#The Real Diana Book

[grits-galraisedinthesouth]

1992-Diana & Charles were headed towards separation. Lady Colin Campbell & Andrew Morton discuss their new books on America's Sally Show. Interesting to see Morton tell lies that could only have been fed to him by Diana.

Lady C was outnumbered on this show but over time, she was proven correct.

I wish Diana had made better decisions but she obviously did the best she knew how to do.

Also, take note of the NOprah Show COMMERCIALS sprinkled between takes. Definitely an interview to "bookmark."

Cheere Denise's 2024 discussion: The Real Diana

[labyrynth]

(as many of you may or may not know) Studio Ghibli’s “Howl’s Moving Castle”, is based on the Diana Wynne Jones book by the same name, and there are actually a substantial number of differences between them!

i was curious how many people have experienced both or might like one more than the other, so i put together a poll to help us find out :)

to clarify, saying that you like one version more than the other does NOT mean that it’s better, or that the other one is worse or bad—i love both the book and the film! it’s just an expression of your own preference

[masterpieceofunderstatement]

"You're an ornament to the hub, Diana. I honestly think the Service would grind to a halt without your input. If it weren't so early, I'd suggest we raise a glass to you. As it is, we really have to press on now and deal with the rest of these matters." Diana said, "So there's no chance of relief, then?" Dame Ingrid was one hundred per cent concern. "Relief? My dear, you're not feeling stressed, are you? If you're feeling stressed, then obviously we'll have to do something about it." - Real Tigers, Chapter 5

Signs point to homoerotic tension, folks. 10/10, could be from a fic, and I wouldn’t second-guess it.

[potions-of-dark-devotion]

Concerning the Death Eater Cult Under Voldemort; The First Wizarding War

What the uneducated See: Nazi Comparisons

What I see: Manson Family Vibes

Just an observation….

[themyscirah]

✨️🥰💘steve trevor his mother's daughter 😍💖🫶

[femme-foucault]

Award Season Guesses - late December 2024

Alright, well I still haven't seen The Brutalist (or Nickel Boys) because it's not releasing outside NYC and LA until sometime in January and I have no intention of seeing A Complete Unknown precisely because I am a Bob Dylan fan. So I haven't really updated my list of predictions from about a month ago or so. I am tempted to include The Substance but it is a sliiiiiim possibility given how the Oscars snubs work in horror. So here are my predictions as of late December 2024.

Above the Line Awards:

Alphabetical order as usual. My suspected winners in bold and runner-ups/potential "upsets in italics.

Best Picture:

Anora*

The Brutalist

A Complete Unknown

Conclave

Dune Pt 2

Emilia Perez

Nickel Boys

A Real Pain

Sing Sing

The Substance (????)

Wicked Pt 1

I am going on a limb and guessing The Substance does get in even though I think it is reeeeally a stretch. The Academy snubs horror films all the time, especially in acting (see Toni Collette in Hereditary and Mia Goth in Pearl). But the GG noms made me reconsider even though the GG is a critics/journalism awards show and the Oscars are an industry awards show and like any "election," demographic patterns vary. But actually if anything I think critics are snobbier about horror than industry people so that's a good sign. No idea what will win -- which is fun! 2024 was not nearly as good as 2023, which was an unusually packed year for great movies. But in a way, that makes Awards Season more fun because there isn't a clear front runner. I am leaning Anora right now for BP like I have been all year, but I would NOT underestimate either Wicked or Emilia Perez. I don't like the latter movie very much and while I did really enjoy Wicked I wouldn't say it was the best of the year. But don't underestimate the Oscars leaning populist because all three of the last BP winners in awards season were very much "crowd pleasers" over more "artsy" choices like Power of the Dog or Poor Things. (It feels odd to call Oppenheimer a "crowd pleaser" as that movie is so bleak, but technically, it counts in the sense that many people saw it and both general audiences and industry people liked it. So I'd put it next to EEAO and CODA as a "crowd-pleaser" Best Picture winner and a "populist" choice due to it making so much money because of Barbeheimer despite being, technically, a kinda weird movie when you dissect it. So don't underestimate Wicked!).

Best Director: Sean Baker (Anora), Edward Berger (Conclave), Brady Corbet (The Brutalist), maaaaybe Coralie Fargeat, but ONLY if The Substance gets into Best Picture. I have taken Denis Villeneuve (Dune Pt 2) out of my predictions even though he deserves it because Dune Pt 2 was better than the first one. But until I see The Brutalist, I can't evaluate it. I wouldn't be surprised if we got a rare Best Picture and Best Director split.

