mrs. Lee.

She lived across the hall and seemed to have an uncanny ability to sense whenever he was over. In her late seventies, retired, widowed, and far too invested in both your lives, she had made it her unofficial mission to drop in with sweets every time Aaron was around.

Coincidentally, these sweets only ever appeared when he happened to stay over, as though he were the primary recipient and you were just a necessary middleman.

Well, it wasn’t exactly true - she adored you - but it was clear where did her preference lay.

Mrs. Lee, as Aaron had come to learn, was an enthusiastic watcher of outdated rom-coms, a self-proclaimed expert on “young love” - a category she had prematurely placed you and him into - and an avid admirer of “handsome men in suits.”

Naturally, she adored him.

You, softhearted as ever, had figured out early on that Mrs. Lee was lonely. So you occasionally let her hang out in your living room. She’d settle onto your couch with her movies, chatting about her glory days while Aaron begrudgingly assembled whatever piece of furniture you’d roped him into.

It had become a tradition he hadn’t agreed to but couldn’t seem to escape. And so the knock came again, more insistent this time.

“You want to get that?” he asked, already knowing the answer.

You grinned, tossing the instruction manual aside. “Of course. It’s probably for you anyway.”

Aaron sighed as you opened the door, revealing Mrs. Lee in all of her five-foot glory, holding some freshly baked pie.

“Hi, sweetheart,” came the familiar greeting, warm and affectionate as always. Then her eyes landed on Aaron, and her grin widened to near cartoonish proportions. “Oh, Aaron! I knew you’d be here.”

He glanced up briefly, bracing himself. “Good evening, Mrs. Lee.”

“I brought some blueberry pie,” she announced proudly, stepping inside and placing it on your counter. “I know how much you like blueberries, Aaron.”

He blinked, momentarily thrown. “How do you-”

“Oh, you just strike me as someone with good taste,” she interrupted as she made herself comfortable on your couch.

You turned to him, barely concealing your grin. “I think she’d be a great profiler.”

He agreed.

“Mrs. Lee, if only we weren’t already overstaffed, I’d hire you right away,” Aaron replied, his polite tone perfectly measured.

“Oh, Aaron dear,” Mrs. Lee cooed, waving her hand as though batting away a compliment, “you’re so kind. But I could never work at a job with a boss as handsome as you. I’d be far too distracted just watching you talk.”

Aaron froze, his face turning a shade of red that rivaled the t-shirt he was wearing.

“How do you work with him every day, sweetheart?” Mrs. Lee asked you, her tone conspiratorial.

You laughed, leaning back. “Oh, it’s easy. I just remind myself that under the suits, he’s really just a big softie.”

Aaron shot you a pointed look, his voice deadpan. “Not helping.”

Mrs. Lee giggled as she made herself comfortable on the couch, clearly entertained. “So, what’s today’s project?”

“Bookshelf,” you replied, gesturing toward the pile of wood and screws scattered across the floor.

Aaron frowned at the chaos. If it could even be called a bookshelf, it certainly didn’t look like one yet.

“It’s a bookshelf,” you insisted, catching the look he was giving it. “It’ll look better once you stop glaring at it and we actually continue working on it.”

“You’ll forgive me for not being optimistic,” Aaron muttered, crouching down to inspect the mess.

Mrs. Lee immediately chimed in, turning to you. “Oh, don’t listen to him, sweetheart,” she said, waving you off. “I’m sure it’ll be beautiful once it’s done. You two always make such a good team.”

Aaron sighed, already resigned to the commentary. “We’re not a team. I’m the one building this thing while she-”

“Supervises,” you interrupted brightly, leaning over to grab a stray screw. “You’re muscles and I’m brain, don’t forget about it.”

Mrs. Lee clapped her hands together in delight. “Oh, it’s just like my Charles and me! I’d dream up all sorts of projects, and he’d grumble the whole time but do them anyway. That’s how you know it’s love.”

Aaron froze mid-turn of his screwdriver, he glanced up. “We’re friends, Mrs. Lee,” he said firmly, keeping his voice as even as possible, though the comparison to her late husband didn’t exactly sit comfortably.

Mrs. Lee just laughed. “Oh, shoosh, Aaron, really, you’re exactly like my Charles,” she said, her tone fond but pointed. “Too serious, too practical. All logic. He was a lawyer, you know.”

Lawyer. Ha.

Weird how the coincidences had a way of piling up like bricks whenever Mrs. Lee was around.

Before he could deflect, you jumped in, far too quick for his liking. “Well, that must be fate! Mrs. Lee, did I ever mention that Aaron used to be a prosecutor before he joined the FBI?”

Her gasp was so loud it startled him. For a moment, Aaron thought she might drop her pie.

“A prosecutor? You?” she exclaimed, clasping her hands together as though she’d just unearthed some life-altering revelation. “Oh, Aaron, that is just too perfect. And I bet you were ruthless in the courtroom, weren’t you?”

Aaron opened his mouth to respond, but the words barely made it out. “Mrs. Lee, I-”

“Don’t be modest, dear,” she interrupted, brandishing her fork like it was a judge’s gavel. “I can just picture it - some poor defense attorney sweating buckets while you paced the courtroom like a lion on the hunt” She paused dramatically, then added an actual ‘rawr’ for emphasis, because apparently, the imagery wasn’t enough. “My, my, my. You must’ve been a sight to behold.”

Aaron rubbed the back of his neck, wishing desperately for the bookshelf to magically assemble itself so he could escape the conversation.

“You should’ve told me this sooner!” Mrs. Lee continued, turning to you as if you’d kept some scandalous secret from her. “I bet all those courtroom skills come in handy now, don’t they? You must be able to intimidate anyone with just one look.” She squinted the best she could, doing what Aaron assumed was her impression of his so-called “serious face”.

You laughed, nudging him playfully with your elbow. “She’s not wrong, you know. The Hotch Stare has probably solved more cases than our actual profiles.”

Aaron turned to you, leveling you with the exact look you were referring to - but the effect was slightly ruined by the warmth creeping up his neck, spreading to his cheeks. He could feel it, much to his dismay, and he looked away quickly, clearing his throat.

“The bookshelf,” he said dryly, but the flush in his face betrayed him entirely, and he knew it. Damn it.

You bit your lip, trying - and failing - to suppress a grin. “You’re blushing,” you pointed out.

“Oh, don’t tease him too much,” Mrs. Lee said, her grin widening as she leaned forward. “He’s probably shy. Aren’t you, Aaron?”

He didn’t need to look in a mirror to know the flush had deepened. Great. Now he was even redder. Wonderful.

“Extremely,” he replied deadpan, tightening the bolt in front of him with more focus than necessary, trying to ground himself in the mechanics of the bookshelf rather than the conversation swirling around him.

You couldn’t help but laugh at his failed attempt to use sarcasm. “Don’t worry,” you said with a smile that was far too fond for his peace of mind. “It's actually very cute when you blush.”

Aaron froze. No, no, no.

That was not something he was prepared to handle. He was already red, that much he knew - but now? Now, he could feel it spreading like wildfire.

He cleared his throat, his fingers tightening around the screwdriver with more force than necessary. “I don’t think that’s the kind of feedback the instruction manual had in mind,” he said dryly, though his voice wavered just enough to betray him.

You laughed again, soft and warm, and it only made things worse.

“Oh, come on,” you teased, leaning forward just slightly, your grin far too mischievous for his peace of mind. “You can’t possibly hate a compliment that much.”

“I don’t hate it,” he countered quickly, almost too quickly, still refusing to meet your eyes. “I just don’t think it’s relevant to… this.” He gestured vaguely at the bookshelf, hoping the movement would divert some of the attention away from his face.

He never thought he’d see the day when he’d be genuinely grateful for Mrs. Lee to launch into another one of her stories, but here he was. Apparently, miracles did happen. She’d managed to cut through your conversation, sparing him from further embarrassment.

“You two remind me so much of me and my Charles,” she said, a nostalgic sigh punctuating her words. “We teased each other constantly too. Oh, he’d look at me with those serious eyes of his and say, ‘You’re impossible, Sharon.’ Every single time.”

Aaron glanced up, her voice the reminder that, no matter how much he tried to convince himself otherwise, his heart wasn’t made of stone. Far from it, in fact.

“And I’d tell him, ‘No, Charles, you’re boring,’” she added with a chuckle. “And oh, the arguments we’d have! But they were the best arguments, you know? The kind that keep you sharp. Keep you… alive.”

Mrs. Lee’s expression softened, her smile turning bittersweet. “We got married after four months of knowing each other,” she said, her voice quieter now. “Fifty-two years of marriage. It wasn’t always easy, but I’d do it all again in a heartbeat.  And I still miss him every single day.”

He was lucky enough to know what love felt like, but he could only hope to be as fortunate as her, to know what it felt like for a love like that to last even half as long.

He didn’t dare look at you. He already knew you’d give her that soft, understanding smile you always did.

“Some people are just meant to be, aren’t they?” you said, your voice quiet but carrying the kind of certainty that made it feel like a universal truth.

“Wise words, dear.” But then she grinned suddenly, the mischievous sparkle returning to her eyes. “Still, he was a pain in the ass sometimes. Wouldn’t let me watch ‘The Love Boat’ as much as I wanted. So, you know what? Fuck him.”

Aaron blinked, srprised. He caught the way your mouth twitched before you burst into laughter, and he shook his head, half-amused, half-incredulous.

“Mrs. Lee,” he said, his voice flat, though the corners of his mouth betrayed him.

As you handed him another piece of wood, Mrs. Lee leaned forward. “Speaking of love,” she began, her tone dangerously casual as she turned to you, “Sweetheart, don’t be shy about asking me to turn off my hearing aid tonight… you know, if the two of you need to unleash all that stress. Especially you Aaron, you need to loosen up.”

Aaron froze, screwdriver slipping slightly in his hand.

What?

Both of you blinked, eyes wide, before instinctively turning to each other to confirm if you’d just heard the same thing - or if it was some bizarre, shared hallucination. Then, in perfect sync, you turned back toward Mrs. Lee.

She was grinning, eyebrows raised expectantly, as if she’d just offered you an excellent tip on couponing and was waiting for your gratitude.

Oh, so she’s serious…

“Mrs. Lee,” you managed finally, your voice shaking with suppressed laughter, “what on earth makes you think we need to, um… ‘unleash’ anything?”

She raised an eyebrow, looking far too pleased with herself. “Oh, honey, I’ve been around. I notice things. It’s been a tough week for you at the BAU, hasn’t it? All those cases piling up. All that stress. I can see it.”

Aaron set down the screwdriver, his jaw tightening. “How do you even know what kind of week it’s been?”

Mrs. Lee sat back, crossing her arms like she’d been waiting for the question. “I know everything, dear. I have contacts.”

Aaron exchanged a look with you, utterly baffled. “Contacts?”

She nodded sagely, as if this were the most obvious thing in the world. “I play bridge with a lady from the FBI cleaning staff. Lovely woman. You know… we simply talk.”

He couldn’t exactly fire the entire cleaning staff over this… but, for a fleeting moment, the thought had crossed his mind. Maybe just reassignments.

Practical. Strategic. Manageable.

But then the mental image of the inevitable paperwork reared its ugly head, and his idyllic fantasy died a quick and unceremonious death.

He’d just have to endure this one bookshelf and hope Mrs. Lee didn’t decide to take up poker with the IT department next. The idea of Garcia and Mrs. Lee joining forces was enough to make him break out in a cold sweat.

Mrs. Lee twirled her fork between the two of you, her grin devious. “And I also know you’ve been pushing yourselves too hard with all those late nights. That’s why I’m saying… you should just do it. Trust me, it works wonders.”

Oh, he knew. He definitely knew. You’d both made that mistake once. But no - never again. Absolutely not.

“Mrs. Lee,” he said evenly, “I don’t think this conversation is appropriate.”

“Oh, Aaron, don’t be such a prude,” she said with a dismissive wave of her hand. “Just fuck and then you’ll thank me.”

Charles was right, she really was impossible.

He turned to you, half-expecting to see the same look of disbelief mirrored on your face.

But instead, what he got the moment your eyes met was worse - infinitely worse.

You laughed. A real, unfiltered laugh, bubbling up and spilling over as though the absurdity of everything had finally caught up to you.

The sound was so unexpected, so you, that he couldn’t help it. That was it. A chuckle escaped him before he could stop it, and then another.

God help him, he was laughing too. Unguarded. He could feel it, the exasperation, but also something almost electric, different.

That feeling. That lightness.

When was the last time he’d felt that?

---

1998.

Aaron Hotchner liked to think of himself as a rational man.

A man who could look a brutal truth in the face without flinching, who could hold himself together when the world around him was falling apart. He prided himself on composure, on logic, on not succumbing to the whims of emotion.

But apparently, all it took to unravel that carefully cultivated persona was you showing up in a miniskirt and lace tights.

Really? A miniskirt? This was what undid him?

Not an unsub with a gun, not the horrors of the job… no, it was a skirt that wasn’t even all that short.

It was the perfect length, actually - tasteful, stopping just above the knee, not too long, not too short. The kind of length that somehow drove him to the brink because it hinted at more without being too much.

Perfect.

Why was he even thinking about the length of your skirt?

He was a grown man with a law degree, a rising star at the BAU, and yet here he was, mentally cataloging the specific placement of a hemline like some Victorian prude scandalized by the sight of a woman’s ankle.

It wasn’t like he’d never seen legs before.

Everyone had legs. He’d seen hundreds of them. Thousands. He even had his own pair of legs, for God’s sake.

And yet, here he was, sitting across from you, hyper-fixating on the floral lace pattern winding up your tights - roses, specifically - and spiraling into thoughts so unholy that he half-considered ordering another drink just to drown his embarrassment.

It didn’t help that you’d picked a rose-scented perfume to complete the ensemble, as if you weren’t already doing enough damage.

Subtle but it hung in the air every time you shifted in your seat or leaned forward, wrapping itself around him like it was mocking his rapidly dwindling self-control.

Forget a taunt - this was an ambush, and he wasn’t sure he’d survive the assault without visibly combusting.

Fantastic. Death by roses. How poetic.

And as if the scent alone weren’t enough, his brain - traitorous thing that it was - kept linking it back to the roses on your tights.

It was as if fate had decided he wasn’t already pathetic enough, so it hit him with a one-two punch of matching visuals and aromas, because God forbid he forget for even a second where else he’d seen roses tonight.

Seriously? Did you want him to lose the last shred of dignity he had left? Of course not, you were oblivious to the chaos you’d wrought. Blissfully unaware.

And now he was mentally punching himself for being this ridiculous. He was better than this... he had to be.

So he told himself it was nothing. Just surprise, that’s all. He was simply adjusting to seeing you out of your usual loose-fitting work pants, a new variable.

Of course, that’s it. A new variable. Totally normal reaction.

And yet, despite all his internal lectures, he couldn’t stop his thoughts from spiraling every time his gaze drifted south, the delicate floral patterns climbing up your legs in a way that was almost cruelly mesmerizing.

And why was he even thinking the word “mesmerizing”? It was fabric. Just fabric.

He tried to justify it - he was just being thorough. After all, he was a trained investigator. Thoroughness was part of the job. He definitely wasn’t looking because the curve of your legs had rendered him incapable of rational thought.

He’d just wanted to make sure you still had both legs. That’s all.

Limbs accounted for, Agent, move on.

Except, of course, he couldn’t move on. Not technically. His brain had a knack for circling back to things - moments, words, details he should’ve let go of but couldn’t seem to shake.

This time, it was a few days ago. The way you’d casually invited him out tonight, as if it were nothing. Like it wasn’t a big deal. Like that’s just what friends do. Because, apparently, that’s what you were - friends.

Never mind that your so-called friendship was still in its embryonic stages. Never mind that you’d somehow managed to completely upend his world with one offhanded sentence.

“Mind joining me for a couple of drinks on Friday?” you’d said, so effortlessly it was almost infuriating.

Friday. Your day off.

The one day of the week you didn’t see each other.

You were asking to see him again on the only day you didn’t have to.

What were you doing to him?

Did it mean you actually wanted to spend time with him? Someone boring like him - not out of necessity, not because you were stuck at work or chasing down leads, but because you wanted to?

Why would you?

Why would someone as amazing, competent, smart, beautiful, and funny as you - someone who wore lace tights and a miniskirt on their Fridays off, and yes, Aaron, circling back to that again, apparently - want to spend time with him?

Bland. Broken. Overworked. With a sense of humor so dry even he didn’t fully understand it half the time.

And yet, before he could fully process what was happening, he’d agreed to your request... of course he had.

Because what was the alternative?

Spending yet another Friday night alone, replaying the worst parts of the week in his head?

Trying to convince himself that bad takeout and reruns of movies as old as you were somehow counted as "self-care"?

Going out with other colleagues and getting lost in the noise of too many conversations, only to utter a grand total of four sentences all night and come home feeling even worse?

Or…this. You.

Sitting across from him, lighting up the entire room with another absurdly entertaining story, because the universe had somehow decided you were its favorite magnet for chaos.

It wasn’t fair how easily you turned misfortune into something bordering on comedy gold, but he wasn’t complaining. He wasn’t even sure how you’d gotten here, exactly.

One moment, he’d managed to summon the courage to ask what you’d done on your day off - a monumental feat, as far as he was concerned - and the next, you were recounting it with the kind of unrestrained enthusiasm that could make a trip to the post office sound riveting.

Because, of course, you - a federal agent with an inexplicable knack for philosophical musings and a seemingly endless need to keep busy - had spent your day off at a flea market.

Except, as soon as you mentioned which market, his stomach dropped like a stone.

That place? That wasn’t a flea market - that was where good judgment went to die.

He’d made the mistake to even voice it out loud, so here it came. That spark in your eyes, the one that always appeared when you decided to mount your intellectual soapbox to prove him wrong. “Do you even know the history of that area?”

He blinked, halfway through lifting his glass, because no, he didn’t.

Maybe he did that to himself because straight up asking it wouldn’t make you raise your brows in such a disarming way when you voiced you facts.

And the words you used? Completely disarming. Most of them sounded like they’d been plucked straight from some forgotten 19th-century manuscript, one that had probably been touched by a handful of scholars and a few unlucky grad students. Words no one in casual conversation would ever use - except you.

