#The Roshans review

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The Roshans: A Slice of Bollywood Through the Roshan Lens

Netflix’s The Roshans explores stardom, struggles & legacy of the Roshan family in Bollywood, highlighting their influence, challenges, and industry dominance.

Sneha Jaiswal (Twitter | Instagram) The first episode of the Netflix mini-documentary series The Roshans was undoubtedly the most immersive and fascinating for me, as it tells the story of Roshan Lal Nagrath – a music director, father to renowned brothers Rakesh and Rajesh Roshan, and grandfather of Bollywood star Hrithik Roshan. Roshan Lal Nagrath was only 50 when he passed away in 1976, but…

[jgroffdaily]

Review excerpts:

'A Nice Indian Boy' Review: Karan Soni and Jonathan Groff Star in One of the Funniest, Most Heartfelt Rom-Coms in Years | LFF 2024

Quite often, a wedding isn’t for the two people up on the altar, but rather, for their families. In certain cultures, particularly India, weddings are of colossal importance, an indication of the health and stature of a family. So, what happens when this generational pressure of upholding old traditions collides with modern sensibilities? You get a joyous, beautiful, and nuanced film like Roshan Sethi’s A Nice Indian Boy, adapted by Eric Randall for the screen from Madhuri Shekar's play.

It feels like years since we’ve had a decent, wedding-centered rom-com that is as much about family as it is romance. No film in the past decade has hilariously captured the anxieties of being single and attending repeated weddings like Four Weddings and a Funeral, or the absolute chaos of culture shock marriages between two people from different backgrounds in My Big Fat Greek Wedding. A Nice Indian Boy is the movie we’ve been waiting for. Not only does it call back to these adored classics from the ‘90s and early 2000s, but it’s also a queer love story that blows right past some of the heteronormative love stories that have been dropped on streamers in recent years.Sorry, Billy Eichner, but this is the queer love story everyone wanted.

Karan Soni feels like he was born to play Naveen. It’s a meticulous balancing act to play someone who is so engulfed by anxiety but is yearning to live life freely and unapologetically. The first date could’ve appeared devoid of any chemistry due to Naveen’s clear discomfort, but it’s Soni’s exceptional acting that allows just the right amount of infatuation to shine through. Jonathan Groff is as charming as ever, playing Jay as the confident, open mushball with a fragile core due to considerable trauma. The two of them are lifted by a spectacular cast

[bollywoodnerd]

Movie : Fitoor (2016)

Artist : Aditya Roy Kapur

[milliondollarbaby87]

Not Without My Daughter (1991) Review

Based on the true story of an American woman who became trapped in Iran when making a visit with her husband and daughter, something he had planned all along? ⭐️⭐️ Continue reading Not Without My Daughter (1991) Review

[lokeshbhandarireview]

Most underrated Bollywood movies of all time

Most Underrated Bollywood Movies of All Time  Introduction: Indian cinema has a rich and diverse history, producing many films that cater to various tastes and sensibilities. While some movies achieve blockbuster status and gain widespread acclaim, others often slip under the radar despite their exceptional storytelling, performances, and unique perspectives. In this article, we'll spotlight the 30 most underrated Indian movies that deserve more recognition and appreciation.

1.           Ship of Theseus (2012): Directed by Anand Gandhi, this thought-provoking film explores philosophical themes through three distinct storylines, raising questions about identity, morality, and the interconnectedness of life

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2.           Aankhon Dekhi (2013): Rajat Kapoor's film follows the journey of a man who decides to believe only what he sees with his own eyes, leading to humorous and poignant situations that challenge conventional wisdom.

3.           Masaan (2015): Neeraj Ghaywan's debut film delves into the lives of characters navigating love, loss, and societal expectations in the culturally rich city of Varanasi, offering a poignant and emotionally resonant narrative.

4.           Court (2014): Chaitanya Tamhane's National Award-winning film explores the Indian legal system through the trial of a folk singer accused of abetting a sewer worker's suicide. The film critically examines societal structures and justice.

