#The Warner Brothers are trying

[iamvery-confused]

I love how Yakkos like 👍 🥲

And Wakko is just 😟

Wakko: “ is it just me or is that thing starring at me?”

Their just trying to be supportive….. from a far.

I loved making wakkos out fit!! Do you like it?!

Dot with leg warmers >> >>>

[tuttle-did-it]

First of all, Scotland, for passing the Scottish Hate Crime Act and trying to protect trans people, thank you. Thank you for treating us as humans, thank you for recognising our identities.

However....

fuck you JK Rowling. fuck your TERF rants that endanger our lives. fuck your Nazi attitudes.

fuck you Police Scotland for proving that you're fucks and will not take this law seriously, even when someone intentionally, repeatedly, maliciously and gleefully breaks this law in a very, very public forum.

fuck you Police Scotland for not only refusing to take action when someone is breaking this law intentionally, repeatedly, maliciously and gleefully, but also proving that 1) this new law will NOT be taken seriously by you 2) this tells every TERF and Tory out there that the law is NOT valid, and that the law does NOT include queer people, specifically in this case Trans people; and 3) this tells every queer/Trans/enby/multi-sex/hermaphrodite person that we are NOT actually protected as this new law promises, and you can and will continue abusing us and destroying our lives. Fucking thanks. Cos it wasn't obvious enough that every day gets more and more dangerous for us trans/enby people, so thanks for just making it clear to the fucking world that even when someone mocks this law openly, you don't fucking care because we are not fucking people. Got it. So fuck you Police Scotland, specifically, for doing NOTHING when someone blatantly flouts this law. Fuck every one of you ACAB fuckers.

fuck everyone who still works with you, Rowling and still even speaks to you after knowing what you are.

fuck everyone who still buys anything related to the Harry Potter franchise knowing the money is going into the pocket of someone like this. Because she sends that money back out to fucking Anti-Trans orgs that hurt us.

fuck you HP fans who plan to watch her new tv show. You cannot be a fan of a massive transphobe trying to destroy us, and an ally at the same time. so fuck you.

fuck harry potter fans who wear HP merchandise stuff knowing what she has said and done, yes I don't care if you bought it before she said it, fuck you because you know exactly what she represents. Not apologising. Yeah, I'm totally judging you if you're wearing HP merch, even if especially if you're queer. I don't care how much HP meant to you as a child. I don't care about fucking nostalgia. I care about the Trans lives that are in danger every day because of monsters like this fucking woman.

fuck you Rishi Sunak for backing and legitimising this horrible woman and her bigotry.

fuck you British politics, fuck you Tories. Fuck you all for destroying this country and making every day more dangerous for Queer people.

fuck you CEO David Zaslav. fuck you Warner Bros. for being willing and happy to work with this fucking woman for her fucking franchise so she can continue to fucking make millions and fucking fund anti-trans orgs.

fuck every single one of who who protects, excuses and funds this fucking behaviour. And fuck every one of you who doesn't give a fuck at everything that is happening.

fuck these fucking fucks. fuck you TERFs and transphobes and fuck every single one of you fucking fucks.

Thank you for trying, Scotland. Thank you.

But please explain to the fucking POLICE and the fucking evil POLITICIANS that this new law means we are legally recognised as protected under the Scottish Hate Crime Act, so they all need to stop fucking about and treat it seriously.

and the fucking PRIME FUCKING MINISTER fucking backing this fucking TERF. I'm not surprised, just angry.

This is on you. so, fuck you if you are supporting these fuckery fucking fucks.

As is EVERY SINGLE FUCKING INCIDENT a trans person has in this fucking country. Every time someone fucking deadnames us, every time someone intentionally misgenders us, every time someone threatens our safety, every time someone fucking assaults us? every single incident is on your fucking head, you fucking fucks.

[acadjonne]

getting into batman has been fun and all but also kind of hilarious because i forgot tim’s dad’s name the other day, and my brain helpfully went, “oh, his dad’s damian drake.”

except, no, it’s not, i’m thinking of brendan fraser’s character from looney tunes: back in action (2003), damian “dj” drake, jr., and his father damian drake, the superspy-playing-an-actor-playing-a-superspy

damian wayne’s general existence also doesn’t help this confusion.

[amalgamasreal]

So I'm seeing a bunch of posts around these days suspiciously trying to tie shows being cancelled to the recent rise in piracy due to the uptick in streaming costs.

So I thought I'd remind everyone if the time Olan Rogers was forced to pirate the third season of Final Space because Warner Brothers had cancelled and memory holed it as a tax write off. A show HE CREATED.

That was back in 2022, before the hikes, before the mass wave of streaming sub losses. Don't let people fool you, it's not piracy that's killing your favorite shows. It's corps doing the same bullshit they always do.

[comradecowplant]

"Um ackshually concern about energy usage by AI servers is over blown because it's comparable to multiplayer video game servers, checkm8 🤓" yeah that's not a gotcha because as an eco-stalinist ya better BELIEVE that video game company server farms WILL be getting closely audited and ya better believe that a lot of that shit is also getting shut down if I got to be general secretary of world communism 🙂

[lornrocks]

Idk man trying to guilt trip people into watching certain things or playing certain games to “show the industry we want to see diverse stories” seems like…this isn’t activism, this is throwing money at rich corporations and begging them to continue telling stories about women or POC or queer folks and it’s like…why should I spend my money that I have to be choosey with to see or play something I don’t even want just so Business Daddy night grace us with more diverse content? How is this my job when these producers should just be making diverse content anyway because that’s the world we live in???

[bunjywunjy]

So I resently saw this post: https://www.tumblr.com/bowelfly/746535166780063744/try-it-i-fucking-dare-you

I have a feeling its a larva of some sorts... but I don't know of what. A fly? A beetle? A BUTTERFLY?

What does it eat?! How does it eat? Those pincers look unusable...

it's an antlion!

they DO eat ants, but the name is a bit of a misnomer- they really should have been called something like ant-pitfall. or maybe ant-sarlacc.

it'll make sense in a sec, promise

see, they do this:

most of the time, the pincers are the only part of them that actually sits above the ground! the rest of them is buried at the bottom of a steep pit they dig that ants and other small insects just kind of helplessly tumble into constantly in a very warner-brothers fashion.

