#The Man In Room 17

[downthetubes]

Keith Page’s Alternative TV Viewing

Finding it increasingly difficult to find anything worth watching on modern television, comic artist and writer Keith Page finds it more interesting to go back to the dramas of the 1960s through to the 1980s

Finding it increasingly difficult to find anything worth watching on modern television, comic artist and writer Keith Page – creator of The Adventures of Charlotte Corday, Strawjack and Hancock – The Lad Himself, with Stephen Walsh – finds it more interesting to go back to the dramas of the 1960s through to the 1980s.  “There was a far wider selection of themes, sharp scripts and no ‘agendas’ or…

[kwebtv]

The Man In Room 17 - Granada TV - June 11, 1965  -  August 11, 1967

Crime Drama (39 episodes)

Running Time:  50 minutes

Stars:

Richard Vernon as Edwin G. Oldenshaw

Michael Aldridge as Ian Dimmock (series 1)

Denholm Elliott as Imlac Defraits (series 2)

Willoughby Goddard as Sir Geoffrey Norton

Amber Kammer as  Tracey Peverill (series 2)

Michael Gover as Hatton (series 2)

The Fellows (Late of Room 17)

Richard Vernon as Edwin G. Oldenshaw

Michael Aldridge as Ian Dimmock

Jill Booty as Mrs Hollinczech

James Ottaway as Thomas Anthem

Michael Turner as Nashe

Clifford Cocks as Det. Sgt Phillips

Ray McAnally as Alec Spindoe

Ray Lonnen as Fletcher

Allan Cuthbertson as Astley

Edward Atienza as Gerry

Roy Marsden as Sherratt

[wyvernsrus]

Listen yall, these books mention how the Alphas are like as pure Jango you can get (Ill have to double check but I'm pretty sure they say it once) And ALSO describe the Nulls as the Kaminoans messing with them too much and being broader and heavier as a result and MY brain latched onto this fact by going "Wait, does that mean the Alphas are smaller than the Nulls?" I find this so funny cause all I can think of is Alpha-17 being shorter than like say Mereel for instance and this 5'8 man just THROWING Mereel off of Tipoca City like he's a particularly unruly bag of flour and I love this image so much it brings me so much join

[hballegro]

alan alda storytime

the full story from one of the screenshots of my previous post.

story begins with my archaeology professor showing a slide of alan alda in the early 2000s holding some mammoth bones and asks the class if anyone recognizes him. i had watched some MASH with my mother when i was little and had also seen the movie The Object of My Affection, so i raised my hand and said it was alan alda. he lit up and said yes, it was, and told the rest of the class he used to be on this old show, and that when we got more into the bioanthro side of things, remind him to 'tell his alan alda story'.

about 2 months later, we are in bioanthro, and i remind him. he gets excited and says he included slides to talk about it.

[rest under cut]

he tells us how he had just moved to a new city, and he had taken a university job in order to get insurance for his new family [which he didnt get but thats neither here or there]. he gets news that his job is going to be working with Scientific American Frontiers, hosted by the one and only Alan Alda. my prof was thrilled, he loves MASH, and while he specifically wouldnt be involved in the process [being a presenter, working with alan, etc] he was allowed to be around incase they needed help.

i dont know the specific episode, or if it can be found anywhere, but the topic was early man and tools, and how there were mammoth bones that specifically had cuts that could only be made with tools, not by teeth from an animal. they had finished filming for the day and just needed B-roll of some lions at the local zoo chewing some bones [part of the experiment], and alan got a call. he asked if he could head out now, because he needed to get back to his hotel now, and the call had been important. the producers said sure, go ahead, and alan asked if someone could give him a ride.

my professor, having the chance to actually spend time with someone he idolized, and being a stupid late 20s-something, volunteered immediately. stupid why? well, i said he'd just moved there. he didnt know where the hell anything was, and he didnt have GPS available to him, he was just really excited. so they get in the car and start driving.