5.        Titli (2014): Kanu Behl's directorial debut tells the gritty tale of a young man's struggle to break free from his dysfunctional family's criminal activities, providing a raw and unfiltered look at life on the fringes of society.

6.           Talvar (2015): Based on the Noida double murder case, Meghna Gulzar's film presents multiple perspectives on the investigation, highlighting the complexities and flaws within the Indian criminal justice system.

7. The Lunchbox (2013): Ritesh Batra's heartwarming tale revolves around a mistaken lunchbox delivery that sparks an unusual friendship between a lonely office worker and a neglected housewife, beautifully capturing the essence of Mumbai

Read More

[adamwatchesmovies]

Indiana Jones and the Temple of Doom (1984)

They don’t make movies like Indiana Jones and the Temple of Doom anymore - for multiple reasons. Certain aspects of this film will take modern movie-goers aback. You can focus on the dubious cultural depictions, violence and gross-out humor or you can divert your attention to what works: the never-ending tension, action scenes & set pieces, cinematography and the ever-charismatic lead.

In this prequel to Raiders of the Lost Ark, Indiana Jones (Harrison Ford) narrowly escapes from crime boss Lao Che (Roy Chiao) with his eleven-year-old sidekick Short Round (Ke Huy Quan) and nightclub singer Willie Scott (Kate Capshaw). Unfortunately, they soon find themselves stranded in northern India, where many children have gone missing and a sacred stone - one of the five fabled Shankara stones - has been stolen. Their quest to unravel the mystery brings our heroes to an ancient Thuggee cult who practice dark magic and ritualistic human sacrifices.

In a way, this picture is much lighter than Raiders. We’re not dealing with Nazis. Indy and his little buddy are going up against India’s equivalent of devil-worshippers but the villains are firmly planted in the realm of fantasy. There are many jokes as the boys playfully bicker and roll their eyes at Willie, who has no business being on this adventure but wound up alongside them. Over and over, she’s screaming at the bugs, skeletons, traps and dangers they encounter. The duo would be much better off without the dumb blonde… but abandoning her would be irresponsible. She’s nothing like Karen Allen's Marion and the film makes that clear. If Willie's going to complain about being away from the city, let's give her a real reason to - which means lots and lots of ewwww moments. This is where people might raise an eyebrow. There’s a famous banquet scene where the most stomach-churning foods are served. You may interpret it as a) an implication that all Indians are barbarians that eat eyeballs and snakes (although the good villagers we meet early-on definitely do not) b) an elaborate gag that may or may not resonate with you (humor is subjective, after all) or c) hints that something at this palace is amiss…

Despite the initial tone, this is an intense movie. There are torture and grisly human sacrifices, children are kidnapped/enslaved, people are explicitly killed - often in gruesome manners. The tone is far too intense to be rated PG but it was. The PG-13 rating was only introduced after the MPAA got similar complaints from Gremlins just one month later.

This film isn't as mature as its "successor" and it doesn't feel as polished either, though the filmmaking is still excellent. Once Indy and the gang realize the danger they've stumbled upon, the tension never lets up. Every escape is merely a brief reprieve. A new peril rolls around the next corner, ready to flatten them. It's fast-paced and exciting. Along the way, you also get excellent cinematography and camerawork. The shots which contrast Short Round to his big buddy are terrific. Through quick cuts and parallel actions, the camera says more than words ever could. It's a roller-coaster ride - sometimes literally. You'll be left breathless and maybe even overwhelmed. Is the movie for kids? maybe, maybe not. It's somewhere in between.

Often violent & gruesome and lacking some of the sophistication of Raiders of the Lost Ark, Indiana Jones and the Temple of Doom is a disappointment... but only for this franchise. As a film on its own, or as a "first entry" in a series, it would make you go "wow!" Dated elements aside, it's exciting, memorable and fun. (On Blu-ray, May 22, 2020)

[jessread-s]

Thanks to NetGalley and Macmillan Children's Publishing Group for providing me with an e-ARC in exchange for an honest review

✩🖤💥Review:

“Of Light and Shadow” is an epic Indian fantasy romance!

