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jamjaemin · 1 year ago

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𝘿𝙧𝙚𝙖𝙢𝙞𝙚𝙨 𝙩𝙝𝙤𝙪𝙜𝙝𝙩𝙨 𝙄 𝙩𝙝𝙞𝙣𝙠 𝙩𝙝𝙚𝙮'𝙧𝙚 𝙨𝙤 𝙖𝙘𝙘𝙪𝙧𝙖𝙩𝙚 pt2

Pairing:bf!dreamies × gf!reader

Genre:+18 obviously nsfw mdi, , I see you

Summary:here we go again since y'all loved the pt1, dreamies thoughts I think they're accurate bc I'm a sex therapist and whenever I see their faces I know exactly what's going on trust me (this is not a summary anymore XD)

Author’s note: I'll turn some of these thoughts into smuts when I find time bc my college won't let me now.

Now playing: wine pon you slowed | doja cat

- one day, he'll surprise you with a date on a private yatch, after a drink and in the middle of the day, you made your way to the couch and before you knew it, he had his head between your legs. it wasn’t long before you were coming on his face, whimpering his name like a prayer.

Chenle, chenle,ZHONG CHENLE (the amount of times I think about this scenario is insane, in a white sundress looking so gorgeous for him..he want nothing but to eat you out)

- you were staying the night at a motel when you asked him to spank you. at first, he completely refused but after a lot of puppy eyes and pouty lips, then he enjoyed it as much as you did or maybe more.

Mark, Jeno (when they're super turned on they'll make you cry "im giving you what you asked for" is their motto, spank you harder if you don't answer them) Jaemin, Jisung (the exact opposite, they're the type to check on you with every spank, light spanking but if you asked for more they'll do it harder, still check on you tho)

- record you both getting at it to watch at a later date. A lot of hissing, humming and moaning, especially when he’s close.

Heavy on Haechan (he's not the main vocalist for nothing, so vocal in bed istg. when watching them again, The probability of having sex after is 100%)

- he would love to fuck you near a large mirror and tell you how pretty you look taking all of his cock, squeezing every inche of him and cum over and over again until you're can't take it anymore.

Super heavy on Jaemin (praising you all the time, hands touching all of your body with some shoulder kisses, when you get shy he will force you to look at the mirror by holding your jaw and make you see how you're falling apart against him)

- Likes to watch you masturbate, putting his head close and observing intently. Loses his shit if you moan his name while doing so.

Heavy on Renjun, chenle (moaning his name is the green light to help you out, toys, teasing, fingering...all of them while speaking chinese, make you cum hard but not harder than how his cock fills your pussy after) mark, haechan (will masturbate while watching you) jeno, jisung, jaemin (helping each other's masturbate, his fingers playing with your clit and your hand wrapped around his length)

- Very good at memorising how you like things done. What makes you pur and what makes you feral.

Renjun ( the details of your body, kinks, limits, never left his mind)

- When he's drunk the wild side in him shows. Not innocent. Not as gentle as you thought. He love making you stutter, holds your neck steadily, choking you. “You like this, don’t you?! Don’t look away!” It was obvious. He was going to fuck your brains out. He’ll make sure the only word you know is "more".

Jisung (he's a freak and good at hiding it, don't argue with me) Haechan (i added him just bc he have a thing for choking and being choked, he will give you a teasing smile if you do it to him then make you learn your place)

- Maybe you ignored him for fun. You didn’t want to take it far, but his reactions of ��not caring” were so hilarious to you. Once he found out you were pranking him, He will ignore your orgasms just like you ignored him.

Heavy on Mark ( ain't the leader for nothing, i can imagine how hot and dominant he gets when he's mad, you would need a wheelchair for a good 2 weeks)

- He would play games, head between your thighs and die to end the game and eat you out, if he won he’ll eat your pussy gently and take his time with it but if he loses he’ll devour it and won't stop even when you beg him.

Haechan (blaming you and saying its all your thighs fault), Jeno, jisung (the special way of celebrating their victory or taking out the anger of defeat)

- The air always hung heavy when he's working out. it's the way his brows furrow in intense concentration or the groans he make as his muscles flex. either way, it’s a big turn on for you and he knows it. “c’mon, I know you want it sweetheart, open up for me,” “princess… you can give me one more, right?” “that’s my girl.”

Na fucking Jaemin, jeno (no explanation needed, i know..you know...we know)

Have a great day/night and ty for reading♡

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violetdawn001 · 4 months ago

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What is with the Dreamers' Houses?!?! Monomon's Archives

Okay, we can all agree that Team Cherry put a LOT of thought into crafting the backgrounds and environments of Hollow Knight. But why is nobody talking about the designs for the Dreamers' houses?! Especially compared with their base forms? Well, let's start talking about it!

Behold! Monomon's Design!

Taken from Monomon-the-Teacher.jpeg (1280×720) (punishedbacklog.com)

Taken from: https://i.ytimg.com/vi/Yn7QtF-wkSY/maxresdefault.jpg

When you meet the Teacher, the first reaction is either "She's beautiful…" or "WHAT IS A JELLYFISH DOING IN A KINGDOM OF BUGS????" If one isn't your first reaction, then it will most certainly be your second.

I could go on about how Monomon pairs her elegant beauty with her mysterious origins, but then I would be repeating words all day. Let us pause and consider how Monomon, as THE Teacher, would teach Physics…while defying them. It isn't too much of a stretch to say Monomon would float outside of her tank when the all the other Jellies in game do.

Next is her Archives that to my knowledge, lacks books.

We are immediately treated at the entrance of Monomon's Archives. The only word that could sum it up would be awe: awestruck due to the beauty and the mystery. Looking at Monomon's house from the front can't help but remind one of how Jane Austen would describe a character's house…and how the house perfectly matched the character.

Entering the Archives, we quickly guess that no one has been here in a long time.

But walk in far enough…

And you can't help but guess what an awesome place this must have been. Take a look at the detail!

The insane amount of knowledge stored here is amazing…and we're on the first floor!

Though we can't read most of it…and what we can read…

Why Monomon, why? Even STEM students need to be proficient in spelling. Source: my engineer brother.

Moving on, the pathway to Monomon's tank is very straight-forward. So much so that we never get a chance to see all of the Teacher's Archives. One point that strikes me is that we never get a chance to see any classrooms. We see Monomon as a researcher as noted by the Charged Lumafly tank and entry:

We know Monomon as a collector of information:

We even get glimpses of Monomon being a mad scientist by creating the Uomu, Oomu, and Uummu.