as i said in my previous post, alan alda had about 20 minutes with this random guy, and found out pretty quickly that he was an archaeologist, and the amazing topic of conversation that he picked was the [then new] theory that we developed agriculture specifically to make booze, and that the rest of the stuff was more or less a biproduct. which is pretty on-brand honestly.

after a while, alan catches on to the fact that this guy clearly has no idea where the hell hes going, and that they've been driving in circles around the city for a while now. he [reportedly very politely] said that actually, this here was his stop, and thanked him for the ride. he then most likely called a taxi that actually knew where it was going, and got to his hotel.

turns out the call was about The Aviator! the call was important because he learned it was confirmed he in it and they needed him to get over there.

its not a glamourous story, but its the only story i got. my prof reported he was a funny guy, and despite slightly kidnapping the poor man for a while, he was the picture of kindness and personability. and clearly he likes telling the story and it left an impression, because he took time out of our already-short lecture to tell a class of 20-somethings that had no idea who Alan Alda was about it.

sorry this is so verbose i dont know how to be short lmao

[slashersweethearts]

morgchie is such a severe mismatch of freak and it makes me feel so bad for morgan bc 😭 i mean she also thinks so but not in the way that it actually is! bc HER perspective on things Pre Literally Everything From The Moment He Showed Up At The Hospital With Sam Onward was like “damn. richie is so normal. cool of him to put up with me but why the hell is he doing that” and it’s like babygirl. you are a teenager w severe childhood trauma that left you feeling fundamentally shut off from your peers who likes holing up in ur room drawing silly little horror characters. that man is ghostface and he’s evil. YOU are not the worse off one in this r/s 😭

[voidcat]

once again at my wits end bc of men

[red-enby]

how the hell am i supposed to tell my ex best friend that the only reason i don’t think we’ll ever be able to be friends again is bc of her weird ass fiancé/husband (i don’t fucking know anymore) who was dating her when she was 15 and he was 19… like she might be coming over tuesday bc my grandmother asked her to (bc we went to the store she works at and we ran into her) and if he comes with her i don’t know what the fuck i’ll do bc there is no way in hell im letting him around me or in my room ever again 😭😭

[widevibratobitch]

me when im drawing parallels between my favourite characters from completely different media that have nothing whatsoever in common........ or do they

[bluejaybytes]

@snowshinobi Hiiiii :3 I'm responding to your tags on a new post and not the original since the original was already somewhat lengthy, and I plan on being LONG and RAMBLY, but I have sooo many thoughts on what you said and I'm going to say them. Also my browser crashed TWICE (TWO TIMES. 2) when trying to write this post so I'm really fighting for my life out here to get my silly little OC posts done. Also it's under the cut because it's looooong as hell LMAO

Firstly, you're so nice to me forever <3 Secondly, I think you've basically hit the nail on the head. The majority of the issues Maggie has coming back from death and her 9 years gone are really tied almost exclusively to her close family, because she... never really had anyone else. While in-universe it's only 9 years, realistically the jump in technology and culture is around ~20-30 years (Maggie died in the 90s/early 2000s essentially, and wakes up in a just barely futuristic city), but... the most jarring thing to her in terms of what she missed out on is just. Flipphones are no longer popular. Other than her family, she's only close with one other person... who just so happens to be a ghost, and therefore both 1. Wouldn't change much over the timespan due to how long she's been a ghost and 2. Unlike her family, was aware that something happened, since she could see the ghost-of-a-ghost Maggie left behind (The ghosts name is Opal, she positions herself as a sort of "guardian angel" figure, though she's not actually, and serves as just another parental figure for Maggie while also getting after the ghosts that constantly harass her to pass on messages to the living). Maggie has no real relationships outside of her family, and while her relationships with her family are massively impacted by her unknowing death, other than that... the timeskip itself doesn't weigh on her because she had no one regardless. Her struggle to adjust to everything thats happened would've happened regardless of the timeskip for her, because she was such an isolated shut-in that it's the same whether it happened the next day, or nearly a full decade later