Best Actress in A Lead Role: Cynthia Erivo (Wicked), Karla Sofía Gascón (Emilia Perez), Angelina Jolie (Maria), Mikkey Madison (Anora).....and if and only if The Substance The Substance gets into picture, maaaaaybe Demi Moore. She probably deserves it (I haven't seen The Substance because I'm squeamish), but the Academy is awful about nominating horror performances (see Toni Collette for Hereditary). The alternative might be Nicole Kidman for Babygirl.

Best Actor in a Lead Role: Adrian Brody (The Brutalist), Timothee Chalamet (A Complete Unknown), Daniel Craig (Queer), Colman Domingo (Sing Sing), Ralph Fiennes (Conclave).

I am leaning Brody based on trailers alone (the Academy loves an accent and a WWII-post Holcaust drama) but even if Chalamet is mid -- and apparently he is quite good -- the Academy isn't above rewarding lame music biopics. See Austin Butler's nomination for Elvis and Rami Malek winning for Bohemian Rhapsody. ACU is apparently good -- I really hate that kind of biopic so I am not there for it -- so all Chalamet has to do to be decent for the boomer crowd who likes Dylan to vote for him.

Best Supporting Actress: Ariana Grande (Wicked), Felicity Jones (The Brutalist), Isabella Rossellini (Conclave), Zoe Saldana (Emilia Perez), Margaret Qualley (The Substance).

Still leaning Saldana but Grande is not to be underestimated (the Academy are more likely to award comedic performances in supporting -- see Ryan Gosling's nom last year. He might have won if RDJ didn't have The Narrative). I am putting Rosselini in there now that she got into GG and if I am going to lean towards The Substance, maybe Qualley. Felicity Jones isn't doing well in critics circles but I think if The Brutlaist is popular, she could be the Emily Blunt of the season (the person who gets nominated for being in a popular movie and tags along but doesn't win anything, which is what happened with Emily Blunt last year because Oppenheimer was so popular with the industry and critics that she got a lot of "tag along" noms but no real wins).

Best Supporting Actor: Kieran Culkin (A Real Pain), Clarence Maclin (Sing Sing), Guy Pearce (The Brutalist), Denzel Washington (Gladiator II)...and someone else. Idk maybe one of the Anora guys (Yura Borisov (Igor?). I don't see the supporting performances from Conclave aside from Rosselini getting in because while everyone was good...that is part of the problem. No one but her really stood out because everyone in the supporting cast was so solid and I think Anora is a bit similar in that regard except that Borisov's character sticks out as having a sliver of decency. It's weird to think that the sentence "Oscar winner Kieran Culkin" might be a thing. As much as I like Culkin from Succession, my actual vote would be Maclin. But no one saw that movie :( I am including Washington even though Gladiator II got poor to mixed reviews because he's Denzel. He is such a great actor who was snubbed for his best performances that now they nominate him all the time to make up for it, and it's such a weak year in this category that I'm not complaining.

Original Screenplay: Idk what is original and adapted, but I think Anora wins Screenplay, especially if it doesn't win Best Picture. The recent trend is sometimes to throw a movie that won't be awarded anywhere else a screenplay award (see last year with both American Fiction and Anatomy of A Fall). The other possibility might be A Real Pain if they decide to award it.

Other than Anora, I think: The Brutalist, A Real Pain, The Substance, and maybe September 5 if they follow the Globes (which they don't always do because the Golden Globes are a press/critics award and the Oscars are industry so different voting demographics).

Adapted Screenplay: No idea what is even in this category. The distinction between Original and Adapted is pretty arbitrary at times (see: Barbie in Adapted last year). My guesses are A Complete Unknown (based on a specific Dylan bio apparently), Conclave (based on a novel), Emilia Perez (I think inspired by something?), Sing Sing (loosely based on a true story) and idk what the fifth slot is.

Who I think will win in the tech categories:

Best Production Design: Wicked. Dune Pt 2 might be an upset.

Costume: Obviously Wicked.

Special Effects: Probably Dune Pt 2 but it could be something I haven't heard of that the effects branch likes, because that happens often.

Hair and Make Up: If The Substance gets in, maaaybe. This is the one category that horror is recognized so I wouldn't be surprised if The Substance and maybe even Nosferatu gets in. But it might be Wicked if the Academy does what it often does and people outside the nominating branches just vote for the movie they like more, in which case it would be Wicked. Dune Pt 2 should get at least a nomination for Rebecca Ferguson's possessed henna.

