#The Ultimate Wife Form

[shadamyheadcanons]

Who do you think is phisically stronger? Amy or Shadow? I know Shadow is very powerfull with all his Chaos Attacks but what if they have a sparing match with no powers outside the strength of their muscles? I think Amy can keep up with him, maybe even better than Sonic

(I have another ask similar to this, but I’m tackling them separately because the other one is An Undertaking.)

In a strictly physical fight, I’d give the edge to Shadow. Super speed is an absurdly broken ability. Amy’s strong as hell, but strength doesn’t matter if you can’t land a hit. Just ask Knuckles:

Sonic X episode 56 [source]

We have actually seen Shadow and Amy fight before if you count the Archie comics, and it didn’t end well for Amy.

Archie Sonic Universe issue 22, page 20 [source]

Ouch :(

In his defense, she did strike first 11 pages earlier, and he probably wasn’t in any hurry to get clobbered again. Still not his finest moment, but at least he had the decency to look regretful afterward:

And Shadow. SHADOW.

Archie Sonic Universe issue 22, page 21 [source]

That’s not how you carry your future wife, dammit! She’s not a sack of potatoes! Even Sonic’s better at this. Someone teach this boy some manners. And I guess it runs in the family, too, because Silver isn’t much better:

IDW Sonic issue 59, page 6 [source]

How did Blaze wind up upside-down?! He’s carrying Amy just fine! 

Anyway, while it’s true that Shadow used his Chaos powers in that Archie fight, I don’t even think it would’ve made a difference if he didn’t. He’s just too fast. He wasn’t even teleporting when he grabbed her hammer.

Amy’s way more of a threat these days, but she’s leveled up in power, not speed. She still needs help to get anywhere in a hurry:

IDW Sonic issue 2, page 15 [source]

So unless we’re assuming all of Shadow’s speed comes from Chaos energy, which is a stretch, she couldn’t land a hit on him. And while we’re at it, summoning a giant hammer out of thin air is probably Chaos energy, too, and she’s not getting anywhere without the hammer.

Oddly enough, I actually think she’d have a better chance if they were allowed to use Chaos powers. This post is evidence enough. In short: she counters his Chaos Spears with Storming Heart, she can stop time longer than he can, AND she needs only half the rings he does to pull it off. Rose Typhoon matches Chaos Blast, too.

Most importantly, though, she can turn invisible to render Chaos Control useless. Shadow relies heavily on teleportation to control the battlefield and take enemies off guard, as shown above, but you can’t sneak up on something you can’t find, no matter how fast you are. Anyone who’s played Sonic Heroes knows that when you turn invisible as Espio, your teammates will awkwardly freeze in place until you’re visible again because they don’t know where you are. If you try it in a team battle, your opponent will just start running around in circles, as if they’re a frightened rabbit stuck on a loop of “WHAT DO I DO, WHAT DO I DO, WHAT DO I DO--” And guess what? Shadow is no exception! Proof:

It’s literally just this:

Gaze upon your precious Ultimate Lifeform now. Useless! For shame! Are you not entertained?! And it’s not just bad AI from an old game that proves this. Shadow relies heavily on being able to see his foes. He consistently struggles against trickery. That’s how Infinite got the jump on him.

Amy can’t stay invisible as long as Espio can, but she wouldn’t have to. She’d have plenty of time to take Shadow by surprise. With modern!Amy’s obscenely high damage output, she’d demolish him before he could even think of striking back.

Amy in 2009:

Archie Sonic Universe issue 22, page 9 [source]

Amy now:

IDW issue 2, page 7 [source]

Sonic Frontiers Prologue: Convergence, page 4 [source]

IDW Sonic issue 58, pages 19-20 [source]

He’d probably think it was beautiful...if he lived.

So there you have it. Sonic and Shadow ultimately just stalemate each other, but if Amy were given access to all her OP abilities--ALL of them--and a little luck, I think she could potentially take Shadow out. It also helps that she never really uses her more broken skills. He’s never seen her invisibility, for example. If he takes the same approach he took in Archie, he wouldn’t start out fighting at full strength like he does against someone like Sonic. Say what you like about the Archie fight, but he was fairly merciful--for him, at least--toward Amy. If he tried that now, it would be over before he even knew what he was up against.

Will it ever happen in canon? Nah, but that’s what this blog is for!

[tcustodisart]

Shadowcaw

[kyofsonder]

Brain in Daylight Hours: There is no mental or emotional space for writing. There are no new ideas, and no structure for old ideas.

Brain after Dark: Here's 38 new ideas, 3/4 of a structure, official permission to write, and -- oh. The only place to write in the dark is your phone? ... Never mind.

[sculptambitio]

/ OK- fully finished the first two J.ojo parts and all I have to say is that my instincts were right, I LOVE K.ARS-

[my-thoughts-and-junk]

finally watching channel zero and i immediately have so many thoughts in the first ten minutes

[kyseya]

The creation

Imagine being the daughter of a wealthy family in the 1800s. Life was strict for you. You didn’t have much freedom and your only goal in life is to become a perfect wife. Your salvation was your brother. He stood up against your parents and helped you when no one else would. Without him you’d be even more lost.

Your brother is a genius. It seems like there is nothing he can’t do. Apart from creating life, that is. You love your brother so much, but there is a side to him you wished he could just abandon. Your whole life you’ve known him and during all that time he’s been obsessing over the topic of ‘life’ in all its forms.

He wants to uncover all its secrets and unlock the ultimate knowledge; to the point of sacrificing himself. That is how obsessed he is. You thought this research would be his downfall. But one day he did it, he created life!

Yandere! Creation who knows how hideous he is. It was no secret after all; both his creation and his scarring appearance. It was not pleasing to the eye. He wished he could forget about it and go on about his day, but it is hard when your creator reminds you every now and then.

Yandere! Creation who was introduced to you one day. His master made it a point to treat you with outmost care and respect, he would not tolerate any other behaviour. He didn’t want to face any punishment so he agreed.

Yandere! Creation who, at first, only treated you well because that was his instructions. But after getting to know you, he realised you deserved every bit of good in the world. You were so bright, almost like the sun itself(the one he wasn’t allowed to see). You were so kind to him. You spoke gently to him and never raised your voice, even during the moments where he did mess up. His master was never outright cruel, but he certainly wasn’t the warmest person. He looked at him like the creation he was. He was not a friend, not a family member, and he would never be.

You were the only one who acted as if he was a real person. You gave him the warmth he sought after but could receive. If he felt sad about his existence, you were there and let him use your as a pillow to cry on. You would hold him and softly comfort him. Not only that, you fought with your brother for his freedom. He didn’t deserve to be contained like some infectious desease.

Yandere! Creation who couldn’t help but fall for you. You didn’t act as if he was a monster, a creature, a being. He felt like a person whenever he was with you. He didn’t have to remember that he’s just parts stitched together into a horrid being.

Yandere! Creation who does everything to be able to spend more time with you. He is far from stupid and he knows how to manipulate situations in his favour. To be honest, he is a bit surprised how many of his antics flies under the radar of his master. The so-called genius might not be the smartest after all.

He loves using his super strength to assist you with different chores. Need someone to accompany you to the market? He’s on it! He’ll carry the stuff for you and fend off any unwanted attention. The men in the village are nothing short of pigs, so you should have someone protecting you. Can’t reach the high shelf? He’ll take down anything you can’t reach. There is no reason for you to strain yourself.

Yandere! Creation who wonders if you’d be happy being his wife?

[prokopetz]

this ask came to me in a dream and i must speak on its behalf: what do you think about homestuck beyond canon

I think it's too early for me to have a well-formed opinion at this point, for a very specific reason.