So another very interesting thing is that you've actually completely seen where I was going with everything, in spite of everything I said being very surface level and not actually delving into the plot at all. I completely skimmed over Jenna (She's very important to the plot, but she's by in large a regular person as opposed to Maggie's... everything), but for some additional context, Jenna has a horrendously shitty homelife, so her moving in with Maggie is both a gradual process (It goes from spending time there, to spending nights, to eventually just never going back home and moving in fully), and also serves as an escape for her. Part of that is also, so vitally, the food aspect. For some additional additional context, souls essentially serve as a persons lifeforce, practically every bodily function is improved by a soul that's stronger, though the "strength" of a soul is essentially entirely random, and not dependent on the individuals actions of any kind. Maggie had a generally weird soul before (Seeing ghosts inherently means she has to have something going on with her soul), but when she wakes up after her death, her soul is now even weirder, and part of that is that it essentially lets her get away with bad habits she absolutely should be seeing more consequences for. She barely eats, and when she does, it's basically exclusively crackers and whatever other safe foods she has around the house, because actually making food is a level of care and effort she just... doesn't give to herself in the slightest. Part of Jenna staying with her is that Jenna, without really discussing it, entirely takes up the mantle of caretaker of the apartment, with the biggest task being food prep, Jenna sees Maggie's unwillingness to take care of herself and silently steps up and starts making her actual meals so she's eating properly.

The problem is is that this also kinda... just straight up sucks? Jenna doesn't think much of it, it's something that needed to be done so she's doing it, she wants Maggie to be well fed even if she won't do it herself, and she's already been responsible for making all of her own meals for years prior anyways, so it's just another thing she does. Except that's shitty! Maggie's seen firsthand how terrible her homelife is, and it really weighs on her how even in her escape from that, Jenna's still being put in a position where she feels like she must care for her or else she just won't eat properly. So food is such a massively important thing to both of them, it's this symbol of love for both of them, it's love on the part of Jenna, for stepping in and taking care of Maggie when she can't do it herself, and it's love on the part of Maggie, for realizing how her own bad habits impact the people she cares about and wanting to lift that weight by taking care of herself better. It's also very vital for Maggie because she just... doesn't... have hobbies. Learning how to cook becomes really her only hobby and she puts all of her love and care into it, because for the first time in a long while she's actually passionate about something! ...Unfortunately she also is very very bad at it. She's inventing new dishes like "Burnt Salad" and "Please Help I Fucked Up Kraft Mac N Cheese" and still having to have Jenna come in and help her. But it's the thought that counts, and it'll only be a matter of time before she can make something vaguely edible.

And finally, the stuff about names! I didn't post it here, but while idly talking about her in a Discord server I'm in, I definitely think that had I made Maggie like even a few months later than I would've done she would've been nonbinary. As it stands right now though, I'm saying she's probably some form of genderweird but too busy trying not to die to think about it <3 Growing up knowing that ghosts are real and routinely being shut down by authority figures in her life about it has made her very aware of how bullshit a lot of things are and how the people who claim to be knowledgeable tend to not know what they're talking about (Beyond just the "people don't think ghosts are real", she's also got ghosts willing to tell her when people are lying because they've got nothing better to do than just gossip) , so if she spent even just a moment thinking about gender as a social construct she'd instantly recognize that and probably take up some form of genderweird label, but as it stands she's just too stressed with Being The Protagonist to think about that

Now, the thing with Margaret. I'm not even going to lie to you, I think you made a better connection to how a name connects with community in terms of the narrative themes than I did. The thing with Margaret denying the name "Maggie" existed for two reasons, the in-universe explanation is that, with the little scrap of soul Margaret has leftover from Maggie, it's essentially working overtime just to keep her vitals working, it can't dedicate time and energy to making her an individual with preferences and a personality, so part of that is that she doesn't respond to "Maggie" because ultimately, that is not her name. Her name is Margaret and she's not going to respond to "Maggie" because "Maggie" isn't her name. Of course, out of universe the reasoning is that I wanted an easy way to distinguish between Maggie as she is the protagonist, and the version of her that lived in the years she was gone, so different names makes the most sense.