Who even talked like that?

And, God, why was that so damn attractive?

It wasn’t like he was unfamiliar with big words - he was a lawyer by training, after all. He’d spent years with his nose buried in legal jargon and Latin phrases. He shouldn’t be so affected by vocabulary.

But what probably didn’t help was the fact that he was a history nerd. A big one.

He prided himself on knowing every obscure fact there was to know about Washington - dates, places, people. He could rattle them off in his sleep. And yet, you’d managed to pull out something he’d never heard before.

That was probably why now he was clinging to every word - because, naturally, you’d managed to hit his competitive streak, too... you just had to outdo him, didn’t you?!

He should say something to prove he wasn’t completely in the dark. Maybe casually mention that he used to collect coins as a kid.

But no. He wasn’t going to tell you that.

Not because it wasn’t true - it was, and he still did it sometimes, if he found one interesting enough - but because the second those words left his mouth, you’d know exactly what kind of loser he really was.

And what was worse? You’d probably tease him for it. Which, honestly, was the last thing he needed.

Or maybe the first. Hell, he didn’t know anymore.

“You’re really pulling out Reconstruction history to convince me it’s a flea market?” he said finally, lifting his glass to his lips in a poor attempt to hide the smile threatening to betray him.

“Yes,” you said simply, leaning back and crossing your arms with an air of victorious confidence. "Because it is a flea market. The absence of your knowledge does not negate its existence."

Aaron bit the inside of his cheek harder this time, half to keep from smiling and half to stop his brain from melting entirely.

God, you were insufferable. And brilliant. And - he really hated himself for thinking this - beautiful.

He could easily argue back.

He could tell you the truth - that the place you went to had devolved into anything but a market. That it was the kind of place he would’ve chased down suspects, not strolled through on a lazy afternoon.

But then you said the phrase “integral point of trade,” and Aaron swore he nearly choked on his drink. He busied himself taking another sip, just to avoid staring at you any longer.

He sighed softly, just enough to get you to glance at him. “What?” you asked, narrowing your eyes like you were daring him to say something contradictory.

Aaron shook his head, leaning an elbow against the table as he set down his glass. “Nothing,” he said smoothly, though the corner of his mouth betrayed him with a twitch. “I’m just impressed.”

Your brow furrowed slightly, clearly suspicious. “Impressed?”

“Mm-hmm.” He tilted his head, pretending to scrutinize you. "With how effortlessly you’ve managed to transform a casual conversation into a dissertation defense."

The look you gave him was preciously smug. “You’re just jealous you didn’t know any of this.”

Jealous? No… yes, kind of.

Bewildered? Yes.

Smitten?  Absolutely.

But Aaron - trained professional, seasoned profiler, master of keeping things close to his chest - only picked up his drink again, hiding behind its edge as he muttered, “Sure. We’ll go with that.”

He let you have this one.

You looked far too pleased with yourself, your lips curved just slightly, your chin lifted like a challenge. It was a rare thing to see you so smugly triumphant, and as much as he wanted to argue - to win - he couldn’t bring himself to ruin it.

You’d never know that, technically, you were the one who was wrong. And that was fine.

Because if you knew, you wouldn’t be rambling so happily about your day, weaving it together with that unrestrained enthusiasm that made every mundane detail sound like it was something crucial.

You were, in a word, adorable.

The kind of adorable that made him laugh - not the polite, carefully curated chuckle he usually offered, but a real, startled laugh that felt foreign in his chest, like dusting off an old, forgotten relic.

The kind of adorable that came with you talking with your entire body, hands darting through the air as though you were trying to physically sculpt the story from nothing.

And somehow, Aaron found himself hanging on every word.

Even when the plot made no sense. Even when the punchline was nowhere in sight.

Adorable. Absolutely maddening. But utterly, ridiculously adorable.

And God, he was so completely smitten with you it was almost embarassing.

“…and then, as if the day couldn’t get worse, this guy completely cuts me off at the table. Like, who does that? It was so rude!” you said, your hands gesturing wildly and accidentally knocking the edge of the salt shaker.

He caught it just before it toppled and set it back in its place.

Oh, how you talked.

If Aaron was someone who overthought everything, you were someone who overtalked.

It was a paradox, really. You knew more languages than anyone he’d ever met. You were a genius, with a vocabulary so vast it could send people running for dictionaries. And yet, somehow, synthesis wasn’t in your lexicon.

You could spend twenty minutes setting up a punchline for a story that should’ve taken two, and he never minded.

You were recounting your flea market disaster like it was the most thrilling adventure, and of course, you weren’t just telling him. No, that wouldn’t be enough for you. You had to make him see it, live it, feel it the way you had.

“Wait, Hotch, you’re not getting it,” you’d said, your tone urgent, like it was a matter of life and death. And then, without warning, you grabbed his hand.

His heart did something humiliating - a stutter, a skip, whatever it was, it made him feel ridiculous.

Like a teenager with a crush. Which, of course, he wasn’t. He was a grown man. A rational man. One who should’ve been able to handle something as simple as you taking his hand to demonstrate a story.

But no.

You pressed his hand flat against the table, arranging his fingers like they were vital props in your reenactment. “This is the table,” you said with all the seriousness in the world, completely oblivious to the fact that you’d just stolen another year of his life with that one touch.

Your hands were on his.

Aaron Hotchner: a sheep in his nursery school Christmas recital, Pirate Number Four in his high school production of The Pirates of Penzance, and now - a table. A progression so absurd it might have made him laugh if he weren’t so desperately trying to breathe.

Stay calm, Hotchner. It’s just a table.

He should have felt ridiculous. Sitting there, his hand splayed out, but instead, all he could think about was how hollow his hand would feel the second you let go.

You had no idea, of course.

Oblivious to the fact that his brain was screaming at him to pull it together while simultaneously begging you to never stop touching him.

“And this is me,” you said, gesturing to yourself with your free hand.

Still, all he could think about now was the warmth of your hand on his, the way your fingers fit so easily against his own.

It’s a table, Hotchner, again. Just a table. Don’t lose your mind over a damn table.

“And this - oh, wait, I need something-” you said, pulling your hand away to grab the salt shaker, and in that instant, you proved his theory correct: his hand felt utterly and painfully empty without yours.

The salt shaker landed beside his hand, completing your bizarre little scene. “This is him,” you declared, as if it all made perfect sense.

“Salt shaker guy. Got it,” he said, his voice steadier now that you weren’t touching him.

You shot him a look. “Don’t make fun of the salt shaker. He’s pivotal to the story.”

He almost laughed at himself, for sitting there like a lovesick fool, hanging on your every word and praying for an excuse for you to touch him again.

Put them back. Please, for the love of God, put them back.

And then, as if you’d heard his silent plea, you reached for his hand once more, rearranging it.

Perfectionist. Adorable perfectionist.

“So,” you said leaning closer, “I’m here, looking at this table, minding my own business, when this guy” - you gestured to the salt shaker - “just swoops in out of nowhere and starts taking things. Like blatantly stealing!”

You were still holding his hand, your thumb brushing against his as you were, recounting how the ‘suspect’ had made off with a brass dolphin statue, of all things.

“A dolphin,” he’d said, unable to keep the amusement from his voice.

“Yes, Hotch, a dolphin. It was hideous, and I needed it,” you said, narrowing your eyes at him like he was the one who’d stolen it.

“And then - get this - the guy starts knocking over everything. A lamp falls, hits the table, and it all comes down.” you said, grabbing his other hand. Both of his hands now in yours. He was gone. Absolutely gone.

You continued “So - what am I supposed to do?” You looked at him expectantly, clearly waiting for his answer. Because, naturally, that’s what questions are for.

He straightened up slightly, clearing his throat. “You called the police because you’re FBI and have no jurisdiction-”

“I arrested him,” you interjected with flair, as if this were the most logical and inevitable conclusion. “Citizens’ arrest, it was humiliating. There was a crowd. They were staring. I had no choice. Society would crumble if we let salt shakers like him run wild.”

Aaron shook his head, his lips twitching as he fought off a grin. “And what? You read him his rights?!”

You adorably groaned, burying your face in your hands. “Worse - I might have told him, ‘Sir, drop the dolphin.’”

That was it. He lost it.

His laugh erupted, loud and unrestrained, turning heads at the bar. A few strangers even chuckled along, unaware of the joke, but Aaron didn’t care. He couldn’t stop.

For a man who lived by control, it should have been unsettling - the way he couldn’t rein himself in, the way his body betrayed him with laughter that felt too big, too loud.

But it wasn’t, not with you.

Because you’d managed to do what no one else could: make him forget himself. Make him let go.

And so he did.

His mind drifted away, pulled by a current he couldn’t control.

Aaron blinked, the memory of your hands on his burning his skin like an old scar. For a moment, he was back there: you across the table, reenacting the chaotic events of a flea market fiasco with a salt shaker and his hands, the sound of your laughter ringing in his ears.

But then the world shifted.

The small table stretched, the edges elongating, growing wider and longer until it wasn’t just the two of you anymore. The air thickened, filled with louder sounds - voices, overlapping conversations, a cacophony of presence.

This wasn’t 1998 anymore.

Now, the long table was crowded.

JJ sat at one end of the long table, her hand lightly resting on a glass of water as she laughed at something Penelope had said, her cheeks slightly flushed.

Whatever they were talking about, Aaron couldn’t quite make out - though the dramatic hand flails and an occasional squeal from Penelope made it clear it was probably something absurd.

On the closer side of the table, however, the conversation was significantly… less wholesome.

Next to JJ, Emily leaned back in her chair, arms crossed, her face shifting between disgust and reluctant amusement, like she couldn’t quite decide whether to roll her eyes or encourage it.

Across from him, Derek grinned like a man who knew exactly what he was doing, his hands moving in exaggerated, circular motions that left no room for interpretation.

It was amazing, really.

When these two were this animated, it was either because they were dissecting some niche crime novel they’d both read or... this.

“And I’m telling you,” Derek declared, spreading his hands wide, “they were this big. Unreal, man. You’d have to see it to believe it - the biggest pair of - ”

“Boobs, Derek?” Emily cut in, raising an eyebrow so sharp it could’ve sliced through his bravado. “Subtle. Really. I’m impressed by your dedication to being as respectful as a middle schooler on spring break.”

Derek leaned forward, his grin turning downright wicked. “Oh, please, Em. Don’t even try it. I’ve seen you straight-up melt over a girl in a button-down. Subtle ain’t exactly your thing either.”

Emily rolled her eyes, taking a deliberate sip of her drink before setting it down with a smirk. “First of all, button-downs are hot. Second of all, mind your business, Morgan.” She leaned back in her chair. “At least I’m not out here narrating a National Geographic special on boobs. Talk about subtle.”

And then there was Spencer.

Of course, Spencer. Talking fast - too fast - gesturing wildly as he rattled off some philosophical theory that had to involve at least three different German philosophers whose names Aaron couldn’t spell, let alone pronounce.

And you.

Sitting at Aaron’s left, your hands flitted into Spencer’s space every other second, countering his arguments with rapid-fire points that seemed to form their own language.

Aaron caught maybe a couple of words out of every ten.

Something about Nietzsche. No, wait - you hated Nietzsche. Kierkegaard? Possibly.

Honestly, it could have been both. Or neither. For all he knew, you were inventing philosophers now just to keep the conversation interesting.

The two of you had been talking nonstop for the past hours - since the moment you boarded the jet. It had gone on so long, so consistently, that the noise was no longer conversation but had evolved into a kind of background static.

The rest of the team had tuned it out completely, treating your relentless back-and-forth as white noise punctuated by occasional bursts of excitement whenever one of you discovered a particularly “thrilling” point.

...thrilling for you, anyway.

Aaron was fairly certain no one else on the jet had ever found Kant ‘thrilling’ - at best, just a dead guy with a vaguely suggestive name that occasionally got a laugh.

It stung a little, though, when Aaron thought about how the team had spent a good portion of that time joking about you and Spencer - probably their way of coping with the relentless noise of your debates.

“Okay, seriously,” JJ had groaned at one point. “when we get to the bar tonight, they are sitting at a separate table. I can’t handle this anymore. And with alcohol involved? Forget it. My brain will shut down.”

Emily, sitting across from her, smirked. “Oh, come on, JJ. Don’t you want to learn about something completely useless while sipping a margarita? Could be fun.”

JJ shot her a look. “Pass.”

“We could all sit together at first and then just sneak off,” Derek said, leaning back in his chair with a self-satisfied grin. “Teach and Pretty Boy probably wouldn’t even notice… you know what they say - philosophy’s the language of loooove,” he added in a sing-song tone, waggling his eyebrows.

Penelope, who had been giggling quietly behind her hand, finally chimed in. “Aw, like two adorable little nerdy lovebirds. It’s so sweet!”

Lovebirds. Aaron’s jaw tightened as he stared straight ahead.

They were joking, of course. Obviously. There was no way they actually thought you and Spencer could be a thing. Relationships at work were strictly forbidden, after all.

It was in the rules.

Not that Aaron was thinking about relationships. That would be absurd.

It wouldn’t work - not because he didn’t like Spencer. Hell, Spencer was practically his first child. But the idea of you and Spencer together? It just didn’t make sense.

Sure he was brilliant, compassionate, genuine - all the qualities anyone could ask for. But Spencer wasn’t… well...

He just wasn’t for you.

Not that Aaron knew what your type even was. It wasn’t as if he’d spent the better part of a decade cataloging your preferences. That would be ridiculous.

But he did know one thing - you liked clever people. And Spencer was clever. A genius. Of course, it made perfect sense to everyone else that you’d be potentially a good match. Didn’t it?!

And what about him?

Aaron felt like he was drowning.

The table was alive with energy, with three conversations firing off simultaneously. And Aaron sat in the middle of it all, the only one not speaking.

Still, he absorbed it all: every word, every shift in tone, every burst of laughter. He didn’t interrupt, didn’t interject, even when he had something to say.

He just listened.

He wished he could do more than that. He wished people could see that he cared, that he was invested in what they were saying, even if his quiet nods and glances didn’t scream it like everyone else’s chatter did.

Because that was the thing about Aaron: listening came naturally to him. Reacting? That was harder.

He watched as Penelope exclaimed, “No way!” her hands flying up dramatically, her voice a beacon of enthusiasm. JJ chimed in with a soft “Really?” that pulled everyone into her orbit for just a second. Derek countered with a smug remark that had Emily rolling her eyes, but even she couldn’t suppress a grin.

And Aaron? Aaron just sat there, absorbing it all while his voice disappeared.

An hour could slip by without him saying a word, until someone finally remembered he was even there.

And that was the irony of it all: he was probably the most physically imposing person at the table, but his silence erased him. The conversation moved forward, leaving him stranded somewhere back in the past topic, unheard and unnoticed.

Most of the time, he didn’t mind. He didn’t need to be the center of attention, didn’t crave the spotlight - not here, not after a long day of being the Unit Chief.

But when he did notice? It hit him like a freight train.

Suddenly, he became hyper-aware of everything. The way his arms rested awkwardly on the table. The position of his hands. The stiffness of his posture. The sheer weight of his silence.

He felt out of place. Like a ghost at his own table.

Aaron shifted in his seat, stimming with his fingers - a small movement, but one that betrayed his discomfort. He glanced at the others, wondering if anyone had noticed, if anyone might throw him a lifeline.

But the table buzzed on, oblivious.

It started to sting when Aaron realized no one had asked him a question in the last 45 minutes.

He sat there, at the table with his team, feeling like a ghost at his own gathering. The laughter and voices surrounded him, a cacophony of sound that made it impossible to pinpoint one conversation from the next. He could barely hear himself think, and yet, inside his own head was where he remained, trapped, desperately wanting to be part of the moment but unsure how to step back into the light.

There’s a theory that says you don’t exist unless someone calls and you respond.

So there was light.

A warm touch of a hand on his left shoulder.

Aaron froze.

And then, it happened. Finally, a question. At him.

“So, are you going to New York tomorrow?” you asked, your hand still resting on his shoulder.

He hesitated for a second, as if needing to confirm that you were actually speaking to him. But the look in your eyes, the way they searched his, and the slight tilt of your head in his direction were more than enough to prove that you were.

It was strange. He wasn’t really used to being addressed like this in group settings - directly, personally. When people spoke to him, it was always about work, requests to stretch the days off into a long weekend, or about Jack, asking if he’d seen him recently.

No, he hadn’t. Not really.

He’d seen Jack about a month ago for barely a minute. He’d been asleep. Aaron had only gone to Jessica’s house because he’d needed to, after the worst case he’d handled all year.

Even now, guilt lingered for intruding like that, for being selfish enough to need that quiet moment, and it only deepened when questions like those came up, pulling him back to what he hadn’t done, to who he hadn’t been.

And yet, no one ever asked him about that. About him.

The questions were always for Hotch the Unit Chief or Aaron the dad. They were never about just Aaron.

“I-I don’t know yet,” he muttered, his voice barely audible. He half-expected you to nod politely and return to your conversation with Spencer. But you didn’t... why?

“What play were you planning to see?” you asked, your voice soft but curious, as though the answer genuinely mattered to you.

He paused, caught off guard by the question. He wasn’t sure why you even bothered. You knew next to nothing about musical theatre - less than he knew about philosophy, and that was saying something.

Because, if he were honest, he probably knew more about musical theatre than you did about philosophy. And you had a PhD in philosophy. Every paper you’d ever published had some philosophical angle, every argument you made seemed rooted in it. Hell, your mind practically breathed in philosophy. But musical theatre? That was his realm.

He wasn’t just an occasional fan - he was a theatre nerd, borderline obsessive. The kind of person who read scripts for fun, hummed overtures from shows no one else remembered, and had opinions on whether revivals ever truly lived up to the originals.

So why did this simple question throw him? Why did it feel like there was a weight behind it he couldn’t quite place? Maybe because you didn’t know that about him - not yet, at least.

Sure, you knew he loved musical theatre - which, honestly, was already an achievement. He rarely felt safe enough to share that detail with anyone. You knew he made it a point to see a Broadway play every time he was in New York.

But the rest? The details? Those he never shared. Not with you, not with anyone.

You didn’t know how often he went back to see the same shows, over and over again, as if they were old friends waiting to welcome him home.