But the only sign of Monomon being a teacher is by her relationship with Quirrel and the name of her Archives. Unless I am missing something, (or we are simply not able to enter the classrooms) the Archives are more of a library and research center than a school. While I am of the mind that we simply do not see the whole Archives as we are so dead-set on getting to Monomon herself, it really says something about Monomon that we can only see the Madame as a Teacher in her relationships with others.

I would love to further this point, but this essay is for the Dreamers' houses, not necessarily the relationships the Dreamers had unless the relationships are implied in the housing designs themselves, such as the masks in Herrah's Den. Another essay would be required so the Dreamers' relationships can be given the focus and care they deserve.

Returning to Monomon's Archives, it is strange that of all the rooms we get access to, it is not ones that Monomon's students can enter. The pathway to Monomon's tank is blocked by acid.

Yet we are the ones able to see Monomon in her resting place.

Besides Quirrel. But Quirrel has a habit of getting into places most wouldn't dare enter. And it is fitting that Quirrel, Monomon's closest student, is the one to enter Monomon's inner sanctuary.

The Tech in the room is simply amazing and begs more study. Atlas, I fear I might have missed a great deal when it comes to the Teacher. If there is anything more, I hope another member of the Hollow Knight community will step up to fill the void, pun intended.

Now, let us discuss a resting place not for Monomon, but for the player.

Is not this place so elegant in its decay? The perfect symmetry and the framing of the moss ceiling…it is a terrible pity we could not see the Teacher's Archives in Hallownest's prime.

Moving past the pity, let me share a little detail. Team Cherry, when designing each location, placed signs of the ruler of said location in the framework of the place, usually in the fencing. For Teacher's Archives…

It's right at the bench! Which means Monomon is in charge!

The above statement, while made in good jest, possibly bears more weight than on a passing glance. We see no Hallownestian Seals or crests imbedded within the walls. There are also no King's idols or any item to be retrieved from the Archives. Everything in the Archives is centered around Monomon and her research.

This idea gives rise to a theory that perhaps the Teacher's Archives was not part of Hallownest, but rather neutral territory where ANYONE could come to learn about anything in peace. This would not be the first time in media where such a place existed. The TV show "Babylon 5" tells the story of a space station created as a place where the different alien races can learn about the other races in neutral territory for the purpose of creating peace.

To answer some objections, yes, "The Pilgrams' Way" does pass through Fog Canyon, but it also passes through Greenpath which technically belongs to Unn, not the Pale King. And the Archives is one of the few places that has its own, unique bench.

If the Archives is not part of Hallownest, what does this neutrality tell us about Monomon? If the Teacher's Archives is indeed neutral territory, it shows how much emphasis Monomon puts on knowledge being open to everyone as the purpose of the Archives is a place to store all the knowledge she collected.

But if Monomon was neutral, how did she get involved with the Dreamer plan? Simple. Monomon cared about her students. Monomon welcomed everyone from anywhere, and everywhere was infected by the Radiance. To save her students, the majority of whom came from Hallownest, Monomon became a Dreamer. Unfortunately, it was all in vain as the world fell into stasis as one by one Monomon's students either died or fell to the Infection. The Archives, where you could find anyone from anywhere in Hallownest, now only holds jellyfish…

Before we wallow in sorrow, let us escape to the City of Tears and to the final Dreamer. Wait for part 3.0 coming soon!

This is a part series to see if I can fit everything in. I hope you enjoyed Monomon's Archives!

Part 1.0: Herrah's Den : Here

Part 2.0: Monomon's Archives (You are here)

Part 3.0: Lurien's Spire : Here

Part 3.25: More of Lurien's Spire: Here

Part 3.5: Lurien's Spire: Pillows and Patriotism: Here

Link to essay on Ao3: Here

#hk lurien #lurien the watcher #hk monomon #monomon the teacher #hk herrah #herrah the beast #hk quirrel #hollow knight #hollow knight essay #essay

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yukimomodivorce · 4 months ago

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The Ghosts in IDOLiSH7 are a Literary Device, Mostly

(an essay by me)

People are always asking me, "Robin, what the fuck is up with those ghosts in IDOLiSH7? How come this otherwise completely non-supernatural universe randomly has these two ghosts that show up and then never get acknowledged again? Is it just canon that ghosts exist and only Riku and Momo can see them?" and I am always telling them that I have an analysis about this I just haven't written it yet. But that ends today, as do all of these very pressing concerns about the i7 Ghosts™, because here I am, finally writing the analysis. This essay will have two sections, the first on the training camp ghost from part 3/third beat, and the second on the Re:vale house ghost from Yuki's third chapter of Re:member. So, spoilers for all of part 3/third beat in both sections, Re:member in section 2, and there's one extremely minor spoiler for part 4 in section 1 but it's honestly so predictable I don't think it even counts. Also, I'll reiterate this once we get to it, but just a warning that section 2 will contain discussions of depression, suicide and suicidal ideation, and a brief mention of self-harm, so please stop reading after section 1 if you don't want to see any of that! Another less important disclaimer about section 2 is that I am going to spend an entirely unecessary amount of time talking about Yuki. I am normal about Yuki. Okay. Without further ado, let's watch my spiral into ghost analogy insanity unfold!

Game translations: @seigyokus Re:member translations: @ takara_time (+ scans and editing by @ waitamomoment) Rabbit chat translations: @osakaso5

Section 1: The Training Camp Ghost

This first point applies to both ghosts, but I wanna start by noting that I think superstitions and beliefs like this are more common in Japan than a lot of other places, so yeah it is entirely possible that ghosts are just a canon and accepted thing in Idolish7's universe and this isn't really that strange of a detail for the series to include. However, I don't have any real background knowledge about if ghosts are normal in non-supernatural anime/etc. and I am not committing to that kind of research, so we'll have to leave the specifics of the ghost canonicity issue to someone else. But regardless of how canon they are, I think we've established well enough by now that the i7 writers don't put much of anything in the series without reason (re:vale band name you will always be famous. to me), and that definitely applies here as well - both of our ghosts are doing a LOT of potential symbolic work in their brief appearances, and that's what we'll be unpacking today, starting with the TCG.

The infamous TCG (training camp ghost) of Atami needs no introduction, but I'll give her one anyway. During the filming of the Friends Day special, upon following the shopping group home, she offers her services to Riku (inexplicably the only person capable of communicating with her) for the evening entertainment group's test of courage, terrorises several cast members throughout the day, and finally brings us Soma Saito's incredible cover of Dis One before probably being sent back to idol fan purgatory forever. Who is she? Where did she come from? I have several theories.

