#The Boys in the Boat premiere

[merv606]

Via Courtney Henggeler’s Instagram

The Boys in the Boat Premiere

[bobbyandmoch]

Luke Slattery and wife Lane at the premiers of “Damsal”, “the Regime” and “Ordinary Angels” in NY recently.

[disarmluna]

[selencgraphy]

— 𝐒𝐎 𝐀𝐌𝐄𝐑𝐈𝐂𝐀𝐍

SUMMARY: five times you almost say i love you and the one time you do

PAIRING: callum turner x gn!american!reader

TAGS: FLUFF, inspired by “so american” by olivia rodrigo, established relationship, song references (some obvious, some less obvious), fluff!!

A/N: started this when i was in my callum turner era and had this song on repeat so here we are… it’s vaguely set in socal bc i was feeling a tad bit homesick at the time… anyways, i’m not going to be writing out the lyrics to olivia’s song but the scenarios are heavily inspired by them. knowing the lyrics is ofc not a requirement to read this, you can 100% go into this without that knowledge and enjoy some cute fluff! i hope yall enjoy reading as much as i enjoyed writing it <3 

WORD COUNT: 1.4k

masterlist || request box <3

The first time you almost said “I love you” was when he took you on a date to the beach.

Your feet were up on the dashboard as he drove, head against the seat and hand lazily weaving through the breeze out the open window.  It was beautiful out—the sun blazing high in the sky with no clouds in sight and the temperature just right. When the starting beats to Cruel Summer roared through the car’s speakers, the brightest smile grew on your face. When the chorus hit, you turned to face Callum and sing, eyes widening when he starting singing along with you.

“You know this song?”

He chuckled. Gosh, his smile. “Of course, I know this song.”

As the bridge of the song played, you both shouted along. 

And I screamed for whatever it's worth "I love you," ain't that the worst thing you ever heard?

Almost as if the universe timed it perfectly, the song came to an end as Callum parked. As you giggled in the aftermath, you couldn’t help but admire him for a moment. The way his eyes matched the sky. The way his curls fell on his head from the wind. The way his cheeks grew as red the larger he smiled. “S’rude to stare, sweetheart.”

“I-“ Before you could finish your sentence, you cut yourself off.

“What?” he asked.

“I can’t help it,” you played off. “You’re just so pretty.”

The second time you almost said it was while he was dying his hair in preparation for The Boys in the Boat.

“How’s it lookin’, love?” Callum asked as you rinsed the bleach out of his hair.

You leaned back to get a better look at him. “It looks very… yellow,” you giggle.

He quickly stands and goes to look in the mirror, a hand stretching his hair to see for himself. “Is it supposed to look like this?”

You grinned in amusement as he cringed at the color of his hair. “S’a good thing we got purple shampoo.” As he sat down on the edge of the tub, you rummaged in the plastic bag you had bought the hair supplies in. Replacing the gloves you had on, you stood in front of him and poured a little bit in your hands, carefully spreading it through his hair. Even as you focused on getting his hair done, you didn’t fail to notice the way he stared at you as you worked.

“Didn’t your mother ever tell you that it’s rude to stare, Cal?” His face flushed.

“S’not my fault you’re so pretty,” he whispered, his hands going to rest on your waist. Your chest clenched at his words, your own cheeks reddening. Looking down into his icy blue eyes, it almost slipped out of your mouth, but you caught yourself.

“Such a charmer, Mr. Turner.”

“Only for you, love.”

The third time you almost said it was when he took you to the Masters of the Air premiere in LA.

Thankfully enough, despite now having been together almost two years now, you’ve both successfully been able to have kept your relationship away from the public eye. Having seen the work he put into this project, you wanted to celebrate with him and suggested you walk with him on the carpet. 

He stepped out of the car first, buttoning his jacket before turning back and offering his hand to help you out of the car, a bright smile on his face. At the sight of just your hand, the flashes from the paparazzi cameras mere feet away flashed even quicker, and their roars got louder. “I got you, love,” he whispered, his hand never leaving you as you walked the carpet. 

Eventually, the both of you caught up to Austin and Barry, whose faces lit up at the sight of you. “Well, well, well,” Austin greeted, the southern drawl from his time playing Elvis peeking through. “Aren’t you a sight for sore eyes,” he teased with a smile as if he hadn’t seen the pair of you a few days ago.

Barry ran over to Callum to give him a quick hug before turning to you with an even bigger smile. “S’lovely to see ya. Let’s take some pictures, aye? ”

You, Callum, Barry, and Austin stopped to pose together for a bit before they left the two of you to do some interviews further down the carpet. 

To your left!

This way, Callum!

To your right!

Give us a kiss!

He was quick to notice the fatigue growing on your face the longer you stayed in front of the sea of paparazzi. As you sat in your seats in the theater, he gave your hand a quick squeeze. When you glanced over to him, the look on his face made your heart swell. His blue eyes were soft and so filled with admiration. Just as you opened your mouth to say those three words, Barry barreled past you two into his seat next to Callum.

The fourth time you almost said it was on a random Tuesday in the weird period between spring and summer.

“It’s raining again,” you commented, both a little sad and happy with the weather. You and Callum had planned to go to the farmer’s market today but with the weather on top of the mood you had woken up in, it didn’t look like those plans were going through anymore.

Callum hummed as he turned on his side to look out the window. “Fucking June bloom,” you groaned, dropping your head back on your pillow. He turned back to face you, wrapping his arms around you to pull you in closer. You took a deep breath and closed your eyes as you relaxed in his hold. 

“That kinda morning?” he gently asked to which you nodded. “I don’t mind a night in, love,” he whispered, placing a chaste kiss to the crown of your head. “As long as I’m with you.”

Your heart warmed at his words. “Thank you,” you mumbled against his chest. 

The fifth time you almost said it was on your birthday.

“What’s this?”

“Open it,” he encouraged, his eyes soft as he watched you. You narrowed your eyes before doing as he said. As you carefully unraveled the cute purple bow he wrapped around the tiny box, Callum watched with bated breath.