Or how much he cherished the intimacy of tiny off-Broadway productions - the kind performed in spaces that barely qualified as theatres, where the air buzzed with raw, electric talent.

And he wasn’t sure how to tell you all of that without sounding like… well, like him.

Aaron Hotchner: Unit Chief. Father. Theatre Nerd.

“I haven’t really decided yet,” Aaron began, the words tumbling out faster than he intended. “But I’ve been thinking about catching this play. The original cast is coming back for a limited run this month to celebrate the anniversary… it’s kind of a big thing.”

What the fuck had he just said?

He sounded like one of those pretentious purists who thought only the original cast could do a show justice - the kind of person who wrote overly passionate forum posts about “artistic integrity.”

The same kind of person, ironically, he’d wasted too many hours of his life arguing with in comment sections, armed with nothing but a sense of logic, proper grammar, and the faint hope that maybe he could introduce them to the concept of reasonable thought.

And now? He sounded exactly like them. Great. Just great.

He needed to fix it. Immediately. Before he dug the hole any deeper.

“It’s not that I don’t like the current cast ,” he added quickly, as if that would save him. “Far from it. They’re incredible. I saw them last year, and they were just as powerful as I remembered. But…”

Oh, great. There was the but.

“The first time I saw it…” He trailed off for a second, feeling a pull he couldn’t quite articulate. “It was on opening night, back when it was still off-Broadway. No one really knew about it yet. It felt… raw, I guess. Intimate in a way that stayed with me.”

Intimate. Really, Hotchner?

He immediately winced internally. Now he sounded like a creep. Fantastic.

That was probably why you were smiling at him like that, with those soft eyes and that too-kind expression. Compassion. Pity.

That had to be it. You were humoring him.

Perfect. Just perfect. Can he do at least one thing right in his life? Just one? Apparently not.

The words started coming faster, his attempt to salvage whatever dignity he had left. “I mean, it’s the themes,” his hands twitched as if to emphasize the points, but he forced them to stay still. “They’re… timeless, but also distinctly modern. Community. Survival. Resilience. Love in its purest and messiest forms.”

Now he was waxing poetic. Could he even hear himself?

“People finding each other and holding on, even when everything around them is falling apart,” he continued, fully aware he’d gone too far but somehow unable to stop. “It’s hard to explain, but there’s something about it - the music, the storytelling. It’s honest, but it’s hopeful. It doesn’t shy away from how ugly life can be, but it still manages to show there’s beauty in the fight.”

He finally stopped, feeling his face grow warmer by the second. He might as well have just stood up and shouted, “Hi, I’m Aaron Hotchner, I’m 42 and I’m currently experiencing a complete emotional breakdown over a musical. Please be kind.”

What was he even doing? Did he think this would impress you? No, worse - for once he didn’t think at all. That was the problem.

“I don’t know,” he added quickly, trying to reel himself back in. “I’m probably just being sentimental.”

Beautiful, Hotchner. Very subtle. He was officially done talking. Forever, if possible.

You still smiled, leaning in slightly, and Aaron braced himself for the inevitable teasing, the polite that’s nice before you turned the conversation elsewhere. But instead, you tilted your head and said softly, “That doesn’t sound sentimental to me.”

He blinked, caught completely off guard. That wasn’t what he was expecting. Not even close.

“It sounds… personal,” you continued, your voice steady and calm. “Like it left a mark on you. I think that’s kind of incredible, actually.”

Aaron stared at you for a second, his mind scrambling - you weren’t laughing at him. You weren’t humoring him. You were listening.

“I-” he started, but the words caught in his throat.

You tilted your head, your smile growing just slightly, like you could see how much he was struggling to process this. “Really, I mean it. The way you’re describing it… honestly, it sounds beautiful. You connect with it. That’s the whole point of art, isn’t it? To find meaning in it, to feel heard.”

Beautiful.

Now you were waxing poetic. But somehow, hearing it from you didn’t make him wince the way his own words did.

He huffed a small, almost nervous laugh, more to himself than to you. It was infuriating how easily you could do that, just be this way. “I guess it is”

“Of course it is.” You teased lightly, sitting back in your seat but keeping your eyes on him. “Now, are you finally going to tell me the name of this life-changing musical, or is it some kind of classified information?”

“It doesn’t really matter,” he muttered, already trying to move past it. “You probably wouldn’t know it.” He caught himself. “It’s not important.”

You tilted your head, your smile unwavering, clearly not letting him off the hook. “It sounds important to you,” you said softly, leaning forward just a little. “And if it’s important to you, it’s important to me.”

He huffed a small breath, glancing down at his hands. He couldn’t tell if your persistence was infuriating or disarming - or maybe it was both.

“It’s called Rent,” he finally said, the word slipping out before he could stop himself.

“I know it,” you responded without hesitation, and he was so surprised that he couldn’t help but chime in again.

“You do?” he asked, the surprise clear in his voice - not because Rent was niche, far from it. It was one of the most iconic musicals ever.

But coming from you? This felt like a monumental achievement, especially considering that the last time you two talked about musicals, you’d admitted to not knowing The Sound of Music was anything more than a movie. At this point, he’d learned to expect anything from you.

“Yes,” you said with a small smile. “It’s actually the only live show I’ve ever seen. My mom practically dragged me to it ages ago… it was the day I finished my PhD in linguistics.”

Aaron didn’t know where to begin. Well, that wasn’t entirely true. He did.

He knew you’d lived in New York while working on your PhD at Columbia, just a stone’s throw away from the very theatres he’d spent hours traveling to whenever he could manage a free weekend.

And yet, in all that time, you’d seen exactly one show. One.

It was baffling. Almost impressive, really - your sheer commitment to avoiding the arts.

Was it a conscious effort? A statement? Honestly, he wasn’t sure whether to be disappointed or begrudgingly admire the consistency.

“I don’t remember much of the songs, sorry” you admitted, your tone softer now. “I do remember, ironically, when we came in, they said the creator had passed the day before from a heart attack. I really could feel the emotion in the room. It was amazing - one of the most beautiful things I’ve ever seen.”

It couldn’t be.

“January 26th, 1996,” he said, the words spilling out before he could stop himself.

You paused, your brows knitting together as you thought. “Oh, wow,” you murmured after a moment. “Yes, that’s right. How could you possibly know that?”

He felt his cheeks flush even as the words formed on his tongue. “That was opening night,” he said softly, almost hesitantly. “I was there too.”

You stared at each other, eyes locked. Silence.

He couldn’t quite put into words what it was that made the realization feel so… heavy.

Maybe it was the sheer improbability of it. How, out of all the places in the world, your paths had crossed that night in a tiny theatre in New York.

Because in 1996, you didn’t know each other. You were strangers in the truest sense of the word - two lives moving parallel, unaware of the other’s existence.

Of course, you wouldn’t remember seeing each other. How could you? The thought was absurd, and yet, the thought of it - of you there, somewhere in that 199-seat theatre, maybe half full - flustered him.

Had your eyes met in the foyer, just for a fleeting moment, the way they were meeting his now?

Had you brushed past him, two strangers moving toward seats that would bring you close but never quite close enough?

The thought sent him spiraling, not because it felt impossible, but because it didn’t. It felt inevitable.

Maddening and beautiful all at once, the kind of paradox that left him breathless.

There was a sweet, aching ignorance in the idea.

Neither of you had any way of knowing what you would one day mean to each other.

Of knowing that the stranger sitting nearby, lost in the same music and emotion, would one day become one of the most important people in your life.

It had to be fate.

You, sitting just as you were now - beside him, to his left. Or at least, that’s how liked to imagine it. Maybe you’d even leaned toward your mother then, the way you leaned toward him now, smiling.

Some people are just meant to be, aren’t they?

Fate, he thought again. Because if that wasn’t fate, he wasn’t sure what was.

So maybe he should go to New York. All the streets seemed to lead there.

Besides, someone he knew had just been assigned to lead the NYPD, maybe he should pay her a visit.

---

Hotch hadn’t expected how much the latest case would affect his team - or himself, for that matter.

He’d noticed something was wrong with JJ the moment they stepped into the first crime scene together.

There was a heaviness about her, a stillness he’d learned to recognize in the years they’d worked side by side. It wasn’t unusual for these cases to take a toll, but this one felt different.

He’d confronted her almost immediately, pulling her aside when Reid and the officer weren’t within earshot. He’d told her he understood - how could he not?

Ever since Jack was born, cases involving children had clawed at him in ways he couldn’t fully prepare for, no matter how many times he tried to steel himself.

But for JJ, it was different. It was worse. Every case they worked on - every horror they encountered - came across her desk first.

Every victim’s file landed in her hands before it reached anyone else. And far too often, those victims were women her age, mothers, daughters, lives cut short in ways too cruel to fathom.

He’d told her it was okay to lose it every once in a while, that no one could carry this job without feeling its weight. She hadn’t looked convinced, and he couldn’t blame her.

Coming from him - the Stoic - it must have felt hollow.

He saw it in her eyes, in the way her shoulders barely eased under his reassurances. She was still carrying it, even after the case was over.

And so he tried again.

He approached JJ as the officer closed the door on the car, securing the unsub’s wife, Chrissy, inside. She had killed him, desperate to protect their future child from his violent legacy.

“You okay?” he asked gently.

JJ stared blankly into the distance, her arms crossed tightly over her chest. It took a moment before she answered, her voice low and reflective. “You stop caring, you're jaded. If you care too much... it'll ruin you.”

“Just know that you did everything you could,” he replied softly. “Sometimes we get it right with a little luck, and most of the time we don't. That's the job. It's never perfect.”

He paused, his gaze shifting to her as his tone softened further. “It's still better to care.”

“You really believe that?” JJ asked, finally turning to look at him, her arms still folded defensively.

Of course not. Caring too much destroys you - it always does. Look at what it had done to his own life.

He shook his head slowly, his mouth twitching as if suppressing a more honest reply. “I believe it's never perfect.”

And maybe that’s what haunted him the most - how helpless he felt in the face of it. Because he knew better than anyone that words could only do so much. Pain like that didn’t dissipate because someone told you it was okay to feel it.

It lingered. It lingered in the quiet moments, in the spaces between cases, in the dark corners of your mind when you finally stopped moving.

Another one who didn’t show the weight of the case quite as visibly as JJ, but was no less affected, was Prentiss.

She was better at masking it - that much he could see. But Hotch also knew her well enough to recognize the way she carried her thoughts.

The motive behind this case, the layers of injustice, had settled heavily on her shoulders. It wasn’t hard to imagine why. Her frustration wasn’t so different from JJ’s in essence, it came from the same place - a longing for justice.

But for Prentiss, it wasn’t just about the crimes committed. It was about the deeper, systemic unfairness that had brought them here in the first place.

He could tell she was thinking about Chrissy, the young mother caught in an impossible situation.

About how, in a patriarchal society, the person who would truly pay the price for all of this wouldn’t be the perpetrator alone - it would be Chrissy, the woman who had tried to protect her child in the only way she thought she could.

It was horrifyingly unfair.

Aaron could feel her anger in the quiet moments, the way her jaw tightened when Chrissy’s name was mentioned, the way she avoided eye contact with anyone when the case wrapped. He understood it, but he didn’t say anything.

How could he? He had no right to.

As a man, he knew he was part of the very system she was furious with. Even unintentionally, even passively, he benefited from it. So he stayed quiet.

But that didn’t mean he did nothing. As a former prosecutor, he understood the gravity of Chrissy’s situation. The trial would not be easy. The legal system often wasn’t.

But he also knew the power of a voice within that system, the importance of framing the narrative with care. So he took the only step he could think of, the only one that felt right.

He sat down and wrote a letter addressing the complexities of the case. He focused on the circumstances that had forced Chrissy into a decision no one should ever have to make. He laid out the context, the systemic failures, the humanity of it all. And when it was done, he filed it with the process.

It wasn’t much, but it was a step.

It was all he could do - to have faith that the trial would deliver justice, not just for the victims, but for Chrissy as well.

With Morgan and Reid, the reasons were different - the questions a case like this left behind were vast, yet the two of them had latched onto the same one, albeit in opposing ways.

The cyclical nature of violence. The profound impact of familial legacy on individual behavior. Can you pass down the gene of evil? Is it inevitable? Or can it be changed?

It was ironic, really - how the same theme could yield two entirely different interpretations, juxtaposed like night and day.

For Morgan, who was slowly reapproaching a faith he’d long abandoned, the answers came from above. Or at least, he hoped they would.

Morgan searched for meaning in something greater, for the divine to offer clarity in a world that often seemed devoid of it.

Hotch couldn’t offer much in that regard; he understood it too well. He’d grown up in a family that confessed the same beliefs, heard the same hymns, recited the same prayers. And while the answers Morgan sought were his own to find, Hotch could offer a small gesture of solidarity.

So, when he went to the kitchenette for coffee, he made one for Morgan too. He didn’t say anything, just handed him the steaming cup, hoping the caffeine would keep him awake long enough to wrestle with those questions and, luckily, find some peace before it spiraled further.

He added an extra touch - his last dark chocolate truffle. He wanted it for himself, truthfully, but Morgan needed it more. It wasn’t much, but it felt like the right thing to do.

Because if there was one tenet of faith Aaron could still believe in, it was this: ‘be kind to one another.’ And sometimes, kindness came in the form of caffeine and chocolate

Then there was Reid. For him, the search for answers took a different path, one turned inward.

He sought them in the vast expanse of his mind, a database larger and more intricate than anything Hotch could fathom.

He knew that Reid’s healing process often began in solitude, pouring over facts, theories, and philosophical musings until they settled into something resembling clarity.

So, when he made coffee for him, he took care to prepare it the way Reid liked it - sickeningly sweet, almost more syrup than coffee. He didn’t interrupt Reid’s silent contemplation. It was still too early, the thoughts too embryonic.

Handing Reid the mug, he let the younger man be, knowing that if Spencer needed logical confrontation, he would come directly to him. They’d discuss the meaning of words, the patterns of human behavior, and then Reid would likely move on with his day.

What concerned him, though, was the possibility that Reid might go to you instead.

It wasn’t that Hotch doubted you - quite the opposite. If there was anyone who understood Reid’s need to dive deeply into the cultural and philosophical nature of humanity, it was you.

You had a way of peeling back layers, of digging into the complexities of existence, even when it required hours of intellectual and emotional suffering to do so. Hotch trusted you more than he trusted himself to guide Reid in those moments.

But if Reid came to you, it would mean the case had struck him harder than Hotch had realized.

Because you weren’t the first step in Reid’s process - you were the last. The one who could challenge him, pull him deeper, and help him emerge on the other side.

Hotch took a sip of his own coffee, glancing toward Reid, who was already lost in thought, and then toward Morgan, who sat quietly with his faith and his chocolate.

They’d find their answers in time, he knew. Whether above, within, or through someone who truly understood.

Rossi though was, without a doubt, the most frustrating one to figure out.

It wasn’t that Hotch didn’t understand why the case had affected him - he did. The reasons were as plain as day.

But Rossi’s stubbornness and unyielding pride made it nearly impossible to offer any kind of help, let alone get close enough to understand the full picture. He was still adjusting to the group dynamic, still learning to balance respect for everyone’s boundaries with his old habits of calling the shots.

Sure, there had been progress.

Rossi had made small steps toward blending in since rejoining the team, he was more open with him especially - but there were moments when his gaze drifted backward, to how things used to be.

That same tendency to look to the past was what Hotch knew had cut deepest in this case. The past haunted Rossi.

Hotch had seen it in the way his demeanor shifted, the way he threw himself into conversation with the local detective, whose story mirrored something unspoken in Rossi.

The detective had just closed a case that had haunted him for 27 years - a case that had cost him everything. His job. His mental sanity. His sense of self.

Rossi wasn’t as different from him as he probably wanted to believe.

Hotch had overheard more than one of their conversations, seen the way Rossi leaned in when the man talked about his regrets, about the weight he carried. And more than once, Rossi had mentioned his own “unfinished business,” those words lingering in the air like a loaded gun.

Hotch didn’t push. He couldn’t. Rossi had to face it on his own first, to admit - to himself, above all - that there was something he needed to confront.

But he hoped that when the time came, Rossi would find the strength to do more than just admit it. He hoped he’d find the strength to let it go.

Only an agent was left - two, if he counted himself.

It didn’t surprise him that the reason this case had shaken you was the same as his own, even if you hadn’t told him yet.

You didn’t need to. He knew you too well by now, and silence wasn’t as opaque as you probably hoped it would be.

And the thing that would help you was the same thing he knew would help him: dialogue. A confrontation of two broken individuals, trying to make sense of the same chaos from different angles.

You and him, speaking two completely different languages: physics and metaphysics. One grounded in logic and structure, the other stretching toward something bigger, intangible.

You sought answers in the abstract, in the why, while he clung to the tangible, the how.

Together, somehow, you always found your way.

Hotch made his way down the aisle of the jet, paperwork in hand, catching sight of you before he even reached your seat. You were hunched over a file, so engrossed that you didn’t notice him until he stopped beside you and cleared his throat.

Predictably, you snapped the file shut in an instant, like you were hiding state secrets. Too bad for you - he already knew.

“There’s no need to be so secretive about that case file,” he said, his tone deceptively casual as he lowered himself into the seat across from you, one hand tugging his tie back into place. “Especially when we’re both working on the exact same one.”

Your eyes flicked up, skeptical, and then down at the file he placed on the table - its size dwarfing yours like a monument to over-preparation. “Impossible,” you said, your arms crossing defensively. “Yours is the size of an encyclopedia.”

“Probably because it seems I’ve worked on it more than you have,” he replied, allowing himself the faintest hint of a smile. “Tell me, is it the Boston Reaper case by any chance?”

Caught you, Philosopher.

Your eyes widened, the look of someone watching a magician pull a rabbit out of a hat. “How? Why?”

That was all you managed to say, and Hotch had to fight back the urge to laugh. The great oracle of philosophy, reduced to caveman syntax. You sounded exactly like Jack when he was first trying to string together sentences as a toddler.

Those questions weren’t even for him - they were clearly for yourself.

How does he know? Why is he working on this case?

And honestly, Hotch thought, the answers were so obvious it was almost endearing that you bothered to ask.