1.1: The TCG is the audience

While the 'ghosts are real in i7' possibility is there, I think it's also important to note in this case that the whole training camp is very explicitly being filmed for TV, and the biggest vibe I get from this episode of the anime is that the ghost is a part of the show, and we're seeing that show through the eyes of its in-universe audience. This happens pretty often in i7 (for example, when we see the groups talk to their fans during concerts), and generally the line between the real fans and the fictional ones can get pretty blurred (which deserves its own much longer analysis but I Am Not Writing All That), so everything with the in-universe audience here kind of naturally extends to us as the real audience. The TCG would probably be easy enough to manufacture with special effects as long as Riku and the driver guy were in on it, and it would make sense for the Friends Day producers to include it to keep things entertaining and be a stand-in for their viewers/fans of the idol groups - the ghost is specifically a female fan of male idols (Zero), and a lot of her interactions with the cast would qualify as self-insert material (e.g. Tenn singing for her and Riku looking directly into the camera to smile at her). And speaking of Tenn and Riku,

1.2 The TCG is Nanase twins angst

I think this connection is fairly obvious in their exchange here. You could make a case for the ghost representing either one of the twins. Like Riku, she's being pushed away by Tenn before she's ready to leave, told that it's necessary and for the best that they stay separated - after all, they live in different worlds. Like Tenn, she's leaving despite Riku's protests and part of her not really wanting to go at first, because she believes it's for the best that they stay separated - after all, they live in different worlds.

There's also the association with ghosts of being ignored/invisible, and Riku being the only person able to see or talk to her. Maybe it's because he's the only one who's able to reach her. Maybe he can see her because he understands her on some level - she was torn away from life like he was torn away from his brother, and she's now practically invisible to everyone else around her, like Riku probably feels to Tenn (and arguably the rest of his family in some ways). Maybe he wants her to feel seen, and he can make Tenn acknowledge her in the way he wants to be acknowledged by him. I might actually be going somewhere with this so bear with me for a second.

1.3: The TCG is monster Riku foreshadowing

So my first thought when I watched the Nanase twin angst portion of this episode was 'well obviously the ghost isn't real and Riku is just using it to talk to Tenn indirectly' because they are always having indirect conversations like this and it makes me insane, and I do still think that's the idea here, just not quite in the sense that Riku is making things up. Going back to the whole 'ghost is a stand-in for the audience' thing, and assuming that she's saying the things that Riku wants to say and Tenn is telling her the things he wants to tell Riku, then we could say that rather than Riku purposefully having the ghost speak for him, this is an extension of the monster effect. I guess in this scenario the TCG is a real ghost (and a figurative representation of the audience), and Riku is having the same effect on her that Iori says he has on everyone else. He unknowingly projects his desire to connect with his brother onto her, and she tries to help him. Really, the only times we see her after she follows the shopping group to their cabin are when she's helping Riku, with the test of courage and then with speaking to Tenn. This gets convoluted so I kinda doubt it's intentional? But it's fun to think about.

1.4: The TCG is the friends we made along the way

Riku spells this out a bit more explicitly in the game here, but the TCG represents the each of the groups in the series in a couple different ways. I guess one way you could interpret this is that the ghost is meant to be there to emphasise how extraordinary it is that they're all together, but I don't think that really holds up considering how often they end up working with each other throughout the series anyway. What's important here is the idea of the ghost itself, something that can be present and felt even when it isn't physically or actually there. Again, the ghost is the audience - a constant influence for better and for worse on these idols even when they aren't watching, even in their personal lives; and vice versa, the ghost is the idols being able to reach their fans without ever actually knowing them. More relevant to what Riku says, the ghost is the groups to each other - friends, mentors, rivals, pushing them forward even when they aren't standing side by side. You could even say the ghost is ZOOL, friends who aren't here right now but will be someday. Re:vale and Idolish7 as groups don't especially fit the ghost description, but they have their fair share of ghosts - Banri, Haruki, Tenn, Aya, Sougo's uncle. Zero. The list goes on, for Trigger and ZOOL as well, but I think the most important way the ghost analogy applies to this section of the story is with Trigger. Because during the imminent Arc Where Trigger Gets Cancelled™, despite leaving their agency and disappearing almost entirely from the public eye, they're still very much there to their fans and to their friends. So. I kinda forgot what I was saying but to sum it all up the ghost here represents everything that stays with you even when it's far away or after it's gone from your life. Mikanseinabokura and all that. And now that I mention it-

Section 2: The Re:vale House Ghost

Once again, a warning that this section has a brief mention of self-harm, as well as in-depth discussions of depression, suicide and suicidal ideation (which I'm gonna be talking about pretty bluntly the entire time), so please don't proceed unless you're comfortable with all of that!

Like most things in Re:member, the RHG (Re:vale house ghost) makes me insane. Today I am going to attempt to form coherent thoughts about it and it is unlikely that I'll succeed, but try to bear with me. Though it isn't around for as long as the TCG, we have a little more info about the RHG - it's the ghost that haunts the shitty apartment Yuki and Momo live in together in their early days as Re:vale. Supposedly. All it actually does is slam the door of one kitchen cabinet and I don't think that this is definitive evidence of paranormal activity because most houses are just like that. It's all a little bit vague, but according to Re:vale, their house is definitely haunted by the ghost of someone who died in the kitchen, because when they move in there is a mysterious black stain on their kitchen floor. Momo introduces himself to the floor stain while Yuki stares at him in awe and blushes and shoujo filter flowers appear in his eyes. God I hate them. I think the RHG is just a figment of their collective imagination or maybe they're having one of those shared delusions or something. But that's really besides the point because this ghost exists for one very specific thematic purpose: the RHG is Yuki.

And on that note, let's go back and talk about Yuki for a few minutes (potentially hours) before we get to our actual analysis of the ghost scene. Mostly because I just wanna talk about him, but also because I do understand why some people think the 'Momo starts talking to ghosts' part of Re:member is kinda weird and random, and I think at least some of this is important to go over before we unpack it.

A consensus has already been established among Yuki scholars that our subject has autism (Kei et al. 2024). Today, I would like to propose an additional diagnosis: Yuki has depression.

2.1: "I lost my dreams, friends, and passion as well."

So, Yuki pretty clearly gets depressed when Ban leaves him. He loses interest in everything he used to care about, gives up on his dreams, blames himself for Ban's injury and disappearance, he's constantly sad, tired and irritable, and he lashes out at Momo (and Kujou, though there are some other pretty strong reasons for that one) and presumably everyone else he knows (I doubt he had a particularly good relationship with anyone else in the first place, but still).