Bhathena draws inspiration for her novel from Indian bandits throughout history—specifically from the famous female bandit Phoolan Devi. As someone who was not familiar with Phoolan’s historical impact before reading the book, I enjoyed learning about her through Bhathena’s fictional protagonist Roshan Chaya. Roshan closely resembles Phoolan in that she, too, was wanted for robbery and kidnapping after capturing Prince Navin during a raid. Despite her crimes, Roshan is beloved by Jwalian villagers—just like Phoolan was greatly admired by the people of India— because she does what she can to fight for their rights. 

Bhathena successfully weaves magic into her narrative to add intrigue. In the world of “Of Light and Shadow” there is life magic, death magic, and soul magic. The reader learns more about life magic and death magic through Roshan’s perspective. As a life magus, Roshan uses her energy to heal rather than harm. Though she saves many lives, the papers villainize her for being an outlaw. I for one found her character to be very admirable. She is a strong warrior who only wants the best for her clan. She does not shy away from a fight and knows how to hold her own, which is refreshing to see in a female protagonist. 

Prince Navin’s perspective offers readers insight on soul magic and palace life. In addition to using his voice to manipulate emotions, Navin’s soul magic allow him to see the aura of those who are bonded to him. But his powerful magic does not come without cost. As a soul magus, Navin is subject to painful mouth blisters when he overexerts himself. Up until he was held hostage by the Shadow Clan, palace hakims, healers, were at his beck and call whenever he used copious amounts of magic to avoid his responsibilities as the spare prince. 

At the beginning of the novel, the pair consider each other enemies. However, the longer Navin spends time with his captives while they wait for the queen to meet the clan’s demands, the more he begins to realize that his people are suffering under his grandmother’s rule. I loved watching Roshan and Navin butt heads while they worked together to enact change and struggle to deny their romantic connection before ultimately acknowledging their feelings.

➤ 4 stars

Cross-posted to: Instagram | Amazon | Goodreads | StoryGraph

@fiercereadsya

[rickchung]

A Nice Indian Boy (dir. Roshan Sethi) x SXSW 2024.

Karan Soni and Jonathan Groff star as a mismatched gay couple trying to make it work while juggling the former's more traditional Hindu family alongside the usual traditional relationship expectations. It's a charming twist on the well-worn Guess Who's Coming to Dinner romantic comedy formula, with fun references to big Indian wedding ceremonies and Bollywood romances. What's most endearing about the indie comedy is its adherence to its typical genre tropes while inherently subverting them through its central interracial homosexual relationship.

Premiered at the 2024 South by Southwest Film & TV Festival (Austin, Texas) as part of the Narrative Spotlight section.

[sanammovies123]

Kaho na Pyaar hai Released Review | By Sanam Movie Review Rithik Rosha...

[lifeisacinemahall]

'Jaane Jaan': the craft of creating a crafty relationship triangle

The arc of demure feelings onscreen has usually followed a predictable graph, more often than not, the introversive character taking the higher road of being there for their objet d’affection, much like a lurking—not stalking—woebegone cloak that’s ready to quickly step up to an inimical situation with the same alacrity that they stepped down to make way for another person in the eventual beaming…

[lokeshbhandarimovies233]

Remaking a Bollywood movie is always challenging reframing a story of cult classic is always a tough call for makers but the biggest hurdle for the makers is to finding suitable cast for the remake of a cult classic but Here are the few Bollywood movies should remake with original stars of the movie.

Bollywood Movies Should Remake With Original Stars Of The Movie.

1         Dil Chahata Hain- The 2001 movie features Amir Khan, Saif Ali Khan and  Akshaya Khanna as the main lead the remake could generate more opportunities for these three friends the remake could show a middle aged crises and how there friendship has been changes in these decades and how these three friends have progressed and the makers also could add a flashback of three friends remembering there young days so on. It will be interesting to see comeback of Akash, Saiidharth and Sameer on the big screen.