He knew why you were both silently working on that case on the jet back to Quantico. It was your way of coping with the uncomfortable fear today’s investigation had stirred - that an old, unresolved case like this one could resurface, leaving a new trail of victims in its wake.

Fear - that you might end up like the detective from today, unprepared. All this time later, and still haunted by what could have been done differently.

The Boston Reaper wasn’t just another unresolved case. It wasn’t just about the local police pulling both of you off it before you’d even had the chance to work on a proper profile.

That had been frustrating, sure, but the ties to this case ran deeper.

For him, it had been his first case as a lead profiler, thrust into the role just as Rossi had abruptly left the team without so much as a warning.

For you, it had been your ever first unresolved case, the kind of professional scar that stayed with you no matter how many victories followed.

And then there was the part neither of you would ever mention aloud.

It had been the case assigned to both of you the morning after what could only be described as a monumental lapse in judgment - a lapse Mrs. Lee, would still gleefully encourage you to repeat.

“Fear,” Hotch said simply, answering the unspoken why. He didn’t dare meet your eyes as he added, “And you already know the ‘how.’”

Because of course you did.

That unspoken moment of realization between you was something he definitely didn’t want to linger on - mainly because the second he saw it in your eyes, he’d probably blush like an idiot, and you’d never let him hear the end of it.

“So,” he said briskly, gesturing toward your file, “can I read the Oracle’s thoughts on the case now?”

You hesitated for a moment, then handed him the file. “I got stuck,” you admitted, your tone less defensive now. “There’s barely anything in there.”

“Well, that’s why I’m here. Let’s see -” he said, flipping open the file.

His eyes immediately landed on one word written larger than the others, circled as if it demanded top billing in the drama of your thoughts.

“Fate,” he murmured, his lips twitching at the irony.

Of course it was fate.

If the past few days had taught him anything, it was that the universe had an excellent sense of humor - albeit a twisted one.

You leaned forward slightly, pulling him back to the present. “He uses the Eye of Providence as a symbol for his killings,” you explained, saving him from the philosophical essays you’d undoubtedly penned in the margins... thank God.

You continued “That’s where I started. But it led me nowhere. Then I thought about how he wrote ‘fate’ on the windshield of one of his victims in their own blood.” You paused for a bit. “Words are more powerful than symbols.”

That struck a chord. Words required intent, precision. They carried weight. They cut deeper.

Hotch’s eyes dropped back to the file, scanning your notes as he absorbed what you’d said. Pieces started clicking into place, fragments of thought aligning in a way that sparked something.

 He looked up at you. “What if he sees himself as the personification of fate?” he theorized, his eyes searching yours for confirmation.

“Well, didn’t you read my mind, Unit Chief?!” you said with a grin. “That’s exactly what I’m trying to prove.” That look - the one you knew drove him just slightly mad - prompted him to respond before he even had the chance to think better of it.

“And to do that, you had to go back quite a bit. Since Christianity influenced Western culture, we don’t talk about fate anymore - that’s more pagan. Instead, we talk about providence,” he said, his voice steady, almost clinical. “Ancient Greece, on the other hand, is full of myths where fate is one the central themes.”

Your grin only widened, amused and maybe a little impressed. “Wow. You really are good, Agent Hotchner,” you said with a mock coo. “Yes, exactly.”

Of course.

You were teasing him - again - but there was a glint in your eye, a genuine spark that reminded him why he always ended up drawn into these conversations with you, whether he wanted to be or not.

“I did try the those first,” you continued “but the imagery didn’t match. To explain it, I had to revisit Stoicism. They saw the universe as governed by this entity called logos - a rational, divine order where everything connects in an unbroken chain of cause and effect. What I found particularly important is that fate, in their view, isn’t something chaotic but part of a structured system. It’s revolutionary.”

He wasn’t used to your characteristic back-and-forth during cases anymore. He hadn’t paired you with him in what felt like ages - since long before Rossi rejoined the team. Maybe it was deliberate. Maybe it wasn’t. He didn’t want to think too hard about it.

But hearing you now, rattling off ideas with that same unstoppable energy, he realized just how much he’d missed it. Your wits, your knowledge, your uncanny ability to pull connections out of thin air - it was as maddening as it was impressive.

Not that he particularly missed the mock praise you’d thrown his way earlier. That could stay firmly in the past where it belonged. Or, at the very least, it could try to sound a bit more genuine.

Not that he wanted to hear it, of course.

…Okay, maybe it was better to change the subject entirely.

He missed you.

“So, by presenting himself as ‘fate,’” you continued, “the Reaper excuses himself entirely. He’s not making choices - he’s just the inevitable result of the universe’s design. Or at least, that’s how he sees it. Responsibility lies with the deterministic nature of existence itself. Quite of a sophisticated delusion.” you added, leaning back with a wry smile.

Hotch tilted his head. “Interesting… but if he truly believed that, why leave a signature? Why call 911? That’s ego. He wants us to know it’s him. That’s not someone surrendering to inevitability - that’s someone demanding recognition.”

“That’s why I’m stuck,” you admitted, with a frustrated sigh. “The contradictions don’t align. His actions suggest ego, yes. A desire for attention, for dominance. But that one 911 call…”

He leaned forward slightly. “What about it?”

“The call bothers me,” you continued, your voice softer now, more introspective. “Too deliberate. Too… purposeful. I feel they aren’t just challenges. There’s something else, I can’t see it yet, but it’s not just about superiority. It doesn’t feel like pure ego.”

He responded to you way too quickly. “Then what does it feel like?”

You hesitated, searching for the right words. “Something human, maybe,” you said finally. “There’s something… ordinary about the Unsub. Normal. He blends in so seamlessly that even his grandiosity doesn’t seem entirely self-serving.” You gestured at the file in front of you. “I can’t connect these pieces. The deterministic philosophy. The theatrical ego. The calculated call. It’s like he exists in two worlds at once - one of chaos, and one of order.”

His gaze lingered on you for a moment. “And you think the truth lies somewhere in the contradiction.”

You shrugged. “Doesn’t it always?”

Hotch exhaled softly, the faintest smile tugging at the corner of his lips as he watched you.

You couldn’t help yourself, could you? Always had to end with something emblematic, like you were writing the last line of a novel. Throw in a fade to black, and you were set.

“When you’re done making fun of me,” you said, raising your eyebrows at him, “could you explain how, with the same lack of material, you somehow have a file twice the size of mine?”

He couldn’t help the brief laugh that escaped him. Of course, you’d noticed.

“I’m not particularly proud of this…” he began, his tone measured but edged with a hint of self-deprecation. “But after we were pulled from the case, I went back to Boston a couple of weeks later.” He paused, gauging your reaction before continuing. “I got George Foyet’s testimony while he was still in the hospital.”

Your head snapped up, staring at him, completely stunned. “You?” you said slowly, suspicion lacing every syllable. “You went back to Boston? The man who practically has the Constitution tattooed on his soul took a statement after being removed from the case? That wasn’t even legal, was it?”

“It wasn’t,” Hotch admitted, his smirk widening just enough to make you narrow your eyes further. “But I knew they’d write a book about the Reaper case eventually. Once it became public domain, the testimony would be usable. I was just… proactive.”

“Proactive,” you repeated, shaking your head with a disbelieving laugh. “That’s barely ethical.”

He didn’t miss a beat. “I blame you.” His tone was deadpan. “You brought out the worst in me back then.”

You snorted, leaning back in your seat with an exasperated smile. “How convenient, blaming it all on what were actually your overthoughts after some drunk sex.”

Oh no. Absolutely not. He was not going there.

He looked down at the file on the table, hoping the angle would save him from the inevitable reddening of his face.

Why, of all the things you could’ve said, did you have to bring that up? It wasn’t even relevant - well, not entirely relevant.

Deflection. That was his only move now. Luckily, the one he had in mind was at least partially truthful.

“We’re landing in a few minutes,” he began, keeping his tone calm and measured, “so how about this: when we’re back, we exchange files. You can go through the testimony, and I’ll take another look at where you got stuck with the phone call. We both take the night to work on it, and tomorrow, we compare notes.”

You tilted your head, skepticism written all over your face. “And what if someone finds out we’re working on a closed case?”

“That’s why we’re doing it at your place,” he said, his tone completely matter-of-fact, like this was the most logical solution in the world. Because it was. It wasn’t an excuse, at all.

You blinked, caught off guard. “Oh, so now you’re inviting yourself over?”

“Haven’t seen Mrs. Lee in a few weeks,” he said smoothly, like that was somehow a perfectly valid justification.

You laughed at that, shaking your head. “Right… You know what? She might adore you, but let’s not forget who she entrusted with her blueberry pie recipe.”

What?

And you waited all this time to tell him that?

So this is what betrayal feels like. A little less dramatic than expected, but still, very disappointing.

---

If there was one universal truth about the BAU team, it was this: no matter how different you all were, no matter how much tension simmered beneath the surface after a long case, there was one sacred ritual that bound you together - going out for drinks.

Especially after the cases that were draining, but not devastating.

The ones that left you raw but still intact, just enough to crave the company of those who understood the madness you faced.

This case had been one of those.

There was a quiet hum of unspoken agreement as everyone wrapped up their notes, pens clicking shut, desks tidied with a precision that came from mutual understanding rather than coordination.

It wasn’t planned, but somehow, you all ended up converging in the bullpen at the same time, like a gravitational pull none of you could resist.

The collective exhaustion that had hung heavy all day began to lift, replaced by a singular, unifying hope: to fuck up your livers just enough to lighten the weight pressing on your minds.

It was Derek who broke the silence, standing up from his chair and tossing his notebook across his desk with a grin. “Who’s up for a drink?”

Emily cheered like she’d been waiting for this exact moment. “Who’s up for five?”

“Five bottles, you mean?” you chimed in, feigning doubt as though you were on the verge of saying no.

“Each,” Emily clarified with a playful wink.

That was all it took for you to reach for your pen, clicking it closed with a dramatic flair before placing it back into your holder.

“Count me in,” Rossi said casually, like this wasn’t the team’s collective miracle of the week. For someone who had only recently started joining you on these outings, this was practically a declaration of loyalty.

“I don’t know,” Spencer muttered, adjusting the strap of his bag - a move so predictable it immediately set off Derek.

“Stop with the ‘I don’t know.’ You’re in, kid,” Derek said, striding confidently across the bullpen, leaving no room for argument. “JJ?”

“I’d love to, but I’m gonna have to take a rain check,” JJ said, offering a soft smile that carried just enough warmth to make Emily’s heart squeeze.

That meant only a single person remained.

“Unit Chief,” you said, striding toward him with that determined glint in your eye. “Just one beer.”

Hotch exhaled, the faintest trace of a smile tugging at his lips as he glanced at you. “Sure,” he said simply, afterall he couldn’t say no to that, not after a case like this.

But apparently, his mere will hadn’t been enough to seal the moment.

The sound of the bullpen doors opening pulled his attention, the heavy glass swinging wide as a man in a suit entered. He moved with purpose, his expression unreadable, carrying an envelope and a folder that seemed too heavy for their size.

“Agent Hotchner?” the man called out.

Hotch straightened immediately, his spine rigid, the shift so automatic it was almost reflex. “Yes,”

What happened next took seconds, maybe less, but it felt like a lifetime compressed into the space of a breath.

His left hand moved to sign the notice, his name scrawled neatly onto the blank space with a pen he didn’t remember reaching for.

The man nodded once, taking the signed folder back with an efficiency that bordered on mechanical.

And just like that, he was gone - disappearing through the same doors he had entered, leaving destruction in his wake as swiftly as he’d brought it.

All that remained that could prove his existence was the envelope in Hotch’s hand, the weight of it far heavier than paper should ever be.

The bullpen was suddenly too quiet. Too still.

“What is it?” Emily asked, her voice cutting through the silence.

He really didn’t want to look up, but he still did anyways.

He gestured faintly with the envelope, his voice quiet, flat, as though detachment might dull the edge of it. “Haley’s filing for divorce.”

He paused, his gaze drifting back to the envelope, as though it might explain itself if he stared hard enough. Then he spoke again, his voice even quieter this time, almost resigned. “I’ve been served.”

Before anyone could respond, he turned on his heel, the envelope still clutched in his hand like a foreign object he didn’t know what to do with. He walked out, back through the glass doors, the weight of their closing behind him louder than it had ever have been.

You stared after him, your hand falling away from where it had hovered, wanting to reach out but knowing better.

You didn’t want to drink anymore.

And him?

Somewhere beyond those glass doors, Hotch kept walking, as though forward motion might somehow keep him from falling apart entirely.

The envelope burned in his hand, and every step felt heavier than the last, carrying him into a night that suddenly felt colder and far too empty.

Because now, it was real.

---

Phi’s Corner: Did I just waste 5 hours of my life discovering that Tumblr only allows 1,000 text blocks max and had to re-edit everything? Yes, I did. Because I’m a sucker for distanced one-liners, and the universe clearly hates me. Also… did you catch the little countdown? Hehe. I’m evil. Oh, and for the record - I am Mrs. Lee’s #1 stan. Don’t forget it.

taglist: @beata1108 ; @c-losur3 ; @fangirlunknown ; @hayleym1234 ; @justyourusualash ; @khxna ; @kyrathekiller ; @lostinwonderland314 ; @mxblobby ; @person-005 ; @prettybaby-reid ; @reidfile ; @royalestrellas ; @ssa-callahan ; @softestqueeen ; @theseerbetweenus ; @todorokishoe24

[the-irreverend]

The Inferno Theory: The Chara Theory to End All Chara Theories

Here we are! Nine years of Undertale. And seeing how Chara is heavily associated with the number 9 (AND THAT TOBY FOX FINALLY TALKED ABOUT THEM), I can't think of a better way to celebrate the occasion than by dedicating this 5000-word-long theory about them? Y'all remember when people used to make long-ass theories about Chara? Yeah, they're coming back with a vengeance! To say I have a colossal hyperfixation is a massive understatement. No character in all of fiction has had a bigger impact on my life than this little rose-cheeked, cocoa-addicted freak. I’ve been a Chara fan for as long as I’ve been an Undertale fan, and you can bet that my understanding of them has changed a lot since. And now I have the pleasure of sharing said understandings with y’all!

Once upon a time, there was an aroace autistic who, like most of y’all, had a very unhealthy obsession with Undertale. And unlike most of you, he thought the Genocide Route was really fun. Most fans talk about how unhappy they felt killing everyone, but for me, I felt like a polar bear at a baby harp seal convention. I got a disturbing level of happiness out of turning everyone to dust. Hell, the only unhappiness I felt was when I couldn’t turn Monster Kid to dust.

Oh well, at least I got a good consolation prize!

I was one sadistic son of a gun, and so I was even more delighted to find out I had a secret admirer/partner-in-crime and that they joined in on the fun because I was such a goshdarn inspiration to them. Not wishing to disappoint my self-appointed partner, I erased the world without a second thought, eagerly awaiting what we might get to do together.

So you can guess I was pretty taken aback when, instead of a warm welcome, they started lecturing me about how I couldn’t accept the world’s destruction and that I was the one fully responsible for it (even though they were eager to take credit for it earlier). I didn’t think much of it at first. Initially, I just thought that they were just irritated that I was undoing what we had worked so hard to accomplish.

But as this game taught me time after time, you should never trust your first impressions. Those first impressions would crumble to dust when they said this.

To say I was completely baffled is an understatement. Why the hell would this prepubescent genocidal maniac be so obsessed over whether or not I think I’m above consequences? So obsessed to the point they would tell me to go to hell if I told them no? It was at that moment I realized there was something more to this character than meets the eye. But for a long time, I couldn’t seem to figure out what that something was. And it didn’t seem like anyone could figure that out either.

I’m very much a veteran of the fan wars that have emerged surrounding Chara. In fact, one might even say I am a deserter of sorts, as I am a former member of the Chara Defence Squad, Offense Squad, and Neutralist Squad. But I’m not gonna be a stuck-up and say everyone’s a canon-ignoring idiot except for me and that I’m the only one who knows what Toby Fox intended Chara to be. Even though I ended up with a very different take than yours (and will certainly argue why it’s the best), I owe you all your discussions a huge debt, and I wouldn’t be here if I hadn’t gotten invested in your interpretations, to begin with. Not to mention that, contrary to what some may argue, you’ve made some valid points to complement them.

And while the debate that resulted from Chara’s ambiguous morality has led to a lot of controversy and even toxicity, it has also been a source of some FANTASTIC CONTENT. Like seriously, would we have gotten those badass renditions of Stronger Than You if no one thought Chara was an awful person? Would we have gotten Man on the Internet’s beautiful rendition of Star if no one thought Chara was a good person (turned awful)?

It would be utter hypocrisy for me to ask of you to approach me and my arguments (or anyone who accepts them) with understanding and good faith only to then not do the same to anyone who doesn’t agree with me. In this theory, I will definitely argue why some points made about Chara are flawed; points that you might hold yourself. But that doesn’t automatically mean that you (or your takes) are intellectually or morally inferior to mine. And besides, I’m not Toby Fox.

So with that said, why did I eventually came to disagree with pretty much everyone about Chara? Because, one way or another, I couldn’t find a take that clicked with me personally as I felt there were various inconsistencies and issues holding them back. I looked at YouTube videos, subreddits, Tumblr essays, Twitter threads, and even forums on the Steam Community. But I couldn’t really find what I thought were satisfactory answers to the questions I had about Chara’s motivations, role in the game, and relationship with the player.

And then, one day, I found those answers. It all happened when I asked myself: “What if Chara didn’t turn against me… because they were always against me from the start?!”

I don’t mean that Chara only saw you as a means to an end. I mean that YOU were the end. What if Chara didn’t use you so they could screw over the monsters but they used the monsters so they could screw over YOU.

You probably think I’m insane, don’t you? And you’re right! I AM INSANE! AND SO IS THIS WHOLE DAMN THEORY!!! But somehow, someway, it just works!! And I’ll show you why and how!!!

What you are about to read is the culmination of six years of reading and critiquing Chara takes and theories of every kind and quality, whether it be Judgement Boy’s Who is the Real Villain of Undertale to Wandydoodles’ Oblivion Theory. Six years of examining the arguments and counterarguments of Chara defenders, offenders, and neutralists alike. Six years of looking in every corner of the UTDR fandom. From the tranquil lands of Quora. To the dark recesses of Reddit. To the intellectual wastelands of Twitter. To the fiery hellsite of Tumblr. So, without further ado, get ready for some of the most pure, unadulterated, high-octane, universe-collapsing neurodivergence you’ve ever seen in your life!!!!!