He's grieving here, and it would make sense for him to react this way because of that fact alone. But I really don't think that's all there is to it, because he exhibits these symptoms (among others) long before Ban leaves him. He can't get out of bed in the mornings, he rarely leaves the house if he can avoid it, he has days where he can't eat or sleep, he's underweight and always tired and generally known to lack energy and be slow (or 'lazy') and in some cases listless and despondent. Ban even says that he wouldn't put it past Yuki to start slitting his wrists. And it's subtle, but there's one more really big one that really never goes away for him, even after he finds Ban.

2.2: "I don't need anyone to love me."

I'll get straight to the point. Yuki hates himself. Maybe only a little bit, maybe only sometimes, but it's there. Especially when he struggles with composing - he even says it himself in part 1 of his birthday photobook rabbit chat, almost immediately after saying that it made him want to kill himself but we'll get back to that part.

But it's really everywhere on what seems to be a mostly subconscious level for him, if you know how to look, even from the very beginning:

On paper, this line is just his frustration with being judged by anything other than his music, because it's something he cares a lot about and puts a lot of work into and he wants that to be acknowledged. But I think that if you take it in conjunction with some of the other things he tends to say, there's a little bit more to it.

I dont need anyone to love me. Yuki's songs are worthy of love. Yuki is not. There is nothing valuable about Yuki other than his songs, he has nothing else that deserves any sort of praise, and without them, he's just a useless burden with nothing to offer. He doesn't need anyone to love him - he doesn't understand why anyone would. And Momo does, and he's a good person, and Yuki doesn't deserve that when there's nothing he can actually do for him. And when that starts to change and he starts getting better at showing kindness to others and being there for Momo, he doesn't see it as learning to better express his feelings, he sees is as learning to feel affection and be a good person, because he believes that he is inherently not. As far as he can tell, Yuki is just naturally a bad person and a bad partner who isn't kind and isn't capable of love or compassion, not unless he tries to be. He knows, because he's heard it god knows how many times - even Chiba Shizuo blatantly tells him that neither of them can become good people - and maybe things are different now, but on some basic level it'll always be who he is.

Ok breaking character for a second, imagine you show up to your acting side gig and on the first day Keanu Reeves comes up to you and gives you $300 cash and then later he indirectly tells you that you're a nasty lonely egotistical failure. Now imagine you're Yuki and you have no fucking clue who Keanu Reeves is. He also shows you pictures of his top secret illegitimate son after talking to you for like 10 minutes and you have to lie to him about being straight. I think this is objectively the funniest situation to be in ever. Chiba Shizuo and Yamato both probably have depression also, but I'm not gonna spend any time on it, because every three months a person is torn to pieces by a crocodile in Northern Queensland. I forgot what I was talking about. Anyway

2.3: Hey remember that one time Yuki just straight up tried to kill himself

Yeah, that one. As far as I know this is really never addressed or acknowledged again, so we're just gonna take the page-long gag from Re:member at face value and say that after Ban's disappearance, Yuki (almost) attempted suicide, and the only reason he didn't go through with it is because he couldn't find anywhere to hang the noose. And like, yeah you could say it's just because he thought Ban might have killed himself and he's always been the kind of hopeless romantic to be waxing poetic about how "I can't live without you," but at the same time, he had no apparent reason to believe this (even if Ban did have suicidal tendencies I doubt Yuki would've really known), and he was planning to go through with it (I know it's probably just for comedic effect but he left a will. He left a will. He's, like, 20, and surely not the kind of person who would just have something like that in order already). This is also emphatically not the last time or the only reason he thinks about it.

I told you we'd get back to the photobook chat! I think there's also a lot you can infer from all the times he says he'd probably be dead by now without Momo and he wouldn't be able to handle losing him, what with the whole "when you jump, you'd better take me with you" thing. But regardless, this really isn't just that one time that Yuki tried to kill himself. It's suicidal ideation, and it's something he consistently struggles with especially in the few months after Ban leaves him. It even comes up in how he sees the 'paranormal activity' his new apartment:

2.4: "It seemed as though someone had hung themselves there."

Yeah it's the ghost I'm finally gonna talk about the ghost. I'm done with my Yuki has depression rant we can talk about why the ghost is Yuki now. I guess it might be more accurate to say that the ghost is Yuki's depression/suicidal thoughts/Banri trauma/whatever, but either way I think it represents him and he might also be semi-consciously projecting onto it, and I'm gonna go through line-by-line and try to explain my interpretation.

I think if you want to there's definitely room to take the 'usual paranormal activity' super literally and say that Yuki was having outbursts and slamming doors at the time (which would also match up with him being startled by it). I think it's also important to note that this is happening around the time he mentions feeling suicidal and not being able to compose in the photobook chat, but the main thing here is that second line. Even though Momo is always so nice to him, he can't stop himself from getting mad and being difficult and depressed, and he can't return that kindness - he can't even be useful to him.

I've already mentioned how I think Yuki's conclusion about the stain here plays into his suicidal ideation, but let's look at it a little more thematically. It's the way that even though it's glossed over earlier in the manga, Yuki's suicide attempt and everything that accompanied it still follows him, and it hangs (lol) heavy in their house like a ghost. To Yuki, it's startling and eerie - it scares him, and he's expecting it to scare Momo once he sees that side of him too. And it probably does scare him a little, and he hesitates, but he doesn't scream. Again, there's room to interpret this more literally as Momo finding out about his attempt/ideation/depression, or just as him inevitably seeing how he gets on his worse days, but either way the outcome is the same. Momo is starting to know Yuki as a person instead of an idol, flaws and probable mental illness and all, and his first reaction isn't to shy away or start to hate him or want to leave. It's an introduction. He makes it clear that they'll both be staying here from now on, that he's willing to live with the 'darker' sides of Yuki, and to help him do the same. Another point on this that's up to interpretation (because let's be real they're probably never gonna deal with this stuff explicitly in canon), you could see the whole ghost thing as neither of them really being able/wanting to accept that Yuki's symptoms are actually a part of him (and this is veering completely into fanfic territory but now I'm just imagining both of them silently agreeing to blame the things Yuki does on bad days on the ghost) but we've had enough angst for one day.

Everything else lines up well enough with the ghost and Yuki, but it's really his reaction here that sells the whole thing for me. It's a simple gesture, but just by Momo greeting him, being by his side, waiting for him when he comes home, that constant reminder of all his darkest thoughts becomes just another mark on the floorboards. It's not gone, and it probably never will be. But at least now, he doesn't have to face it alone. And it doesn't look so scary anymore.

2.5: "Now I know joy, and the meaning of a smile."