Cinematography: Either Conclave or Anora. It really depends how 1) Anora does in general and 2) if it does well, if there is a "share the love" vibe. The Academy doesn't do the massive Titanic/Lord of the Rings sweeps anymore (and I'm fine with that) -- see last year giving Zone of Interest the Sound award and American Fiction got Adapted Screenplay when a lot of people thought Oppenheimer was a lock for both because it was the BP frontrunner and, if this was the 2000s, probably would have taken them by default. In the EEAAO year, an Edward Berger film (All Quiet on the Western Front) won cinematography over EEAAO in an upset, so it wouldn't be unprecedented if that happened again with Conclave.I hope it's not Emilia Perez. That movie is very flashy but I don't like the cinematography much. It's all flash no style. Dune Pt 2 will definitely be nominated but I feel like its spring release hurt it.

Score: It'd be cool if Challengers got nominated but I don't see it, unfortunately. The score branch is not that cool and prefers instrumental scores over tech/synth music, even though Trent has been nominated before. I don't know what will win, since Dune 2 is not even eligible.

Sound Design: It better be Dune Pt 2. I think Wicked and probably A Complete Unknown will get nominated because of the music mixing (which, in Wicked, was very subtle and well done and apparently ACU sounds great too). But I really don't like biopics about musicians so I'd rather it not. I wouldn't mind a Wicked nom here, but Dune Pt 2 is so inventive in its sound design that I am rooting for it.

[nerds-yearbook]

After the Crisis on Infinite Earths event, Wonder Woman was relaunched with volume 2, cover date of Febuary, 1987. ("The Princess and the Power", Wonder Woman 1# Vol 2, DC Comic Event)

[gringadano]

[britneyshakespeare]

Accordingly, I told Agnes about my declaration of poverty, about the cookery book, the housekeeping accounts, and all the rest of it. "Oh, Trotwood!" she remonstrated, with a smile. "Just your old headlong way! You might have been in earnest in striving to get on in the world, without being so very sudden with a timid, loving, inexperienced girl. Poor Dora!" I never heard such sweet forbearing kindness expressed in a voice, as she expressed in making this reply. It was as if I had seen her admiringly and tenderly embracing Dora, and tacitly reproving me, by her considerate protection, for my hot haste in fluttering that little heart. It was as if I had seen Dora, in all her fascinating artlessness, caressing Agnes, and thanking her, and coaxingly appealing against me, and loving me with all her childish innocence. I felt so grateful to Agnes, and admired her so! I saw those two together, in a bright perspective, such well-associated friends, each adorning the other so much!

David Copperfield by Charles Dickens, Chapter 39: Wickfield and Heep

[house-of-mirrors]

I finished reading Dogsbody, that's the fastest I've read a book in such a long time! I'm 🥺😭it was sooooo sweet and I feel like it ended with everything working out as well as it could given the situation

Oh and since I'm used to Diana Wynne Jones' writing style by now, I felt so clever noticing small details like "it's a surprise tool to help us later" XD

[grits-galraisedinthesouth]

In a very unlady-like rebuke, Lady C reminds the public that she stands 10 toes down for 2 Teams:

Team Charles & Camilla

Team The Duke & Duchess of Windsor

[doverstar]

just cannot stop thinking about fire and hemlock by diana wynne jones. it keeps spiraling back into my brain. can't stop. going to have to read it again-

[gay-edwardian]

Slow Horses season 3 is coming out soon and I'm so excited. I won't get to watch as it does because I watch it with my dad so I'll have to wait until I go home for the holiday, but I'm just thrilled that my favourite fuck-ups are back at it again.

[mikkeneko]

Of course she'd like the stairs scene. This is the woman who wrote Deep Secrets

I keep seeing posts about the differences between the book and the Ghibli adaptation of Howl's Moving Castle, and honestly there's a totally charming interview with Diana Wynne-Jones at the end of the kindle edition about how it worked :)

[themyscirah]

Was about to say that Diana should quit the Justice League but then I realized that may be an insane statement with T*m K*ng around so like in MY ideal world where she has an amazing writer that will do really interesting stories with this Diana should quit the League 👍

(Pretend we have a JL ongoing for this post okay guys)

[magical-reid]

The rings we keep

Pairing: Spencer Reid x Fem!FBI!Reader

Genre: fluff

Content warnings: none?

