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jessequinones · 1 year ago

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Stop Using Slurs in Children Stories!

I bet that caught your attention. You might be thinking, what stories use the N-word, or the F-word, well...none that I found. However, there are two slur words that are often used in writing mainly in children's literature because I don’t think enough people know them to be slurs. Those words are cripple and savage.

Before I begin, I need to address a few things. First, I'll only use these words in full for educational purposes so nothing gets confusing. Secondly, I’m not hating on any of these authors. I genuinely think these people might not know cripple and savage are slurs. However, I still need examples of what I’m talking about to explain how common these words are used in writing as well as explaining why it’s a bad idea to use them, so I’m using these authors, not as targets but as examples based on the books I have.

Both of these words (cripple and savage) have a lot of history behind them, and while I strongly suggest, not using them, if for some reason, they have to be used, you need to hire a sensitivity reader who’s a part of the communities that has been affected by said words before you publish your story.

Cripple:

Before I begin, please understand I’ve consulted with a disabled person who’s well knowledgeable in this topic to help smooth out my points. I’m not apart of the physically disabled community. As I’ve been told there’s a big debate going on within the disabled community in regards to if mental disabled people are allowed to use the word cripple or not. This is beyond my understanding of the word, and the community so when I mention the word cripple, I’ll be referring it to the physical disabled community and not the mental one. Everything I’m about to say has already been said by the physically disabled community. I’m not adding anything new or talking over them. If you would like to know more about the language of disability, please read Cy-Cyborg’s article on the matter: https://writingwithcycyborg.blogspot.com/2024/02/LanguageOfDisability.html

Cripple is a world that’s defined one of three ways, to either describe someone who can’t function properly, to describe a situation that’s overwhelming, or to describe an object that isn’t working.

Example one: DragonFire: Sphere of Eternity (book 1)

“I mean, this morning, no offence, you were crippled.” (Describing a person.)

Example two: “The economy was crippled.” (Describing a situation)

Example three: DragonFire: Age of Legend (book 3) (describing an object)

The word cripple, even when it was used in a medical sense has always been a word to punch down and insult the physically disabled community. It was used to attack them and point out their disabilities. It became a common replacement for the word injured because it has a more of a punch. Instead of calling someone “severely injured” use cripple instead, it’s shorter and a lot punchier of a word. Over time it became part of normal vocabulary to use it while describing something as severe, despite it still being used as an insult at the same time. Let’s look at an example of how it’s being used to describe an injury in Robert Vane's A Dragons Chains: Book one of the Remembered War

“I moved my three non-crippled legs…” In this example, the dragon has an injured leg. Why did the author use the word cripple instead of injured? I think it’s because of shock value. Is it cheap shock value? Yes, but shock value for the reader is still shock value. Tell me, what’s the difference would be if the author replaced the word cripple with injured? “I moved my three non-injured legs...” Does using the word cripple add to the sense of urgency? Add to the sense of how injured that character's leg is? Or was it merely just a place for shock value?

But how often is this word used? Let’s take a quick look at the DragonFire series. There are currently four books in this series at the time of writing, and the word crippled is used twelve times throughout four books. Knowing it’s a slur...that’s a lot.

Some of the examples in which it was used are in things such as DragonFire: Fallen Star (book 2) where it reads:

“...he yelled, his scythed tail coiling round, only for the far less crippled dragon to kick him off.” DragonFire: Order of Enishra (book 4)

It’s not just the DragonFire series which does this, other examples include, The Last Monster on Earth by LJ Davies

Which uses it four times in one book with examples such as “Lock these two in the truck with the cripple…”

Warriors: Forest of Secrets (book 3) has this line. “As Fireheart said goodbye to Yellowfang and went back to hunting, he felt a new surge of determination to bring Tigerclaw’s guilt into the open. For the sake of Redtail, murdered; for Ravenpaw, driven from the Clan; for Cinderpaw, crippled...”

And even Wings of Fire, one of my favourite book series uses it.

Here’s a question for you. Is it ok to use that word if the impact is meant to be insulting? In the Wings of Fire example, Queen Scarlet defeats Dune in combat, and is about to kidnap the main characters. Dune, still breathing can barley move upon which Scarlet killed him. Scarlet is one of those pure evil types of characters, this is something I could see her saying, but let’s take a step back and put your eyes in the eyes of a disabled child.

Here you are, a disabled child. You already know what the word cripple is, and it’s been used against you (don’t act like this doesn’t happen). You read Wings of Fire and you come across that sentence. What is the intent behind that sentence in the eyes of a disabled child? Are you supposed to be scared of Scarlet? Angry? Or are you upset, because even in a fantasy book with talking dragons, you can’t escape from real life or that word?

