#The Adventure Zone: Ethersea

[under-the-etherzine]

Contributor Applications!

Applications are now open!

[Image ID: White and teal text on a blue gradient background which reads "Applications for Under the Ethersea Zine are now OPEN June 25-July 31." end ID]

[wordswithkittywitch]

A question is posed to the crew of the Coriolis: Is Amber a MILF?

Zoox: Well, I don't think she's an M...

Devo: And I say this with... affection? Caution? But I've never met anyone who would LTF her.

Amber: Hey, I have been F'd more than anyone in this room and I can guarantee you they all L'd it!

Zoox: I have no idea what we're talking about at this point.

[foundfamilyhq]

[barrybluejeansandbestjeanist]

If I had a nickel for every time there was a fictional cult that intentionally hunted animals to extinction and the main character had to infiltrate them and destroy them from the inside out, I would have two nickels.

[mooselybased]

So I wanted to draw a lil' something in celebration of The Adventure Zone hitting ten years old this year! Which turned into me drawing a pretty big something featuring (almost) every player character from (almost) every campaign from these past ten years.

So here's to Adventure Zone Balance, Amnesty, Commitment, Dust, Graduation, Hootenanny, Ethersea, Dadlands, Steeplechase, Versus Dracula, and everything that's still to come!

[wordswithkittywitch]

Skunknuts® Wine goes through you like a wild ape.

req'd by @cobalt-knave

im gonna be real idk if hell has grapes

text: Where grapes! Go to hell!

[canonically-asexual]

So we all have our favorite TAZ moments, story beats or character interactions or lines of dialogue. But I'm curious, what are everyone's favorite OOC moments. Those little moments where it's just four guys playing games together. Fourth wall breaks or table talk or giving each other hard time. For me it's a tie between Griffin's "oh my god!" when he realizes that Justin is attempting to scam Garfield in episode 50, and the boys reaction to Griffin saying "And then you wake up," at the end of the first episode of Eleventh Hour.

[nillial]

i just think that she'd pose holding a blinkshark like those straight dudes on tinder do with a bass

[tqtc-art]

Quick meme doodle

[headknight-oh]

I miss Fitzroy Maplecourt, knight in absentia to the realm of Goodcastle. Need me a cross over episode with Fitzroy and Devo and Taako where they go in little elven twink adventures together and hate each other

[justanotherragequit]

What the adventure zone ethersea cast teaches us:

Amber: bottling up all your emotions only leads to you hurting the people close to you.

Zoox: where you come from doesn't matter, what matters is who you became.

Devo: the DM cannot stop you from making your character French and autistic.

[baconmoop]

"Hey, who's your favourite character in Ethersea?"

[knightforflowers]

revisited an old concept from March I entertained for a while about the Abyssal Auction being more like a fancy masquerade ball (purely bc I love drawing these types of outfits <3)

(maskless alts under cut)

[foundfamilyhq]

[exponentialcrisis]

there are many great moments in Ethersea, but one of the funniest to me is the reveal during the naming of the Coriolis that they coordinated to dunk on Griffin w "The Littlest Baby"

[thecheshirerat]

On TAZ-

Wow that sounds like I’m about to summarize some sort of discourse but I promise I’m not. I guess I’ll say that I really like this show and I will keep listening even if my worst fears come to pass, so keep that in mind!

For reference, I started listening near the end of Amnesty.

I’ve noticed, with the past few arcs- really since Ethersea- the narratives have just… not been fulfilling their promises, so to speak. They’ve been placing a lot of guns that don’t go off. What I mean by that is, the characters are great. Excellent, really. Lady Godwin? HELL YES. Emerich Dreadway? Fuck yeah! And so on! And the settings and premises have been epic- the goofiness and also horrifying nature of Engrave, the mad and thrilling world of Steeplechase- these things are COOL AS FUCK.

and then the actual narratives keep flopping?

And honestly, I notice it most in the endings, because you can really tell when an ending doesn’t land. You feel the sense of disappointment. But with vs. Dracula, for example, I could kinda see leading up to it that the ending couldn’t really BE anything special, because they lowkey didn’t set themselves up for it.

They spent the campaign fucking around in Engrave, finding clues and solving problems and not really experiencing any particularly meaningful character arcs or growth or, idk, forming relationships? So there wasn’t much to pay off, I’m not gonna lie!

Of course it doesn’t feel quite as dissatisfying when you’re in the thick of it, because they’re funny and the stuff is cool and- oh hey! Lady Godwin’s been turned into a werehorse against her will?? that’s got some real potential for a LOT of allegories and exploration of some fun character development! And then it’s kinda played as a joke. And then they do that again and again.

And they actually said that that was a move they made intentionally, in the TTAZZ. I’m not quoting them perfectly here, this is from memory, but I do remember them mentioning that they wanted lighthearted comedy without the burden of real life story stuff. And I get that, honestly, but… it’s not the choice I would’ve made. I do think you can keep a lighthearted tone while also, idk, forming relationships and wholesomely engaging with some amount of emotion. And sometimes going way too deep is funny as a tone shift!