I must confess that I lied to all of you earlier. I'm actually not done with my Yuki rant and also there's a good reason I've been ignoring all the parts of Re:member where he isn't being self-deprecating or trying to kill himself. The end of the ghost scene is only the beginning of the end of this analysis, and the end of this analysis is pretty much just me having a meltdown about Yuki. Also I'm running out of space for images so we're doing some of the quotes like this instead.

After losing Ban, I lost my dreams, friends, and passion as well. I could only feel a sting as the wind passed through an empty, gaping hole in my chest. But I breathed as best as I could, and he tried to clear the dirt out of that hole, filling it with his earnest words instead.

Yuki still exhibits a lot of symptoms of depression all the way through the series, like the low energy and the trouble eating and sleeping, and [redacted part 5 spoilers] makes me think there's definitely some sort of connection between his writers' block and his depressive episodes. He still mentions feeling guilty towards Banri in second beat, the suicidal ideation doesn't really come up explicitly but he kinda hints at it on a few occassions, and he's very adament that he was a bad person and still isn't really a good one. But it's like. I don't really know how to put this, but I guess it's not his default state anymore like it was right after Ban left (and possibly before that, too). For the most part, he really does get better, and these things become less intense and fewer and farther between. He would probably say that it's all thanks to Momo, and it is, but he also very much does it of his own volition. Momo refuses so desperately to give up on him, and because of that he makes that choice to keep going by restarting Re:vale with him.

Yuki allows himself to let someone else in and start to love again - his partner, his music, his life. Even while he's thinking that he's just a burden to those around him, he doesn't resign himself to his fate like he might have done in the past. He's determined to become a better person, someone who can be a source of strength for Momo just like he was for him. And in the end, he does, but it's not just that. Now he knows joy. Now he can genuinely smile. And now,

I want to hear them scream my name. The voices that called out had annoyed me in the past. But now, I'll smile, together with Momo, who'll be by my side.

Going back to what I said about some of Yuki's subconscious self-hatred coming through in the way he wants people to look at his music and not at him, I. Cannot finish a sentence. Do NOT think about Yuki learning to love himself and see himself as worthy of love because Momo loved him just that much in a way that he could accept. BAD IDEA. Okay. So. It's Ban's advice and Momo's fan letter that get Yuki to accept that his fans do genuinely love his music in the first place, and I think it's here that it really starts to turn into him accepting the idea that they love other things about him too? Or that he really starts to want it and be happy about it instead of just accepting it? Whatever. I give up. I don't even like Re:vale anyway

That day, I would play the guitar I'd almost thrown at Kujou, because I now knew the power of a song that could not be silenced. I would dry my tears, open the door, and say, "I'm home."

#alabastxr.pdf #new tag just dropped #idolish7 #orikasa yukito #yukito orikasa #not tagging the rest of them #i did not mean to write an entire yuki character analysis here. oops #writign this post killed me im gonna go think about mission now

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airshipsinking · 1 year ago

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[Image Description: A screenshot of the entrance doors of the Frozen Crypt level of Decked Out 2. The image has text overlaid at the top and bottom, reading: "The dungeon doors... open Saturday September 9th 10AM PDT" /End ID.]

ITS HAPPENING

#squealing sobbing jumping off the walls etc etc #only the most measured reactions here at airshipsinking.tumblr.com about decked out 2 opening (silly)#god this is going to be so so cool to watch hermits run the dungeon. tango's just put an insane amount of work and details into this game

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parachutingkitten · 1 year ago

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Jay = High Intelligence, Low Wisdom

Kai = Low Intelligence, High Wisdom

Essay about this concept below the cut

Now these are all just my interpretations of the characters, I don't necessarily have hard evidence on hand to back all this up, but here we go:

I've been trying to put my finger on the Kai smart/dumb duality, and I think I can finally somewhat make out my thoughts. Kai is not smart. Book smarts don't come easily to him, he's not great at math, he's not great at overly complex stratagizing- but he's got a LOT of great knowledge in him.

Take the dragon healing in DR. He might not intuitively know how different medicines work or why, but he's got injured enough that he knows that type of information is important to know, and so he's forced it into his head. He couldn't tell you why the blue goop helpped the dragon, but he knew that it would, and that it would be important to remember that it would.

He's pretty good at navigating complex social situations, because he's good at reading people. Having had a history with extreme emotions, he knows how to take them into account, and knows how important it is to do so, even if it's not necessarily logical. I hate to say this, but he's very emotionally intelligent, which sounds kinda like an insult but is actually insanely valuable, because humans are inherently emotional creatures.

He's got a solid basis of common sense, and is constantly looking at the bigger picture. That's why he can come up with the best outline for a plan, because he can not think through the details. Now, if he tries to implement a plan of his without consulting others, he's probably going to miss some very important details, and screw himself over. But, he's most likely to have the best basic premise for an effective plan. This is why his intuition is usually correct. He's not logically thinking through the most likely scenario given all available factors, he's looking at every problem from the birds eye view, and is easily able to fill in the blanks, because he sees the whole picture. You can not tell me this kid knew Lloyd was the Green Ninja because he used logical deduction to eliminate all other possibilities, he had a gut feeling based on realizing the value of human life.

Now, sometimes you need details. And Kai is not good at those. He sucks at those. Big time. But he's self aware enough to know when those times are (most of the time, sometimes he wastes all his lives in a video game before talking to anyone else).

The thing all of these points have in common is that he's lived a very full life while making very many mistakes, and he's learned from all of them. He learns from his dumb mistakes, and is wise enough to know which lessons are worth holding on to.

Jay on the other hand... does not learn from his mistakes. He's got a real thick skull.

Inside that skull is a really smart guy who intuitively latches on to engineering and science concepts. He's got a whole heck of a lot of information that his brain is holding onto simply because it can. This man is all about the details. He gets hyperfixated on details to the point where it's a problem. He's the most likely to solve the intricate problem facing the team, forget that they need to stay hidden, and yell "I did it!". Good at details, bad at big picture. This is also why he usually gives up hope so easily compared to the rest of the team. He can not think long term, he can not see the bigger picture like Kai can, so road blocks in the current plan seem insurmountable.

Sure, he might have rigged an old sailing ship with rocket boosters, but he couldn't unscramble "darnagom" his logical problem solving skills are not what's carrying him.

My standby for the Jay dumb/smart duality is that he should have a significant amount of William Osman energy to him. He's very smart, and can work out how to solve intricate problems and make insane builds, but if making said things is a dangerous or dumb idea has never once crossed his mind, and if it has, he has actively chosen to ignore it. Jay's intelligence is much more creativity based than I think a lot of people like to think. Engineering is about slapping crazy ideas together which barely hold together at first- and that's Jay's brand of smarts.