Word count: 1.6k

Summary: An FBI agent unexpectedly marries Spencer Reid in a Las Vegas hospital to fulfill his mother's wishes, leading to a complicated relationship built on convenience. As they work together on a dangerous murder case, their bond deepens, and Spencer's quiet heroism reveals that their accidental marriage might hold the potential for real love.

The badge clipped to your belt was as much a part of you as the Glock strapped to your hip. Being an FBI agent meant long hours, endless yellow tape, and the occasional brush with danger that left you rattled for days. But you loved it. You thrived in the chaos, the adrenaline, the chance to make a difference.

Still, nothing could have prepared you for the chaos of being married to Spencer Reid.

It wasn’t that he wasn’t kind or brilliant—he was both, in spades. Spencer was a walking encyclopedia with a heart that quietly held more compassion than most people knew. You hadn’t planned on marrying him, though, in fact, neither of you had planned on marrying anyone.

It had started two months ago, in a Las Vegas hospital room. Spencer’s mother, Diana, had been lucid that day—something you’d learned was both a gift and a curse. She had smiled at you as you sat next to Spencer, the three of you chatting about books, the weather, and old stories from her youth.

“You’re so good to him,” Diana had said suddenly, fixing her gaze on you.

You’d looked up, confused.

“She is,” Spencer had replied, his voice soft as he squeezed her hand.

“Marry her,” Diana had said, her words clear and direct. “Spencer, I want to see you happy. And I want to see you married before you have to leave.”

Leave. It had been a terrible misunderstanding, her mind tangling the threads of the past and present. But the plea in her voice had been real, and Spencer hadn’t been able to bear telling her no. He’d looked at you, something fragile and desperate in his eyes, and before you knew it, you’d agreed.

The walk-in chapel had been surreal. There was no big dress, no flowers—just a quick exchange of vows, a ring from a pawn shop, and Diana’s tearful smile as she watched from her seat. The moment had been oddly sweet, almost sacred.

And then the moment had passed.

You’d both agreed to annul it later, but life got in the way. Between your cases and his, you barely had time to sleep, let alone complete the paperwork. Eventually, Spencer had suggested staying married, if only for the convenience.

“It’s easier,” he’d reasoned. “Legally, I mean. Besides, it’s not like it changes anything.”

And for two months, it hadn’t.

Today, though, felt different.

The case you were working on had taken a grim turn, and your unit chief had decided to call in the BAU. You hadn’t protested—it was a particularly brutal series of murders, and their expertise was invaluable. But when you stepped into the police station that morning and saw Penelope Garcia’s face light up like Christmas, you knew she’d snooped.

“Mrs. Reid!” she chirped, her voice barely contained.

You froze mid-step, narrowing your eyes at her. “Not here,” you hissed under your breath.

“Oh, don’t worry,” she whispered conspiratorially, winking. “My lips are sealed… mostly.”

Before you could respond, your unit chief waved you into the conference room. The BAU was already seated, their attention split between a whiteboard covered in crime scene photos and a map dotted with pins.

Spencer was there, of course, leaning forward with his elbows on the table. He didn’t look up when you entered, but his presence was enough to send a twinge of nervous energy through you.

Your unit chief cleared his throat. “Agent Reid, thanks for joining us. BAU, this is Agent Y/N Reid—she’s with our unit and will be helping coordinate the case on our end.”

There was a moment of stunned silence. You saw Emily Prentiss glance at Spencer, her brow raised in mild amusement. Derek Morgan’s smirk was almost immediate, while JJ covered her mouth, clearly trying to hide her surprise.

“Reid?” Derek repeated his grin widening.

“Y/N Reid,” you said firmly, emphasizing your first name. “Yes. We’re married. No, it’s not relevant to the case.”

Penelope let out an audible squeal from the corner of the room, and you shot her a warning glare.

“It’s not relevant,” Spencer agreed, his voice calm but his ears slightly pink. “Can we move on?”

Derek chuckled but relented, turning his attention back to the board. “Alright, let’s get to it.”

The case was grim—a string of murders targeting young women who all bore a striking resemblance to one another. Blond hair, blue eyes, petite builds. They’d been abducted, held for days, then left posed in public spaces. The unsub was meticulous, methodical, and growing more confident with each kill.

By midday, the conference room was a storm of theories and strategies. Your units worked well together, bouncing ideas off one another as new leads emerged. But despite the progress, you couldn’t shake the feeling of being watched.