Some of you might say, “What if only the villains use that word?” While I can see Queen Scarlet calling Peril a stupid retarded motherfucker. It’s not something you want in a children's story, so why does cripple get a past?

I hope you’re getting the picture, it’s a very commonly used word, one which the disabled community has begged able-bodied people not to use. The word injured gets the same point across and it doesn’t have a history of it being a derogatory term. While replacing the word cripple with injured or severely injured isn’t a perfect fix, it’s at least getting rid of the other word which is a start at least.

Now before I continue with the other slur, I can hear some of you say you’re aware disabled people are using cripple to describe themselves. Why can’t able-bodied people use it? Here’s the thing. Not everyone in the disabled community is doing this, and it’s not a monolith. The word cripple has been used as an attack against the disabled community for decades. It targets them, puts them down, and it’s only used against them. You only use the term to refer to something as injured so there's no reason to use it on an able-bodied person. The community in which it was used against is taking that word and trying to empower it amongst themselves. You’re not gonna complain if someone who’s black uses the N-word, so why are you upset when disabled people use the word cripple to describe themselves but are saying you can’t? That word belongs to them and their community, not yours. Also, one more thing before I go, not everyone in the disabled community uses this word or wants to hear it. There have been plenty of disabled people who are fine using that word to describe themselves but won’t say it around others if other disabled people express they don’t want to hear it. So be mindful if you’re gonna use it and please hire a sensitivity reader.

Savage:

This word...I have a lot of history with it because it’s a word that’s used against my community, (indigenous) people. And yet, just like the word cripple, it’s used all the time and while it’s a very common occurrence where indigenous voices aren’t heard, we’ve been telling everyone to just drop this word. Unlike the word cripple, we aren’t trying to claim this word, we just want it gone.

The definition of this word is an easy one to understand. It’s to describe a person, object, or an action as barbaric, wild, aggressive, unintelligent, or barely even human.

Example one: “They’re savages, savages, barely even human” Disney, Pocahontas (1995). (Used against people)

Example two:DragonFire: Age of Legend (book 3) by LJ Davies

“I opened my muzzled to respond, but another savage roar drew our attention…” (Used as an action)

Example three:

(Used against a group of people)

Example four: “Savage weaponry” (Use to describe an object)

I’m gonna be using the series DragonFire a lot for my examples, because out of all the books I got, that series uses the word 19 times throughout books one, two, and three. It was used twelve times in book three and I guess someone told LJ Davies about this problem because it doesn’t appear in book four. But it DOES appear in the spin-off series “Tales of DragonFire: Rebellion” twice, and THIRTEEN TIMES in “The Last Monster on Earth”. Overall, that's THIRTY-FOUR TIMES in the course of five books, all meant for children.

LJ Davies isn’t my only example. Chester Young, used it nine times throughout books 1 and 2 of the Celestial Heir books Rowan Silver, used it once in Eyes of Silver: Dragons and Skylines (book 2) And Robert Vane, used it once in the Remembered War series in book 4

Let’s start by showing off some examples and the impact they have and please note, that this might be something you’re just not experienced with. So just like with the disabled child, try to imagine yourself as an indigenous child. You’re fully aware of the word savage, it’s been used against you, and your people. So when you read a text like “Trade with the savages...they wouldn’t understand the concept!”

It feels awfully familiar to lines you read in your history books about your people. Keep in mind, that you wanted to read a story about dragons so you could get away from real life.

(From the Last Monster on Earth by LJ Davies)

I know the United States called the Native Americans savage monsters while stealing their land, it was used as a way to justify their actions, make the natives appear barley even human or in most cases, not human at all, let’s not forget, for a good majority of the building of the United States, those founding fathers didn’t see anyone other than themselves as humans. Reading text, asking how people became savage monsters overnight should remind you how people labelled indigenous people in the past and still do today.

"To confirm the princess’s words, yes, there is an army out there whose numbers vastly exceed our own. Nevertheless, they are a crude mockery of the noble kind they once were, and they are now nothing but savages….There was a series of grunts and nods at that statement...” (DragonFire: Age of Legend, book 3)

I think, this text is a great example of what I’ve been trying to say. In this text, the character who is speaking and the grunts and nods are all dragons with human-like intelligence. They're a stand-in for us. The Elder (who spoke in said text) has been seen and viewed as one of the good guys. He calls his kind noble, and he’s working with a princess, (let’s not forget our history books on how the royal family treated indigenous people). He calls his attackers “nothing but savages”. In translation, their monsters, who are no longer noble or righteous. There’s an agreement with his statement, as if what he says is right and we should be agreeing with him.

