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#The Butcher's Sher
riotdyke · 7 months
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You don't have to rally 'round a flag
You may as well salute a dirty rag
And this isn't a defense of evil deeds,
It's just a little song about our needs.
Our need to feel enlightened and secure
And civilized and rational and pure
To feel we are decent good and nice
Just as long as the butcher gets his price.
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seaglassandeelgrass · 9 months
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Profits & Prices: Who makes what and what is paid by whom? Songs of commodities, costs, collateral, consumption, and compensation.
Cover image is a butcher selling mutton from Ms.4182 tav.138, the 14th-century Tacuinum Sanitatis held by the Biblioteca Casanatense.
The Money Crop- Malvina Reynolds
Who Reaps the Profits? Who Pays the Price?- Leon Rosselson
Working Reward- The Haymarket Squares
Pound a Week Rise- Siobhan Miller
Hey Ho- Tracy Grammer
The Hand That Feeds- The Crane Wives
Tomorrow Will Follow Today- Kathryn Roberts & Sean Lakeman
Age of the Robber Barons- David Rovics
The Falcon- Mimi & Richard Farina
Dictatorship of Capital- Alistair Hulett
You Stay Here- Richard Shindell
Le Diable et le Fermier- Windborne
Chemical Worker's Song- Jimmy Aldridge & Sid Goldsmith
Dying to Make a Living- The Local Honeys
Black Trade- The Unthanks
Something in the Rain- Tish Hinojosa
Free Enterprise- Jan Hammarlund
The Ballad of Accounting- Peggy Seeger & Ewan MacColl
The Capitalist Blues- Leyla McCalla
P.O.P. (Profit Over People)- The Moods
The Butcher's Sher- Daniel Kahn & the Painted Bird
21 tracks; 85 mins. [Spotify]
[my other playlists]
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scotianostra · 2 years
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January 23rd is National Pie day.
Is it really a year since I last posted on this? Last year I took us on a journey of our Nations favourite, The Scotch Pie, everyone has their go to Butchers or even Bakers for theirs. The Killie Pie is legendary, The Macaroni Pie is another legend, you can still get this elsewhere, but Greggs discontinued their version in 2015. The  Mince Tattie and Baked Bean Pie was always a favourite of mine growing up, our local bakers did a great job of this, sadly the bakers is no more. And this time of year you can find Bells Steak and Haggis usually on offer at the supermarkets throughout Scotland, especially for Burns Night, which is only a couple days away.
Anyway this year I want to concentrate on the Steak Pie.
Us Scots love a steak pie to celebrate the New Year and cannot get enough of them, according to industry experts. But why has it become an annual tradition across the country?
One theory holds that steak pie became the national dish at New Years because January 1 wasn’t generally taken as a holiday so families were too busy to cook.
They would buy steak pies to feed their families instead, this continues to this day as people want a delicious meal after the previous night’s celebrations. So you could say it was essentially one of the first ready meals.
Or is it that the Steak pie is the nation’s hangover cure on what is often the roughest morning of the year for many, after a night of celebratory drinking?
Another theory is that because it is a big meal you can keep warm and serve to visitors throughout the day, as people come to the house. I don't buy into that one, we Scots always put on a spread on the table, Shortbread, Black Bun, even Dundee Cake was waiting for any first footers and others coming through the door in the wee sma' hours.
In days gone by oor mammies used to cook their own steak pies. so here's a recipe for a traditional Scottish steak pie, as seen in the main pic.
Things you’ll need to make a Scottish Steak Pie
Large Pot/Pan
Mixing Bowl
Pie Dish.
Ingredients
800g Diced Beef Stewing Steak (Approx 2lb)
2 tbsp Plain Flour
2 tbsp Olive Oil/Butter
2 Large Roughly Chopped Onions
500ml Beef Stock (Approx 2 cups)
35ml Lea & Perrins Worcestershire Sauce, Pronounced – Wooster-sher ( Approx 0.14 cups)
1 tbsp Tomato Puree
1 tsp Dijon Mustard
Salt and Pepper to taste.
Now my mum always cheated buy buying ready made Puff Pastr, but you can make your own.
Add ons
Many Scots swear by a Steak and Sausage pie, rather than just steak alone. We don’t mind adding sausages also, but personally like to have just steak most of the time. However, this recipe is easy to adapt if you want to! We’ll share more in variations below, but you can add 4-6 sausages if you like as well.
ake your mixing bowl and toss the beef in the plain flour, this will help insulate the meat while browning as well as helping the sauce to thicken. You can season the flour to help add an extra depth of flavour if you’d like.
Heat your pan and oil/butter, once hot add the onions and cook until soft.
Once the onions are soft add the beef to brown it, this should only take a few minutes.
This process of browning simply means to lightly cook the surface of the steak to caramelize it and add a richer flavour to the meat.
Once browned add the stock, Worcester Sauce, Tomato puree, Dijon mustard and seasoning.
Bring the mixture slowly to the boil.
Once it begins to boil reduce the heat and allow to gently simmer for 2.5 hrs.
During this time stir occasionally and, if you have a gas stove that doesn’t have a low enough setting to simmer keep rotating the pan to avoid too much heat in one place.
If you’re adding sausages (see variations) then you can chop and add them about halfway through cooking. If they have a high fat content you may want to fry off in a separate pan or even boil for 10 minutes to remove some of the fat so that the pie won’t get too greasy.
Once the sauce is good and thick and the meat is breaking apart nicely tip the mixture into the pie dish, it should be roughly 3/4 full.
Preheat your oven to 180°C or 356°F, approx gas mark 4.
Cover the top of the pie dish with the rolled puff pastry, use your thumb or a fork to push down or crimp the edge of the pastry along the rim of the dish, helping to seal the mixture and the flavour in.
Make a hole in the centre of the pie to allow steam to exit during cooking.
Place your pie into the preheated oven for roughly 30 mins or until the pastry has risen and is golden brown.
You can find this recipe and more like it at https://scottishscran.com
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a.x.e. judgement day, kieron gillen // full spectrum resistance part one, aric mcbay // the butcher's sher, daniel kahn and the painted bird // unknown // nice people made the best nazis, naomi shulman // the book thief, marcus zusak // the butcher's sher, daniel kahn and the painted bird // incredible tails aka. rosencrantz and guilderstern in space, bluemeany // powers of x, jonathan hickman // carpe jugulum, terry pratchett
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wizardcurse · 1 year
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♫ :3c
YES :3c
Muddy Bottom Blues - Tab Benoit
The Butcher’s Sher - Daniel Kahn & the Painted Bird
Don’t Bother None - Mai Yamane
Worms - AlicebanD
I Want to be Evil - Eartha Kitt
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faraige · 1 year
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🍯- describe your favorite smell
☕- coffee or tea?
🎥- what show are you currently binging on?
🎶- favorite song right now?
Hi, Corni!!
🍯- describe your favorite smell
Calendula, bergamot, honey , my fiancé's and my cats' :)
☕- coffee or tea?
Tea!! All day long!! I really like tea!!
🎥- what show are you currently binging on?