If you compare this to Zane, that's the vital component that his intelligence is missing- the creativity. He is VERY good at assessing options, but not so great at coming up with new solutions himself. He's running on pure logic and tested successes. He's also missing that social intelligence that Kai has. I'd venture to say that Zane is, by far the most gullible member of the team. If there is not a solid logical reason to doubt something, he is absolutely going to take it at face value. Point being, all the ninja have different smarts, and stupidities, let's not try to conflate them too much.

#ninjago #dragons rising #long post #parachuterants #jay walker #kai smith #zane julien #jay ninjago #kai ninjago #I'm sure someone has mapped out them all as D&D characters by now #that's what I'm leaning towards #cole is the dumbest for the record #a lot of his points are in strength

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deadpanwalking · 1 month ago

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ooh! i am Not Like Those Other Anons, but if you're still feeling generous-- ldo you have anything about, say, the technological and social advancements in 19th century london-- i'm thinking bazalgette and john snow and building the london underground, henry mahew and london labor and the london poor, shit like that, maybe as a gestalt or the zeitgeist or what have you?

I love the specificity! I hope it's not a cop out, but if it's zeitgeist and/or gestalt ye be wanting, I want to recommend an author instead of a book: Peter Ackroyd.

My first introduction to Ackroyd was through a literary biography of T.S. Eliot, which he wrote during a time when Eliot's widow, Valerie Eliot (in accordance to his wishes not to be the subject of a biography) refused almost all applications to quote from Eliot's published work outside of a literary context, or to quote at all from unpublished work and correspondence. Ackroyd, who had managed to track down an enormous amount of unpublished material during the course of his research, tried to argue his case with Mrs. Eliot, but she didn't budge—however Ackroyd was confident that the material could still be useful, and went ahead, opting to paraphrase.

T.S. Eliot: A Life was considered the definitive biography of Eliot for decades despite the unavoidable awkwardness of the paraphrasing. “The lines of Eliot’s life are well-known, and Ackroyd does not effect, or seek to effect, any radical re-limning of them. [Ackroyd's] strength,” Eliot scholar and absolute lad Christopher Ricks writes, “is local detail, patience, circumstantiality, respect. [...] He eschews psychobiographical plunges, and this makes the book at once more satisfactory to the hungry and less satisfying to the greedy.”

The reason for this tangent (aside from Eliot monomania and the fact that Pyotr's vet seems to have forgotten us in the exam room) is because I wanted to give you a sense of how resourceful Ackroyd can be when he approaches his subjects from a distance, without scaling down his ambition or using sensationalism to force the impression of intimacy.

In addition to literary biographies, Ackroyd has written (and is still writing 🥳) a lot of books about London and Londoners—I've only read two: London: A Biography and London: Under. I know historical sociology isn't always the best approach and constantly undermines its own credibility by oversimplifying some aspects of a complicated subject at the expense of others—but when it comes to writing about an era, you can't get more zeitgeistian than psychogeographical writing that focuses on everyday life. You cannot. You'd die trying.

The title of London: A Biography is straightforward: London lives, so it makes sense to approach it the way a biographer would. It doesn't quite fit the limitations you set (19th century) because it begins in the Late Jurassic period. Nevertheless, you might appreciate it because—despite its insane scope and breadth—it does something really great, which I can't describe better than Patrick McGrath did in the NYT blurb:

This, then, is an unorthodox history of London that is fascinating not only for what Ackroyd selects but also for what he ignores. There is barely an aristocrat to be seen in these pages. The Earl of Sandwich appears when, unable to tear himself away from the gaming table for 24 hours straight, he puts a piece of beef between two slices of bread and invents one of England's few enduring contributions to world cuisine. The House of Commons is mentioned only because it burned in 1834, ''which provoked some of the most picturesque London paintings,'' including works by Constable and Turner. ''These artists recognized,'' Ackroyd writes, ''that in the heart of the flame they might also evoke the spirit and presence of the city itself.'' The great statesman Pitt the Younger appears only once, in connection with the ''Bog House Miscellany.''

The other book, London: Under, is going to fit you like a glove, but it's more of a companion piece than a stand-alone book, despite being well-written—Ackroyd doesn't start in the Late Jurassic period, but definitely takes the scenic route from Roman Britain to get to Bazalgette's sewers, and Pearson's Metropolitan Railway. One of the reasons I'm recommending it now is because I always pore through bibliographies and references to poach for more books to read, and I distinctly remember that Ackroyd's bibliography contained some fascinating titles that I will, realistically-speaking, never get to because my own interests and priorities tend toward the literary. RIP to me, but you're different!

#the vet tech checked in which i dearly hope means the vet is nigh #but if you like ackroyd's house style he has a handful of other books about london—my partner loved the one about the thames &queer history #and my boss is nuts about the 6 volume history of england. lol god bless ye peter but i am not reading All That by You #anonymous #assbox #19th century history mutuals encouraged to put their keys in the bowl!!!!

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oneknightstand-if · 2 months ago

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I just wanted to let you know how much I adore your game! I tried playing it a while ago and for some reason I struggled with it, but then I tried it again and something clicked and now I can't put it down.

Out of curiosity, how in the world do you keep everything straight? The amount of variables in this game is insane and I keep finding new stuff despite having already played it 100 times, and was curious how you as the writer/coder managed it all.

Thanks for the comment!

Well, while it definitely has an important plot going on throughout it, One Knight Stand isn't a plot-focused game. It's more about the roleplaying experience and interacting with a highly reactive world. It definitely won't be everyone's cup of tea, particularly if they don't like slowburns.

Otherwise, I take copious notes and have always had a high attention for small details. The version of the game I use has a lot of annotations for what variable is doing which thing (and what will be kicking into effect X chapters down the line) that gets removed from the public release.

And then when I inevitably screw up something, hopefully the beta testers will catch it. 😅

#oks-asks #oks-logistics

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transamus · 2 months ago

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Also here's my thoughts on the various aspects of Mario Eclipse, major spoilers though- I recommend going in blind if you plan on playing it at all.

Il Piantissimo feels phenomenal to play as. Not having FLUDD is compensated with a double jump, and the increased speed & jump height is insane. Luckily, you cannot choose to play as him in any episode where you would not be able to accomplish your goal. Additionally, the presence of water bombs for all characters when not using FLUDD works really well to make him still viable.

Luigi feels like the perfect middle-ground between Il Piantissimo's faster movement / higher jumps and still being able to use FLUDD. I choose to play as Luigi more often than not.