I basically agree with the majority opinion that the post-epilogue story which would eventually become Beyond Canon is characterised by a whole lot of spite toward its target audience. Where I differ is that I don't think this is anything new; a certain sneering contempt for their audience has always been a hallmark of Andrew Hussie's work, and it's present in Homestuck right from day one. At most, Hussie getting burnt out from the Hiveswap fiasco resulted in a text that's somewhat less willing to entertain the polite fiction that its readers are in on the joke, but that's not a change – it's just saying the quiet part out loud.

The interesting part is that this contempt isn't merely undirected bile: it's motivated by a particular stance regarding the purpose of fiction. Writing a story which invites emotional investment, then turning around and calling you a stupid baby for actually becoming invested in it is one of Hussie's favoured narrative sleights of hand, but it's not the Charlie Brown-esque football pull it appears to be – or, rather, it's not only that. Lurking under it is the insistence that fictional characters are, ultimately, objects: tools for exploring a narrative space. Ironic detachment is the only "correct" way to approach works of fiction, because when you emotionally relate to a fictional character (or, heaven forfend, actually identify with one), you are fundamentally committing a category error – like you've mistaken a hat for your wife.*

To what extent Hussie actually believes any of that, and to what extent it's just a very committed bit they're doing is a fair question, but that's not important here; sincere or not, the opening stages of (what was not yet) Beyond Canon are dyed in the cloth with it. Care of the comic has subsequently been handed off to a separate creative team who, to all textual evidence, don't buy into this notion of what-fiction-is-for at all, but they're building on a foundation that's steeped in it. What we're looking at now is a serialised narrative which disagrees with its own premise. I genuinely cannot imagine what sort of flower they're expecting to grow in the soil they've been given, and I don't think we're far enough in to draw any well-supported conclusions just yet.

All of which is a very complicated way of saying that I'm just here for the show!

* With apologies to Oliver Sacks.

[hylemorph]

Anna and Friedrich in Nosferatu (2024)

In a previous post I mentioned how important I think Friedrich is in the story as a representation of the patriarchal ideal, and how it/he crumbles when confronted by everything that has been suppressed in Ellen (manifested in the unavoidable, terrifying form of Orlok). I also think he is a mirror to Orlok in some ways: he says twice how he just cannot resist Anna, he subtly frames his desire for her as an unwilling "affliction." He also defiles Anna's body and his sacred marriage vows by engaging in necrophilia, because his appetite for her is so consuming - he can't resist her even when she's not even there anymore. Ellen's necrophilic act with Orlok represents her unification with the parts of herself that are suppressed/rejected by the men in her life, good and bad. It's dark and fucked up but metaphorically transformative, and consent is absolutely central. Friedrich's necrophilic act involves no consent, no Anna, and it lacks any metaphorical power. He didn't accomplish anything, he just succumbed to his own horror and amplified it.

Friedrich's unhealthy approach to his relationship with Anna consumes them both, and I think this theme is especially evident in the way Anna's pregnancy is discussed. Friedrich tells Thomas that they are expecting but doesn't want it mentioned in front of Anna or Ellen, probably because it wasn't supposed to be public yet. In victorian times people would rarely confirm a pregnancy before the woman was "showing" both because it was considered a private matter and because miscarriage was way more common. But Friedrich tells Thomas early anyways, because he is excited and proud, which is understandable but also selfish in this context. Furthermore, Anna says that "little Friedrich" is "very hungry, just like his father" and later on after Orlok has fed on her, she passes it off as feeling drained by the baby. Even though she seems happy and loves her family, she associates pregnancy with being drained.

This alienated way of understanding parenthood is also evident in the way Friedrich and Anna treat their girls (Louise and Clara I think?) They obviously both adore the girls, but they ignore their terror and assume the monster they see in their room is totally unrelated to all the other scary shit going on, because they're just silly little kids imagining things, right? One girl literally says "I can hear him breathing under my neck!" and they beg Anna not to leave them alone at night, but they are just hushed and told that they're totally safe. It's exactly the kind of dismissal Ellen has been getting her whole life, and so it's not surprising that the girls are haunted by Orlok before anyone else. It's not enough to adore little girls, they will never be safe until they are heard and believed.

Anna as a character apart from her role as wife and mother is a bit harder to parse out, but I think she is also a mirror for Ellen. Ellen's spiritual power is the catalyst for everything that happens, and von Franz says that "in heathen times you might have been a Priestess of Isis." Anna's spiritual inclination is less obvious, but it's there: she seriously listens to Ellen and believes that she is perceiving something real, she just assumes it must be God. Later when she lets Ellen stay with her for the night, she says "God is with us Lenny, I know it." On some level Anna is also in touch with that supernatural, suppressed feminine truth, and she seems to see through the patriarchal facade that Friedrich represents to some degree. But ultimately Anna wants to convince herself and Ellen that the night terrors were just caused by Thomas' absence, and that Ellen just needed her husband back and all would be well. When Thomas does return and Ellen has her faculties again, Anna is very eager to put it all behind them; 'no more talk of demons please, let's just focus on Christmas and being a happy family'. Anna's downfall is that she puts all her faith in the Christian patriarchal narrative even when she can clearly see that there's more going on. Her faith in the Christian God contrasts Ellen's "heathen" spirituality - both women have an innate spiritual sense, but one is more willing to make it fit into the values of their society. Ultimately Anna was consumed by the horror of their alienated position in society just like Ellen was, she just died with less agency.

[lex-the-flex]

Nightly Misery

Logan Howlett x reader

Summary: In the wake of another major nightmare, Logan is always grateful to have you by his side.

Word Count: 578

Warning(s): SLIGHT ANGST, MEGA FLUFF, mentions of PTSD, established relationship, brief descriptions of injuries, the reader being a sweetheart, and Logan being protective.

A/N: Welp, my hyper fixation for Hugh Jackman has come back. …As did my love for Wolverine. Feedback is appreciated and enjoy!

Rustling in the softness of your shared bed, Logan’s warmth poured over every square inch over the quaint space. Shifting endlessly underneath the thin bedding, a thick layer of sweat covers his skin and the sheets that surround him. The faint sound of crickets beyond the windows do their best to provide some sense of comfort, but it seems that nothing’s working. Not even the faint beams of moonlight could calm the man’s restlessness.

“Logan, Logan…” You speak quietly.

Gently rubbing Logan’s shoulders, he continues to heavily toss and turn in his sleep. Beads of sweat trickle down his temples just as his mumbling grows louder.

“No… NO!” He shouts.

Suddenly, Logan’s body jolts awake, and he sits up. Yelling from his dream, he gasps for air before ultimately gaining his bearings.

He’s here, in the large comfortable master bedroom that he calls home. Logan’s chest rises and falls and his breathing returns to normal as his hazel eyes scan the dark room. Finding that everything is in its proper place, his light orbs find yours opposite him.

“Baby?” He whispers in the dark.

Silently reaching for you, the sight of his bone claws cause a gasp to leave his chapped lips. Retracting the claws, his brief moment of pain subsides, and a minuscule ring of tears begin to form in his eyes.

“It’s okay. Everything’s okay, you just had a bad dream, Logan.” You say before traveling to the bathroom.

Retuning moments later, you join Logan’s side, and wipe the sweat from his face with a damp washcloth. Exhaling at the cool cloth, Logan wraps his arms around your waist.

“That’s nice.” He chuckles.

“I thought it might help. You’ve been doing this too much.” You reply with a smile.

“Can’t help it, bub. The wars, I- I can’t. They still…” Logan tries to explain, but fails silent.

“Hey, it’s alright. Don’t let them control you. You’ve done so well lately, don’t let this be the end of all the progress you’ve made.” You say, running your fingers through Logan’s thick dark hair.

Calming stroking his scruff, Logan’s eyelids grow heavy from your soothing touch. However, your therapeutic abilities only work for a short while before his eyes make contact with a series of three small scars on the base of your forearm.