Ok, show that I've already watched, Buffy The Vampire Slayer, because my fiancé is watching it for the first time. He's on the first season and not a fan at all (every time Xander shows up I know he's gonna suffer), but he says he's gonna finish the whole thing because it's so important to me. I keep telling him it gets better ^^'
The one that I haven't watched before is the new season of Our Flag Means Death. I really missed watching a show that tried to make me enjoy it :')
🎶- favorite song right now?
oh dear, I can't pic one, so here, have a few?
Marta, Sebas, Guille y los demás by Amaral.
This one is gonna DATE ME for sure, but I've been on a kick for the whole album, Pájaros en la Cabeza, lately. If I had to pick one from it it'd probably be this one tho. It makes me super nostalgic and now that I'm an adult with friendships which just drifted apart and who tries to have lasting human connections under capitalism, it hits even more :')
Dance The Night by Dua Lipa.
What can I say, I think it's pretty self explanatory. Plus, no wonder it made it into the "official" Astarion playlist by the voice actor.
We'll Never Have Sex by Leith Ross.
:')
Butcher's Sher by Daniel Khan.
This one feels like cheating because it's been a very important part of my writing process for an Arcane fanfic that's been a WIP since... well, since Arcane came out, pretty much.
9 to 5, version by Ladyparts.
This is from the show We Are Ladyparts. If you haven't watched it I highly recommend it!
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fractalist · 5 months
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Music asks: 11, 26, and 30 :)
Thank you so much for sending me this ask! I love answering questions and specifically love music
11. A song that you never get tired of
Before I knew that Motown was a genre, I used to think of it as genreless music--like I had no category to put it in, so it must therefore be the ur-music. While everyone knows "(There's) Always Something There to Remind Me" from the Naked Eyes version, there are so many good renditions; Lou Johnson's is a particular favorite.
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26: A song that makes you want to fall in love
There's a specific kind of love that Dan Deacon's "Rail" makes me want to fall in. It's a type of wonder, a type of contentment. It's watching countryside pass outside a train window. Simple and ordinary and beautiful and fresh.
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30: A song that reminds you of yourself
I try not to cast myself too much as a leftist, but there's no denying it. The first time I heard "The Butcher's Sher" by Daniel Kahn & the Painted Bird, it felt like he had been reading my mind. I think a lot about the sheer labor and overwhelming exploitation that goes into the ordinary parts of modern life. "Every pair of pants and grain of rice / contains a horror story in its price" is especially meaningful when I see things like a large basket handwoven in Vietnam sold at Marshall's for $7. Also klezmer slaps.
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the-kr8tor · 7 months
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Starlight and Seafoam
Pairing: Pirate! Hobie Brown x fem! Reader
Word count: 6.9k
Tags: Use of Y/N sparsely, no specific physical description of the reader, TW blood, CW food mentions, TW death, CW injury.
Between the Devil and the Sea Masterlist
Navigation
CHAPTER 10 >>> CHAPTER 11
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The street is bustling and teeming with people as you pay for the new mortar and pestle that you've been saving for a long time. The coins clink on the counter as you drop it on the wood. You hate to see your hard earned money go but you're glad that you have your very own mortar and pestle in exchange.
“Careful now it's heavy.” The old shopkeeper smiles at you.
“I've got it, thank you!” You heave the heavy stone in your small arms, waddling towards the door, struggling to open it with both arms occupied, a kind gentleman opens it for you and you smile politely, your mother didn't raise you to be rude after all. “Thank you, sir.”
“You're welcome.” The stranger says with a gruff voice, his large frame casts a shadow over you, fancy clothes making you gawk. Gold threads sewed into the finest cloth. His brown eyes only spares you a quick once over, tufts of chestnut hair flowing in the breeze, chiseled face turning towards the shopkeeper.
Walking out of the store, the door shuts closed behind you. Eyes still glued to the rich man, someone taps you on your shoulder.
“Careful, kid, that one can and will buy you if you don't stop gawking.” Sherry, an old neighbor of yours warns you. Her husband shushes her, eyes rolling at her gossiping. “Don't you shush me, Mickey, I'm right y’know!”
“The bloke's right there, love!” Mickey whisper shouts, he turns towards a customer, scowl disappearing, smiling politely over the vegetable stand.
You notice some people whisper too, from the butcher across the street to the florist on your right. Their main topic is the mysterious rich man in the store you just left.
Sherry clicks her tongue, slyly beckoning you over, whispering close in your ear. She smells of lettuce and cigars.
“Listen, girl,” you nod, trusting the adult. “you better get home ‘cause word around town is that wanker right there is a skin trader.” She says the word with malice. “See his fancy dancy clothes? He got ‘em from selling children like yourself.”
“What's a skin trader?” You ask, eyes wide and concerned. The mortar and pestle gets heavier in your arms.
“Didn't dear old mum warn you about ‘em?”
“Stop scaring the poor child, Sher.” her husband warns, busy with a line of customers while his wife gossips with a thirteen year old.
“This ‘ere is a private conversation, Mickey!” She turns back towards you, “Jus’ be careful, kiddo. I like you, you've got ‘em magic hands with them herbs. I don't want you gettin' sold off to a noble house, yeah?” you nod, “Stay away from him and you'll be good.” Shrugging, she pats your head.
“I don't think my mum would sell me.” You say with a small voice, fingers grazing over your necklace that's tucked under your blouse.
She scoffs, “tell that to little John, he was sold off for a bag of coins a few days ago.”
“Sher.” Mickey warns as your blood runs cold.
You know John, you've played with him a few times even though he runs his mouth like a sailor. Now you know why you haven't seen him around town. Nerves alight, you stay away from the shop's door.
Home calls for you, but you still have other errands to run.
“I've gotta go, thank you, Sherry.” You start to walk away with heavy strides and worry written on your face. She won't do that right? You thought. She loves me like her own, she can't— won't do that to me.
Mickey calls you back, “oh Y/N, grab a few of these for you and your mum, yeah? I know they're your favourite.” he smiles, putting a handful of cherry tomatoes inside the mortar.
“Thank you!” You smile, “It's her favourite too!”
“Aye, I know.”
His wife slaps him upside the head, “the fuck you mean ‘you know?’”
You leave before you get stuck in the middle of their argument. In your peripheral, you see the well dressed man leave the store without buying anything, he walks over to Sherry and Mickey. You don't stay long to hear their conversation.
Despite hurrying home, you end up walking towards the cabin with the sun already setting. Leaves crunch under your foot as you yawn, but your smile stays on your lips, happy enough that you have your newly purchased instrument in your arms, even though it's extremely heavy combined with the old canvas bags on your shoulder full of supplies you and your mother needed for the rest of the month.
Finally seeing the small cabin makes you weary, wanting to lay down in bed until she calls you for supper. Based on the smoke billowing from the chimney, you guess she already started cooking for dinner.
The heavy door creaks open as you push it open with your shoulder. “Mum, Mickey gave us cherry tomatoes! And you can't believe what I just heard—”
You freeze in the doorway, your mortar and pestle falls in your arms, clanging loudly on the wooden floor, it splits in half as the cherry tomatoes tumbles out of the mortar.