*BLOING! BLOING! BLOING! YEEE-OOOOWTCH!*

so, yeah. they just spend all their larva time being an insect-centered horror movie monster, until they pupate.

and then they turn into these!

yeah. ant-lions are baby lacewings.

you really CAN'T make this shit up, and that's wonderful.

[happy-quack]

Here’s a link to a reblog with a transcript of the video

[drunkkenobi]

Hi bb, ty for the prompt to write my thoughts!

So I can't get on tumblr at work anymore unless I go outside to get good signal on my phone so I have only been privy to what's going on here today from friends on discord. So maybe I'm missing some nuance or the what my mutuals think and I apologize in advance for that but I'm going to speak plainly.

This is the only way Watcher is going to survive.

The view counts have been steady through Mystery Files season 2 but they aren't, like, astronomical. A video with a million views nets a channel between $10,000 - $30,000. Guys. That's nothing for Watcher. They have to pay each of their 25+ employees a salary with insurance and benefits and for everything else their channel requires. Steven said in the video today that a season of Ghost Files costs hundreds of thousands of dollars. I don't think everyone is hearing that part and understanding how much money that is, especially compared to many other YouTubers they watch. I'm not an expert on other YouTubers but I look at the Sims people I watch. They are successful with views in the hundred k range because they are a company of one. Themselves and maybe paying a freelancer to help edit their videos. For one person, the stakes are lower and the potential for profit is higher! Especially for gamers that are filming in their homes. YouTubers like this, making niche content on the cheap, are who is going to make it in YouTube now.

Watcher is none of those things. They have, from day one, wanted to make high quality unscripted content. All of their shows are shows. They aren't just "Ryan and Shane do [thing]" or "Steven eats [whatever]". They are shows, like ones you see on cable TV or any streamer. And shows are not cheap. Unscripted is cheaper, sure, than scripted. But that doesn't mean cheap. Especially not with the sheer production value we've seen on all their shows, in particular Ghost Files (hundreds of thousands of dollars). That is how much something like Ghost Adventures costs, which is on Travel Channel, an actual TV network that puts up all those costs.

So. That's why Watcher has to pivot to survive.

I think it's a great idea, personally. And yes, I am in a position where I can financially afford it no problem, which I know is a privilege! I am very lucky in that regard. And I understand that many people are upset they won't see the boys as easily on YouTube anymore. That is valid! But they have openly said they are totally fine with password sharing and I think that's a great way to cut down on costs for some folks. Also right now there's a great deal on the yearly sub for early subscribers. $40 for a year is cheaper than any streaming service and it doesn't go to anyone other than Watcher.

I understand that people feel hurt and blindsided, but I think Watcher is also feeling this too. They have been so excited about this and being able to make whatever they want without having to worry about sponsors and now they're mostly seeing anger directed their way. Especially at Steven. Steven is not rich. You know who's rich? David Zaslav, a man who is single-handedly ruining Warner Brothers and making himself a billionaire while he's at it. THAT is the kind of person we should be directing our anger at streaming prices and quality of the media landscape at. Not one small business that is just trying to survive so they can continue paying their employees.

And one more thing. I've seen folks saying they'd rather watch more ads than pay and while I get that, that's not going to help Watcher make what they want. YouTube famously demonetizes videos with swears which is why I can't watch a video with DRAG QUEENS without every other line being bleeped and Watcher has been so good about not bleeping their content because they know we would hate it. And YouTube does this because of advertisers. Advertisers only want to appeal to the most broad of audiences so that means not supporting anything slightly left of center. Having to deal with ads sucks from the creator perspective and does not help them in the long run.

Anyway, this is all a bit rambling, but these are my thoughts on WatcherTV. I'm extremely excited to subscribe and make them make more Weird Wonderful World. I hope to see you all there.

[tuesdayiminlove]

happy disaster

rockstar!eddie x fem!waitress!reader (imperfect for you universe)

summary: how you two meet

author's note: an ask about how they met came earlier today and i couldn't help myself lol. not proofread sorry! also this could be read as a standalone! but u can read the og part here! hope u guys enjoy lmk what yall think xoxo

word count: 3.1k

You’ve had your fair share of jobs throughout the last few years, trying to make ends meet while also being a consumer of the various cute things you see when you’re at the mall with your friends. One time (and this may have been one of the more miserable experiences), you worked as a receptionist for an auto shop (get it now?)).

Needless to say, you were at the bottom of the hierarchy at that whole joint. When you weren’t answering calls and taking hyperspecific notes to not confuse the actual mechanics, you were practically shunned from the moment you stepped up from your seat and onto the street to eat your lunch at the bench outside. And whenever your lips did part to make even the simplest of comments, the men either laughed at you or made you feel stupid (“You guys hired me! Clearly I’m not a fucking idiot!” you dreamt of saying, but you were just never one for the dramatics and confrontation of it all).

And, the worst part, on days you couldn’t go into work, none of the other receptionists would switch with you.

(“Sorry, babe, I just can’t,” you remember Joey Warner staying after taking a drag of his cig, coughing mere seconds later from not exhaling immediately. You wanted to take the cigarette between your fingers, toss it down, and squish it with your shoes. You really needed to pick up your brother from school, and no one at the shop is ever up Joey’s ass since he’s a guy.

“Oh. It’s alright.” You curse yourself and your lack of ever wanting conflict, because you’re more than positive that this boy deserves a beating for not taking the reins for an hour just so that your poor baby brother won’t have to wait on the cold sidewalk for your mom, who is forty minutes late.

You walk back into the shop without another word.)

So. yeah, call this mechanic memory useless, but now it's clear that your jobs have been absolute dog shit in the past.

But being a waitress at Carly’s Diner, in comparison, takes the cake in the coworker camaraderie contest.

Like, now, you’re enjoying your break with Carrie, splitting half a cupcake that Jim managed to slip into your guys’ hands when he was pulling the fresh desserts from the oven. You two have turns at it, taking nimble bites from the vanilla confection and wiping rainbow sprinkles off your uniform in the process. Your nose blends in the smell of the cupcake and Carrie’s sweet perfume, leaving a little bubble where you can hardly tell what the boys in the kitchen are whipping up right now.