                Bollywood Movies Should Remake With Original Stars Of The Movie.

2         Zindagi Na Milegi Dobara – Another three friends play Hrithik Roshan, Farhan Akhtar and Abhay Deol reunites for a Spain trip since the movie was completely about a trip the makers could easily make a remake based on a trip may in some another country like Germany or may be in some another country showing these three performing different activities add an element of thrill and enjoyment like the first part

        Bollywood Movies Should Remake With Original Stars Of The Movie.

3         Kabhi Khushi Kabihi Gham  - Probably the finest family drama in the Bollywood history probably had all the big names of Bollywood like Amitabh Bachchan, Shah Rukh Khan, Hrithik Roshan, Kareena Kapoor and Kajol as the main lead. K3G is the Bollywood movie with biggest and it will be treat for audience  to see Amitabh Bachchan, SRK and Hrithik Roshan in one single frame as many of today young kids not even born when the film released.

                Bollywood Movies Should Remake With Original Stars Of The Movie.

   Andaz Apna Apna – A Cult Classic comedy from 1994 and watching 2 of biggest superstars Amir Khan and Salman Khan together on the big screen will be a treat for the fans and other reason is audience is missing such cult comedies and at the same time audience will love to see a sequel of this classic comedy but this will only accept by a section of audience vice versa there is also a group of might be against in 2024 considering the age of these two stars and another hurdle in remake  is that movie might look a spoof.

                            Bollywood Movies Should Remake With Original Stars Of The Movie.

 Kal Ho Na Ho – Another fantastic movie deserves a sequel is Kal Ho Na Ho the remake could takes story forward  from like after Aman’ s death Rohit and Naina having a family and its years ago since Aman has passes away with this Naina and Rohit having kids with a new love story is taking place and makers could add a flashback track of Aman at the same makers could show how Rohit and Naina are dealing with some misunderstanding and how the soul of Aman helps the couple and at the same as everyone knows SRK is totally against remakes so it is almost impossible to makers about remake of Kal Ho Na Ho Read More

[thepavanmishra]

Hrithik Roshan Zombie Movie : साल 2025 में Hrithik Roshan का नया प्रोजेक्ट?

Hrithik Roshan Zombie Movie :- नमस्कार दोस्तों, स्वागत है हमारे ब्लॉग में, जहां हम बॉलीवुड और साउथ सिनेमा की दुनिया से जुड़ी नई और खास अपडेट्स लेकर आए है. आजकल फिल्मी दुनिया में हलचल काफी बढ़ी हुई है। Credit – Social Media Hrithik Roshan Zombie Movie बड़े प्रोजेक्ट्स की अनाउंसमेंट हो चुकी हैं, और कुछ फिल्मों की शूटिंग तेजी से चल रही है. चाहे Bollywood हो या South Indian फिल्म इंडस्ट्री, हर जगह…

[jgroffdaily]

The prize catch of the title isn’t exactly who you might expect in “A Nice Indian Boy,” a romantic comedy that brings a welcome queer angle to that substantial subgenre of love stories tangled up in Indian social mores and cross-generational family politics. In many such films, Naveen (Karan Soni) would be the most desirable of matches for a female protagonist: good-looking, well-spoken and a working doctor. That he’s gay puts him in the less traditionally masculine role of the one seeking a suitor; that his “nice Indian boy” is in fact Jay (Jonathan Groff), a white man raised in Naveen’s culture, is the more complicating factor in director Roshan Sethi‘s bright, big-hearted if overly tidy third feature.