But I digress. One thing that’s also popped out to me is the almost complete lack of any kind of romantic storyline or even references. This becomes obvious if you’re in a fandom because everyone is always dying to ship SOMEONE, and you can tell when people are really getting desperate. I don’t blame them for not wanting to roleplay romance with their family, and I do think stories lacking romance are COOL and SHOULD BE ENCOURAGED!

However if you can’t find ANYBODY to ship together… that may mean you just don’t have character bonds. The growing popularity of the PC polycule is interesting to me; I wonder if it’s partially because

a) none of the pcs have significant relationships outside of their party and

b) even within the party, there doesn’t seem to be much chemistry between any given pair of characters…? I hope I’m making my point well here- the PCs all seem equally close and have more or less the same relationship to all of their compatriots with little distinction, meaning, essentially, no shipping fodder that doesn’t involve just all of ‘em.

Either way, it makes me wonder if I can blame the “Graduation has too many NPCs!” critique. They really stopped giving the parties tag-along main NPCs after graduation, with the exception of maybe.. Urchin? Kodira? Shlabethany? Poppy? and even they get relatively little “screen” time. Steeplechase has great NPCs, I love them to death, but none of the PCs seem to ever have one on one conversations with NPCs or each other that do not explicitly focus on the plot. And I think that’s part of why the characters feel so underdeveloped despite having spent a lot of time with them- because in this character-driven genre, we get very little insight into their feelings or motivations or even their rudimentary backstories.

I started watching Fantasy High recently and it made me realize a couple things about TAZ.

1) Recently, TAZ has sooo few core NPCs, and it’s weird that the characters aren’t doing more one-on-one purely character based scenes. And that makes it really tough to develop them.

2) TAZ is- and I should have realized this before- one of many good dnd podcasts. They’re probably looking for a niche they can master.

And it sounds like they’re trying to get back to that old “Here there be Gerblins!” energy. They’ve referenced it so many times in recent TTAZZes- they wanted to be job-focused, allowing story stuff to happen organically, so they tried a more open world vibe with Ethersea. They wanted to be less afraid to kill stuff, so they tried playing criminals (and were still afraid to kill stuff). They wanted to be silly and light on character, as they tackled with taz vs dracula. Now they’re trying to bring in the silly cartoon vibe with Abnimals. I think they’re trying to make that family-friendly, funny and goofy show their niche. Something other actual plays can’t be better at them at.

And honestly it kinda makes me sad, that they keep trying to go back to Balance while ignoring everything they learned during it. Because I loved Dust. Because I loved Amnesty. Because I loved Ethersea. I loved these past arcs! But they keep doing their brilliant characters dirty for some reason!!! And i don’t know why!!!!

You know that meme about people who ask questions in movies and then the person responds “Have you ever been to a movie before? You watch them and the information is revealed.” There have been so many times in TAZ recently where information has Not been revealed and if they keep doing it the audience will stop bothering to suspend their disbelief, because the trust just isn’t there.

What is Montrose’s deal? What on earth was Carmine Denton’s whole thing? Tell me more about Zoox’s feelings, about Devo’s past, about Amber’s future. Show me how Lady Godwin feels about the body horror that is her life- like, seriously! WHY DID WE HAVE TO COMPLETELY DISMISS THE OPPORTUNITY TO DISCUSS GENERATIONAL TRAUMA IN MUTT’S LIFE FOR A JOKE??

Do you remember in Steeplechase where the boys were getting medical attention or something- i don’t remember, but they were all in one room and only talking about The Plot. And Poppy literally banged on the door (speaking for both Justin and me, tbh) and was like “does anyone want to share any feeeeelings??” and they were like NOPE! and they moved on!!

like. cmon. you can’t just put a character like montrose out there and then leave them severely underdeveloped to the point that what would be interesting in proper context, with audience insight, becomes confusing and chaotic.

I just wish they would take their stories as seriously as we do.

It feels to me like they don’t believe in themselves, and it makes me sad. Maybe they didn’t get the response they wanted from Ethersea and so they’ve been trying to pivot, hoping to recapture whatever it was that earned them a loyal audience.

Again, I love them. They’re so funny and I’ll keep listening until the day they stop making this show, and when it happens I’ll cry.

But i KNOW they have more in them. Remember the “we’ll grow gills” monologue from Justin in the Prologues? Remember Travis’s SOLID acting with Devo? Or his awesome choice to give Lyndon/Beef a clearly delineated work/irl identity? His excellent narration and prose? Remember when Montrose described being lonely?! Remember all those moments where Shit Got Real and you cared??? The nanofather said some dope shit! dracula and victor and sweater dracula had such a wild dynamic! Clint’s acting in Dust 2- I can’t remember the characters name right now- was ASTOUNDING, I genuinely didn’t know he had that in him and it blew me away!

I’m not referencing Balance on purpose, both because the fandom is way to hung up on it and because I want to prove that you don’t even have to look at Balance, or even Post-Balance arcs, to see this kind of good cool stuff!

GAAAAAAAGHHHH!!! I want them to have fun. But also. We’re starving out here.