“Jesus Christ. Y/N, I…” Logan begins, but you cut him off.

“I’m fine, babe. It’s just a scratch. I promise, you didn’t mean it.” You explain, stroking his cheeks.

Pulling you into him, Logan lays down with you in his arms. Letting go of a sigh of relief, you can feel Logan’s muscles start to relax beneath your fingertips. Turning to face you, Logan cradles you in his muscular arms, pulling you closer to his broad chest. Placing a soft kiss to your forehead, Logan's fingers lightly grip the hem of your sleep shirt, fearful of hurting you over again.

Facing you, his eyes grow weary whilst he touches the tip of your nose with his own. Tangling your hair in his fingers, he inhales deeply, longing for the taste of your scent on his tongue.

"I know I don't say this often, but I'm so grateful to have you in my life, Y/N. Not just here, in Canada, in our own private life. But you make me realize the true importance that life isn't always so bad." He vows through whispers with a rare, yet happy smile taking over his lips.

tagging ~

@dreamliners

@miss1sarcasmo

@yellow-eyed-sams-wife

@lost-in-horrorland

@peterparkernotfound

@pcrushinnerd

[nataliescatorccio]

plotholes in season 4 i really don't understand now i've digested the season please feel free to explain or add your own:

- sparrow academy and especially sloane just being forgotten, luther just seeming to magically get over his wife disappearing and not fighting in any way shape or form to find her or get back to a timeline with her in it - especially as they show discovery of the phoenix academy you think five would mention that a timeline with sloane must exist out there - ben being teased on the subway train at the end of season 3 but just??? never showing up??? was that an alternative timeline? - allison doing everything last season motivated by the idea of being able to get to claire and ray only for ray to apparently leave her with zero elaboration as to why or what happened - making fatphobic jokes towards diego but actually he takes his shirt off and is still ripped as fuck? - upon regaining their powers luther getting his ape body back which??? literally had nothing to do with his marigold related powers it was because of an accident on a previous timeline? - lila getting laser beam eye powers seemingly from nowhere, but it's not as if this was ever addressed because she could still mimic powers (see: her using five's time travel ability) - very limited use of powers, there were a few cool moments in episode 2 but ultimately it felt like there was no need to even get them back as they rarely showcased them (with the exception of five's getting them stuck) - klaus throwing his marigold onto a passing man but this never getting any exploration - never explaining why jennifer was in a giant squid - never explaining why jennifer got locked up in a safe - ben apparently never discussing with klaus how he died??? - ben and jennifer not realising that the entire motel had blown up around them including murdering flocks of birds and staff when they checked out? - entire five/lila plotline but also five figuring out how to leave and not saying anything when he has always been the first to want to get back and protect his family - lila apparently hating bracelets despite the fact that diego making lila a bracelet and it keeping them linked was such a big plotpoint it was used as a teaser in previous seasons (and the bead bracelet just disappearing) - lila being so intent on saving her family and the kids by sending them to the subway and on an alternative timeline but only one 'true' timeline can survive anyway which would erase the subway - the kids existing when the parents that created them don't - the entire show being for nothing in that the umbrellas do not even exist anymore

[delulujuls]

the true one | jacaerys velaryon

hi, here comes the pt3 of my jace series. i was having few ideas for how to end this one but i got carried away and i even started to feel bad how i decided to solve it.

we will see if i will end this up on here or write another part because man i do really feel bad for aegon:( im not gonna lie, at one moment i started to smell a love trangle forming up here lmao

summary: love lifts you up, but it can also hurt you. in case of dragon princess and young prince from dragonstone, love saved westeros from war, but it broke one heart that was already broken enough. a shattered heard from someone who since the beginning wanted love, not the crown.

warnings: mentions of sex, nothing crazy though

pairing: sister!targaryen reader x jacaerys velaryon (ft. cregan stark aka the-best-wingman-in-whole-westeros and aegon 'the broken boy' targaryen)

King Viserys did not engage in many wars during his reign, for he was considered a wise and good ruler. However, those that were unavoidable, he almost always managed to win. There was one battle he unfortunately could not win, and that was the battle with his illness.

Death came for the good king shortly after his 52nd Name Day, leaving Westeros without a ruler. There were two candidates vying for the Iron Throne, each equally certain of their right to it.

Many believed that Rhaenyra, the king's first child, was the rightful heir to the throne. However, because she was a woman, the crown fell to Aegon, Viserys' eldest son. Ultimately, he was proclaimed the ruler of the Seven Kingdoms, but not everyone agreed with this decision. One of those who did not was Rhaenyra herself.

The Princess of Dragonstone, believing there had been a misunderstanding, began to gather allies around her who were willing to support her claim to the throne. Aegon, of course, did the same. At some point, however, there was no more talk of a peaceful resolution, and gathering allies turned into gathering armies. A cold wind blew over Westeros, heralding not only the coming winter but also war.

The most distant from the sunny King's Landing to the south was the North. There lay many settlements rich in resources and armies, which were now more valuable than gold. Both Rhaenyra and Aegon had no intention of wasting time. They had to secure allies faster than their opponent.

"You will go North," Rhaenyra told her eldest son. "Lord Cregan is closer to your age than mine. I am sure you will find a common language."

Jacaerys nodded silently and embraced his mother. He understood the weight of the task entrusted to him and intended to fulfill it to the best of his ability. Similar words Alicent Hightower directed to her eldest daughter when she visited her in her chambers one evening.

"Me?" the young princess asked, sitting in front of the mirror and brushing her hair. The maid who had been doing it earlier quickly left the room as soon as the queen appeared. "You have the King's Best Sword and the Lord Commander of the Kingsguard at your disposal, and you want to send me to the North?"

"Aemond may wield a sword skillfully, and Ser Criston may be an envoy of even the Father himself," she said, gripping the back of the chair her daughter sat in. "But they are still men. They are driven by the desire to fight and pride."

When she looked at her daughter's face in the reflection, the girl merely shook her head.

"The people of the North must see the sacrifice we are willing to offer. You will not gain their support by intimidating them with a dragon but with gentleness and a good heart, burning with zeal and the desire for peace."

"The desire for peace," the girl scoffed. "You want to send me there to gather people ready to go to their deaths."

Alicent lowered her gaze. She looked at her daughter's bright hair, flowing down her back like liquid gold. She took it between her fingers and began to braid it.

"You are betrothed to the king, soon to be his wife and queen of the Seven Kingdoms," she said. "You will present yourself to them as the king's prudent right hand and future good queen. No one warms the image of a ruler better than his wife."

"Rhaenyra doesn't need to send anyone to the North to gain their support," she replied, glancing at her mother in the reflection. "You know well that no one will stand by the usurper."

"Perhaps not by the usurper, but by the future queen, they might."

The young princess knew that her mother left her no choice. Knowing that her journey was doomed to failure, she mounted her dragon the same day and set off in the direction from which the cold, winter-foretelling wind blew.

The eldest Targaryen princess and the prince of Dragonstone had not seen each other since they had celebrated Rhaenyra's 32nd Name Day together with King Viserys. Much had changed since then. News of the king's death spread across Westeros, and the Targaryen family split in two. Nothing indicated that the young princes, bound by feelings, would ever meet again. Certainly, none of them expected to meet hundreds of miles from home on frozen ground.

Cregan Stark, Lord of Winterfell, knew this well. Ravens informing of the visit had reached him from both King's Landing and Dragonstone. The Small Council, in which the Wolf of the North sat, tried to dissuade him from the crazy idea of bringing both warring sides to Winterfell. However, Cregan was hopeful that Jacaerys was not driven by his mother's spirit and that the young princess was not a reflection of her cruel brother. He believed he would see dragons dancing while playing on the snowy sky, not waging war. He believed that youth and good hearts would prevail.