Part 1: The demonic heritage of the "demon who comes when people call its name".

Have you ever had one of those moments where you’ve asked yourself, “What the actual hell is this guy talking about?” I bet you’re having that moment right now. Everything about their character post-death, including their motives, their methods, and their relationship with you, is perfectly reflected in one of their most famous (or rather infamous) lines:

When most people hear the word demon, the first thing that comes to mind is a being made of pure evil whose only purpose in life is to destroy all things good in the world. Right?

Well, yes, but actually, no. It’s a little more complicated than that. To argue that Chara is a demon because they’re simply “an evil little twerp that enjoys being evil” doesn’t do them or their role in Undertale justice (although that hasn’t stopped people from trying to argue that). To understand why calling themselves a demon is EXTREMELY important, we need to dive into the wonderful (and totally not controversial) world of religious beliefs!

In ancient and modern religions, demons are a little more complex than just ethereal jackasses with a vendetta against virtue and righteousness. Though they vary from faith to faith, most demons have a specific set of qualities and tropes that make them integral to whatever faith they’re in. You also see these demonic qualities in fiction that’s derived or inspired by religions, and since Undertale’s lore and worldbuilding have a heavy emphasis on the spiritual and divine, you can see them in Chara. Since Undertale is a game of “Western” origin, you can definitely see they share qualities that are all too familiar with devils of “Western” religions. In classic devil fashion, they target those with weak integrities or suspect morals; they tempt you with the promise of fulfilling your desires at your and everyone else’s expense; they’re able to control your body as you grow their power through your sins, and hell, they even do the thing where they make a deal for your soul. Also...

But though it's evident that Chara encourages you to do “evil,” THEY THEMSELVES are not responsible for it. Yes, Chara encouraged you to kill, but YOU are the one who acted on those encouragements. In fact, YOU are the one who encouraged THEM to help you out! They walked down the dark path with you, but you didn’t really give them anywhere else they could walk. You had all the power and every chance to turn back and no reason to keep walking. And yet you persisted.

But that does beg the question, why did you walk it at all? What could possibly inspire you to give all of these characters happiness, satisfaction, and peace and then rip it all away? Because you decided that giving everyone the most satisfying ending was not satisfying enough for you. Because there was more that you could experience for yourself, even if it meant making everyone else experience something absolutely horrific. It wasn’t enough for you to fill the glass only halfway. You needed to fill it to the brim. You wanted to reach the absolute. Even if doing the Genocide Run was a bad experience for you, you CANNOT deny it was a fulfilling one. And Chara knows it, too. It ain’t exactly a coincidence that fulfillment and fullness are recurring motifs in Chara’s character.

Like all demons, Chara is able to tempt the wicked and sinful by targeting our greatest weaknesses and deficiencies. It’s no different from how Succubi and Incubi target those who succumb to the sin of lust. That’s why you won’t go after my aroace ass anytime soon. But I digress.

But Chara doesn't just tempt us by exploiting our need to fill the glass to the brim but also because of how they exploit the satisfaction we get from watching it fill up, that is to say, the satisfaction that comes from trying to achieve fulfillment.

We humans are addicted to progression as much as we are to completion, and in an RPG like Undertale, the satisfaction of progression comes in the form of NUMBERS. Not just the numbers that flash on the screen when you battle enemies but also the ones that go up when you finish said enemies off, whether it be your hit points, experience points, and so on. And Undertale isn’t any ordinary RPG; it’s one where its RPG elements are interwoven into the fabric of the game’s universe. Because of that, Chara is able to use these elements in their world to influence those outside of it.

But Chara does not just influence us through the numbers that increase but also the ones that decrease. That’s why the first thing they do when we reach Snowdin is give us a tally. 

It’s not just there to measure progress. It’s also there to incentivize us to keep progressing. It gives us a small dose of satisfaction that’s enough to distract us from the mundanity and misery of the murder run, like a loading bar on a loading screen. And just like with loading screens, the farther it progresses, the harder it gets to turn away. Why would you want all the lives you’ve taken and the stats you’ve gained to amount to nothing? Why would you want to hit reset and go through those brutal fights with Sans and Undyne again? You can’t empty out the glass, not when you’re that much closer to filling it to the brim. Speaking of Sans and Undyne, it’s quite interesting that even though they barely know you, they know exactly why you won’t take your foot off the pedal, so to speak.

But that’s not the only thing driving you, isn’t it? Chara knows that there was something else that was spurning you along. Something more powerful and more dangerous than your addiction to progression and completion: PRIDE. 

Perhaps the real reason you kept giving in to sin until it was far too late was because you didn’t think it would be too late. You didn’t hold back because you thought you would be able to go back. You thought you could just absolve your sins with the press of a button like you did in countless worlds before. You thought you could dive in, touch the bottom, and come back out of the water. But what were you getting into? How deep would you have gone? And would you have gone in if you knew you couldn’t possibly return? You know you wouldn’t. And Chara knows it, too. That brings us back to the dialogue I showed you at the beginning of this theory. The one said changed everything I knew about this character, and I firmly believe that this is the MOST important line of dialogue in the entire franchise.

PART 2: THE PART WHERE I (PRETEND TO) DESTROY 9 YEARS OF ESTABLISHED FANON!

When I say that that little blurb about being above consequences is ABSOLUTELY ESSENTIAL, I do not say that lightly. It isn’t just important to Chara's character, but the game of Undertale as a whole! Anyone who’s serious about Chara’s character should never take this for granted because Chara sure as hell does not.

It’s not just our refusal to accept the world’s destruction that’s a huge-ass deal to Chara; it’s the arrogance and complacency that accompanies it, rooted in the position and privileges we have as the player. It matters to them so much that they’re willing to completely forgo bartering for our soul (which they say they want) if we don’t admit that we have that belief!

And yet, despite Chara taking this subject so seriously, the people who are analyzing their character ironically don’t. Generally speaking, most people simply brush this line off as nothing more than something they do to help them on their quest to achieve their goals. So, with that said, let’s talk about what those supposed goals actually are.

In all my years of reading and assessing countless Chara theories and interpretations, I’ve discovered that everyone actually agrees on what Chara's goals are. They just can’t agree on why they want them. Said goals are A) reach the absolute, B) max out their numbers/power, C) erase the world, and/or D) eradicate all monsters. But what if it’s actually the other way around? What if those things were the means to an end rather than the ends themselves?

What if the true goal of the “demon who comes when people call its name” was just like that of the demons of old: not to be your partner in crime, but to torment and punish you for your crimes? To make you face CONSEQUENCES!

I’m not making this argument simply because it makes Chara look more badass (though I think it totally does, lol). I firmly believe that Undertale’s post-Genocide content is written so that Chara’s character can only make sense if that was Chara’s goal from start to finish. Because if Chara’s endgame was any of those four I mentioned earlier, their character kinda falls apart because they're awfully inconsistent about fulfilling them. And those inconsistencies are evident in the Second Geno Ending.

Discrepancy 1) They say they will “appear time and time again” to help us “eradicate the enemy and become strong,” and yet they call us perverted for eradicating everyone time and time again.

You can argue that they didn’t want us to recreate the world in the first place and just move on to another world, but if so, why let us come back at all? And if it’s to get our soul, why do they keep around this world after we have it? This leads us to...

Discrepancy 2) They tell us to ERASE the world and move on to the next, and yet they allow us to restore it without a hitch after we give them our SOUL, seeing how there’s no black void when we start the game again.

If Chara was powerless to stop us from coming back, this wouldn’t be such a big deal. But they CLEARLY DEMONSTRATE that they’re able to stop the player from restoring the world, as seen in the first post-genocide ending. And yet they don’t use this power after the first time the world is erased (WHICH YOU WOULD THINK THEY WOULD WANT TO USE SINCE THEY WANT TO ERASE THE WORLD AND MOVE ON TO ANOTHER)! Seeing how the world is back again without us doing anything makes the restoration of the world like something that Chara CHOSE ON THEIR OWN VOLITION. And what makes this all the more damning is...

Discrepancy 3) They tell us they’re down bad for increasing our ATK, DEF, EXP, and LV to the max and erasing the world and everyone in it, and yet they TELL US TO DEVIATE FROM THE ONLY ROUTE THAT ACCOMPLISHES THAT (which, as stated before, they call us perverse for doing it again).

So, let me get something straight. You tell us you want to ”eradicate the enemy” and “ erase this pointless world,” and yet not only are you allowing us to undo all of that, you want us to do something INSTEAD OF THAT??? It’s funny how you lecture us about how we cannot accept the world’s destruction BECAUSE, APPARENTLY, YOU WON’T EITHER!!!!! Also, before I forget...

Discrepancy 4)

WHAT KIND OF MISANTHROPE DEDICATES THEIR WHOLE LIFE TO WIPING OUT HUMANITY, GETS GIFT-WRAPPED A CHANCE TO DO THAT, AND THEN JUST PASSES IT UP?!?!?!

On behalf of misanthropes everywhere, I am DEEPLY disappointed in you!

So it doesn’t matter if you believe Chara is always evil, good, or detached from morality entirely. Because Chara has the same goal across all versions, they all succumb to the same inconsistencies!

Funny how most people see them as this embodiment of the addictive nature of levelling up and consuming everything in a piece of media and all that jazz WHEN THEY SEEM TO CASUALLY GIVE UP ON IT!!!!!!

And if you argue they want a Soulless Pacifist Run when they suggest “another path,” then ask yourself, what does that give them that a Genocide Run doesn’t? Keep in mind, aside from a scribbled-out photograph, we don’t see how many monsters or humans they killed besides the main characters or how much power and stats they gained from it. And it’s not like we see them erase the world afterward since only the genocide run has that infamous wall of red 9s. Not to mention, the genocide run is the most secure way of accomplishing their goals since they have the backing of the player. Not only that, but it’s also the safest and most efficient way to erase everyone and increase stats to the fullest, and we all know how Chara feels about efficiency.

So Chara has no reason to pick the Soulless pacifist ending over the Genocide Run if they want to achieve their end of increasing numbers and consuming the world… unless those things were a means to an end rather than ends themselves.

Indeed it is coming together! That’s the other reason their statement, “You think you’re above consequences,” is so damn important! They’re not telling us why we sinned, but it reveals they intend to make us suffer for those sins, and how.

That’s why Chara is seemingly so inconsistent about erasing the world. Because it was never about the world. It was all about YOU.

[SIDE NOTE: I’m sure many of you will point out that if Chara wanted us to get a Soulless ending in this world, then why would they encourage us to “move on to the next?” I don’t think this is too big an issue for two reasons. First, this line is meant to emphasize that, like all demons, Chara is inescapable and that no matter what world you go to (within their own universe), Chara will always follow you now that you’ve unleashed them. Second, because their goal concerns us and not the world they’re a part of, their character avoids the aforementioned inconsistencies that hamper the other Chara theories much more severely, in my opinion.]

Part 3: Contrapasso

Now I’m sure some of y’all might think that Chara doesn’t need to yearn for our torment to achieve the impact of the Soulless ending and that just because Chara is a demon doesn’t automatically mean they need to screw us over. You are right in that not everyone who makes a Faustian Bargain needs to have malicious intentions toward the people they’re taking advantage of (Kuybey from Madoka Magica is a great example of that). But Chara does need it! Not only does it make their character more narratively cohesive, but also makes their character more thematically impactful. And it’s more in tune with their demonic nature for them to want to torment us.

Because demons represent something more terrifying than evil itself. They represent the terrible price of embracing it, a price that all evildoers fear more than anything, and that all demons want seek to inflict upon us. Like most demons, Chara isn’t encouraging us to sin to fill the emptiness in our soul (or even their own). They did it to perpetuate that torturously empty and unfulfilled state for all eternity, a state which even themselves now endure.

Now, you’ve probably noticed that I’ve talked a lot about the themes of fulfillment and emptiness, and it’s for a good reason since those themes are heavily featured in Undertale. I mean, how could it not? Because concepts of demons, hell, and sins (which are explicitly mentioned in the game) are deeply intertwined with the concept of emptiness. The theologian Thomas Aquinas once defined evil as not a presence but as an absence (of that which is good). Darkness is the absence of light; war is the absence of peace; bigotry is the absence of tolerance; pride is the absence of humility, etc. You see this reflected in not just Christian theology but also fiction as a whole, as a lot of villains are motivated by a desire to obtain something that they believe can’t be without. Whether it be wealth, status, recognition, power, the death of an individual, or even just sadistic pleasure.

Since demons are beings that are inseparable from evil itself, the life of a demon is forever cursed by unceasing and unbearable emptiness. Hell, the word damnation originated from the Latin word damnum, which literally means loss! They’re not exactly partying in hell while your immortal soul is being slow-roasted for eternity. They’re burning in that lake of fire and brimstone along with you! They can’t end their damnation, not because they don’t want to but because they simply can’t. They’re fated to be bereft of the satisfaction or fulfillment found in Heaven or Earth, a fate that is worse than death in every sense of the word, especially since they can’t experience death anymore. Because of that, a demon embodies what is perhaps the most terrifying form of evil of all: not one rooted in a desire to rid the emptiness and unfulfillment within themselves, but a desire to inflict them upon others. Because as a wise philosopher once said:

We see this horrific state of mutually assured suffering everywhere across fiction. From goofy, lighthearted tokusatsu's...

...to nightmarish sci-fi dystopias...

...to a little indie game made 9 years ago.

Oh yeah. Don’t think I was gonna talk about emptiness without mentioning everyone’s favourite homicidal fauna-turned-flora, especially not with lines like this.

Take one to know one! And it can’t be a coincidence that the game emphasizes the theme of emptiness when giving the spotlight to the three characters that have committed the most “evil”: Flowey/Asriel, Chara, and YOU.

Quite the unholy trinity going on here, eh? It truly is fascinating how the emptiness led us to work with each other to exterminate all monsters. And it’s also interesting how the unique kind of emptiness we have eventually led us to work against each other. Whether it be Flowey wishing to preserve his sentimentality for his long-gone sibling, us players wanting to maintain our (perverted) sentimentality for the world of Undertale, or Chara weaponizing these sentimentalities to exact their misanthropic hatred.

Remember how I said that Chara was a lousy misanthrope because they keep letting us bring back the humans they wanted annihilated when they were alive? That does make them a lousy misanthrope… unless their misanthropy found a higher priority target: YOU!!!!! Chara’s desire to torment us didn’t come out of thin air. The same hatred that drove them to wipe out the humans of their world years ago is the same hatred that’s driving them to get at the humans of our world, even if it means destroying those who once embraced them. And now, that hatred is more potent and destructive than ever before, so much so that it’s no wonder Toriel was able to feel it when she endured that fatal blow after the Geno Run began.

Do you think witnessing what soullessness did to sweet little Asriel wasn’t already terrifying and tragic enough? Just try to imagine what it could‘ve done to a vengeful, traumatized, chocolate-addicted problem child so consumed by hatred that they poisoned themselves just for a chance to wipe out their own kind. All of that hatred of humanity is still alive and well, and now it has no humanity to hold it back. 

And what could be a more fitting target for a MISANTHROPE that calls themselves a DEMON… than a HUMAN that wants to play GOD?

After all, the only thing demons love more than tormenting mortals is warring with Gods.

Why else do you think that Chara winks right at you if we make Frisk stay with Toriel? Because that’s who the Soulless Ending was meant for. It’s when they’re finally able to unleash all that animosity and hatred that’s been lurking behind that smile ever since we killed everyone in the Ruins. It’s the moment that they’ve been patiently waiting for because they knew that’s when it would hit you the hardest.

And what makes the Soulless Pacifist Ending very special compared to other “bad endings” isn’t simply because they destroy those we pretend to care about (may I remind you that you did do the genocide run, after all). But they destroy something much more valuable to us as the players: OUR OMNIPOTENCE. Chara doesn’t destroy people for the sake of destroying them. But because in doing so they destroy our arrogant belief that nothing could possibly challenge the invisibility and invulnerability we players take for granted.

It's all too human that those with the most power are the least willing to lose it (or even take responsibility for it). And in a world where we should have absolute power, we thought there would be no consequences for abusing it. So what could be a more fitting and frightful punishment than having to actually face them? Missing out on the best ending in a video game is one thing. But to forever lose the power to achieve it ever again?! Now that’s terrifying!

Throughout myth, legend, and religion, sinners are often punished in a way befitting of the sin they’ve committed. In Greek Mythology, Tantalus was damned for trying to feed the Gods the flesh of his murdered son with eternal hunger and thirst despite being within arm’s reach of water and food. In Dante’s Inferno, those who succumb to wrath are forever doomed to fight each other in a river of mud. And since Undertale is no stranger to concepts such as hell, sins, and demons, you can damn well be sure that there’s going to be damnation fitting for the sins that drove you to complete the genocide run.

You completed the Genocide Run because you believed ending their lives would be fulfilling. Now, you can no longer get any fulfillment out of saving their lives.

I mean, where else can you get your precious fulfillment? Those paltry neutral endings? They only offer a fraction of what the pacifist ending offered. And the genocide ending has been drained of its satisfaction like the pacifist! Would you do all that tedious grinding and brutal boss fights just to hear your so-called “partner” lecture you again on perverted sentimentality and say you should choose another path, even though there’s nothing that they could offer? Of course not. In the end, you’re just like poor Tantalus agonizing in the pits of Tartarus, feeling the water vanish from his hands just before it touches his lips.

The ultimate triumph of Chara isn’t making you suffer a total defeat, but perhaps something much worse to you as a gamer: a pyrrhic victory. It’s like having a Twinkie that's been drained of the creamy center. Everything is still there except the thing you treasure most. You’re damned to play a challenge forever deprived of any and all fulfillment you once got from it, a satisfying journey that will always be doomed to reach a dissatisfying destination.

In the end, Chara leaves you with the world exactly as they described it the first time they met you face-to-face: POINTLESS.

You can have the world exactly as it was before (and the people within it). But in the end, Chara will always have the last laugh.