There he stands, the same well dressed man handing your guardian that you call mother, loved like your own mother, hugged like your own mother a bag of coins. They both pause in their movements.
The man cages you with his stare, an unreadable expression on his face, hazel eyes reflecting the fire in the hearth, turning it to crimson.
“Mum?” you frown, tears brimming in your eyes.
She can't, she won't but she still did it.
“Y/N, this is—”
“How could you?” You ask, broken, heart left split in half like the mortar on the floor.
She looks at you apologetically, hand reaching towards you instinctively. Your home seems to suffocate you.
The man exhales sharply like he's in pain. “I passed by her a few hours ago. She looks just like—”
You don't let him finish.
Bolting away with only the clothes on your back and the spare change in your pockets, you run as fast as you can without looking back.
“Love?” Hobie says it tenderly that you thought he was calling for someone else, again. “Love?” He calls a bit louder.
Hobie wakes you up back to reality, back to his hold. His thumb wipes the tears sliding down your cheeks, eyes glazing over. He sits on the edge of the pool, the fire next to him warming his drenched clothes whilst you float with only his hand anchoring you near him.
“I'm sorry.” He whispers.
You twist around in the water, arms placed on the ground next to him, fingers twisting around the frayed thread on his pants. Chin resting atop your elbow, you watch the fire crackle and burn timber.
Hobie's hands slide over to your nape, caressing softly, hoping it would make up for what you've lived through. He knows it doesn't, but he still wants to try.
After minutes of silence and listening to your soft sniffles, the warmth of the afternoon sun and fire illuminating your deep frown and tear stained cheeks. Hobie breaks the quiet.
“MJ—” for a second you thought he's calling you by her name again, and it shatters your heart all over again. “She…she was—”
“Don't tell me just because I told you mine.” You look up at him with sadness underneath your eyes. “Only tell me when you're ready.” He nods, squeezing you in thanks. “I told you mine because someone else has to know, just in case—”
Hobie knits his eyebrows. “In case of what?”
In case I die, in case I decide to stay on the island and you leave. In case, in case. You have a lot of them but you spare him the heartache. He'd do the same. Someone has to know your story, that's how you can live forever, you remember her old words.
You shake your head, “nothing.”
He understands, “alright, keep your secrets.” flicking his eyes down, he observes your fingers mindlessly playing with its thread. “Stop tryin’ to take my trousers off, you can just ask.”
You chuckle softly, the first time he's heard it since you sobbed in his arms a week ago.
“You wish, Hobie.”
He dramatically clasps his hands together, eyes closed like he's in prayer. “I wish Y/N would just ask me to take my trousers off.” He laughs, almost not finishing his own joke because of it.
You pinch his leg, earning a yelp from the pirate captain. “You always say something that ruins the moment.”
“You were chuffed though”
“Mm-hmm.”
He looks towards the beach right in between the trees. “It's finally low tide. C’mon, scuttlebutt, I've got somethin' to show you.” He stands up, giving you a helping hand.
“I swear if it's another pair of crabs fucking—”
“That was one time, get up or we might get stranded.”
“We're already stranded.” he frowns at your words.
You've been down since the night you cried in his arms. He's worried, properly so, used to the embers in you, used to the loud banter, it's only right that he worries. You're on your last legs, everything that has happened managed to catch up to you, and for him it's crawling up his neck like a swarm of ants, biting and nipping at him. But you're the priority, his priority, if you fall then he would tumble harder, landing on his face with a sickening crunch.
He doesn't mind, not finding it cumbersome, because you'd do the same for him too. Or he hopes you will.
Hobie has tried everything to make you feel better, caught fish the right way even though it made his blood boil with impatience and frustration. Shot at a seagull with the last of his bullets for a variety of meat that only made you sob for how tough it was. Not even chocolate can brighten your mood nowadays. He even postponed leaving the island until you're back to your usual self. But he knows you two can't stay here forever or the ants might finally reach his head, gnawing at his cheek, eating through his skin. Or worse, kill the fire inside you.
As a last resort, he has thought of a plan, although it's a gamble, a toss of a coin, whether or not it might make you feel worse or better then it all depends on how he acts. Hope is his main choice of weapon yet hope can kill you too.
Hobie huffs, crouching down to face you. His voice is soft. “We're not stranded, we're leaving tomorrow but before we do I have somethin’ to show you.” You look up at him with a frown.
You don't even want to leave anymore. What's waiting for you once you get on land? Nothing, nothing's waiting for you, just more longing for a family you might have and you might never have. And you're frightened at what awaits you.
“Do you want to really leave?” You ask forlornly.
“As much as I love our days here surviving, we have to leave eventually.” He's not sure either, he wants to stay with you but he has responsibilities to the crew and you. He knows you can't stay here or he might never see the fire blaze inside you again. “All I know is my crew might be waitin’ for us, yeah? Now get up.”
Might and Us, the words are a mind killer for you recently.
“Y/N, I know it's hard,” he cups the back of your head. “But you have to stand up, could you do that for me? I'll walk with you the entire time, I promise.”
“What if—?”
“Don't, remember what I told you? Don't let ‘em kill you for the second time.” His eyes bore into you. “Please? C’mon you even got me sayin’ please.”
With an exhale, you manage to clasp your hand in his. Hobie lifts you up to your feet. Water sloshes as you leave the pool, clothes drenched, air making you shiver.
“You hang around me too much.” Hand still in his, he leads you out to the eastern side of the island. “You've become too polite.”
“Is that supposed to be horrible?” Hobie takes his hand away for a moment to grab his vest that's hanging from a branch. “You're not even that polite.” he drapes it over your shoulders, taking your hand back in his hand.
Your heart thuds loudly in your chest, his scent clinging to you like the heat on your cheeks. You put your arms inside, wearing his vest proudly like a medal. Laying your cheek on his shoulder, he laces his fingers around yours, squeezing it tenderly.
It all seems natural to you now, all the wordless affection and care that you both act upon. You know this won't last the moment you two leave the island. So you savour it as much as you can, letting all of it linger in your mind, tucking it away until you need to relive it along the way.
“I'm polite,” you walk on soft leaves to grainy sand, the low tide providing a way towards a smaller island with rocky terrain. The sun beams just behind it, it's a beautiful sight but Hobie's eyes are on you. “If I want to.”
“Sure you are.”
He moves your intertwined hands behind him so he could exchange it with his unoccupied hand, holding you close. Like a moth to a flame, you half embrace him, hand on top of his waist, grasping softly at his skin, memorizing every indent. His warmer hand rests atop yours, while the other has managed to snake around your shoulder, pulling you impossibly closer to him.
Like broken pieces of a shattered glass, you fit together.
Hobie drowns in all of you. Your scent and touch leaving a mark on him, not like a scar that says that you've hurt him in the past, no, it's much more like a wound, a wound that he'd gladly let fester just so he can revisit you, revisit how you look like when you smile or cry, revisit how your soft palms touches his marred flesh.