The prince of Dragonstone arrived in Winterfell first. Vermax swooped down from the sky with a roar, causing the inhabitants to watch the winged beast in horror. Neither the dragon nor its rider had any ill intentions. The same intentions did not drive the young princess, who arrived in the capital of the North shortly afterward. Just as the relatively small Vermax instilled fear in the people, so did the sight of the massive Vermithor prompt many to clasp their hands in prayer. May the Old Gods watch over the North.

When the Bronze Fury descended from the sky, Lord Stark and Prince Velaryon were on their way back from the Wall. They learned of the guest's arrival only when a rider came to meet them, announcing the arrival of a dragon.

"A dragon?" Jacaerys furrowed his brow and looked questioningly at the host. "Another dragon has come to Winterfell?"

"Yes, my prince," Cregan replied, urging his horse forward. "Let us hurry, we must not keep the guest waiting."

The young princess was informed that Lord Stark would soon arrive and was taken from the cold and invited to the chamber set aside for her stay in Winterfell. She removed her warm cloak and sat by the fireplace, rubbing her cold hands. She had been uncertain during the journey, but now she began to feel genuinely nervous. What was her mother thinking, sending her here?

Jacaerys remained silent throughout the return journey, gripping the reins so tightly his fingers went numb. Who had come to Winterfell? Had his mother sent someone after him? If so, why? And if it wasn't Rhaenyra, someone from King's Landing must have come North. Aegon? No, that would be too prudent. Aemond? Had he come to secure allies? And why had Lord Stark accepted this so calmly? Was it an ambush?

When they arrived at Winterfell, they headed straight for the castle. Instructed which chamber the guest awaited in, they went there immediately. Jacaerys' heart pounded wildly, and he did not share Lord Stark's calm demeanor. When Cregan knocked and pushed open the heavy door to one of the chambers, Jacaerys felt his heart leap into his throat. Hearing the knock at the door, the young princess felt the same. She took a deep breath and rose from her seat, smoothing her tunic with her hands. She looked up at the entrance and saw a tall, young man. She guessed that the steely-eyed youth was Lord Stark. However, he was not alone; someone else entered right behind him. The princess could not believe her eyes. She felt as though her mind was playing tricks on her after the exhausting journey.

"Jace?" she spoke uncertain, almost questioningly.

Jacaerys was in such shock that he felt as if his legs had grown roots into the ground.

"Princess," was all he could stammer out as she quickly approached him and hugged him tightly. The young prince closed his eyes and returned the embrace strongly. Feeling her in his arms, her hair tickling his face, he realized it was not a dream. It was truly her.

Cregan smiled at the sight of the dragons lost in each other's embrace. He knew he had no reason to worry. Kindness and youth would always prevail.

Still holding the girl, Jacaerys glanced at the Wolf Lord. Cregan smiled at him and quietly left the room.

"I thought I would never see you again," the girl whispered after a moment, pulling away and cupping his face in her hands. Tears shone in her violet eyes. Jacaerys took her hands and kissed each one.

"I feared the same," he admitted, not hiding his own emotions.

The pair sat by the fireplace, talking animatedly. They held each other's hands tightly the entire time, as if afraid that one might disappear at any moment.

They talked for a long time, forgetting the world around them. They spoke of what had happened to them since their last meeting, about the events that were tearing their family apart, and about the looming war. When their conversation turned to more serious topics, a servant entered the room, announcing that Lord Stark invited them to dinner. The Dragon Princess and the Prince of Dragonstone joined the Wolf of the North. The dinner was sumptuous but did not have many guests. The dining room hosted only the three of them.

"I hope you don't hold this arranged meeting against me, your Highnesses," Cregan said, pouring them wine.

The princess shook her head while eating, taking a sip from her goblet.

"It was a bold move, my lord," Jacaerys admitted. "I guess you had no certainty about how it might end."

"Indeed," Cregan acknowledged. "But I felt that neither of you held the dark values that sometimes blind your families. Luckily for me, and even more for the people of Winterfell, I managed to avoid making another Harrenhall here."

"You can't deny your courage, my lord," the girl smiled, glancing at him. "A bit of madness too."

Cregan smiled at her words and raised his goblet in a toast.

"I hope we can reach a good understanding together."

The princely pair also raised their goblets in a toast. That evening, there was no lack of wine and ale, and the topic of the impending war, though important, was left for another day. That evening was spent on more pleasant and mundane conversations. It did not resemble an evening where three representatives of different values gathered, but rather three friends.

As the wine started to buzz in their heads and the table was cleared of food, Lord Stark declared it was time to retire. After wishing each other a good night, Jacaerys went to escort the princess to her chamber. He held her securely by the waist to prevent her from falling, as their legs wobbled like reeds in the wind. The pair giggled quietly in each other's arms, their cheeks flushed from the alcohol.

"Stay with me," she whispered when they reached her chamber. "I guess the nights are exceptionally cold here."

"How could I refuse you, princess," he smiled, and she returned his smile and pulled him inside. On unsteady legs, she walked to a small mirror and sat down, beginning to undo her hair. Jacaerys approached her and gently, with great reverence, began to help. He carefully untangled her braids, occasionally glancing at her face in the mirror. Their eyes met frequently, eliciting soft giggles. The young prince had never stopped having feelings for her, feelings that had blossomed so vividly when they spent time together on Dragonstone. The young princess couldn't recall a day when she hadn't thought of him. Her heart, which she was supposed to give to another, loved the Velaryon youth unconditionally.

"You're even more beautiful than I remembered," he whispered. He slowly ran his fingers through her hair, feeling as if he held velvet in his hands.

The girl smiled and stood up, facing him. She touched his cheek and ran her thumb along it. Jacaerys did the same, pulling her by the waist closer to him with his other hand. He noticed a necklace with a three-headed dragon, each head holding a green emerald, around her neck. The young prince's face saddened.

"Have you already married him?"

"No," she replied. "And I still don't want to."

Jacaerys looked up at her, about to say something, but she kissed him impulsively. Realizing what she had done, she wanted to pull away and apologize, but the young prince caught the back of her head and deepened the kiss. She cupped his face in her hands, returning each kiss.

"Marry me, princess," he whispered. "We'll run away to where the map doesn't reach. Away from all this."

The Dragon Princess smiled and nodded, kissing him tenderly in response. Their wine and ale-soaked lips exchanged deep kisses, and their hands clumsily removed each other's clothes. Shortly after, they found themselves in a fur-covered bed, lost in each other's embrace. They didn't think about whether what they were doing was wrong. What was wrong was marrying someone you felt only fear and hatred for. The young princess knew she could never feel for Aegon even a fraction of the feelings she had for Jacaerys.

As night turned to dawn, the pair lay entwined together. Their naked, sweat-drenched, and kiss-marked bodies lay intertwined, almost as one. The girl pressed her cheek against the prince's chest, stroking him gently, and he held her, tracing patterns on her bare back with his fingers.

"Let's get married here," she said after a while. "Here, in the Godswood."

Jacaerys smiled sleepily and hugged her tighter. "Do you think Lord Stark would agree to that?"

"I think he'd be the first to bless us."

The young prince chuckled softly at her words. The girl lifted herself and looked at his face.

"I love you, Jace," she confessed almost in a whisper. "And I'm afraid I won't be able to stop."

The boy smiled and cupped her face. His heart swelled at her words. The love he saw in her eyes was boundless.

"I love you too, princess. I would give my life for you."

The next day, even before the three of them sat down for breakfast, Lord Stark knew what had transpired in one of his castle's chambers. He had heard that the bed in Jacaerys' room remained unmade and that he had arrived at the dining hall in the company of the princess. Cregan would be lying if he said he wasn't pleased. He hadn't realized the feelings the pair of dragons had for each other. It turned out that love could indeed conquer war. Still filled with apprehension, Jacaerys decided to present the Wolf of the North with the idea of marriage.