Lifting the lid revealed a small locket in the shape of a heart and when you opened it, one side with both of your initials carved into the metal and the other a picture of the two of you. You remembered when this was taken. It was from when you took him to Disneyland for the first time. It was a bit blurry but that didn’t matter.

“Callum…” you whispered, tears slowly filling your eyes at the sentiment. You quickly surged forward to pull him into a hug. 

“Do ya like it?”

“I- I love it. I love it,” you smile, placing a kiss to his lips which he gladly reciprocated. You could feel him smile as he pulled away and leaned his forehead against yours.

“Happy birthday, love.”

When you do finally say it, he had just finished doing an interview for Deadline magazine.

Callum did the interview on the phone and sat across the room, so you were within earshot of it all. “Your new film, Eternity, is said to explore who you’d want to spend an eternity with and where, so I have to ask: who and where might that be for you?” the interviewer asked. You tried your best not to eavesdrop, but the question intrigued you. What would his answer be?

The deepness of his voice brought you out of his thoughts as he answered. “If I had to spend an eternity with anyone, it would definitely be my partner. Where specifically is a little tough to say if I’m being completely honest. Anywhere they go, I’ll follow.”

Your heart melted. Did he really mean that? Soon enough the interview ended and you padded over to where he sat. “You’re such a sap, Cal.”

He smiled as he wrapped his arms around your waist and pulled you in for a kiss. “Eavesdropping now, are we?”

“Just a tiny bit,” you grinned. The way he looked at you sent your heart racing—a look filled with so much love. “I think I love you,” you blurted out. His eyes widened for a second before softening again.

“I think love you too,” he whispered, nudging his nose against yours. 

A/N: btw the deadline magazine refers to an actual interview he did but skewed to fit the purposes of this fic <3

[daylightdreamscape]

Callum Turner arriving at 'The Boys in the Boat' Los Angeles premiere held at the Samuel Goldwyn Theater on December 11, 2023 in Beverly Hills, Ca.

[ben-talks-art]

Okay... This episode of Digital Circus almost made me cry... almost!

When I saw the first episode of this show I knew I was going to really like it, but I wasn't prepared for how much I was going to love it. This reminds me of when X-Men 97 premiered and even though we were only two episodes in I could already tell this was going to be something special.

I know it's super, super early to say this, but this might become one of my favorite shows. The way they handled this episode really worked for me in a way I haven't felt in a while.

From the very first scene things already start on a really strong note, with our main lead, Pomni, having nightmares about the worst-case scenario from the new situation she's in where she imagines herself being affected by the circus glitch and being abandoned by the rest of the cast.

This does a great job setting up her sense of isolation and how she thinks she's on her own even though they all should be on the same boat together.

This gets highlighted even more as another member of the circus, Ragatha, is seen constantly trying to show her support and getting Pomni to cheer up despite the dreadful situation they're in while Pomni herself just acts indifferent as if she had already given up on everything and everyone.

I found this characterization of hers so relatable because I also used to think for a while that my problems were mine and mine alone and that everyone trying to help me were doing that just out of obligation and not because they really cared.

For some reason it felt "safer" to just assume I couldn't count on anyone because then I wouldn't have to worry about being disappointed in anyone, after all, you can't get disappointed if you don't get your hopes up.

So imagine how hyped I got when I saw that they indirectly made Pomni realize why it's important to rely on people when they switched the roles and placed her on the position where she needed to be there for someone.

I wanted to jump and slam my desk while shouting "Perfect! Perfect! This is just perfect!!"

Everything that needed to be said was being said just in the right way, just at the right time, and with the right amount of emotion, just the right amount of seriousness and levity.

Cause here's the thing, the media often has this obnoxious tendency of portraying antisocial characters as people that need to just "Get over it."

A lot of writers enjoy lumping grumpy characters, and reserved characters, depressed characters, angry characters and all these stuff as people who just need someone to cheer them up and have them forget about their problems, as if they were babies that just need to grow up and learn to be less grumpy so they can join in with the fun alongside everyone else.

You notice that it's always a person in a bad mood + someone who's always cheerful, happy, and with a child-like joyful attitude to be their contrast or someone to call them out on their "grumpyness."

And that always bothers me because it makes it seem like they're downplaying someone's struggle or inner turmoil as if they were minor things that they latch onto to just because nobody has told them to let it go yet.

I like when stories showcase why people struggle so much to let go of this mindset, why they struggle to open up to others and find themselves cheering to their day-to-day lives again.

But I'm also aware that this is not an easy task cause it's basically asking to show someone being depressed for a good portion of your story, and if that goes on for too long or it starts diving into a too heavy of a territory, it can make it a challenge just to watch.

So yeah, I get it, it's hard to find the right balance.

To show why someone needs to overcome their personal demons, while also making it an enjoyable experience to go through.

You don't want a case like Legend Of Korra where Lin Beifong's issues were pretty much treated as a joke, but you also don't want something like the Beast Boy segments from Young Justice where every scene with him just felt the same thing for 5 or 6 episodes, even though they were realistic scenes depicting someone going through what he was dealing with and they all built up to an amazing conclusion with Black Canary... But it was still draining to go through that.

You need to find the right balance and I felt like this episode really succeeded in that. You get why Pomni feels the way she does and you get why Ragatha tries so hard to help her out and why it's important that she keeps trying even when it seems like there is no point.

I really like how Ragtha isn't just "Cheer up, Pomni! Let me show you the secret to enjoying life!", she's actually trying to be sensitive of her situation, giving her the space and time she needs, and being there for her but not forcing herself on her.

She validates Pomni's pain but also knows it's a pain that she needs to learn how to deal with, otherwise, she's just gonna miss out on her own life.

The final scene was the thing that really got me.

When Pomni finally realized that the same way she tried to help out that NPC when they were stuck, she also needs to let others help her out.

It took me so long to realize in life that I don't need to deal with everything on my own, that I had people there for me, that I'm allowed to be vulnerable and make mistakes and that the people around me who love and care about me would still be there for me.