He'd poke, prod and bleed the wound just to feel your touch again.
It's a lot harder to walk entangled together on the sandy bridge that connects your island to the other, but you two don't seem to mind as you leave your footprints on the sand.
“We have a couple of hours to explore before high tide or we'll get stuck here for an entire day.”
Would that be so bad?
You hum, “explore what?” Voice muffled by his shirt, he rubs softly at your upper arm, warming you.
“You'll see, I know you'll like it.”
“Great, you're gonna kill me.” You joke monotonously.
“Never,” he whispers into your hair. “I'd do it on our island instead.”
You chuckle, “how would you do it?”
“Stake to the heart.” You almost didn't understand him whilst his face is buried in your hair. “Classic.”
“Or you could choke me with the pomegranate seeds.”
“You'd like that, huh?” you can feel his smirk atop your head and you swear he kissed you faintly like a feather landing on you.
“I don't mind dying by fruit. Better yet, death by chocolate.”
“I'd mind, it would be hard to do that. Just think of the bloody logistics.” you two stop walking, finally reaching the tiny patch of land.
“For a second there I thought you didn't want me to die.” He leans away, hand still clasped in yours.
“That too.” You smile at him genuinely. Hobie enters the crevice in the wall, jagged rocks against his calloused hands. “C’mon then.” He holds his hand out to you and you don't hesitate to take it.
“Oh you're definitely gonna kill me.”
His laugh bounces around the cavern as you two shimmy towards the light at the far end of the tight alcove. Darkness soon envelops your vision. His piercings shine, acting as your guide. Like a ship to a lighthouse.
“It's a bit dark, Hobie.” Your voice echoes, concern laced in your voice. Not questioning your trust in him but concerned for what the dark could reveal to you.
“I've got you, just keep holding on to me, yeah?”
You sniff a reply, the dampness from the stone makes your nose itch from the musk.
Your feet splashes on a puddle, almost yelping at the sudden wetness. He holds on to you tighter while the rocks scratch at your back.
Hobie pauses before making way for you to pass through, making sure you don't trip on the way out.
The light almost blinds you as you finally make it to the end. Eyes adjusting, you squint at Hobie's gleeful face.
“We're here.”
Just behind Hobie is a massive ship, half of its hull is missing, mast broken, white sails fluttering aimlessly. There's something eerie about it, from how the sun's light filters through the cracks in the cavern ceiling, to the chipping golden paint that decorates the sides; barnacles have made a home on the broken bottom and crabs skittering away to its crevices. The sodden wood is inflated from the currents, wear and tear evident on its oak. It's gorgeously morbid when you think about the people who might've perished right there.
“Whose ship is this?” Your words echoes and bounces off the cave. You'd be lying if you didn't think it was the revenge for a split second, if not for its unfamiliar figure head, you'd collapse right on the spot.
“Don't know, I think It's navy but it doesn't have their flags so probably a merchant ship.” He comes closer to you, palm brushing over yours. “Look over there.” He glances behind you.
Turning around, you see several tally marks on the wall, an indication that someone survived. You glide your hands carefully over the marks, eyes curious and in disbelief.
“I counted, they were here for six months.”
You whirl around, “six? Fuck.”
“They got out though.”
You knit your brows. “How'd you know?”
“Come with me?”
“To the ship? It looks like it's about to collapse any second.”
“I tried climbing it, it's stable.” Hobie reaches for you, and again you take his hand.
“If I fall I'll blame you.”
“Thought you're good at climbin’?”
“Houses and trees, not a dilapidated ship that's more than ready to be scrapped. That thing looks older than us combined.”
“Fine, I'll climb up first and I'll help you up. Deal?”
“Christ, fine, but you owe me the rest of the chocolate.” you watch him climb a crate, effortlessly reaching the ledge of the deck, hauling himself up quicker than you thought. “Show off.” You say under your breath.
“Heard that.” Hobie peeks down, “the chocolate's all yours, now get your arse up here.” he crouches down, hands at the ready to help you up.
Copying his movements, you jump up, he immediately grabs you. Putting your foot up in a crack for leverage and with Hobie's help, you manage to get up onto the deck.
You sit next to him, stretching your wrists.
“See, not too bad, right?” The wood creaks right as he says it. “Maybe we shouldn't sit or stand on the same floor board.” He stands up but before giving you space to lessen the strain on the old wood, he helps you up once again.
“Thanks, I can stand up on my own y’know.” Yet you still take his hand.
“I know, I just don't like it when you're on the ground, you always look like you're about to bite my ankles.”
You laugh and he smiles triumphantly. The sound echoes, it reminds Hobie of the days spent together on the revenge.
“That's true, It takes every bone in my body not to.”
He smiles lopsidedly, shaking his head at you. “I have to show this to you.” He exclaims excitedly. “Just be careful of where you step.”
You pause in your movements, “shit, alright.” testing the floorboards, you slowly clamber your way towards him. “How'd you even find this place? Did you go spelunking without me?”
“Found it on our second day, thought you wouldn't like to see a broken ship like this so soon.”
You smile softly at him, heart reaching towards him and he thinks he chose right.
Hobie opens a barrel, “Look at this, found it when I actually explored the place.”
You take a peek inside, hands leaning on the barrel. “Dried pomegranates? Look at that, your murder weapon.” flicking your eyes towards him, a teasing smile on your lips.
He huffs with a grin, hands placed on his hips. “So violent. You've been hanging around me too much eh, captain?”
“Hmm, I like the sound of that, Captain Y/N. It has a nice ring to it” chuckling, your hands instinctively inch over to his. He meets you halfway on the rim of the barrel, pinky intertwined with yours. “You wanna sleep separately from now on? Since we spend too much time together and all that.”
Hobie scoffs, sucking in his teeth. “Please, you can't sleep without me now.”
It's true, you've spoiled yourself with his warmth next to you every night.
Rolling your eyes, feigning offense, you change the subject. “What's with the pomegranates?”
“They planted it, using their own supplies.”
“Cute, they left a piece of themselves on the island.”
“More than that, because of ‘em we get to eat the fruit they planted. They helped us survive.”
You shake your head, “no, you helped us survive. You did all the work, Hobie.” Taking his hand, standing toe to toe with him, you stare at his eyes for too long that you drown in his eyes. “I never got to thank you for…everything. Thank you, captain, truly.”
His breath hitches in his throat. Warmth emanating from you, eyes sparkling under the sparse light and sand clinging to your hair, he feels himself carve your name on his skin; right next to hers, right next to the scar she left.
“I rendered the great Captain Hobie Brown speechless. I think I deserve some kind of medal for that—”
Hobie cups your cheeks with both hands, leaning in, the act has you shutting up immediately.
You hear wood cracking underneath your feet. You were above deck then a second later, you're groaning on the floor, laying on his chest, facing a skeleton.
“Oh fuck!” You flinch back, Hobie holds you in place with a hand on your waist. Straddling him, you look at the decaying skeleton on the floor. “Shit—” you notice the body under you. “Oh shit!” Holding his face, you roam your eyes for any visible injuries.