Judy passes through the doors in a haste, heaving before setting her eyes on you two. The notepad in her hands is crumpled up and her hair looks all over the place, eyes bewildered as she stalks towards you and Carrie, a complan ready to spill from her red lips. 

“This fucking couple on table three is driving me nuts! Nuts!” She slumps her back against the wall and swipes a piece of frosting off the cupcake before sticking it in her mouth, sighing in relief.

“Hey,” Carrie swats Judy’s hand, “watch the cupcake!” She places it behind her back possessively.

Carrie is nearly six months pregnant and craving every sweet treat Jim has to offer in between tables and shifts. It’s a miracle that she let you split the dessert with her just now, “And table three, you said?”

Judy ignores her earlier words and nods. “I swear to God, I don’t understand your goddamn generation and why you heaps are so fucking rude. I can't do this.”

“Don’t group us with those weirdos,” says Carrie. “And I’d like to see them be rude to a pregnant woman. Protect this,” she hands you the cupcake carefully, looking at you in the eyes with intent, “and I mean it.”

Her voice is so determined, you decide that you don’t want your fair share of bites anymore. You nod dutifully.

“I got this, Jude.” She swipes the notepad from the older woman’s hands.

And with that, Carrie is kicking herself off the wall and out of the kitchen, into the main part of the diner. You silently pray for the couple that now has to deal with a moody and pregnant Carrie. 

See? Now, this is what you mean! No mechanic or receptionist at Billy’s Auto Parts will ever be willing to face an alleged-annoying couple for their coworker. Sometimes, waitressing can take the light and happiness out of you once you’re clocked out, but at least you’re surrounded by the half-decent people in your town.

“You’re a lifesaver!” Judy calls out with a wicked laugh. “Gotta love that girl… hey can I have a bite?”

You frown, knowing you’re already unable to say no when Judy is stressed and you know for sure that the confection in your hand is enough to sweeten even the most stressed—Jim just has that magic to him. “Yeah, but don’t make the dent obvious.”

You think you’re gonna spend the rest of your break with Judy, hiding in between the two walls in the corner of the kitchen until Carrie comes back. You lick a small sprinkle off the cupcake, ready to ask the woman if her daughter won the spelling bee that she’s been freaking out over all week, when the office door swings open and Lenny’s head peeks out, eyes going to the first two waitresses that he can spot.

“Hey!” he shouts yours and Judy’s last names to steal the attention. “Can one of you guys go out and get Evan? Her daughter’s principal is on the phone.” He wipes his sweat-stained brow and doesn’t wait for a response. “Thanks,”

You and Judy look back at each other. And immediately you know that you’re not going to make Judy be the one.

“I got it,” you say with a soft smile. “... You’re gonna eat the rest of this are you?”

She laughs and swipes the cupcake. “For you, my love, I wouldn’t dream of it. Thank you.”

You blow her a kiss, already making your way to the double doors of the kitchen, straightening out your ponytail and getting your waitressing voice ready (patient and respectful, garnering the best tips you can try to get). Your eyes give one swipe across the diner, catching Carrie’s eye as she talks to the couple sitting down beneath her, holding her precious bump to make a show of it. She gives you a sly wink and you bite your lip to stop yourself from laughing.

Afternoon rush makes it hard to spot Evan at first. His smaller stature makes it even harder to spot him in the crowd, but your eyes eventually zone in on him smiling at customer that is blocked by a family getting up to leave. You smile upon finding him and make your way to the table.

As you get closer, you finally notice who Evan is speaking two, and your brows pinch quizzically. The man is hunched, looking over the menu with sunglasses adorning his face despite his table not even facing the sun. His jet black curls curve around the lines of his face, making his features harder to notice. It almost reminds you of the movies you watch late at night when you’re munching on diner leftovers on your couch, the runaway criminal stopping for a bite to eat while trying to flee the state. 

“Evan,” you say softly, not wanting to draw attention to yourself but you know it's already bound to happen since you’re switching places with him. “Lenny’s got your daughter’s school on the phone. They’re asking for you.”

The man’s eyes widen. “Great,” he mutters, “What do you think it is this time?” “I hope she said ‘fuck you’ to that little pipsqueak again,” you joke, seeing the anxiety in Evan’s eyes at not knowing why he’s receiving a call during work. You remember the first time he got called to his daughter’s school from work due to her cursing out an older boy: the entire kitchen was laughing—Evan included—as they all wished him good luck with that meeting. “Can’t be worse than that.”

He sighed, turning back to the customer, “I’m sorry for the inconvenience, but I’m going to hand you off to her for a bit.” He says your name to further introduce you two. "Thank you for your patience.”

And for the first time up close, you look at the sunglassed man and smile. Perfect teeth flash at you, mildly astonishing you at how cute he looked when he did so. It’s not abnormal for you to find a customer attractive (it’s human, we’re human), but you don’t think a smile has ever made you secretly stop you from breathing for a second. 

Flustered, you’re clumsy as you and Evan switch spots. He pats your shoulder one last time, muttering a thank you as he rushes to the back. You follow his movements and frown for a split second and forget your task at hand. You hope his daughter is okay. You hope the kitchen will be laughing in t-minus three minutes over the fact that little baby-Evan gained a new curse word under her belt.

“Sorry,” you say, looking back at the man. You find him looking directly at you, knowing only because of how his head is positioned. His sunglasses are too tinted to even see a little beneath. “Can I start you off with anything to drink?”

“Oh—uh, yeah,” he stammers, before clearing his throat and offering a crooked smile. “Coffee, please. Milk and two sugars.”

Your handwriting matches the pace as he speaks. You hold a smile on your face to keep up pleasantries. “And have you decided what you would like to eat?”

“Not yet,” he admits, his fingers fidgeting with the edge of the menu. “Kind of hard to focus.” There’s a pause before he adds, a little quieter, “The menu’s got a lot of… options.”

You raise an eyebrow, tucking your notepad in the small pocket of your apron. You turn your head to see if anyone else is making coffee right now. You see Carrie there, and silently celebrate when she’s already staring at you. “All good. I’ll get your coffee ready and be right back–”

“—Wait.”

Your brows pinch, confused. “Yes?” His hand rubs the back of his neck, a flicker of hesitation crossing his face. “I was just, um… wondering if you had a favorite on the menu? Like… if there’s something you always recommend. Or—” He hesitates again, “Or like your favorite?”