It took way, way too long for me to realize all that, so to see that final shot of Pomni imagining herself falling just like in her dream, but this time she had trust that her friends would be there to catch her, it really hit me good.

I'm not sure how to explain it but for some reason I was really proud of her for learning such an important lesson so quickly that it took me so long to learn myself. Like, I know she's not real, she's a fictional character, but I felt an immense relief while thinking people would watch this, and learn from this, and not make the same mistakes I did.

I have no idea where this show is going, but I feel like I'm in safe hands and can't wait to see what else they're going to do and where they're going to go.

I'm very very hyped for this series!

Also, I know this makes me a monster, but this scene made me laugh. :)

[kazesauce]

TBOC Hopes and Wild Speculation

*CONTAINS REFERENCES TO 201 AND FILMING SPOILERS*

I'm so grateful to see everyone so excited after the Tribeca premiere, including seeing some old names arise from their fandom slumber. Welcome back!

Melissa said that they took some core issues that were unresolved from the main series and built on those. These are core issues I hope they address so Carol can heal.

Sophia - Carol needs to move out of the denial phase of grief and properly mourn her daughter. There are strong indications in 201 that this will be addressed.

The Banishment - I firmly believe that Rick telling Carol no one would want her around if they knew who she really was is what's underpinning her wanting to run away constantly. Carol doesn't know that Daryl knows about Karen and David and he defended her when Rick exiled her. I hope that will be addressed.

Lizzie and Mika - This was an extremely traumatic experience for Carol, and she kept her promise to Tyreese never to talk about it. I hope something happens to help her process that grief and affirm that she made the right decision in that situation, even though it was gut wrenching.

Find Me Fight - I hope they talk about that fight and everything that was fueling it, including Daryl's savior complex that's caused him so much trouble. It's the reason he ended up in France and also why he missed the boat home. (Daryl would have died in Newfoundland and Carol never would have found him, so narratively it's a good thing he stayed, but that's not the point I'm trying to make.)

Wild Speculation/Hopes

Sylvie and Emile's puppy love will stir something in Caryl.

Losang will be revealed to be as evil as Genet.

Codron will adopt Laurent at the end of the season. (Codron and Laurent were present when they filmed Daryl and Carol going down the tunnel to Spain. I guess this would mean Isabelle is dead or gravely injured, but I just want my boy Codron to get a happy ending.)

Please reblog or comment with your own hopes and wild speculations! No judgment, have fun!

[failureface]

thoughts on "Welcome Home, Franklin"

(SPOILERS AHEAD)

Okay, this special was really great.

I love Franklin. He's a sweet boy who never had a unkind thing to say about Charlie Brown- he was the straight man to the wacky antics of the Peanuts gang. But I never got the feeling he was more than that in the strips. This special serves as the backstory and character that Franklin didn't originally get, but sorely needed.

And this special beautifully and gracefully rights some of the wrongs that past Peanuts media made.

I was surprised this film even went there in terms of discussing racism a little. Peanuts is an IP that you expect people to be overly-protective of. 'No, the scene in "A Charlie Brown Thanksgiving" isn't racist- and it's NOT weird that all the kids are white' is more of what I expected to hear from this. But refreshingly, this special addresses it. Like, YEAH, there IS a lack of diversity! It feels so much better for that stuff to be acknowledged rather than swept under the rug.

I love the fact that Franklin is unsure of himself and his ability to make friends. This makes him super relatable and sympathetic, and also makes a clear connection to why he gravitates towards Charlie Brown. The two of them bond over their shared feeling of being "the Underdog", and not knowing how to make friends or navigate social landscapes. Franklin also opens up Charlie Brown to new experiences and knowledge, telling him about discrimination and introducing him to music he hasn't heard before. Not only that, but Franklin encourages Charlie Brown to be less anxious and push himself further. And Charlie Brown is a much needed friend and sympathetic ear for Franklin. They have each other's back and their bond is undeniable.

That's what this special is truly trying to get at. That friends of different backgrounds and experiences from us can help us to learn and grow as people. I think that's a really wonderful message and one that we all need at any age, and one that we especially need now.

Overall, this special really blew it out of the water, and I gave it five stars.

Special shoutout if you were able to make it to the premiere stream in the Peanuts discord, that made it twice as fun to watch!

Some miscellaneous thoughts under the cut

Franklin's music taste is so elite

The music picks in this movie are honestly fantastic. The soundtrack really elevates the experience and every song is awesome

THE BEACH SCENE! It's so rewarding as a fan to see moments that are plucked straight from the strip. It feels like the people making them really know Peanuts

All the little tiny schrucy crumbs- I eat it up. I know screenshots and gifs will be made and posted and I will be reblogging them.

Lucy and Franklin's beef- I wasn't expecting it but it's so funny and adds some really great dynamics into the fold

Since this is about the friendship between Charlie Brown and Franklin specifically, minor inaccuracies Franklin actually being on Peppermint Patty's baseball team in the strip are forgiven. Some fans more scrupulous than I would probably have an issue with this, but I'm not one of those fans. This isn't 100% faithful to Peanuts Lore but I don't mind.

I LOVED the scene where Charlie Brown wants to pull the breaks and Franklin wants to keep going. It shows so much without saying anything, and it gives way for great conflict that makes sense and comes from real places within the characters

And I love how Franklin is allowed to be mad, and he and Charlie Brown fight. We're not afraid to rock the boat anymore, and it makes Franklin feel so much more human

Just the right amount of Snoopy scenes, this one reached the perfect balance of Snoopy and Story

Everything is just so overwhelmingly cute here I had to restrain myself from writing "cute" or any of its synonyms in my review

"We saved you a seat!" <3333

[kwebtv]

TV Guide -  May 30 - June 5, 1964

Ernest Borgnine (/ˈbɔːrɡnaɪn/; born Ermes Effron Borgnino; January 24, 1917 – July 8, 2012)  Film, stage and television actor whose career spanned over six decades. He was noted for his gruff but relaxed voice and gap-toothed Cheshire Cat grin. A popular performer, he also appeared as a guest on numerous talk shows and as a panelist on several game shows.