I think your connection to how name relates to community genuinely works on a level I hadn't fully pieced together myself yet and I really love that because I think that absolutely works with everything. One of the main conflicts of the plot is how Maggie is entirely disconnected from her family thanks to the years she was gone, with Margaret having no priorities beyond "survive", she basically never spoke with her parents or brother for years. While her family tried to reach out to her repeatedly (Especially given that, while they're unaware the truth of what happened the night Maggie was murdered, they do know something happened, and they believe that whatever it was severely traumatized her, and that's where the sudden and drastic shift in personality came from), there's a point where they just... gave up. She wasn't trying to talk with them or contact them in the slightest, so around a year or two after Margaret moved out, her parents gave up on her. Her brother would still be there a bit, but he also didn't really... try... anymore.

When Maggie wakes up, she tries to call her parents... and they don't pick up. They'd grown resentful over the years, and now that Maggie wants to talk to them, they don't forgive her for the years of not speaking to them, and aren't interested in whatever she has to say after nearly a decade of trying to reconnect with her and being met with nothing. It's her insistence that she wants to be called Maggie that actually gets her brother to realize she's telling the truth and that something happened. She shows up at his door, already something that Margaret wouldn't have done, and that combined with her being visibly upset when he calls her Margaret and tells him that's not her and that she's Maggie, it signals to him that whatever's going on is real (...though he would've figured this out eventually, given that she also literally 17 again and not in her mid-20s, and has a giant glowing stab wound in her chest). I think it works absolutely perfectly as being a symbol of community, her disconnect from her community is what led to her being called Margaret, and her desperation to be returned to that community is when she's Maggie again. So uh. Congrats on getting the themes of my OCs better than I did <3

And uhhhh closing thoughts! I honestly did still skim over the majority of the plot (Literally never even mentioned Eli or what's going on with her stab wound </3), but I think you reeeeally hit the nail on the head with everything I'm kinda getting at with these OCs, which is... frankly wild given how little main plot I actually got at. Basically everything I mentioned in my original post was the setup, not the main plot. But waaaaugh thank you for being so niceys to me and also giving me another excuse to ramble endlessly <3

[rosedhall]

ADON wiki summoning information I don't even think is mentioned anywhere canonically. Where did yall get this nolej? You on speaking terms with the ghosts or smth?

(If I'm mistaken and Rose's DOB is mentioned somewhere in game or by Tim/Huld/whomever, please correct me and link it. I'm very curious)

[doctortonytchopper]

That post that was like "how long was mihawk in OPLA just sitting there listening to usopp say random stuff" has made me notice all the times in the early episodes before they were really actually public figures when the strawhats are just being insane while totally unrelated people are in earshot nearby. Like instead of me just seeing them being crazy and forgetting who's around, im really loving realizing stuff like how both Smoker AND Crocodile were in the room while Luffy was doing his Sanji impression. What do you think they thought of it it was a pretty good impression

[greencarnation]

got into a competitive uni in a big city far far away 😎

will never have to live in this shitty little village again 😎

will never live in this shitty little village again ☹️

[thecoolerantistraight]

So apparently joe fucking his teenage gf was fine but if he had wanted to fuck Keith or even Paul when the clash formed that would have been illegal

[didsomeonesayventus]

Hey Brodia fans do we think there's a nonzero chance some fuckhead noble ends up thinking the Morion Incident was a covered up/conveniently timed coup so Diamant could take over

(This is, ofc, Bullshit™️, and it makes both Diamant and Alcryst understandably incredibly upset)

[mousegirlheart]

i want pet mice so bad but I own a cat and my apartment is too small to realistically keep them separate why does god give me the hardest trials

[zincbot]

of course amber is an older sister. is there any other way.