You don’t know why he's so flustered. You don’t know why it makes you flustered. For a beat, you just look at him. Is he… trying to flirt with me? The thought isn’t unwelcome, but you certainly weren’t expecting it, or really believing it just yet. You tilt your head, trying your best to keep your expression neutral.

“Well,” you say eventually, “We have an all day breakfast, and that’s my favorite part of the menu, and I get it a lot. It’s on the next page.”

You wait for him to turn the menu, but he continues to stare back up at you, mouth agape.

“... Is that something you’re interested in?” you ask, breaking the silence.

“Yes,” he replies immediately. And then, more composed, “Yeah, I can be in the mood for breakfast.” He finally flips the page, and his head tilts up to yours fleetingly.

“Great! Our cook, Jim, makes the best strawberry and white chocolate pancakes, so that’s what I would recommend from the breakfast menu.”

His lips tug into a small, bashful smile. “Sounds perfect. I’ll take that.”

“Perfect!” you grin, scribbling his order onto your notepad. “I’ll take this to the kitchen, and have your coffee ready soon!” You flash him one more look before retreating back towards the kitchen. You finally get to look back at Carrie, who is still looking at you, this time arms crossed.

“How was the couple?” you ask when you’re about to pass her.

“Annoyed them enough to leave.” She grabs your wrist, and you just dodge the yelp that wants to escape your lips. “Do you know who you were just talking to?”

You freeze. Her grip is firm, her expression serious enough to make you hesitate. Your gaze darts briefly toward the dining area, but you stop yourself from looking back at him. The last thing you want to do is risk being caught gawking.

“I... no?” you whisper, unsure of how to answer. But even as you say it, you feel a subtle heat creeping up your neck. The weight of eyes on your back makes your skin prickle, as if the mystery man somehow knows he’s the topic of conversation.

“Why don’t you go check the newspaper in the locker room and get back to me, yeah?” she finally lets her grip go, smirking like she knows something you don’t.

Carrie's words linger repeatedly in your brain as you hesitantly allow yourself to drop off the man’s order, and then to go see whether or not you’re serving a serial killer. 

You slip the stripped paper from your notepad to Colin’s hands. “Table thirteen,” you say in passing as you make the rest of the way to the locker room, not even Judy’s cheerful wave as she smiles with a cupcake still in her hand can stop you from the mission you have decided to go on.

Upon entering the locker room, you gaze zeroes in newspaper lying flat on the bench, its closed pages teasing you with potential revelations about your current customer. You hesitantly flip it over as you come face-to-face with the front headline 

HIT AND DIP: ROCKSTAR EDDIE MUNSON LEAVES IN HASTE AFTER CHICAGO SHOW 

Your eyes widen as they lock onto the grainy photo accompanying the article. There’s no mistaking it. The guy at table thirteen. Eddie Munson. Rockstar. Your customer. 

For the first time, you finally see his eyes. But instead of him taking his sunglasses off to reveal his brown hues, you see them straight on in the form of a camera flashing and printing onto the paper right in front of you. He looks borderline pissed as he’s gripping his guitar and shooing the paparazzi in the background away, the picture managing to catch the split-second that his eyes meet with the camera.

“He’s hot.”

You jump, clutching the newspaper to your chest as you turn to meet eyes with Judy casually leaning over your shoulder with a grin.

“Judy!” you hiss, sighing in relief. 

“What?” she says plainly, “He is.”

“He is also currently Evan’s customer on table thirteen that I now have to serve.”

Judy’s pupil’s dilate. “Oh shit.”

You want to make a joking comment, calling Judy a cougar, but you’re interrupted by Carrie peeking her head in through the door. She looks down at the newspaper in your hands, and then back to your eyes. “Told you,” she says, her smirk from earlier still on her face.

Before you can respond annoyingly, Jim’s voice blares through the back. “Order up!” he shouts. “Waffles for thirteen!”

Your eyes nearly bulge out of its sockets.

“Jesus, do you ever slow down?” Carrie yells out the door.

They hear Jim’s “No!” and fan out back into the kitchen.

“Good luck, my love,” sings Judy.

“Can you ask for an autograph?” asks Carrie. She motions to her belly and gives it a soft pat. “She’ll think I’m real cool!” 

“Ha, ha,” you roll your eyes, already holding the order as you kick the double doors open, passing back into the diner. You try your best to calm your heart as you pour coffee into the kettle, taking sugar from the side of the counter and putting two teaspoons into the mug. You feel eyes on you the entire time, and you don’t need to look up to know whose covered eyes they belong to. 

It’s not every day that you get to serve a goddamn celebrity, so she thinks that everyone should give her a break (she’s specifically talking to her heart—it needs to stop beating so rapidly, making her brain think something is wrong).

You take a deep breath, steadying yourself as you hold the plate on one hand, and the mug on the other. “Just a customer,” you whisper under your breath, beginning to walk. “Just a ridiculously famous, incredibly good-looking customer who better leave a stunning tip.”

As you approach table thirteen, you notice that Eddie shifts slightly in his seat. One of his legs bounces under the table, and he drums his fingers lightly against the edge of the booth.

You \ set the plate and coffee down in front of him, you catch the faintest hint of a smile tugging at the corners of his mouth. “Waffles and coffee,” you announce, sliding the plate and mug onto the table with practiced ease. You’re proud that your voice doesn’t shake—too much, anyway.

Eddie leans back, grinning up at you. “Thanks, sweetheart.”

Your heart stops. You couldn’t help but think his eyes hold a knowing look, like he knew exactly what went down and now knows that you know exactly who he is.

“Enjoy,” you grin back. 

Behind you, you hear him mutter something under his breath, followed by a quiet groan, and you can’t help but feel a small flutter in your chest that he enjoyed what you recommended to him. 

The rest of the rockstar’s stay goes smoothly. You don’t intend on saying anything to give away what you know, despite it probably already being known, and you're grateful by this normalcy. You refill his coffee, make light conversation (the weather is particularly sunny and pretty today, shining through the windows and letting pretty glow spread through the diner), and take his plate when he’s wiped it clean.

You don’t even think much of his stay, mind already going back to it being a regular customer that deserves no more or less attention than anyone else is supposed to.

(Sure, his smile lingers in your mind a little longer than you’d like to admit—so what if his smile is better than any that you’ve seen, anyway?)