Borgnine made his TV debut as a character actor in Captain Video and His Video Rangers, beginning in 1951. These two episodes led to countless other television roles that Borgnine would gain in Goodyear Television Playhouse, The Ford Television Theatre, Fireside Theatre, Frontier Justice, Laramie, Bob Hope Presents the Chrysler Theatre, Run for Your Life, Little House on the Prairie (a two-part episode entitled "The Lord is My Shepherd"), The Love Boat, Magnum, P.I., Highway to Heaven, Murder, She Wrote, Walker, Texas Ranger, Home Improvement, Touched by an Angel, the final episodes of ER, the first episode of Wagon Train, and many others.

In 1962, Borgnine signed a contract with Universal Studios for the lead role as the gruff but lovable skipper, Quinton McHale, in what began as a serious one-hour 1962 episode called "Seven Against the Sea" for Alcoa Premiere, and later reworked to a comedy called McHale's Navy, a World War II sitcom, which also co-starred unfamiliar comedians Joe Flynn as Capt. Wally Binghamton and Tim Conway as Ens. Charles Parker. The insubordinate crew of PT-73 helped the show become an overnight success during its first season, landing in the top 30 in 1963. (Wikipedia)

Thomas Daniel "Tim" Conway (December 15, 1933 – May 14, 2019) Film and television actor, comedian, writer, and director. From 1966 to 2012 he appeared in more than 100 TV shows, TV series and films. Among his more notable roles, he portrayed the inept Ensign Parker in the 1960s World War II TV situation comedy McHale's Navy, was a regular cast member (1975–1978) on the TV comedy The Carol Burnett Show where he portrayed his recurrent iconic characters Mister Tudball, the Oldest Man and the Dumb Private, co-starred with Don Knotts in several films (1975–80), was the title character in the Dorf series of eight sports comedy direct-to-video films (1987–1996), and provided the voice of Barnacle Boy in the animated series SpongeBob SquarePants (1999–2012). Twice, in 1970 and in 1980–1981, he had his own TV series.  (Wikipedia)

Joseph Anthony Flynn III (November 8, 1924 – July 19, 1974) Film and television character actor. He was best known for his role as Captain Wallace Binghamton in the 1960s ABC television situation comedy McHale's Navy. He was also a frequent guest star on 1960s TV shows, such as Batman, and appeared in several Walt Disney film comedies. (Wikipedia)

[acciohunks]

The Boys in the Boat LA Premiere ✨

[lonesomedreamer]

The Rings of Power Liveblog: “Shadow of the Past” (Episode 1)

Two years late, curiosity got the better of me, and I decided I had to see this thing for myself ahead of the second season premiere…spoiler: I didn’t hate it.

I’m not going to gripe about these children looking decidedly human (or at least not Elvish), because I understand the limitations of using, you know—actual human children as actors. But I will question the notion of Elvish children being smug bullies.

But baby Galadriel definitely looks the part.

“It’s not going to float, it’s going to sail.” Not off to a strong start with the dialogue…

Oh, the Elf children are…throwing rocks at her paper boat? All of them? Why?? I know the behavior of Elves in the First and Second Ages tended to be less detached/noble and whatnot, but little Galadriel is literally about to punch this Elf boy…

I have so many questions about this hairstyle choice.

“We have no word for death.” Somehow, I doubt that. This is the Second Age, right? Elves had definitely already experienced death.

Why does this seem like a slightly retooled Minas Tirith design? Is this supposed to be VALINOR??? (Actually, this would be a decent Amber design…)

A very underwhelming depiction of the destruction of the Two Trees…this is what Amazon spent amlost a billion dollars on? I know they can’t accurately depict what happened because, you know, no rights to The Silmarillion, but it still underwhelmed me.

This sequence is just all so obviously CGI. While I’m no fan of the original Jackson films (sorry, I know—boo, hiss), a lot of it looks real.

“See, it’s just like that Game of Thrones spinoff you like, but with terrible CG!”

It would be so helpful if Galadriel’s voiceover told viewers that Orcs were created as a mockery of the Elves, or hinted at why Morgoth created them/why he hated the Elves. Unfortunately, this is what happens when you try to adapt a work to which you don’t have all the rights.

She is very, very pretty.

“What devilry is this?” Is that a word in Middle-earth?

Lots of Galadriel confidently assuming she knows things she can’t possibly know (for the sake of hurrying the story/journey along, I guess)…if only the streaming services didn’t limit themselves to eight or ten episodes and gave their stories room to breathe!

Anyone watching who’s never read The Silmarillion (or even the trilogy): who the fuck is Morgoth? What are the Trees?? What year is it??? What’s going on here??!? Again, the huge problem of adapting a larger story/universe when you only have partial rights…

Insert obligatory video game-esque troll battle that’s also a callback to the Moria scenes of the FOTR film. You can use the bathroom here and miss nothing.

Some proto-Hobbits, because why not? I did like the “hidden village” reveal thing, though!

I kind of love them?

There’s a lot to be said for the charm and appeal of the Shire from an audience perspective, the comfort of it (which is why the Scourging of the Shire is so thematically important and excising it was an irredeemable sin…but I digress), so I actually 100% understand why they included these guys. TTT is by far the bleakest book of the trilogy, my least-favorite, and the lack of the Shire is a huge reason why.

23 years later and I’m still not over the utter miscasting of Hugo Weaving. Visually, this Elrond isn’t really better. Why is Elrond so damn hard to get right??? And his hair is described as black!

The best costumes a billion-dollar budget could buy?

“Elf-lords only.” Such a dignified, Elvish thing to say…

Yes, Elves could be haughty and unkind; just ask Bilbo! But Elrond is an Elf-lord. Hmm.

Also…Elrond and Galadriel appear to be approximately the same age. It doesn’t matter that Galadriel is actually much older (and his eventual mother-in-law!), because TV is such a visual medium.