“You should write poetry, you have a way with words.” He says with a wince, peeking at you through his eyelashes, he pats your thigh and you get off his aching body.
“Are you alright?” you ask frantically, checking the back of his head for blood, thankfully you find none. Panic sets in your bones, crawling on all fours, you smack his leg.
“Ow! What the fuck was that for?” Hobie sits up, with his legs moving, you can finally breathe.
“I thought your legs—” the wood creaked above, eyes widening at the barrel tethering on the edge, threatening to fall.
With Hobie still shaky from the fall, you grab him quickly, dragging him away from the falling object at the last minute before it collapses on both of you.
He grips your arm, staring at the space where you two were just in a second ago. The heavy barrel now occupies it, dried pomegranates spilling out from the split wood.
“Holy fuck.” He heaves.
You drop next to him, sliding down on the rotten walls. “Holy fuck is the right word for it.” he cranes his neck to look at you. “Death by pomegranates.”
You two watch your faces morph into a smile then into a grin and then to full blown laughter.
The loud noise scares the crabs away, dust flies around and there's splintered wood laying on the floors. Despite it all, you and Hobie continue to laugh. His head laying on your chest, hand around your middle and the vibrations from his chest making you laugh harder. With your hands around his torso, fingers splayed on his back, the both of you meld together in laughter.
“Mystery solved, that's how I could die by pomegranates. Take notes, Hobie.”
He inhales before leaning away, “you saved my arse.”
“Well you saved me too, we're even.”
Hobie thumps his head on the wall just like you have. His hand searches for yours while he stares at the skeleton left next to the barrel.
You find him first before he does, immediately weaving your fingers around his, you smile despite the near death experience.
“How would you do it?” He breaks the quiet.
“Do what?” you turn your head to look at him, he's calm, face relaxed.
“Kill me.”
“Hobie—” you groan.
“Humour me, love.”
“Fine,” you sigh, “poison probably.”
“Poison? Really?” Chuckling, he clasps your hand. Your stomach somersaults at the simple act.
“Mm-hmm, I figured that I can't possibly fight you, I can't shoot you so I'd do it in a subtle way. So, poison.”
“Fuckin' hell, I'll never let you cook.” Hobie turns his head towards the skeleton again like it would suddenly stand up and attack.
“You never let me cook anyway.”
“It's because you always burn it.”
“‘It's because you always burn it’” you mock his tone, “fuck off.”
Hobie guffaws which makes you laugh too.
The laughter subsides once again, he taps your thigh, leaving his warmth embedded in you.
“He has a nice hat,” groaning, Hobie stands up, stretching his back, giving you a glimpse of his skin.
You turn away, watching the pomegranate seeds tumble down. “Who?”
“This bloke.” He bends down, taking a tricorn hat off the dirty floor. “See? There's even a bird on it. Is that silver thread?”
“Let me see.” You stretch your hand up, he lifts you up with one tug.
“There, stitched around the bird.” Hobie points at the fading design.
You can barely make out the emblem, its beak barely there and wings almost indistinguishable. The silver thread weaves around it, the only fully visible thing.
Brushing the pads of your fingers around it, you tilt your head at Hobie. “I think it is, and it's incredibly filthy. Put it back, it's been here for more than twenty years or more.”
“How would you know?” He stares at you, perplexed.
“Judging from the decay,” you gesture around the skeleton, figuring it's too rude to point at it. “and adding the fact it's exposed to the elements, it's been here a long ass time.”
Hobie’s eyes brighten, “you fuckin' bookworm.”
Sticking your tongue at him, cheeks warm, “How'd you know the survivors got out of the island then?”
He shrugs, hands still holding the musty hat. “They left a note on top of a couple of graves just behind the ship.”
“Bullshit, now you're just making shit up.”
He chuckles, the sound similar to a giggle. “‘m not lyin’, cross my heart!”
“Sure, and I'm a selkie.” Sarcasm rolls off your tongue, “I'm going outside.” You begin to walk away, finding the space stifling from all the dust and death that surrounds it.
He quickly places the hat on top of your head and you jump away, flinging it off your head then throwing it at the perpetrator.
“What?” He laughs, “It looks better on you! He clearly doesn't need it anymore!” joking, he tries to put it on you again and you push him away as a warning.
Your smile betrays your true emotion. “Don't—”
“Alright” Hobie surrenders, placing the hat back where he found it, hands next to his head, he slyly inches towards you.
“Thank you, now can we go? High tide’s coming—”
He suddenly lunges for you, picking you up as you yelp and wiggle in his arms. His arm is underneath your knees, the other is around your torso, hands placed right above your ribs. You drown in him once again. Cackling, he walks towards the hole in the wall.
“Put me down!” you bunch up his shirt in your hands, “Hobie!”
“What? I'm taking you outside, it's clearly not safe here, love!” Your squirming has him holding onto you tighter. He grins widely, carefully squeezing out of the broken hull and into the light and fresh air.
Being this close to him, you notice the small dimples on his cheeks. Restraining yourself from poking it, you can't help but stare up at him like he's the sea himself. Deep and full of secrets, secrets that you're more than willing to dive for. A terrifying force on the surface but once you're underneath the tides, you see his true self, all the love he harbors for the people, all the hate that has made him who he is.
With his waves crashing against you, he smoothens your edges with his touch, if you're not careful, he'd erode you until you're nothing but a speck of sand.
Hands atop his shoulders, Hobie stops laughing the second he sees your eyes gleam over, nails digging into his shoulders, leaving half moons on his skin. He doesn't mind, he'd let you mark him if that's what you truly want.
“You alright?” He whispers, staring down at you like the sky above, beautiful and out of reach, a cloud soft and fleeting, stars that guide him in the night. A hurricane that has sunk ships. He thinks he's one of those ships.
You wonder if he used to look at her like this too. Your hold on him loosens.
“Don’t look at me like that.” You say, voice quivering. His face goes slack, eyebrows furrowed. “Like I'm her, you know I'm not her.”
You've struck him with lightning.
You leap off his arms, wobbling on your feet. He stretches his fingers, ghosting over the shape you've left.
“What do you mean?” He asks even though he's afraid of what you're going to say.
You smile bitterly. “I remind you of her. And I'm not her, Hobie.”
“I— where is this coming from?”
Sniffing and shaking your head, “nevermind” you begin to walk towards the exit.
“Y/N,” Hobie grabs your hand, letting go immediately when you flinch like he has burned you. “Not bloody nevermind, what's wrong?”
Gwen and Hobie's arguing finally escapes its cage, their angry words thrown at each other have finally eaten through the back of your head, revealing a wound that hasn't closed. Together with the numerous times he has called her name instead of yours, you collapse under all of it.
He loves her and not you.
You avoid the swirling greys, arms crossed, head down, staring at your worn out shoes. It's better this way you think, cut it off like a lame limb before it spreads to your heart. You're letting him go, and it pains your soul to do so.
“You only like me because of the circumstances.”
“What the fuck does that mean?” Hobie's not mad at you, he's angry at the conversation and the idea that you've dug up.