In that sentence, understanding everyone is of human intelligence and is a stand-in for humans. We have an old white knight, calling the enemy savages while the royal family are the heroes who are trying to protect their land from those filthy, disgusting, savages. You can kind of see why I’m saying we really shouldn’t be using this word.

“Yellowfang will be allowed to stay here until she has recovered her strength. We are warriors, not savages…” Warriors: Into the Wild (book 1)

Savages...indigenous people, they aren’t warriors, they would’ve killed Yellowfang, and left her to rot in the wilds, Thunderclan is better than those monsters. Am I making my point clear enough when it comes to the history of this word, who it’s targeted against and how it comes across when reading in children's media?

You might’ve noticed I’ve mainly been using examples when it refers to a group of people, not necessarily showing off how commonly it’s used as either an action or an object because honestly...those are just kind of dumb. A savage roar? What does that mean?

Ah yes, because we really needed the use of the word “savagely” to get the point across that Misuk just destroyed a person's skull. The “turning his head into a bloody pulp” wasn’t enough on its own. Without the use of the word savagely how else could we get the aggression and power across? When savage is used as an action it’s mostly because said character loses control of their humanity. They become savage when they attack and the end result is a bloody mess because that’s the only way indigenous, I mean, monsters, I mean barbarians, I mean savage people know how to fight. You often see these kinds of moments when the good guy who’d never hurt a fly loses control and unleashes hell, they turn into something that’s not themselves, they turned into a savage and these moments are meant to be shown as shocking as the character forgets who they are for a couple of seconds.

Indigenous people were savages, with savage strength, and a savage kind of culture. They scalp people, beat them to a bloody pulp, and ate your children. Those monsters needed to be killed. Whenever you use the word savage, it circles back to a group of minorities who were just trying to survive. This word has been used so much, that I don’t think many people realise the history behind it, which is why I said I’m not hating anyone who uses it, but please try to get a sensitivity reader. Get disabled and indigenous sensitivity readers, even if there’s no indigenous or disabled representation in your books, the words you use, still affect us and it’s a good thing to be aware of the words of which you speak and write.

Please be aware of these words, especially if you’re writing stories meant for children because the more children see these words, the more normal they’ll think it is and the more often they’ll start repeating it. I think there’s a time and place for these words, but saying them as an excuse to make something more shocking, isn’t the time or place.

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icwasher · 3 months ago

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I've recently decided to take my Star Wars modern AU and give it a plot and as I've been thinking about it I wrote a short scene that takes place somewhat close to the beginning middle-ish. Unfortunately, I do not want to spoil the story so this scene is without context, but I'll post it here anyways for anyone who wants to read it.

There were no lectures in the Fett car that night. Only silence, though it was sometimes interrupted by the crunching of rocks on the asphalt road against the car’s tires. Omega huddled in the back seat, trying to ignore the glare Crosshair was giving her from the rearview mirror. Out of all her brothers, he was the angriest, which was not really very surprising. Crosshair tended to be like that. His anger was like ice—cold, hard, and long-lasting. Omega knew it could be months before he stopped being mad. She could even be done with her sentence—three months of grounding plus an extra month of chores—before Crosshair even began to stop being angry. Sometimes she wished he wasn’t like that. But it was just a testament to his loyalty—loyalty that kept him with Omega and her brothers instead of letting him roam off around the world like Omega knew he wanted to. She hoped someday he would get to travel. He had told her once, in the strictest confidence, that he wanted to visit every country. So far, he had only been to three. Omega had been curious after he shared that with her, and she had snuck out his passport while he had been sleeping. Two stamps. One to Afghanistan, and the other to Costa Rica. The former had been to visit a recovering Echo. The latter had been for his never-spoken-of time working for the Empire. Omega usually liked Crosshair’s loyalty. But not now. Now it would mean holding onto his anger. There wouldn’t be any late-night movies or conversations between them for a while. Omega curled her legs up to her chest and hugged her knees. It would be fine. She’d get through this.

#i think this is the first time i've posted anything about my modern au bad batch so i'll give a brief summary of their lives #crosshair is currently working the night shift as a security guard for a local museum (not night-at-the-museum-esque at all)#hunter is a pe teacher during the school year and a park ranger during the summer #tech is just . . . a tech guy #like he does technology stuff in the corporate sphere #wrecker's a construction worker specializing in demolitions (of course)#and echo runs a local diner that goes for breakfast and lunch (he's gotta be home in time to see omega after school)#star wars #the bad batch #tbb omega #writing #star wars fanfiction #star wars modern au

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feeling--pink · 9 months ago

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Day 9 (red) - Sphere ❤️

I’ve never drawn them in their original fits so I thought that would be fun to do today!! :)