"Who am I to dissuade you from this idea?" he replied. "I will gladly lead the princess to the wedding myself."

That same day, in the Godswood, the wedding ceremony took place. Compared to weddings held in the Faith of the Seven, it was modest. Cregan Stark, Lord of Winterfell, fulfilled his promise and led the dragon princess to the Weirwood tree, where her Velaryon prince awaited her. Beyond the wall of the Godswood, two large dragon heads watched, occasionally breaking the silence with squawking and growling.

The witnesses to the wedding were dragons, the Wolf of the North, the Heart Tree, and the Old Gods, who silently observed the marriage. Dry leaves rustled in the icy wind, and snowflakes settled on the rosy cheeks of the soon-to-be-married couple, who became husband and wife after a brief ceremony.

"So, it is done," Lord Stark smiled. "But what kind of wedding would it be without a feast?"

The newlyweds exchanged smiles and, holding hands, followed the Wolf of the North towards the castle. That day, the specter of war had to wait as well.

However, the next day, the issue of northern allies and whose side they would take had to be addressed. The dragon princess represented the greens, while Jacaerys the blacks.

"Have your lords side with us," the princess proposed during a Small Council meeting, gripping her husband's hand tightly under the table. "Not with Aegon or Rhaenyra. Let them withdraw from this battle for allies."

"With all due respect, princess, are you planning to fight? To be a third party in this conflict?" one of the men at the table asked.

"There will be no war," Jacaerys interjected. "And even if there were, it wouldn't be the North's war. They won't participate in what's happening in the South. This will weaken the military forces."

"We can't be neutral," another man stated. "Lack of a side is worse than betrayal. What if someone less benevolent than you comes on a dragon and razes us to the ground?"

"No one will do that," the princess assured. "I guarantee your safety."

"I do too," Jacaerys added. "The capital must understand that this conflict has no higher purpose and will only bring unimaginable misery."

"I'm afraid, Your Highnesses, that neither Princess Rhaenyra nor King Aegon will relent," one of the men replied. "Do you think your marriage would dissuade them? The King could annul it at any moment."

"The King can continue doing what he does best, drinking himself into oblivion and fucking whores," the girl snapped, involuntarily squeezing Jacaerys's hand harder. "If the news of the wedding isn't already on its way to the South, it will be soon. Tomorrow we'll head back and announce that the marriage is a peace treaty. And if that doesn't impress anyone, we'll send a message to all who have allied with both Aegon and Rhaenyra to withdraw their commitments. I swear by the Seven, no one, given the choice, will go to certain death. The fight between dragons will bring nothing else."

The princess's words brought silence among the gathered. After a moment, Lord Stark stood up and drew his sword, kneeling before the girl.

"You can count on me, princess. The Stark family will side with the young couple."

The dragon princess smiled and nodded to him. Grateful, Jacaerys did the same. Soon after, each of the men at the Council meeting followed the Wolf's lead. The girl's passionate and convincing words withdrew not only the Stark family but also the Umbers, Karstarks, Mormonts, Boltons, Ryswells, Reeds, Hornwoods, and Cerwyns from the conflict. And it was just the beginning.

That same day, ravens were sent to all who had castles from the Wall to Moat Cailin, from the Stormy Shore to Widow's Watch. Each message was signed by the young couple and the Wolf of the North himself.

"I wish you much perseverance, Your Highnesses," Cregan said before they mounted their dragons. "But I believe you will manage to dissuade us from war."

It might not have been appropriate, but the girl hugged him tightly in farewell. Cregan had done unimaginable things for them in just a few days. The Wolf of the North smiled and hugged her back.

"I've never met someone with a heart like yours, princess," he admitted. "You have my word that the North will always protect it."

Jacaerys extended his hand to him, but Cregan hugged and patted him on the back. The Prince of Dragonstone smiled and returned the embrace.

Two dragons left Winterfell, but the icy wind carried them for a long time. That same wind brought news of the wedding to the South shortly after, before they had traveled even a quarter of the way.

"May the Seven protect us," Alicent sank into her chair when the maester came to her with the news. She strictly forbade anyone to speak of it, especially to Aegon. She quickly sent for the Hand.

Otto laughed when he heard the news. His daughter, however, found no humor in it.

"Brilliant," he remarked, filling his goblet and taking a sip of wine.

"Brilliant?" Alicent thought everyone had lost their minds. "She broke off the engagement. Aegon could burn Dragonstone to the ground when they return."

"If I were Aegon, I'd pack the crown in the finest cloth, seal it with the best wax, and send it to Dragonstone immedatiely."

Alicent shook her head and buried her face in her hands. Otto did not share his daughter's pessimism.

"Or better yet, he should place it on dear sister's head himself when she returns from Winterfell," he corrected. "The girl circumvented a code we didn't even know existed."

"She caused a catastrophe!" Alicent exclaimed, looking at her father in disbelief. "She was Aegon's betrothed and the future queen. She was only supposed to go North to gain allies!"

"And she decided to end the war," he replied. "We definitely placed the wrong child on the throne."

Alicent shook her head in disbelief. She didn't know if her father was joking or if he genuinely saw no problem with the situation.

"So what should we do?" she asked, looking at him.

"First, we should wait for them to return and announce this joyous news," he said.

When the dragons reached the South, they decided to separate. Jacaerys returned to Dragonstone, wanting to personally deliver the news to his mother not only about the marriage but also about the withdrawal of the northern armies from the war. The princess returned to King’s Landing and immediately made her way to Aegon’s chambers.

She didn’t know if the news had reached her brother, but she decided to handle the matter herself and as a priority. A small dagger hung at her belt, and she had no guards with her except for the two standing in front of Aegon’s chamber doors. The men greeted her and bowed slightly, but she dismissed them as soon as she stood in front of her brother's chambers. She took a deep breath to muster some courage as she raised her fist and knocked on the door.

When a voice from inside instructed her to enter, the young princess pushed the heavy door open and stepped inside. Aegon stood before a large mirror, dressed in armor. Three men were fussing around him, making adjustments, adding and removing parts of the armor. Three guards stood beside Aegon, talking animatedly with him. However, when they noticed the princess, they bowed, and the two tailors did the same. Aegon saw in the mirror’s reflection a figure he hadn’t seen for several moons. He smiled and turned, taking a sip of wine from the goblet he held.

"My brave, sweet sister," he said, stepping down from a small stool. He was drunk, as always. "Did you secure the North for me, my dear?"

"I need to talk to you," she approached, glancing at him. "In private."

"You heard the future queen, out!" Aegon commanded, waving his hand. Shortly afterward, the room was empty except for the siblings. The young king finished his wine and set the empty goblet aside, stepping closer to the girl. When he was within arm’s reach, he raised his hand to touch her cheek, but she pulled her head back.

"I hoped that your visit to the North would cool your temper a bit," he admitted, lowering his hand. "But i see that even the harshest cold can’t chill a dragon."

"I married Jacaerys," the girl said quickly, almost as quickly as if she had shot an arrow from a crossbow. Her voice didn’t tremble. She raised her eyes to her brother’s face. "I won’t be your wife, Aegon."

The boy snorted, but seeing her serious expression, he couldn’t help but laugh.

"What did you do?" he chuckled. "Repeat it, because I must have misheard."

"We got married in Winterfell, and Lord Stark decided to withdraw from the war. His vassal lords too, and the whole North was given the same choice."

Seeing that his sister wasn’t joking, Aegon wiped the smile from his face. His eyes, though glossy with alcohol, looked at her in shock. His eyelid twitched.