Still, Sethi and screenwriters Eric Randall — adapting a stage play by Madhuri Shekar — aren’t out to subvert every trope and tradition in the book. From its meet-cute in a Hindu temple to its easily resolved second-act breakup to its culminating, colorful wedding dance, “A Nice Indian Boy” offers few structural surprises, hewing closely to a classic romcom template that for a long time wasn’t available to queer characters — much less queer characters of color. Indeed, the film rather neatly lampshades its own conventions by quoting directly from Bollywood — specifically the ‘90s classic “Dilwale Dulhania Le Jayenge” — as it delivers its characters the cornball happy ending of their daydreams. For a certain audience, this festival crowdpleaser (a SXSW premiere back in March) might set a similarly aspirational bar.

As the relationship turns some way past serious and toward the “meet-the-parents” stage, Naveen remains hesitant about collapsing that particular divide in his life. Randall’s script is most perceptive when examining its protagonist’s preconceptions, many of them misplaced, about his family: His parents, especially his taciturn dad, may not be as old-fashioned and prejudiced as he believes, while Arundhati isn’t living a conservative ideal of Indian marriage. As a study of a middle-class Indian American family in an ongoing cultural transition between two countries, “A Nice Indian Boy” is gently funny and quite moving — aided by Garg’s lovely, frazzled performance as an instinctively protective mother waiting to be let into her son’s life.

As a romance, it’s slightly less satisfying, in large part because Jay — played with typically wholesome warmth by Groff — remains more of a concept than a character, negotiating this unusual clash of sensibilities (if not cultures, exactly) with such unflagging grace and maturity and, well, niceness that he begins to seem a little too good to be true. We’re offered little sense of his life — domestically, professionally or socially — outside what Naveen sees, and little of their own routine as a couple beyond critical milestones and confrontations, though their chemistry is unforced and entirely credible. Such omissions allow for pat resolutions to conflicts when they do arise: In this world, long, thorny conversations can be elided with a restaged musical number from “Dilwale Dulhania Le Jayenge,” or a shared cookery tip in the kitchen.

But such is the shorthand of the mainstream romantic comedy, and “A Nice Indian Boy” earns its clichés with sincerity and good humor — toward an ending that, with knowingly goofy choreography and the intensified jewel tones of Amy Vincent’s lensing, overrides cynicism in the manner of any good wedding. “I think we’re all embarrassed by the bigness of love,” Jay says Naveen on their very first date, and Naveen certainly is. “A Nice Indian Boy” is not, however, which is exactly how it wins us over.

[bob-the-movie-man-film-reviews]

A Nice Indian Boy ('12'): A Gay version of "What's Love Got To Do With It?"

One Mann's Movies Film Review of "A Nice Indian Boy". A terrific gay rom-com that is both funny and moving. 4/5.

A One Mann’s Movies review of “A Nice Indian Boy” (2024) (From the 2024 London Film Festival). You know the films at the LFF that go down well. Those that don’t fly get stony silence and the audience simply file out. Those that do fly get a round of applause. This, I’ve found, to be relatively rare and varying in volume depending on the love. “A Nice Indian Boy” – getting its International…

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Ulajh Review: Tangled Tale of Treachery and Twists

‘Ulajh’ features Janhvi Kapoor as Suhana, a rising diplomat who finds herself entangled in a web of intrigue and deceit. With strong performances by Jahnvi, Gulshan Devaiah, and Roshan Mathew, the movie blends suspense, politics, and drama.

⭐⭐⭐ Rating: 3 out of 5. Sneha Jaiswal (Twitter | Instagram) Suhana Bhatia is a daddy’s girl, determined to prove her worth as an IFS officer, placing her work over everything else to make her family of career diplomats proud. So, when a big promotion comes her way, she becomes a pawn in a political conspiracy involving India and Pakistan. Directed by Sudhanshu Saria (‘Sanaa’/’Big Girls Don’t…

[thegirlwiththelantern]

Silk

Title: Silk Author:  Aannabelle Lewis Demographic: Middle Grade Genre: Graphic Novel, Sci-Fi Synopsis: Farz and his family are Silki-charmers; they follow the giant, spiderlike creatures known as “Silkis” through their jungle home, harvesting their precious silk. It’s been their family’s tradition for generations. But Silkis can be dangerous and not everyone wants them around. Farz may be ready…