#sara pena #hunter richardson #sphere #sara x hunter #hunter x sara #drawfee #this one’s for you Ro ❤️#my art stuff #the sticky note doodle takeover of 2024

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littjara-mirrorlake · 1 year ago

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Daily Life in the Phyrexian Spheres (Maze to Bays)

Previous: Facade to Furnace

The Maze is a thick tangle of coppered greenery and savage beasts shielding loyalist Phyrexia from the outskirts of the plane, posing a significant challenge to attackers moving in or rebels moving out. In theory, the domain ruled by Vorinclex and Glissa is loyal to Elesh Norn and stands ready to serve the Orthodoxy. In practice, most Maze denizens don't discriminate between Mirran or Phyrexian, loyalist or rebel. All are prey unless they can prove their worthiness to survive, and many an Orthodoxy enforcer realizes too late that their authority provides no shield from the dangers of the wild.

Though the Maze's savage reputation is well-earned, areas of tranquility remain, shielded by dense growth. Bubbling ichor wellsprings, nexuses of mana, and meadows of rare and exotic flowers await those with the skill to find them. Pockets of relative civilization also exist, such as the living quarters of priests, aspirants, and commoners, woven or grown into the landscape's coppery scaffolding. Common roles include the upkeep of local plant life and the study and augmentation of predators, carried out by Phyrexians known as stewards.

Not all Maze residents subscribe to Vorinclex and Glissa's ideology of weeding out the weak, though, and many form communities and care for those close to them. They are reluctant to aid outsiders, usually more out of self-preservation than an idea of social Darwinism (though many justify it with the latter). Luckily, no one is enforcing their obedience or ideologies--all Maze-dwellers must do is survive. Though predators run rampant, actual policing and enforcer presence is almost nonexistent here, making the Maze a suitable location for canny rebels to hide. In particular, the border between the Maze and the Furnace is a hotspot for illegal activity--another region that praetors consider beneath their notice.

The Bays are the heart of Phyrexia's surveillance state. Every feature of the landscape, from buildings to "trees" and the great skylights themselves, is studded with ever-watching eyestalks. The cameras' ubiquity reminds residents of their duty to obey--after all, you've got nothing to fear if you've got nothing to hide. Mind magic is heavily used, and memory redaction is common. The infrastructure of the sphere itself is also carefully micromanaged, down to local climate patterns. Control centers are overseen by ranking officials but staffed by commoners, who desperately beat back the unseemly Tangle growth that reaches down here.

Religion takes a backseat here in favor of hard science, and some researchers brazenly deny the Orthodoxy and claim experimentation as Phyrexia's truest way ahead. After all, the Progress Engine's primary export is research, and its titanic labs demand a steady influx of talent, raw materials, and captive test subjects (both Mirran and Phyrexian). Compleat creatures that fall short of their duties are often "repurposed" this way. Vast amounts of information are stored in archives of glistening oil and quicksilver.

Even in this sphere of eyes, however, dissidents carve out bubbles of secrecy. Drones and cameras can be covertly hacked, and mental defenses are meticulously constructed to mislead. Spy networks infiltrate nearly every level of Gitaxian academia, pilfering research and weaponry to aid the rebellion's cause.

A quirk of Surgical Bay life, which bleeds over into the other spheres, is the tendency of tools and inanimate devices to be replaced by living Phyrexian creatures known as skites. From syringes to chests and telescopes, even the most mundane items skitter on their own accord, and railings for them to walk on are built into most rooms. These simple creatures are roughly equivalent to trained animals, and variants are employed by both loyalists and rebels to spy on their opposition.

#mtg #magic the gathering #new phyrexia #surgical bays #hunter's maze #jin-gitaxias #vorinclex #daily life in the phyrexian spheres #phyrexian

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hansatorium · 2 years ago

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deer hunter orb

#in reference to that one mean streets cube post #pondering my orb #orbing my pond #the deer hunter #the deer hunter 1978 #robert de niro #christopher walken #ball #sphere?#balls 😎👍#orb #oc #gif