The young princess clenched her jaw. However, she didn’t take a step back. Her muscles tensed involuntarily, readying for a fight or flight. Aegon, however, didn’t say a word. He was the first to retreat. He reached for the goblet and poured himself some wine, drinking it greedily. The girl expected anything. She was ready for his screams, insults, and threats. She was even ready for him to raise his hand against her. But Aegon did none of that. He sat on the stool he had stood on moments ago and gripped the goblet in his hands.

"Why did you do it?"

The princess didn’t expect to hear that question. Now it was she who felt as if she had misheard.

"To weaken and humiliate me?" he asked, raising his eyes to look at her. "Or to hurt me?"

"I love him," she admitted sincerely. She wasn’t lying. It had never even crossed her mind to strike at her brother in such a way. "And he loves me. He is kind to me."

Aegon lowered his gaze, staring at the goblet in his hands. Despite the armor he wore, despite the title of king he held, he felt like a rat. His reaction surprised the girl. To such an extent that she didn’t know what to say.

"Would I be incapable of loving you?" he asked after a moment, looking at her again. The girl couldn’t meet his eyes.

"You only fill me with fear," she admitted quietly.

Aegon’s eyes roamed her face. He recalled a time when he had gone too far and threatened her with a knife, the times he bullied and intimidated her. He lowered his gaze. You fill her with fear, monster, he thought. You are a monster, Aegon.

In silence, the girl raised her eyes to her brother’s face. Deciding that the conversation had no chance of continuing, she turned to leave his chambers.

"I'm sorry," his voice called out behind her. The young princess turned and looked at her brother. Aegon’s cheeks were wet with tears. "I apologize for everything I did to you."

"I was never your enemy," she replied. She couldn’t muster anything more to say.

She quickly left her brother, heading to her chambers. She wasn’t ready for a confrontation with her mother. She needed to recover from what she had just experienced.

Nevertheless, Westeros managed to dispel the looming specter of war. The wind from the North brought only winter, not bloodshed. Every few days, ravens arrived at Winterfell with news that another castle had joined the young dragons’ marriage and withdrawn from the war. Families from the east, west, and south did the same, sending their assurances directly to Dragonstone. Rhaenyra and Aegon had to abandon the conflict. Viserys’s eldest daughter even planned to go to King’s Landing to reconcile with her brother and acknowledge him as king. The same day she planned to set out, a messenger brought her a small chest.

"What is this?" she asked, glancing at the young man. She accepted the gift uncertainly.

"From King’s Landing, Your Grace."

Jacaerys stopped his mother’s hand as she reached for the latch on the chest. "It could be a trap."

"Would Aegon want to kill me in such a way?" she looked at him with amusement. The young prince hesitantly withdrew his hand.

Rhaenyra opened the box and had to blink several times. She reached into the chest and pulled out a crown. The same one her father had worn on his head.

In shock, she looked at her son and niece, who were as astonished as she was.

"Aegon returned your crown," the girl said quietly.

"It doesn’t have to be Aegon," Jacaerys shook his head. He didn’t believe in any good intentions from his uncle.

The girl took the crown from Rhaenyra and examined it in her hands. In several places, she noticed fingerprints stained with wine. She had no doubts.

"It was Aegon."

[cow-stealin-gal]

List of Palestine Campaigns

Notes:

some or most of these are the same ones from my previous pinned post.

the owner of Amani and Eman's campaign has stopped donations

Laila Shaqqoura (€27,610 / €45,000)

@lailashaqoura

According to Ahmed Shaqquora, the organizer of the campaign, Laila is a young talented artist who planned to be a dentist and a collection artist before the genocide started. Laila's family at the time of the campaign consisted of Bassam, his wife, and their five children (Laila and Baara were among the mentioned children).

As of June 3rd, Laila and her pregnant mother had fled to Khan Younis where they continue to suffer from horrible living conditions. She started the campaign with the goal of saving her mother from the grave danger that could ultimately kill them. Their campaigns have been verified by nabulsi, fallahifag, el-shab-hussein, ibtisams, and sayruq.

https://gofund.me/f41f2b80

--

Tahani and her family ($18,193 / $50,000)

@tahanibaby

Tahani was an assistant professor at an university who studied Chemistry and Digital Marketing before she lost it once the genocide started.

As of July (and perhaps August), Tahani's family have been living in the prison of fear and despair from the constant reminders of death. From constant street killings to a siege that likely left many casualties to non-stop stomach pains from hunger to the relentless heat that burns them every day. Their mental state is degrading as I write this post.

--

Zaen and Yehya Sehab (€4,294 / €25,000)

@mohammedshehabnew1

Muhammed Sehab is a father of two sons who created a campaign to support his sick parents and to allow his family to flee Gaza from the onslaught of murder throughout the war.

However, due to the lack of donations they fear that they may die before they can escape as the bombing has killed some of their family members, loved ones, and friends. They have endured inhumane conditions, various forms of oppression, disease, pollution, lack of security and medical treatment.

They have been repeatedly displaced from various shelters, tents, and "safe zones" around nine times, which is around the number of times that many families have been displaced.

--

Siraj's Family [Stage 1: Rebuilding their home]

($28,087 / $82,000)

@siraj2024

Siraj is a father who built his family home through ten tireless years of effort that stretched for hours that broke his wallet (huge debt), and yet he also made it with the love for his family.

But it was all destroyed when the IDF unleashed their vicious bombing attacks throughout Gaza, which engulfed Siraj's family home in flames. After the traumatic experience, they had to scramble six times into various tents that barely comforted them, let alone provide safety. His children has lost their chance to enjoy their childhoods as they have no choice but to collect water over lengthy journeys and continuously clean the tents that they reside in.

Not only that, but the family has endured constant threats and evacuation orders day and night, leaving them exhausted.

As of today, Siraj had to trek around 3 kilometers (almost 2 miles) just to receive an internet signal to relay a message that gave me with a twinge of guilt. He remarks on the suffering that the families in Gaza constantly endure where many died and the stark contrast with the families living outside of Gaza, who spend quality time in comfort among themselves. He mentions a recent massacre of over a hundred people in a shelter at the Al-Tabeen School.

He continues to write as much he can with whatever internet connection he is given.

[alienpossession]

Shorties

Bunch of shorts that I just can't flesh out but I feel like they have potentials for longer. Maybe some of you can help me out to make it longer later?

#1

"And this....this is deltoid and biceps. Yeah......you see that the lower part....also getting a bit tense as I flex it? That's triceps, and vain men like me always tried to make it bigger. We are obsessed with having bigger, stronger bodies, just like all of you itching to get inside of me and feeling all the sensation I feel," said the tranced stud guiding his captors and demonstrating his body's capability

The swarm of black bugs surrounding him clicked with excitement as one of the bigger bugs climbed to his nape and injected him once more with its venom, causing the man to instantly freeze. Then, like a drone, the man said

"One of you will be the chosen one to pilot this human and observe the viability of our survival in their planet. All you have to do is to be the first to reach his brain, so in the count of three.....one....two.....three---"

#2

"Mmmmm.....see, you look delicious now when we add some muscle in your boney frame. Damn, I look like a proper twunk now, huh....twunk, that's a new word," murmured Alberto as he admired his growing physique as the alien inside of him enhanced his strength and metabolism for the past few weeks while also stretching Alberto's once-lithe physique. It's important for the alien inside Alberto to make the former biochemist look seductive because it needs other human male to breed Alberto in order to make Alberto the carrier of the next generation of the alien. It will be like a mini-pregnancy, but the results will be swarm of little termite-like creature that can then jump into another bodies, effectively kickstarting the colony of the alien in this outpost planet called Earth

#3

His wife already said during their last fight that he needs to reduce the frequency of playing video games as if he's still a child. Plus, everytime he played his "silly boy game", he always locked in to the point he's not aware of his surroundings. That's going to be deadly when an invasive slime landed on your backyard and then now inches away from getting inside of your body, but it's not like he's aware of the slime's presence

#4

"He hates your puppet,"

"The feeling is mutual,"

"So we have to keep that facade when more human entered the gym?"