This is actually a larger overall problem. Because most of The Lord of the Rings takes place over the course of one year, an adaptation doesn’t need to hold the audience’s hand regarding the passage of time. But in this case, as Galadriel’s narration too-briefly mentions, events are taking place across hundreds and even thousands of years. Elves like Galadriel are significantly older than others, like Elrond, but unless you tell the audience that, they won’t know, and the story loses something as a result.

Even though this design is clearly based on Rivendell in the Jackson films, it is quite lovely.

Pretty!!!

How do Galadriel and Elrond know each other? They seem close. Inquiring minds want to know!

The content and context of this scene is meaningless, but I don’t care—it’s just so pretty!

Even though I know they get worse, for now I don’t really mind the proto-Hobbits. They’re obviously not Tolkien, but they’re an homage, and they’re fun/visually appealing.

The casting director gets a D+ for the male Elves. (Then again, they were poorly-cast in the Jackson films too.)

“And as a reward, you will all be exiled!” lmfao. Being shipped off to Valinor doesn’t seem like much of a punishment, though. Where do I volunteer?

Still, it makes sense that Galadriel, who (correctly!) believes Sauron to still be alive and a threat and who wishes to avenge her brother, would be upset about this. They’ve changed her backstory/motivations—which I hate—but her attitude does track with those changes.

Nuns??

This set design is magical, no notes.

Luthien??

She really is perfectly cast.

Elrond, one of the wisest and kindest of all the Elves, is being written as some smug royal enforcer. Just like the Jackson films wrote him as a grumpy, condescending overprotective dad. Sigh.

“[Evil] waits. And at the moment of our complacency, it blinds us.” I mean…yeah, that’s basically how it goes down in Middle-earth. Repeatedly.

Not Elrond mansplaining about Valinor to someone who was literally born there…

None of these people look like Elves.

“I’m going with you!” But why?!? This lady is a healer with a youngish son still dependent on her at home!!!

I really hate them saying “mum” instead of “ma” or “mama” or something similar. (I’d also hate it if they were saying “mom,” to be clear. It’s just so modern-sounding and breaks any immersion they’ve built so far.)

Wow, the hilt of a broken sword with Sauron’s symbol on it… Generic “halfling” characters I can enjoy as a homage. This is lazy writing. And see? I knew her son needed adult supervision. (It’s also a ripoff of Pippin and the Palantir.)

(muttering) None of these people look—oh, forget it.

Elves don’t age as Men do (or age extremely slowly/imperceptibly), so what’s going on with this dude?

Gorgeous, all.

Ents???

Galadriel jumping off of the ship and just…floating there in the middle of the sea is as silly as the naysayers said it would be. However, I thought the scene leading up to it was fairly well-executed, though I wish they’d done a better job animating the rain of silver glass that leads into Valinor…that image has always resonated with me.

The Good:

Many absolutely stunning visuals thanks to great set design (with Valinor of all places somehow being the least-impressive!) and, apart from some cheap/underwhelming looks, costume design that varies from good to great

A solid score that seems to be trying a little bit too hard to mimic Howard Shore’s from the films

Morfydd Clark, in her entirety; the writing for Galadriel might be awful in upcoming episodes, but her casting was inspired

I find the Harfoots whimsically charming, at least so far, especially Nori.

The use of Tolkienesque maps to indicate location changes

An attempt was clearly made, in this episode if nowhere else, to pay homage to the source material, even the source material they don’t have the rights to use outright (the Two Trees, Morgoth, perhaps Luthien)…it’s better than nothing.

The Bad

Every single male Elf is miscast; yes, I said every single one, from Galadriel’s brother to Elrond to the OC Arondir. Gil-galad and Celebrimbor look like they’re in their late 40s/50s, at best, and idk…there’s nothing “Elvish” or “ageless” about any of the male actors playing Elves. (Full disclosure: I don’t remember being impressed by the male Elves in the Jackson films, either.) I also saw someone say that Gil-galad looks like Liam Neeson in a mullet, and now I can’t unsee that.

Some really clunky dialogue

Lack of adequate backstory/exposition…but exposition in an adaptation like this is hard, because most of it is contained in The Silmarillion, for which they don’t own the rights.

Building on that theme, I appreciate the idea of “showing not telling,” however…did they ever tell us Galadriel’s brother name (Finrod)? Or that “the king” is Gil-galad? Or even suggest that there are a variety of different Elves in Middle-earth? A lot of people know these things, because we know Tolkien. But I’ve got to assume that a lot of others don’t. Heck, it took them until almost the end of the episode to name one of their OCs (Bronwyn).

Some worthless scenes, like Galadriel’s company fighting the “ice troll” in the mountains. Actually, the entire sequence in the mountain lair was badly-written.

I don’t care about the “forbidden romance” subplot between the OCs Arondir and Bronwyn…if they’d spent longer than a few minutes in the first episode establishing their relationship/characters, maybe I’d be more invested. (See my earlier complaint about unnecessarily short seasons—some stories need room to grow!)

Even though my criticism outweighs my praise, even though I’m a self-identified Tolkien purist, I thought this was…fine. It’s an absolute feast for the eyes, truly gorgeous to watch (even with all those woefully miscast male Elves)—visually, apart from a few moments of obvious CGI, it’s what I would expect/want from a Tolkien adaptation! My expectations aren’t high for the rest of the series. There are upcoming plot points that I know will disappoint, infuriate, and disgust me. But considering that I went into this episode expecting to loathe it, I was pleasantly surprised.

Besides, I’m going to keep watching no matter what to see more of Nori and Morfydd’s face. This also makes me want to finish The Silmarillion, which I have been starting and then “saving for later” since I was a small child.

[merv606]

[isekai-crow]

2024 Winter Anime Lineup (Master Post?)

First post for a new blog where I'm going to try and record my opinions, break downs, comparisons, and various degrees of squees about anime!