Does he? Does he only like you because of her? Did he only let you in at the start because of her? He only knows what he currently feels for you right now.
“You like me because of the circumstances! If we weren't stuck here together you wouldn't be.” A thunderstorm has broken through.
“After all this time together do you really think that?” He asks the question for you and for himself.
Your hands shake, tears almost spilling over. You don't let it, not in front of him. “You tolerate me.” twisting to face him, you regret the words you've thrown, but it has to be said or the relationship would've been built on lies and love for another. “You called me by her name when I fell and when you slept. I–I don't know, Hobie, I really don't know.”
There it is, the knife that was made to split skin and bleed. Instead of Hobie holding it, it's you. But he helps you bury the steel in his body, helping you twist it, helping you bleed him.
“You were there?” You nod, “I— you do remind me of her… it's uncanny sometimes.” You stifle a sob, head held up high. “And I don't fuckin' know, Y/N. All I know is I like you despite the bloody circumstances.”
Hobie closes his eyes, rubbing it with the heels of his palms. “I'll see you back at the island.” He leaves, and you just watch.
Falling to the ground, you hug your knees, letting it all crumble around you.
You haven't slept, bags under your eyes, headache pounding in your head, the sound of soil getting dug out behind you has become a comfort not a nuisance.
You haven't looked at the source of the sound since he started, letting his quiet curses and groans fill you with sadness and guilt. With the sun rising, and a new day coming, you sit up, palms raw from your clenched fists.
He tried to do something nice and you threw it back at him with venom.
Heading towards the shore, kneeling down, you let the salt wash over the crescent wounds. Wincing at the stinging pain, you lift your hands away from the water, lingering, watching the sun rise with heavy eyes. The humidity stifles you, choking you almost.
You clutch at your chest, imagining that your necklace is still hanging around your neck. Wishing for the comfort it brings, but the gold isn't there and the only comfort you have is now cold around you, avoiding your presence since yesterday. The closest thing you have is the pearl in your pocket, so you place your hand inside, rolling the smooth edges around your fingers, letting the cool surface ease you.
With a shaky sigh, you trudge towards the grove, grass grazing along your legs, you stand stiff at the sight.
Graves, he's digging graves.
Covered in dirt and sweat, Hobie digs a hole in the ground using a sharp stick. Lips wobbling, you let a tear fall before wiping it away.
“Hobie.” You call his name softly, voice breaking. He doesn't look up, you notice his arms shaking from fatigue. “Hobie.”
He pauses mid dig, “what?” Asking sharply, his eyes are dark, worse for wear. “Don't ask me to stop, Y/N, because I won't.”
“I was gonna ask if you needed help—want my help.”
Hobie tosses a stick at you, “this is the last one.”
Nodding, you grab the stick from the ground. Jumping down the hole, you wordlessly dig across him. The rough wood opens the scratches on your palms, dribbles of blood rolling down like the tears you've shed.
“Is this Finn's?” you ask with apprehension.
Nothing.
“Ned’s?”
Still nothing, he swallows thickly.
“Mine?”
Hobie stops, sighing, “Do you really think I can do that just because of yesterday?” Do you think he is a monster?
“No. I was trying to lift the mood, I realize now it's in poor taste.”
“I would have laughed if we weren't digging a grave.”
“Graveyard humour.” you say flatly, stabbing the ground, digging even when your palms bleed, even when your blood falls inside the grave.
Hobie exhales, eyes heavy with fatigue, dirt underneath his nails.
“You want to stay.” he says with certainty, cutting the uncomfortable silence.
“I do.”
“You won't survive here alone.”
“I know.”
“Then we'll come back here, once everything is said and done.” He looks at you, “we'll come back here.”
“Hobie—”
His eyes flicker down to your hands, the stick now red from your own hands. “You're bleedin’”
With concern he drops the makeshift shovel to cross the small distance, slowly taking your hands away from the tool. Your skin clings to it like the roots of a tree.
“It's fine.”
Hobie clutches your hands, palms above your own, trying to stop the bleeding. “No, it's not.” No, you're not fine.
“It's just from…everything. I'll clean them so they don't get infected.” you try to leave but he still holds you tight.
“I'll clean it.” Let me help, please. He screams inside his head. Just this once, let him stop the blood instead of the one bleeding you dry.
You glance at him, lines marring his face, grey eyes laid upon a bloodied field. Lips pursed into worry.
“Alright.”
The silence makes you squirm in your seat, watching the waves on the shore, you let him clean your hands, trust him to clean your wounds.
Hobie carefully wraps your hands with a tattered part of his shirt. He smells of the familiar herbs and soil, eyes glued to your bandaged hands, he finally speaks.
“She was killed in front of me.” His voice lacks the usual tone, grief weaved around the sentence. “When the black helion sailed next to us I knew that she was already gone.”
You look at him, it's the least you could do.
“She called for me while Mathias had his sword right next to her neck. And I cowered under the deck until she asked with a smile if she could see me.”
Listening with tears in your eyes, Hobie avoids yours.
“The second I showed myself…he cut off her head. At first I thought it was her last attempt at hurting me, seeing her dead. But after a while I… I think she wanted me to be the last thing she ever saw because she grinned like she used to when she saw me.”
He raises his head to meet your tearful eyes, “Mary Jane, that was her real name.” He chokes before inhaling deeply. “An orphan like me but she got the wrong end of the bloody stick.” He spits the words angrily. “She wanted an out, that's why she went to Mathias. We fought when she told me she was navy, but I knew…I think I just didn't want to believe it.”
Your heart breaks for him.
“I want to avenge her not just for MJ but for everyone else who got the wrong end of the bloody stick. Thirty of my men died that day, I can grieve for them everyday for the rest of my life but it wouldn't be enough. It will never be enough.”
Hobie lets your hands go softly on your lap.
“It's better to be angry than to wallow in myself. They wouldn't like that if I did so I let myself be angry for their sake.”
You reach for him, surprising himself, he welcomes your touch. Holding his face like you hold the entire world in your palms, you kiss the corner of his eyes softly, encouraging him to cry.
Laying your forehead against his, you whisper the words to him like a secret shared between two lovers.
“Let me be angry for you just this once, e–even if it's just for today, let me carry it for you. And I'll be angry for you if you ask. Just ask me, Hobie.”
“Just for a minute.” He whispers back.
“Alright, just for a minute.”
Hobie drops his head on your shoulder, hiding his face from the world, arms enclosed around your torso, you let him cry.
You help Hobie bury the empty graves. Pomegranates and colourful flowers on top of each one except for the three at the very back. You whisper goodbyes to each one, giving Finn's, Ned's and the crew he lost with extra attention and extra love.
You leave a bar of chocolate on top of Finn's grave, his name written on a piece of driftwood. ‘beloved friend’ you've written under his name then you realize it's not enough to describe him, so you write ‘best chef in the world’ next to it, laughing to yourself once you finish it.
“I think he'd like it” Hobie said whilst he places the folded sail on top of Ned’s empty grave. He wrote next to his name, ‘a shit lyricist but a good friend, beloved by everyone’ and you sobbed wetly at the words.