Figuratively and literally.

Welcome to hell!

Part 4: Why Consequences Matter

Woooooo!!! Man, that was quite the read, wasn’t it? And yeah, I wasn't kidding when I said this is going to be autistic as all hell! I don’t doubt you have a lot of thoughts in your mind, and then you’re gonna share them by the time you’re finished reading this post. Some of you might think this is the Chara theory to end Chara theories. Some of you believe that this is the worst thing that has happened to this fandom since Sebastian Wolff. Some of y’all, I’m whitewashing them because I argue they’re driven by a desire to punish the wicked by any means necessary. Some will think I’m demonizing them because I say that they’re, well, a demon. 

[SIDE NOTE: Just so I don’t miscommunicate what I believe about Chara’s morality, here are some key points to take away from this theory. A) Chara sought to make you pay for the evil you committed. In fact, the idea that the Soulless Ending is Chara punishing our sins has been around for a while, especially by those who think Chara was “corrupted. B) However, in this theory, Chara's actions are all done with the intent of accomplishing that goal. This means that Chara was aware of what they were doing, they wanted to do it, and that THEY KNEW IT WAS EVIL. C) But you still have to remember that Chara is also A LITERAL CHILD. And D) They’re a child who endured a great deal of hardship (and possibly trauma), which made them so embittered and vengeful. Also, E) Remember that they’re also soulless, just like Asriel when he was Flowey.]

But I think most of you were gonna look at this interpretation of Chara and feel the same thing that I have about most of yours: a take that’s not without issues, but not without a fair bit of interesting points.

But regardless of what you think of this theory overall, there’s one thing I won’t leave up for debate: I deeply treasure Chara’s character. Not just because I think they’re fun, cool, or interesting but also because I firmly believe they’re invaluable Undertale. And yet, at the same time, I think they’re severely undervalued by the fandom. And who can blame them?

The characters of Undertale speak very little of Chara, and Chara speaks for themselves even less. But just like Johan Liebert from the anime Monster, even though they’re not seen too often, they still manage to exert a massive presence and impact within Undertale’s narrative. And that presence is made all the more impactful because they perfectly represent the themes of the narrative: and that theme is CONSEQUENCES, or more accurately, the CONSEQUENCES OF VIOLENCE.

From the violence that drove Chara to climb Mt Ebott to the violence their brother Asriel inflicted in hopes of being with them forever. From something as grand as a war between two civilizations to something as small as dismembering a snowman. Everywhere you look, you will see that violence (and its repercussions) haunts the story and characters of Undertale. But what makes Undertale stand out from other media that tackles this subject is that it’s not just an integral part of its narrative but also its metanarrative. The most ingenious way it does this is by giving meaning to the actions/mechanics that we take for granted, specifically monster encounters.

Our Lord and Saviour Toby Fox said it best:

Because the monsters of Undetale are treated as something more than just enemies to be killed, there are going to be consequences for choosing to kill them away. Some argue that it goes too far in how it admonishes you for killing even a single monster, even to the point of being preachy (I’m looking at you, ScottFalco, but that’s a response for another day).

That argument is deeply flawed because it fails to account for the fact that without these ramifications, the game’s themes would be rendered null and void. The last thing that a game with a narrative centred around the consequences of violence can afford to do is afford you the luxury of avoiding them. And that principle especially applies if you dare to choose nothing BUT violence. //////If you were to bring them all back as if nothing happened, then your decision to commit genocide would be completely meaningless, which would totally disservice Undertale themes regarding violence. There needs to be consequences. LASTING CONSEQUENCES. Undertale can’t drive home its messages and them without lasting consequences. Undertale can’t deliver those consequences without Chara in the driver’s seat. And Chara’s character can only be at their most narratively cohesive and thematically impactful if seeking to make us suffer consequences was their intended destination.

Regardless of whatever detail about Chara you’re discussing or what side of the discussion you’re on, one thing is very clear: they’re absolutely essential to Undertale in the same way that Mephistopheles is essential to Faust, the Cenobites are essential to Hellraiser, and Kuybey is essential to Madoka Magica. And they’re the only ones with the means, motives, and deep-seated misanthropy to hold this whole damn game together.

Sans is right. We deserve to be burning in hell for what we did to those poor monsters. And I can't think of anyone more qualified to have us humans “burning in hell” than a self-proclaimed demon with a seething hatred of humanity.

And how fitting is it that the skeleton who judges our sins is followed by a human child who punishes us for them?

BUT HEY, THAT'S JUST A THEORY!

A CHARA THEORY!

THANKS FOR READING!

[writingforatwistedworld]

Requests are open?? May I request Lilia and Malleus from the self aware au with a player who is an artist and draws them a lot?

Self-aware au

I do not take any responsibility for you reading this no matter which age group you are from!

WARNINGS: Yandere themes, obsession, death, murder, hypocrisy, fire, coma, unhealthy relationship, possessive behavior

Malleus Draconia/Lilia Vanrouge-Player is an artist who draws them a lot

Doesn't matter what kind of style and form of art you practice, you have a fan

Classical? Great! Realism? Wonderful! Stick-man-style? He put the picture in a golden frame (All hail the stick-man style!)

But if Malleus were to ever find out that said stick man is supposed to be him, well he would be over the moon

It was a totally normal day, a cat was choking up a hairball and some poor student fell off of his broom in flying class and was now stuck in a tree

But that is of no importance to us

What is of importance though is Malleus strolling down the path down to Ramshackle and seeing you sit on the stairs with paper and other drawing utensils

Completely normal. Peaceful even. Maybe a bit too peaceful

You see, if you hadn't been too absorbed into rubbing colored pigments into dead wood then you would have seen the tall black wall approaching you

A shadow falls over your shoulder and you scream

Is that... him? Why is the Overseer draw-oh

Malleus is metaphorically (more or less. Meh, he is probably this close to doing it also literally) frothing from his mouth after seeing himself in more than just one paper after the small stack stabilizing the paper you drew on slipped from your hands

Forgetting his manners he rips the paper from the ground, staring with eyes wide as plates onto the thinly pressed wood (granny is somewhere shaking her head)

Why would the Overseer, watcher over worlds, almighty ruler of everything, a god, draw him?

Coughing nervously you explained that you just are interested in are and liked to draw him

Later when he is back in Diasomnia Lilia is greeted with the sight of a tail-wagging Malleus (yes Malleus has a tail and I have no idea how he hides it)

“Lilia, the Overseer likes to draw me.”-moments before calamity struck and Malleus accidentally lit the dorm aflame from sheer joy

But... perhaps you shouldn't draw anyone else

Who knows? Maybe that person disappears for a while and just to be found in a deep coma (don't do it)

Whoa whoa whoa darling, let us not jump at him from nowhere with the fact that you like to draw him

After all, he is quite old and we don't know what his poor heart can still take

Now how about you tell him about your interest in art fir- ah... From your expression I take that it is too late for that

Indeed it is

One day you were just sitting there in Ramshackle, T-posing or whatever you do when you are not drawing

Remember that scene when Lilia was introduced to us? Well “How do you do fellow kids” over here just popped out of thin air

Now, that would have been nothing special if it wasn't for the stack of paper with his face on it on the table...

Lilia is staring, you are staring and the gargoyles are facepalming

Poor man has to take a seat all whilst you watch him with cold sweat running down your back

Suddenly Lilia isn't that “always energetic” guy but looks a lot more vulnerable

In Lilias mind however he is planning how to burn that one portrait of himself in the Draconia castle and replace it with your art

Or so he thought until he looked what else you drew

For goodness sake, someone call an ambulance! I think he is about to pass out!

If the situation wasn't already awkward enough for you (and euphoric for him) Lilia suddenly kneels down, saying something about being honored and him swearing to be forever loyal to you

Oh sweet summer child, how easily you told him “Oh thanks...” If only you knew what would follow...

You see, Lilia might have had seen a few too many heads being severed from their bodies but, oh well, all those students were a teeny tiny bit too close to you for his comfort

Suddenly there is an increase in missing students who get found in... uh... “not compatible with life” conditions

See? It's dangerous outside! Let him watch over you!

Says the person responsible for everything

You had shown your appreciation through your art, now it's his turn to show his

And what if a few students need to get hurt? (Yeah, “hurt”)

[rnadett]

I love how Ekko's stans project their hatred onto Caitlyn, but completely turn a blind eye to Heimerdinger, who was, by the way, the embodiment of white male privilege.

The basis for this claim is most evident in the fact that he receives almost ZERO hate from the fans, even though for 200 years he couldn’t be bothered to cross that damn bridge and see how far behind Zaun was compared to Piltover. Not even after Jinx and Vi’s parents died in the civil war. He was like "Yeah, that's none of my business"??? But if a female character breaks down because, her mother was murdered, suddenly everyone loses their mind. Now, that’s the real hypocritical attitude and misogyny.

Also, the fact that no one has criticized Ekko and Heimerdinger’s interaction speaks volumes.

Ekko knew that the professor was the most influential man in Piltover for >>>GENERATIONS<<<, yet there was no confrontation between them.

Imagine if that mf had even once stepped out of his bubble before Vander's and Silco's character was even born—none of this shit would've happened. And yet, he gets away with it and the writers gets away with it.

Overall: None of Cait's actions was the best but some of you just really hate women and let men get away with everything.

Edit:

This tweet reeks of hypocrisy and reinforces exactly what I wrote above. The fandom forgave Heimerdinger and portrays him as the Piltoverian who took responsibility for his actions, even though his redemption wasn't on-screen either. The guy literally only lifted a finger after being kicked off the council, and even when they shifted to an alternate universe, there was no ON-SCREEN evidence that he initiated any changes in Zaun. He spent the whole time singing songs, and people felt sympathy for him because he died in the end — which, frankly, was the least he could do.

No one looks past the façade because they see a cute autistic grandpa, while on the other side, we have a grieving young woman who’s being exploited. She didn't need 40 or 200 years to realize the weight of her actions and is fighting tooth and nail to rewrite the future.

This is what I was talking about when I mentioned misogyny. Everyone forgives the grandpa figure for everything, and even Christian was able to comment on a tweet that painted him as the only Piltoverian who took responsibility.

[ceratedfish24]

realised recently that all the amazing takes on scott are ALL from YOU‼️‼️‼️ /pos

as an avid scott fan and watcher it makes me really happy to see so many more things about scott that don't label him as abusive or completely remove/ignore him entirely

thank you for all the rarepair posts as well i am RABID over scott rarepairs

please please if you wish you can use this ask to go off about any scott rarepairs or mainstream (??) ships that you want!!!! i will sit and listen happily like a child listening to their favourite story being told to them because your takes are so right and cool

Aw I’m so happy to hear that! Thank you so much <3 It always brightens my day to hear that my posts can be a little light in a sea of hypocrisy and/or unnecessary negativity surrounding literally one of the nicest people in the life series.

I ADORE Scott rarepairs! He just has such great chemistry with everyone, and I love to dig a little deeper into why specifically they like about each other.

Majorwood – I’m honestly not entirely sure if this is a rarepair or a mainstream? I feel like a lot of people know of it but don’t see it unless they naturally watched Martyn or Scott’s Limited Life perspective, whereas a lot of people watched Jimmy and Scott’s 3rd Life FOR Flower Husbands or watched Martyn or Ren’s 3rd Life FOR Treebark. It’s in a sort of liminal space between mainstream and rarepair.

Anyways, I love these two so much if only because they were so at odds with each other for so long only to thrive once they put their differences aside and learned to appreciate what makes them individually such a force to be reckoned with. I think that their attraction towards each other was a very slow thing, something quiet and natural, and then Martyn having to bring Scott to yellow was the final puzzle piece that fell into place. Martyn’s possessiveness and protectiveness over Scott truly meant so much to me. He had so much respect and affection for Scott, that any betrayal or offense against Scott was an insult to Martyn, too.

In fact, I think Martyn may have had too much respect for Scott. I have always felt as though Martyn attacked Scott before he attacked Impulse because he knew that Scott’s reaction time was just so much better than Impulse’s and that Scott would have remained relatively calm, which would make him dangerous, whereas Impulse was caught off guard and panicked. However, I also think that, had Martyn killed just Impulse, Scott would have given himself over to Martyn willingly. I believe that that had always been Scott’s intentions, hence why he was so at peace with Martyn taking the last of his time. Sacrifice is not something that Martyn understands very well, especially not a sacrifice as significant as the last. I think Martyn respected how skilled Scott is to the point of fear, and it led him to underestimate the extent of Scott’s loyalty. Don’t get me wrong, I think Martyn made all of the right decisions. Eliminating Scott first ensured that there was no chance that Scott, who – no offense, Impulse – is definitely the more practiced PVPer between him and Impulse – we all saw him kill Impulse like 4 times back to back – wouldn’t fight back. I was screaming and cheering with delight and excitement when I saw that play. What a brilliant and fitting end to such a violent, starving series. Limited Life was definitely my favorite season until Wild Life.

Scottho – Speaking of Wild Life, OH MY GOSH WILD LIFE SCOTTHO MY BELOVED?? Something about how Etho was always so comfortable around Scott despite how little we’ve gotten to see them interact with one another always really spoke to me, but this season? The way Scott was so quick to embrace Etho into the Gs, even if it was a secret alliance, was so full of trust. There was no suspicion on Scott’s end that this was some kind of trick, that Etho had alternate motives for agreeing to join their team even though it had been Etho’s own idea.

There’s been quite a few accidental final kills in the Life Series, but Etho is known for picking whatever team will take him in the moment. The fact that Etho’s first reaction to accidentally killing Scott was “I was aiming for Joel!” was very unusual. Gem was right there, loudly excited that Etho had killed Scott. Gem and Joel were Etho’s strongest alliance, but he chose to make sure that everyone knew that he honored his promise to Scott above all, regardless of who it would put him at odds with.

Etho has affection for so many people in the Life Series, but affection is of little consequence in the Life Series. He’s said it himself. “Do you think I have a soft spot for anyone right now?” What Etho has for Scott is more than affection. It’s respect. He genuinely has so much respect for Scott’s playstyle, and you can tell that he was so surprised to hear that the Gs’ approach towards their teammates is not based on worth but on loyalty, especially what with how the Tuff Guys’ approach towards their teammates was so very strictly based on worth.

On top of that, Etho is very close to Cleo and Gem, who are both pretty similar to Scott in terms of humor. From there, he has absolutely zeroed in on Scott’s humor, just absolutely cross referenced the life out of how Scott’s brain works and hit the nail on the head. Absurd of him, in my opinion.

On a less evidence based note and a more delusion based note, Etho’s relationship with Scott is the kind that makes him want to kiss Scott’s knuckles and all the way up his arm until he reaches Scott’s jaw. Those two slow dance in their kitchen in the morning. Scott is the only person who can get Etho to get sappy. Scott is just so earnest and kind, and it makes Etho want to hold him in his arms and keep him safe and sound. Etho hates drinking coffee if it wasn’t made by Scott. It’s not the taste that bothers him; it’s just the principle of the thing. Scott loves Etho because Etho is a constant comfort who also knows when and how to make him laugh. Etho loves Scott because, though he may tease, Scott would never judge him for being vulnerable. They’re each other’s safe space. Etho would simply be the most gentlemanly partner to Scott, and it would totally work on Scott.

Unlike Joel and Bdubs, Scott is entirely neutral about horses. This frustrates Bdubs, who was hoping that Etho’s new boyfriend would at least be on his side in the horse conflict between Bdubs and Joel. Scott has been monitoring this horse war and reporting back to Etho about it as soon as Etho gets home. This is how Etho learns what “spilling the tea” means.

I may be writing about them celebrating the holidays pretty soon.

Scott/Doc – Hear me out hear me out hear me out. I know they’ve never talked even once, but hear me out. Big, strong, stoic engineer working in his lab all day + suave pretty boy who sits on Doc’s desk and is a general safety hazard the whole time. Doc getting frustrated with Scott, because how is he supposed to work when there’s a pretty boy flirting with him in his lab all day? Scott also has to make sure that Doc eats and sleeps and drinks water, and he uses all of these as excuses to flirt with Doc. He spoons food into Doc’s mouth while Doc’s working and asks Doc to make eye contact with him during it. He holds the glass up to Doc’s lips. He drags Doc to bed and complains that he’s so cold without Doc next to him. It works on Doc every single time, because it’s Scott. Doc isn’t about to say “no” to him. There’s few things Scott loves as a big, strong, competent man who only shows his soft side around certain people and is easily annoyed by literally 4 people. Additionally, the sum of the pettiness between the two of them? Oh heavens.

Doc really values loyalty, and there’s none as loyal as Scott. Grian would go to Scott to ask for secrets he can use to further annoy Doc, but Scott would not give anything up. We’ve seen before that Scott does not let up information about those he loves even if it’s just for a prank. The only person who Scott allows to prank Doc is Cleo, but only if Scott is also involved.

Thank you for the ask and for giving me an opening to yap about some of my favorite rarepairs!! I hope you enjoyed my opinions and headcanons!🩵🩵🩵

[hrizantemy]

This last post really made me think about how Hybern attacks places, and it’s honestly wild to me that some people still act like Feyre is this untouchable saintess when there’s so much blood on her hands. I mean, we’re talking about what happens during Hybern’s invasions—actual horrors. It’s not just some battles between armies; it’s full-on carnage and destruction. The soldiers aren’t just killing—they’re raping women, torturing people, and completely dismantling the lives of anyone they come across. And what’s even worse? Hybern lets all this happen. He’s fully aware of the atrocities his soldiers commit, and he does nothing to stop it because it’s all part of his plan to break the courts and take control.

Let’s not forget that when Feyre is in the middle of everything, she isn’t taking the time to think about the bigger picture. The fact that people in these towns and villages are being tortured and raped while she’s trying to make everything about her own personal trauma? The hypocrisy is real. She has no problem condemning the Spring Court and everyone else when it’s convenient for her, but when it comes to Hybern, the actual villain causing this destruction, she just seems to think it’s all a side effect of her being “chosen.” It’s as if she has this weird shield that makes her blameless in the face of these horrors.