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nyt1ba · 5 months ago

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Loss was a tragedy never absent from his life, while others would relish in what little life that sprouts from the ashes, his eyes would only settle on the darkness. The shadow of death lingers overhead, an ever-present reminder of all the slaughter his actions had let loose and all that would follow in his wake. It seemed more like an old companion when it overshadowed her, standing close, waiting patiently to claim her as well. It's a new kind of fear he hadn't known for long, distinct &. unavoidable. It gave way to an irrationality very uncommon of him, to break a strict punishment to utter what he kept locked in his heart to ask her to live when she had been so sick and weary of it. An undeniable regret still sits at heart for a need he had renounced long ago, viewing it as something selfish and cruel when in truth it was an expression of love he never thought himself capable of anymore. But as all good things are, they fade away with the merciless stretch of time, a curse laid upon him to lose more than he can ever salvage and fix. It's all a blur, swallowed into a grief never soothed by the ages. Ever since Elektra and Artemis landed on earth, there were others that had found their way to the desolate planet, bounty hunters foolish enough to think they can go against her fire if they hadn't been snuffed out by Naytibas before they could ever find her. It was an attempt in an ambush like any other, an easy practice for her to break away from the monotone of tasks she would take across the wasteland to lighten his load whilst he monitors from his drone. However, as the battle progressed, a grim recognition falls upon him, it wasn't a random ambush but a planned one. They were delving deeper into an Alpha's territory, [ most likely tipped by Mother Sphere's and her newly found alliance with the collation. ] His warnings are all in vain as the Alpha Naytiba emerges to greet them rather eagerly, the next thing he knew was blood, no indication of life, all vitals reduced to a thin line.

He doesn't remember much, only the consuming rage as the hunters boarded their ship to flee now that they had accomplished their goal. Their flight quickly coming to a crash, split through by the Elder descending with the speed &. burning light of a meteor colliding into earth. The aircraft is then seized and sent flying at the Alpha, forcing it to stumble into rock and debris. He isn't here for a fight however, not originally. It's the ruins she had been buried under was that came to look through, a desperate hope that she had somehow survived ... or a wish to bury her somewhere more fitting. Pushing through rock and dirt he finally found her, bloodied and cold to the touch. She's carried carefully into the safety of his arms, with his light he can see the wounds closing and yet, nothing, no breathing, no flutter of eyelashes, nothing. ❛❛ El ... ❜❜ it's a quiet call, cold and empty, perhaps in temporary denial, or the familiarity of grief that had left him so void and lifeless. A calm before the storm. The echo of the Alpha in a hunger for blood calls forth a similar fury deep within the nothingness, easy to influence now in his own instability. Though he's gentle as he lays her to rest on the ground, what follows then is an unrestricted surrender to frenzy. He lunges forward, talons stretched to grasp at its face, a glow results in a blast to send it from whence it came, it only fuels the Alpha into further rage, and him in turn, they collide again, tearing at one another so mercilessly. Excellent control &. synchrony of sword and spears are nowhere to be found, a display of the brute and animalistic, claws tearing at flesh with the viciousness of a predator at hunt. As much as he wanted to deny it, it was fairly easily to lose himself into rampage, now in perfect unison with the Hive Mind than the remains of humanity. It's blinding, overwhelming, difficult to break through except by one. Her voice sounds amidst the chaos that had overtaken him, bringing him back just in time as claws halt just an inch away from her face. As realization sinks in, a newfound terror settles within. The Elder steps back, his figure fading into light as he morphs back into his human form. Adam collapses to the ground, trying to catch his breath, anger not yet leaving him, neither is the sadistic excitement he's trying to smother against himself. Fingers curl into the dirt, intermingled with the blood soaking his hands. What has he done ? What was he going to do ? If he hadn't snapped back in time she could've ...

[ REACH ] for one muse to reach out and take the other’s hand to comfort them.

Gentle, always mindful to his aversion, the lack of her hand in his was an absence he misses as though he had lost a part of himself. Though no one else could provide him with a comfort as sweet as her presence, he can't help the way his own hand whips away before fingers could settle fully on top of his own, never once caring for his bloodied hands even when it's no longer figurative. ❛❛ I'm sorry i ❜❜ the words remain trapped in his throat, eyes failing to meet her. He's relieved she's alive, but the sentiment is choked out as one thought echoed in his mind relentlessly, he could have killed her, and he's fleeing from her tenderness in fear of hurting her in any shape or form. Still not quite himself at the moment, difficult to be composed amidst the blood. Mouth is covered with his sleeve to block the scent, fighting back a wave of nausea, it's enticing, even if it is of his own kin, the thought disgusts him. ❛❛ I'm sorry ... ❜❜

@stilettaux // call a doctor I'm UNWELL

#stilettaux #* answered.#// IN MY DEFENSE #// I wanted it to be sweet but then ............. I slipped #// Elder in full control is merciless ... Elder in loss of control is savage #// this only used to happen during his first years after mutation #// but this time he's driven to deep anger ... mother sphere when he gets you-#// thinking he lost her ???? Cold as he may be it would still do a number on him #// and it's not something he can heal from #// but now knowing she's alive and that he could have killed her himself - GOD that's worse so much worse #// he's going to keep apologizing for the next 1937294883 years #// I'm still a wreck thinking about the conflict between his humanity and Naytiba instincts #// they're more animal like and this is all his nature now he's so disgusted by it but can't deny it all the time #// AUGHHHHHHHHH #// I don't feel bad for the hunters though would murder them again -

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the-writer-nerd-ro · 6 months ago

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Ohhhh we are popping the biggest bottles, it only took writing 25 fics (plus a small number of fics from other talented writers) but Sara and Hunter are FINALLY a recognized relationship tag on AO3

To celebrate, please enjoy:

Sara and Hunter are Two Rats

Hunter was exhausted after a long day of overseeing funerals. It was a stressful job, because mourners don't always behave tactfully and also because most funerals were for crows and crows tend to eat rats.