Warship Isle was full of tedium, my least favourite new level: however, where all the new levels do have some tedium, the tedium itself fit perfectly into the game. Nothing was more tedious than what Nintendo themselves asked of the player, and so it kinda ended up balancing out pretty nicely.

Lighthouse Isle had some camera issues, but overall starting the level stormy was a great choice, the custom boss battle was really well-done, and I enjoyed it a lot. My only other criticism is that the soundtrack was more "Grant Kirkhope" than "Koji Kondo", but none of the other levels' soundtracks had this issue.

Erto Rock was a beautiful level and a great way to interpret the concept from the cut content. I'm not a huge fan of how often, though, in new levels, you start with a mission that has a timer; I'd prefer personally to be able to take my time exploring the new levels first rather than kinda have to take it all in as quickly as possible. It's also nice having a more vertical level that feels simultaneously like it takes advantage of the Rocket Nozzle where the base game did not, as well as not making it entirely mandatory either.

Hotel Lacrima is a hilarious way to interpret the cut content; they chose to make it mafia based, because... hotel la-crime-a. That's really funny. The organized crime didn't feel out of place for a Nintendo game of this era, either, weirdly enough. The level itself is designed in such a way that the camera feels accommodated for really nicely, despite the inherent issues with the game's camera.

All of the new transition levels / areas feel really cute, and the vibes are immaculate.

Needing to beat shadow Mario in all of the new levels as well was unexpected, but I felt like it fit really nicely. This is usually one of the biggest criticisms of Mario Sunshine itself, but I think the amount of post-game content makes up for this.

Starting the game at Peach's Castle was also a really great choice; in the base game, you have all of 3 seconds to familiarize yourself with Mario's moveset before you obtain FLUDD. Having even this small change I think fixed that issue really well.

The ability to enter Corona Mountain pre-flood was a really nice touch; I do wish that it had been expanded into a full level, though. The attention to the cut detail of it being a Shrine was very appreciated.

I'm only just moving into the post-game content, but having it based around Daisy's Cruiser is a really adorable touch. The post-game content genuinely feels like Official DLC for the game, expanding the map outwards off of Isle Delfino rather than continuing to pile onto the island.

As a Blue Coins enjoyer, I'm really glad that they didn't remove the Blue Coins from the game, and in fact added some to every single new level. I've always stood by the fact that I'd rather have Blue Coins as a "portion of a major collectable" than distort the value of major collectables by throwing them literally everywhere (looking at you, Mario Odyssey).

While the original plan for Eclipse was to restore the beta Delfino Plaza, the beta plaza is nowhere to be found. On one hand, I wish they would have, and put it maybe on the north side of the island or something? but on the other hand, not restoring it does feel like it honors the choices the developers made more, making the mod feel, again, like an Official Product. I think the beta plaza would have stood out design-wise, and- like in the base game- was probably not included for good reason.

As someone who is super autistic about Super Mario Sunshine, this really feels like it hit every single thing I would've wanted in a theoretical remake- it feels like this is the game Nintendo's team would have made if they had been given unlimited time and budget to do so.

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candyskiez · 1 year ago

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just rewatched nimona. again. just. little quick detail that makes me insane.

its kinda implied that bal hasn't been to the tower in a while. nothing's been cleaned up, everything's a little dirty, he looks like he braced himself before going in. so here's my thoughts on that.

the little picture of the director was scribbled over and had LIAR written on it. I think he had to leave the tower for his mental health because he just. kept spiralling. he'd hardly had any time to process anything. grieving the queen, losing his arm, ambrosius betraying him, having to run for his life, the directors betrayal, ambrosius betrayal (again), realizing the institute fucking sucks and everything was a lie and hey maybe the system is shitty and unfair, everyone STILL not believing him, ambrosius being stupid (AGAIN), the confrontation with nimona, todd beating the shit out of him, nimona almost dying, nimona dying...yeah thats. A lot. in the span of a week. he had no time to process it.

so after nimona dies and the initial shock calms down, suddenly he's out of survival mode and has to process everything that's happened in the past few days. so his mental state is fucking rock bottom. he's around ambrosius who hurt him really, really bad even if he doesn't want to admit it. and i can see the tower getting too much. the memories of almost bleeding out after the disastrous knighting ceremony and the fight with nimona and todd beating him half to death are too much. he can't stand it. he ruins the picture of the director, who he trusted, he looked up to, he wanted to be just like her. who he thought he could make believe him. because he trusted her. he has to leave the tower. he can't handle being stuck in the same place everything fell apart in.

maybe a year, maybe a few years pass. he's in a better mental state. he's healing. it still hurts. it still fucking hurts. but he's come to terms with it. he's accepted what happened. he finally goes back to the tower.

it had some of his worst memories. but it had some of his best, too. his sidekick had brutally stumbled into his life. the party they threw just to celebrate seeing the director get shit talked, all the pictures of the good memories, the board game still on the table. the fairy lights she got to spruce up the place because it was too sad for her. he'd known her for such a short amount of time, but she'd brought so much joy into his life. he straightens up the place, puts the dog and the tower back on the table properly. and he takes down the director. takes down the pictures and the reminders of when he'd been so desperate and terrified and angry. and he replaced it with a picture of his family. and it's cathartic. it hurts, but it's cathartic.

and then he hears the knock on the door and he's so naively excited. he was hoping for nimona, deep down. expected it to be ambrosius coming to check on him.

nimona was there, healing from the cannon. she was just waiting for him to come back home.

this movie man. this fucking MOVIE.

#nimona spoilers #nimona #ballister boldheart

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marvelmaniac715 · 7 months ago

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I made Webby and the Lords in Black on Sims 4 a while ago:

Here’s Wiggly:

I was really proud of his hair. I also gave every Lord and Webby their own special room/building, so here’s Wiggly’s:

Decorating isn’t my strong suit but his room was the most fun to design, I was thinking mostly of a grand palace, mostly in green, with a fireplace and a table with thrones for him and his siblings to meet at - notice the white throne for Webby?

Here’s Pokey:

I couldn’t find a beret so I went for a Phantom of the Opera style fedora, but the eyes I found were PERFECT (side note - they are all spell casters because that made the most sense considering their godly powers). Here’s Pokey’s room:

I’ll be honest, I accidentally mostly forgot to give him instruments, my idea for this room was to explore his different interests because he spends most of TGWDLM trying to figure out what people want, and that’s reflected in the different activities in his room. I also gave him cool wallpaper that reminded me of a beehive as a cute nod to that - I think I gave him a violin in the end that you can only really see from a different angle.