The lineup for this year's Winter isn't as packed as the 2023 Fall season was, but that's always the case. It sure is still causing my To Watch List to keep getting longer... but more importantly because it's so lacking in big name shows one of my most anticipated shows gets to shine...

SOLO LEVELING

俺だけレベルアップな件

LET'S GOOOOOOOO!!!

I'M SO EXCITED FOR MY SHADOW BOY TO FINALLY ARRIVE!!!

also, holy CRAP look at all this TRADITIONAL FANTASY!!! There is even a decent selection of non harem Isekai this round too! And a lot of awesome sequels/continuations!

Anyways, here's what's on my to watch list for this season! I'll be posting about them in their own or other threads as I figure out how I want to set this blog up. My reasons for WHY I'm watching what I'm watching

Definitely Will Watch!

Solo Leveling / 俺だけレベルアップな件

Apothecary Diaries /薬屋のひとりごと(Continued)

Delicious in Dungeon (Dungeon Meshi) / ダンジョン飯

The Villains Day Off / 休日のわるものさん

Undead Unluck / アンデッドアンラック(Continued)

Fire Hunter (Hikari no Ou) 2nd Season / 火狩りの王

High Hopes / Might Drop / Taking My Time

Sasaki and Peeps / 佐々木とぴーちゃん

The Witch and the Beast / 魔女と野獣

Doctor Elise / 外科医エリゼ

Cherry Magic (THIS ENGLISH TITLE LMAO) / 30歳まで童貞だと魔法使いになれるらしい (DEF WATCHING THIS ONE NOW)

Shangri-La Frontier / シャングリラフロンティア　(Continued)

Beyond Journey's End / 葬送のフリーレン (Continued)

Gonna Give Them A Few Episodes

Mashle Season 2

Fluffy Paradise / Isekai de Mofumofu Nadenade Suru Tame ni, Ganbattemasu (I'm doing my best in another world to pet fluffy creatures)

Ishura

The Wrong Way to Use Healing Magic / 治癒魔法の間違った使い方

Blue Exorcist / Ao no Exorcist (OUT OF LEFT FIELD THIS ONE)

Delusional Monthly Magazine / Gekkan Mousou Kagaku

This is already insanely long, so the second half of this essay about what I think is below ↓↓↓↓

DEFINITE WATCH LIST

SOLO LEVELING - I've been waiting for the solo leveling anime since BEFORE the anime was ever announced, re-reading the webcomic/manhwa multiple times and just HOPING someone would animate these gorgeous shadows. It is a very well done power fantasy with only squints of romance, and while I'm sad it's been localized to Japan (and all the fuckery that comes with of Korean erasure), I got to see the first two episodes at the World Premiere and I. Am. So. Hype.

APOTHECARY DIARIES existed completely outside of my head space, and my initial response at the premise was, Raven of the Inner Palace? I wasn't actually expecting much from it and then the first few episodes BLEW ME OUT OF THE WATER and now I'm obsessed.

DUNGEON MESHI is one of those manga I've heard about, but tried reading and it was too slow paced for me (I say, currently slogging through The Boat Arc (TM) of Hunter x Hunter), but the anime gives it life and I think I'll enjoy this alot. I love cooking anime and fantasy, so this will be fun!

KYUJITSU NO WARUMONOSAN is just straight up Crow Bait. That curly bowl cut, the gap moe of a villain who loves cute things, and voiced by fricken Shintarou Asanuma!!! (I know him as Samatoki from HypMic, other's will know him from the "Fucking Bullshit" song from Carole and Tuesday, and a host of other roles) Also, all the pretty sentei / power ranger boys!!! I'm so hype, in the most relaxed chill way for this.

UNDEAD UNLUCK is so weird in that it involves a lot of random sexualization, but it doesn't make me uncomfortable like Seven Deadly Sin's random gropping did, maybe because there is actual implied consent involved. Fuuko and Andy are Poly and I love them for it. And the world building is TOP NOTCH.

FIRE HUNTER - If you haven't seen season one, you are missing out. A darkly beautiful post-post apocolyptic alternate Japan-esque world, from the POV of a young girl, and a young genius boy having to let himself be manipulated by capitalism to survive, and gods? a magic system? but so soft that it's barely there even while being a full on fantasy story.

High Hopes or Taking My Time

SASAKI AND PEEPS- What a weird little show that has the weirdest combination of isekai, the most "this is fine." salaryman, and a fricken' CHUNIBYO BIRB. I've already watched the first episode and it feels like there are two magic systems going on and its a bit confusing, so we will see how this plays out!

WITCH AND BEAST - I keep wanting to call this Beauty and the Beast, because the beast is a rad bad ass looking lady, and the witch is certainly one of the most beautiful undertakers I've ever seen. I think he carries his boyfriend around in his coffin backpack, so I'm hype to see WTF is up with that >o>

DOCTOR ELISE - Why do manhwa I read keep randomly popping up as anime??? This is a vilainess turned good story, and supposedly the market is full of these, but none of them are the good ones I've read, so I did a double take of happiness when I saw this. THIS ONE IS GOOD. An spoiled princess gets killed, is reborn in Korea and becomes a doctor, only to be killed by Airplane-kun, and winds up back in her old body where she decides to become a doctor again! The prince is even not your typical icy asshole! (although maybe he is a little at the beginning..)

CHERRY MAGIC - THIS FRICKEN ENGLISH TITLE GOOD LORDS ABOVE. I'm dying. I'm also excited to see this one play out and I'll be hiding behind a pillow giggling like a mad lad while I do. It's been a while since there's been a good BL that's not SAD (looking at YOU Given and Banana Fish, but avoids eye contact with Sasaki and Miyano) so hopefully it doesn't dip into that territory. Going into this one mostly blind as to the premise apart from the obvious Gap-Moe with the love interest.

SHANGRI-LA - I started watching this on a whim as the Fall season started to wind down, and found it to be a good potato chip to have on in the background. I'll probably continue watching it, but not weekly.