It isn’t until Eddie’s up and left and you trail back to the table to wipe it off, a damp rag in hand, do you notice the wad of cash left in his wake that is definitely worth more than his bill.

Your jaw drops down, staring at it and contemplating what to do with that much of an amount of money in front of you.

Next to it, a folded napkin sits.

Your mind immediately goes to an autograph; that he’s one of those celebrities, and he just couldn’t resist leaving a little something to prove of his appearance.

You’re taken back when you unfold it to see his number scribbled messily onto the fabric. Your fingers shake as you move your thumb to fully read the note that he added at the bottom,

Call me. Please. :)

[earlycuntsets]

06/11/2004 equal music interview with gerard by danielle moskowitz

"When Warner Brothers/Reprise invited me to come talk with Gerard from My Chemical Romance about their new album at their record release show, how could I have refused?

The show was in their home state of NJ, packed with 1300 cheering fans. What made the show even cooler for me was featured artist, Nightmare of You was on the bill too! (NOY is still currently unsigned and have been playing with My Chem. Good for them!) I love when Equal Music bands get together!

Is their latest apart of a trilogy? Front man Gerard explains. He also reveals what why it didn't turn out to be the concept record they had planned it to be and what are they doing in Tokyo with The Beastie Boys? (Original interview from Oct. 31, 2003 follows this latest one from June)

DM: When we spoke last you guys were shopping for a producer. Who did you wind up working with and why?

Gerard: We wound up working with Howard Benson. A big reason was because he contacted us which is always very exciting. He was very enthusiastic about the project. It's not so much that he got what world we came from because he's worked with bands like P.O.D. and Blindside which is a completely different universe but he got what we were trying to do with the music and so we connected on a lot of levels.

DM: How was this experience different from working with Alex (Eyeball Records) and Geoff (Thursday [Island/Def Jam]) front man?

Gerard: That whole experience was hanging with friends and having a really fun time. There wasn't a lot of money or pressure. But then this experience didn't have that much pressure either which was weird. It was very a positive experience that had a really good flow. But yeah it was very different.

DM: You said in October that while you were finishing the first record you knew what you wanted the second one to be called (which is their latest, Three Cheers for Sweet Revenge) and at the time since you knew the name for the second one you had an idea for what you wanted the third record to be called, although there's not going to be a trilogy so how do you know? Where's the connection with that?

Gerard: It's the kind of connection where you kind of always have a sense of what you're band is doing and where it's headed. I think we have a good idea of kind of like what the first record should be.It should be fast and dirty and cheap. Then the second one you really up the ante and really go for it with this one. The third one you try to explore new avenues. We ended up doing a lot of that on this record. We actually ended up being way more experiemantal than we thought we were going to be. It sounded good to us so we said let's keep doing it.

DM: To jump ahead, do you know what the next one's going to be called?

Gerard: From this experience I learned I shouldn't do that anymore because it locks you into something. And this record wound up being half a concept record because so much happened in our lives that when it came time to write lyrics I found out that it was less ficiton and more fact. So it's a very loose concept record. I want to see what happens for the third one and actually not plan anything out. I think that will be interesting because- it's not that we're calculated but we always kind of know where we're headed and kind of vibe on it. For the next one I kind of don't want to have that.

DM: What kind of mood do you feel like the new album has?

Gerard: I just started listening to it as a piece now, not just bits here and there it's really about loss. The first record was more about pain, misery and agression and violence. Although the lyrics can be disturbing at points, it's really about loss. In the end that's what it wound up being more about instead of some story. You can pick it out of at least four or five of the songs. Even the performances that everyone gives too makes it feel like it's really about loss.

DM: Do you feel like it's dark?

Gerard: Yeah. It's already been called that by a lot of people. We got a parental advisory without even having more than one curse in it. I think it's dark but I think it's a lot more positive than the first record.

DM: Yeah, I remember you saying that you felt the ups were going to be more up and the downs more down.

Gerard: Yeah and they really ended up being like that. But, there's definitely more moments of positivity and celebration than on the first record.

DM: What are some of difference of working with an indie and working with a major?

Gerard: This record was really painless so I can't truthfully answer that as a band that's in our position. We are really rare case of-- it was very similar to the first record where we did exactly what we wanted and luckily because they knew who we were when they signed us that's exactly what they wanted. There wasn't much of a difference other than the fact that there was obviously a lot more deadlines and a lot more pressure to get things done on time. That was the big difference but that was actually it.

DM: You're going to Tokyo soon for Summer Sonic Fest. You must be excited.

Gerard:Yeah, it's awesome, we get to play with The Beastie Boys and I've never seen them.

DM: What's going on for you guys for the rest of the year?

Gerard: Pretty much straight touring till the record cycle is over. It's usually about eighteen months from the time you start a record until you're done touring on it and should be starting a new one. There's already stuff I really want to write. I want to start immediately. As soon as we finished this I wanted to just do another. We're very much a live band but at the same time you get in the studio and you remember you're very much all songwriters and we had forgotten that part of us. I'm still in that head fix where I want to write more songs.

DM: Maybe you can still do that while you're on the road.

Gerard: Yeah, we plan to do it on Warped Tour. It will be our first time really on a bus so we're going to have more space and we'll be comfortable. Right ater that we're going back to a van so Warped Tour is really going to be the time that we write.

danielle moskowitz october 31, 2003 (2nd interview below)

Juxtaposing raw vocals and a punk edge against riffs suddenly gone melodic, My Chemical Romance takes you from upbeat drumming in one measure to a moment where you find yourself lost in slow, somber guitars the next. Listen closely as their vocalist Gerard reveals glimpses of himself through his brutally honest lyrics that hold traces of darkness around them.

DM: The bands success seems to have come very quickly. How long were you a band before signing to Eyeball Records?

Gerard: Let’s see—January is when we started playing as a band. We signed around our third or fourth show. It’s been quick since the beginning.

DM: What were you doing with your lives before the band took off?

Gerard: I was doing animation in the city [New York]. I was actually doing toy design in Hoboken [New Jersey], and Frankie was going to school, Mikey was going to school, Otter was a mechanic, and Ray was delivering film I believe and interning and stuff like that for film. We all just weren’t happy doing what we were doing, ya know?