Her parents had had a much more friendly relationship with the local birds, but they'd been lost in a tragic rat poison incident and now Hunter was left running funerals for creatures that could eat her if they decided they didn't like the flower arrangements.

So she was a little on edge at the end of the day. All she wanted to do was collapse in her little hole until she had get up and go to work for the next murder victim or piece of roadkill that deserved a touching tribute.

The second she got comfortable and closed her eyes the hole filled with noise. She didn't have to open her eyes to find the source, she knew it was Sara.

Sara had acquired a zune from the humans and so everywhere she went she had background music. It was weirdly endearing- when you didn't have a skull splitting headache from a day of hard work.

“Hey! You want to go to the rat rave?”

“The what?” Hunter asked, which was a mistake. Responding meant confirming that she was awake.

“It's a rave for rats.”

“I should have known.”

“It doesn't get as crazy as the bat raves but those are pretty exclusive. I mean I can get in and I'd vouch for you, you do fit their aesthetic… Do you want to go to a bat rave?”

“Mmph.”

“How do you feel about being upside down?”

Hunter cracked an eyelid and looked at Sara. She loved Sara's enthusiasm and obscure party knowledge, but she couldn't match her energy on a good day and this one had been especially bad.

“Look, I almost got eaten today, so I don’t really feel like going out.”

Sara's eyes seemed to glow with anger at this revelation, “Who?”

“No one you know,” Hunter said quickly.

“Tell me their name and I'll hunt them down to the ends of the earth and make sure they never party in this city again.”

“Or,” Hunter suggested gently, “you can come over here and snuggle.”

Sara thought about it for a second, turning off her zune right as it was in the middle of “I Am” by Bon Jovi.

She came over and lay protectively in front of Hunter, so that any predators that found them in the night would have to go through her first.

“I'll keep you safe.”

Hunter nuzzled into Sara, “It's enough for you to keep me company.”

“I can do that, too.”

“Thanks for skipping the rat rave for me.”

“There will be other rat raves. But there's only one you.”

As she was falling a sleep Hunter kind of smiled and mumbled, “Yeah, I love you too.”

#sara pena #hunter richardson #drawfee fanfiction #drawfee #sara x hunter #hunter x sara #sphere au #two rats au #two rats #i am really incredibly impressed at how many people have written two rats fanfiction ready #y'all should be proud of yourselves #decided to add a link to the ao3 fic

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sbnkalny · 11 months ago

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So we had no peer, even among the great Hunters of Hircine's sphere.

#QUOTE #DAY 20 #My mind is HERPES had no peer #even among the GREAT hunters of Hircine's sphere.

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letmetellyouaboutmyfeels · 2 years ago

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That's so weird because my reaction to S4 finale is it was the moment that convinced me Buddie was going to be endgame. Now two seasons later and we could be heading back to that same ending for the season depending on the events of the finale leaves me doubting things ngl. The only things I'm clinging on to are the couch theory, Eddie saying that relationships with people you meet at a rescue never works, and the fact that we're being introduced to these women so late in the season. It just seems like the writers even know they're giving this the most superficial things so that they can fix what they did in early S7.

To put it bluntly it just sucks that you know if this was gonna be the final 2 episodes that instead of going towards a story they've been telling since S2 they decide to put Buck and Eddie with women we don't even know their last name or anything about them. But they got renewed and will be moving to ABC so they can do the story they wanted to tell and I imagine these women will be kicked to the curb early in S7.

Okay, I'm gonna be real honest with you. I've seen that you've sent asks to a few of my friends, all generally saying the same thing. So to see you send me this ask makes me feel like you don't really want to have a discussion and aren't looking for actual support or positivity, you just want to keep being upset and tell people until someone agrees with you and tells you that your opinion that the writers made a shitty choice etc is valid.