FRIEREN - This is what I watch when Jujutsu Kaisen hurts too much to keep going. I'm only a few episodes in, so it'll be slow going, but I think it's about to pick up it's pacing a little where I'm at, and it'll be good comfort food to have.

MAYBES

Mashle Season 2 - The pacing was SUPER WEIRD in the first season that despite all of it's shitting on the properties of she-who-shall-not-be-named, the end of the season kind of fell flat. I wanted to like it more, so I'm hoping Season 2 does that for me.

Fluffy Paradise - I love isekais with an adult in a child's body pretending to be just super smart, and this doesn't feel like it's going to do that, but still looks cute none the less. I'll give it a few episodes, but will quickly drop it if my watch list is too long.

Ishura - Is this what life is like for D&D Characters when they hit level 20? I HOPE SO. I LOVED the Legend of Vox Machina, and hope this has the same sort of vibes, but I'm going in blind!

The Wrong Way to Use Healing Magic - Love me some fucked up healing magic. Please DO NOT let this be ANYTHING like Redo Healer. I refuse to watch that even those FUCKED UP HEALING MAGIC IS FUN. But this. This I want to see. Please let this also not be a harem. I'm fine with ~vibes~ but please no actual harem that's not actually Poly.

Blue Exorcist - THIS IS TOTALLY OUT OF NOWHERE. HOW LONG HAS IT BEEN?????? I remember the last season feeling like a disappointment? But can't remember why? Gonna see if this is worth re-watching the seasons from like... a decade ago.

Delusional Monthly Magazine - I watched the PV and had no fucking clue what was happening. Therefore, I will be watching a few episodes to sate my curiosity about WTF OR possibly just get myself even more confused and rage quit. lmao

I've watched the first few episodes of a couple of these, and will be watching a few more tomorrow, so Next Goal: Post a write up or three about what I think!

[thenightling]

Exciting news for Over the Garden Wall fans!

This year marks the 10th anniversary of Over The Garden Wall, my absolute favorite TV mini-series and would be number two on favorite movie list if it counted as a movie (when the episodes are spliced together it's about movie length).

First Hot Topic got a lot of new Over the Garden Wall merchandise including a pocketbook shaped like Greg's frog. (which I think my mother would have appreciated since she loved pocketbooks that look like plushie characters even though she never got to see Over The Garden Wall). Over the Garden wall is a gorgeous, gorgeous hand-drawn animated mini-series about two brothers lost in a surreal and fantastical enchanted forest. What makes this Isekai (wizard of Oz-esque) style fantasy unique is everything the boys encounter comes from vintage (late nineteenth century and early twentieth century) New England Hallowe'en, Thanksgiving, and Christmas / Yule postcards. Much like Nightmare before Christmas I consider this a multi-holiday story. The original plan was that the boys would return home on Christmas but at the last second they decided to have the boys return home on Halloween instead. The mini-series is visually gorgeous and won an Emmy for Outstanding achievement in animation. It features the voices of Elijah Wood, Christopher Lloyd, John Cleese, and Tim Curry. The main song "Into the Unknown" and others are provided by Jack Jones (The Love Boat). Over the Garden Wall originally premiered on Cartoon Network on November 3rd 2014. But I didn't see it until the summer of 2017 and that is when I fell in love with it. It's sweet, spooky, wholesome, with a good message and loving homages to vintage Americana. It's so wholesome and warm that it's like chicken soup for the soul. And yet it is also delightfully surreal and Gothic.

Now it seems that the creators of Over the Garden Wall are collaborating with Aardman, the studio that makes Wallace and Gromit to do "something" stop motion for Over the Garden Wall's 10th anniversary on November 3rd. There is speculation as to what this stop motion special could be. It could be a re-created Over the Garden Wall segment (or the entire thing) re-done in stop motion with the original audio track or a short sequel-like special presentation. If you have never seen Over the Garden Wall I highly recommend it. It is currently available on DVD and streaming on Max. https://www.inverse.com/entertainment/over-the-garden-wall-stop-motion-sequel-aardman https://www.gamesradar.com/entertainment/fantasy-movies/halloween-favorite-over-the-garden-wall-returns-to-streaming-teases-10th-anniversary-collaboration-with-wallace-and-gromit-studio/

[stylestream]

Amal Clooney (with George Clooney) | Atelier Versace gown | The Boys In The Boat Los Angeles Premiere | 2023

[oneatlatime]

The Avatar Returns

Exposition as an opening theme song is an interesting choice. I thought that was a quirk of the first episode, but nope. Less catchy than an actual song, but probably less annoying that hearing a song 50+ times in a row.

Episode 2 starts right where episode 1 left off, making me think that this must have been a two part premiere.

Yeah, Sokka is right. Gran-gran is right. Katara's known this boy for five minutes and she's already breaking what seem to be basic, long-established, life or death rules. See this is why gran-gran weighs Katara down with washing Sokka's dirty socks (and probably any other chore she can find). The first time this girl has more than five minutes to herself she endangers everyone (albeit with help). But Aang seriously doesn't get how dangerous the situation is, what with him being frozen for a hundred years. Katara had to be the responsible one with regards to the ship and she blew it. And now presumably they're all gonna get melted to death. Or burnt. Fireburnt? Firebended? Killed a bunch.

"Well I'm banished too!" UUUGGGHHH wrong hill to die on! This girl goes from 0 to 100 lightning fast. Although if the Fire nation do attack, Katara may be setting herself up to be the sole survivor of her village.

Why does the temporally dislocated 12 year old have more sense that Katara? So bossy and hotheaded and teenage girl-like. And she's known him for five minutes, why is she heartbroken by his leaving? Girl you feel too much.

"I haven't cleaned my room in 100 years" such a simple joke but it completely caught me off guard. Aang's priorities are so in line with what an actual 12 year old prioritises. I love it.

Laying it on thick.

You know it's too bad that igloos don't have wooden doors because I think Katara would feel a lot better slamming one right about now. Don't yell at your grandma.