Here’s Tinky:

My inspiration for Tinky’s look here was anime characters, much like in NPMD, but I found the perfect goat eyes for him that totally add to his look. Here’s Tinky’s room:

I gave Tinky every clock I could find, but the vibes of the room were definitely meant to replicate the cube with insane patterns meant to drive someone mad; there’s a rock climbing wall in the corner that I think alludes to Tinky’s feral energy.

Here’s Blinky:

I’ll be honest; this hairstyle for Blinky was what inspired me to recreate the eldritch siblings on the Sims, it just seemed perfect, and of course I made his eyes massive so he can have a good look at everyone. The sunglasses also seemed pretty accurate to me. Here’s Blinky’s room:

My idea for this room was to give Blinky things to watch - so there’s loads of tvs, a camera, comfy chairs and even spy tech in a corner in case shoes get too unrealistic for him. A small detail that I wanted to point out is that in every room for a Lord, I have placed lava lamps on their bedside tables that match their colours, funnily enough I just found them in the game anyway and they were a perfect fit.

Here’s Nibbly:

A fluffy jacket, pigtails and a big mouth, what else do you need for an accurate Nibbly? I love that jacket, I wish I owned it in real life. Here‘s Nibbly’s room:

Okay, this is essentially a fancy kitchen with a cupcake machine, a wardrobe, a vanity and a bed - I ran out of ideas here. Still, I think it’s cute and I think Nibbly would like it if he ever got midnight food cravings. This room could save lives.

Finally, here’s Webby:

I honestly think that Webby is the most accurate, I was looking at reference images for all of them but that dress seems like it’s been ripped right from the screen, not to mention her hair. I’m proud of this Webby, I can sleep well at night knowing I’ve at least done her justice. Here’s Webby’s room:

I was definitely going for ‘ethereal’ when I designed this room, with a chill, relaxing vibe - what could be more relaxing than loads of fairy lights? I also made it a priority to give Webby plants to show that she is encouraging new life instead of crushing it like her brothers - the larger amount of windows and lights also are meant to suggest that she’s a kinder, more moral/good person.

If you like my recreations, they are all together on the Sims gallery, just search for the Lords in Black and Webby or type in my EA ID, sparklefishkatie (shameless self-promotion) because I’ve put a lot of stuff on there over the years. Now; these guys are quite old, you might have to scroll back to find them, and I can’t actually remember if I put their rooms on the gallery, if I didn’t please let me know if you want them because I’ll absolutely put them up. If you’ve read to the bottom of this post, you’re the best, thanks a lot and please download these characters if you play Sims 4! 💕

#team starkid #starkid #hatchetfield #hatchetverse #the hatchetfield series #hatchetblr #lords in black #the lords in black #webby hatchetfield #sims 4 #gaming #sims 4 gameplay #sims 4 screenshots #the sims 4

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nebulousbrainsoup · 1 year ago

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ooh ooh ooh! If it is not too much... can I ask for a headcanon for "Secret Admirer: What would they do as a secret admirer" for a member of ateez? Have a good day hehe <3

(~Sky, on anon <3)

see but if you give me the freedom to pick a member, i'm gonna make us both delulu about it. joong it is.

Kim Hongjoong: Secret Admirer

fulfilled as part of my 150(ish) followers event.

PAIRING: hongjoong x gn!reader TAGS/WARNINGS: none! GENRE: headcanon, fluff/romance RATING: G WORD COUNT: 630 masterlist | join my taglist | buy me a coffee?

✵ this is like a game to him

✵ he’s passionate, he goes for what he wants and he gets it done, so if he’s being a secret admirer instead of just asking you out, it’s because he wants to have fun with it

✵ he has a signature, right from the start; the same phrase is always somewhere on the packages he sends you, along with a swipe of whatever nail polish is currently on his finger

✵ so you’ll only figure it out if you pay enough attention

✵ whether or not you notice his little detail, you do pay enough attention to notice that the delivery guy is always the same

✵ it doesn’t matter if it’s bakery treats, flowers, a stuffed animal, or a new bottle of perfume/cologne; the same boba eyes and sheepish smile always peek out at you

✵ i think he’d only do this with someone he’s known for a while bc he’d need to know all of your favorites. he isn’t going to halfass this and be basic about it

✵ although, if he doesn’t know you well enough to know your favorite flower, the victorian flower language will always come to his rescue

✵ truly don’t think you ever receive a rose from this man unless he’s handing it to you himself

✵ the first bouquet he sends you is an arrangement of pink, red and white carnations (representing fascination) and baby’s breath (innocence). the white (pure love/faithfulness) and pink (i’ll never forget you) dominate the spread, with a maximum of three red carnations to hint at his own passionate nature.

✵ he’ll also send you gardenias (secret love) if he catches wind of you being particularly frustrated with his games, just to tease you

✵ he also starts growing pansies (thoughtfulness) so if you’re having a rough week he can just drop by your desk/home/workplace and leave it for you with your favorite sweets

✵ morning glories (love in vain/affection) for if he’s feeling particularly dramatic and scorned

✵ it all seems random to you, but the amount of work this man is putting in behind the scenes is actually insane

✵ forget the lore binder, he has a you binder

✵ he’s ordering things weeks in advance, talking you out of buying things he’s already bought you, etc

✵ at one point the next book in a series you’ve been reading shows up the day after you’ve finished its prequel and you’re mildly concerned

✵ it’s 4d chess in this man’s brain trying to win you over

✵ if/when you finally start to figure it out, he’s completely oblivious

✵ seonghwa has to tell him, bc you cornered the poor man after the latest delivery and asked him outright if your admirer was hongjoong

✵ he didn’t know what to say and scurried off without a word, so you knew

✵ he does freak out about it a little bit, bc he got a little too caught up in the game and forgot there was, in fact, a goal

✵ a few days later, seonghwa delivers you a handwritten note with the first word of his signature phrase on it to you and the first clue to a city-wide scavenger hunt

✵ at the second to last stop, you get the link to a playlist of songs that remind him of you

✵ by the end, hwa’s laden with bags from the gifts hongjoong never got to give you

✵ and once you get there, hongjoong is waiting for you at your favorite shop/cafe/park with your beverage and sweet of choice in front of him, a blue hyacinth (constancy) and a red rose in hand

✵ he had a whole speech planned but he’s too overwhelmed and just grinning, so all he gets out before you’re wrapping him up in your arms is

✵ “i hope you’re not disappointed”

TAGLISTS: permanent [open]: @justhere4kpop @tastymintchocolate @soul-jae @ad0rechuu @seonghwaddict ateez [open]: @pyeonghongrie-main @thatonenoona

banners again from @cafekitsune

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