We all know Hybern’s army doesn’t just kill in battle—they’re taught to make the suffering last. They terrorize entire towns. Men, women, children, it doesn’t matter. They burn homes, enslave the survivors, and like I said before, rape women. There’s no justice for these people. They’re just collateral damage in the war Hybern is waging. The fact that Feyre—who’s supposed to be a “hero”—is so close to this horror, yet still takes no responsibility for her role in all of it, is staggering. She’s not some innocent bystander—she’s one of the key players in this mess.

But Hybern’s army isn’t just mindless savages—they’re systematically destroying entire cultures, and Feyre’s part in that destruction? She just shrugs it off. Her desire for Rhysand and to “get back” at Tamlin always seems to take priority over seeing the actual suffering happening in these territories. And yet people still hold her up as a saint, as though she’s doing everything out of the kindness of her heart. Sorry, but no. She’s complicit in the suffering of thousands, and it’s sickening that some fans can overlook this.

Feyre, in her blind rush to make herself the center of everything, loses sight of what’s really going on around her, and it’s not just about her or her family—it’s about the people whose lives are literally shattered because of this war. And for what? To make sure she can “prove herself” to the Night Court? It’s twisted when you look at the full scope of the war Hybern is waging, and yet somehow Feyre gets this get-out-of-jail-free card when it comes to acknowledging the true depth of the violence and destruction.

In the end, I’m just saying: If people are going to keep acting like Feyre is this pure, untouchable figure, they need to really think about what happens in the world of Prythian when Hybern attacks. And more importantly, they need to take a hard look at Feyre and her role in this mess. She’s no innocent bystander—she’s knee-deep in it.

I’m not blaming Feyre for the entire destruction, but let’s be real—she’s definitely one of the major reasons why everything that happened to the Spring Court went down the way it did. The attack on the Spring Court, the devastation, the deaths—it didn’t just happen in a vacuum. Yes, Hybern was the mastermind behind the invasion, but Feyre’s choices, her actions, and the decisions she made set so much of this in motion.

Tamlin was trying, even if he was a mess. But Feyre’s actions took the Spring Court’s defenses away, and left them exposed to the very real dangers of the invasion that followed. I’m not saying she’s solely to blame for the war or the horrors that followed—but let’s not ignore the fact that her choices were a huge catalyst. If we’re talking about accountability, she needs to realize that part of the destruction was because of her, even if she didn’t intend for it to go that way.

[everythingannoyingpjo]

i really don't like how Riordan wrote Octavian in HOO. during SON, it really seemed like he had something planned for him, some backstory or reasoning for his actions, but when he saw the way fans hated on him he decided to just make him a laughingstock. he's supposed to be this powerful guy, Hazel even says so, and he's supposed to be able to talk the senate into almost anything, and yet we don't see any of this past SON. and the hypocrisy for him! with Luke, people forgave him even though he tried to literally destroy Camp Halfblood, gr00med children, and obviously did not care if his own allies got killed. his main reasoning was "I don't think my dad cares about me so I'm just gonna injure and/or off dozens of children!". Octavian does try to destroy Camp Halfblood (which I'm not gonna say is okay, bc it isn't) but he has an actual reasoning! his home had been attacked and the people who did it just ran away with no explanation. yes, Leo had been possessed, but nobody even told Octavian that! so his rage was absolutely reasonable. and he actually cares about his allies. he waits to attack several days to a week just so the onagers would arrive, that way there would be no casualties on his side. plus, it seems like people just ignore the fact that he was manipulated by Gaea and was obviously having a mental breakdown near the end. it's constantly brought up in arguments for Luke like "he was manipulated by Kronos!!" but when a similar thing happens to Octavian, nobody mentions it or seemingly cares.

Note: OP has a negative opinion of Luke and of some fans differing reactions to Luke and Octavian as antagonists. However this is not a fandom complaint or character complaint blog. It is a book complaint blog. This ask was sent before that point was clarified. Please try to limit complaints and discussions to what occurs in the source material only.

Yes, I agree. I tried to make a list of your points below for clarity.

during SON, it really seemed like he had something planned for him, some backstory or reasoning for his actions

It did seem that way. There are a lot of implications behind Octavian and not much fact.

It is implied he was raised in New Rome. This means he was raised in a culture that promoted suspicion of/aversion towards greek demigod culture. (You can see this aversion in the way people/the laeres react to Percy when he arrives at CJ.)

It is implied he has prophetic powers.

It is implied that he is unwell/unstable. It's implied he is being manipulated by Gaea.

It is implied that public opinion of him is favorable.

It is implied he wants to go to war, specifically against greek demigods should they exist, though he should have no proof of their existence.

It is implied that he killed Gwen.

It is implied (in TOA) that he has a connection to the triumverate.

None of this is ever explained/explored/given more detail. Why does he believe Apollo supports him? What is the extent of Gaea's influence on him? Why does he angle for war before the attack on Rome even happens? What does he know and how?

he's supposed to be this powerful guy, Hazel even says so, and he's supposed to be able to talk the senate into almost anything, and yet we don't see any of this past SON.

Given every implication above, he should be powerful, or competent, or at least have the backing of competent people. We never see that. We never know why he makes the decisions he does and how he accomplishes his goals is almost never shown or explored.

Octavian does try to destroy Camp Halfblood (which I'm not gonna say is okay, bc it isn't) but he has an actual reasoning! his home had been attacked and the people who did it just ran away with no explanation.

Octavian was pretty clearly angling for war even before the attack, but certainly that cemented the legitimacy of such an action in his mind. Yet from SoN onwards Rick treats Octavian as a complete joke. Which honestly, I do think Octavian is funny, but I also think the story would have been better if I believed Octavian was a legitimate threat. And I don't because he basically disappears from the narrative at this point except to exist as some sort of omnipresent boogieman. None of his actions, motivations, or reasoning is ever explored. Any shadow of substance he had in the previous books is flattened. He becomes completely two dimensional.

It's hard to even be mad at people for not seeing the legitimacy in his attack when it's the result of Rick completely ignoring his character. After SoN he basically only exists to create a sense of urgency in completing the quest.

and he actually cares about his allies. he waits to attack several days to a week just so the onagers would arrive, that way there would be no casualties on his side.

I mean, this is largely supposition. The narrative heavily implies the wait for the onagers is because he wants to win with overwhelming force. But you are right that his compatriots safety could be the reason he wants to win with overwhelming force! But we don't know, because again, he was never fleshed out!

plus, it seems like people just ignore the fact that he was manipulated by Gaea and was obviously having a mental breakdown near the end.

It's pretty clear he was being manipulated. I think one thing it's easy to forget is that all these characters are teenagers. Octavian is a child. He has been put in a position of responsibility that should be reserved for an adult. It's hard to think Octavian is 100% evil or that he 100% deserves to die. EXCEPT that Rick has prevented us from being allowed to see him as a real person. He has made him feel like a complete caricature of a human being. And even then, it still disgusts me that Rick made his death a complete joke, something to laugh at.

If Rick was trying to say that "people who think this way are a joke" he should have shown us more of Octavian's thoughts. He should have given us the oppurtunity to see the point he was making by laughing at him.

Instead we have the implication that there was more, and no answers. He never even gave Octavian a last name. I do not like Octavian as a character, but everything about how he was written is sort of fucked up.

[kim-deadja]

ORV ROLEPLAY @sunfish-regressor &. @kim-deadja

idol yoo joonghyuk x anti-fan kim dokja. non-apocalypse roleplay

The summer sun streamed through the cracks of the blinds in Kim Dokja’s small apartment, casting jagged patterns on his cluttered desk. His laptop screen glowed faintly, illuminating a webpage he was more than familiar with: his own blog.

Dokja leaned back in his creaky chair, scrolling through the titles of his old posts.

Yoo Joonghyuk: The Overrated Idol of the DecadeFive Reasons Why Yoo Joonghyuk’s Songs Are All the SameWhy Yoo Joonghyuk’s Acting Career Should Stay in the Vault

Each post dripped with the biting cynicism he’d become known for in his tiny corner of the internet. His followers—if they could be called that—were a niche group of like-minded anti-fans who seemed to revel in his snarky commentary. But as he scrolled further down, he stopped at the latest entry, its tone strikingly out of place amidst the usual venom.

In Defense of Yoo Joonghyuk Regarding the Latest Controversy

The post wasn’t long, but it had taken him hours to write. Dokja’s fingers hovered over the keyboard now as he read the words he had typed days ago:

Whether Yoo Joonghyuk is dating or not is none of our business. The man has the right to a personal life. He spends his days under constant scrutiny, performing and working tirelessly to meet fan expectations. Are we seriously going to crucify him for being spotted at a park with someone? Even if he’s dating, so what? He’s human. Not a product. Fans need to remember the difference.

Unlike his other posts, this one had gone viral. Over a million likes and shares, his tiny blog had exploded overnight. He’d received countless comments—some from diehard fans thanking him, others accusing him of hypocrisy. Dokja didn’t care much for either camp, but the attention was... overwhelming.

What truly caught him off guard, though, was the email he’d received shortly after.

The email was polite, and warm, even.

Subject: Yoo Joonghyuk - Request for Collaboration From: Ha Junghee (Yoo Joonghyuk’s Management Team)

Dear Kim Dokja, We sincerely thank you for your thoughtful and supportive commentary regarding the recent incident involving Mr. Yoo Joonghyuk. Your perspective has been a breath of fresh air amidst the controversy. In light of your post’s popularity, we would like to propose a collaboration to address public perception and improve Mr. Yoo Joonghyuk’s image. This collaboration would involve a brief public appearance and interview alongside Mr. Yoo Joonghyuk himself. As a token of our appreciation, we are prepared to offer compensation for your time and effort.

The offer had come with a figure that made Dokja’s eyes widen. A sum like that could cover months of rent, maybe even help him upgrade his perpetually laggy laptop.

Initially, he’d accepted for the money. Why wouldn’t he? He didn’t owe Yoo Joonghyuk anything. But as the hours passed, and Dokja reread the email, guilt began to gnaw at the edges of his thoughts. Yoo Joonghyuk, overrated as he was, didn’t deserve the backlash he was getting.

So, with an irritated sigh, Dokja had responded: I’ll do it. For free.

The response had come quickly, thanking him for his cooperation and confirming a date for the planned appearance.

Now, a week later, the whirlwind of media events was over, and Dokja found himself seated in the corner booth of an upscale private restaurant.

The restaurant was tucked away in the heart of the city, its entrance discreet and its interior bathed in warm golden light. Polished wood tables were set with pristine white tablecloths, each adorned with small, flickering candles. The hum of soft jazz played in the background, creating an atmosphere that was both intimate and intimidating.

Dokja shifted uncomfortably in his chair, his eyes darting to the minimalist clock on the wall. He’d arrived ten minutes early, an unfortunate habit he couldn’t shake. The waitstaff had seated him in a secluded area, far from prying eyes, and now he sat alone, fidgeting with the edge of his water glass.

His thoughts wandered. What was he even supposed to say to Yoo Joonghyuk? The man’s management had insisted on this meeting as a gesture of appreciation, but Dokja couldn’t imagine the idol being particularly grateful. If anything, Joonghyuk probably saw him as an annoyance.

The door to the private dining room opened slightly, and Dokja’s breath hitched. He straightened instinctively, waiting to see if the man himself had finally arrived.

ooc: any other yjh rpers feel free to reblog, I'll still rp w u

[choicesficwriterscreations]

December MC of the Month: Beatrice Howard Foredale

Please welcome December 2024's MC of the Month: @princess-geek's Beatrice Howard Foredale from Desire & Decorum.

Each month, we highlight one MC or OC on our Meet My MC / OC List. They are selected randomly on the Wheel of Names, and eligibility requirements can be found here. We accept MC / OC profiles on an ongoing basis. Please feel free to send yours in!

Learn more about Beatrice below.

1- In your own words, tell us what you like most about your MC / OC.

I love how spontaneous she is and how intense her feelings are.

2- Do you feel your MC / OC is like you at all? How are you alike or different?

I feel that Beatrice is an alternative version of myself, almost an alter ego. We both have brown hair, light skin colour and brown eyes, however, I confess I put some fairy dust on her to make her prettier.

I projected on her some of my ambitions, skills, qualities, and flaws as well. We both share a passion for writing, reading and photography (even though she's much better at it than me). She and I like the same colour palette (pink and gold). Beatrice gets my dream job (being a journalist and writer), and she can do three things that I would love to know how to do very well: ride a horse, dance and handle a sword.

The major flaw we share is stubbornness. Nevertheless, there is something (which will be evident later in the narrative) that sets us apart: Beatrice has some difficulties in understanding and communicating her feelings. This will get her into trouble and cause her distress.

3- What is most important to your MC / OC? What is their motivation in life?

Although she makes great sacrifices to achieve her goals, deep down, Beatrice needs and lives to give and receive love from family and friends. What truly fills her heart is what she lives with those she loves, whether it's a big event or an afternoon vegetating on the couch with Briar.

4- What are their biggest pet peeves/dislikes?

It is universally known that she has some issues with Henrietta. However, one thing that angers her the most is high society's vices. The shiny veneer of the social varnish layer hides hypocrisy, pettiness, prejudices and evil that she cannot stand. Therefore, whenever she can, she exposes and stands up to those with two faces. She tends to be suspicious of people who don't like dogs (and especially those who don't think Sunny is the cutest thing on earth).

5- If your MC / OC could change one thing - anything - what would it be?

If Beatrice could change one thing about her, she would choose to be a little taller (she gets frustrated at not being able to reach certain places)

6- What is your MC / OC’s favorite quote or song?

Her favourite quote is ‘Love is the most reliable compass’. Her father told her this once, and she has never forgotten it and guides her life inspired by it.

7- Is there anything else you’d like to share about your MC / OC?

Beatrice's determination and non-compliance with what is wrong around her have inspired me. Her story shows us it is possible to be a better person and make the world around us a little better. Even though, like her, we often have to resign or give in, the important is never to give up fighting for those or things we love.

She's a huge Arsenal fan. She gets very excited when watching the matches -- she jumps off the couch, yells at the players, and always wears red clothes and the team’s scarf. Beatrice also collects the team’s merchandising.

[rosesradio]

Hi, do you mind if I pick your brain about the pro/antiship thing? I'd like to check first because it's a dumpster fire of a controversy in fandom spaces and I'd 100% understand not wanting to touch it with a ten-foot pole. But also cuz it mentions somethin triggering+disturbing.I've always wondered what another person might think but I usually try to stay miles away from fandom drama, but you seem like, not chronically online about it

lmaoo thank you, i try to make my blog a chill, safe space to come to despite me being. Not chill about anything ever 😅

so here’s the definition of each that i added to the poll:

Proshippers argue that shipping is all fictional, so there is no harm in shipping characters who shouldn’t be together in real life. Anti-shippers argue that fiction reflects and influences real-world beliefs and behaviors, so fans shouldn’t romanticize unhealthy relationships. You can be proship and not ship any problematic ships, or vice versa.

i got these definitions, with my own addition at the end, from a Reddit thread you might find helpful.

so i’ve been in fandom for many years, and up until around 2022 i was mostly what would be considered an anti-shipper.

within the (*gags*) sanders sides fandom, there was a ship called remrom. this was the ship between the characters roman and remus, canonically twin brothers. i never shipped it, not my thing, and it caused a lot of division in the fandom. people would often put on their wattpad (yeahhh wattpad era babey) profiles & even their fics “dni & leave if you ship remrom, go die” etc. i don’t think i put that on my own fics, but i was hostile & blocked people i found shipping it. because how could you ship twin brothers, that’s disgusting!!1!

…the funny thing about sanders sides, though, is that all of the characters represent fragments of one guy’s personality. roman is his creativity, remus is his dark!creativity, etc. the fandom shipped many other pairings with the (non-related) characters, the most popular being Roman and Virgil (anxiety). (Yes this is causing me physical pain to type out thanks for asking 🧍). so all that exposition aside…we were all shipping selfcest. and in a way, is selfcest any worse than incest? i suppose that’s subjective, but it just goes to show a bit of hypocrisy.

i also shipped some “problematic” pairings over the years, but changed them up to be “non-problematic”. for example, i had a billdip fic in which i made bill bodily 15 to match dipper & had him turn magically human (does this make the ship entirely non-problematic? hell no lmao, but as is the way of 15-year-old rose)

so that aside, i joined tumblr in 2022, in the cobra kai fandom. there’s a ship in the cobra kai fandom called silverusso, a ship between an insane(ly hot? don’t look at me 🫣) karate instructor named silver and the main character, daniel larusso. this ship is extremelyyy toxic on several levels. for one, daniel is freshly 18, while silver is assumed to be in his 30s(?) during karate kid 3 (please watch karate kid 3 but also be sure you’re sober when doing so because the movie is a trip, lol). for another, silver essentially seduces daniel into devolving into a violent robot, primed for silver’s command & corruption.

now for me…i’m not going to get into the details because i don’t want to, but i had experienced trauma somewhat related to the silverusso dynamic the previous year (only with minimal karate, lol). even three years later, i am still impacted by said trauma in small ways. i was honestly insulted by people shipping this ship, because it felt like they didn’t care about victims & were romanticizing and sexualizing situations i was having nightmares about.

that is, until i made some friends in the fandom. i bonded with them on our common interests, and then i got to see a bit more into the silverusso shippers’ heads rather than the horrible things i was hearing about them from others. i learned that they really weren’t that bad people at all, all well-intentioned & respectful of boundaries. some of them were even victims of trauma similar to my own, who used darkfic as a place to vent their emotions. considering i had told very few people of what happened, considering no one really understood, i felt safe.

not to plug, but this is a fic i wrote sort of in that space lol

so anyways, i learned more & more about proshipping ways, profiction, anti-harassment, & anti-censorship. i adopted the take that fiction can be a good place to explore complex emotions or even just compelling ideas.