"I guess. We can always do more in private,"

"I have a wife and 3 kids. There's no private moment for me except in here,"

"Just infect them,"

"Well, then we should just infect the gym, so we can do our mission more freely with more puppet in our disposal,"

"This is public space, silly. You can tuck your wife and kids to their bed if you are not using them but how can you pose as 50 different people when the closest backup is 3 months away? Let's take this slow and be wise, we can definitely carve some more free time for you,"

#5

"You will make a great addition to the team, stud," whispered Mike to his client's ear before spitting into his ear canal while keeping the stud tightly locked and unable to move as the alien makes its way to the blonde's brain

#6

"Hell yeah, this is definitely miles better than that skinny janitor body," shouted the recently taken over jock

#7

The pod practically served as a medium to transfer the alien consciousness to the human target, and its unassuming, tanning-bed-form clearly caught the human users off-guard. They expected to get a tan, a little sunburnt, yet the only thing burned is their brain as they turned into mindless puppet with the alien then reside inside the head and formed themselves to resemble human brain as a way to remain undetected.

With the bodybuilding competition season rolled around the corner, it really becomes a prime time for the aliens as they get themselves inside the ultimate jackpot, bunch of muscular, domineeering human clearly resided on the top of the societal hierarchy with their built physique and dominant personality

[the-crooked-library]

Creative Lineage - Dracula, Orlok, and the others

Here's the thing: the relationship between Nosferatu and Dracula is incredibly interesting - especially considering that Nosferatu (1922) was based on Dracula the book (1897), and most subsequent visual adaptations of Dracula for some reason used aspects of that film as inspiration, instead of adapting the original novel directly. As a result, there have always been endless comparisons between the two; but, in light of our most recent Nosferatu (2024), I must expand on what I personally think is their most significant (in regards to both plot development and analysis) difference.

TL;DR: it's characters. The main source of divergences between Dracula and Nosferatu is that these stories consist of vastly dissimilar characters, stuck in relatively similar situations.

I could go into heavy detail, and I will - under the cut, for the sake of all our dashboards.

At first glance, the stories of Dracula and Nosferatu are almost identical. The beginning sections follow the same essential plot beats - a young, newlywed solicitor travels to a creepy castle in Eastern Europe to assist a reclusive Count in his immigration to the West. This Count is, in fact, a vampire (otherwise known as a nosferatu), and terrorizes the young man for weeks, before departing and leaving him imprisoned; the solicitor escapes, is rescued from the wilderness by a nunnery, and returns home - where the Count has already begun his murderous process of settling in.

Here, in my opinion, is where the similarities end.

The key to understanding Nosferatu is remembering that Orlok is not Dracula; Thomas is not Jonathan; Ellen is not Mina, and so forth; and despite the mutual inspirations that affect each film adaptation of either story, the characters never react to the plot as a viewer would expect, if their precursory experience has been limited to only one or the other version.

Naturally, there are reasons for the continued addition of Nosferatu elements to Dracula adaptations. The most prominent of them is that, quite simply, audiences enjoy a fated, dangerous, inadvisable monster romance. By and large, we are titillated by the taboo; and - without adapting Le Fanu's Carmilla (1872), or adding a vampiric element to an adaptation of Leroux's The Phantom of the Opera (1910), or expanding on the queer elements of Jonathan Harker's sojourn in Transylvania - the easiest piece of classic media to sample for this sort of theme is Nosferatu (1922).

The 1922 film was, in a sense, an adaptation of Bram Stoker's Dracula (at least, enough to get the creators sued by his estate). In its efforts to circumvent copyright laws, it plays fast and loose with Stoker's lore and characters, renaming the Harkers, the Count, and everyone else - and, crucially, adding an element of erotic fixation that the vampire develops upon seeing a portrait of his solicitor's young wife. While still overseas, he builds a psychic connection with the melancholy and sensitive Ellen; it is both horrifying and sensual, and ultimately what she uses to destroy him - sacrificing her own blood and life to keep him out of his coffin until cock-crow. Ellen dies, but the sunlight annihilates Count Orlok, and the ending is a bittersweet new dawn.

This fixated, possessive, murderous eroticism (first displayed in its currently recognizable form by Carmilla) has become a cornerstone of the vampire genre. Elements of it are recognizable even in relatively modern media like Interview with the Vampire, Buffy the Vampire Slayer, Twilight, as well as numerous Dracula adaptations (of which the 1992 Coppola film might be the most well-known); it is even present in other, indirect offshoots like NBC's Hannibal TV series. It is, therefore, essential to note that these overtones did not exist in the same way in Dracula the novel; and the reason for that is, specifically, a difference in character.

Count Dracula, while dangerous, vampiric, and psychic, does not possess that same singular fascination with any given character in Stoker's book (save perhaps for Jonathan Harker, temporarily). He does drain Lucy night after night, and his method of killing, like with all vampires of his type, is allegorically sexual; but it isn't personal. She keeps receiving blood transfusions - effectively, refills!.. Other than her blood, he has little interest in her. He has companionship enough already - after all, he lives with three female vampires, who may be courtesans or wives, but are colloquially referred to as Vampire Brides; and, additionally, he maintains ongoing communication with some of the people and animals that live on his land. As such, when he does bite Jonathan's wife Mina, it is a practical decision - made in order to establish a potential spy in a group of people who appear to be intent on hunting him down.

Similarly, Mina herself - despite the usual characterization of her film portrayals, which are in many ways epitomized by Coppola's 1992 version - was not originally a vulnerable maiden. She is confident and educated, she has worked for a living as an educator prior to her marriage, and she knows how to use a typewriter as well as shorthand. She has no emotional connection to Dracula whatsoever beyond pure incandescent hatred; and, frankly, forcing her into any sort of romance with him is deeply inaccurate to her character - because Mina Harker is endlessly in love with her husband Jonathan.

They may be on the lower end of middle-class, but relatively stable and planning a life together - not only as husband and wife, but as solicitor and secretary, as well. It's as close to a power couple as a novel from the 1890s will approach.

This is not the case for Ellen Hutter, largely because her social circumstances are far more precarious.

Unlike Mina, she has been forcibly isolated for the majority of her life. In that, she is yet another in the line of tragic madwomen of the gothic genre - mostly due to her eccentricities and her psychic gift, which (as the Eggers version specifies) manifested early in her childhood and became socially inexcusable during her teenage years, much like any real-world form of neurodivergence. It is implied that she has been institutionalized at some point as a result; and even prior to that, her father kept her confined indoors and away from other people in efforts to control her.

This isolation is what originally leads to her connection with Orlok - who was woken from his centuries-long deathlike sleep when he heard her reaching out into the ether, begging for a friend. Then, later in her life, the same circumstances unfortunately have a direct effect on her relationship with her husband Thomas, too; while she is attached to him, she cannot ignore that she is also utterly dependent on him as her ticket to a stable life, as well as out from under her father's thumb. Again, unlike Mina, she has no marketable skills or opportunities outside of this marriage; and while Thomas never shames her for her past, he still pressures her to ignore and repress it. The manifestations of her psychic ability concern, then unsettle, then frighten him - and, ultimately, there is a transactional aspect to their union. Thomas expects himself to move ahead in the world, like his friend Friedrich; and Ellen is expected to eventually become normal. She is expected to become a happy, pretty wife and mother like Anna Harding - because, while Thomas cares for her and fully intends to provide for her, he refuses to actually understand her.

Furthermore, it must be noted that leaving her father's estate for her husband's house did not entirely save Ellen from her isolation. Unlike Mina, she has no real friends of her own. Her only friend in the 2024 film is Anna, her husband's best friend's wife; and in the 1922 original, even that tentative affection is unclear. As such, Orlok remains the only character that truly knows and accepts her as she is - which inevitably complicates their dynamic.