You just stare at the graves for the men you killed, imagining them rotting under it. They were once children, you thought, but you don't regret it, because you lived because of what you did, lived because of what you endured.
Just as you're leaving the thicket, giving the crew one last goodbye, you watch Hobie write her name and you leave, giving him privacy.
You wait for him patiently under the trees, right next to the raft full of supplies you've gathered. Eyes downturned, cheeks stained with tears, you hear the rustle of leaves from behind and you don't mention the missing necklace from his neck.
“Ready to go?” He asks.
No.
“Yes.”
Hobie goes around the raft to push, you copy him.
“Is that—?” He stops, hand above his eyebrows, shielding it from the sun. “Holy shit.”
You follow his line of sight, perplexed, until you see five figures waving wildly at you.
“It's them” Hobie looks at you with relief and you almost weep once again.
“It's them.”
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A/N: Before you all get mad at me for Miguel, all will be revealed in the next chapter. Thank you for reading!
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vsnotresponding · 1 year
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I mean, how could I not?
"fake dating au goes brbrbrbrb"
ask's about this tag game
how could you not indeed, púlsar fake dating au my beloved <3
I've posted two parts already (plus an introduction to it) in here:
part 0: whomst part 1: how it all started part 2: ready to go
basically i brought my two Very Ace main characters from a fantasy story into a fake dating au romcom for the funz, as you do. thinking about this au makes me very happy because look at them! being happy! no angst just vibes! no thoughts head empty just brbrbrbrbrbr
i have two documents for it, the one where i just word vomit Thoughts, and the one where I make it all readable
here's what the unedited text looks like sometimes (it's me talking to myself half the time and butchering the english language the other half):
og verbal diarrhea
social engagements get him out of there please he hates it
karma needs a date because now that Son Of Rich And Important Man Is Taken he has become the next victim
both ira and karma are very ace btw <- me telling this to myself like i don't already know lmao
oh yeah karma's father is responsible for The Thing That Happened
brunch with mom aka ira gets adopted
(she does see him trying with karma and being wholesome with sahare so okay maybe he does deserve rights i guess still not a fan 7-7 hisses at you) (sher can't believe karma has had a full conversation while holding someone's hand like it's nothing HELLO????)
oh shit who's this bitch arguing ira kicks him out u know <- what even is this sentence
hopefully i'll get my shit together and post part 3 soon (which means definitely this year)
lil teaser:
[their first ever date and irl meeting. they were talking but karma got distracted by someone on the other side of the square they are standing in]
“Who’s that?” 
She’s pretty, sitting on a bench with a thermo next to her and a big thick white binder opened on her knees. Raí would say she’s wearing fashionable clothes, but Ira only notices her long hair and how much effort would be necessary to take care of it.
“Sahare," Karma says automatically. His panicked look a second after tells Ira everything she’d already got from the name. Oh, so the future sister in law. Well, at least Sher has good taste.
“Let’s go and say hi.”
“Wait—”
But she’s already gone, and Karma has no option but to trail behind her, quickly going over all they agreed upon about their non-existent relationship. Not that they have an actual relationship. Or do they? He doesn't think exchanging silly texts would count, but what would he know anyways. Although, he thinks as Sahare notices them, she might be interested in hearing about the thousands of cat pics he has on his phone now.
hi @my-cursed-prince you also asked about the fake dating au <3
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morthyew · 1 year
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if anyone is looking for a song to help kill the neoliberal in your head and heart this tuesday morning, i highly recommend daniel kahn’s the butcher’s sher — it is incisive, bleak, compassionate, memorable, and most of all, effective
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Video
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“Let's take a walk around the old bazaar Where every little thing has traveled far Every pair of pants and grain of rice Contains a horror story in its price A story of the power people wield A story about factories and fields Of which you'll never have to be aware Just as long as the butcher gets his share“
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somnambulistdyke · 3 years
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RAVENOUS (1999) / DAS KAPITAL VOL. 1 (inspired by "The Butcher's Share" by Daniel Khan and the Painted Bird)
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vaspider · 2 years
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anyway The Butcher's Sher has been on my mind for... oh, I dunno. a while.
Well the world has never been so very small, Though they say there's not enough to feed us all. So you better save a nickel while you can, But it needn't come from someone else's hand. Just take a little extra every day, For honest work deserves an honest pay. You can tell the world you did it by yourself, But there's someone you must thank for all his help: YOU GOTTA GIVE THE BUTCHER HIS SHARE. YOU'D LIKE TO MAKE BELIEVE HE ISN'T THERE. YOU'D LIKE TO MAKE BELIEVE YOU JUST RECEIVE WHAT'S ONLY FAIR, THAT NO ONE HAS TO SUFFER TO KEEP YOU IN YOUR CHAIR, BUT YOU GOTTA GIVE THE BUTCHER HIS SHARE. Let's take a walk around the old bazaar Where every little thing has traveled far. Every pair of pants and grain of rice Contains a horror story in its price: A story of the power people wield, A story about factories and fields, Of which you'll never have to be aware, Just as long as the butcher gets his share YES YOU GOTTA GIVE THE BUTCHER HIS SHARE, NO MATTER WHAT YOU BUY OR WHAT YOU WEAR. CAUSE NO ONE EVER SAID THE DISTRIBUTION WOULD BE FAIR. THERE'S BLOOD AND GUTS ENCODED IN THE VALUE OF THE WARE, BUT YOU GOTTA GIVE THE BUTCHER HIS SHARE. So here's another soldier on the train. You hope you won't be seeing him again. You tell yourself "my god, he looks so young." And you find that you are staring at his gun. And you wonder what this soldier does for fun. And you wonder 'bout the things he might have done. Well he was doing them for people just like you. So you'd better give the butcher his due. YOU GOTTA GIVE THE BUTCHER HIS DUE, CAUSE YOU'RE LUCKY THAT IT'S HIM INSTEAD OF YOU, WHO DOES THE DIRTY THINGS YOU HOPE YOU'LL NEVER HAVE TO DO, AND HAS TO KEEP HIS FILTHY LITTLE FINGERS OUT OF VIEW, SO YOU BETTER GIVE THE BUTCHER HIS DUE. You can build yourself a garden, You can cover it in green. But my dear, I beg your pardon, How do you keep your little fingers clean? Now you don't have to rally round a flag. You may as well salute a dirty rag. And this isn't a defense of evil deeds, It's just a little a song about our needs. Our need to feel enlightened and secure, And civilized and rational and pure, To feel that we are decent, good, and nice, Just as long as the butcher gets his price. YOU GOTTA GIVE THE BUTCHER HIS PRICE, NO MATTER WHAT YOU THINK OF HUMAN RIGHTS. YOU GOTTA GIVE THE BUTCHER HIS LOT, FOR BEING EVERYTHING YOU THINK YOU'RE NOT. YOU GOTTA GIVE THE BUTCHER HIS SHARE, NO MATTER HOW YOU SAY YOU REALLY CARE. 'CAUSE HE'S THE ONE WHO DID THE STEALING AND THEN NAMED YOU AS THE HEIR, WHOSE FILTHINESS PROVIDED YOU THE PRIVILEGES YOU BEAR, YOU GOTTA GIVE THE GIVE THE BUTCHER HIS SHARE.