Can ice do this? Also Appa looks so comfy. The one time I lived somewhere with bay windows & box seats I sat like this all the time. Messed my neck up every time I did, but that didn't stop me. The comfiness outweighs the pain.

They weren't kidding when they said all the men went to war. I was expecting a Helm's Deep type situation where old men and younger teenagers would be there to man the defences. But it's really just Sokka. That's an impossible burden.

This is the second episode of a kids' cartoon so I don't think they're going to kill anyone, but if this were a more realistic show, or real life, that whole village would be doomed.

What a shot! And he's not running. That's an unquantifiable level of courage.

Boat's got no brakes

That is not where I was expecting that ship to open.

The fire benders have horns. And I bet that steam coming out of the ship smells sulphurous.

That might be the best possible outcome. Head first in a snowbank is embarrassing but not fatal. Also war cries are manly but they give advance warning to your target. Hush up.

I love the "show no fear!" kid. Sokka's genuinely got these little kids believing in him. The potty break scene last episode shows that he pretty much has no idea what he's talking about but he's got the kids convinced! And the moms probably appreciate him taking charge of them for a few hours, even if he has no actual combat experience. And he keeps getting up!

How hard did he throw that boomerang!?! It took 24 seconds according to my DVD for it to come back.

It honked. Lord have mercy it honked. I have a weakness for well-placed sound effects and this one got me. Also these other soldiers must have orders to be as useless as possible. And do they all have the same face?

Zuko's spent years meditating? Don't believe it. Unless angry meditation is a thing? Maybe he has to meditate himself into angriness before he can burn stuff? Like work up a rage? Just guessing.

"Well you're just a teenager" They're all babies! All of them!

I repeat, Katara you feel too much! You need to grow up apathetic and cynical like the rest of us dried up adult husks ASAP or else you're really gonna be hurting.

"Take care of Appa for me until I get back!" I love this. He's announcing at maximum volume that he's going to escape and none of the fire soldiers react?

Sokka my man of practicality and action. Gran-gran my grandma of practicality and action. Katara my annoying little sister.

Is Zuko's little speech to Aang supposed to be a veiled insult or is he just making small talk? Obviously it's exposition for the viewer re: how monks are raised, but why did he feel the need to say that? Also your dad likes sticks? Cool. We all have hobbies.

So pretty.

Sokka, my man of synonyms. So Appa understands basic language commands but not spoken English. Heartfelt pleas won't get him flying, but yipyip will.

These two are such siblings. "big deal he's flying" careful there Sokka, you were nearly uncool in front of your younger sister. That can be fatal.

Aang is so polite when he's wiping the floor with full grown men. Also he has crazy good aim. That trick to break the ropes? How?

To be fair, Aang said he'd go with them, not that he'd stay with them.

Burrito Zuko

Aang's whole defense is running away. And it's working! Not the bit with burrito Zuko but he's actually winning this fight.

That mattress slam is brutal. I know this is a cartoon and physics isn't real here, but that caught me off guard. How is Zuko still conscious?

Prince burrito is a parkour champ.

Appa! Has the same problem as Sokka re: announcing sneak strikes.

Zuko what was your plan? Knocking him into the water doesn't recapture him.

Yep. Appropriate reaction to cyclone Aang.

So Aang does know how to waterbend. Katara didn't need to go north after all.

Love the head bonking callback.

This is genius on the fly problem solving. Only works backwards? Then do it backwards! Also these guys are dead. They'll suffocate long before they freeze.

"Shoot them down!" He orders... himself?

Siding with Zuko over the old man on this one. Aang is crazy powerful.

I just realised his eyes are different sizes. Does that impact his vision? For that matter, if that is a burn from taking a fireball to the face, how does he still have an eye?

So so pretty.

A literal cloud passes over when a cloud passes over their conversation. Clever.

Aang's waterbending was instinctive? Or only accessible during the glow-up. So they do still need to go north.

Katara you know your brother so well. He does indeed want to knock some fire bender heads. Sokka, having defeated his nemesis the potty break, now moves on to greater targets.

No matter what goes on in the show, all episodes end on a high note because that credits song is just so good.

Final thoughts

This was good! I think I liked this episode better than the first one, which makes sense. The first episode has to do all the set up, it's the next one that can have fun. Those moves Aang was pulling in the ship were really impressive. And really clever too.

Still loving Sokka, still loving Aang, Zuko was less of an asshole this episode. He also felt more competent, or maybe coherent? Like his character hangs together better, despite the butt honking. I laughed just typing that. I'm still not used to Zuko's voice actor though. I like how unique all of the characters' voices are in this show so far, but Zuko's still feels out of place to me.

The show doesn't dwell too much on Sokka facing down the fire nation ship (there is lots of build up but it gets played for laughs), but I think it's the stand out moment for me in this episode. Obviously it was foolhardy and a doomed effort, but it was also Sokka very literally fulfilling his responsibilities to the village. He was tasked with protecting his sister; he did. Goofy as it is, this moment is a win for Sokka. Not wise, but a win.

I love that Aang is 12, and feels 12. So often fiction about kid heroes that is intended for young readers/viewers has characters that feel like adults despite their stated age, but Aang feels 12. Katara feels like she's trying to be a grown-up so hard but keeps slipping up and acting her actual age. Sokka feels like he's trying to act as he thinks a man should, but keeps getting called out by Katara and responding in a way that fits his actual age. They close out this episode with plans for a multi-stage animal-riding safari. I love these priorities. Saving the world can wait, hopping llamas cannot.

My one problem with this episode is Katara. She needs to slow down, dial it back, stop yelling at grandmothers, and stop feeling everything at 110% before she exhausts herself. I get that the South pole and a grand total of like 25 people is probably a really boring way to grow up, but she threw herself heart first at Aang with near-suicidal enthusiasm, assuming that banishment in the South Pole would actually be a death sentence. I don't know how old she is, but that is such a teenage girl thing to do. And she's gonna get hurt!

Next episode needs more Sokka quips and more Appa. I would watch whole episodes with just Appa. I'd watch a whole Sokka episode too.