DM: Geoff from the band Thursday and Alex from Eyeball [Records] I know played a big part in the recording of your last CD.

Gerard: Yeah, definitely.

DM: Are they going to be playing any part on your CD that will be coming out?

Gerard: I don’t think so. Sometimes you want to use the same people sometimes you want to see what would happen with other people. I’m sure they’ll hear it and we’ll ask their opinions.

DM: So they’re not going to help produce?

Gerard: Nah.

DM: What made you guys decide that a major was the next best move?

Gerard: It was one of those things where everything else was moving really fast but we had been able to keep up with it, ya know? We had been able to keep up with the shows that we were getting which were like going from playing basements to playing in front of 10,000 people with Jimmy Eat World. So it went from that to that, and it seemed like a very natural progression. And although a lot of people think it seemed quick, all that talk and all that nonsense was happening before our record even came out. It was like, we basically not fought them off, but said hey we’re going to be a band and do that, ya know? And then when we’re ready…Actually it was a lot longer process than most bands that are getting signed today.

DM: What made Reprise the best label for you guys?

Gerard: It was the best company. They were very familiar with us. We had a lot of fans at the company before we had signed. We had a lot of people helping out before we had signed.

DM: And they understand where you guys wanted to go musically, as a band?

Gerard: Yeah, exactly. That was the big thing. They knew where we wanted to go, they knew how we wanted to do things, and they were going to let us do it our way. Very low pressure type thing. Just kind of let us be us and you distribute us.

DM: When is the new album due out?

Gerard: We’re hoping it will come out in about in about spring. We’re going to record in January. We don’t have a producer yet. We’re looking at a few people and they’re looking at us. So it’s kind of that whole game right now.

DM: Do you have a title yet?

Gerard: Yeah, it’s called Three Cheers for Sweet Revenge. And it was a title that… we pretty much known the title for the first record before it was finished and as soon as we were done with that I kind of knew what I wanted the title to be for the second. So it’s kind of in the process where I kind of know what I want the third to be too.

DM: Is it a trilogy type thing?

Gerard: No. This one’s different from the last and it’s more fictitious, but it’s still heartfelt. And it’s more of a concept record than the last one, where the last one was more of an autobiography. But the next one’s more of a concept album about a person; the next one after that I don’t what know what it will be.

DM: While you guys have been on tour you’ve been playing new songs live and they seem to be heavier. Would you say that is the direction you guys are going in?

Gerard: Well, yeah. The heavier stuffs heavier. The heavy stuff we did before is definitely heavier now. Those same elements are there; we’re just spending a little more time on the heavy stuff. But at the same time I think there’s way more melody. Maybe not in the stuff we’re playing out live, but it’s more violently happy. But it’s also very ironically bleak ya know, as far as tone goes.

DM: Track seven on your CD [I Brought You My Bullets, You Brought Me Your Love] is called Skylines and Turnstiles. Is it true that it was inspired by September 11?

Gerard: Yeah, and in fact that event happening was a big thing about why we started the band because, I was on my to a meeting with Cartoon Network and then that happened and I was like what the fuck am I doing with my life.

DM: You saw it happen? You were in the city?

Gerard: Yeah, I was in Hoboken, on the way there. I was right across the river and I was on my way in right around that, very close to that area, but more around Canal, and I was like what the fuck am I doing?

DM: It made you feel like life’s too short and you need to go for what you want?

Gerard: Yeah, yeah exactly. Like obviously life is way too short, you don’t know when your numbers coming and I also felt like I wasn’t making a difference at all, ya know what I mean?

DM: There are a couple theories circulating about your repeated mention of vampires in your lyrics. Can you clear that up?

Gerard: It’s a metaphor for being in your twenties and getting sucked into that singles, alcoholic nightlife culture, ya know what I mean? It’s interesting, because you’ll find that a lot of bands use the supernatural as a gimmick, and that’s really all it is, it’s just like horror punk, and that’s all it is. We’re not really into vampires. I like to wear black, but…

Contact Danielle@equalmusic.com for more about My Chemical Romance. Check them out on select Warped Tour Dates later this year

[us-the-voices-and-more-voices-2]

Jason with his time in the league of assassins

Talia walks into the small modest room where Jason is livening in while he gets back on his feet, having a bunch of brain functions recovered takes a while to get used to. he's been doing physical therapy and occupational therapy for the last couple months, his dexterity isn't exactly back yet.

Talia: Jason? what are you doing?

Jason: well there's this thing I always wanted to try called stop motion animation, and well you got some lego's for Dami but he's a bit too small for them so.. I took them and have been animating. I was bored in-between everything, you don't have any good books I haven't already read.

Talia: well that is an acceptable pass time, what are you making?

Jason: oh it's a weird comedy spoof for kids about batman and the joker being nemesis's, I wanted to make it for Dami since well he doesn't know much about him or the other ones and he's only 3 and well it doesn't seem like much but the time I'm done he'll be 5 and be able to enjoy it. i don't know talia I'm bored and want to make something for him.

Talia: very well, if you so wish. I can get some people in to help you make it if you wish.

Jason: really?

Talia: yes, I can. it does sound like a nice gift.

Jason: oh thank you!

Many months of therapy complete, he starts to retrain and regain all the fighting skills he lost and learn some new ones. in the meanwhile, Jason and 3 other people have been making a complete feature film for Damian who's just turned 4, they were about halfway done and it was looking good.

Talia: so how's it coming along?

Jason: it's been hard and hurts like a bitch, but I'm getting better at flips!

Talia: no. not that, I mean the movie?

Jason: oh it's halfway done! me and the one man and 2 women are doing great we reshot the opening, and we are more than 68% done! so it will be ready by Dami's birthday.

Talia: he will enjoy it I believe.

Jason: of course he would, it's his first ever kids movie!

Talia: why yes it is!

many many many more months pass and it becomes Dami's 5th birthday and Jason and his crew had wrapped up, the voice acting was done mostly by himself, and the crew but he asked some of the league for other voices. eventually after scoring and mixing they met the deadline. they set up the league theatre and put the movie on.

lego batman: [voice over] Black. All important movies start with a black screen... And music... Edgy, scary music that would make a parent or studio executive nervous... And logos... Really long and dramatic logos... Warner Bros. Why not "Warner Brothers"? I don't know... Hmm... Not sure what LOA does, but that logo is macho. I dig it... Okay. Get yourself ready for some... reading. "If you want to make the world a better place, take a look at yourself and make a change. Hooo." No. I said that. Batman is very wise. I also have huge pecs and a nine-pack. Yeah, I've got an extra ab. Now, let's start the movie.