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Asian Readathon Recs + TBR
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The Asian Readathon is a month-long readathon from May 1st to 31st dedicated to reading books by Asian authors or with Asian characters and I'm definitely participating! I thought I should make a post with all the recommendations I have for the readathon and also all the Asian books I have on my entire TBR. My goal is to read as many Asian books as I can throughout the month.
Details about the readathon:
google doc with all details: read here
[UPDATE 2022: currently using this as a personal master list for all asian books that I recommend + the ones on my TBR; under the cut]
So let's go on to the book recs:
young adult contemporary:
-> recommendations:
to all the boys i've loved before series by jenny han
when dimple met rishi by sandhya menon
a match made in mehendi by nandini bajpai
i believe in a thing called love by maureen goo
my so-called bollywood life by nisha sharma
a pho love story by loan le
xoxo by axie oh
you've reached sam by dustin thao
summer bird blue by akemi dawn bowman
starfish by akemi dawn bowman
a time to dance by padma venkatraman
everyone hates kelsie miller by meredith ireland
well, that was unexpected series by jesse q. sutanto
we are not free by traci chee
fake dates and mooncakes by sher lee
-> to be read:
darius the great is not okay by adib khorram
parachutes by kelly yang
tokyo ever after by emiko jean
arya khanna's bollywood moment by arushi avachat
general fiction:
-> recommendations:
if i had your face by frances cha
the travelling cat chronicles by hiro arikawa
a thousand splendid suns by khaled hosseini
girls burn brighter by shobha rao
mika in real life by emiko jean
almond by won-pyoung sohn
yellowface by r. f. kuang
-> to be read:
days of distraction by alexandra chang
on earth we're briefly gorgeous by ocean voung
welcome to hyunam dong bookshop by hwang bo-reum
graphic novel/manga:
-> recommendations:
anya's ghost by vera brosgol
the prince and the dressmaker by jen wang
death note series by tsugumi ohba and takeshi obata
quiet girl in a noisy world by debbie tung
they called us enemy by george takei
orange series by ichigo takano
persepolis by marjane satrapi
stargazing by jen wang
tidesong by wendy xu
spy x family series by tatsuya endo
pilu of the woods by mai k. nguyen
-> to be read:
laura dean keeps breaking up with me by mariko tamaki
anthology:
this one summer by mariko tamaki
the waiting by keum suk gendry-kim
-> recommendations:
a thousand beginnings and endings by ellen oh and elsie chapman
an unrestored woman by shobha rao
how to pronounce knife by souvankham thammavongsa
before the coffee gets cold series by toshikazu kawaguchi
my pen is the wing of a bird by 18 afghan women
-> to be read:
once upon an eid by s. k. ali and aisha saeed
afterparties by anthony veasna so
mystery/thriller:
-> recommendations:
confessions by kanae minato
going dark by melissa de la cruz
can you see me now by trisha sakhlecha
the decagon house murders by yukito ayatsuji
detective kosuke kindaichi series by seishi yokomizo
the butcher by jennifer hillier
detective kaga series by keigo higashino
detective galileo series by keigo higashino
the tokyo zodiac murders by soji shimada
the untouched crime by zijin chen
-> to be read:
the good son by you-jeong jeong
miracle creek by angie kim
the widows of malabar hill by sujata massey
middle grade:
-> recommendations:
the village by the sea by anita desai
other words for home by jasmine warga
amal unbound by aisha saeed
kiki's delivery service by eiko kadono
malgudi days by r. k. narayan
the night diary by veera hiranandini
front desk series by kelly yang
spirit hunters series by ellen oh
-> to be read:
sidekick squad series by c. b. lee
eva evergreen, semi-magical witch by julie ab
romance:
-> recommendations:
the kiss quotient series by helen hoang
marriage game series by sara desai
modern love series by alisha rai
dating dr. dil by nisha sharma
twisted series by ana huang
the unmatchmakers by jackie lau
awkward in october by teresa yea
the influencer series by amy lea
kings of sin series by ana huang
-> to be read:
booked on a feeling by jayci lee
fantasy:
-> recommendations:
shiva trilogy by amish tripathi
warcross duology by marie lu
the daevabad trilogy by s. a. chakraborty
the poppy war trilogy by r. f. kuang
babel by r. f. kuang
the green bone saga by fonda lee
untethered sky by fonda lee
the kingdom of back by marie lu
the cat who saved books by sosuke natsukawa
spin the dawn duology by elizabeth lim
-> to be read
wicked fox by kat cho
we hunt the flame duology by hafsah faizal
non-fiction:
-> recommendations:
know my name by chanel miller
ace by angela chen
i'm afraid of men by vivek shraya
white tears/brown scars by ruby hamad
in order to live by yeonmi park
-> to be read:
minor feelings by cathy park hong
LET'S READ ASIAN BOOKS!
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seaglassandeelgrass · 3 years
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A workers’ feast, ft. Songs of Pie In The Sky. Menu: Pie in the Sky; Jam Tomorrow; Carrot on a Stick; Milk & Honey; Lemonade Springs; Bread & Roses
Cover is cropped from a 1931 photo of a Chicago soup kitchen queue.
Pound a Week Rise- Siobhan Miller
The Chemical Worker’s Song (Process Man)- Great Big Sea
Jam Tomorrow- Oysterband
We Have Fed You All For a Thousand Years- Utah Phillips
The Preacher and the Slave (Pie in the Sky)- Shelby Bottom Duo
The Mill Mother’s Song- Matt Callahan & Yvonne Moore
The Big Rock Candy Mountain- Harry McClintock
Cotton Mill Colic- Pete Seeger
Drill, Ye Tarriers, Drill- Cisco Houston
The Butcher’s Sher- Daniel Khan
Pastures of Plenty- Solas
Dark Honey- Simpson, Cutting, Kerr
Any Bread?- The Young’uns
Living on the Breadline- Antoine & Owena
Bread and Roses- John Pietaro & the Flames of Discontent
Ghafoor’s Bus- The Young’uns
16 tracks; 51 mins. [Spotify]
[my other playlists]
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kvetchs · 2 years
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i was tagged by @twinklanders (aaa!!! tysm :] !! <3) to post my top 5 songs by my top 5 bands. (i tag anyone else who wants to post theirs!) here are mine under the break (in no particular order):
the monkees
ditty diego war chant
st. matthew
for pete's sake
randy scouse git
auntie's municipal court
daniel kahn (& the painted bird)
good old bad old days
yosl ber, a patriot
beyze vintin
shimke khaze/the butcher's sher
ekh lylui lyuli
tchaikovksy
valse sentimentale op. 51 no. 6
swan lake op. 20, act 2, no. 10, scene moderato
the nutcracker op 71. act 2. no 14a, pas de deux
the sleeping beauty op 66. th 13, act 1, 6 valse
1812 overture
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