So, to repeat a few things my friends have said:

They have not been doing Buddie since season two. I don't know why people persist on claiming this. Buddie was never the original plan. They did not decide to have Eddie get with Buck in season two. In fact in season two they seemed kinda unsure what to do with Eddie since he wouldn't be with Maddie any longer, but they still wanted the character, and Ryan, on the show. For my money, they started exploring the possibility of Buddie and discussing it seriously in season three, and season four was when they locked that in.

Now, I don't know about you, since you're a stranger on the internet, but to me, as a writer, it is a much, much better choice for them to have taken the risk rather than cram Buddie together, for a few reasons.

One: They cannot walk it back once Buddie is together. You're telling me you wanted them to sacrifice their story's integrity to give us a rushed unsatisfying get-together? Get out of my house. Watching television is, inherently, a gamble because it means you might get your stories unfulfilled. If you can't take that risk, then leave the casino. I am willing to risk it because I want a truly satisfying get-together, not something that was rushed and therefore isn't worthy of the delicious slow burn they're building.

Two: How many times do I have to scream at everyone to consider the behind the scenes issues before people start actually listening to me? Oh, forever? Because everyone is operating in bad faith and nobody wants to actually listen? Good to know. This will be the last I say on the matter.

We do not know what behind the scenes was going on in addition to the cancellation. What if certain Fox executives weren't supportive of Buddie? You're telling me that the writers and cast and crew should have, right when they'll need new jobs, guaranteed that their last employers will talk shit about them for disobeying orders and putting two characters together that they were told not to put together?

This is purely conjecture on my part, but I have seen time after time in fandom certain cast members and certain crew members and certain writers want a ship to become canon, and others not, and I have seen the way that back and forth played out, and guess fucking what? NOBODY WANTS TO LOSE THEIR FUCKING JOB. NOBODY WANTS TO BE PREVENTED FROM HAVING ANOTHER JOB.

Now, again, that's pure conjecture, but Fox really hasn't treated OG well for a while in terms of renewal, marketing, etc. And I have never, EVER, seen a show snapped up by another network so quickly. It's always "we got cancelled!" and then a few days or weeks later it's "we were saved by another network!" ABC was ON it. This gives me hope for a lot of things, like perhaps a 22 episode season. But given Fox's lack of promotion and appreciation for OG, it wouldn't surprise me if the cast and crew wanted Buddie and some people in the network didn't, and that is why we've been delayed on Buddie going canon. And while YOU may cry viva la revolution, it's much easier to have your principles when you've got a belly full, and while it may suck creatively there is no reason to piss off your bosses right when you need them to write you a recommendation for a new job because your show got cancelled - and while I'm sure they were hopeful, given the cast's social media I do not think anyone knew until it was publicly announced that they had, indeed, been saved and gotten another season.

My point is, this is just one theory I'm pulling out of a hat like a rabbit. We do not know what other BTS stuff is going on that made them choose to delay Buddie until season seven.

Three: To go back to point one, I do not think you've seen the reactions when a ship goes canon poorly. I was there, Gandalf. I was there the day that Booth and Bones got together. I was in the trenches. It soured SO many people, including me, on the show. To quote MBMBAM: YOU DIDN'T STICK THE LANDING! YOU JUST FLIPPED IN THE AIR FOR TWENTY MINUTES!!!

Sticking the landing when getting a ship together is possibly the most important moment in the couple's story. You cannot fuck up that landing. The writers chose to take the chance on it never happening in order to stick the landing the way they wanted. If that pisses you off, FINE. But stop coming into our inboxes to say the same thing over and over again about it, because we do not agree and we are never going to agree. We are at an impasse.

Now, to move onto some other points, WHY IS EVERYONE CONVINCED THAT EDDIE WILL STILL BE WITH SOMEONE WHEN THE SEASON ENDS!? WHEN DID WE DECIDE THIS!? He could be! But holy shit he could just go on one date with her that fizzles out! We have no clue! If someone in this fandom can see into the future and knows for sure this is going to happen then give me the winning lotto numbers right this second!!! Give them to me!!!! I need to fund my world domination campaign!!!

And finally, I feel like you've answered your own concerns, here. Given that you have sent similar asks to my friends, I don't think you're actually interested in allaying those concerns, because you keep answering your own questions and repeating yourself ad naseum. I could be wrong. Again, I don't know you. But this sure seems to be the case given that you're saying to me similar stuff you've said to my friends in asks they've already answered.

But to look at your own ask, you just said why we shouldn't be worried. "It seems like the writers even know..." YES. YES, THEY DO KNOW. I would love to know who the hell decided that television shows are made by the Television Fairy who creeps into the studio at night and waves her magic wand to create all the good stuff we see on our screens while the writers sit around with their thumbs up their asses.