Dami: momma? what's the movie about?

talia: your father

lego Alfred Pennyworth: Were you looking at the old family pictures again?

lego Batman: At the what? The old family... Oh, yes! I see what you mean. Look at that! The old gang. Yeah. No, I wasn't.

lego Alfred Pennyworth: I see. Sir, if you don't mind my saying, I'm a little concerned. I've seen you go through similar phases in 2001 and 2006 and 2008 and 2005 and 1997 and 1995 and 1992 and 1989 and that weird one in 1999. Do you want to talk about how you're feeling right now?

lego Batman: I don't talks about feelings, Alfred. I don't have any, I've never seen one. I'm a night-stalking, crime-fighting vigilante, and a heavy metal rapping machine. I don't feel anything emotionally, except for rage. 24/7, 365, at a million percent. And if you think that there's something behind that, then you're crazy. Good night, Alfred.

lego Alfred Pennyworth: Sir, it's morning..

Talia: *laughs*

Dami: *chuckles*

Jason: *smiles with accomplishment*

lego Batman: [Batman's song] Who never skips leg day?

Chorus: Batman!

lego Batman: Who always pays their taxes?

lego Batman, Chorus: Not Batman!

Talia: *wails with laughter*

Dami: what are taxes?

Jason: you'll know when you get older don't worry about it

The lego Joker: Are you seriously saying there is nothing, nothing special about our relationship?

lego Batman: Whoa. Let me tell you something, J-bird. Batman doesn't do 'ships.

The lego Joker: [Confused] What?

lego Batman: As in "relationships." There is no "us." Batman and Joker are not a thing. I don't need you. I don't need anyone. You mean nothing to me. No one does.

Talia: that is your father's arch-nemesis the joker

Dami: oh okay

Jason: please kill him for me

dami: okay Jason, i will avagange, e-venge, avenge your honour!

Jason: you have no idea what that means to me buddy *wipes away a tear*

Lego Robin: My name's Richard Grayson, but all the kids at the orphanage call me Dick.

Lego Batman: Well, children can be cruel.

Jason: when I first heard dick's name I unironically thought everyone was just calling him a dickhead so much that the name dick stuck, but nope turns out it's short for Richard. he even changed his name to dick, I personally would never. but he pulls it off flawlessly. *chuckles*

talia: I did not know mr Grayson preferred to be called Dick.

Dami: who's dick then?

Jason: oh he's your older brother.

Lego Robin: What? [Sees Batcave]

Lego Robin: It's the Batcave! Ohmygosh ohmygosh ohmygosh ohmygosh ohmygooo-! [Bumps into Batman]

Lego Robin: Batman, woah!

Lego Batman: You're darn right, woah!

Lego Robin: Wait, does Batman live in Bruce Wayne's basement?

Lego Batman: No, Bruce Wayne lives in Batman's attic.

Talia: *DIES OF LAUGHTER* oh Jason this is amazing.

Jason: I wish to impress!

Lego Robin: Hey, I was thinking. If I'm gonna be a superhero, and go on awesome superhero missions like this one, can we use code names? Mine can be Robin.

Lego Batman: I'm sorry, say that again?

Lego Robin: Robin.

Lego Batman: As in the small, Midwestern frail bird?

Lego Robin: Yeah, and I already have a catch phrase. Tweet, tweet, on the street.

Lego Batman: Hard pass.

Lego Robin: And a song. [singing]

Lego Robin: Fly, Robin, fly.

Lego Batman: Harder pass.

dami: *laughs so hard he coughs*

talia: habbibi careful, don't laugh so hard you will hurt yourself

Jason: honestly yeah you can hurt yourself badly.

LegoRobin: Wow! Look, it's the Bat-Sub!

Lego Batman: Wait, don't touch that!

Lego Robin: Over there! It's the Bat-Space Shuttle!

Lego Batman: Please keep your hands off that.

Lego Robin: Look, it's the Bat-Zeppelin!

Lego Batman: Don't touch that, either!

Lego Robin: It's the Bat-Train!

Lego Batman: No!

Lego Robin: It's the Bat-Kayak!

Lego Batman: No!

Lego Robin: It's the Bat-Dune Buggy!

Lego Batman: No!

Lego Robin: It's the Bat... Shark Repellent?

Lego Batman: [pause] Uh, actually, you can touch that. It's completely useless.

Talia: shark repelent is actually a quite useful invention why is bruce beloved not recognising it's full potential?

Jason: keep watching

Dami: does father have all those things?

Jason: sure does!

Lego Batman: We are gonna steal the Phantom Zone projector from Superman.

Lego Robin: [frowns] Steal?

Lego Batman: Yeah. We have to right a wrong. And sometimes, in order to right a wrong, you have to do a wrong-right. Gandhi said that.

Lego Robin: Are we sure Gandhi said that?

Lego Batman: I'm paraphrasing.

Talia: *laughs*

Dami: *laughs so hard he starts coughing AGAIN*

Jason: ghandi so said that btw.

lego Jim Gordon: [sees Robin for the first time] Who is that?

lego Robin: Hi, police man!

lego Jim Gordon: Is that your son?

Lego Robin: Yes, I am!

Lego Batman: [laughs nervously] Is that my son? No, that's just weird.

Lego Jim Gordon: It's weirder if it's not your son.

Jason: this interaction is based off an actual interaction between jimmy and Dick.

[batman and robin arrive at the fortress of solitude]

lego Batman: Hey, kid!

lego Robin: Yes, sir?

lego Batman: You're super nimble, right?

lego Robin: I sure am!

lego Batman: And small?

lego Robin: Very.

lego Batman: And quiet?

lego Robin: [whispering] When I desire to be.

lego Batman: And 110% expendable?

lego Robin: I don't know what that means, but okay!

Jason: bruce really did not know how to deal with a 11 year old child hellbent on murdering a mob boss, so he kept bringing him along on incredibly dangerous missions, it was always fine in the end but this sort of situation happened once.

Talia: really?