It wasn’t the unsub—though God knew you’d had stalkers in your line of work. No, this was different.

You looked up from your notes and caught Spencer’s gaze. He quickly looked away, pretending to focus on the map.

The weight in your chest grew heavier.

Spencer was your husband. Legally, at least. But in every other way, he was your coworker. He was brilliant and kind and occasionally maddening, but you didn’t know how to be his wife. Not really.

“Y/N?”

JJ’s voice broke through your thoughts. You blinked, realizing everyone was looking at you.

“Sorry, what?”

“I said, you and Reid should interview the victim’s roommate together. She might be more comfortable with a familiar face,” JJ said, glancing between you and Spencer.

You hesitated, but Spencer nodded. “Makes sense,” he said. “We’ll take my car.”

The drive was awkward.

Spencer fidgeted with the radio, flipping through stations before settling on classical. You stared out the window, trying to ignore the growing tension between you.

“You’ve been quiet,” he said finally.

“So have you.”

He sighed, glancing at you briefly before returning his eyes to the road. “Are you… okay? With everyone knowing, I mean.”

You frowned. “It’s not like we planned this, Spencer. Besides, it was bound to come out eventually.”

“I know. But I don’t want it to make things harder for you.”

You softened at his words. Despite his sometimes awkward demeanor, Spencer had a way of saying the right thing when it mattered most.

“It’s fine,” you said. “Really.”

He nodded, though he didn’t look convinced.

The interview went smoothly, though it yielded little new information. The roommate was distraught, her hands trembling as she recounted the last time she’d seen the victim. You kept your tone gentle, and your questions open-ended, but the answers all led to the same dead ends.

When you returned to the station, the atmosphere had shifted. Penelope was typing furiously at her laptop, muttering under her breath about search parameters. Emily and Derek were deep in conversation, while Hotch stood at the head of the table, his arms crossed.

“We have a lead,” he announced as you and Spencer entered. “The unsub’s car was spotted near a bus station downtown. Surveillance footage shows him leaving the scene shortly after the last victim was found.”

He gestured to the screen, where a grainy image of a man in a baseball cap appeared. His face was partially obscured, but something about his posture sent a chill down your spine.

“The station is less than a mile from here,” Hotch continued. “We need to move quickly.”

Your team sprang into action, splitting into smaller groups to cover more ground. Spencer was assigned to the tech team with Penelope, while you were paired with Emily and Derek to canvass the area.

As you searched the bus station, your instincts prickled. Something about the unsub felt personal—too calculated, too deliberate. You couldn’t shake the feeling that he was watching, waiting.

When your phone buzzed with a text from Spencer, your heart skipped a beat.

Be careful.

You texted back a quick You too before slipping the phone into your pocket.

Hours later, the unsub made his move.

It happened fast—too fast. You were alone, having split off from Emily and Derek to follow a potential lead. The unsub cornered you in an alley, his knife glinting in the dim light.

“Y/N,” he said, his voice eerily calm. “I’ve been waiting for you.”

Your blood ran cold. He knew your name.

“FBI,” you said, keeping your voice steady as you drew your weapon. “Drop the knife.”

He didn’t. Instead, he smiled—a slow, deliberate smile that made your stomach churn.

“You’re just like her,” he murmured. “So pretty. So perfect.”

Before you could respond, footsteps thundered behind you. The unsub’s smile faltered, and he turned to run, but not before Spencer tackled him to the ground.

The knife clattered to the pavement as Spencer wrestled him into submission. You moved quickly, cuffing the unsub as Spencer caught his breath.

“You okay?” he asked, his voice tight with concern.

You nodded, though your hands were shaking. “Yeah. Thanks to you.”

He offered a small smile, but his eyes lingered on you, searching for any sign of injury.

Back at the station, the unsub’s confession came easily. He’d been stalking his victims for months, studying their routines, their habits. He’d seen you on the news once, years ago, and decided you were his ideal type.

The realization made your skin crawl.

“You saved her life, pretty boy,” Derek said, clapping Spencer on the shoulder. “That’s what husbands are for, right?”

Spencer flushed, but his smile was genuine.

Later, as you packed up to leave, Spencer lingered by your side.

“You didn’t have to come after me,” you said softly.

“Yes, I did,” he replied without hesitation.

For the first time since your wedding day, you felt the weight of the ring on your finger. Maybe this marriage wasn’t as complicated as you thought.

Maybe, just maybe, it was exactly where you were meant to be.

Part 2