Let's imagine you are a showrunner and you are going into the second half of your season, and you learn that it is extremely likely this season is actually your last. You guys start negotiating quietly with other networks to move the show, while hoping against hope this is not, indeed, the end. But this means you now have, what, nine episodes? To put all your characters in a place that is, if not ideal, at least somewhat positive for your audience?

You can't start any too-major arcs. You can't end on too bad of an emotional cliffhanger. This means some things will wrap up faster. Other things will get pushed forward. And some things have to be delayed, because they might never happen, and you can't give people a third or a half of an arc. Which means that you're going to be throwing in some filler for those characters instead, and doing things differently than how you might have wanted.

I do not know how many times I have to explain this, but television is not fanfiction. When I sit down to write a fic, there's not a damn person in the world who can tell me what to do. I write the story that I want, and if someone doesn't like it, they can hit the bricks.

Television is not like that. Television is one of the biggest group projects there is. Picture the worst group project you had to do in school and then times it by ten. Welcome to the television and film industry. The fact that any film or show, even the truly awful ones, gets made is nothing short of a miracle given all the people involved and all the ways the ball can be dropped. As a show runner, you are answering to multiple executives, to the creators, to the executive producers, to your own writers' room, and to the fans. You are trying to balance what everyone tells you to do, what the fans want you to do, and what you and your (hopefully trusted) writing team want and plan to do. I could never be a show runner and while there are quite a few with whom I've got bones to pick, I cannot deny that they all do a job I would never, ever be capable of pulling off. I'd quit on day three.

So, yeah, they gave Buck a temporary girlfriend as filler, to kinda cap off his current arc if this was the end, or to provide more layers to his full arc if they got another season. If you don't like that, then that's okay. Nobody is telling you to like it. When you come into someone's inbox like this, the assumption is that you're looking to be reassured, and so that's why you're getting the responses that you are. The previous people who've answered you have been trying to reassure you and allay the concerns you seem to have.

But it seems to me like you want a more full conversation, and possibly, that you just want to rant and vent. That's fine, but find a friend for that. Join a discord server. Because when you send the same stuff over and over again to different people, all of whom give you basically the same reply, it just makes you look like a very obstinate stick in the mud who wants everyone else to join them in being upset, and people don't much like having the same conversation multiple times, or being pushed into being upset when they're not.

You might just have to agree to disagree, and move on. Find other ways to get this out of your system, because my inbox, and the inboxes of others, is not the place for your venting in circles.

Now, in spite of my firm tone, I hope you will believe me when I say that I hope you're taking care of yourself, and that you are staying safe in this scary world, and that you have a good rest of your day.

#lincoln answers things #pedropascale #I'm closing my inbox guys I refuse to discuss this any further #genuinely I mean this with all sincerity I think some of you need to go into the Supernatural fandom and learn about the backstage drama #because that was a BIG lesson for me as a fan in how BTS can seriously affect what you see on screen #and no I do not mean this in a shipper way #I mean this in a 'what the hell was going on during seasons six through eight' kind of way #for example all the jokes you're seeing about 'what happened last time we had a writer's strike'?#THAT'S SUPERNATURAL #DEAN WAS NEVER SUPPOSED TO GO TO HELL #SAM WAS SUPPOSED TO LEAN INTO HIS DEMON POWERS AND EMBRACE THEM IN ORDER TO SAVE DEAN'S SOUL #BUT THE WRITER'S STRIKE HIT AND THEY SAID SHIT WE'RE OUTTA TIME UM. GUESS YOU'RE GOING TO HELL!!!#and then they had to GET HIM OUT OF HELL #so Sera Gamble (YUP IT WAS HER DON'T GET ME STARTED OR WE'LL BE HERE ALL DAY)#said hey what if we actually DID have angels #(previously angels were not supposed to exist. hunters were God's agents on earth. it was demons vs hunters. no angels.)#and one of those angels was sent to rescue Dean? since Heaven would be invested in this too?#(I don't know if they already had the Dean-as-Michael idea or if that came up along with the angels idea)#and so Sera Gamble created the angel Castiel #who saved the Righteous Man from Hell #AND SHOCKWAVES WERE SENT THROUGHOUT THE ENTIRE POP CULTURE SPHERE #AND AN ENTIRE GENERATION OF FANDOM WAS AFFECTED BY THIS DECISION IN A DOMINO EFFECT ARGUABLY NOT SEEN SINCE AMOK TIME #I know we like the idea of our stories existing in a vacuum separate from the real world #and that our stories are told the way the writers want to tell them regardless of all else #but that is unfortunately not how it works when the story you're telling #requires millions of dollars and the involvement of dozens if not hundreds of people #we have GOT to give our creative teams some fucking grace for the realities of how their jobs operate #we must we must we must

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