(because you do not need to be traumatized to be interested in darkfic! in fact, the anti-ship take of “darkfic is okay if you’re recovering from trauma” is often harmful to victims, forcing them to out themselves for a stranger to judge if they’re “traumatized enough” to be “allowed” write darkfic. people should be free to write whatever with no explanation, just respect to others & proper tags/warnings).

i would like to think that the anti-ship ideals are in the best interest of others. they often do speak from a place of wanting to respect trauma victims (even if the hate messages they’ve sent me aren’t very respectful, lol). i can see how easy it is to be swept up into the moral quandary of it all because i’ve been there. in fact, if i saw trauma victims who were anti-shippers today, who felt the same resentment i did in 2022, i would feel sympathy for them and wish them the best in their recovery. darkfic has definitely helped me, though it is not for everyone. (though to those people i would also recommend they block bothersome tags and try to clear it from their mind).

i do wish people would approach actual proshippers to ask the way you are right now, anon. i think the spread of misinformation on how “being proship = shipping only problematic pairings” or god forbid “being proship = being a pedo” means a lot of well-meaning people obviously are disgusted and don’t bother to seek out the actual meaning of the term.

you don’t have to ship problematic parings or like darkfic to be considered proship. in fact, a lot of my mutuals here only like fluff & traditionally “healthy” pairings, but they support people’s right to ship and write whatever they want, provided it stays in its properly tagged lane. it’s just important to not push for censorship on sites like ao3 (one of the last safe spaces for every kind of fanfic), as well as not harass anyone in fandom for what they do with fiction. it’s not proper fandom etiquette, and it’s not a good thing to do.

fictional characters are dolls. real people are real, as are their feelings.

one last thing

i hope all of that answered your question, anon, and feel free to return with any more questions you might have 💌

[annabel-lee-nevermore]

Hey. I'm sure all of you have seen Red's post, which they chose to call an apology (though I beg to differ in some parts), where I was called out amongst many others. This whole situation is a mess and though there have been many posts already, I just want to add my two cents, as someone who was directly named. Apologies for how late this is compared to the rest of the situation, not trying to stir it all up again, I’ve just been busy. (Please note that everything I say here is my own take/opinions and I am not directly speaking for anyone else, any issues you have with anything said here are with me alone.) 

First of all, Red promised this post would be about the Crimson situation, the long prologue with the explanations of the "cliques" is completely unrelated and just an attempt to shift blame onto other groups for the situation blowing up as it did. This is especially horrible because of the fact that many of the people named are MINORS, who Red has constantly claimed to prioritize protecting, especially in the situation with Crimson exposing minors to NSFW. I'm not going to harp too much on the Crimson situation as I wasn't involved (or capable of being involved after my ban), though everything I have seen from Red has been a shitshow of mishandling, which they addressed, and I will give them credit for admitting they fucked up with it, and am VERY glad to see them step back from moderating, as I feel they were under far too much stress by both being highly active in the server as a mod and also trying to write a good story, and hope a larger variety of mods does the server good. I was there when the server hit 1k members, and knowing that the mod team didn’t grow until now (when last I heard it was around 6k?) feels like it would have driven anyone trying to moderate it insane. 

However, I am here to give my side of the story, which goes back to the drama with the confession blog "@/esoterichistoria", in which they were sent an anon ask which [paraphrased] asked why the account existed and what they got out of it, in a sense that implied they didn't believe the account should exist. This ask was not answered publicly and was screenshotted and posted in the hideout, one of the NON PATREON channels in the discord. Red then went on to reveal themselves as the person behind this anon ask which led to other people sending harassment to the account. I was firmly on the side of supporting EH, and wound up creating a post of my own  calling out the hypocrisy and "word of god" reliance on lore snippets sent by Red and Flynn in the discord, which when sent in the free channels would eventually disperse into the tumblr fandom. Unless I mistakenly shared a minor fact that was patreon exclusive (which would have only been shared to me by someone who was affected asking if they were right to be concerned about it) I did not intentionally state any patreon only information in any of my comments within and under that post. 

That post for me, was what happened when the straw broke the camel's back. I had seen several instances of fan to fan hostility (such as telling people off for using the tumblr "#nevermore webtoon" tag for confession blog related posts, but only for the original blog and not the second one that popped up during this drama). I was fed up with watching a fandom I truly loved fall apart, and felt that speaking up about it would be the only way to see any change within this issue. However, I will admit the post was written in a stress induced craze as I was at the end of finals and preparing to move at the same time, which definitely greatly impacted my capacity to truly think through why I should make that post in the first place, but I felt the only way to get the drama out of my head was to send it out into the void of tumblr, and then, through the next day when I had a few spare moments I responded to a few people asking clarifying questions with less than stellar tact. 

It was quite shocking for me to find out, just a day or so later (forgive me I am not the greatest with dates or timelines) that the Nevermore discord was gone from my server list, which I mainly noticed because I often use the emotes from that server in casual conversations with friends, and found my favorited emotes completely lacking of them. I had no message of why I had been banned, and shrugged it off as I hadn't been active in the discord community in ages, as I was busy with other things. 

A few hours later, Percy, who Red had reached out to directly (but none of the other members of our "clique" as Red puts it heard a peep) shared a truly baffling DM that consisted of refusing to explain and extrapolating reasons behind actions that did not exist to justify the ban. We laughed it off and moved on, as though we enjoyed the fandom and comic itself, losing access to the discord was no loss as of our lack of usage of it in the first place. 

I was in no way Stalking, nor were any of my friends. We had been members of a fandom who loved the comic and fandom, and had come to a point where our unpopular fandom opinions led us to feel a bit on the outside of the main popular opinion, and we were also just naturally shifting to different interests. 

This, alongside the fallout of having expressed opinions on Montresor and the specific ways that his relationship with Ada progressed. I DON'T see people who ship Montrada as supporting a "SA Fetish Ship", I just personally wasn't a fan of it and alongside my friends who shared the same opinion, was sick of being told that we were blatantly WRONG for having a differing opinion, and chose to distance ourselves because of the level of vitriol we had experienced, and some made a statement saying we didn't wish to associate with people who enjoyed the ship, which is a perfectly normal way to interact with fandom. There are definitely perfectly valid ways to interact with the ship, and even explore it in interesting ways, it is just ways that I personally am not interested in engaging with. 

(And just to point out the elephant in the room, yes I have a fic that focuses on Montrada, both because I saw a part of my former self in Ada and someone who hurt me in Montresor, and this fic was planned out long before Montrada was hinting at becoming canon in the comic. Though this fic is written in an explicit manner, it was on a site that allows that and was tagged correctly for those who wish to avoid it.) 

I know I'm trying to prove myself to people who have made up their minds on if they believe Red's statement, and I know for those who have their minds made up, nothing I can say will change that unless they are willing to, and I can't force that. I personally do not agree with many opinions Red holds, and find the act of plastering the usernames of people, including minors, that they dislike on a public tumblr post knowing they have a loyal fanbase who may choose to take it upon themselves to harass people out of a sense of vigilante justice, frankly abhorrent and irresponsible. Though I would like to believe that the Nevermore fandom is better than stooping to harassment, I know it is naive to believe in any fandom that this is the case, every fandom will have a few bad apples, even if the fandom at large is kind and passionate and supportive of fellow fans. (note: as of writing at least one person I've been in contact with have received direct harassment) 

As someone who has a tendency to come across as rude and bitchy when in a passionate argument/debate with someone, especially when an emotional connection to the subject is involved on my end, I know I may have been combative to an excessive degree and given myself a bad name. For anyone who has felt hurt in an argument with me, I do apologize, as sometimes I don't know the harshness of my words. I do quite enjoy a good argument, and when things get heated I do find myself being quite harsh, something many people do, especially when they have had a history of being the only one on their side of an opinion.  

Despite the drama, I do still love the comic, through a more analytical lens and with caveats of my own personal opinions perhaps, but I do truly love the characters, the world, and am curious to know what comes next in the story when it returns from hiatus. Though I don't believe I will ever have a positive view of Red interpersonally, I want them and Flynn to be able to continue the comic for as long as they feel they need to tell a complete story. I probably will continue to write fic and engage with the fandom, as in my opinion, Fandom is for the Fans, not the Creators, and I truly do love sharing my writing with the Fandom, and I have many fic ideas that I want to have a chance to bring to fruition. 

For those who don't wish to dig in deep on the older drama with the Montrada situation or my general drama hot takes, you can hop off here, and even if this didn't change anything for you I appreciate you taking the chance on hearing me out, as I am quite wordy and I know this post is already rather long. However, since Red’s post brought up these issues, I feel I should at least address them.

First off, on the accusation of stalking, I do feel Red may be pointing a finger and forgetting that three point back at them, as though I do understand wanting to have a grasp on who someone is when you feel wronged by them, going out of your way to construct a narrative of who's friends with who, and what they do in their free time, alongside congregating information about them to share publicly when even in the best case of you being correct their crimes were at MOST having an insular group chat and occasionally getting in arguments about unpopular fandom opinions or standing opposite your side in drama. 

By every metric, while sharing screenshots can be seen as in bad taste, doing so with a small group of friends in a private group chat is not the end of the world. The phrase "keep it in the group chat" exists for a reason, people often share with their friends things they may not say publicly, and that is perfectly okay provided it's not planning some sort of direct attack on someone. People going "ugh I don't agree with xyz and wish they'd see reason" to friends is not stalking, it's a bit of gossip between friends, and when it comes from something that began as a shared interest that brought the group together, there's no harm in it. However, congregating identifying information and sharing it publicly DOES have harm in it, because no matter how many times you tell your audience not to harass people, opening the doors for it makes it more likely to happen regardless.

Secondly, calling the post an apology was a half truth. Yes, the final paragraphs WERE an apology, but based on the situation and what was truly going on, the explanations of the Cliques was unnecessary and distracted greatly from the actual apology present. Especially as the context of “Clique 2” does NOTHING to add to the story of the situation with Crimson and why an apology is necessary. The situation was blown greatly out of proportion by adding on more context than the situation required, and is definitely the reason the controversy has grown so large. Not only was diverting to the explanations of the Cliques cluttering the otherwise potentially strong apology, it both works to paint Red as the victim to garner sympathy from loyal fans, and gives a target to go after for why the situation has grown so horrible, when a concise apology that left that all out would have cleared the air on the Crimson situation and not led to a large group of people who were unjustly called out and have their information blasted for anyone to see and opening them to excessive harassment. 

Finally, Speaking to Red directly, If you'll allow me to speak at you a bit personally for a moment, the way you framed things in your post regarding "Clique 2" to me in some regards comes across as a misinterpretation of criticism of the comic and its characters as a criticism of you. As a writer I understand how your work often feels like an extension of you, and criticism often feels personal, but to take a small group of people who share a similar criticism and extrapolate it to mean they're spreading vitriol about you is a bit extreme. 

(And in screenshots regarding the Prospero aromanticism issue that have been posted to tumblr, this seems to be a recurring pattern of seeing anyone who has concerns about how a certain aspect is being normalized within the fandom with encouragement from the creators, which regardless of intent comes across as endorsement, as an attack and trying to make an issue out of something that isn’t really that deep.) 

Anyways, the main situation regarding the Montresor and Ada ship happened over a year ago and I have no way to access or look back on what was said having been banned from the discord, there may be discrepancies in intent and execution so take all of this with a grain of salt if you'd like, but I never meant to say that you as the author were glorifying SA by having Montresor and Ada to exist as a ship. It was a mixture frustration with how Ada's characterization (as interpreted by what existed in the comic) did a 180 and how the relationship between her and Monty was framed and the fandom's manner of acting as if saying that it personally made someone uncomfortable they were just a hater trying to stir drama. The fandom's usage of the phrase “fun toxic” and overromanticizing when Monty had been consistently characterized as misogynistic (not a bad thing) and Ada's prior characterization didn't line up with the “mutually toxic” idea that was being spread. I'd be a hypocrite if I was saying that every ship had to be morally pure, I've written some pretty morally bankrupt relationships in my own original works. I just found that the way the fandom acted around Montrada at the time was really uncomfortable to be around as an SA survivor simply because of the way people were changing their opinions of the barking scene, which to me with just the context of the scene itself was not at all something Ada did consensually (or only did under coercion) and is a form of humiliation which is sexual harassment. 

It was never a moral righteousness witch hunt or anything, more just some fans pointing out how the portrayal of it could come off to people who was a survivor of someone who acted like Monty and that the energy in the fandom around it was uncomfortable and didn't actually leave room for nuance on the opinions of Montrada. I have always been a proponent of letting people ship what they want to, even if it’s personally not what I enjoy in the fandom. Perhaps the way it was portrayed on my end at the time didn’t come off the way it was intended, but there is a massive difference in my opinion between thinking anyone who enjoys a particular ship is evil and being personally uncomfortable with a ship and not wanting to engage with it within fandom, even with it being canon. And the preference for Morella and Ada was never upholding a "morally pure" ship as "better" than Montrada, it was simply preference from people who had already been shipping Morellada for a long time and didn't choose to abandon ship over Montrada becoming canon, only finding new reasons to continue holding that opinion. 

All in all. I’ll miss when the good times of the fandom were around, and definitely will stick around for season 2. I wish it hadn’t all turned out this way, as I’ve made great memories and friends because of this comic and community. To anyone who still has questions or something to say to me, my ask box and dms here have always been open. And hey, if Red or Flynn have anything to say to me, feel free to reach out. I’m open to a civil conversation if that's what’s desired. 

~~ Rose, of the “dark stalker Clique”

[utilitycaster]

like actually it's wild to me as someone who mostly exists on the fringes of the D20 fandom, since CR is by far my main one, that a lot of the really popular voices there are popular fanartists who low-key hate like 99% of what D20 is and tend to fixate on like, ships between barely-seen side characters. Like okay, so you don't like D&D as a system and think it's inherently imperialist and violent; you don't like that they no longer do hour-long Adventuring Parties (which started when they were in full lockdown and quickly ended once the industry was back on fairly regular footing); you don't like that they joke around in the talkback show even though that's true of every AP talkback show and I listen to at least four of them; you don't like the D20 formula of ending with a big combat at the end; and you don't like that characters weren't redeemed because you feel as though the narrative didn't give them time to be redeemed and this season should have been longer despite it being standard length for an Intrepid Heroes season and "the narrative" is shaped by Brennan Lee Mulligan, DM, as well as the cast's choices.

Like, real talk, I watch/listen to a lot of actual play and at least four talkback shows (for CR, NADDPod, WBN, and sometimes D20) and when fans get mad that the talkback has too much joking around it's an almost flawless litmus test that person hates the show but their blorbo is on it or their fandom identity rests on it or some other sunk cost fallacy. And if they start talking about the story as if it is not driven by the DM and the cast, you know they're really mad about the DM-ing and the cast choices but are too cowardly to say "Hey, I disliked what Brennan did here." And if you add it to the fact that D20's fandom in particular has a real problem with "liking the right stories is activism :)" and this story doesn't spell out Capitalism is the BBEG (thought it does, hilariously, take some very good shots at Evangelical Christianity and the hypocrisy of the religious right) you get this. I really think a lot of these people don't like D20 much; they like some platonic ideal of D20 mixed in with no small dose of their own personal desires and it's like, if you want a more than 20 episode series that's low combat...why are you going to D20.

[twopoppies]

I don't want to offend you, I say this respectfully—but it baffles me how you so strongly justify Harry's every move but criticize or mock Louis'. That's also fandom hypocrisy. It is one thing to have a favorite, and another to not have any type of objectivity.

I don't think I've ever mocked Louis. I rarely criticize him, but I have said I have had a very hard time with his more recently adopted persona and his doubling down on babygate over the last couple of years. I'd like to know where you find me mocking him or even criticizing Louis' every move. And I mean that genuinely.

I'm very aware that I have difficulty being objective about Harry, but I disagree that I have none. And I think the reason I have a hard time is that I feel like so few people (outside of his nasty fans who just say he's better than everyone else) ever speak up in defense of him while masses of people pick apart everything he does. Whereas, from my perspective, it's Louis whose fans think he does no wrong. He's forgiven for everything, which is fine if that's how you feel. But then don't act as though Harry doesn't also deserve some leeway.

I love Louis, and I think he's worked super hard to achieve everything he has. However, I have issues with some of the things he's done. I'm very upfront about it. I don't have as many problems with Harry because I see him differently than you do. I'm sorry you're so baffled. But I have a feeling you don't actually spend a lot of time on my blog, nor have you ever talked to me personally about any of this. But for some reason, some of you equate not fawning over someone constantly with hating them. Black and white isn't the best way to approach anything.

[accirax]

I am dying to know your thoughts on Eva Tsunaka now (Damon too. and, to a lesser extent, Desmond, Eloise, Toshiko, Kai and then everyone else)

combining these two asks bc they're pretty similar! clearly, the people crave Eva Tsunaka. spoilers for P:EG Chapter 1!

well, kinda-spoilers, anyways. Venus and I are working on a larger Ch1 think piece together, and lucky for you, i'm writing the section on Eva! i have a hell of a lot to say about her, as she was obviously one of the most major players in this chapter. however, i'll probably save my really in-depth thoughts for that post, and not write them all out here. so, please look forward to that post sometime soon!

as a short version, though, i will confirm that i also really liked Eva. making her the Ultimate Mathlete instead of the Ultimate Liar was a galaxy-brain move, and i'm so happy that they stuck with it until the end. it opened up really interesting character possibilities too, which were explored both in her FTEs (or so i imagine) and in her post-Trial.

as i was playing the daily life, she was one of my favorite characters, although-- perhaps contrary to popular opnion-- she actually dropped in my ranking slightly during the deadly life. not because i felt betrayed or anything like that; i'm always a fan of characters showing their darker/more villainous side. i just felt that some of the things she said and ways she reacted in the deadly life were inconsistent with the character we'd grown to love in the daily life, and therefore undermined my established like of her. again, i'll explain more of my thoughts on this in the major post.

but again, to reiterate, i still really like Eva! and i also think that the character she presented in her breakdown and post-Trial speech was really interesting and unique. you can feel her belief that she knows more than everyone else (even when it comes to how they speak) bleeding into every word she says, and that's super cool.

in general, this tierlist is a good guideline for how i feel about everyone:

i didn't see a tierlist option with Tozu on it, but honestly, i'd put that guy in ily tier. he's great. if i had to rank Mara, i'd put her at the bottom, as she has given me nothing so far other than a cool design (which everyone has).

but let me stress that i don't dislike any of the characters, there are just some that i haven't clicked with as much yet. the closest i've gotten to disliking a character is Jett, just because he was more mean than i expected. but given that the reason why i like Mark is because he was mean, it'd be kinda hypocritical of me to dislike Jett for the same reason. but maybe this tierlist is from ~beneath the veil of hypocrisy~