Jason: the expendable part was from a wayne tech family event, and they crushed it. but dick had to sacrifice himself to help bruce win, it was so funny. I was there.

Lego Batman: White. All important movies end with a white screen.

Talia, jason, the other 70 league of assassin members and Damien break out into applause for the movie.

Jason: THANK YOU ALL, but special thanks to Gerald, and lily and Rin!!!! I WOULD HAVE NEVNER FINISHED IT WITHOUT YOU THANK YOUUUUUUU

the audience bursts into a large uproar of applause.

Prev | current | Next

[i-dont-know-but-pog]

so mojang has actually put me in charge of the minecraft movie, warner brothers had a bit too much fun with that trailer. the following changes will be made:

-characters are animated, but they are all voiced by tommyinnit/jack manifold(even the sheep)

-steve is no longer wearing a walmart sweater, he is rocking thigh high boots and walmart tshirt

-the villains are no longer piglins but we see them make angry tweets at the actual villain, cube trump (we call him dump for security purposes)

-ranboo/aimsey in charge of story writing

-constant references to minecraft story mode

- all the music is personally djed by tubbo

-philza minecraft plays alex

-creepers are not furry, they are furries, and instead of exploding they tell you about their fursona (far more exciting in my opinion)

-grian is the b plot just doing his thing (the same way scrat is trying to get his acorn in ice age)

thank you ladies lesbians and latinas and everyone else, i’ll be releasing remade trailer on the innitxmanifold instagram account on the 69th of maytember

[alltimefail]

I said this over on Twitter, but a really effective thing you can do if you comment on Netflix's posts is promote Dead Boy Detectives instead of just complaining about cancellation. This achieves two important things instead of one. First, it gets the initial attention we desire from Netflix (and Warner Bros. if you tag them, like I do) and second, more importantly, it may convince more people to check our show out, thus helping with our goal of spiking views/getting it back into the Netflix internal "Top 10."

Cussing Netflix/WB out or slighting them is cathartic, but honestly they can and will ignore that anyway. Let's play this smart and use their replies section to our advantage. Gush about the show; share the trailer, compelling screenshots, the promo posters, or even your favorite TikToks that showcase the amazing visuals in the show. We need to not only bug Netflix, but encourage people to watch and fall in love with this show!

VIEWS ARE WHAT WILL CHANGE THE TIDE IN OUR FAVOR. Let's keep streaming and encouraging others to do the same! The more of us in the comments promoting the show, the more likely it is that someone new will give it a chance.

Try to stick to using no more than two hashtags in your tweets: #DeadBoyDetectives, #SaveDeadBoyDetectives, and #RenewDeadBoyDetectives are the most popular ones right now. If you're going to mention anyone in your tweets, I would recommend Netflix and Warner Brothers TV.

KEEP STREAMING AND KEEP SHARING!! LET'S SAVE OUR AGENCY! 💀🔎

[warriorcatsofficialfacts]

hi. okay. okay. shut up about the animation for a second i know you're all excited shhhhhh i don't care. i don't care

vicky says here. that the alibaba movie. had a script. presumably a Full script.

so yknow how fnaf was like. the development hell movie ever. like it was announced in 2015 (that's nine full years ago) but only came out last year. like. i was nine when it was announced and when it actually came out i was a legal adult.

yeah so. at one point. several years ago. there was a full entire script written for the fnaf movie. and the creative team said. no. no we're going to leave. we will make a whole different movie with a whole new script. goodbye

and so the good people at warner bros. said. fuck you we wrote a whole script we're getting a goddamn movie out of it.

and they sure fucking did

the banana splits movie is a parody of an old children's tv show made directly using the abandoned early script of the fnaf movie. and like. you can tell. if anyone was a fnaf fan back in 2015 (like me) you'll know that it was a common headcanon that foxy was actually just trying to help the player. this headcanon is directly in this script. they were going to make good guy foxy canon in the original script for the fnaf movie but that's beyond the point

vicky explicitly says. there was a full script

and from what i've been told while the warrior cats movie was primarily working with the chinese studio alibaba pictures there was apparently some involvement. with Warner Brothers. the distributors of the banana splits film

so what i'm saying. is that there is a non zero chance. that some time in the near future. a low budget fantasy movie about animals with a plot very similar to warrior cats will be released where all the names and shit have been changed but you can still Clearly Tell that this was The Warrior Cats Movie.

we may get a warrior cats banana splits movie. and i want that to happen so bad

[kittenscookie]

Okay I've been thinking about Owl House a lot lately and...Guys I'm just so damn angry. Because I rewatched the first episode of the finale and realized something. That first episode is a season finale—That whole episode is one season's worth of content crammed into a single episode. That's at LEAST 12 episodes in 60 minutes—five minutes for each damn episode. But remember the first season of toh was nineteen, the second was twenty-one. If we assume the team would have continued with around that many episodes the average is around twenty. Twenty fucking episodes is sixty minutes—THREE MINUTES AN EPISODE.

This then led me to thinking about my other cancelled show with LGBTQ+ representation—Steven Universe. It's basically the same shit, except somehow fucking worst. The diamond arc should have been it's own fucking season, curing the corrupted gems and them having to get reintroduced to gem/human society should have been a damn season too! The two year time skip makes sense when you really think about it—that's the least amount of time it would have taken to get all that shit done in universe! A year to get the gems readjusted, a year to dismantle the diamond empire—plus episodes filling in gaps/unanswered questions. No wonder Rebecca fought so damn hard for SU Future and the movie! It was a desperate attempt to give herself and the fans some kind of closure! And don't forget! Steven universe seasons were LONG—the median amount of episodes was twenty-four.

This shit wasn't bad writing, it was rushed writing. Desperate attempts to cram what should have been at LEAST two seasons into a few short episodes. Can you imagine this? Sitting with your coworkers and trying to figure out how to make at least forty episodes only 3–6? What can be kept and what has to be left to the imagination? Think of what we fucking lost at those tables—Spinel could have been teased and had a better build up, we could have gotten a Wittebane Brothers flashback, we could have explored the characters in both shows trauma. I'm not just mad—I'm livid and not even for us. For Dana Terrace, for Rebecca Sugar. To have something you created thrown away without a care. I'd be in fucking tears.

Fuck Disney, fuck Warner Brothers.