While Orlok is, by his own admission, incapable of a human love, he is overwhelmingly and exclusively obsessed with Ellen. Unlike Dracula, who even in death keeps the company of his women and his people, Orlok exists in utter solitude. Prior to his death, he was also heavily avoided due to his being in "covenant with the devil." The 2024 film especially makes it clear that Ellen's call, which woke him from his slumber, is exceptional; their connection is intensely personal, and it is as close to love as he can ever feel.

This aspect of the vampire's characterization fundamentally alters the context of his behaviour throughout the film. While Dracula moved to England in search of new hunting grounds and little else, Orlok goes to Germany specifically to find Ellen. By marrying Thomas Hutter, she broke the covenant she made with Orlok in her youth; thus, knowing that his claim has been infringed upon, the Count makes contact with Hutter's real estate law firm, summons him to the Carpathians, crosses the sea, and arrives to Wisborg as a physical manifestation of every dark urge and ability she has been attempting to repress. He torments her husband, tricks him into signing a marriage annulment, plagues the city, and murders the Hardings - all of it for her. She is his unique and all-consuming motivation. Again and again, he insists upon their covenant, reminding her that she has never truly belonged to the human world, and he is not incorrect in his assessment. Ellen's surrounding society infantilizes and binds her, often literally. She has nothing to lose by leaving it, except for her own sense of morality; and that is why Orlok, who represents her own abnormality, remains a beautiful, nightmarish temptation.

The other characters diverge from Stoker's just as much.

Thomas Hutter has little in common with Jonathan Harker beyond his choice in career and his time at a vampire's castle. Despite his careful attachment to his wife, he does not actually take her opinions into consideration when he plans their life - he prioritizes his social and financial advancements, which are of no interest to her, and which he sees as his duties to her and to himself; and, when she exhibits any of her unusual or melancholic traits, he does his best to try and move past them as quickly as possible. He does not experience the same attraction to the horror that she does; he cannot bring himself to understand it; and both in 1922 and in 2024, he is also largely oblivious to her eccentricities, gifting her flowers despite the fact that she does not like to see them picked and dying in a vase. That is a far cry from Jonathan - who knows his wife's love of train schedules, who is practicing shorthand with her, and who is willing to join her in cursed, godforsaken undeath when faced with the possibility of her turning. Ultimately, Thomas exists too firmly within the same societal constraints that Ellen abhors, and their relationship has none of the foundation that is unshakably shared by Jonathan and Mina.

At the same time, while the Anna is a parallel to Lucy, and her husband is a corresponding Arthur, the Hardings (once again) have no particular commonality with them. Their characterization remains undeveloped in the original 1922 film - and while Eggers does grant them some definition, it is still in no way similar to Stoker's.

Stoker's Lucy is a charming, cheerful, flirty, and a little coquettish young girl; she exists on the cusp of womanhood and marriage, and her pre-vampire arc revolves around her choice between three almost-equally delightful suitors. She adores and idolizes Mina, she is childishly excited about her future; and in these things, she is very different from Anna, who is already married, a mother of two with one on the way - and who does care for Ellen, but in a motherly, rather than girlish, fashion.

Her husband, too, is quite different from Arthur Holmwood.

In 2024, Friedrich Harding is - above all else - the film's personification of the trap that is patriarchy. He is the epitome of what a man is expected to be: a successful business owner with a pretty blonde wife and 2.5 kids (I thought Anna's pregnancy was very much on the nose. Quite literally, 2.5 kids!). He is generous, he cares for his family, and he is firmly Rational. On the surface, Harding appears to be an ideal made flesh; and as the film progresses, it becomes evident that this ideal is designed to crumble.

Much of Harding's rationality is heavily hypocritical. While he claims to be making all his decisions based on pure logic, Ellen's - an outsider's - perspective exposes the truth behind his motivations. He ignores her warnings because he does not like her and considers her impudent; he kicks his own sick best friend out of his house with only his similarly sick wife to care for him, because he is annoyed and unsettled by their references to the supernatural; he refuses to listen to Von Franz and ignores the danger his family is in, because he is frightened of losing them to something he cannot comprehend, rather than a mundane, potentially treatable illness. All of these decisions are emotional, rooted in his misogyny and closed-mindedness - and so, Harding loses his daughters, his wife, his unborn son, as well as the unflappable, rational facade he had been so carefully maintaining. He ends the film a wreckage of himself, having committed necrophilia with the corpse of his wife because he was emotionally, irrationally unable to let go of her even in death; he dies of the plague that came to Wisborg through his own ship yard, holding her in his arms. Even under the guise of benevolence, his patriarchal worldview undermines and fails him entirely. It is a terrible thrill to watch him fall apart, and the ruin that is left in his place is one of the most obvious illustrations of the story's principal themes.

The other characterizations follow a similar sort of pattern. Sievers, unlike Seward, has no romantic rivalry with Harding; and beyond a professional connection, they are not really friends. Von Franz is far less knowledgeable about vampires than Van Helsing - for the majority of the film, he is stumbling in the dark with the rest of the cast, only finding a way of destroying Orlok in Herr Knock's codex. Knock, too, is far less noble than Renfield - even though he is just as insane as his counterpart, he sees Ellen as an object to be traded for money and power, rather than a kind soul that he would die to protect.

(Quincey Morris, unfortunately, does not exist in Nosferatu. Murnau hadn't found a place for a cowboy in his production; consequently, Eggers could not, either.)

The point is, really, that while Dracula and Nosferatu share a common premise, a comparison between them cannot be made without acknowledging the glaring differences between their characters. For instance, even though Orlok's relationship with Ellen is toxic in the usual vampiric way - part sex, part horror, part possession, part liberation - Thomas is by no means a perfect partner for her, either, because he is not Jonathan Harker, and Ellen is not Mina. Similarly, Von Franz, Sievers, and Harding are not a brave vampire hunting team - they are all blind, each in their own specific way (Von Franz, lacking straightforward knowledge; Sievers, trusting Von Franz without question; Harding, unable to think outside of societal rules). Expecting them to react to their situation the same way as the cast of Dracula is an exercise in futility.

As such, if you do get the chance to see the film again, or if it merely plays in the darkness of your skull when you close your eyes - instead of fixating on the few surface-level similarities between two different vampires and the people they haunt, allow the story of Nosferatu to seduce you on its own terms. Whether it is 1922 or 2024, we, as viewers, deserve its living blood - rather than the shadow of its predecessor.

[dankmyfarrik]

The Front Man hates the games. Based on the dates on the paper in season one, his wife died AFTER he won the games because he won in 2015, and it was the 5th anniversary of her death. This leads me to believe that he also felt guilty, like Gi-hun, and didn't use the blood money to save his wife, joining the game's leadership once he had nothing left to lose. I think he decided to take up the role so that he could minimize the number of people who die by making the player's options about leaving more explicit and possibly controlling and changing things about the games we have yet to see. 

Even though he despises the games, he forces himself to watch from his private room as a form of punishment. That is why he drinks during each red light/green light, not as a form of televised entertainment but because it haunts him. I'm wondering if the song Fly Me To The Moon was his wedding song, reminding him of the family he could have had and bringing him some form of comfort. 

But the Frontman and Gi-hun are still opposites in that he doesn't ultimately believe the players will choose to leave, and Gi-hun's optimism and belief in people after all he has gone through utterly fascinates him. When they talk at the beginning of season two, the Front Man says you would need to change the world in order for the games to stop happening. I took that as he genuinely wanted Gi-hun to change the world. Gi-hun won the games and rejoined to dismantle them. The Frontman won and returned, working from the inside to make it better, but is now so entrapped in the system he represents it.